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المعالجة الاخراجية للموضوعة التاريخية في الدراما التلفزيونية == Treatment of Directorial Placed In Historical TV Drama

Author name: صادق كاظم عبد علي جابر المياحي
Supervisor name: عصام عيسى علوان السامرائي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اهتمت الدراما التلفزيونية بانتاج المسلسلات التليفزيونية التي تعالج الجوانب التاريخية، اذ تقدم للمشاهد احداث التاريخ في مسلسل درامي، بكل ما في العمل الدرامي من تشويق واثارة وحركة وحيوية، والعمل الدرامي التاريخي هو عمل فني يقدم قيمة فنية وقيمة انسانية تتجاو | Focused on the television drama produced dramas that deal with historical aspects, as it offers the viewer the events of history in a drama series, with all the drama of suspense and excitement, movement and vitality, and the drama historical is a work of art offers artistic value and the value of humanity beyond the specificity of time and place, as it kicks off director the stage of certain historical, have certain privacy in time and place through treatment directorial sight to humanitarian to address the rights for the time being, and that he wants from which to send a humanitarian message concerning the reality of modern man, and the care with drama historical being reflect the historic moment ago re - formulation of a new and according to the processors directorial based on the nature of this historic moment and transformations of social, political, cultural, economic, and historical works, ranging from the work of dealing with periods and historical events full of ancient history, while fighting others in the facts and events still resonate with us today, and the other dealing with biographies of a number of figures that have had an active role one way or another in guiding the march of history or converted in this way or the other in the dates of ancient and modern, and I found these concepts resonate through the contents of the current research came the title search (treatment directorial the placed historical TV drama ), the Department researcher Find the four seasons, were as follows : The first chapter (systematic framework) : It included research problem that has adopted the following question : What are the qualities that have been achieved processors purine placed in historical TV drama? On the importance of research and the need for him to have touched researcher imperatives and the need that led him to embrace the subject, and then select the aim of the research from the title and the problem, as follows : Detection modalities that have been achieved treatment purine placed in historical TV drama. And select Find a researcher limits the boundaries of the three, Chapter II (theoretical framework) : the oath researcher on the three sections, as follows : Section I : (historical drama film and television) and the researcher (film historical) and (historical drama television) and how taken film and television from the date on the subject of the two, as meet in this work of art with dramatic historical reality to produce artistic work, and the specificity of each type them in dealing with the history and the historic walk. The second topic : was (the structure of TV drama), and researcher in this section components of TV drama, especially the serial drama television and dramatic structure, which is part of the foundation to connect the components of the artwork through the interaction of all elements of drama with each other to create an integrated unit to draw the events inside the artwork, and its constituent elements, namely, (personal, and plot elements, language, conflict. The third topic : the theme of (purine processing elements Aalgh Moot placed in the historical drama Allgzioneh), in which they discussed the creative output for the recruitment of language elements sham in order to find treatments for historical placed. After that previous studies have been identified for the search, and upon completion of the theoretical framework, the researcher suggested a set of indicators adopted as tools for the analysis of the research sample after taking the opinion of a panel of experts and esteemed arbitrators. But in the third quarter (action research) : research methodology to ensure separation, the search tool, and the unit of analysis, sincerity tool, sample research, where the researcher identified the reasons for his choice of the sample. In the fourth chapter, which included analysis of the research sample, a television series (Roof of the World), directed by Syrian Necdet Ismail Anzor. After analyzing the research sample, the researcher found a set of (results), including : - Has been relying on the figures that are contemporary function listed events which are of unique specifications and dimensions, either historical figures came module sometimes unique and at other times has been confirmed in some of them on the psychological dimension. Based on the theoretical framework and the findings of the researcher, was developed conclusions, including : - Dealt with historical events and historical figures are genuine historical facts and maintain installed in the historical sources and not be manipulated and dispose of them in which makes the negative repercussions on the receiver, especially historical figures that carry positive features in the mind of the spectator. And finally been developing recommendations and proposals. Find and seal a list of sources, supplements and finally foreign - language summary.

الاتجاهات الفنية في الدراما التلفزيونية == Artistic Trends In TV Drama

Author name: علي زيد منهل
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الرؤية الفنية التي يستند اليها مخرج العمل الفني خلال معالجته للنص الدرامي ووضع الحلول الاخراجية للمشاهد المرئية بغية تكوين واقع جديد مفترض. ومقدرة ذلك الواقع الفني الذهني المفترض والمجسد من قبل مخرج العمل الفني وبما يمتلكه من وسائل تقنية وفنية في توظيف | The artistic prospect upon which the director of artistic work bases his work through the treatment of dramatic text and putting direction solutions for the spectator in order to have a new virtual reality. The director of artistic work, with the technical and artistic means he employs in the dramatic elements, express artistic trends in TV drama and the mechanism of employment. These artistic trends reflect the development in the field of entering the analysis and construction of artistic works in a way that reflect reality with all the contradictions make the TV drama search for artistic procedures and attitudes to express that reality according to the idea, the objective and the method of carrying out that distinguished some from other in the mechanism of working of this or that procedure or attitude expressing the nature of artistic work and breaking the freeze and entering into imaginary and strange worlds that through them establish the ability and design which are formed according to the essence of the text and the manner by which the director of artistic work forms his work. According to the procedures that he finds suitable for posing the idea and criticizing the society and keeping pace with civilization development through the understanding and interpretation of TV artistic works which are based in their mechanism of putting forward on the suitable artistic trends. These trends are usually seen by the director of the artistic work as suitable for the nature of his theme and treating the dramatic components. Therefore, the study falls into many chapters that studied the artistic trends and the mechanism of involvement of the visual works as follows : The first chapter tackles the procedural framework of the study suchlike : The problem… which were formed in the following questions : What are the manners in which artistic trends are employed? What are the visual means and techniques that manifest the artistic trends in TV drama?The objectives of the study were as follows : 1. the manner in which artistic trends are employed in TV drama, and 2. The visual and technical means that manifest the trends in TV drama. The first chapter also tackles the importance of the study and the need for it, the limits represented in studying the dramatic trend in TV drama for the period 1998 - 2000. we have also determined in this the most important terms used in the dissertations (trends, drama, etc.)The second chapter : Included the theoretical framework and the pervious studies including the following inquiries : 1. The first inquiry includes the procedures and dramatic trends. It also includes the most important procedures and dramatic trends starting from the realistic trend and impressive trend. Within these two procedures lies most of the other subsidiary trends which effected the cinematic and TV drama alike. It includes the following trends {Neo - realism, Neo - wave, free - realism, social - realism, direct realism, poetic - realism, symbolic - realism, epical - realism, expressionism - surrealism, Dadaism and avant - garde} 2. the second inquiry : the image according to artistic procedures including {image in philosophy, the concept of artistic image, the senses of image, imaginary image, referential of artistic image, realistic image, impressionist image, symbolic image, expressionist image and surreal image}The inquiry also includes the understanding, analysis, and construction of artistic image and the mechanism of work according to the prospect of the artistic works’ director to manifest the artistic trend. 3. The third inquiry deals with the visual means according to the artistic procedure. This inquiry includes the style of artistic work’s directors in using the technical means through the direction prospect of this artistic work by employing the following {camera and lenses, décor, makeup, fashion, montage, lighting, setting, color, etc.} for the manifestation of artistic trends in TV drama. 4. The fourth inquiry dealt with the dramatic according to the artistic procedures. The inquiry included the employment of the dramatic elements according to the prospect of director. This includes drama and dramatic construction {plot, dramatic personae, language, idea, and image narration. At the end of the second chapter, the researcher tackled the pervious studies that are relevant to the theme of this thesis. There were two main studies that he found close in some chapters to the study herein : The M.A. thesis, 1988 {The Effect of Techniques and Visuals of Global Cinema on the Prospect of Iraqi Cinematic Directors} by Rasad Abdul Jabbar Thamir. The second thesis, 2003 {The Question of Aesthetic in the Trend of Modern Cinema} by Aladdin Abdul - Majeed Jassim. In the end of this chapter, the researcher comes up with the most important indicators that were driven form the theoretical framework making the analysis instruments of the research sample such as items of the questionnaire forms.The third chapter includes the procedures of the study : 1. The research procedures in which the researcher employed the descriptive approach. 2. The instrument of the study : the research employs the content of theoretical framework as theoretical framework after obtaining the approvals of the Board of Experts and Arbitrators on the indicators. 3. the unit of analysis, the researcher depended on the scene and snapshot as the main unit for analysis in his study of artistic work. 4. the sample for the study represented the series which were chosen as a nonrandom sample in compliance with the nature of the thesis. The series are : Bab - ul - Hara {Port of the Lane} - Part I Poetical - realism - series ‘Noor’Symbolic - realism - series ‘Carnival’ Epical - realism - series ‘Rome’ Impressionism - ‘Taken’ Expressionism - ‘Supernatural’ Surreal - ‘Sad Dream’5. The validity of the instrument : the esteemed experts showed a total agreement on the items in percentage (%97.28) The chapter also included analysis for the series that were chosen in as sample of the study. The fourth chapter included the The most important results : 1. the manner in which these visual elements were employed within the relations of adjoining , interrelation , adherence were in the outcome a final image that affirmed the nature of mental image which the director of work draw through the relation of these elements and images with each other justifying the state of employing the curricula and artistic trends, and expressing the dramatic events within the virtual reality of each artistic trend. 2. the director of artistic work produces artistic images that are compound and unrealistic, and cannot be similar to an image or compound in reality to give structure to the content of artistic work. For deepening the strangeness state and the innovation within the procedures and the artistic trend which he sees as appropriate for forming the visual image of the artistic work in TV drama.The most important conclusions are : 1. The impressive method is a living one and has the ability to activate the dramatic event through the self - view that the director produces, in addition to the employment of modern technology in convenience with the TV dramatic work. 2. It turns out that the Dadaism impressive trends have been confined to TV drama as a result of the unreasonable image composition and the hard symbols that cannot be analyzed. Therefore, we see the lack of tackling of these TV dramas. In addition, it included the conclusion that the researcher comes up with in the light of the outcomes. Then, the recommendations such as : Studying the branches of TV art as academic specialty {production, direction, montage, camera, scenario, the visual effects}.Finally, the suggestions that serve the course of scientific researches in the field. The fifth chapter includes the following : The references in Arabic and translatedThe references of films and TV series The references in English

دراسة في توظيف التقنيات الصوتية الرقمية في الدراما التلفزيونية == Deploying Digital Sound Techniques In Television Drama

Author name: محمد ثائر عدنان ناجي البياتي
Supervisor name: عصام عيسى علوان السامرائي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد تناول الباحث في هذا البحث (توظيف التقنيات الرقمية الصوتية في الدراما التلفزيونية) كيفيات توظيف التقنيات الصوتية الرقمية في الدراما التلفزيونية لتعزيز القيمة الدرامية للمجرى الصوتي بكل محتوياته بالعمل مع الصورة لدعم القيم الدرامية التي تنقلها الصورة من | This study is about the Deploying of Modernized Digital Techniques in the Line of Modern TV Production in Order To Increase & Support the Dramatic Parameters in TV Dramatic Searle’s & Series, Which Evolve the Components of the Sound Track (Dialog - Music - Sound Effects). This study consists of five chapters; the first chapter comprises the methodic frame, which handles the themes of the research like; how did the Digital Sound Techniques Employed in the Area of The Sound Track to Enhance the Dramatic Parameters of the Television Image? This chapter also comprises the Fallowing : - 1 - aims of the research, like getting acquainted with the Latest Digital Sound Techniques & the Deploying Methods for it deploying in modern TV Series’. 2 - Significance of the Research.3 - Research Boarders. 4 - Defining Terms. The second chapter tackled theoretical frame which includes Three topics : - 1 - Historical Introduction to the use of digital techniques in TV production. 2 - Deploying Digital techniques To Enhance the Sound Track.3 - The Dramatic Employing of Audio with Video in TV Drama. The 3rd chapter consists of the research procedures including the 1 - research course. 2 - Research s' sample. 3 - The analysis tool. 4 - The research sample included Three (3) TV Series, as follows : - a - Lost - 2003 - 2008. b - Battlestar Galictica - 2003 - 2008. c - Terminator : Sarah Connor Chronicles - 2008. 5 - The analysis tool Validity.6 - The analysis Unit. The 4TH chapter consists of the analysis of the samples using the analysis tool.The 5TH chapter consists of the : - 1 - Results. 2 - Conclusions. 3 - Recommendations.4 - Suggestions.5 - Resources, the appendixes and the abstract.

