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التصوير الموسيقي في الشعر الاندلسي عصر ملوك الطوائف والمرابطين == The Imagery Musical In The Al - Andalusian Poetry : Era Of Al - Tawaif And Al - Moravid Kings

اسم المؤلف: محمد عادل جاسم حمادي
اسم المشرف: نصيرة احمد حمزة الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تضمنت تلك الدراسة مجموعة الدواوين الشعرية المحققة في عصر ملوك الطوائف والمرابطين , والتي حظيت باهتمام الباحثين في جميع المجالات الادبية والنقدية , ما اعطانا حافزا لدراسة الجوانب الموسيقية التي لم يسلط الضوء عليها سابقا. الفصل الاول : درسنا فيه التصوير | Chapter one discusses musical imagery.In this chapter there are three sections : Section one : assimilation imagerySection two : metaphorical imagerySection three : metonymy imagery The researcher in this chapter discusses the relation between rhetorical imagery and music : was the poet successful in relating rhetorical imagery to music ? Are there discrepancies among poets in the extent of drawing such a relation or not ? ln chapter two , the researcher studies poetic and musical structure. This chapter is of two sections : section one is about poetic functions ,which are eulogy , elegy , love , wine , description , pride , and lampoon. Taking into consideration the different views of critics and prosody specialists , the relationship between meter and poetic functions , verification of authenticity of such views within analysis , and was the poet successful in relating meter and poetic function with musical imagery structure or not , were also discussed in this section. Section two is about the structure of Andalusian terza rima. the functions here were ; eulogy ,elegy , wine ,nature , and love. ln this section the relation between meter and poetic functions , within the structure of poetic imagery concerning Andalusian terza rima was discussed. Chapter three discusses the features of prosodic structure. lt is comprised of two sections. Section one studies external music , including two functions ; meter and rhythm. Section two is about internal music. ln this section , the researcher deals with repetition , paronomasia , relating second hemistich to the first , concord , inlay ,and rotation. these arts have vital prosodic importance in the contribution of the structure of the musical imagery. The conclusion included the outcomes of the study followed by references

الغربة والحنين في شعر الجواهري

اسم المؤلف: محمد حسون نهاي
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الشفاعة والاستعطاف في شعر العصر الاسلامي : دراسة موضوعية فنية

اسم المؤلف: فاطمة سعد دواس
اسم المشرف: محمد فليح حسن الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:

البناء الفني في شعر ابن زمرك الاندلسي 797هـ == The Technical Struchure Of The Verse Of Ibn Zumrak Al - Andulsi

اسم المؤلف: علاء طالب عبد الله العاني
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Islam ruled Andalucia for eight centuries during which Arabs Iaid the foundations of a great civilization. Andalucia became the bridge on which the Arabic culture crossed to Europe. When conflicts and domestic differences spread, the nation split up and became too weak to stop the Christian attacks in the north of the island. However the Arabic cultural heriage remained as a witness of the Arabic mental talent represented in various fields of Knowledge. Hence research work should reveal those distinguished masters of literature and their precious treasures. Ibn Zomrak was of those masters who marked an important stage out in the history of Arabic thought in Andalucia during a critical period of a threating collapse. He lived in the first half of the eighth Higri century and became one the distinguished people of the cultural movement in Grenada where litrary life flourished despite the deteriorated political conditions and the retraction of Arabic rule and the fall of the big bases in Andalucia. Ibn Zomrak was one of the Andalusi poest hose poetry was characterized by Keebing the inherited from and exploring new ideas , meanings, and images. He was one of many other poets whose potry needs to be exblored and revealed to readers to establish one pillar in the Andalusi studies. This study attempts to shed light on one of the poets of Andalucia whose poetry was scattered out in various Andalusi and east and west Arabic countries. The study collected, analyzed and verified his poetry and put it in its proper place among the poetry of his contempoatry great poets such as Ibn Elkhateeb, Ibn khatima, Abi - El - Bakaa, as he had a great aristic talent of writing poetry. The study is made up of an introduction, four chapters, and a con clusion. The introduction deals with the poet's evvironment which represents the geographical, political, cultural and constructional aspects of Granada; the birthplace of lbn Zomrak, and all of its surroundings such as hills, mountains, rivers, gardens, etc. In the introduction l referred to the policy adopted at home and abroad and the treaties of reconciliation and and friendship between the Kingdom of Granada and its neighboring countries. part of the inteduction tackled the conflicts among the members of the ruling family and the political relationships between the Kingdom Granada and the friendly Kingdom of Morocco ( Kingdom of Bani Mareen ) and the enemy Christion Kingdom of Castilla and Argoon. Then I dealt with the cultural environment and the literary development as a result of Bani Nasr's encouraging of a group of distinguished poets, thinkers, linguists, scientists, and doctors and the establishing of Yousofiya School and recruiting the best qualified teachers for it

المتن والهامش في الكتاب لــ ادونيس : دراسة نقدية == Text And Margin In Adonis's "The Book" : A Critical Study

اسم المؤلف: عز الدين صخي خضير
اسم المشرف: عصام عسل حسن العتابي
الموضوع العام: اللغة العربية وادابها
السنة: 2006
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The thesis deals with the text and the margin in Adonis's "The Book" A Critical Study. It describes the central saying which dominates the content of The Book on special level. On the other hand, It dominates the history of the population on public level. It is a hegemony throwing light on Adonis's view point who has uttered the culture of the transformed text. It springs from philosophical basis, believing in the principle of move due to the move of reality, leading to guarantee the Adonisian pure transformation, that forms an intellectual, knowledgeable, innovative and aesthetic break off with what is prevalence in the Arabic and global cultures.Adonisian text is interwoven one; many philosophies and culture has melted within it. Therefore, his text is a combination of poetry and intellect simultaneously. The Graphic and textual structure of the Book has gained a special importance; on hand described as a new innovative writerly text, history is dissolved within it. On the other hand, described as a science embracing all types of cultures - sometimes they cross with poetry and other time they meet with it. The former reveals the hegemony and persecution; the latter glorifies the innovation and liberation, and between this and that the opposition between text and margin, emerges the former glorifying, and the latter critical, within them dialectic occurs at which time is existed in its three dimensions (the past, the present and future) - exposing and knowledgeable - leading to the victory of the text over the margin and that is through presenting unified and comprehensive vision about reality. Its principal relies on the principle of motion; It leads the necessity of transformation. Through the induction of the whole content of "The Book" it turns out that the graphic and textual structure same as pyramid; religion serves as its basis, cylinder is composed of text and margin, and its top is the vantage point. So the start is deconstructive mode, its conflict is exposure and the salvation / vision, A structure each part of it inescapably depends on the other; and this combination of parts leads to vision / salvation. The hypothesis of thesis attempts to be proven from the introduction to the conclusion. It divides thesis into an introduction and three chapters discussing the reading of the text and margin in Adonis "The Book"; it depends on three pivots; first fundamental; second foundation; and the third the term which seeks for the potential exemplar of knowledge beyond Adonis's creative and intellectual idea. On the light of the exemplar, the term "the text and the margin in The Book" will be specified. The first chapter is The start / Deconstruction which discusses the tools of Adonis's critical view point toward The Stable / The religion. The first tool : the rebellion against the sacred; the second : the glorification of sin. Chapter two is The Conflict / the revelation which throws light on the dialectic of text and margin leading to exposing knowledge. That is achieved through three points; first is the combinative structure of The Book; the second is the dialectic the history of authority / the margin. The third is the dialectic of glorification / the body. Chapter three is salvation / visions which consists of a comprehensive vision discussing its singularity and its optimistic / pessimistic dimensions. The systematic and academic process of thesis ends up with conclusion which recapitulates the important results of the research, on intellectual level is that man in the absolute center of universe. On the creative level is that poetic writings do not correspond with axioms. However it is a perpetual transformation producing suspicion and anxiety in all certainties.

المراة العراقية في سرديات السجون والمعتقلات == Iraqi Women In Prisons And Detention Centers Narratives

اسم المؤلف: صابرين سمير عبد الخالق
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study contributed to the elucidation of important aspects of Iraqi women experience in the narratives of prisons and detention centers, through research and exploration in the literary productions without writers and writers Iraqis, reviewers image of women in political prisons as a counterweight to the power of man's endurance and commitment to ideological Bmwaagafhn and Aatqadathn intellectual, political, and presented to readers and learners.After dig deeper in a number of prison and narrative texts adopting technical analytical approach with historical and social dimension, showing the true and pre - eminent role of women experience prison and wrote about these informative and varied stage, women from different walks, including Islamist and left - wing oriented all suffered the experience of oppression and imprisonment, endured a lot of pain and agony. The study was initiated efforts to talk about the outlook literature prisons, and the statement of the concept of the prison, and then move on to the statement of historical extension of the hand, and the difference between ordinary prisoner (criminal) political prisoner and the prisoner and the prisoner on the other.Either The reality and the imagined narratives in the prisons, the study indicated in the first chapter to the two forms of texts, the first reflected the realistic experiences, and represented the second imagined texts. This was followed by talk about the relationship between literature, politics, and the political novel, and how policy has become present in the core of our lives, and then produced literature taken from the world of prison, a place and a world and a theme also addressed the role of Iraqi women in the field of political action.The woman's figure axis narratives in prisons and detention centers came a detailed explanation included all about character, and its concept and its importance, and patterns together with the main and secondary characters and characteristics and relationships, this is dealt with the second quarter. As well as the implications of intimacy and hostility, emerged through the narratives Elzimkanah infrastructure in prisons and detention centers in the last chapter of the study, which in turn wire two - way, from the first time and he went to his concept and its importance in the construction of the events and the techniques used in it. And the second to build a place and its characteristics and the impact of the places on the characters, the places have also been divided into open and closed, all by a sense of the characters that inhabit it and thus ended the semantics other Mqsidih The intimacy and hostility.

النظرات والعبرات للمنفلوطي : دراسة بلاغية

اسم المؤلف: شهد محسن عبد
اسم المشرف: عبد الهادي خضير نيشان
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: this study dealed with al - manfaluti's literature , looks and lessons (rhetorical study) according to the analytic method.it studied rhetoric , semantics preface and upgraders verbal.it included an introduction , preface and three chpters.the preface dealed with al - manfaluti's literature within the rang of criticizes and the criticizers opinions about it. the first chapter was rhetoric which studied simile , mataphor trope and metonymywhilst the second chapter was named (semantics) in which studied structures fronting , delation , omission , stating, definition , un definition statement methods : - interrogative , command , prohibit and vocative where as the third chaptertalking about upgraders verbal in its both phonetical types like , rhyme and paronomasia.and abstract like : - antithesis , compasability , good reasoning , qouoting and modulation.as the conclusion had the core of the result of the research

الهجاء والسخريـة في شعر الحطياة وابن بسام البغدادي : دراسة موازنة == Satire And Sarcasm For Al - Huttaya’A And Ibn Bassam Al - Baghdadi A Balanced Study

اسم المؤلف: سلمى كاظم نمر العتابي
اسم المشرف: علاء جاسم جابر
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: After this long journey in the world of references and resources which have given me a lot of enjoyment I am about to embark on the end of my journey, here we should mention the most important results of this research : The way of balance was not easy, but risky because it is a thorny way and comprehensive process. Balancing between Al - Huttaya’a and Ibn bassam Al - Baghdadi - in their satirical sarcastic poetry she light on whatever concerned the two pets and revealed the hidden aspects of their lives and the influences in their satirical course depending the analysis and deduction in an objective way. The research revealed the circumstances surrounding the two poets. Their effect was one which is the hard circumstances that surrounded them and created two troubled, worried and troubled characters. There were incentives for their satire and sarcasm some was psychological and some was personal, social or political. The psychological incentive was stronger for Al - Huttaya’a while the political incentive was for Ibn bassam.For the trends of satire and sarcasm for the two poets, they share some and each was unique. The subject of satire which they share is self - satire, family (father, mother and siblings), the social segments like stingy people, cowards, liars, fools, etc. Also, they satirized the statesmen like caliphs, viziers, and rulers. The technical study took the great part of the balance the two poets for the inquiries and sections included, especially imagery like simile, metaphor and metonymy. For language they differed from each other in some aspects like the satirical tone : Al - Huttaya’a was characterized by his Bedouin language with its eloquence, while Ibn Bassam's language is simple and popular. The poetic segment is the dominant form on their satirical verse. They used some of the technical methods like interrogation, imperative, prohibition, interdiction, vocative, etc. The poets’ interest with the poetic rhythm : internal and external, in terms of meter and rhyme, the two poets did not get away from the meters of Artbaic poetry which were found by Al - Khalil bin Ahmed Al - farahidy. They also cared for the aesthetic devices like repetition, inlaying, segmentation, calembour, paronomasia, antithesis and opposition, etc.In the balance of critics, the two poets have gained a high satirical rank. Both were masterful of their arts and they were called ‘the poets of satire.’The satire of Al - Huttaya’a is modest and away from obscenity while that of Ibn Bassam was obscene.Al - Huttaya’a was outstanding in personal satire, while Ibn Bassam was remarkable in his political satire due to the bad political circumstances. Finally, this study tackled the hidden aspects of the two poets Al - Huttaya’a who lived between pre - Islamic period and Islam and Ibn Bassam Al - Baghdadi who lived in the Second Abbasid Era.

