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التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية == Conceptual Transformation In The Structure of The Ornamentation Islamic Architecture

Author name: وسام كامل عبد الامير
Supervisor name: جواد عبد الكاظم فرحان الزيدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناول الفصل الاول مشكلة البحث التي طرحت التساؤل الاتي ( ما هو التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية ؟)، ويهدف البحث الى كشف وتحديد التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية على الصعيد الشكلي والوظيفي والتعبيري في ضوء حدود تمثلت | First Chapter deals with the problem of the research which presents the following question(What is the conceptual transformation in the structure of the ornament Islamic architecture ?) The research aims to disclose and specify the conceptual transformation in the structure of the ornament Islamic architecture at the phases of formal, functional and expressive in light of the limits of ornament components in all its kinds in Islamic architecture within Iraq , Turkey, and Iran for the duration of 1563 AD to 2009 AD. Second chapter discusses the theoretical frame of the following subjects : The meaning of converting and its philosophy in Islamic art at the phases of self and subject , the philosophy of concepts in Islamic ornament as perfection and order and repetition and decoration and unity and variety and movement and rotation and accuracy and workmanship, and the styles of formulation of decorative shape represented in modulation style and style of abstraction , and the structure of the decorative in Islamic architecture at the phases of decorative components and spatial organization and processors colorimetric. Third chapter includes the research's procedures which includes the follow of descriptive approach in the light of research's sample which includes 375 shapes non - recurring. 20 shapes were selected embodied the research's sample according to the method of intentional selection. The tool of the research was designed ( analyses form) and shown to experts in order to obtain their reliability and validity and then analyses of the samples. The fourth chapter includes the results including : 1 - to pursue the conceptual transformation of the ornament structure in Islamic architecture within several axes such as formal, functional and expressive. formal phase includes the following ; 1 - 1 style of shape's formation in terms of the type and quality. It is represented in some methods such as (offloading , replacement , integration ( formal slurring) , substitution , magnification and reduction). 2 - Conceptual transformation of ornament structure at the level of functional side embodied in transmission from the ornament role to openness of the performance of the dual role (decorative - communicative) reflected by designed components through dual superficial structure by two different ornament sorts ( calligrapher - plant ). Transmission from ornament function to the representation of narrative phase presented by details of decorative structure which reflect realistic scenes of life include various expressive subjects. 3 - Conceptual transmission of the ornament structure on the expressive level which is embodied by transmission from imitation of images of the natural existence world ( plant - animal - clouds) , cognitive existence world ( geometrical ) postural (calligrapher) which depends on the metaphor , comparison , and equivocation between the real shape and ( true ) and decorative transmission ( metaphor) via visual signifier and its attribution which is involving the concepts can be understood through phenotypic approach to the ornament icons which state subjects such as ( fighting scenes with fabled creature , hunting scenes , beyond being of the world as a man has two wings ).4 - concept of perfect ness embodied through presenting several comprehensive image to the details of ornament structure which reflects the side of realistic existence elements with shapes that represent this vision in terms of quantity (creation of unilateral and bilateral and multi ornament sorts ) and the quality ( symmetrical , non - symmetrical , round , sidelong , frontal , compound , start of emergence , medial site , final site , small size , large size ) and the type ( plant , geometrical , animal , calligrapher , astronomical elements , supernatural). Transformation of the concepts of the integrated form ornament sort ( bilateral , tripartite , quaternary) depends on the integration with other via combination and replacement between the different parts.The study recommends providing care for the accumulated ornament heritage throughout centuries when maintenance and renewal given the contents of innovative treatments in formulating the shape and concepts within it , which reflects the growth of thought and its appearance applications through a formal shifts represent addition of quality different from the prevailing in the achievement side , and the possibility of opening up its functions to cover the fields of design carpets and paintings. The study suggests references of shape and its representations in the structure of ornament Islamic Architecture.

سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية == The Promotion And The Marketing Politic of The Industrial Product And Its Activity In The Consumptive Culture

Author name: عبد الخالق سمين فتاح
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثلت مشكلة البحث الموسوم بـ ( سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية ) من خلال التساؤل حول الكيفية التي يمكن لسياسات ترويج وتسويق المنتج الصناعي ان تؤثر وبشكل فاعل في ثقافة المستهلك.اما اهداف البحث فتمثلت بالاتي : بيان ت | The problem of the study entitled ( The Promotion and The Marketing Politic of the Industrial product and its activity in the consumptive culture ) was presented of how can the politics of promotion and marketing of the industrial product effect in consumer culture. The basic research aims represented as the following : Detecting the effect of promoting and marketing politics of the industrial product in consumer culture through : a - Acquaintance the cooperative conscious of Baghdad University professors according to the type ( Males , Females ).b - Acquaintance the meaning difference of Baghdad University professors according to the type ( Males , Females ).c - Definition designing context for the industrial design and its effect in promotion and marketing and cooperative conscious.Research limits included the industrial product users group of Baghdad University professors of the study year ( 2013 - 2014 ) of various types of electrical and electronic home appliances available in local markets of Baghdad city for the period ( 2009 - 2013 ).The second chapter consisted of four sections. The first section addressed politic topic of the industrial product promotion and the communication process. The second section contains marketing politics and strategies topic of the industrial product and its relationship with consumer and appearing the social and economic marketing importance.The third section consisted products design topic and the designer skills.The fourth section singled to study consumer behavior and the consumptive culture.Chapter three addressed research procedures which was depended on the research society presented by industrial product users group of Baghdad University professors , The research tool was depended on both theoretical and applied or field , by depending on the questionnaire.Chapter four comprised results and conclusions that have been reached and the most important of these results include : 1 - 91% of the research sample members rejects the idea of buying electronic appliances with high price to proud of in front the others , while 9% of the rest of sample members agree this idea.2 - 96% of the research sample members primarily interest the job offered by electrical or electronic appearance , and then their interest comes in its forms or appearance , while 4% of the rest of the research sample members does not pay these things any importance.3 - 93% of the research sample consumers members trust of foreign product which is characterized by all the factors of quality and safety , which lacks local or Arab product, while only 7% of the rest of research sample members didn't trust in foreign product as much as their trust in local or Arab product.The most important conclusions that have been reached are : 1 - Spatial channels form for the Iraqi people who imports all of he needs from overseas important sources for building voracious consumerism through its orientation advertisements and ideologies which promote it and burlesque it in Arab consumer mind.2 - The television commercials extraneous to change the Iraqi individual behavior , and imposing another new behaviors to develop inside him alienated feeling from his surroundings , as well as changing his society values and principles.3 - The research members of Baghdad University professors have consumptive perception to buy electrical and electronic home appliances , and this perception is not different between males and females.After that , the recommendations and suggestions were presented to the directions and side related to the research topic , and then the research finale has been providing.

تصميم تعليمي تعلمي لتنمية التفضيل الجمالي لدى طلبة قسم التربية الفنية كلية الفنون الجميلة == Instructional Design For Development The Aesthetic Preference To Students In The Department of Art Education - College of Fine Arts