جدلية العلاقة بين الانتاج والتقنية الرقمية لتفعيل البعد الجمالي والدرامي للخطاب السينماتوغرافي == The Controversy of Relation Between Production & Digital Technology To Activate The Dramatic & Atheistic Dimension For The Cinematographic Letter

Author name: براق انس المدرس
Supervisor name: ماهر مجيد ابراهيم
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: من غير الممكن عد الفيلم السينمائي او المسلسل التلفزيوني الا بكونه انتاجا ينبثق الى الوجود بعد عدة عمليات انتاجية خلاقة تحققها مستويات ثلاثية متعالقة تاخذ على عتقها عمليات التخليق وعلى حد سواء المستوى الانتاجي : الذي يعتنى بالجوانب الادارية، والاقتصادية، وال | The Movie or TV dramatic series represents the print that dissolves to the level of production Operation, & here the Controversy of Relation has come true between what is on the screen & what is absent in building the pattern & type of image Construction with all its joints, saw you can't see a Film or TV series only as the production Cinematographic Letter, & what the searcher indicated of this interference between Image & of one Side & Production on the other side, which is the seclusion of Critical & Technical Studies that is Specialized in studying the Medium Elements Language.Although studying the meaning production digitally, that is the software of Computers & digital effects which is the pioneer of many specialized academic studies for this medium, & the Predicament is, there is no previous studies Specialized in the effect of Exchange of Production Science & Digital technical Evolution, & the methods of handling this progress by stepping ahead what was Familiar traditionally & that was the main booster to the searcher to select his research Subject in the following address (The Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter ). For that the searcher has divided his research into five Chapters, the 1ST one Came in the (Methodical Panel) which presents the research Predicament (What is the Basic Form Lines for the Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter?),than Mentioning the importance of research , Aims of research , its limits & finally the Terms Definition in the Research Title. 2ND Chapter (Theoretical Panel & Previous Studies) which the searcher divided it into 3 Sections : - 1ST Section : - Which Discuses the Production Philosophy & the nature of cinematographic Letter.2ND Section : - That Defines the Technical & Productive Variable in Image Construction. 3RD Section : - That studies the Action Dramazation & the Atheistic Signified of the Cinematographic Letter nature.To conclude these sections by emitting the indicators that was relied on by the searcher that was certified by a panel of experts & Judges, to end this panel with the Previous Studies. 3RD Chapter : - ( Research Procedures) which Contained Research Method, Research Instruments, Research Society, Analyses Units, Research Specimens, Instruments Authentication, Analysis Steps.4TH Chapter : - Which was the Analysis of Research Specimens as Follows : - 1 - Prometheus (Movie).2 - Man of steel (Movie).3 - Falling Skies (TV Serial). 5TH Chapter : - (Results & Conclusions) : - this research has come out with several results after Specimens Analysis, & as follows : - 1 - The digital techniques interfered with all the joins of cinematographic Medium which leads to use a precise Variability to have an Image to the technique that reacts with Production to revel the Atheistic Quarteria, also Dramatic Activation, as we previewed it in Research Specimens. 2 - The techniques have the ability to Create Space in High Precession & Less Expenses, for having an Image with clear Atheistic & Dramatic Clearance, as it in Research Specimens. Than The Searcher has Added Conclusions, Recommendations, Suggestions, Reference List, Appendix & Finally the English Language Abstract.

توظيف الملحمة في الدراما التلفزيونية == Employment In The Epic Television Drama

Author name: حسن هادي زاير المحمداوي
Supervisor name: ياسر عيسى حسن الياسري
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: بالرغم من تعدد وسائل التعبير للمنجز الفني الا ان لكل واحدة من هذه الوسائل نكهتها الخاصة التي يحاول من خلالها صانع العمل الوصول الى المتلقي. لكن يبقى الفن السينماتوغرافي الثمرة الناضجة والوسيلة الواعية للنتاج الانساني، اذ انه يشكل مجموعة من الخبرات والاف | Despite the multiplicity of means of expression of artistic accomplishment, but for each one of these means special flavor that which tries to work maker access to the recipient. But art remains Alcinmatugrave ripe fruit and conscious of the way the product of the human, as it constitutes a set of experiences and ideas humanity to get to a distinct form of art is an extension of the creative product of civilization. There is no doubt that art Alcinmatugrave tool and a means of intellectual working to transfer the beliefs and ideas of the people towards each other, an employee at the various kinds of topics, including tales of epic and mythical, historical and other. If you look at the old epics that have reached us, we find that it includes many anecdotal theme, and often we find that These themes independent of each other, in spite of its independence, but it where the unit subject is available, and this is what we find, for example, in the Epic of Gilgamesh or even in the epics of the ancient Greeks and ancient Romans, and this thing made filmmakers working on each of these themes separately in an attempt to find a technical ports to connect between them and to build up a convincing dramatic and leads to the ends of the aesthetic and creative. The cinema and for long periods they have monopolized the provision of those movies epic that dealt with the drama interesting carrying humanitarian meanings widely in form and content, but the television followed the example of cinema in the provision of those humanitarian epics on according to high - builders level and it was necessary to search in the recruitment of the epic and construction epic television series, Valmhamh of narrative story - based systems are listed in the delivery to the recipient of the expression of tournaments and events that mixes myth with reality. Those heroic stories we find is the champion matter given society defend them achieve their desires and is characterized by high strength and configuration of physical and psychological unique. The researcher divided the research on the four seasons, were as follows : The first chapter (methodological framework), which included the problem of research, summarized as follows by asking : How employs saga in TV drama? Then the importance of research and the need for him, as well as the objectives of the research and its borders.Chapter II, who came under the title (theoretical framework) was on the three sections, are as follows : First topic : the saga term and concept. Their definitions and their relationship to philosophy and what it is when Aristotle and comparing myth and at the end the researcher said a summary of the most important characteristic of the epic concentrated in eight points.The second topic : Building and construction dramatic epic elements : in this section were searched drama and dramatic elements of the general construction and construction epic researcher concluded at the end of his research also points to eight.The third topic : the employment of construction in the epic television series : in this section have been addressed to the foundations of the traditional dramatic structure and the president and his staff dealt with in the order as well as transition and connection between the viewer and the units of time in the series Almhumai.ol_khas Find researcher in the end to six points.In light of this, the researcher suggested a set of indicators that represent the theoretical framework summary. And seal Chapter previous studies.Chapter III (research procedures) to ensure the research methodology, and the research community and the research sample search tool and sincerity and integrity analysis steps and then the sample analysis tool that has been selected Qsidia analysis of a series Spartacus Part I : Then, the researcher analyzed the sample from the theoretical framework indicators after taking the opinion of the Committee of Experts and arbitrators.Chapter IV (findings and conclusions) : has included the results that came out of the researcher after the sample analysis, and the most important results : - 1. The construction in epic movies and serials that rely events Epic or epic mythical figures not only to seek clarity of interpretation but seeks to clarity of expression because the business epic intellectual progress summary of the beliefs and feelings of non - specific.2. Non - Molovih events and actions in Business epic coated myth make such acts implausible because it is located in the virtual worlds in a way just the viewer and lend the work a thing of beauty and surprise by tricks cinematic special effects, which was surrounded and carried out as in the sample series Spartacus.And he went after the researcher a number of conclusions and recommendations and proposals.Find and seal a list of sources and supplements and a summary in English.

تمثلات المتخيل في الخطاب السينماتوغرافي في طروحات ما بعد الحداثة == Imaginary Representations In Alcinmatugrave Speech In The Proposals of Postmodernism