شعر النصح في عصر بني الاحمر : دراسة موضوعية فنية 635 - 897هـ == The Advising Poetry In Bani Al - Ahmer Era " An Artistic Objective Study 635 - 897H

اسم المؤلف: سرى ظافر سلمان
اسم المشرف: محمود شاكر محمود
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In this study , which is entitled ( The Advising Poetry in Bani AL - Ahmer Era " An Artistic Objective Study " ) , I dealt with the concept of advising and how the poets utilized this concept in their poetry production not only to reform their society but also to preserve the last remaining of what they had from Andalus.This kind of these themes emerged in that dark period of Andalus history.The study is divided into three chapters preceded by the introduction and followed by the conclusion.In the introduction , we difined the advice and also showed the dimentions of its effect on a society.The first chapter deals with an objective study which is divided into two sections ,the first one deals with religious advice while the other deals with social advice.The second and the third chapters both are dedicated to the artistic study.The second chapter is divided into two sections, the first one included the poetic lexicon as well as the prominent styles which were adopted by the poets in their advising while the other dedicated to the artistic image.The third chapter,which deals with the poetic rhythm, cosists of two sections, the first section is for the framing rhythm (external) and the other is for the internal rhythm.Finally, the study ended up in the conclusion which summarizes the most important findings of the study

الطفولة في شعر رواد قصيدة التفعيلة في العراق : دراسة موضوعية فنية == Childhood In Pioneering Poets’ Free Verse In Iraq (An Objectivity Artistic Study)

اسم المؤلف: سجا مجيد حميد
اسم المشرف: فاطمة حيدر علي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Iraqi pioneers poets (Al - Sayyab , Al - Bayati , Nazik Al - Malaika , and Al - Haidari) affected by symbolism that linked at that period to the West and found its reaction at Arab Mation , including Iraq , They used a symbol of childhood in their poetry, There was differences among poet's childhood and as a result each poet influenceel with circumstance , where he live : for example AL - Sayab who lived in countryside and lost his mother at age of four or six his poetry connected with a losting mum and paradise , on the other hand AL - Bayati covered with hardness of city that lost the innocence of childhood , but Nazik her poetry represnted with the lovely life of childhood and playing on the sand also we see homelessness in AL - Haidary poens through his pesimists ponit of view for life.The poets used a symbol of childhood to fight the Authority by showing the defect of government in too ways : a - The authority shouId potect children because the represent the future. b - The children , women and old people are the weakest part in ‚me society and the cant face the cruelty of power people ‚ in my research I examined the phenomenon of at their poetry escaping from chilhood and found that their memories related with the village or city where they lived and I looked for the reasons and found they compensated their failure by looking for a period of childhood that represented for them a green oasis and beginning at the life also the study appears the capability of poets to use the childhood a symbol of diffrent meanings to show their experiences and goal in the life depending on their belief ideology ‚ their love and sacrifise for the homeland.

نقد البلاغة : دراسة في المشروع البلاغي للدكتور محمد العمري == Rhetoric Criticism Study In The Rhetoric Project Of Dr. Mohammed Al Omari

اسم المؤلف: زينب ميثم علي
اسم المشرف: فائز هاتو الشرع
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: فقد بينت النظريات والمناهج النقدية المعاصرة, بعد تفعيلها قراءة النص ان النصوص التراثية قابلة للتشكل وفق تصور حديث قد يختلف عن تصور منتجها, وقد اتضح مدى عمق كشف هذه النظريات للاسس التي ارساها بلاغيو العرب, التي كانت, ولا تزال محط انظار كبار النقاد والباحثي | Showed the theories and methods of monetary modern yet activated to read the text that the traditional texts are constituted in accordance with the perception of an interview differs from the perception of governing, as evidenced by the depth of these theories and foundations established by the Arabs, which was and still is the focus of attention leading critics and researchers rhetoric, reflected this perception in the project Dr. Mohammed Omari in reading the Arab eloquence, and it was the title of our research "Rhetoric Criticism study in the rhetoric project of Dr. Mohammed Al Omari" to solidify this perception, came divided Find the three seasons after booting between the Biography scientific Dr. Mohamed Omari, the concept of criticism of rhetoric, either the first chapter was titled "terms of reference of the project" has included three sections are : References Greek, Arabic and references, and the third section of Western references.The second chapter entitled "read the rhetoric" and included three topics are : the history of rhetoric, which included the history of magnificent poetic, and the date of the statement of rhetoric, and the date of the public rhetoric, the second section theories of rhetoric, which included the receipt of Western theories, Arabic and theories, while the third section was titled criticism rhetoric, which included cash of trends in rhetoric, and rhetoric bosses, and rhetorical Studies in cash.The third chapter, entitled "rhetorical project," which included three sections weakness : the concept and the term that was affiliated beneath terms that re - flick about, localized terminology, innovative and terminology, while the second section titled theoretical dimension included poetic discourse, discourse deliberative Hajaji, and of public rhetoric , while the third section came under the name Applied oriented included voice applications graphic, persuasive applications deliberative, public rhetoric applications. He concluded several search results Perhaps the most prominent. - Greek, Arab and Western Omari Project, it was the Greek in the establishment of the theoretical basis deliberative side persuasive, while formed to study the root acoustic balance, while contributed Western references in the order of these topics and consistency in a new configuration. - Track Dr. Omari in "read the rhetoric," its history and progress and the different sciences receive literature and speech from rhetorical to another in spaced periods of time, noting obtained evolution, as explained various theories special Ultimate received.

تصميم المشاهد السينوغرافيا في شعر رواد قصيدة التفعيلة == Scenography In The Poetry Of Metric Foot Poetry Pioneers

اسم المؤلف: زينب جبار حمود
اسم المشرف: ثائر عبد المجيد العذاري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: واسط
الصفحات الاولى:

دراسة الرواية العربية ونقدها في رسائل الماجستير في اقسام اللغة العربية بجامعة بغداد 2004 - 2013م == A Study Of The Arabic Novel And Its Criticism In The M.A. Theses In The Departments Of Arabic Of The Univeristy Of Baghdad 2004 - 2013

اسم المؤلف: زهراء جاسم كاظم جاسم
اسم المشرف: نجم عبد الله كاظم الدايني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The critical and academic studies demonstrated a great interest in the Arabic novel and exerted much efforts in the search, analysis and follow up of its different types, elements, artistic techniques, and narrative structure, that's why we proposed that our study be centered on the academic studies that focused on the Arabic novel through the search and analysis depending on criticizing the criticism. Our concern was limited to the M.A. theses in the department of Arabic in the University of Baghdad in the time period (2004 - 2013). The study has been divided into three chapters and twenty theses discussing in their content different concepts of the novel have been investigated. The study starts with a preface having three axes. The first has to do with literature, and the literary genres, and the second is related to the novel, criticizing and illustrating the stages the novel passed through since its rise until we received it the way it is and as has been studied in the thesis. The third axis contained an introduction of criticizing criticism, its concept and essentials. The first chapter (studying the contents and the subjects) has been divided into three sections introduced by a preliminary section clarifying the importance of the contents for the realistic novel in specific and for the novel in general. The study, in the first section, deals with subjects related to the (city and the society) dealt with by most of the university theses. The second section, on the other hand, dealt with the subjects related to (the exile, and the diaspora) after being considered by the academic researcher a phenomenon that pervade the Arabic novel in general, and the Iraqi novel in specific as a result of the wars and the policies of the governing regimes. The third section was dedicated to the (hero and the human models) that has a vital and fundamental role in the society and its social issues including the class, cultural and moral disparity The second chapter (studying the artistic structure) started with an introduction clarifying the importance of the narrative form in the structure of the novel. This chapter has been divided into two sections, the first one was dedicated to studying the artistic elements of the novel (time, place and character). The second section was concerned with studying the artistic techniques of the novel such as (ways of introducing the characters, a description and a dialogue) according to what the M.A. theses have addressed. The third chapter, on the other hand, (the viewpoint and the narrative structure) has an introduction clarifying the importance of the narrative structure and the importance of the narration. The chapter has been divided into three sections. The first section is related to the (narrative structure elements) including the narrator, the narrated, and a narrated to. The second section, in its turn, is related to (viewpoint and the narrative types) while the third section dealt with the (narrative structure) and what it implies of language, style, and structure arrangements. The research has ended with a number of findings listed in its conclusion.

الاثر القراني في الصحيفة السجادية == The Quranic Effect In Alsajadiyyah

اسم المؤلف: رؤى فليح خضير الخفاجي
اسم المشرف: رياض شنته جبر ال بطي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: Talking about Sajadiyyah, and the words of Zainal Abidin (AS) which is one of the Ahl al - Bayt (AS) corresponds to our books, and even Althaglan, outweigh the Koran, and the balance of the Imam. Valmtaatba of quotations Sajadiyyah notes two types of marks the first direct and the other indirectly to the texts of the Koran, and these texts with a value tag High replaced by the Imam (AS) for his words of what they store from a major impact in the hearts of the people, and endured from His Holiness and obviously pay all the illusions that may hatched a figment of imagination of the listener after the divergence of idealism or political or social considerations.Through the combination of the words of Imam (AS) and the Quranic text, producing a new text carries installed a new idea for the new text, as well as to sow uncertainty in the mind of the listener recitals of verses reflect the health of the march of the speaker, and the lives of anxiety disorder listener.We find Imam Zainal Abidin (AS) in his treatment of taste, in linking talk Creator and the creature, the latest running smoothly and Anbassatha Tbacth verbal and moral submerged during gustatory, Msamerh verbal and moral Valsama of his speech is hardly distinguishes the partnership between the words of Imam (AS) and Quranic verses, the skill of linking of the texts, and intensification of the meaning of which is generated from inspirational texts Mchapkh, imam (AS) by the method Aqtbacth occurs in the text of worried if you live it, and move words from sleep, an updated interactive Orh Pmadtha clothe his words, the meanings of words and their content.As well as the Toat Sajadiyyah full of the spirit of unification and language loyalty to God, passages explicitly derived from the teachings of the Koran, and mixed splendor statement, reflect the depth of faith of Imam (AS) in God, and the purity of monotheism has, as expressed by the same unifying sincere adjacent to Rtlh revelation of the verses of the Koran Wise

السيرة الذاتية النسوية في العراق == Women Curriculum Vitae In Iraq

اسم المؤلف: رنا رياض فياض
اسم المشرف: اثير محمد شهاب
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The subject of the study deals with the search for "Biography of women in Iraq" proceeding from the fact that this topic highlights an important aspect of the literary and cultural product of Iraqi women, that is represented by autobiography, which is especially important in the modern age for it can introduce information on the lives of people and communities throughout important multiple historical periods, this autobiography side with the official history which is written by the authorities away from the people's pulses and pains that are often obscured, therefore this study comes to cast the light on important aspect of these biographical works and sought to expose the side of women's contribution in this area.In culture, the importance of biography subject, that is considered as literary art, which found its way, expanded and published in the Arabic culture in general and it scored success records in writing personal and public history for writers of biography and in different styles, so this topic has been chosen after reviewing a number of topics. And after researching, we found that studying feminine biography is very importance. The importance of this literary art in academic studies for the time being is because these biographies offer live testimonies for important historical areas. This claim can be confirmed by the large number of biographies which is printed daily worldwide and the global demand for acquiring this type of writing, so Ilooked for Iraqi woman to find where she put her footstep in this area and found that there is no academic study devoted to tracking the feminine product of biography in Iraq, while this biography reserves a paramount importance as a cultural and civil indicator of the developmental process of the Iraqi society progress with the beginnings of the woman's movement, which has devoted its efforts in the field of women's rights to teaching and education, which later on developed into a participation of women in political conflicts, and the witness on the historical stages experienced by Iraq starting from the Ottoman occupation, the royal area of Iraqi history and the struggle against dictatorial authority down to events of the years after 2003.Finally, the study aimed to reveal the reality of Iraqi woman in addition to the disclosure of the reality of writing the feminine biography in Iraq, as it is described as a part of the Iraqi cultural reality.The frame of the study dealt with 11 biographies of Iraqi women, whether the biographies are written by a man, an Iraqi woman or by non - Iraqi hands, they are all considered within the framework of the women's biography.Hence the research was divided into introduction and preface which dealt with women biography and awareness of writing.The research discussed writing biographies for a number of Iraqi women writers in an effort to disclose the presence of women Iraqi writers who wrote biography in a way that makes writing a biography is common in Iraqi culture, trying to present the problems with that type of biographies in a time with too many types which helped in putting a different pathway between men biographies and women biographies, through which women tried to get their freedom. - The first chapter (from the body to self), dealt with the status of Iraqi woman previously and how she was treated and how she sought to have an identity, in addition to the application on some biographical models. - The second chapter (feminine point of view), dealt with the narrator and how he became an external narrator once, internal or aware narrator at another time, which had been applied in some biographical models. May be the motive that made me stand on the concept of point of view and the narrator, even though they are criticizing point of views on which had been talked about with prolixity, is tendency of writing in the text of women biography, while she is trying to hide in order to narrate her biography in different styles, including what it contains of confession, taboo, and confusions, so that the narrator took an active role in narrating divertive texts of biography. - The third chapter (maps and concept of place in the women's biography), dealt with the place in terms of being locked or open which was shown that through the application on some biographical models. Finding that the place is the most predominant in this biography because of its relation with the woman who is a result of eastern culture which makes her prisoned in a closed place.The most prominent finding which our research reached is that the Iraqi woman possessed an identity. And proved her presence and became side by side with the man completing him , not behind or following him.

تضمين مشاهد القصة الموسوية في الشعر الاندلسي عصور (الطوائف، المرابطين، الموحدين، وبني الاحمر) == Inclusion Of Scenes From Musa Story In Andalusia Poetries In ( Tawaef ,Murabit , Muahdeen And Beny Al - Ahmar )

اسم المؤلف: رغد فاضل علي
اسم المشرف: فاطمة حيدر علي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The importance of Andalusia Poetry in the four periods : Tawaef , Murabit , Muahdeen and Beny Al - Hmar that includes Quranic story ( the story of the prophet Musa ( p b u h ) technical and sin poetry acquiring high skilled aspects.Through it the poet showed his ability and culture by his continuous communication with holly Quran.It shows inclusion of Quranic words , terms and expressions in both reference and indication according the mechanism of construct texts and include them in Andalusia poetry through various thoughts and doctrines.Also through motives that could introduce the poetry according to the necessity of the motive either this motive was religious or social.Then it reach the poetic image that is based on giving poetic speech a sensitive scene that penetrate the mind of the perceiver to bring the image as soon as possible and visual dimension which gives the originality and roots to the poetic experience specially it is mixed with religiousaspect in the prophet Musa story.

