مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: Developed countries got interested in comic stories after they touched the amount of their broad impact on the development of the child 's perceptions and influence on the growth of his character , and reached this limit interest forcing governments themselves to the legislation of laws that regulate and develop basic obligations and the rules of this art.It was a comic fount major supplying communities with knowledge and science and the publications that contain Comics spread widely distributed millions of copies and were conducted in the world hundreds of thousands of research studies and articles about this art , while the remaining Arab world and the Iraqi JH particular deals with this art has led to marginalize him , what was a major reason for the decline in the level of what is produced in this field of fees , in the Arab world is seen drawing for children as a limited role on decorating books and magazines is not seen critics and researchers to outcomes that will be drawing the bulk of them , but from the perspective of educational denial role art - making communities.From here came the attention of the researcher and its insistence on research in the history of this art and details and patterns , trends, and especially after it was discovered that the Arab Research and Studies in this regard are not available at all Never before an Arab researcher that the research in this field.Can be summed up what he had done researcher in this research are as follows : Researcher touched in the first quarter of the research to the research problem , and the spatial and temporal boundaries , and goals , and the definition of terms for a definition of the research linguistically ,in termly and procedurally.In the second chapter , which included theoretical framework , touched a researcher in the first section to the child's personality and how to grow , noting that growth determinants and reviewing the school when it came , in the fields of psychological and social science theories.While the second part consisted of comics history with a review of the most important patrons referring to the history of censorship art Alcolmx and laws enacted by governments because of the spread of this art is widely and people wanting it.In the third section reviewed the researcher styles and trends pursued by graphic artists are important in the world referring to a group of professional painters who left a clear imprint in the history of this art.While ensuring the fourth section a review of the history and active storyboards in Iraq , and was talking about the pioneers of this art in

مظاهر العنف في الرسم العراقي المعاصر == Phenomenology of Violence In Contemporary Art

اسم المؤلف: زهراء اياد محمد صادق

اسم المشرف: سلام جبار جياد السوداني

الموضوع العام: الفنون الجميلة

السنة: 2014

الموضوع الدقيق: الرسم

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: The phenomenology of violence has formed a notable mark in the modern Iraqi plastic art specially in the stage ( 1980_2012) , the political events and the social changes has Contributed to the production of a lot of art works which are depends expression and symbolic at work to Represent the surrounding environment by performances and the mental purport which that products marked by, the research had four chapters, the first chapter contented the Problematic of the research which had the most important question : did the presenting of violence in Iraqi art marked as a phenomenon? And the The importance of research was detection the mental significance of the Iraqi works in the time (1980_2012), and the research goals was discovering the violence in the contemporary Iraqi pains about terms of form , content and performance, and that had to recognition of some of the terminology that the title of this research contains , in chapter two represents the a complete study of the subject of the research which it was divided through three sections the first one had a full definition for the concept violence and it up growth and developed in humanity, and the second section contend representations of violence in paint starting from the cave paintings and in the appearance in the ancient civilizations down the contemporary art, third section had the representations of violence in Iraqi art through Recognition the general scene of the realty of Iraqi plastic art as a historical preamble to study the art experience that belong to the research subject, and recognition of ingredient that effects in drafting art works that belongs to paint and the changes that happened on it include the research lines, the theoretical chapter marked signal points : 1 - the phenomenology of violence ranged and developed with the humanity development till these days.2 - Violence is a social phenomenon and in the same tine it’s a culture land mark Spreads with a several ways media and modern technology, and violence appears as a result of ingredients cant be limited by one or tow ingredients, and through the Interaction between these ingredients, the violence actions motivated by dissimilar force from society to other and from person to other.3 - the phenomenology of violence linked with collectivism and individual memory so it Is expressed by image, marks and symbols which has icon power Not otherwise historical or critical on it as well as link blood with violence or viewer of broken and destroying with violence.4 - the Scientists and the Philosophers had differed about expressing the violence some of them think that the actually Components is a contrast Conflict and the conflict between the peace and violence are the natural, social, Psychological incentive, and the other think the deep reason of violence is inherent in the psychological Structure.The third chapter (research procedures) limited the research community and counted distributor on the period of time that represents the limits of research and summarized by drawing the sample was selected in meant which includes (12) samples analyzed in accordance with the descriptive analytical approach.researcher reviewed in Chapter Four findings are : 1 - personify the scenes which had deepness and mental content that carried in side look down on the violence behaviors and the penetration which are done by the extremes and that was showed in the sample (8) in the Mosque.2 - sadness, pain and fear were Overshadowed on Person's Features which was notable in the subjects that the samples (12),(8)and(2) review.3 - artest used Loans forms represents phenomenology of violence by performance methods that appears the artist's skill in direct and treatment of subjects and that was broadcasted through marks , Significance and holes that the bullets left and the turns, blood remnant that violence act caused it and that was clear in samples (12),(11) and(7)4 - Artists referred the forms elements in to violence phenomenology which was notable by crafts performance that changes in to an Article aesthetic , so the violence was one of the aesthetic materials and that was showed in the samples (6),(1) and(5).Results have been identified, including the following : 1 - the inspiration of violence has developed as a authority phenomenon for Iraqi paint with development of this phenomenon.2 - the violence has a clear share in the Iraqi contemporary paint which formed as a result of excretions living realty which was full with many difficulties , cresses , wars terrorism and blockade through its different periods.3 - Iraqi paint benefit from modern technical treatment to produce visual product and present fine art phenomenon the artist employed to support his paint surface.4 - iraqi contemporary paints hard and difficult throe made it have its own tragedy mark which represent violence as a special sign in the national plastic art.Later the identified and proposals been recommendations.