Author name: لؤي عبد علي مهدي الشكرجي
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Is a discourse Alcinmatugrave today a humanitarian imperative task of art and the phenomenon of communities with different cultures, languages, customs and traditions, because it is a form of sophistication and Highness and the development of civilization in the field of art, which is today civilized societies feature in the current era, which can promise the age of technology, techniques and science and electronics.Although the art and art productions in all its forms and formats, not distance away from this technical development taking place at the level of machinery, tools, machinery, equipment and techniques that dominated the human production of all types and forms, but the expression, style and form prescribed by the human, and the topics identified by the artist , raw material and technical Ntegath, is to be the core of art and the artistic process feature.The overall innovations of postmodernism ((postmodern in the field of photography and visual display since the beginning of the nineteenth century and Trafaqa with the overall discoveries of the twentieth century scientific and intellectual until now, the changing obtuse movement that turned the evaluation and judgment and consider the concepts to the concept and the importance of image, and to productions imagination which is new unparalleled, has accompanied the post - modern evolution of digital technology techniques and computer media, media, communication and the arts all, and has become the visual image accordingly semiotic mark attest to the developments and reinventions postmodernism, and it is no longer the language is the sole regulator of human life, of peoples and communities of different cultures and Muruthatha and features, but the picture is becoming the base engine for the collection of knowledge, and the effectiveness of human recognize the truth through all those discoveries subsequent to the photographic image and then converts it quickly to the moving image (cinema) and then the TV down to the Internet revolution that made the universe (a small screen in the palm of Rights), which have the capacity and the ability to breach the stringent actually effects and the dominance of mental discourse affected by the facts and the facts, and became symbols of these discoveries and productions continue influential with human imaginary process more than they may engage in dialogue or Taatlaqah with his mind, which adopts the reasoning of the basis for the projections that reality.Was launched with all these developments embodiment and achieve and activate the imagination and imagination on the level of artistic productions Alcinmatugraveh operations, so imagined that evoked to him the contents and details of the image in the speech Alcinmatugrave, and moved in different forms and expressions and fields, confusion and doubt anddarkness and shadow on the sidelines of understanding of the area, to the explanation and interpretation of the understanding of the area through the perception and the sense, and it has become visible material received by sight at all times and everywhere roam the human eye, and became the reality of man and his environment Urban modern source does not dry and inexhaustible of symbols and connotations that occupies the image position and the extraordinary significance, that this image that surround humans wherever found, and Baattabarھa result inevitable of productions imagination and creative sense, has become an effective tool of communication and interaction tools, whether this adopted a communication on the mind or the other queens that Ihozھa rights, and has become the imaginary symbols accordingly, a source of Alotsalaty on the cultural, social and humanitarian level exchanges, especially in the era of postmodernism, where the big coup at the level of concepts and propositions of intellectual and philosophical discourse of the buildings on the level of language, image and other means of expression. Most notably in the field of speech Alcinmatugrave, as Acefhma Regis Dupre in his life image and her death by saying : that television and cinema in the era of postmodernism Assanotai of the imaginary 1.From here the researcher in determining the problem with this research, and sought an effort to learn about the philosophy and the limits of the imaginary and its implications in the speech Alcinmatugrave, according to each of those visions and propositions, perceptions and ideas provided by the movement postmodernism, after its hegemony and control of the reality of thought and art since the seventies of the last century until our time, especially in the field of speech Suri.The speech ((Alcinmatugrave)) of the most important means of the display of the form and meaning of any dramatic work of art visible, and that leaning upon the viewer conscious who can we consider : actor moving the most dangerous and the most important in the tri - creative process ((Author director - speech Suri - receiver)) in the process taste sensory and aesthetic Mknunadtha and their implications and their symbols, where the picture becomes a speech visible and read visual multiple meanings, embodied them as the field free to the process of monetary controversy effective between the receiver and visual text the picture, which is in front of him, especially since more Mafi images controversy and signed and attractive and aesthetic, in the recipient, those that contrary to the familiar object impact of perception where, above and beyond in their implications and their meanings rolling all the arguments, and different in nature from the mainstream and repeated in its forms and manifestations, and away in their meanings for movable and of refined and reproduced in Qualbh classic permanent, characterized in iconsand images innovation and diversity and innovation, and be in the subjects rolling The curious and innovative,This Mayaml to achieve and embodied in the imagined speech Alcinmatugrave, Valmtejel in his being is to re - create a new innovation within the visions and ideas commensurate with the spirit of the age and time, according to the philosophies and spiritual narratives imposed by this age are required by the technical Actual makers.And it has launched a researcher in determining the external lines of the search parameters and boundaries.. The researcher felt his research included five chapters are : _The first chapter.. / methodological framework for research and includes a research problem, namely the reasons that sparked the attention of the researcher and invited him to his choice placed his research, and after that Atharahtmamh included imagined and achieved in all artistic productions trendy Alcinmatugraveh modern, according to the visions and ideas put forward by postmodernism, especially since the process of understanding and grasp the modalities for achieving this process in movies and dramas Bank, impose study and research, has coined the researcher problem according to his research and the question as follows : What imaginary philosophy, and what modes in which they are employed and imagined eating in the speech Alcinmatugrave proposals in postmodernism..And also the importance of research : Which guarantees the importance of fighting the researcher and his study of the placed.. Find added knowledge and scientific and cultural benefit, as they are not positioned to go into such a search previously, has not been addressed in this privacy and detail than before, and this is what is important in the research and study.(1) See : Regis Dupre, life and death picture, see : Fred bubblegum, Africa, the Middle House versions, Casablanca - Beirut 0.2002, p. 247Find and goals : Identified by the researcher as follows : in the detection modes in which they are representing the imagined and achieved in the speech Alcinmatugrave within the proposals of postmodernism.Search limits : Where the researcher identified in the study of the concept of imaginary Vslvia, and a figurehead as well as study the proposals of postmodernism and its impact on art, especially in the speech Alcinmatugrave The goal of the research sample the first footage of US (harmful MALEFICENT), in production (in 2014), and the second sample American series (marginal FRINGE) production year (2013 2014), followed by geographic extent where I am is the point of producing a sample of the United States of America.As well as identify the most important terms in the title of the paper : Where the researcher determine the most important terms in the title of the paper, namely : (imaginary, Sinmatograve, postmodernism).Chapter II / theoretical framework and previous studies..And in which the researcher deliberately go into three sections check the theoretical framework of the research, which resulted in the collection of theoretical indicators adopted by a researcher at the research samples analysis, these detectives are : First.. The first topic : a (philosophy and the limits of the imagined), which looks at the Maheat imagined intellectually and philosophically in literature, art, definitions, understandable and Tmthelath and levels of the language, literature and the arts general level.Second.. The second topic : .. (Figure, image and narrative in the proposals of postmodernism) and who is running in concept form in the concept of the image within the proposals of postmodernism.Third.. The third topic : (recruit imaginary discourse in Alcinmatugrave).. which will address the modalities in which they are imagined and employment outcomes achieved in dramatic Alcinmatugraveh.Delve into research theory and study in those three detectives from the set of indicators adopted by the researcher tool for the analysis of a specimen sample.. after the viewing on a group of experts process has resulted in, and seal the second quarter review of some previous studies that approached from a distance or close with placed Find Anfa.Chapter III / research procedures..This chapter included a series the procedures followed by the researcher during delve into chapters and sections Search, and these actions are : a review of the research methodology, and the research community and the research sample, and search tool, and the sincerity of the tool, and the unit of analysis, and analysis steps.Chapter IV / analysis of samples..In this chapter the American sample footage analysis : (harmful MALEFICENT), as well as the second sample American series (marginal FRINGE), and so on according to the analysis tool (indicators) and then discussed and draw the final results contained in Chapter V.Chapter V / which includes the findings, conclusions and proposals, recommendations and appendices, images and research summary in English..This chapter contains, the findings of the researcher on as set of objectives, as this chapter shall also ensure that the conclusions that emerged from the results, as well as some suggestions for further studies verify the enrichment and diversification of information in the jurisdiction, and the recommendations by the researcher believes it is necessary and important.Has been attached to the message list of sources and messages hired by the researcher, as well as a set of appendices included.. (model) experts form ((indicators)) contents Search form model.. and the list of movie scenes and a group photo on indicators.. as well as abstract in English.

ادب السيرة بين الحقائق التاريخية والرؤية الفنية في الدراما التلفزيونية : دراسة مقارنة == Literature Curriculum Between Historical Facts And Artistic Vision In TV Drama

Author name: ايناس عبد الحافظ احمد القباني
Supervisor name: عبد القادر خلف الدليمي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تكمن اهمية الفن التلفزيوني في كونه يتصدى لموضوعات شتى تنتمي لاجناس ادبية مختلفة تتوحد داخل لغة الصوره بسطوة الدلالة المباشرة لايقونية الصوره المتشكلة في تراكيب ومعالجات اخراجية يريدها صانع العمل, ومن بين الموضوعات التي يتم التعامل معها مرئيا في الدرا | The importance of art lies in being a television address to the various subjects that belong to different genres unite hold sway within the language is significant direct iconography is formed in the structures and processors directorial arranged by the employer, among the topics to be dealt with is visible in the television drama is literature BiographyAnd the specificity of these issues lies in the fact that the literature curriculum promotes the requirements of formal and structural overlap among the various sciences as a science and the concept of narrative history as part of mating between fiction and drama. This privacy policy was prompted by the researcher to identify the object (Literature curriculum between historical facts and artistic vision in TV drama)The researcher divided this study into five sections, the first systematic framework has included the research problem that arose on the following question : What are the modes by which the employment of the artistic vision in the realization of the historical facts in television dramaSection I : Biography of literature and touched the researcher to define the concept of literature curriculum set out the main features and types, which was the Prophet's biography, curriculum vitae and biography biography and historical roots, and then look at the structural elements in the curriculum and levels of narrativeSection II : sign structure of the image visible in the literature curriculum has been the search structure is a sign to achieve as much of the process of delivering information, or to determine the significance in the formats that are often concerned with time particularyThe third topic : the historical facts in television drama, and in this section have been addressed to the concept of historical truth and honesty historical and means owned by the television drama in the formation of credibility for the construction of historical events dramatically through the adoption of all the elements that work on the level of form, research concluded with previous studies and the most important indicators that Researcher learned from almost the theoretical frameworkChapter III : Research procedures, which were addressed to the research methodology and a tool of research and the research that was three serials, as follows : 1 - serial - Zahir Baybars 2 - Asmahan serial 3 - serial Hulagu Finally, samples were analyzedChapter IV : Results and conclusions And it has been to reach the main results which have been drawn and analysis of the sample 1 - Biography of literature depends upon transfer to a television series on the existence of a personal narrator either as a participant narrator or the narrator of events is co - narrator of the events ranged from diagnosed or undiagnosed narrator and as we have seen in the series of Baybars and the series Asmahan serial Hulagu2 - historical truthis linked to the maker's ability to build an image of actions match the historical record in terms of details and building what is known for his historical and literary bloggers, and in this scenario we have seen in political assassinations in the series, both famous Baybars or Asmahan serial or serial ,Then the formulation of conclusions, which included conceptual framework and analysis of the sample. The research concluded with recommendations and proposals and list of sources of supplements with a questionnaire to the Committee of Experts and a summary in English.

المعالجة الاخراجية للموروث الشعبي في الدراما التلفزيونية العراقية == The Directing Treatment of Popular Heritage In Iraqi Television Drama

Author name: فردوس مدحت رؤوف
Supervisor name: عبد الكريم حسين السوداني
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يمثل الموروث الشعبي اهم اشكال الثقافة الحياتية ومرجعية لطقوس وحراك ويمكن توصيفه بالذاكرة المعرفية المتمركزة على ما تنتجه المخيلة الانسانية في صراعها المستمر عبر المراحل التاريخية المختلفة ولا يمكن لاي شعب ان ينفصل عن تاريخه وممارساته التلقائية والتي تعكس | The popular heritage represents the most important forms of life culture and a reference of rituals and motion. It can be characterized with the cognitive memory centered on what the human imagination produces in its continuous struggle across different historical stages. No people can be separated from its history and its spontaneous practices which reflect its attitudes and awareness. What manifestations and expressions the events distinguish promote the thinking level and the characteristics of each people or human group. Because the popular heritage includes deep human experiments, it holds decisively a living and existential essence motivating many artists whether in Iraq or in other world states to turn to invest the data and values he distinguishes. It is easy to transform the social facts to artistic visions, especially TV drama works, besides the marriage between the heritage and TV reflects the fact that the popular polarization size of the little screen made the reception characterized with this extensiveness in that the serials or drama works grew addressing the popular memory towards employing what is common and deep rooted in the collective social mind. Hence, the researcher submitted her topic entitled (The Directing Treatment of the Popular Heritage in Iraq Television Drama) within the light of five chapter as the following : In chapter one (the Methodological Frame), the researcher identified the research problem manifested in the following question : What are direction styles of popular heritage in Iraqi TV drama? then comes the research significance which was obvious from the significance of the topic (popular heritage), since the directing treatments of the popular heritage topics require standing long at them for it is one of the topics that documents a nation life through reformulate its history in a TV drama work. This matter makes it of an obvious importance in searching it in order to provide the chance for the one who works in the field of direction to stand at the potentialities and merits of the works treating the popular heritage as well as to provide a search reference for the followers and readers to get what is within its contents, in addition to the advantage given to the critics, authors and directors who work in TV drama and the advantage goes to the students of the College and the Institute of Fine Arts. As to the research aim, it was in exposing the directing treatment of popular heritage in Iraqi TV drama. Chapter two (The Theoretical Frame and Previous Studies) included five sections as follows : 1 - Section one : The Popular Heritage - The Origin and Concept. 2 - Section Two : The Elements of Popular Heritage and Their Employment. 3 - Section Three : Employing the Popular Heritage in Iraqi TV drama. 4 - Section Four : The Directing Treatment of Popular Heritage Topics. 5 - Section Five : Glimpses of Addressing the Popular Heritage in Some Works. The indicators of the theoretical frame distinguished some results dealing with the directing treatment nature of popular heritage in Iraqi TV drama. As to previous studies and after studying and searching, the researcher found a master study in the library of the College of Fine Arts for the student Adnan Mizhir Lafta entitled (the Cinematic Formulation of Superstitious Story in the Narrative Movie 2004). In chapter three (Research Procedures), the researcher dealt with the research method where she took the descriptive method which fits the research nature. While the instrument was concerned with the elements of the popular heritage and how to employ them as well as the expressing elements which contribute in embodying the popular heritage. The researcher took the scenes as a main unit in analyzing the sample in that she took the research samples purposively which contain the popular heritage essence represented in several samples mentioned with details. Chapter four addressed the analysis of samples. Chapter five (Results and Their Discussion) covered a detailed display of the results arrived at by the researcher where some customs and traditions were shown in most drama works addressed in the research, in that the directors asserted running after the details of traditions and heritage glimpses clearly as well as the popular songs were embodied with all it could turn us to their reality, so the instruments like the Joza and Khishba and singing the squares (Muraba'at) necessitated that there should be a privacy when directing them. Thus, they were discussed and then the conclusions came out, the most important of which are quoting some international works (as popular heritage) and reflecting them on our heritage where the features and characters are changed in a way simulates the Iraqi traditions which makes the director subject to the original text in the treatment process. Afterwards came the recommendations and suggestions matching the research aims. Finally, the researched adopted several suggestions for future topics.