الحجاج في شعر الكميت بن زيد الاسدي == The Protest Of Al - Kumait Bin Zaid Al - Asadi

اسم المؤلف: رشا فاضل سواري
اسم المشرف: عبد الحسين عبد الرضا العمري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: The protest(Al - Kumait bin Zaid Al - Asadi). This study displays the subject(The protest of loyalty) as described it as a wide range for the protest,and that made it related to the problematic which rasied by rhetoric and lingual speech and communcation.The study includes perface and three chapters : The structure of protesting text, logical indications in Al - Kumait poetry and the protest and poetry. The preface dealt the concept of the protest and loyalty as language and idomatically.It tried to find relations between the protest and loyalty because they are very important in the speech protest. The first chapter ,the structure of the protest text is dedicated to search in the concepts of the structure and the protest text and the methods of its structure and characteristics and the most important conditions which are underlied the protest in certain textand the most important features which distanguish it for the other texts. The second study dealt the linguistic structure of the loyalty of the protest text. The second Chapter offered the connection the protest with figurehead logic under the title of logical signs in AL - Kumait which is divided into two sections the first is in the meaning of the connotation, logic and showing their linguistic and idomatically meaning and this Section dealt with the meaning of the logical connotation and its functions in the protest of Al - Kumait potery by focusing on a group of the concepts such as connections, the factors ,the principles, relationships , power and peace of protest and results power and metaphorical sayings that located at the top of the protest peace.The issues are consisted which raised by the implications of mental , natural and objectivity and protest of these indications that served each issue presented by the poet. The third chapter which called ( the protest and poetry) was set aside an applied the elements of protest for the adults ,it is a study of aesthetics that the protester depending on them.The research is divided into two sections.The first in the protest of the poetic dialogue and the second presented the connotative and aesthetical aspects for the poetic image and appearing the hprotest aspect from it.

الظواهر الاسلوبية في شعر زاهر الجيزاني == Stylistic Phenomena In Zahir Al - Jeizani Poetry

اسم المؤلف: رحيم خنجر جوني
اسم المشرف: جاسم حسين سلطان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The poet Zahir Al - Jeizani is one of the seventy s generation poets that seeks for the renewal and contrary the form and content of the modern poem.He started with the vertical poem as a traditional exercise , after that he wrote the rhyme poemaffected by the pioneers liveliness.Then he wrote the prose poem. The headline of my research “ Stylistic Phenomena in Zahir Al Jeizani Poetry “ that suggested by my teacher Dr Jassim Husein sultan Al - Khalidi. I found it as a worthy , because it is one of the subjects that didn’t teach on the higher studies level. In addition to that , my desire to study the modern Iraqi literature that represents the natural resource for our literary legacy for different ages and the cultural and critical poetry that Al - Jeizani has , was another motive in studying this poet according to the stylistic manner and the fewness of the modern stylistic studies of the seventy s generation and be limited to artistic and analytic studies. The importance of this study is the concentrate of the stylistic phenomena that distinguish Al - Jeizani poetry and how it connected with him and psychological affect on him. The first chapter is about the phonetic level (rhythm structures )and it is divided in to three topics , the first topic included the frequency studying as an artistic expressional need in the poetic text.The poet made it as a style in many contexts such as words, verbs , letters ,sounds and punctuation marks frequency. The second topic is about the revolving phenomenon as one of the modern poem requirements and its psychological and emotional on the poetic text. The third topic is about variety of the rhythm and types of the rhyme according to the mental requirements and modernism in the modern poem structure. The second chapter is about the level structural and included the stylistic structural phenomena in the poet language. It divided in to three topics , the first one is about the question and calling phenomena as a stylistic request that covers his poetry and helps to motivate the poetic meanings.the second included the verbs tenses far from the obligated tense and how the poet gave it new standards by changing the tenses to make the poem as pulsing or living tissue The third topic included different stylistic patterns that came in his poetry like the pronouns structures and the advancing and retardation that came as a stylistic variety.The third chapter was specialized for the reference level. the first topic deals with the meaning glide with the presenting of the metaphor manner according to the poetry mode. The second chapter is about the colours by describing them as stylistic phenomenon that contribute with the richness of the poetry mode. The third one is about the accord phenomenon by describing as a n artistic and cultural phenomenon in the modern Iraqi poetry and its historic , koranic and literary usage.

الملامح الشعرية في روايات طــه حامـد الشبيب == The Poetics Of The Narration In The Novels Hamid Al - Shabeeb

اسم المؤلف: رجاء عبد داود سلمان الزكي
اسم المشرف: سلافة صائب خضير العزاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study tackles the theme of the Poetics of the Narration in the Novels Hamid Al - Shabeeb. The study is subdivided into a Preface and three chapters. In the preface we studied the concept of poetics in narration and its meaning. Chapter One studies the levels of the peoticlangauein the novels of Hamid Al - Shabeeb tackling in the first inquiry the ideological level, in the second inquiry we studied the expression in the third inquiry we tackled the psychological level, the fourth inquiry we studied the narrative space. In Chapter Two we traced the poetics of time in three inquiries : the first is about the narrative of time, in the second inquiry we study the level of the duration (duration). The third inquiry is about the level of recurrence. The third inquiry follows the poetics of the place in the first inquiry includes the dimension of time and its types. He narrative place comes in the second inquiry.We included in the Conclusion the most important findings of the study : 1 - The concept of poetic language is the most accepted in the poetic language, because poetic language is more expressive and better in status. In addition to that it beaches the rules ofthe ordinary language. It also displaces it and reconstructs it again in new structural order. Poetic language composes the non - compassable.2 - Time includes recalling and foreseeing. Recalling is the process of remembering the incidents from the past and calling them to the represent time by the similar to these events. The foreseeing means anticipating the future. Maybe this is related to dreams sprang from optimism and excitement.3 - For the place and its importance as far as the novel is concerned. Place includes the closed space and the open space. There is also the realistic place and the imaginary place in the novel. In the end of the dissertation were listed a list of the references and resources and an abstract in English.

الهوية في روايات حميد الربيعي == Identity In The Novels Of Hamed Al - Rubaie

اسم المؤلف: حمزة عبد الامير حسين
اسم المشرف: اوراد محمد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: In a time of rising concerns about identity, and exploding mobile questions between (what) and (from) to demonstrate the depth of concern and engage in the know (ego) and (Finalize) both attend the importance of choice for research and study and describe those concerns in Applied Life Square and not sufficiency endoscopically, and because the test it in real life Saab had to be another alternative provides this test with the possibility of getting results and achieving the same goals if the study took place on the ground, was a literary novelist field private alternative fantasy and possible to do that which is shown by the (Paul Ricoeur ) Speaking of narrative identity, the right place and novel optimal model to a full life before our eyes and the extent of sight, as they reflect what is going on society and the real life of the vagaries of the doctrines and ideas find their respective fields of applied in the life of fictional characters. We do not look at the rigid personalities, but living beings practiced her life and express their identities and existence. The Medanna Applied He novels Iraqi novelist (Hamed al - Rubaie) a virgin field in the area of study, as the novels Hamid al - Rubaie, have not been studied before, which makes a researcher at the state of total self - reliance, without that there will be help for studies dealt's (identity in novels, Hamid al - Rubaie) this is one of the great difficulties that appear in the way of a researcher who accepts the so risky combine is thoughtful text and the subject is a new one in the field of academic research studies and Altolevah namely (IDS), which began highlighted in a year later (2003) in Iraq and before that a year later (1967) in other Arab countries, and by the two dates mentioned in the rest of the world as it moved from concept exclusively in philosophical inquiry to the rest of the social concerns and anthropological, psychological, economic and cultural general. Must be clear here, we have adopted all four novels, Hamed al - Rubaie, namely : 1. novel (Travel snakes) issued a year (1987) by Dar Al - Hamdani (Aden), reissued in (2012) from the House in July (Damascus).2. novel (Almighty wrench owner) of the year (2010) by Dar springs (Damascus), reissued in (2012) from the House in July (Damascus).3. novel (new death twice) issued a year (2012) the first edition of the house spaces (Amman - Jordan).4. novel (the corridors of the dead), published in (2014) for the first house in July edition (Damascus), the last novel published writer novelist (Hamid al - Rubaie) until the date of writing this letter. Thus, the letter will address these novels applied only in an unintended message title (b novels Hamid al - Rubaie). For monitoring it had to be that Neptde search boot comprehensive and summarizes the polls - (Philosophical dimension of identity) as the origin where they Study of philosophical, but the importance of this dimension in the conceptual transformations and their impact on the earth since ancient philosophy and even contemporary philosophy which became celebrates difference. - The first chapter : it has made it (references heritage and manifestations of identity), one of the two sections : Section I : mythology and manifestations of identity, and our research under this title two points : the myth of Genesis and the Baath and healing.In the second section (folklore and manifestations of identity) : Our research under this title two points : the sacrifice and play folk costumes. - The second chapter (references and intellectual manifestations of identity) has made it in two sections : The first topic (ideology and manifestations of identity) and which we discussed a number of trends, was the first to go (Marxist) and we discussed at two points : (monetary trend) and (revolutionary hero). The second trend is the (National) The third trend that we've had in this chapter is also the (religious) and our research under this title (Shiite identity) and (Sufi identity).The second section (of self and others) has been divided by the first - Self - west and the other in which, the female pornographic west, and the other Western decadence of civilization. Secondly - and not the other Negro identity. Third - virility and femininity, which we dealt with the male patriarchy in society for women, and how the (safety) in the novel says wrench owner, was a prisoner and victim of the will of the narrator in the stallion pulled towards the trap of sin and physical abuse. - The third chapter, titled (from alienation to recognize) : it is the other came in two sections monitoring of self - isolation, targeted to protect it as a reaction to the positive direction of the will of overseas frivolous identity and the end of the clash of recognition to those belligerent self extracted sovereignty can address to die and Akhovha from any authority. So it was the first section (alienation and reification) and we dealt with each of these Mufrdtin independent study, study singled to alienation, and other Chia. The second section Vtnolna the sadistic and Almazhukip independent study, and after we checked in (to recognize.. and finiteness about death) which concluded Neil sovereignty of the popularity of death Iqbal Liberals is based upon the free and independent identity in which the reality of being manifested without fear or worry or shame, and has been the conclusion of a detective. - After the completion of chapters and sections study, we have developed the most important conclusion to our findings in our research summaries by those results. This we have adopted in the study of identity in the novels of Hamed al - Rubaie approach (descriptive and analytical) and take advantage of the cultural criticism umbrella also in multiple text thoughtful turn - faceted, and the truth about the identity and the identity of the truth behind the actions and words and freaks of San personalities and shed light on areas of silence and silent, and the dismantling of the components of identity figures the raw materials of traditional and mythological and ideological, cultural and rebuilt to show the real face behind Matqom and that her true identity.Therefore, the reader may find to our present contradictions as are raised about personal identity and read interpretive Allakhadah to the logic of identity, what Nbdi here from the multi - faceted identities interpretation, is the result of duplication and synthetic and applied in nature formative figures, Sometimes pornography and other or may turn toward mysticism show, and sometimes show isolation and alienation, and other shows of resistance and revolution and Allakhov from the face of death to freedom through the confession... and other multi - faceted whose identity personalities and express this is a reflection of the existence of another real and external we water or contextual granted by this presence, which includes his absence, and the absence of which strive to clinch his presence

اساليـب الطلب فـــي ديوان الشيخ عبد الحميد السماوي : دراسة دلالية تداولية == Methods Of Request In The Diwan Of Sheikh Abdul - Hameed Al - Samawi : Grammatical Semantic Study

اسم المؤلف: حمد عدل ناصر الغانمي
اسم المشرف: وليد شاكر نعاس الرفاعي | محمود عبد اللامي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: وقد اقتضت طبيعة البحث تقسيمه على تمهيد وثلاثة فصول متبوعة بخاتمة, اما : التمهيد فقد خصص لدراسة الكلام والانشاء الطلبي. واما الفصول فقد جاءت مقسمة على ثلاثة فصول, مبتدءة بالفصل الاول الذي تناولت فيه اسلوبي الامر والنهي. واما الفصل الثاني, | (Methods of Request in the Diwan of Sheikh Abdul - Hameed Al - Samawi : Grammatical Semantic Study)In the name of Allah, the most compassionate, the most MercifulThanks to Allah, peace and blessing be upon the master of all mankind and his rightly guided progeny and peace be upon their followers until the Day of Judgment.The nature of the research has necessitated dividing it into a prologue, four chapters followed by a conclusion. The prologue has been allocated to study the poet biography; as this study is the first dealing with his works. The research has been divided into four chapters; the first of which has dealt with three concepts : speech, Composition and request, for two reasons; the first is that the reference of the methods of request are those three concepts, and the other reason is that this research is meant to keep pace with modern linguistic studies, particularly the deliberation theory. The second chapter which has studied the two modes - commands and interdictions - is divided into three sections; the first section has dealt with the command linguistically and idiomatically as well as its indication of time. The second section has addressed the forms referring to the commands which have been dealt with in the diwan. The third section has discussed the necessitating functions of the command mode. Chapter three has been allocated for interrogation methods and divided into two sections beginning with a preface dealing with interrogation linguistically and idiomatically, while the first section has addressed interrogation particles according to their occurrences in the diwan and they are classified as particles and nouns. The third section has studied the necessitating functions of the interrogation mode. The fourth chapter entitled (other methods namely the vocative, optative, hoping, offering and urging cases), has been divided into three sections : the first has dealt with vocative mode (nature, particles, and object). The second section has dealt with the necessitating functions of the vocative. The third chapter has been allocated for (optative, hoping, proposing and urging) cases. The chapters of the research are completed with its conclusion and findings, the most important of which are : 1 - Al - Samawi's diwan includes the main original and necessitating methods of request such as commanding, praying, appealing and etc.2 - The poet took too much care of the feminine addressing in his use of the command mode , which means that he take on this mode for its efficacy in influencing society more than the confrontation mode; also, he used it when sensing pain and bitterness for what he saw of the community situation.3 - The research has proven the need to differentiate between the verb of command as an act of the speaker, which is associated with the present time, and whose significance occurs at its saying, and the compliance phase with which the verb deviates from the command implication.

