جماليات تداخل المحور التركيبي والمحور الاستبدالي في بنية المسلسل التلفزيوني == The Aesthetics of The Compositional Axis And Substitution Axis Overlapping In The Structure of The Television Series
Author name:
محمد طه عطية
Supervisor name:
ياسر عيسى حسن الياسري
General topic:
Fine Arts
Specific topic:
TV Arts
Degree:
Doctorate
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T904 - p.pdf
Abstract:
لم يعد النص مرتبطا بمفهوم واحد او طبيعة اشتغال واحدة كما كان يعرف سابقا ولم يقتصر فعل التدوين على عملية الكتاب على الرغم من كون النص مزاال يتمتع بوظائف متعددة ترتبط بالجانب الجمالي والفكري وغيرها من الوظائف، اذ ينهض النص بحسب الدراسات النقدية المعاصرة ع | The text is no longer associated with a single concept or the nature of one operation as was previously known, and writing is not limited only on the process of the book despite the fact that the text still has multiple functions associated with the aesthetic and intellectual side and other functions which raised the text according to critical contemporary studies on infinity, terminology of the compositional axis and substitution axis represents one of the terms that accompany the process of text and its study. Since these two terms can be found in the semiotic theory, and compositional axis in the direct sense is to find a type of structural relations within the theme or text due to the composition ,adopting clustering or combining of elements organized internally and externally to become an essential component of a given text for substitution axis is nested with the compositional axis without changing of its building and structure but has ability to find new levels of meaning, compositional axis was not able to show it where constructed elements insecure by compositional axis linked to structural relations with each other, the substitution axis will create a new kind of intellectual relations between these elements both at the level of the production of the meaning or disclosure of deep structures and here lies the importance of this axis , it gives the text its artistic and aesthetic structure of the research explored the fact these two axes in TV dramas.In particular, the extent of understanding of such works to be a theoretical and practical domain for such important and difficult topics in theory and practice.In the first chapter of this research contained the search frame within the problem that summarize the following question (what are the ways that overlap the compositional axis and substitution axis, esthetically in the structure of the television series to summarize the research aim to expose the ways in which aesthetic interference achieved between compositional axis and substitution axis in the structure of the television series and also chapter contained research limits and define terms.Chapter II, conceptual framework included three topics as the first subject entitled the compositional axis and substitution terminology axis and concept as the second topic titled television series structure and construction eloquence and topic III the aesthetics of the image layers of the meaning for researcher to come out then with set of indicators adopted by the researcher to be a research tool and then researcher touched to the previous studies.In chapter III, which dealt with the research procedures in terms of the adopted approach in the study and research tool and analysis unit and its steps and honesty represented of expert consensus on the theoretical framework indicators finally choose intent search sample represented by Saraya Abdeen series consisting of 26 television series and in this chapter also analyzed a search sample. In the fourth chapter the researcher identify the main results reached by research, including; 1 - Overlapping compositional axis and substitution axis in introducing the place aesthetically and dramatic from control of the place and the various authorities for each character and control over certain places in the series.2 - Frequent reliance on minor characters in a series of Saraya Abdeen already weakened dramatic action in compositional axis which pulled out on the aesthetic aspect as it gave importance to the side stories and frequently and repeatedly suspended and emphasized two things in the series 3 - Compositional axis and substitution axis contributed to introduce Khedive Ismail in human form, likes and dislikes and rejoicing besides he governs the largest Arab country.4 - Compositional and substitution axes supported their strength through fine art portrait paintings they impacted negatively on the description sequence in the series.The main recommendations are;1 - Attention to recent studies in the section and the inclusion of effects of lessons in primary and high study.2 - Focus on the importance of linking the dramatic television production with the most important research achievements which reached by cinema in theory and practice.3 - Finding common ground theory with neighboring real studies don't just involve terminology without an application