السمات الغرائبية للشخصية الدرامية في افلام الفنتازيا == Instinctual Features of The Character In The Drama Film Fantasia

Author name: معتز محمد علي جبر
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The imagination represents the bases which the arts and especially the art film set out from it, and how treat with the imagination in description of the reality of the movie is the moderns of Cinematographic kinds, according to the self - evident of the imagination, is the real driver for the films the Realism and Impressionism, the story or the Directorial vision and the way which the cinematographic language elements are employing, it must to raise on a large estimate of the imagination, the imagination is consider the base element, so the researcher found that specialization of Fantasia subject which is known fantasy, it was the motive to make it as a subject for his research by rely on the strange characters for the other dramatic figures, these figures have common features which distinguish from the other of the figures dramatic. They are figures which couldn’t available within the physically world, but they set out from the reality to the maximum degree of imagination whether in terms of the shape or from another side the ability to do extraordinary deeds, all that give it libration from the abstracts which tie up the material worlds. the strange figure in Fantasia movies is considered an important element, Innovative and creative, it works by sharing with other figures to reach the Content associated with the Exoticism, from this point of the imagination, the researcher has limited a title of this research as following ((Exoticism features of drama figures in movies Fantasia)), the research has been divided in four chapters : The first chapter/ the Systematic framework which include : The research problem which Crystallized in these questions : what the exoticism features and how show in building the dramatic figure in Fantasia movies? Aims of the research : the revealing about the exoticism features of the dramatic figure in fantasia movies. In addition to show the important of the research and its borders and conclude the chapter by limiting the most important terms.The second chapter ((Theoretical framework)), it has been divided to three researches as following : The first research : consist of fantasia movies ((type and feature)) The second research : the research consist of the exoticism features for the dramatic figure The third research : it deals element role of the cinematographic language in embody the exoticism features for the dramatic figure.In the third chapter : (research measures) the researcher depended on the analytical Descriptive approach according to Indicators of the theoretical framework describing as analyses instrument, after it has been offered to group of the experts, finally it has been chosen the research, they are documentary movies and he put them for many reasons, finally the research has analyzed sample of the research as following : ((X men, The Fantastic four, Thief of thunderbolt, Nightmare in Elem Street))The fourth chapter, the results and Conclusions : it has consist of the most important of the results and conclusions that the researcher has reached as following1 - The Extraordinary capacity for the dramatic figure consider the Instinctual qualities which Fantasia movie bases on 2 - form Embodiment of the instinctual figure presents one of the necessities which reveal about it’s the Instinctual qualities.The most important conclusions are,1 - Fantasia movie represents a Cinematographic kind, which has specialty in presenting a specific subject also the Cinematographic treatments 2 - The dramatic figure in Fantasia movie a large space in variety operation on level of the form and function because multitude its forms, they may be human figure, but it has superpower or Mythic Creatures or monsters Finally it has been offered the recommendations and the suggestions and it has been ended the research by list of the sources.

ملامح البطل الشعبي في الدراما التلفزيونية العراقية == Features of Public Hero In Iraqi TV Drama

Author name: سلوان بهاء كاظم
Supervisor name: علي صباح سلمان
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تطلع الانسان منذ بداية حياته على الارض الى مثال، او انموذج فية قيم البطولة بعضها، او كلها التي تنسجم مع مستوى وعيه وطبيعة الشعب الذي يعيش فيه، وتتناسب في صيرورتها المتطورة مع مراحل تطور الفكر الانساني المعاصر الذي ينسج عن طريق تعالق وتشابك الانسان مع طبيع | The human, since his struggle on earth, looks for an example characterized with values of heroism that corresponded with his thought and nature of people whom he lives with. These values match the development stages of temporary thought that resulted from getting the man to be aware of surrounding circumstances in respect to social, political and economical factors which considered as a main basis for crystallizing human and people's awareness. Hence, the public hero gets his sufferings by his expression about physical human action in different forms affected by place and time across human life decades. Hero features got determined as a result of human awareness development in respect to life that required a set of features the hero characterized with as to express through which about human action linking to his awareness about nations in an active way.The research includes four chapters , the first chapter deals with the methodical field included problem of the research that represented in the following question : What are outstanding features of public Hero in Iraqi TV Drama? In addition to the research's significance, its goal and finally terms definition.The second chapter includes theoretical filed and previous studies. The theoretical filed divided into 3 parts (1st part) : public hero in relation to significance and term, where it had been defined definition of public hero according to conception of public hero.( 2 nd part ) and about the second research : drama construction at the television series which included the most important of emerging and theories that belong to the drama construction for television series. (3nd part) : includes features of public hero in drama and basic supports pertaining to features and aspects in the drama. This gives him a distinction as to embody his people longings and desires via his action and his struggles with other forces.After then, the researcher got theoretical field that helped him after the approval of experts committee as to be a tool for analysis.The third chapter includes applications the researcher depends on for analyzing the sample chosen on purpose as to get to the goal of the research. The application includes the research tool and text and reasons lying behind its choose , the analysis unit, tool confirmation and sample analysis.The fourth chapter includes final results conclusion resulted from the analysis. Actions and changes of public hero have been considered as a real and actual expression about social structure and self - patriotic in its ambitions , hopes , equity and justice. It also exposes conclusions resulted from the research results , top of which have been social, economic and political changes that formed picture of public hero in TV Drama; besides, it includes some recommendations and also suggestions for later study.The research has concluded with list of references the researcher depends on and a summary of study with English Language.

الدلالات الزمنية للصورة في الدراما التلفزيونية == The Time Indications Forpicture In Television Drama

Author name: صابرين كامل زيدان خلف
Supervisor name: عصام عيسى علوان السامرائي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان وعينا لمفهوم الزمن وادراكنا له,ليس في كونه زمنامجردا,بل في معايشتنا له,جعل الباحثة تستقصي حالات بناء الزمن ودلالته وكيفية نشوء فكرته لدى الانسان وصولا الى ادراكه واستيعابه من خلال البنى الفنية بتعدد صنوفها وحالاتها والتي تصاغ بسبل درامية تعطي متصوا انس | That our awareness of the concept of time is not in the fact that time merely, but in the Maistna him to make a researcher investigating cases of building time and the significance and how the emergence of the idea of a guidance man down to the perceptible and absorbed through the structures of art multiplicity of its different, situation and formulated ways of dramatic give a vision humanly creative about the time.In aspects of the philosophical, scientific and technical witness the effect of time and the concept of time, occupies an important place in the drama in human life, self and external environment and society, all this gives the structure of image work dramatic themes promise revolves time Petrchinha So it was a question that deals with the search : (What are the qualities under which the pixels to produce indications of time of the events in the drama TV show?)The first chapter deals with the structure of the research, the problem and the need for it, its goal and its importance, and which controls the border area of research as well as determine the terms.Chapter II addresses the theoretical framework (two topics), the first contains several sections and includes each time its concept, types and concept philosophically, and in the section other includes the structure of semantic of the image in the television drama, and represents the time in which to infer the effects of time of the artwork and understood by the receiver when watching action film and television and then reviewed by a researcher the results of the theoretical framework and left him in several indicators,In the third quarter, which includes measures of research methodology - sample of the research - the search tool and the unit of analysis,Finally moving to the fourth quarter to deal with the analysis of samples selected from the serials, which have been selected Qsidia two series (King Farouk, another series of kings) and through the search tool is obtained, our findings through the analysis and thus complete the research conclusions, proposals and recommendations complementary to search then fixed list sources and supplements

اشتغال الشفرات الثقافية في المسلسلات التلفزيونية التركية == The Functioning of Cultural Codes In Turkish TV Series

Author name: علي عبد الرضا مزبان المطيري
Supervisor name: ياسر عيسى حسن الياسري
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: بدات العروض الدرامية التلفزيونية الاجنبية وبالخصوص المسلسلات التركية تاخذ مداها الاوسع في البث والانتشار في الساحة العربية عبر وسائل العرض المتنوعة ومنها القنوات العربية كافة الحكومية والاهلية، وصارت تشق لها طريقراحبا وسط المتلقين العرب عبر ما تبثه من قيم | Began offers dramatic foreign TV and in particular Turkish soap operas take a range of broader in broadcast and spread in the Arab arena through the means of various display including Arab television all government and private , and became make their its way welcomed amid recipients Arabs over what was done to the values , ideas, and the meanings of various , across what was done to their offerings dramas diverse in terms of form and content , and therefore it has become necessary to monitor this phenomenon art by researchers and scholars in the fields of film and Television Arts so that it can understand and comprehend the vast amount of marks artistic , aesthetic and semiotics posed on according to their own perspective , and that seemed to constitute as mentioned phenomenon of great artistic occupied Arab public opinion and Muslim world as a whole. In order to prove a research that this phenomenon is its own language was we have to disclose their tools and language Tglatha aesthetic and expressive and semantic terms of form and composition and meaning , and here began , the first steps in the study of this phenomenon artistic expatriate us , through an approach to language film structures semiotics active and effective participation in Mndzha iconic pregnant for the meaning of the signifier ( s dramatic itself ) , in terms of function units and compositional organization and shape and Altmzar , and the resulting emergence of Encode cultural meet the privacy of work and gives him his identity , social and cultural well and shown on according Achtglatha multiple hidden and implicit within the overall context of the presentation of dramatic television , the offer system nested and linked to cultural life public and the same time is a separate system of cognitive intellectual aesthetic operates according to its own language and Its blades specialized Kalza and theorist , music, physical movement , and here and where resulting from this approach several results had them , the possibility of the application of most of the structures of semiotics linguistic the accomplished television drama based on the manifestation and emanation built Alamih lingual and non - lingual actor like , blades , and built a communicative other is determined by which identity and privacy accomplished dramatic television and his art , through interdependence and different and Talvadtha markers ( iconography , and symbolism , and indicative) incarnated and is operated in the body art , and the problem with this , a system of rules and technical norms , which in turn lead later to deliver a message with deep meanings , using all elements of cinematic language. And according to the progress of speech and a request to build the foundations of scientific research , academic, and in order to stand on the details of the chapters of this research work and covered components of the various it has been the study title, year ( the functioning of cultural codes in the dramatic TV series Turkish ) and were divided into four chapters , as follows : Chapter I ( methodological framework ) : The intake of this chapter the research problem , which crystallized and was studying the modalities of the functioning of cultural codes in the structures of television dramas Turkish embodied in the form of dramas and demonstrate their functional and semantic through the identification of structures cryptographic elements display art and semiotics. Vassana work uses blades cultural reality expressed through the expressive elements of cinematic language , in turn, creates a cultural Its blades that gives the drama of technical specificity and uniqueness distinctive. Also included this chapter objectives of the research , also included a chapter on the rest of the ingredients methodology other than the importance of research and its limits , and the definition of terms and came second chapter ( the theoretical framework and previous studies ) : Based on the manifestation of the subject of current research into the levels of synthetic and Alamih and expressive , diverse saw the researcher to study what's covered by the installation of elements within the construction and semiotic recaps of the drama television show as a structure and shape Accordingly, the researcher finds this chapter is divided into several sections , were as follows : First : dramatic structure in Turkish TV series : Second : the semiotics of dramatic television building : Third, the concept of semiotic codes in the field : The third chapter ( research procedures ) is based on two main pillars : research methodology , and it has been adopted descriptive analytical method based on the unit of analysis that are part of the selected sample Qsidia a way that fits with the nature of the research, in addition to clarifying the reasons for choosing this sample. The resulting theoretical framework for a number of indicators adopted by the researcher as a tool for the analysis of the sample after the presentation to the committee of professors and experts for the purpose of examination and evaluationCO : Analysis of selected sample according to the tool that came out of a researcher from the theoretical framework. , The sample consisted of the series ( Valley of the Wolves ) measure performed seventh.And ensure the fourth quarter , a set of findings and conclusions , the most prominent of which contribute to the adoption of cultural codes through Ostglatha multi as markers or glitter Tgeorah and deliberative adopt the concept of relational in the supply , transportation and neighborhoods structures and forms Alamih with Achtgalat extinct and dead , or specific markers ( arrows ) (Poison ) ( cord ) ( secret rituals ) , employed in the service of a broader meaning and shows the function within the context of the Great unity (Serial ). The research also included a series of recommendations and suggestions for the search ends with a list of diverse sources and a summary of research in English