الظواهر النقدية في رسالتي (التوابع والزوابع) و(الغفران) : دراسة موازن

اسم المؤلف: حسين ريحان عبد الزوبعي
اسم المشرف: شاكر محمود عبد السعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The discussion can be summarized as follows : Praise be to Allah, and the best pray and peace upon His prophet Mohammed, and upon his followers and companions. My thesis entitled ( Critical Opinions on the Altawabaa Wal Zawabaa and Alghufran theses; Comparable Study ) consist of the search on a subject arousing debate and controversy that is is there an influence between the two writers in these two theses. Some scholars see there is an influence between Almaree and Ibn Shuhayd, and other think the reverse, and the third one stand equitable between the two writer, they say that there is no influence between the two theses. All of this issue with all its reflections and what is aroused about it was a good reason for me to investigate and search about the truth through the search in the opinions and the critical thoughts which is found with in the two theses, then to find if there is an influence between of them or not. This is a new vision about the influence issue but in another hand it became scientific more than being a controversy and supposed issue. Thus I find it is necessary to divide me thesis into a preface and four sections and an end. I have focused on the nature of the criticism at the Third and fourth centuries(Hegira).Through the first part I have talked about the biography of the two writers and about the content of the two theses. In the second part I have talked about the critical opinions in the Altawabaa and Alzawabaa thesis, and at the third part I have displayed the critical opinions in the Alghufran theses, while at the fourth part I have displayed the equality between the two theses and I have centered on four items formed into four parts; at first section I have talked about the main issues that the two writers had participated in their study and this issues are; pronunciation and meaning, mode and artificiality, old and modern and the poetic steals. The second section is about what is Ibn Shuhayd write about, and the third section is about what is Abu Allaa wrote about, while the fourth section was about the equality of the language between the two researchers on there theses, and the style of them in displaying the critical issues within his thesis. After the search and the study for the critical issues which is found in the two theses I have find that there is no influence between the two critics in their critical opinions more over in their language and their style and this mean that the issue of influence and effect is not found because the huge difference between the soul and the mentality of the two writers and between the subject of the two theses. Thus it is acceptable the say of those who say that there is no influence between the two critics in there theses because of the mentioned reasons and we approve the saying which say that there is influence between the two writer in there Islamic point of view through the ( Alesraa Wal Miraaj Story ) and (fairies world ) and ( the last life )and what is mentioned in the Holy Qur'an and Sunah and a description to its people and its views concerning to Paradise and its hellfire concerning to the Hell.

شعر الرابطة القلمية : دراسة سيميائية == The Pen League Poetry A Semiotic Study

اسم المؤلف: جيدم فاروق عبد الحكيم الونداوي
اسم المشرف: اثير محمد شهاب
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الحجاج في شعر الصعاليك فـي العصـرين الجاهلي والامـوي

اسم المؤلف: جنان خالد ماهود الجواري
اسم المشرف: علاء جاسم جابر
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The present research probes into the portrait of argumentation in AlSalik's poetry. The significance of this research derives from the crucial role played by argumentation in the active intellectual life. This research makes use of modern literary theories in examining AlSalik's poetry. Previous research has overlooked this issue examining other issues like the linguistic or rhetoric aspect of this kind of poetry. It is worth noted that most of AlSalik's poetry is full of argumentation, persuading attempts and submissiveness making it argumentative and far from being simple. This research has dedicated itself to the examination of this kind of poetry from the Pre - Islamic era to the end of Umayyad era. It is theoretical and applied research in nature falling into three chapters with an introduction. The introduction entitled "The Argumentation and its Development" tackles what is meant by argumentation and how it is evolved! Start with defining argumentation linguistically and technically, and following its historical development for westerners and easterners. Chapter one entitled" Elements of Argumentation" has three sections. Section one deals with the AlSaluk poet in the Pre - Islamic, Islamic and Umayyad eras and the reasons behind the emergence of such kind of poets like the poverty, the tribal system and self - conditions. Section two sheds light on the audience of the AlSalik's poetry such as the tribe and the people in the power position. And section three presents the subjects of AlSalik's poetry like adventures, elegies, praising, etc. Chapter two explains the different types of argumentation and arguments. It has two sections. Section one spots light on the various types of argumentation such as acting argumentation, interpreting argumentation and measuring argumentation. Section two deals with the two main types of argument based on Perelman's taxonomy. Chapter three, on the other hand, is divided into two sections. Section one lists the main mechanisms or techniques of argumentation adopted by these poets to persuade their audience including linguistic tools (such as lexical choices, argumentative conjunctions and some verbs), rhetoric tools (such as simile, metaphor and allegory) and metrics (such as antithesis, antonymy and metaphor). Section two is a detailed analysis of Alshanfri's poem shedding lights on his biography and the argumentative nature of his poem. It details the main techniques of argumentation used by the poet in persuading his audience. Finally, the research has been concluded with the main findings achieved highlighting that AlSalik's poetry is not naïve in its nature rather it is based on reasoning which affects the audience and their means.

نقد السرد في مجلة الموقف الادبي (2005 - 2015)م == The Narrative Criticism In The Magazine Of Al - Maoqif Al - Adabi 2015 - 2005

اسم المؤلف: جعفر محمد ونان جاسم
اسم المشرف: فائز هاتو الشرع
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This Search Three adoptions : Cultural adoption posed represented by Almoqif Al - Adabi Magazine as it belong to the press and literature at the same time, and critical adoption by virtue of the modeling, critical adoption by virtue of detection and analysis and these three adoption came together to sets up construction structure of research ,the search turn around in the critical text that derived by critical Research, previous and studies that associated by Almoqif Al - Adabi Magazine so we will try to read accurate reading according to the persuasive means and its formative dimensions.Based on the search of the famous snappy repartee stating the following : that there asymmetrical experiences of critics have up to match in visions and consequences in parallel with that there is a difference in the platforms - with mostly - the political aspect.The aim of this research to the disclosure of the monetary values of the narrative in the Studies of the magazine moral position monthly rotating issued by the Arab Writers Union, integration requires research to capture the reins of assets and understated academic research.This attempts to search to answer the questions of banking : What is the relationship between the narrative terminology? How they were able to critics force of the issue of the disorder and after the terms of stability? And the impact of the literary theories in establishing the rules of the narrative which can define the meaning of the narrative indication and enriching the function and do a diversity of critical curricula monetary literacy? On the texts of the critical different application configuration and establishment; and that tended to appropriate evidence as registrars right ,accordingly.The criticism pass through of accomplished narrative Arabic and international levels and stages of development of the task, we will reveal in the body of the search for appropriate studies magazine criticism with this development arose configured, and we wander in view is correct, it was obliged to read carefully the magazine prepared within the framework of the extended time - frame of the number (405) of 2005m and number (523) of 2014; therefore those numbers directly from the Arab Writers Union, and I could not possessing banknote digitally; as well as the knowledge and briefed the preparation of other magazine starting from the first issue.The research ends with a conclusion with the most important findings of the research with the research recommendations, in this regard i don’t miss offer grateful thanks and respect for their modest effort , the head of council and the members, who bore the trouble reading this modest effort, apologized to them; if there are seen any errors and faults including those incumbent upon me gratitude for parents

الشخصية في روايات احمد سعداوي == The Character In Ahmed Sa'Adawy's Novels

اسم المؤلف: بشرى رياض جوير
اسم المشرف: سهير صالح ابو جلود
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This thesis which titled (The character in Ahmed Sa'adawy's Novels) aims to study a Narrative term that is (the character in the novel). The study divided in to an introduction, two sections and conclusion.The introduction studied the characters and its transformations in the Iraqi novel after 2003, and Ahmed Sa'adawy as a novelist. The first section is titled (the types as character). Its divided, in turn, in to three chapters : the marginal character, the mythicized character, and cultured character. The second section is titled (The Image of language), which divided, in turn, in to three chapters. The stylization, the dialogue and the intermediate forms, and the Aliens genres.This thesis has come up to a conclusion summarizing the final academic results. I hope that this thesis gives its benefits in the future studies to help researchers concerned with the world of narrative.

التناص الديني في شعر الغديريات : موسوعة الشيخ الاميني انموذجا == Religious Intertextuality In The Poetry Of The Ghdeeriyat From The Encyclopedia Of Sheikh Amini As A Model,

اسم المؤلف: بشرى خضير شمخي
اسم المشرف: هناء فاضل سلمان الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: My thesis entitled : (Religious Intertextuality in the Poetry of the Ghdeeriyat from The Encyclopedia of Sheikh Amini as a Model,), in which I applied one of the concepts of modern criticism which is Intertextuality on the poems taken from Islamic Heritage. My goal is to contribute to the revival of the heritage by using modern approaches.I studied the Ghdeeriyat poets from the first century after Higrah to the sixth century. The number of poets whom I studied their poetry of Ghadeeriyat is fifty - five. I have noticed that religious intertextuality was limited to the interaction with purely Islamic sources, such as the Koran, the Sunnah, biographies, and histories. That approves that these Ghadeeriyat are totally influenced by Islamic resources, as they did not demonstrate any other effects derived from other religious traditions.Koran was the cornerstone in the construction of intertextuality among poets, employing its words, phrases and connotations, using its style and reflections in a productive and interactive way. This interaction with the religious text demonstrates the evolution of the religious intertextuality. The tangible images varied in their texts including visual, auditory, and taste, it contributed to supplement the text with artistic beauty, continuous movement and imagery creativity reflecting the dominance of the sensory image in this accomplished poetic, which has added to the Arabic poetry creative a clear touch cannot be overlooked by unbiased critic.We have found that the poets of the Ghadeeriyat until the sixth century AH had been committed to the rhythm and did not follow those who tried to abandon them. They have totally turned away from composing poetry by feet of five rhythms, which are : the Hazaj, Madeed, Muqtadhab, Mudharia and Mutadara. In which they did not compose even one line. That may be because their desire to cope with inherited Arabic poetic, and respecting the recipient, as well as the lack of adequate freedom of expression and prolong the poem in these rhythms.The poets of the Ghadeeriyat preferred rhymes ending with vowel sound over that ending with constant sound in which they did not abandoned the Arabic poetic teste. The Ghadeeriyat were full of internal music, especially in the late centuries, reflecting the attention of poets to this arts after Ibn al Mua’taz had established the Badee’ and the style of modernize poets who followed Abu Tammam.

البعد الصوفي في الشعر المهجري

اسم المؤلف: بشار جمال بغدادي الخفاجي
اسم المشرف: كاظم فاخر حاجم الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: بعد هذه المسيرة الشاقة الممتعة في رحاب الروح المتعففة والمطمئنة المتمثلة بتجربة المهجر الصوفية , فلابد للبحث ان يسجل النتائج التي خرج بها , فقد عرض الموضوع ( البعد الصوفي عند المهجر ) عددا من القضايا الهامة اهمها ان المهجريين كان تصوفهم غير ديني ؛ اذ ي

الفضاء الشعري في الغزل الاندلسي من الفتح حتى نهاية عصر الطوائف

اسم المؤلف: ايمان حميد هدرس الزيدي
اسم المشرف: محمود شاكر محمود
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

معانـي التسامح في الشعر الاندلسـي من الفتح حتى عصر الموحدين

اسم المؤلف: انتظار عبـد علي محيي عبـد
اسم المشرف: مقداد رحيم خضر
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الانساق الثقافية في رسائل الجاحظ (ت255هـ) == Cultural Formats In Jahez Messages (255 AH)