Author name: سهاد جواد فرج الساكاني
Supervisor name: صالح احمد الفهداوي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The world of today is facing a number of rapid and sequential changes represented in the great technological and scientific advancement in all the fields of life.In addition to the revolution of telecommunication and information which causes the duplication of human knowledge. Therefore, education is not living in the age and its changes, it remains static, retarded and does not help to live in this age, and develop their different knowledge fields. This includes the preference of aesthetic aspect and everything that surrounds the age of communication, satellite and electronic technologies, and remote sensing.In the light of these transformations, the need for developing the human mental capabilities for tasting the features of aesthetic phenomenon which regarded one of phenomena difficult to measure. The question that is repeated frequently is how humanconscious can receive the aesthetic value and forming it in the light of its relation to the surrounding? And what will emerge on the trip of his\her responding to the various phase when enjoying the artistic work (plastic tableau) which increases the vision in more complexity of the life of man as a receiver. All these questions objectively formed down the important sense a of this study which is based on a survey study that the researcher had conducted through which she wanted to know the level of aesthetic preference level for the receivers in the Department of Art Education towards the plastic painting in modern painting. The results indicate a low level in the cognitive field (cognitive dimension) and artistic field (artistic dimension).Thus, the researcher saw a need to conduct an experimental treatment through the study on the modern methods of teaching. The objective she wanted has been achieved, therefore, she preferred to found a theme through the problem which she called thefollowing title (A Instructional Design to Develop the aesthetic preference to Students in the department of Art Education - college of Fine Arts ). On that basis, the researcher adopted the general model in the design called (ADDIE) model with strategic orientation of mind maps in the A pedagogical - instructional Design made up of four pedagogical - instructional units of 16 instructional lessons and provided with a group of pedagogic alternatives displayed on CD according to Power Point and Microsoft programs as activities that deepen and enrich the content. Along that, the community of the study is the Department of Art Education\ Third year in the college of Fine Arts - Baghdad University and the College of Basic Education in Al - Mustansrya University consisit of 116 students. of those a sample of 60 male and female students were chosen and they were distributed into two groups one is experimental of 30 students college of Fine Arts - Baghdad University and the other is from the students of College of Basic Education In Al - Mustansrya University. The two samples were matched in terms of variables of (age, sex, teaching, intelligence, pervious knowledge, the level of aesthetic preference). The procedures of the study also requires a design of prior unit for the mechanism of using the mind maps inside the pedagogical - instructional Design and the pedagogical program in the present study. In order to measure the effectiveness of the program, the researcher built two tests to measure the cognitive aspect made up of (24) items to measure the patterns of cognitive preference (recalling, critical, principle, application), while the other text measures the artistic dimension of the students' preferences towards the painting in modern art. It is made up of (10) test items depend on the realization of the aesthetic organization for forty impressionist paintings by the learner. These tests were applied after the verification of their validity and constancy in treating the different statistical processes (before and after). The experiment lasted for two months. The researcher used the T - test for two independent samples and Eta square to find out the effectives in showing the results of this study, she also used Ch - square to find the validity and reliability of the test items as well as the difficulty equation and theeffectiveness of the alternatives. In addition to that, she used Pearson Correlative coefficient to find the internal consistency of the testing items through the equivalence. She applied Kudor - Richardson (20) and alpha - Cronbach equations.The most important finding of the study is the excel of the experimental group over the experimental group in dimensional and observational application represented in the test of cognitive preference in (recalling, critical, principle, application), and thetest of artistic preference. Also, the pattern of application assumed the first position among the other patterns which indicates the clear effect which it has on the application of the program on the experimental group in comparison to the control group. Bothdimensions (cognitive and artistic) refer to the high level of artistic preference for the targeted category in the present study. That is attributed to the effectiveness of the using of the mind maps in the light of (ADDIE) model in the program designed in this study ininstructional the pedagogical skills. The most important finding of the study was the effectiveness of using the general model in the instructional design with strategic orientations in the mind maps and in the acquisition of expertise of development and the amendment of patterns through the artistic - cognitive dimensions that stimulated the process of multiple thinking for the learners.The researcher recommended that the researcher should generalize the necessity of using the pedagogical - instructional designed in this study to teach the subjects related to the development of the aesthetic for the learners within the items of the Arteducation and depending on the pedagogical - instructional Design and (ADDIE) model in the developing of the field for aesthetics if the plastic arts and other arts for the effectiveness of these programs in facilitate the instructional in the different fields.The researcher also proposes a number of suggestions the most important of which was the application of the pedagogical - instructional design and (ADDIE) to develop the psychophysical and ecological variables on the various fields within thespecialty of the college of fine arts as future academic study

مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية == Sources of Designing Figure And Its Creative And Functional Production Fields