التمثلات البنائية والفكرية للمكان في مشاهد الاستهلال في الفيلم الروائي == Representations Structural And Intellectual Place In The Scenes Initialization In The Feature Film

Author name: محمد عبد الحميد ضيدان
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتلخص موضوع البحث ( التمثلات البنائية والفكرية للمكان في مشاهد الاستهلال في الفيلم الروائي) كونه يبحث الجانب البنائي للمكان, اي مجموع العناصر التي تتفاعل معا في تحقيق تلك البنائية وما يترتب عن ذلك من وظائف تحقق تلك البنائية المكانية وخصوصا في مشاهد الاسته | Boils research topic ( representations structural and intellectual place in the scenes initialization in the feature film ) being looking side constructivist place, any sum of elements that interact together in achieving those Constructivism and the consequent functions check those structural spatial and especially in the scenes of initiation which usually reveal the nature of the events and the dimensions of the characters and their actions , and the atmosphere psychological, social , cultural and otherwise, for the link to place a lot of dimensions that can be drawn or expected , so I saw a structural place over the course of art film a lot of transformations which Erafqgaha necessarily a change in the functions performed. In terms of representations intellectual place , the directors usually hire the place in order to bring out their ideas , either directly provides an understanding of the receiver to the idea of the film from the beginning, or indirectly by encoding the place and thus may postpone the director in the detection of the idea of the film to movie scenes Other may sometimes up to the end , and it will be a key component in place to receive information either visible or invisible and a substitute for the usual methods such as dialogue or commentary , or other methods of narrative.The research is divided into five chapters : Chapter One : to ensure a systematic framework for research and included a research problem , which was the following question : What representations structural and intellectual place in the start - up scenes in the feature film ?And also included a theoretical framework to search a target detection modalities that their place is structurally and intellectually in the start - up scenes in the feature film. The search also included the importance of and the need for him , as well as to clarify and define the limits of search terms.The second chapter included a theoretical framework and previous studies theoretical framework has been divided into three sections : The first topic : the concept of the place and divided into three main axesDiscourses place linguistically and philosophical concept of the place and the concept of the place of artThe second section was talking about the structural location and the types of films that Abanna?aat what are the cinematic elements that participate in these structural and how they operate.The third topic : it was the place to talk about the film structure and significance , particularly in the start - up scenes , and touched on the concept of search start - up in literature and cinema and what is the structure of the privacy of the place in the opening scenes , and how they hired Bna?aat place in those scenes.He then discussed the intellectual side of the place in the opening scenes and how they were dealt with by the directors of place in the presentation of their implications intellectual ways and means Ctoziv many cinematic elements and other methods such as the use rhetorical symbol and metaphor. After the completion of the theoretical framework presented earlier studies that dealt with the subject of research from afar or from nearby , concluded the researcher to a number of indicators that felt researcher to be a tool for analysis after the presentation to the experts and ratification by them , so the researcher analyzed the three films has arrived at a set of results was the most important : 1 - saw the place in the structure of scenes initialization shifts and many changes as a result of the active role of this structure and of its own functions on the level of dramatic and aesthetic and intellectual.As of the most important conclusions was : 1 - maker cares about the structure of the work place in the side as a start - up scenes of the most influential and enjoyed plenty of the recipient in terms of reaction and anticipation fascinate and expand the horizon of expectations.Then your search is over some of the recommendations and proposals.Find then concluded with a list of the most important references and sources that hired the researcher and a summary in English

التمثل الدلالي للسريالية في الفيلم الروائي == Semantic Assimilation of The Surreal In The Feature Film

Author name: اثير عبد الرزاق بدن الساعدي
Supervisor name: ماهر مجيد ابراهيم
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يركز صانع العمل في خطابه على انتاج المعنى، عبر توظيف الوسائل التي تولد المعاني الظاهرة والضامرة، وترتبط عملية انتاج المعنى بالمرجعيات التنظيرية التي ترتبط بذات الموضوع، فللموضوعة الواقعية خصوصتها في التعامل مع المعنى، وهذا ما ينطبق على باقي المرجعيات التن | Focuses maker working in his speech on the production of meaning, through the employment of means which generates meanings phenomenon and vestigial, and linked to the process of production of meaning reference laparoscopic, which are associated with the same subject, subject realism particularity in dealing with meaning, and this is what applies to the rest of the references laparoscopic, such as formal theory or Cinema dogma, and other references that assume a particular form of dealing with the raw material and the elements of the language of the mediator, and Surrealism one of these references, which are characterized by particularity in dealing with the meaning and production of special means, represent this means the basic features of the surreal, which crystallized images cinematic configurations working to represent the significance of Surrealism in the film, hence the title of his research researcher identified the following : (semantic assimilation of surreal in the feature film), and the researcher dividing the search on four chapters, were as follows : Chapter I (methodological framework), which included the research problem, and summarized by asking the following : What are how they are semantic assimilation of surreal in the feature film? Then the importance of research and the need for him, as well as the objectives of the research and its borders, and identify the most important chapter seal the terms contained in the title search. Chapter II (theoretical framework) and came on the three sections, are as follows : The first topic : the concept and references Surrealism : researcher where the concept of Surrealism, and techniques adopted, as well as the attributes of the surreal. The second topic : embodiment and abstraction of the cinematic image : in this topic was discussed modes of assimilation in the picture Surrealist film, once deprivation through symbol and metaphor and again personification by employing elements mediator Film Festival. The third topic : the significance and layers of meaning : in this section have been addressed to the term significance, and the beginning of this science, and the mechanism for making semantics and Production of meaning, as well as layers of meaning direct and implied indirect, through which assimilation Surrealist inside feature film. In light of this, the researcher to a set of indicators that represent the summary of the theoretical framework. Chapter and seal with previous studies.Chapter III (action research) : has included research methodology, tool research and analysis unit and the research community and the sincerity of the tool and steps of analysis and research sample that has been selected Deterministic are as follows : First : the movie (Black Swan) output (Inception) Second : the movie (Inception - Inception) Directed (Christopher Nolan) Then, the researcher analyzed the sample from the theoretical framework of indicators after taking the opinion of the Committee of Experts and arbitrators. Chapter IV (findings and conclusions) : it ensures results that came out of the researcher after analyzing the sample, and the most important results 1. activation rhetorical elements of the language of the mediator film for the production of meaning in ways different from what is familiar, becomes a meaning associated consciously receiver, and the capabilities of psychoanalysis to uncover the nature of relations constructivism in movie scenes, as demonstrated in the research sample (film Black Swan, and film Inception) 2. shape the narrative in the film Surrealist manner vehicle, it is beyond the formats of traditional narrative, clinging to such modalities narrative hybrids that overlap the middle of texts, and becomes a sequence of Psychological is dominant in the presentation of the events, as demonstrated in the research sample (film Black Swan, and film Inception) The researcher then went out to a number of conclusions, and recommendations and proposals. Find and seal a list of sources and supplements and a summary in English.

البناء الحركي وانتاج المعنى الدلالي في المشهد التلفزيوني == The Buildup of Motion And Production of Semantics Meaning In The Television Scene

Author name: كمال شناوي ذياب
Supervisor name: دريد شريف محمود
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: سعى الباحث في هذه الدراسة الى ابراز دور الحركة كمفهوم شمولي في مستويات متعددة امتلكها الفلم كمنتج فني سواء على مستوى السينما او التلفزيون بشكل عام، كما سعى الباحث الى تجذير العلاقة ما بين الحركة ذاتها بكل مستوياتها ومراحلها وتاثيراتها في انتاج المعنى الد | Researcher sought in this study to highlight the role of the motion as a comprehensive concept in several levels the film has as an artistic product, both at the level of the cinema or television in general. The researcher sought to consolidate the relationship between motions itself at all levels and stages and their effects in the production of the semantic meaning. The study tried to follow the appropriate way to achieve the maximum benefit through reading all views in line with the research objectives, the research was divided entitled (buildup of motion and production of semantics meaning in the television scene) into four chapters in which he first entitled (The methodological framework ) which includes the problem research, its limits and its goals, while the problem of the research can be summarized asking following ((what are the aspects of motion affecting the production semantic meaning in unified artistic buildup?)). Yet, the importance of the research being dealing with basic subject in the structure of a scene, which is motion and their meanings in production as well as the possibility of becoming a useful study for those interested in field of TV drama. Meanwhile, the limits of the research focus on studying television drama. The research objectives have been limited to (detecting the modes in which motion operates within its various forms on production of semantics of meaning in the television scene). The chapter also included on a definition of the term motion, while chapter two (the theoretical framework and previous studies) which has included three studies which have formed the theoretical foundation of the research, these studies were titled as follows : The first section (motion from the structure to the meaning) it gave a thorough discussion to the concept of motion, in addition to the structure and semantics and the significant of the structure on scene buildup in films, in addition to the theoretical picture and its relation with the meaning which is being dealt in details. The second section (from the movement to the film) it reviews the history of motion picture and factors that affect the composition of picture in television.The third section (motion and dramatic structure in the television scene) it addresses the concept of drama, in addition to the elements of action and its buildup, also we have dealt with the rhythm of the scene and building it both intellectually and editing (montage). The research also tackled a number of previous studies that have smaller interests. The researcher has come out of a number of indicators which are the results of the theoretical framework.The third chapter included (research procedures) which included the used methodology and the research community and the chosen samples and justifications for choosing them, as well as the mechanism of research and unit of analysis, this chapter also included analysis of the selected samples. The fourth chapter includes conclusions that focused on two television series that were intentionally chosen to meet the requirements of the research. There are fundamental findings that both series have resorted to motion levels in producing the meaning in different manners, starting from the buildup of motion to vision and the editing, camera and sound. The researcher confirmed on a number of conclusions that have resulted in the light of discussing the samples of the research which confirmed that television series should deal with almost all levels of motion and its meanings in the production of the television scene, with a significant difference in the levels of motion in building of the scene. The results and the recommendations have maintained the goal that the researcher has made in mind in his scientific plan, as mentioned above. This chapter also includes the recommendations, proposals and sources, in addition to summary of the research in English.