اسم المؤلف: مثنى حسن عبود الخفاجي
اسم المشرف: عباس محمد رضا حسن البياتي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Cash studies have done and did not sit in the modern and contemporary on Cultural done protruding cash and reality, and had Abu Usman among trace a few of the old intelligentsia unbroken attention counterpart on the part of the largest public vast majority of researchers and scholars Arabs, and remained read mine fertile and Mcnza thickly lesson literary and rhetorical and even cash in the Arab culture, but what draws attention really is the scarcity of cultural studies that have been the heritage of bigeye through the ages and offset to some extent lack extinction and annihilation, and this is what stimulated the researcher and encouraged him towards the foot on the approach Gahzi text, Baltae cultural exchange tools, procedures and strategies monetary mechanisms large numbers, that deal with cultural material, including linguistic texts as cultural speeches overflowing serious connotations and brimming with heavy contents and the carrier of the culture of the times, which were produced under Islamic rule, and the heir to the features and Twabah and brands negative and positive, and is involved with its institutions and overlapping with their contexts and responsive to the bets and requirements and influenced and influential Bhawwadth all the circumstances, and here the central dogma espoused by cultural criticism believes in the need to approach the texts in light generated culture him; which requires the development of texts in the womb of cultural contexts snare him from all sides, if, seeking access to the results of Ttoshh specific and respectful of accuracy, objectivity and scientific far, these are cash mental nominated by the study and adopted by the researcher Barutea grasped the most trustworthy in the bigeye read messages and relentless pursuit to discover the cultural formats mingled in the cultural discourse year, which is the fundamental objective of the study diligently in order to nail him. It was Astefaina messages bigeye, among other writings to be material anatomical these to our study, the starting point of fully represent us to the awareness of cultural criticism and responsive to him, who is trying to focus on the margins of cultural material, and struggling for the sake of all phenomena care and practices that were suffering from neglect and oppression and suffocation and repression The expulsion and absenteeism on the part of the previous monetary practice, as naive and menial and trivial and practices vile and despicable and ridiculous does not deserve attention phenomena does not require study, Vrsail bigeye not partaken so large share of the study, which won him the other writings Kalpaan and Signifying, animals and even stingy, here is worthwhile to point that we adopted in our study on three different editions investigation messages bigeye, the first achievement of Dr. Abdul Salam Mohammed Haroun, the second investigation, Dr. Ali Bou Melhem third achievement Mr. Hassan Sndoba; in order to accommodate all Almtozaah messages on the three editions written by bigeye. Material research, nature and recalled that the study is divided in three chapters : above each one entrance represents the threshold is a must to enter the Mnachath and ambiance and tourism in the internal Aoualemh, preceded by an introduction and followed by a conclusion included the most important findings of the research through the study, and download the first chapter address (assets, buildings and cultural exchange) and included four topics are : the concept of cultural criticism, and the roots of cultural criticism, and the concept of the text in cultural criticism perspective, the concept of the cultural pattern, and carry the second chapter title (format obedience to the Abbasid authority and defend), and included two topics, namely : the other dropping sectarian represented the people of modern Salafi doctrine Imami Shia religious other and suppress incarnated the Christians, carrying the third quarter and the last address (coordinated social Almadlj aligned), and included two topics is the other two : aligned chromatography (concentrated blacks and the marginalization of the egg), and sexual bias (concentrated men and the marginalization of (women

الخلود في شعر عبد الحميد السماوي == Eternity In The Poetry Of Abdul Hamid Al - Samawi

اسم المؤلف: اساور ناجي حسين صالح الحسناوي
اسم المشرف: محمد فليح حسن الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: We have chosen the term "eternity" in the poetry of Abdul Hamid Al - Samawi because of the indications of awareness of eternity it carries and the way of employing it, in addition to the role it plays in engineering the text : a process which is considered one of the most important streams of the poetical experience of the creative person whie it is on the threshold of producing a new text. The nature of the topic has required that it be divided up into a preface and two parts preceded by an introduction and followed by a conclusion containing most of the findings arrived at Finally, a list of references has been added.I have followed in my research the inductive descriptive approach.The preface has been given the title" Eternity between Philosophy and Poetry", while the first part has been devoted to the" Objective Study". As for the second part ,it has been devoted to keeping an eye on the artistic factors by mean of the tools of the aesthetic molding.The research has arrived at the following findings : *It has become clear the Al - Samwi's poetry has mixed between imitation and innovation at the same time. That is to say, his collection of poetry has included the traditional topics and the modernized ones which appeared in modern Arabic poetry. It has become clear that the subject of "eternity" was conspicuous.*It has become clear that the main motive behind composing poetry was the society in general and the Samawa environment in particular. This is considered one of the most important outside attitudes to which the motive responds. The influence of the environment has been apparent in Al - Samawi's poetry as a result of how he viewed it. The influence of religious occasions has been also clear which has made the poet long for contemplating the landmarks of eternity as represented in Ahlul Bayt(AS) lofty edifices.The third motive has been represented in in Al - Samawi's pondering over life and death.Life in all its troubles and pains imposes on him pains and sufferings which makes him criticize its leisure. He has ,therefore, kept a close eye on all its manifestations. As for his pondering over death, the poet launches into mentioning death prolonging contemplating it. He has also expressed his delight upon seeing graves and casted long looks on them. He has also pondered over universe and existence.His existential concern has been clear which was its main motive to think of the other world and the eternal rest.*It has become clear that Al - Samawi's has penetrated the language looking into it as deep as his emotions using its styles in line with what he deems convenient for his psyche and doctrine. He reclines once on the eternity expressions of the heritage while in other times uses simple expressions , but the language of eternity which has taken a distinctive feature is the easy and simple language. His poetic lexicon has been characterized by the domination of the eternity expressions and their derivatives. They are considered the most dominant expressions over the poet's vision. Through these dominating expressions , he has been able to express cases struggling in his mind whether in reality or in imagination.*It has been apparent that Al - Samawi made manifested the linguistic structure in the poetry of eternity in more than one meaning as deemed convenient according to his poetic experience. The poet , therefore, has subjected for this purpose expression and constructions which he thinks they can achieve this objective. These style have varied and they have been controlled by his poetic feelings and emotions.*Al - Samawi has adopted the traditional criteria in the metrical structure of his poem. Examining carefully and employing the Arabic metres , he has revealed to us the intensity of his use to specific metres as used by ancient poets such as the metres of the Kamil, Tawil, Khafif, and Basit. He has intentionally resorted to metres diversity in texts where homogeneous and heterogeneous metres are used for the sake of waving movements among feet. As for rhyme, it looked as though it were a rich multidimensional sonorant action which has contributing to granting the text sobriety and stability.in addition to shedding light on the semantic dimension of texts.*The internal music for the poetry of eternity has reflected in alliteration and bringing the reare to the fore to express what Al - Samawi feels of. it has also been found that he resorts to repetition in its being one of the styles of expression. The poet had recourse to creating his own internal music through repeating a group of sounds which have a specific type of phonetic characteristics. He has repeated letters, utterances and constructions to perfect the meaning and fix it alongside phonetic effects to achieve musical harmony.*Al - Samawi has found in the Glorious Quran an inexhaustible fountain of meanings and utterances which have been absorbed by his mind and filled the depths of his soul. So, he started to drink of this sweet fountain living with the verses of eternity to such an extent that his texts were formation of many texts rephrased to meet his poetic attitude and vision.*The role of the religious symbol in the poetry of eternity has become apparent and the most outstanding symbol has been that of religious and historical heritage. The poet has been in the habit of recalling his immortal religious characters whichreflects his feeling that such characters were of great richness especially when we take into consideration that his look is in accordance with his psyche and poetic experience ; thus he has cared a lot for his doctrinal thought which formed later on a discourse specific to him in order to achieve cohesion between his experience and the symbol of eternity because he has expressed what he has inside himself by means of subjective motives.*The study has revealed the domination of personification in an imaginative context adopted by the poet in more than one poetic image. This personification has emanated from the passion and psyche of the poet. Imagination has extended over a huge space as regards his depictions especially after he has made the inanimate possess the qualities of the human being which has made the recipient understand and grasp the meaning more clearly ; hence the poet has been able to construct a multitude of new unrelated depictions.

جهود محيي الدين الدرويش البلاغية في كتابه اعراب القران الكريم وبيانه

اسم المؤلف: ابراهيم منذر عريبي شاطي العزاوي
اسم المشرف: فائز طه عمر التكريتي
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

خطاب النقد الادبي عند ادوارد سعيد == Edward Said Discourse On Literary Criticism

اسم المؤلف: حيدر علي عبود الطفيلي
اسم المشرف: هناء جواد عبد السادة العيساوي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Praise be to Allah, and peace and blessings on the beloved and descriptive and good creature Secretary Muhammad, his family and the divine good and lasting curse their enemies to do the day of judgment, and yet... The Edward Said of the most critics controversial intellectual of the twentieth century, due to Grandma in cash speech, in addition to numerous factors, including upbringing, education and exile, but the topics covered and private (identity remain, Orientalism, culture, imperialism, and the other, worldly criticism ) is the biggest reason for his feisty critical features mostly, and abroad for critical theory of modern lines being sees it did not meet the aspiration to detect significant text and scaled the reader into the trap of specialization, academic and wandering in the maze of text. Speech came (Said) speech opposed to the structure of Western discourse, being made culture and history which afford grand narratives, revealing knowledge of the system that drives the self - made and the other, and the statement of the concept of cultural power that drives the literary and cultural production process, according to what you are. Said cash speech represents a long legacy of philosophical and linguistic, cultural, and so you see dealt with most of the themes that are the focus of conflict and a mismatch between the intelligentsia conflict, and Ajtrah through cash Amaagath a different understanding and new.Class (Said) of the most important pioneers who sat and contributed to the emergence of cultural criticism that dealt with cultural issues and the mechanism in a way out of the curriculum in schools and literary texts address the way. Said hybrid cosmic also see it, it is named compound (Edward Said) to the birth of Palestine and his travels between Egypt and Lebanon, study the migration to America and Britain made him exiled by force and act all this was stressful to deal with topics dominate the self - free industry and the other spunResearch methodology required to deal with the topic as it goes to be divided in four chapters and boot, and see that it has been able to focus on the concept or question revolved around the thesis, which are worldly critical discourse when (said)? The boot under the title (the speech, awareness and concept) and search the boot so problematic discourse and critical literary and the comprehensiveness of literary criticism and its limits, in other words, is the meaning of criticism mainly about the high literature? What is the meaning of literature in the product of any text? And how the role of culture and history in the text? That is why we stood on the word speech in the broad sense that brought him (Foucault) and used (Said) and thus move (Said) in all Ntegath within this holistic vision that sees the speech includes literary aesthetic criticism as well as a natural extension of cultural factors that affect the text. The first chapter was titled (the foundations and pillars in the said cash speech) As mentioned a little while ago it was (said) hybrid philosophical, linguistic, psychological and social thought, so we raised four axes represent the foundations and pillars that influenced them (Said) and Interview by directly sometimes indirectly at other times.Axis philosophical forward it to most philosophers who came mentioned in the monetary his speech, although we did not stand on most of them but we believe they are the most important in the visions that carried a private in the monetary his dominance, as well as goes the rest of the other hubs in a simple introduction to his life and ends with research in this chapter focus on topics which carried the earthly dimension for each axis and therefore Find walking towards the detection of intellectual heritage of the worldly (said).The second chapter was titled (worldly cultural criticism of Orientalism example) Because the (said) represents one of the pioneers of cultural criticism Find the concept of cultural criticism concept and references that led to his appearance began to have these terms of reference agreed with the terms of reference (Said) in terms of focusing on the worldly events in read the text and move away from the pillars of the metaphysical, then envisioned research and cultural exchange mechanisms, which focuses on non - adherence to monetary theory and the institution and after this introduction Turn Search towards the vision (said) to the concept of cultural criticism worldly theoretically through some of the visions and ideas put forward in embedded which was written by, and applied through book Orientalism and thus was read culturally analysis Tabakie worldly and this is what search him.Download Chapter III Title (worldly Monetary Alabestama culture and imperialist example) is an exchange of knowledge and based on Arcologgio Foucaultian fossils of the earliest mechanisms of cultural criticism and criticism worldly in particular, and this is what Layer (said) in the book of culture and imperialist, The path of research about the concept of imperialism and its manifestations holds concept different cultural authority controlling peoples colony and how to make them search for the conflict of knowledge / power zone, and then between research worldly cash engage through the concept of narrative and cultural resistance and a series of novels adopted by the (said) in a statement narrative move in the field of cognitive detection, said to see I've dish ( Foucault) Drilling Alarclogi revealing worldly knowledge - based analysis of the dimensions of the imperialist narratives.Three chapters made search was more like a development critical to speech (Said) of cultural criticism to criticism of knowledge and then to the idea of basic research on the nature of the secular criticism, came fourth chapter under the title (the secular foundation cash and achievement) questioned this chapter theoretical research for the book (the world's text and critic) which represents Based theoretical research on the development of cash, according to (Said) and the necessity to find a criticism of worldly beyond cultural criticism and critique of postmodernism, has treated research issues addressed by the (said) within the book and of the concept of the worldly, text, text, identity, and intellectual cosmic, or the concept of critic, and theoretical migratory, and the American Monetary left - wing, religious and cash, these concepts overlap on the one hand with the culture on the other hand are cash concepts touches the spirit of criticism, bearing movement (Said) Cash visions of a three - start of the world's text critic, so the search is going on about these essences.The conclusion of this journey is the station with the most prominent search results that were ultimately to this outlook in a speech (Said) cash. It must be noted that the search has not committed to a specific approach and the need to request this topic has relied on the analytical method, texts, research and Dialogue The reason that the subject taught monetary field. I would like to extend my thanks and that was a minor for the best fulfillment of the right of the professor and the mother noble tender overwhelmed me and the beauty of the great spirit of Dr. Hana Abdul AL - saida of all that effort and provided guidance was Mother Yes and yes oriented.Have been made in this work do my best despite the circumstances that were surrounded and God knows it, it was the lack of a decent enough to incorrigible your fingers voltage least bounty to God and to my teachers and virtuous Praise be to Allah