المعالجات الفنية لمشاهد الاحلام في الخطاب السينمائي الروائي == Artistic Processors of Scenes of Dreams In The Narrative Cinematic Discourse

Author name: سالم شدهان غبن
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الحالي الفصول الاتية : الفصل الاول (اطار البحث) الذي يتضمن : 1 - مشكلة البحث : وفيها تحدث الباحث عن الحلم داخل السينما وعن مبررات وجوده وكيف تاتي مشاركته بفكرة الفيلم ومدى قربة من الواقع كمقدمة بسيطة للتساؤل الذي يمثل المشكلة وهو : ما هي نظم واشك

الاثراء الجمالي للكادراج في تشكيل فضاء اللقطة لبنية الفيلم السينمائي == Aesthetic Enrichment For Cadrage In The Formation of A Snapshot Space of The Film Structure

Author name: علي حيدر خالد فرمان
Supervisor name: متي عبو بولص
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: When he was told earlier that the film image and the movement were matched at the same moment that attempts perpetual to find potential unique art film , a possibility that must be characterized and unique among the rest of the other arts , which laid with the long history of the foundations of language unique.. as he says Eisenstein in his book Movie format that the musician uses a ladder of votes , as well as a painter uses the area graded colors as that of the scribe set of characters and words.. but in return what fired on cinema recipe she image and movement have come to the recipe opaque in the eyes of aesthetics film since there is no image transmitted the camera does not move CONTAINED within this cadre express virtually no way for the uniqueness of this special art.. the picture itself is a possibility of many other visual arts... as well as the movement within a specific framework cadre is also a feature of the theater.The image and movement are two of the data of this language does not mean in themselves this language , but is just data , and these data are recoverable only to the restructuring and the creation and then the way restructuring is the same as that language desired , which will uniqueness of the art film venue solo the rest of the languages of art, because the cinema visual art , it was the configuration the effect of the basis of the formation of the mainstay of this art , Valtkoan picture film performs a critical function in the development of any accomplish my film , not surprising that the overlap in the configuration process all the technical elements and technology that contribute to the making of the film , way out and photographer and designer decor , actor and sound engineer contributing to all of us in creating a configuration Film Festival, as well as " all this, the film largely depend on the aesthetic image problem system configured I mean , it can be Mahbuka Banazare and special effects nearby , which qualifies the process of attracting viewers and raise their senses and provoke Maiqathm about topics that drama Moot film , particularly as it was the product of a technical support look and feel as a showpresenting , and leaning on the configuration elements and forming processes in the formation of the final image of the drama movie , which up to the viewer , carrying in its content story or idea , in the framework of art was his mastery and drafted through the techniques and tools employed by Maker work with his style and his way and visions.Hence the researcher in identifying placed his research (such as the inclusion of aesthetic enrichment in the formation of a space snapshot of the structure of the movie), has been divided into five chapters on research were as follows : The first chapter ( frame systematic ) : to ensure the research problem, which was questioning follows ((what qualities by which to achieve enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie?)), As well as its importance and the need for him in being dealt with articulation accurate one language elements film, in addition to the aim of the research, which represents detects modalities by which or contribute to the enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie, as well as ensure that the limits of the search, and seal Chapter determine the terms contained in the title search.Chapter II (theoretical framework and previous studies ) : The researcher dividing the chapter on the three sections, as shown below : 1. The first section : (Alkadraj in the structure of the movie)2. Second topic : ( plastic film shot in space )3. Third topic : (aesthetic building frames acoustically and visually)Finally, the researcher came out at the end of the second chapter of inter indicators formed a summary of the theoretical framework.Chapter III ( action research ) : ensure research methodology and the research community and the research sample, and the search tool has been identified through the indicators derived from the theoretical framework after a presentation to a committee of experts for examination and evaluation.Chapter IV (sample analysis and discussion) : ensure that the sample analysis and discussion of the analysis was to deliberate three movies to get to the results and objectives , A film (Shakespeare in Love), directed by John Madden and film (Kingdom of Heaven), directed by Ridley Scott and the film (a nightmare of blood and sex), directed by Joseph Kolbyk.Chapter V ( findings and conclusions ) : Review of the researcher to ensure that the most important results that came out of the analysis of the sample , including : 1. Enrichment is a given aesthetic basis for action when Alkadraj composition of space from the vision of self - treatment of structural frames in the film , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( Shakespeare in Love ).2. The building Alkadraj means the ability of the director to manipulate the rhythm and the mass distribution through homologues and antonyms , which represents the process of enriching the aesthetic of the snapshot in the structure of the film as a whole , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( the nightmare of blood and sex ).3. Represent the process of the mass distribution within the framework of the standard basis in shaping the aesthetics of the rhythm of the picture and the overall unity of rising onthe balance of the overall composition of which , as demonstrated in our research sample movies.4. Achieved enrichment aesthetic through activation of the text scanner , and the gradient hormonal colors or Alcontrast which is a factor creating clarity and isolation and vision , as well as distortion and guess in a sense, as demonstrated in our research sample film ( Shakespeare in Love ) and film ( the nightmare of blood and sex).As well as the conclusions that the researcher extracted from the overall theoretical framework and analysis of the sample and that of the most prominent : 1. The Alkadraj is one of the most important means of creating distance aesthetic image , Valotra aesthetic in the picture is constructive Eptgeh director of that image in its final form, it is that expresses the sum of intellectual and formative vision of Foreign Affairs of the same artist to public life , which is the result of all his thoughts and instincts on differing trends and inclinations and different affiliations , culture and consciousness , experience and practice , which represents emotions and maturity and the extent of his capabilities , which led him to this level of performance excretory , especially since the plastic snapshot extends to the meanings of Interior , which is closely related to and interacting with all shapes and sizes , and the characters and decoration , furniture, fashion and color and lighting of during that intentionality regulatory those different elements.2. Said enrichment aesthetic such as the inclusion controlled by the ability of the director to manipulate the rhythm mass distribution language brevity of its subject , who is filming , as well as by staff and the framework Ikts intent to form was footage establishes turn later scenes , which in turn containsall elements of the picture and formations granted by the characteristics and dynamics , which is incorporated in the final form of image expression and its beauty.3. Polarization and induction of wonder and exoticism at the viewer , to establish enjoy and gravitate to the image Bmoduaadtha , shape and construction of the picture and the objective and all this is thanks to the amount and type and multiplicity ( abundance ) and the shape , color, size and method of formation of fonts, colors and decorations and sculptures , which are in constant flux and constant , and that even included fashion accessories and all assets in most movies samples.Chapter and seal the proposals and recommendations , and then the list of sources and references that benefited the researcher and seal search extract in English.

الاثراء الجمالي للمؤثرات الرقمية في الصورة التلفزيونية == Aesthetic Enrichment of Digital Effects In The Television Picture

Author name: نوفل جنان بهنام فتوحي
Supervisor name: ماهر مجيد ابراهيم
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Tertat data aesthetic and practical achievement of enrichment variable technical and scientific development adopted by means Alcinmatugraveh, especially psychotropic Digital, which employs in the production of TV picture, and the formulation of the reality of art as much as possible of persuasion, since they represent the process enriching the form of technical drama television, producing layers of meaning, accompanied that achieving credibility dealing with vocabulary set drama, so granted the fact of the Incarnation in the window, and this articulation select researcher Title search (b enrichment aesthetic effects digital TV picture), where it formed digital technologies certain scope for creative building (picture art) characterized by high capacity on intellectual expression because of its highly effective techniques to achieve aesthetic enrichment level exceeded the traditional concept of the tricks and traditional influences, has been divided researcher discussed into Khosma chapters were as follows : Chapter One (methodological framework) : which included the research problem that summarized in the following question : How are achieved aesthetic enrichment of digital effects in the TV picture?The importance of research and the need for it, as well as the limits of search, and seal identifying the most important chapter of the terms contained in the title search.Chapter II (theoretical framework) : included three sections were as follows : The first topic : technical development and creative construction in artworkThe second topic : employ digital effects in TV pictureSection III : aesthetic influential digital television drama.In light of this, the researcher to a set of indicators which represent abstract theoretical framework as a prelude to the presentation to the Committee of Experts as described in Chapter III, the researcher concluded Chapter Two previous studies.Chapter III (search procedures) : The research methodology included, and search tool, the unit of analysis and research community and sincerity of the tool and analysis steps, and finally the research sample, where purposive sample was selected are as follows : three television series : First series : (Sinbad) Directed by (Brian Grant - Andy Weston)Second series : (Visitors Visitors) Directed by Scott Peters.Third series : (Spartacus Spartacus) first season out (Rick Jacobson)Then, the researcher analyzed the sample from theoretical framework indicators after taking the opinion of the Committee of Experts and the arbitrators.In the fourth quarter (results and conclusions) : it included findings researcher after analyzing a sample search, including : 1 - aesthetic enrichment achieved through the effective capacity of the effects on the formulation parameters of time and space in the television drama high flexibility and voluntarily whether through industry place fully, or partially. As we have seen in the research sample TV (Sinbad, Spartacus, visitors).2 - leads enrichment aesthetic image to enrich the credibility and construction, verification and conformation, which means achieving maximum active connotations expressive different in all cases the result is a functioning aesthetic features the ability to combine the advantages of the real world and the vision fictional at the same time. As we saw in the research sample (Sinbad, visitors)The researcher came after a number of conclusions, and seal research recommendations and proposals.The researcher finally put a list of Arab and foreign sources adopted by research, supplements and seal research Abstract in English.

التوظيف الجمالي لعناصر التعبير للخطاب السينماتوغرافي في الفيلم الروائي القصير بتن التجريب والتقليد : افلام وزارة الشباب والرياضة انموذجا == Aesthetic Mobilization of The Cinema - Graphic Speech Expression Components. In Short Fiction Film Between The Abstract And Tradition Films of Ministry of Youth And Sport As A Model)

Author name: باسم مطلب شحيل
Supervisor name: محمود اكباشي خلف الزبيدي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: جاءت هذه الدراسة في وقت تهيمن فيه الثورة التقنية الحديثة على مرافق الحياة المختلفة تزامنا مع المتغيرات الحاصلة في العالم على المستوى السياسي والاجتماعي، مما جعل من هذه المتغيرات ان تلقي بضلالها في الصورة المتحركة ونتاجاتها الفيلمية عموما، مما اسهم في ح

الاشتغال الدرامي والجمالي للاكسسوار في سردية المسلسل التلفزيوني == The Dramatic And Aesthetic Occupancy For Accessories In Narration of TV Series

Author name: احسان دعدوش حسن
Supervisor name: علي صباح سلمان
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ينطلق البحث في محاولة لتاشير الاشتغال الدرامي والجمالي للاكسسوارات في الاعمال الدرامية، اذ ان كثيرا من المصادر السينمائية والتلفزيونية قد اغفلت ذلك الاشتغال - بشكل تفصيلي - واكتفت باشارات هنا وهناك لا تكفي الباحثين والمتخصصين في الدراما التلفزيونية، اذ | Kicks off search in an attempt to mark engage in dramatic and aesthetic accessories in dramas , and where many of the sources of film and television have overlooked that engage in - in detail - and merely signals here and there are not enough researchers and professionals in the television drama , it came this search to separates much in use conscious accessory in a dramatic scene. It was a most sources of books and letters Master 's theses Ph.D. inflict Art Accessory art of decoration , and the uniqueness of the accessory chapters separately , which is the same outlook among directors and makers of dramas television , which relied on the dialogue in the narrative stories , and did not activate an Accessory to the is the task of the narrative , but in little business, but after that gained a TV drama tools and potential mediator Film Festival in imaging equipment , lighting, editing and visual tricks , and that gave the image of television and greater clarity in the quality and quality in the area of the screen , and no longer naming the small screen apply to the system of the TV show because of the big change in regulations Display( AJ Dee, and wealthy de ) , as well as the change in screen sizes TV show , which begins a smaller size in the plasma screens of 32 inches , while the screens ( LCD ) is up to 13 inches and less, while the larger size is not an end, and every year show larger sizes for both types. Have contributed to these changes in the evolution of the use of all parts Accessory shots variety of sizes and angles , becoming an active part in the accessory operations to engage in dramatic and aesthetic narrative television series. The research includes four chapters were as follows : Chapter I ( methodological framework ) , researcher in which the research problem , which revealed that the accessories and collectibles lead duty Tagged In addition to its duty aesthetic inside view television , and boils down to that duty Semantic fact that those tools mode to distinguish between places , people and times and cultures , and without them it becomes theorist poor and non - D thing , and therefore there modes operate accessories such as elements of dramatic and aesthetic. The importance of research in the reading of the recruitment events aesthetic and dramatic narrative of the accessory in the television series across clarify the implications.And ensure that the second chapter ( theoretical framework three sections , came the first of the title ( Accessory in the arts , film and television ) Turning to the forms and nature of the accessories employed in works of art and how to employ these accessories to represent part of the narrative or Mudallolah scene , Valxssuarat lead functional aesthetic expressive help build dramatic events , and has become an engine for those events , in addition to the function expressive and functional aspect of the operation of accessories in the structure of the drama. After fighting a Search ( Dimensions drama and aesthetic accessories in the TV series ), which is the title of the second section to confirm that the aesthetic is not a goal itself, and not to be accessory impressive without cause becomes a presence innovative and delightfully and isolation from the work of art , offering cutting accessory whole signs readable and communicate ideas and feelings , can generate meanings and disclose the contents hidden inside the structure moot.The study provides in Section III ( the relationship between the accessories and narrative TV series ) my way narrative central ( subjective and objective ) to know the events occurred in the past ( outside time events ) , as well as the disclosure of what will be located in the future , and the fact that an Accessory able to combo both ways both , whether the purpose of the narrative to know what happened in the past or present alternately (past figures or future ) , and because the TV drama of Arts synthetics can not be any element that serves as the narrator unless there are other elements that are working with accessory to formulate sentence moot , including personal and dialogue The time, place and the lighting and color photography and editing.After discussing the researcher 's previous studies came out after six indicators seized the rhythm of the study and after the presentation to a committee of experts and specialists have modified to suit the requirements of the search.The third chapter with double two : research methodology , and discuss the sample that has been subjected to analysis on according to indicators that came out of the theoretical framework , and formed the sample selected from the second part of the Turkish series ( Harem Sultan ) , which was chosen because of the outstanding works which have earned a great deal of viewing, and being contains the greatest possible use of the aesthetic and dramatic accessories in the context of the narrative of the events.And ensure that the fourth quarter results , which was the most important accessories that has as an element of expression in the ability to narrative drama when placed in different contexts , and are relying maker 's ability to work in different ways to find a narrative beyond the traditional methods that rely dialogue.The researcher went out the conclusions and proposals and recommendations , including the need for the script writers to highlight the role that could be played by the accessory as a key actor in the television drama , not as objects belonging to the decor or complement it , and eventually came Find a list of sources and a summary in English.