البناء الفني للموشح العراقي == The Technical Structure Of The Iraqi

اسم المؤلف: رؤى حميد منديل
اسم المشرف: فرحان بدري الحربي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The Technical Structure of Al - muashah Rema is one of the intellectual its home Al - Andulis or its range in Eastern part of Arab home land , especially in Iraq which gave Al - muashah its luster. Iraqi poets regain Al - muashah's atmosphere and regave it life after a long slumber. This study has come out with some results which confirm the aims of this Thesis. Among these results are The secrets of the beauty of Al - muashah lies in its music and since I study the aesthetic of Al - muashah comes from music. Thus , one of the results is that , Al - Ramal stanza was dominating and it was more popular in Al - Muashah than its use in Arabic poetry in general Iraqi poets of Al - Muashah made use of collocation of some rhyme types and added an aesthetic feature which enable them to achieve deviation in poetic rhyme and this gave it creativity. As far , internal music of Al - Muashah was full of explicitness , repetition and alliteration. I have found that the image sources of Iraqi Muashah did not depart from the earlier sources of Andulsim. Nature dominated the image which has a great verity. This made it easier to understand and carrying more aesthetic and artistic hints indicate to their culture. I also found that their aims were not different from poetic aims such as praise , love and prond. They achieved their intention in shortest and deepest ways. It was void of strang vocabulary , this has mad their rhymes so much related to reality and close to the readers. It has the ability to touch our feelings. The introductions of most Remas were traditional in their start with love and flirt besides using famous characters. All these these features made Al - Muashah poems liable to interpretation which raised the aesthetic value of Al - Muashah. The style of Iraqi poets was full of linguistic structures such as Topicalization , ellipsis and vocation which gave Al - Muashah some aesthetic features which serve to affirm meaning and give more poetic poer to Al - Muashah through using unfamiliar structure

نثر المعري : دراسة في ضوء النقد الثقافي

اسم المؤلف: محمد حليم حسن الكروي
اسم المشرف: علي ابراهيم محمد الزرقاني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

شعر ابي تمام : دراسة بنيوية تكوينية == Abu Tammam Poetry Structural , Formative Studying

اسم المؤلف: ايناس كاظم شنبارة الجبوري
اسم المشرف: عباس محمد رضا حسن البياتي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: All researchers agreed that the poet Abu Tammam represents an important poetical school in the history of Arab's verse, that is because of his poetical experiment represented a modifying stage in the Arabic innovation, he transferred the experiment from the emotion to the intellect and from the instinct to the meditation and prying. I presented in my current research a new reading to the verse of Abu Tammam according to the structural and formative method. That comes after an accurate study to Goldman's method and adjust his procedural tools notably in his book ( Hidden God) and I came up with that the method is about four major corners, first is : Discovering the vision of the world for Abu Tammam and then find the conceptual path that joined him with the conceptual level that represented him and make him one of its individuals. After understanding reading to his verse aimed to discover the referring environment that ruled the poetical experiment and give it the final shape. Finally, reading the structure of the Early AbbasiEra from all economic, political and cultural sides and discover the dominant conceptual structure at that time which resulted in producing that level and forming its individuals by that way exclusively and the impact of that over the formation of Abu Tammam 's verse. The early Abbasi Era is different from all other eras that preceded it, most distinguished things are : Culture and conceptual opening on the out world led to the cultural mixing between the culture of Persian, Greece , India with the Arab culture. Many conflicting conceptual schools have turned up. One of the schools is Almuatazila as the most important conceptual and cultural school represented that era and dominated all its joints and extended to the extent that Almamoon declared that it is the formal ideology of Abbasi state. Almuatazila school depended upon the mind among all conceptual schools, it analyzed the religion and prying the universe and solved problems depending upon the mind thoroughly. That came as a logic result due to the culture of the school that relied on the Greece philosophy. We can find out these prints very clear in the verse of Abu Tammam and in his conceptual attitude that he was well - known of his producing a poetic vision in which mind is raised over the instinct and emotion. In addition to the dominance of the philosophical style over his poetic language that push some researcher to return his roots to the Greece and Roman. The conceptual changes that occurred in the structure of Abbasi Era have affected on the politics and made the era of Al - Mammon is different from other eras and then affected on the society, culture and the intellect till Abu Tammam came up with a extraordinary poet as a logic result to the changes of the era.

مقبولية الانسجام في النقد الادبي العربي حتى نهاية القرن الخامس الهجري == The Acceptability Of Coherence In Arabic Criticism Till The End Of The Fifth Century Of Hegira

اسم المؤلف: علي قيس حمزة الخفاجي
اسم المشرف: محمد شاكر ناصر الربيعي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The Title of this thesis has been based on two important technical terms taken from text linguistics : (acceptability) and (coherence), in order to coin a new term, i.e. the acceptability of coherence. The aim of doing so is to investigate the critical conceptions and applications written by ancient Arab critics which might be congruent with the intended significance of this new critical term. This is especially true according to the fact that the significance of the acceptability of coherence has gained important attention by the ancient Arab critics as this research has shown. The Arabic literary and critical movements had depended on what could be called (acceptability) in accepting the literary products or in putting them in hierarchical ranks since the acceptability was declared by (very well qualified persons) according to the most important criterion of the seven textual criteria of the text linguistics, i.e. coherence. Yet, the researcher will try to extend the concept of the coherence and make it more congruent with the topic of this study. The non scholarly treatment has been very helpful in this respect; moreover, making use of this concept has enabled in shedding light on the topic of this research.The topic has been based on a plan of three chapters preceded by an introduction and followed by a conclusion which included the most important and salient results. Then, a full bibliography of reference and consulted books has been supplied.The first chapter, entitled (The Acceptability of Coherence in the External Rhythmic Dimension) which is divided into two subsections : the first, (The Acceptability of Coherence in the Prosodic Dimension); and the second (The Acceptability of Coherence in the rhyming Dimension). The second section deals with (The Acceptability of Coherence in the Internal Rhythmic Dimension). The second chapter is devoted to discuss (The Acceptability of Coherence in the Syntactic Dimension). It includes two sections : the first studies (The Acceptability of Coherence in the Syntagmatic Axis), and the second investigates (The Acceptability of Coherence in the Poetic Necessity). The third chapter, which is entitled (The Acceptability of Coherence in the Semantic Dimension), also includes two sections : (The Acceptability of Coherence in the Semantic Correlation) and (The Acceptability of Coherence in the Reproduction Dimension). All these chapters have been dealt with two critical points of view : the theoretical critical conceptualization and the application efforts concerning central the concept of the acceptability of coherence.Investigating the data of the ancient Arabic criticism has shown that the referential concept of almost all critical judgments is coherence. As a result, it is noticed that whenever this criterion is available, the acceptability will be achieved. Since coherence focuses on the semantic aspect of the ideas and thoughts found in the text, then the process of judging the consistency in the syntactic aspect will be, according to the theoretical point of view adopted in this research, either through the coherence of the semantic concordance of all the elements of a given text, or through several texts. The same is true in case of information and whether it is based on the semantic factors or on the contextual factors. This point can be achieved according to whether it tries to join the situation & the intended significance and the intentionality as the relational link between intention and the given semantic significance in the text. Accordingly, intertextuality, i.e. the inevitable relationships between literary texts, is just the semantic linkage of the syntactic components of several diverse texts on one hand and the components of the new text on the other hand. This means that coherence is linking thread between these elements which necessitates that acceptability of the coherence can be achieved whether this coherence is semantic, consistent, informative, contextual, intentional, or contextual. Using the techniques and terminology of the text linguistics in studying the Arabic critical texts covering the period of pre - Islamic decades till the end of the fifth century of Hegira has shown that every critical behaviour or speech can be rendered to only one specific foundation the acceptability. This term be very useful in pinpointing the main characteristics of the Arabic unified critical conceptualization of literature and poetry. Subsequently, this type of conceptualization can present a comprehensive account of its issues, solve its problems, and reveal its diverse attitudes. It also shows that modern criticism is able to get deep insights in the ancient Arabic criticism and make use of its vivid and active features. It also reveals the type of coherence, its examples, and throws light on the area of acceptability and its activeness in the ancient Arabic criticism.

الجهود النقدية حول شعر محمد مهدي الجواهري == Criticism Efforts About The Poetry of Mohammed Mahdi Al - Jawahri

اسم المؤلف: وجدان يحيى حافظ الكفائي
اسم المشرف: حمزة فاضل يوسف
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: Praise be to Allah, prayer and peace be upon the Prophet Noble and The God of the good and virtuous. After : He has raised Jeweler hair Shelley illustrious contemporary to him and delayed him monetary efforts, which was compounded by the accumulation of these efforts on his hair, Vtnolh critics and different visions of multiple approaches and they are unanimous in its leadership classical stage in modern Arabic poetry and renovated and out all the modalities of the flags of literature poetic classic Kalrsafa and Zahawi, this is what enticed the researcher to choose the monetary efforts revolved around the Jeweler felt the subject of his doctoral thesis. After extrapolation of literary criticism, which revolved around Jeweler hair and determine the curriculum and vision required the processing of these efforts of the various plan consists of a boot and three chapters dealt with in the boot of poetry and monetary environment in which the capillary landmarks formed when the jeweler, so what the environment from the impact in shedding light on the nature of the text cash, which constitutes the other party off the poetic text, which has the most prominent role in efforts to raise this cash around Jeweler hair and, by contrast, there was the highlight of the poetic text Majaal text Jeweler in order to touch the art feature text Jeweler restricted to this study. The first chapter has assumed the contextual study of curricula that have been text Jeweler according Vaaih cash visibility prevailing at the time and the judge read poetry in terms of its relationship to what surrounds him of the reasons for and the circumstances and conditions, has entailed four sections. Took the first part, the study of the historical method, which Jesper Gore subjective experience of the poet read through external influences, while the second section has assumed social study curriculum, and the third on the curriculum or the Impressionists (influence), while the fourth section has assumed study Integrative approach. The second chapter went to the induction scriptsapproaches in the study of Jeweler hair. The third chapter Jeweler hair as an engine in cash, came in two sections : I dealt with them according to the poetic form artistic effervescence who took a three - way distribution deals with language, image Ptholadtha rhetorical, and poetic rhythm, both internal and external. The second topic : Eating poetic subject in the text of the jeweler and how it was able to move out the subject of cash denominated in the text which is not aesthetically pleasing, and discussed two important issues : the social issue and the multiplicity of readings cash, women and the multiplicity of monetary readings. Thus ends the thesis to the conclusion and summary results and classification of sources. Can not afford the researcher after the completion of the offer to the joints of her research, however, suggests that it is beholden to her teacher supervisor Prof. Dr. (Fadel Hamza Yusuf) for his help and support every day of the search, Vdzah Me God richly rewarded.I extend my sincere thanks and gratitude to Shiyoukhi in the way of science, particularly professors of the Arabic Department at the Faculty of Education - University of Qadisiya and each of the D me a helping hand to achieve my purpose, God Vdzahm Me penalty benefactors. And Praise be to Allah, the Lord of the Worlds

الصبر في شعر بني الاحمر : دراسة فنية == The Patience In Bani - Alahmer'S Poetry Gritical And Technical Study

اسم المؤلف: محمد حسين جاسم العيساوي
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Literature Andalusian, episode of Arabic literature had been adopted, as Anmaz range of technical phenomena of what constitutes an extension morally so that Arab literature integrated whole can not be hashed no matter how different environments, including with joy Andalusian Environment, was that the hair Andalusian shift from the description of the nature and phenomena Joy to describe the phenomena of alienation and grief that has not produced a new phenomenon known Andalusian literature which is patience.I chose the phenomenon (of patience) a field of my studies, as is the link between the Albaiatin Oriental and Moroccan their differences, but they confirmed the link between eras, and showed the power of the Andalusian environment influenced by Arab literature is poetry field has required research topic that the message comes three chapters, preceded by booting , and followed by a finale, it came (boot) under the title ((assets patience in Ahlgrenatih life)), a definition between red, and offer social, political and literary life and a statement of the roots of patience in the Holy Quran and Sunnah and inherited literary, and definition of patient language and idiomatically.The classrooms are the first of which was devoted to the study of (emitters patience), and included two sections, studied in one : (Self - motivation for patience), and in the other (social motives of patience).The second chapter, it was titled (technical study, and included two sections, too, dealt with in one of them : (the study of language and style), and in the other : (internal and external music) represented by the alliteration and repetition and export permit as well as weight and rhyme.The third chapter, has been allocated to study (artistic image), and came on two sections, the first of them in : (means of the formation of the image), represented by analogy and metaphor and metonymy, while the other, came noting (for patterns technical picture) represented in the ways of visual and auditory expression and olfactory and gustatory

النص التاريخي في روايات عبد الخالق الركابي == The Historical Text At The Novels of Abdul Khaliq Alrikabi

اسم المؤلف: عادل عباس عطية جلو الخالدي
اسم المشرف: عبد الله حبيب كاظم التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: Our study entitled (The Historical Text at the Novels of Abdul Khaliq Alrikabi ) has been distributed on three chapters presided by preface , which deal with presenting some terms related to the history with the novel , the first chapter specified with readings of the historical text contents in the novels and its contents details and its objectives , besides to analysis these contents and compositions in three chapters ; the first one for speech of historical references in novels and the second we have analyzed where the political historical contents as being phenomena in the novel , the third chapter we have analyzed the social historical contents , while the second chapter has been specified to readings of functional means of the historical text in the novels , in two topics , the first one to discover the areas of presenting the historical text , the second for the technical of its presenting , the third one specified for to understanding the historical awareness presenting in the novel , the first topic to discover the historical critical awareness , the second for study the historical meditation awareness We can say that the comprehension of historical text in Abdul khaliq Alrikabi novels tackled with many historical sides , and it has own privacies and justifications. Her. we should refer that the novelist invested the historical text successfully , this result comes from the variety of writer's ways and techniques, we concluded to a fruitful results. - We concluded that historical reference point in all novels is specific from one side and shared with others on the other side. the specification comes from writer's concentration on one of historical stages with all its events and historical cases. A selection been from this historical stage from its resent historical and political issues and contemporary issues almost , shed light on it and prepare for it everything needs. To give the reader a massage of contents. sharing process we mentioned means that most novels shared in the process of recording history concerning shared condition these condition dominated with rational existence in novels. it means that historical cases found in this novel and may be found in another one as a part of its text contents. inside novels the writer presents Iraqi history beginning with ottomans age , British colonial age , monarchy age , and republic age till recent age. - We concluded that Abdul Khaliq Al - rikabi novels were full of political contexts paralleled with other novel contents. without any contrasts may found. These novels contents come as historical texts. it seems that political text of history has the widest existence , which tackled with contents of war , political power, revolution , and novels also full of social cases of importance, like historical cases of countryside , poloticovl cases of society and historical cases of civil society , and general cases about society , and social changes. - We concluded that Alrikabi depend on ways and techniques to prepare historical text and indicated that it has two properties inside it : the first about point or bases of preparing history text. The novelist has his own method to make use of history and that process appeared in the three forms. first it comes at the beginning of context, the other one inside it or out of the context besides the presence of history in novel generally according two techniques : the repetition and narrative - image. - Al - Rikabi have presented a critical and meditative realization of history in his works from many points of view, that critical realization reapers ented in the analysis and explanation which done by the anther on history text in his works. The meditative realization represented in the anther connection of historical past with the recent and future days.

صورة المراة في كتب الامثال : مجمع الامثال للميداني انموذجا == The Image of Women In The Books of Proverbs Proverbs For Complex Field Model

اسم المؤلف: زينب حسين كاظم حسون المحنه
اسم المشرف: سرحان جفات سلمان
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: وقد خلص البحث الى ما ياتي : 1 - غلب على الامثال التي ترسم الملامح الحسية الجميلة للمراة النزوع الجمالي الوظيفي حيث تصور تلك الامثال جمال العينين، والفم، والانف او الوجه عموما، واكثر اعضاء الجسد الانثوي تعبيرا عن الجمال، كما تصور ايضا الاشكال المادية ا | . the parables of the sensory profiles of beautiful women's aesthetic tendency career so imagine those parables the beauty of the eyes, mouth, nose, face, and most members of the female body as an expression of beauty, and visualize the physical forms that adorn the female body, making body image as a form drawn by two main elements : some members of the female body and some elements of the decoration of those members on the other hand, the image is drawn forms of entity are Some members of the body and forms borrowed is some means of decoration.2. suggest body image as a form of proverbs a functional rather than a humanitarian or compassionate utilitarian tendency rather than a humanitarian aesthetic purist, and it seems that the reason here is due to the predominance of emotion that wither after owning men for women because there is a sense of emotional need rather than the human value of love between men and women; so dominated by (material love) on (love Louisa).3. revealed parables that depict women as body performs the functions of the instinctive tendency of predominant nationality at the expense of emotional tendency in the human data, so these parables is portrayed as a body (a sexual gratification) to make a positive latthakk on humanitarian data devoted passion of love as much as matthakk in physical data saturation not moment desire to enrich human affection and compassion that God only in a few models did not draw clearly proverbs is remarkable as the platonic love that show up at his door.4. painted parables picture the female body a two - way first temptation : the self and the other : beauty alias means decorations, were proverbs connected to the first direction such as : (the well - being of almnakh innovation) less presence of proverbs painted the second trend as : (not a perfume after the bride). He is captured through the predominance of sensory beauty in the familiar set apart.5. the predominance of sensory data of the parables in the portrayal of women through her body as beautiful or as a form of sexual expression of dominance tendency possession, and yearning to embrace direct, sensual and fun wilt causes fun, legibility, and spiritual implications.6. the mother represents the best image for women in Proverbs women close to the man and one of the broadest and most exciting images and prevalent until the Arabs prove ancestry mother and recognize its boast.7. the dominance of masculinity with a dominant feature in dealing with women and viewed it as a tool for youthful sex and reproduction.8. does not mean a negative image and the process of society and its traditions and customs that are devoid of women women made famous and known by intelligence and business acumen and wisdom and discretion. The image of women because of the calamities and wife traitor of the picture and in Proverbs welioaziha only a vulnerability wematnalh of conquering the community, demonstrating the kind of close association between perception of it being a troublemaker, Banshee and the picture which justify entitlement to punishment and deliberate humiliation.9. graphic image was full of similarly applications of all kinds, cannot overlook the study, since it is possible to read the parables as Intertextuality outer and inner rivers difficult chapter in knowing which is the oldest ideals or other ytenas with text, and note that for the icon to appear in the same order after any character in the story is a symbol of the ideals of then either legend was less visible from the ico

منجز جبران خليل جبران الادبي في الدراسات النقدية == Artificial Deeds of Jubran K. Jubran In Criticism Studies

اسم المؤلف: حمزة عبيس عبد السادة الجنابي
اسم المشرف: حسن دخيل عباس الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: ? Jubran K. Jubran tried to undermine the manhood values that have marginalized woman and make her so far, he called for the equality with man in duties and rights, and push away the oppression and persecution she suffered from due to the manhood dominance being affected by feminine movements in west. ? In spite of many good relations , Jubran K. Jubran has made, but he never get married with any of them, may be the reason behind that was Odeib's complex. ? Jubran K. Jubran criticized classic values and traditions that prevailed the past Lebanon community exclusively, the eastern community generally, that made the woman as a trade for sale or purchase and not seen as a human has the right in choosing her husband by herself without and pressure may she face.? Jubran K. Jubran has criticized both autocratic and religious authority during the period he live in Lebanon, which persecute poor and weak people worst persecution, they made their luxury via poor and weak people, that motivated Jubran K. Jubran to be the outspoken of poor people by his literature. ? The artificial deeds of Jubran K. Jubran discovered defects of the structure of Arabian community that glorify the past, and compliance under its rules and traditions although it doesn’t match the modern life and development and that was the main reason behind the unconsciousness of the east generally.? The literature of Jubran K. Jubran a liberation tool for any spoiling to the freedom of human or any violation to it being affected by Marccism beliefs, and the thoughts of French revolution that called for freedom, equity and fair, plus to his affection by his friend (Mary Haskil) who was well known of socialist beliefs. ? Belief of Jubran K. Jubran in sneaking belief, and immortality of love made him to believe that , the life of human get integrated through multi born and combined after integration with the eternal self. ? Jubran K. Jubran made himself as a social preacher via his literature to criticize the non - responsible acts of fathers like wasting money and deprive their families from respectful life needs, that act was triggered due to his father's non - responsible behavior with his family. ? He has renewed the classic narrative gender through his affection by western literature so he invented the modern fiction that based on fictional structure, concerned with drawing the characters, imaging the environment, concern with story, correlation of events and its growth using a language that involved verse and narration. ? Jubran K. Jubran based the article as an artificial new kind of born from ancient artificial arts like messages of the old Arabian literature. ? He renewed the form of classic Arabian poem as he get rid of the classic form (column verse) so he created the parts - verse, he made the tacit Arode of verse which was considered as a defect by the critics, so the poet become an integrated unit.? The renewal has included the language of Jubran K. Jubran, he tended to public language and desert the past people language of dictionaries terms. ? Jubran K. Jubran and his fellows called the pencil - association for the spiritual love to be included in the verse and exceed the sensual love. ? He deserted his natural sensations to focus on civil live and its materialism, to exceed its external description and consider it as loving mother and melted with it spiritually. ? Jubran K. Jubran clings with humanitarian self, trying discovering its secretes, he meditated it as the closest one to himself because of the homesick he suffered during his abroad living, his missing to family invented the meditation verse in his works.

طيف الخيال في شعر العصر العباسي الثاني (334 - 656 هـ) : دراسة موضوعية فنية == Imagination In The Poetry of The Second Abbaside Era : An Objective Artistic Study

اسم المؤلف: بتول احمد سليم
اسم المشرف: روناك توفيق علي النورسي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The concept of imagination is part of the Arabic poem. Poets of the pre. Islamic times (Jahilite) and subsequent eras had been keen on this topic, as this is closely related to the human identity or self. It also reveals personal experience poets had and describes their feeling and sentimental value. With varying degrees which reflect their feelings and sufferings. For the poet, imagination is an unexpected visit , delight , and a gift.The important of this topic lies in the fact that it helps the poet to strongly express his own sentiments and sufferings. It is an outlet for his feelings. Imagination has its own signification which is not confined to woman’s imagination but extends to other scopes that enable the poet to achieve psychological balance following a state of anxiety and confusion he has experienced.This study has revealed on important theory in the Arabic literature insofar as the phenomenon of imagination is concerned, that is Al - Shareef Al - Murtadhaa’s theory which involves a relationship between the soul and the body and which shows the strong connection between this on the one hand and imagination and dream on the other hand. The point is that it is the soul that sees what it sees in dreams and that this comes in poetry in the form of metaphor.It is in imagination that poets could describe their suffering from the long time they live in, that is ‘night’ Night is a symbol of severe suffering because of its darkness and gloom. The poet finds himself alone fighting hopelessness and anxiety; he lives in a state of psychological forlornness , longing for past memories engraved on their minds and hearts.This study has shown that there are in Arabic literature celebrated figures of their respective eras, but unfortunately totally forgotten in the present era. It is hoped that the present study may pave the way for future researches to show some of these poet’s outstanding contributions to Arabic literature, especially to the concept of imagination. These poets superbly wrote eulogies, elegies, love poems , etc.The study has adopted an analytical approach in dealing with the poems analysed to show what implicitly and explicity these poems involve.This thesis includes an introduction, three chapters, a conclusion, and bibliography. The introduction defines the concept of imagination in language and poetry. It also offers a psychological treatment of imagination from the point of view of psychologists.Chapter one is devoted to studying the motives for imagination on the part of a number of poets of the Abbaside Era, to show imagination means to any one of these poets.The second chapter has dealt with the relationship between imagination and the various purposes of poetry, such as eulogizing, elegizing, flirting, etc. Imagination is closely related to the poet’s psychology.Chapter three offers an artistic treatment of the poetry of imagination via studying poetic image based on figures of speech like simile, metaphor, metoying, and musical rhythm which includes outer music which, in turn, involves rhyme, metre, feet, etc. Furthermore musical rhythm encompasses assonance, pun, paronomasia, repetition, etc. The chapter also summarizes the conclusions arrived at

الصورة الحسية في شعر السجون الاندلسي == The Sensory Image In The Poetry of The Andalusian Prisons

اسم المؤلف: اسماء بدر محمد العوادي
اسم المشرف: قيس حمزة فالح الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The scope of the Islamic state expanded in Andalusia, and there were many poetry where topics of sync with the breadth of the different forms of life, knowledge and literature in the country, and has the effect of nature and the way of life on the poetic image in that country and the style of building poetic image and appearance among poets emerged, and it was this appearance coincided with the evolution rapid and remarkable style building poem Andalusian and those buildings that formed them.The first search in any poetic phenomenon requires research in general hair objective and initial and direction of research in these poetic phenomenon, and this was the reason for the emergence of a comprehensive monitoring case that prerogative the research, and monitoring that has been directed towards poetry Andalusian general then about the image it is Special, and then more particularly sensual image.The appearance of the sensory image in the poetry of Andalusia was not a new invention of them, but was depending on the style of the whole Arab poetry extensions and building in the world in general, only to find the face of his energies towards monitoring sensory image as represented by the patterns and structures and methods of the appearance and the terms of reference and fantasies, in the poetry of the prisoner Andalusian. It is known that the poet has slender sense, susceptible, toward any experience going through, how if that experience is the prison?!Search imprisoned Andalusian poetry faces two important issues, namely the issue of prison concept and de facto and the nature of life in prison and manifestations of creativity in prison, and the other issue is the image of sensory modalities appearance and levels, and is the biggest issue in the monitoring and the pairing between the prison and the whole consequences process, and the sensory image with all its difficulties on the level of poetry and scope researched for.Revealed the scope of the search through the buildings that have been handled through with search terms, has appeared find divided pave the four chapters and a conclusion, and preceded by the introduction represents the threshold for entry into placed research has dealt with in the boot concept prison in language and terminology plus poets imprisoned in Andalusia and the definition of their names and places of imprisonment, and extended incarceration, and the reason for their imprisonment, and his imprisonment.The first chapter was titled areas sensual image has this title included titles subsidiary, addressed the optical image, image, audio and image taste and image touch and image olfactory and mentioned poetry which was told one of these types of images, has required research division of the visual image on the partial sections : a visual image kinetic visual image of light and optical image color, image and audio on a hostile voice and the voice of a pet, and the image on the touch sensation seeking, pressure and sensation of pain and burning sensation and cold. It has also reminded the senses and the two exchanged noon meeting in poetry imprisoned in Andalusia.And included the second chapter on the terms of reference of the sensory image was able poet imprisoned Andalusian be employed to serve the poetic text Andalusian a religious references (the Koran and the Hadith religious ritual), or references realistic represents the fact that lives by the poet prisoner Andalusian or memories that lived outside the prison, or literary references include verses of poetry before the era of the Andalusian poet which included in his verses cited in prison to give a poetic text, and there is no poet did not come from other poetry which represents has another life. Include (Proverbs), or historical references include the total historical facts which came to us from previous eras, the amount represented by the well - known historical figures and important cities and centers of civilization, or social resources, including social customs and traditions of the names.The third chapter in which we dealt with the other's sensory came on two topics included the first part, the counter persons particular, represents the other anti - Andalusian poet imprisoned Minister Prince and the jailer and prisoner - associated.The second topic studied the continuers who intercedes for relevant includes parents, friend and beloved, resorts Andalusian poet imprisoned them for decreasing what it joins it from the torment and darkness inside the prison or to be intercessors at him from his imprisonment.The fourth chapter includes graphic patterns of sensory image and dealt with image simulations and allegoricalness image to the fact that those picture a source of the poetic image formation.Finally, it is necessary to point out the difficulty I faced in the search, on the process of getting collections of poets imprisoned in Andalusia.If I had a word of thanks and gratitude I extend it to my teacher Dr. Qays Hamzah al - Khafajy, what I found him the world who does not spare his knowledge and when hit by the study and researcher of guidance and ask God to prolong his life, and bless him with health and wellness, and Praise be to Allah, the Lord of the Worlds.