تقنيات السيناريو للفلم السينمائي والمسلسل الدرامي التلفزيوني == Scenario Techniques of Movie Film And Television Drama Series

Author name: عبد علي كعيد فرحان العتابي
Supervisor name: صباح مهدي الموسوي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ليس من السهل انجاز فيلم على شيء من الجودة من دون جهود واضحة وامكانات ابداعية متميزة، واولها : كتابة السيناريو. ان انجاز سيناريو جيد يعد البذرة الاولى والنواة لشجرة الفيلم الباسقة. اذ ان الكلمات تتحول الى صور واصوات وحتى صمت. ان ادارة الالات والعمل على | It is not easy to accomplish something on film quality without apparent effort and creative potential of distinct, and first is writing the script. The achievement of a good script is the first seed and nucleus of a tree Albasagh film. As the words turn into pictures and sounds and even silence. That machines and work management techniques and software is no doubt that they need from the old knowledge and experience as well as accumulated renewable and highly developed expertise, which occupy a lot of space in the tools and working methods of the Device Manager as well as creativity. However, writing the script you need the first place to the great creative energy and imagination, as well as the need to identify the techniques in the style of writing and delivering the intellectual and aesthetic implications of the film. Vkateb scenario can be likened to a lawyer his case defended, so it required him to find arguments to win this case, using all means and evidence and using them legally main employers (technically for screenwriter) convincing and influential, it is not inconceivable that this lawyer can win a case without identification of legal materials and paragraphs quoted them, and invested in convincing the judges, the prosecution.. Hence.. the process of writing the script you need in the first place (the screenwriter) for a complete understanding of the use of elements of all areas Astgaladtha and how the flow of creative in order to achieve the best results for his film It is the case. There are common views that may prove to be a bad scenario, when produced well. Also can be a bad film mesmerized for a good script, this depends on the possibility of creative director, but the important thing is to be axioms scenario includes the elements of success for himself.Although the material temptations offered by production companies film in the world but they have received only a few of the scenarios that produce films on the very quality, and it's stuck in the mind so the film and TV scenario deserves attention and study and research, in order to create a generation, but generations are able to craft this art, which is the mainstay of the first after the (money) in film production.. the dramas film and television production is one of the best means of lucrative production and materially more than others Save the jobs of tens of thousands of artists, technicians and craftsmen, workers, drivers and Alkmbars and even restaurant workers Anne cinema (art machine) industry and creativity.The Alsinarioekshv himself when reading the receiver (producer or director or art schools) from the first pages, that was good or bad. Or it can be produced a film or a serial dramatic remains stuck in the mind, or infects watch weary and tired, and perhaps leave his seat before the end of currently No. enough proficiency craft and learn about scriptwriting techniques, but is important to the talent and creativity, Creativity with mastery of the elements and components of the craft creates films The series can not be erased from memory : citizen Kane, Shakespeare gone with the wind, rope, various processors directorial debut, America America, mirror, armored Botomkan, city lights, seven samurai, Rachamon, Titanic, a space Odyssey... and many other movies. As well as soap operas.Find boils down to : a summary of the four seasons was the first chapter a methodological framework for the search includes Totoh to understand the nature of his problem, followed by research and monitoring of the importance of research and its objectives and its borders as well as to determine Aalatah terms : (techniques, scenario). The second chapter fitted with three sections was the first of which is : narrative termsand concepts dealt with this topic of literary narrative and Filma, also sought to clarify Ostgalat narrative in the novel and the story and the film, then the definition of drama based on the book The Art of Poetry of Aristotle and the views of many writers and critics to study everything about them , explain Annaasraldramah (character, plot, conflict, node, events and crisis peaks, the solution and finally happy or unhappy or open ( The second topic dealt with the scenario Film / TV including the importance of the script and the qualifications of the screenwriter and the types of scenarios and sources screenwriter and treatment, originality and the difference between the film and the screenplay series. The third section Vhuallaqh shaped scenario, where the researcher constituent elements of the scenario starting from the idea and abstract literary treatment of the screenplay and then eating explanation writing the script of the scene numbering and the importance of space and time.the third chapter included action Adopted by the researcher for the analysis of selected samples and to reach the goal of his research and included a curriculum based on the search and the reasons for the sample selection and search tool and integrity analysis.The fourth chapter has included selected samples identified Iran's film and Series Arabic and analysis are as follows : T. movie / series director author's name, year of production company producing1 Series men Ezz Talal Mardini Aladdin Kokash 2011 Ghazal artistic production2 no separation Asghar Farhadi Asghar Farhadi Asghar Farhadi 2011The fifth chapter select to derive the final results derived from the analysis was highlighted by the multiplicity of technical wizards for movies and soap operas, especially Alhasalhaly movies Jawaizaaalmih, as well as offer some of the conclusions derived from the search results also included recommendations as it deems necessary researcher, as well as proposals concerning how to develop scriptwriters capabilities, especially students Bunting Film and Television The search included a list of sources and references upon which the researcher and a summary of the study in English

البنية الدرامية للحكاية الاسطورية واليات الاشتغال في البنية السينمائية == Infrastructure Dramatic Tale of The Legendary And Mechanisms Functioning In Cinematic Structure

Author name: موفق عبد الوهاب نوري
Supervisor name: طه حسن عيسى الهاشمي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Represents the myth a job reaches of the art film ,which has been since its beginnings on hiring myths and tales of heroic and taken fertile material cinematicproductions ,as legend has a manner narrative has the ability to reshape theembodiment of the legendary act ,and building the characters and places exoticism ,depending on the legendary building elements ,within the building drama coherent ,evolving on the basis of acts and embodied visually ,making the myth more ability inaffecting, and affected the computer software, and is owned by the technical capabilities to build personalities, places and the acts hacks, in re - incarnation of many of the myths of our time, this is why the researcher to define his research title of : (infrastructure drama of tale the mythical and mechanisms of Functioning in cinematic infrastructure), were divided research four chapters, were as follows : The first chapter (methodological framework) and included the research problem that have been identified by asking the following : What is the function as an dramatic infrastructure of tale of the mythical cinematographic in infrastructure mechanisms?Then the importance of research : the fact that the myth is not an event happened in the past and over, it is like the present of the current affairs of our lives was the individual or collective. We are in this current time need to re - read the vocabulary of history, mythology stands at the forefront of this vocabulary and is a model for the movement to change our identity and interference in drawing our history, so we have to be aware of the myth and the feasibility study and understand its meaning and a sense of value as a treasure of the treasures of human knowledge.As well as research goal : containing the detection function as an dramatic infrastructure of tale of the mythical cinematographic in infrastructure mechanisms.And the limits of the search centered study dramatic infrastructure of tale of the mythical and mechanisms of functioning in the cinematographic infrastructure and seal the first chapter identifying the most prominent of the terms contained in the thesis, such as the title (infrastructure, myth, drama, then the procedural definition of the mythical tale of).Second Chapter : (the theoretical framework and previous studies) : The researcher dividing the three sections : Section one : infrastructure dramatic to legend : the researcher of the term infrastructure in summary form exposure as well as the concept of the drama, and the origin of the myth as a term and concept and its relationship to literature and other races, and the most important curriculum addressed, as well as the flags of the most legendary cash, and also talked about the genesis of the myth and the most prominent characteristics, and their functions, and then touched on the structural analysis of the myth.The second topic : dramatic structure of tale of the mythical elements : it touched the researcher to the dramatic structure elements, based on the arguments of Aristotle, and clauses of employment of these elements in order to embodiment the mythical tale operations.The third topic : Building cinematic tale of the mythical : was it touched to the modes are handled by the cinema legend, and the specificity of Cinema and its capabilities in the incarnations the the narrative and news, by employing elements mediator cinematic language, which is characterized specificity, and the researcher that construction cinematic to legend should stand up on the basis of function as an three main axes, are the elements of cinematographic language and the narrative cinematic, the shape of the film.After the completion of the detective was reached to a number of indicators that represent the results of the theoretical framework, these indicators have been offered a number of experts arbitrators in order their dependence as tools for the analysis of the sample, and the second quarter ended review the previous studies.In the third chapter (research procedures) and ensure that this chapter the research methodology as the researcher depends on the descriptive analytical method, which describes the phenomena and configuration and the representation of its operations and circumstances prevailing, and this is what allows access to achieve the objectives of the research through observation and analysis, and search tool depending on the theoretical framework of indicators , which represents the findings of a researcher from the second quarter, and after that, the researcher presented these findings to a group of experts and arbitrators, and the unit of analysis in which adopted the researcher (scene) unit of analysis used in his research samples analysis process, and the research community as it chose researcher deliberate sample in order to reach the desired results, the research sample chosen by the researcher is two films legendary film industry, and finally the sample analysis, which was two films : 1 - Wrath of the Titans2 - The Lord of the Rings - The Two towers - Fourth Chapter : Results and conclusions : after sample analysis the researcher to a number of findings, including : First, the plot is based on the film of the legendary film, as well as the dramatic structure, the voice of the narrator, who is trying to show cause and effect and the evolution of the legendary events, as demonstrated in the research sample movies (The Lord of the Rings - The Two towers - Wrath of the Titans).Second : The rise building legendary place on the attributes of exotic color - coded to make it a semantics exceed functions familiar place, as demonstrated in the research sample movies (Lord of the Rings, and the wrath of the mighty.)Then reached the conclusions to include the theoretical framework and the research sample, including : 1.legendary figures in the film beyond the functional level of the three dimensions to become relevant functional value, representing a range of human values and ethics naked rather than the fictional characters2. intellectual the dimension appears in the legendary film, across employment of simulation dramatic actor for the characters and legendary the actsas well as the elements of the employment the mediator language cinematic in the production of the level of rhetorical parallels the dramatic nature of the simulation.The researcher then put some of the recommendations and proposals, and seal research a list of the sources that have been drawn upon in order to complete the search as well as the appendices, and finally abstract in a foreign language