الصورة اللونية في الشعر الايوبي == Chromaticity In Poetry of Al - Ayoubi

اسم المؤلف: نبراس كاظم ابراهيم الدفاعي
اسم المشرف: رباب صالح حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study seeks to statement chromatography impact in shaping the imagination of the poets in the Ayyubid period, an era that interested in literature and poetry, and the most prominent themes of spinning and description of nature, This study was conduct

الطفولة في شعر بدر شاكر السياب : دراسة موضوعية فنية == The Childhood In The Poetry of Bader Shaker As - Sayyab : An Objectivity Artistic Study

اسم المؤلف: يوسف سعد خليف
اسم المشرف: منذر محمد جاسم الديري
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الحمد لله رب العالمين والصلاة والسلام على اشرف الانبياء والمرسلين محمد عليه افضل الصلاة واتم التسليم وعلى اله الطيبين الطاهرين وصحابته الغر الميامين ومن تبعهم باحسان الى يوم الدين.اما بعــد : فقد وقع اختياري على الشاعر ق | After this study named the childhood in the poetry of as_sayab and its different subjects, can number result that was the fruitage this study that came before it introduction studied the childhood in the Arab poetry through all age.• The Arab gave the c

مكاتبات ابن المعتز النثرية : دراسة موضوعية وفنية == A Technical Study of Mukatabat Ibin Al - Muataz Al - Nathreyat

اسم المؤلف: ياسين حمود محمد العجيلي
اسم المشرف: رمضان صالح عباد الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: The thesis has dealt with (A technical study of Mukatabat Ibin - AL - Muataz AL - Nathreyah) which is considered to be an important topic.The study can be divided into : Introduction; theoretical back ground, two chapters and conclusion. Theoretical bac

البناء الفني في شعر ابراهيم بن الحاج النميري الاندلسي (ت793هـ)

اسم المؤلف: ياسر فواز احمد سالم الفراجي
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

خاتمة القصيدة الاندلسية في عصر الطوائف : دراسة فنية == Epilogue of The Andalusia Poem in Al - Tawa'If Era : A Technical Study

اسم المؤلف: ياسر رشيد حمد البياتي
اسم المشرف: فائز طه عمر التكريتي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: The title of the thesis is (The Epilogue of Andalusia Poem in AL - Tawa'if era : a technical study) This study has chosen because it is concerned with a prosperous era in numerous ways, including the cultural side and the poetry is an original art which d

البنية السردية في نشوار المحاضرة واخبار المذاكرة للتنوخي (ت384هـ) == Narrative Structure In (Nashwar Al - Muhadhara We Akhbar Al - Muthakara) By Al - Tanoukhi (D 384H)

اسم المؤلف: ولاء فخري قدوري الدليمي
اسم المشرف: اياد عبد الودود عثمان الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: Praise be to Allah, prayer and peace be upon the Messengers and his family and companions and the most important of the truth until the Day of Judgment After. The spirit of storytelling and intention can be found in any pattern of storytelling, but it d

بناء السرد القصصي عند تحسين كرمياني - عبد الله طاهر البرزنجي - هيفاء زنكنة == Composition of Story Narrationat (Tahsseen Carmyani, Abdullah Tahir Al - Barazanji, And Haifa Zankna)

اسم المؤلف: وسام سعيد فيصل زعفر الحديثي
اسم المشرف: حمد محمود الدوخي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: The narration text in whole writing sides in story, novel, theatre, and scenario …etc. is text stand on high side of logic in composition comparing by poetry that always tends to free from boundaries as real place, conversation control, sport age, and so

الزمان والمكان في روايات نجيب الكيلاني == The Time And Space In The Novels of Najeeb Algailani

اسم المؤلف: وجدان يعكوب محمود
اسم المشرف: جبير صالح حمادي القرغولي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The novel is a type of literature, characterized by strong relationship between its constituent elements, both the time and space which they are an elements of the novel can not be separated from each other. We can not imagine a time without a space or a

الخطاب النقدي عند محمد حسين الاعرجي

اسم المؤلف: هيام عواد راشد
اسم المشرف: رحمن غركان عبادي
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:

التسامح في الشعر العباسي حتى نهاية القرن الثالث الهجري : دراسة موضوعية فنية == Tolerance In The Poetry Until The End of The Abbasid Third Century A.H : Objective Study of Art

اسم المؤلف: هند حميد شاوي سعد الذهيباوي
اسم المشرف: نجم عبد علي رئيس
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: واسط
الصفحات الاولى:
المستخلص: درست في بحثي مفهوم التسلامح في الشعر العباسي, وقبل ان ابدا بكتابة مباحث البحث كتبت تمهيدا درست فيه المعنى اللغوي والاصطلاحي للتسلامح, ثم تطرقت لمفهوم التسلامح في الفكر الديني اليهودي والمسيحي والاسلامي, ومن ثم انتقلت لدراسته في التراث الشعري العربي, | I studied in my research the concept of tolerance in the Abbasid poetry, and before I begin typing detectives search started as a prelude studied the linguistic meaning and idiomatic for tolerance, then touched on the concept of tolerance in Jewish religi

شعر لبيد بن ربيعة العامري وابو ذؤيب الهذلي : دراسة تحليلية موازنة == Labid Bin Rabeaa Al - Amery & Abu Thayb Al - Huthly : Analytical Study Balance

اسم المؤلف: هناء شمس الدين عبد الله
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This is a study in an ancient Arabic poetry, search in the life of two poets who lived in the age of aljh…. & Islam whom are " Labid bin Rabeaa, & " Abu Duabe Al - hodaly".I have divided the search into two chapters, in the first chapter I Studied the p

الصورة الفنية عند الشعراء العميان في القرنين الثالث والرابع الهجريين == Artistic Picture At The Blind Poets (In The Third And Fourth Centuries)

اسم المؤلف: هبة محمد سلمان الجميلي
اسم المشرف: سوسن صائب سلمان المعاضيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بعد الرحلة التي قطعتها على صفحات هذه الرسالة، ابد لي من ذكر اهم النتائج المستخلصة منها، والتي يمكن ان يحصل عليها الباحث وهو يدخل في عالم بعيد بعض الشيء عن المفاهيم التي تناولها الشعر من الحب والحياة والغزل والدخول الى عالم المكفوفين، على انني حاولت في | This theses consist of a very deep study of the blind poets and the effect of their blindness on their psychology and relationship with other poets in the Islamic society at their time, and how did the complexity of blindness developed and reflected negat

الالوان ودلالاتها في شعر ابن زيدون وابن خفاجة الاندلسيين : دراسة موازنة == Significance of The Colors In The Poetry of Ibn Zaidoun And Ibn Khafajah Andalusians : Study Budget

اسم المؤلف: هبة عامر فاضل
اسم المشرف: علاء طالب عبد الله العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: After moving in this research must summarize the highlights presented the issues and findings are : 1 - The color of great importance in Arabic poetry in general and poetry of Ibn Zaidoun and I'm Khafajah private.2 - The color of important phenomena ass

النثر الفني في ثورة التوابين وامارة المختار : دراسة اسلوبية == The Artistic Prose In Al - Twabeen Revolution And Al - Mokhtar Principality : A Stylistic Study

اسم المؤلف: هاشم جبار صدام
اسم المشرف: مشكور كاظم العوادي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Arabic Language, due to its richness, is a wide field of study, the researcher chose the stylistic study as a starting point for this thesis to analyze all aspect, the phonetic, lexical, structural an semantic. The study emphasize the artistic prose in A

بنية السرد في شعر شعراء الغزل الحسي الاموي

اسم المؤلف: هاذة عباس علي
اسم المشرف: فائق مصطفى احمد
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: السليمانية
الصفحات الاولى:
المستخلص: The theme of this letter is the narratology in poetry sensory umawyad, the reason for choosing this subject is the predominance of narrative construction of this hair, this is a phenomenon technical draw attention, and another reason is the lack of studie

القيم الروحية للمراة في الرواية العراقية خال 1960 - 2000م == The Spiritual Values of Iraqi Women In The Novel During The 1960, 2000

اسم المؤلف: نور عقيل محمد سعيد
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The tendency of the Iraqi social novel had overcame in Most of what've been produced in it, if not in total, since the emergence of the novel in Iraq headed towards the Iraqi social reality using the imagining and bold criticism, and it seems that the edu

البنية الايقاعية في شعر الصعاليك في الجاهلية == The Rhythmic Structure of The Poetry Tramps

اسم المؤلف: نور احمد علوان
اسم المشرف: محسن علي عريبي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: There is no doubt that the poets Tramps class acquired interest of many researchers and critics, and most important of these studies that are among the primary sources to learn about their lives, are poets Tramps in the pre - Islamic era of Dr. Yusuf Khal

الاستلاب وانماطه في قصص محيي الدين زنكنة == Alienation And Patterns In The Stories (Mohiuddin Zangana)

اسم المؤلف: نهى خليل ابراهيم رشيد
اسم المشرف: سعيد عبد الرضا خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The thesis deals with plunder and its patterns in the stories of the Iraqi writer (mohye Al - ddin Zangana) died in 2010. The selection of this subject didn't happen futilely, but for reasons and according to appearances of plunder I found in the write

الانا والاخر في الشعر الاندلسي عصري المرابطين والموحدين == Altruism In The Andalusian Poetry : The Muravits And Muwhids Eras

اسم المؤلف: لقاء عبد الزهرة اسماعيل
اسم المشرف: شاكر هادي حمود التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: Altruism theme is one of the outstanding themes in Andalusian poetry. The researcher has selected the Moravits and Muwahids as a sample or pattern to explore the concepts of altruism in these two eras. Altruism is a relative concept varying according to t

محمد بن بشير الخارجي حياته وشعره : دراسة موضوعية وفنية == Muhammad Bin Basher : An Objective And Artistic Study

اسم المؤلف: نبراس عبد الله محسن العكيدي
اسم المشرف: خالد عبد حربي بكر الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: The kind of study is very important that it deals with studying of an Arabic poets life Imawai period. He is Muhammad Bin Basheer Al - Khariji whom many of Arabic literary publications treated his life and poetry. This study is considered as a recreatio

صورة الملك الايوبي في كتاب قلائد الجمان في فرائد شعراء هذا الزمان لابن الشعار الموصلي (ت654هـ)

اسم المؤلف: ناظم فرج عباس
اسم المشرف: صالح علي حسين الجميلي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

مقامات مدني صالح : دراسة فنية

اسم المؤلف: ناشد سمير طه عمر الباشا
اسم المشرف: فاتن عبد الجبار جواد الحياني
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

اثر البيئة النجدية في الشعر العربي حتى نهاية العصر الاموي : دراسة موضوعية فنية == The Influence of Najadian Environment on The Arabic Poetry To The End The Umayyad Period : An Objective And Artistic Study

اسم المؤلف: ميثم علي عباد الجبوري
اسم المشرف: علي حسن جاسم الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: The Najdain environment got an important role in writing Arabic poetry. this najdain era extended from pre - Islam to the end of Umayyad period, it has a prominent style in included technical phenomena in addition to the production id Najdain poets. the

الرسائل الشعرية في العصر العباسي حتى نهاية القرن الثالث الهجري : دراسة موضوعية فنية

اسم المؤلف: ميادة حسين رشيد الجبوري
اسم المشرف: رمضان صالح عباد الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

شعر حميد فرج الله : دراسة تحليلية == Hameed Faraj Allah Poetry

اسم المؤلف: حيدر هادي سلمان الاسدي
اسم المشرف: عهود حسين جبر
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Studying the poetry of Hameed FarajAllah we find the subjects, purposes, styles, features, images and elements that made it worth argument and deserves to be studied in a separated academic study to analyze and to show its beauty and characteristics, this

تمثلات السيرة الذاتية في روايات احمد خلف == Biographic Reflections In The Novels of Ahmad Khalaf

اسم المؤلف: حسين علي يوسف المعموري
اسم المشرف: نوافل يونس سالم الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This study is based on the idea of utilizing biography in writing novels because it is the nearest type of writing to novels.This will open the space for their fusion in one literary text in such a way that the novel utilizes the events of the biography

شعر اللصوص في العصر الاموي في ضوء البنيوية التكوينية == Hair Thieves In The Umayyad Period In The Light of The Genetie Structuraalism

اسم المؤلف: بشائر امير عبد السادة الفتلاوي
اسم المشرف: هناء جواد عبد السادة العيساوي
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Seeks structural formative to the link between the creative process and social phenomenon in various manifestations and evolution, Vabannah mind on according to the structural formative is isolated from the social structure and see the world its constitue

الحكاية الشعبية في الشعر العراقي الحديث من نهاية الحرب العالمية الثانية الى عام 1990م == Folktale In Modern Iraqi Poetry From The End of World War Ii To 1990

اسم المؤلف: علي عبد الرحيم كريم المساعدي
اسم المشرف: عبد العظيم رهيف السلطاني
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The work attempts to situate the development of modern Iraqi literature in the context of the medieval Arabic literary tradition as well as the new literary forms derived from the West, exploring the interaction between social, political and cultural chan

السرد في الخطاب النقدي الادبي العربي في العراق شجاع مسلم العاني انموذجا == The Narrative In The Arabic Literary Critical Address In Iraq Shujaa Muslim Al - Ani As An Example

اسم المؤلف: سولاف مصحب مهدي احمد
اسم المشرف: داود سلمان العنبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The critic Shujaa Al - Ani wrote tens of critical studies and article published in specialized journals or in the literary pages of daily or weekly newspapers, he also wrote many articles in the cultural criticism. He had six books, one of them appeared i
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