جماليات تداخل المحور التركيبي والمحور الاستبدالي في بنية المسلسل التلفزيوني == The Aesthetics of The Compositional Axis And Substitution Axis Overlapping In The Structure of The Television Series

Author name: محمد طه عطية
Supervisor name: ياسر عيسى حسن الياسري
General topic: Fine Arts
Specific topic: TV Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لم يعد النص مرتبطا بمفهوم واحد او طبيعة اشتغال واحدة كما كان يعرف سابقا ولم يقتصر فعل التدوين على عملية الكتاب على الرغم من كون النص مزاال يتمتع بوظائف متعددة ترتبط بالجانب الجمالي والفكري وغيرها من الوظائف، اذ ينهض النص بحسب الدراسات النقدية المعاصرة ع | The text is no longer associated with a single concept or the nature of one operation as was previously known, and writing is not limited only on the process of the book despite the fact that the text still has multiple functions associated with the aesthetic and intellectual side and other functions which raised the text according to critical contemporary studies on infinity, terminology of the compositional axis and substitution axis represents one of the terms that accompany the process of text and its study. Since these two terms can be found in the semiotic theory, and compositional axis in the direct sense is to find a type of structural relations within the theme or text due to the composition ,adopting clustering or combining of elements organized internally and externally to become an essential component of a given text for substitution axis is nested with the compositional axis without changing of its building and structure but has ability to find new levels of meaning, compositional axis was not able to show it where constructed elements insecure by compositional axis linked to structural relations with each other, the substitution axis will create a new kind of intellectual relations between these elements both at the level of the production of the meaning or disclosure of deep structures and here lies the importance of this axis , it gives the text its artistic and aesthetic structure of the research explored the fact these two axes in TV dramas.In particular, the extent of understanding of such works to be a theoretical and practical domain for such important and difficult topics in theory and practice.In the first chapter of this research contained the search frame within the problem that summarize the following question (what are the ways that overlap the compositional axis and substitution axis, esthetically in the structure of the television series to summarize the research aim to expose the ways in which aesthetic interference achieved between compositional axis and substitution axis in the structure of the television series and also chapter contained research limits and define terms.Chapter II, conceptual framework included three topics as the first subject entitled the compositional axis and substitution terminology axis and concept as the second topic titled television series structure and construction eloquence and topic III the aesthetics of the image layers of the meaning for researcher to come out then with set of indicators adopted by the researcher to be a research tool and then researcher touched to the previous studies.In chapter III, which dealt with the research procedures in terms of the adopted approach in the study and research tool and analysis unit and its steps and honesty represented of expert consensus on the theoretical framework indicators finally choose intent search sample represented by Saraya Abdeen series consisting of 26 television series and in this chapter also analyzed a search sample. In the fourth chapter the researcher identify the main results reached by research, including; 1 - Overlapping compositional axis and substitution axis in introducing the place aesthetically and dramatic from control of the place and the various authorities for each character and control over certain places in the series.2 - Frequent reliance on minor characters in a series of Saraya Abdeen already weakened dramatic action in compositional axis which pulled out on the aesthetic aspect as it gave importance to the side stories and frequently and repeatedly suspended and emphasized two things in the series 3 - Compositional axis and substitution axis contributed to introduce Khedive Ismail in human form, likes and dislikes and rejoicing besides he governs the largest Arab country.4 - Compositional and substitution axes supported their strength through fine art portrait paintings they impacted negatively on the description sequence in the series.The main recommendations are;1 - Attention to recent studies in the section and the inclusion of effects of lessons in primary and high study.2 - Focus on the importance of linking the dramatic television production with the most important research achievements which reached by cinema in theory and practice.3 - Finding common ground theory with neighboring real studies don't just involve terminology without an application

تكييف القص القراني للدراما التلفزيونية : مسلسل يوسف الصديق انموذجا

Author name: علاء فاضل حمود
Supervisor name: محمود اكباشي خلف الزبيدي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الامكانات الهائلة التي يقدمها التلفزيون في ميدان صناعة الراي من الناحية الاعلامية، وبما يمتلكه من قدرة كبيرة على التاثير في المتلقي، بحيث اصبح من الميادين المهمة التي تستقطب اهتمام الدول والمؤسسات والمنظمات وحتى الافراد، وقد تعددت اساليب استثمار هذه ال | Within huge capacities introduce by television in the field of manufacturing the opinion from information direction and its large ability to effect on the listener, then it became from the important fields which take the attentions of states, institutions and organizations even the individuals.The means of investment for this active communication device multiplied in order to preserve the cultures of nations ,and many establishments engaged in the work for the sake putting the values and cultures connect peoples with its values and its cultural, faith heritage in order to a achieve kind of sovereignty and at the end it for identification shape ,then kind of influences multiplied with multiplying of these shapes introduced by this mean.From many of practices face tangible development in the act of production ,the dram works come to describe the Quranic stories and it looks as a new kind and localized itself as a kind among television drama kind, and that needed acts of adaptation in order to implementing convenience with television mediator.The described research ( the adaptation for Quranic stories for television drama, true Yousif series) come as an examples as an efforts aim to reveal the machineries where act of adaptation done through it ,and it divided as follows;Chapter one ;methodical frame than contain research problem which it crystallized with the following question ;what the description of adaptation machineries of Quranic stories for television drama.The first chapter contain the research aim which concentrated on the act of revelation for machinery which process of adaptation done related with prophet Yousif story for television drama.Basing on research aim, the importance of research came and that as additions for scientific movement in cinema television arts department and college of fine arts generally.This chapter identify the idioms mentioned in the title of research.This chapter ended with research boundaries which include the selected sample which is selected to arrive to research aim.Chapter two; theoretical frame ,research divided in this chapter into three topics contribute to arrive to research aims as follow;The first topic ,came as a title of narrative structure for Quranic stories ,and research deal with narrative from linguistic and idiom aspect then narrative in Quranic stories.Then dual of ego and objectivity has been discussed and teqnique of narrative then expose for point of view and size of teller and narrative sites then dealing with speaking text in Quranic stories ,personality, time and place of Quranic story besides to investigate for these elements in television drama.The second topic; it came with the title of, adaptation machineries of Quranic stories for television drama ,in this topic it is identified and study adaptation machineries of Quranic stories for television drama and identified with explanation ,quotation and supporting by historic references ,and these machineries identified in the light of response the television mediator for it and with exactness and trust needed by work relate with holy text for its importance and sensitivities.The third topic; it came with the title of ,the elements of pictorial construction for Quranic stories and this topic dealing with elements of pictorial construction that concentrated around the pictorial narrative and imaging ,optical influences ,decoration ,fashions ,accessories and voice duct.Chapter three; research procedures, and that include the followed methodology in the research where there are analytical descriptive manner because of it is more convenient manner for research subject ,and mean of research which it was as an indications for theoretical frame , Chapter three include analysis unit and this unit fitted with sample nature ,and sample has been analyzed on the base of shot ,scene and series ,chapter included the selected sample with aim, then analyzing the selected research sample intentionally is true Yousif series according to the indication adopted by researcher after consulting the opinions of committee of experts and injuries.Chapter four ,the results, in this chapter we write down the results of analyzing process and researcher arrived to;The adaptation works to produce television drama text erected on the holy text through means of different expressive of mediator, and explanation, quotation and dealing with historic references and that machineries and that it is possible to adapt the Quranic stories for television drama.For the technical elements of language has ability to employ more than one level to send information and the meanings of Quranic text.This chapter include the results of researcher as generally mentioned in the research ,and recommendation of researcher and the important suggestions that pour in the service of scientific movement in cinema, television arts departments especially in dealing with such kind of scientific researches.The chapter include the list of scientific references where researcher depending upon it and annex relating with research ا subject and research concluded with abstract in English language.

المعالجة الاخراجية لشخصية الطفل في الدراما التلفزيونية == Directorial Treatment For The Child'S Personality In TV Drama

Author name: فراس علي حسين الركابي
Supervisor name: علي صباح سلمان
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تؤدي مفردة المعالجة الاخراجية في (الدراما التلفزيونية) دورا مهما في العملية الابداعية (التلفزيونية)، من خلال عملية تحويل النص المكتوب والساكن على الورق الى صور (تلفزيونية) متحركة ومرئية بفعل تعاون جميع المهن والحرف المشاركة في العمل (الدرامي التلفزيوني) | The visual arts are considered of the finest fruits of the creative product of the human creative mind which God granted to man by unveiling the beauty of this art and its secrets. His need for art was not emergent but a necessity that makes his thinking and action coordinated balanced between those desires and needs that do not end.We would like to point out here that the subject of our research deals with the subject of directorial treatment of the child's personality in the TV drama, which the researcher thinks it was not dealt with before, and that is why this study is an attempt to study the directorial treatment of the child's personality in Television drama.There is no doubt that the study of the subject of directorial treatment of the child's personality in TV drama, is important to know the ways according to which the child's personality is treated and presented within the creative Technical achievement by a different set of global TV drama makers and presenting it in a way that this kind of television programs win the attention, appreciation and follow - up of the audience, grabbing attention and ensure follow - up and raises his curiosity, especially after the spread of many dramas inVarious satellite channels that provide the child's personality within its programs joints, in the forms and different roles and different, some major, some minor, as with any other character. Single directorial treatment in TV dramas plays an important role in the creative process of television, through the conversion of written and static text on paper to television Animations visible due to the cooperation of all professions and trades participating in dramatic television work as direction and Acting and the rest of other professions.The structure of dramatic television consists of a set of dramatic structure systems, constitute personal key hub of art that is indispensable, as a stream, which is transmitted from the way the event and conflict dramatic, and I took personal center stage in the psychological, social studies and studies of literature and drama, as well as on the personal is one of dramatic values upon which the artwork maker in employing process within the framework of technical performed visible with the rest of the dramatic structure elements to serve as a focal point in building event, we find that the drama maker Television attaches great interest in the interpretation of personal dramas in TV operation in accordance with the treatment of character building and their interaction with the rest of the elements and according to the vision of renewal are to build personal dramas within the visible done, but it has developed several Explanations to understand the personal and components. As for the subject of the importance of requiring the child's personality study, understand and study their properties, and the study of the form that provides the child's personality dramatically, it has felt the researcher to highlight according to rigorous scientific analysis on how to address these kind of figures are the within action drama television creative system.In order to reach the objective of this research, the researcher by divided the current study into five chapters, which are as follows : - The first chapter is entitled ((methodological framework for research)) : I have included a presentation to the subject of the research problem, marked by the following question : What is the directorial of the personality of the child in the TV drama? and clarified the importance of the subject and the aim sought to be achieved with border capacity that moves and then the researcher determined terminology.The second chapter is entitled ((theoretical framework and previous studies)) : in which the researcher dealt with : - First, the theoretical framework : which included three sections, namely : - First topic : personality (the term and concept) : It deals with the nature of in general and the child personality in particular and with most of its important features and characteristics and properties.The second topic : the dramatic structure of personality : which deals with the dramatic structure of the character in the TV drama?Section III : directorial treatment for the child's personality : which touched on the modalities in which the makers of television dramas treat the child's personality from the directorial debut?Second, previous studies : the researcher and the previous studies.The third chapter is entitled ((The research procedures)) : the researcher addressed the following elements : - the research methodology, the research community, the research sample, search tool, sincerity, and sample analysis unit, and then the sample analysis steps.The fourth chapter is entitled ((samples analysis and discussion)) : The researcher analysis the selected samples and discussed them according to the analysis tool.The fifth chapter is entitled ((view of findings, conclusions, recommendations and proposals)) : the researcher reviewed the major findings, conclusions and recommendations and proposals. In conclusion, In this humble effort I do not exonerate myself from imperfection, I do not claim perfection and infallibility, perfection pertains to God and infallibility pertains to prophets and imams is divine and all errors are committed to me and the right points are the Almighty God's.
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