Author name: سند فؤاد محمد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعنى البحث الحالي بدراسة : (مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية.)، على وفق بناء معرفي محدد بالوظيفة والابداع، والهدف الاساس في تفسير حقيقة الاشكال ومصادرها المتنوعة وجوهرها وما تحمله من معان وعلاقات شكلية وجمالية وافكار تصميمية تحق | The recent research concerning with ( sources of designed figure and its creative & functional production fields ) , according to cognitive construction determined by function and creation and the main goal in explaining figures and its various and what holding of meanings and aesthetic and format relations and designed ideas achieving for the illustrated goal as a printing achievement.Most creative results related in joint divider representing by depending on intellectual constructions or certain philosophy , namely, each creative production has its intellectual or philosophical circle or field that launch from it to the world of creation.The designing figure in its general meaning , includes an idea creating from the internal mental expectation of designer to product figures from self feelings making his prior imaginations far from these figures with his feelings and converting it into creative forms producing the designing figure from mind depending on various functions symbolic , psychological and social and ways of production , norms and traditions, therefore, the desi8gned figure representing a reflection for this social and economic reality.This study considers a sign able to enrich the designing work by many of giving that exciting taste in receiver through its specify in varying symbols and meanings and its fluency for its active importance that combining the designer as a creative man for the designing figure and between society that save in its memory many of designed and figurative styles. Whatever varying theories of figure and its styles and figure related by function and the creative contain, also language of figure related by the visionlanguage to analyzing the aesthetic oratorical to processes of understanding, explanation and conviction.The researcher found that the importance of this subject and inquiry on : What are sources of the designing figure as a problem for research and an goal put for studying determined by : definition of designing figure and its creative and functional production fields.The researcher writes all what has a relation with the designing figure within its theoretical frame , through Arabic & foreign and libraries concerning with specialization for obtaining on indicators useful for measuring field that related with determining approach of research and its method and determining research society that represented by (40) printed designing figures and various goals , from it 10 samples have been chosen intentionally with rate ( 25%) from the original society , and characterized by some features to give scientific results after analyzing, describing and explaining them and then reported according to these results : 1 - There are theories focused on basis that sources of the designing figure lie outside mind of designer in his square , namely they are figures for designing figures derived from nature. There are other theories adopted basis that sources of designing figure lie on mind of designer within it contain namely, external designing productions figures on what is familiar in the nature.2 - It can be create figure depending on various functions (symbolic, psychological , social ) and figure may be in special givings need to requirements of function , environmental condition and the social values.3 - Figure generates from idea originate from the internal mental expectations of designer , the latter drawing his figures from self feelings converting his priorimaginations on these figures with his feelings to creative forms, then figure resulting from mind.4 - Creative peoples in all times producing some ideas in their works depended on requirements of age and its vital and there are many activities that creative man choose from them his figures.5 - The designing figure influenced by many social and economic limitations , ways of production , norms and traditions , then figure became a representation of reflection for this social and economic reality.6 - One of the main factors that effecting on the designing figure is the intellectual factor with its mental imaginations , designing here is an intellectual production between individuals & groups appears through long experience made by special classes of society

سمات الشكل في الخزف العراقي المعاصر : الخزافات العراقيات انموذجا == Figure Attributes of The Ceramics In The Contemporary Iraqi (Iraqi Potters) Pattern

Author name: هديل سلمان سعيد الموسوي
Supervisor name: انغام سعدون طه العذاري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد فن الخزف من الفنون التي تعكس المهارة والابداع وتعد بمثابة سجلا تسجل فيه ابداعات الخزاف طوال مسيرته الفنية، ويبحث عن الذاتية والتفرد في العمل الخزفي ومايميز الشخصية الفنية من تقنية واسلوب كظاهرتين اساسيتين متميزتين للشخصية الفنية، وكان للخزافات العراقي | Is a ceramic artist and art that reflect the skill and creativity and serves as keep a record of the potter's creations throughout his career, looking for self - uniqueness in the work characteristic of ceramic and artistic character of the technique and style phenomenon two basic distinct personality of art.The Iraqi presence of potters and a key role player in the field of ceramic art and the posts it as a great space and reflect their ability to reveal the ideas and philosophical and aesthetic vision that has characterized the specificity of each Potter distinctive. This study is in five chapters, which included the first chapter of the research problem and then the importance of research, objectives, and limitations, has been determined by research into three Borders, which included the substantive attributes of the product in the contemporary the potters during the period between (1960 to 2003). The second chapter, the annexation of the theoretical framework and previous studies in which structure the three detectives, namely : The first topic : which was divided into two parts, I talked about 1 - Introduction to the concept of shape and definition and what it is, levels, shape and form an independent phenomenon and the meanings of the shape. 2 - Construction of the form formative and any which is consisting of himself, which dealt with (a) structural relations of the form, features and specifications. (B) elements and form the basis of composition, which included a number of elements intertwined and overlapping elements make up and nature. (C) The intermediary material (raw materials) and its impact in the shape of the characteristics of investment through to arrange the elements of form material. 3 - Effect of metaphor in characterizing the shape and types of these metaphors and their applications in the art form. The second part was a 1 - systems installation in the shape of a ceramic system and the law of any structure in the shape of a ceramic. 2 - modulation methods and techniques in ceramics, which included work on the modalities for the implementation of the clay and ceramic body. The second topic : the address of the historical foundation of the system form, which included 1 - Characteristics of the art form in ancient times human knowledge at the start and at the age of the caves. 2 - The characteristics of the art form in the old Iraq has covered developments in the study of form in the historical stages in the old Iraq stages. 3 - The characteristics of the art form in the Islamic era, and how different form in the Middle Ages and made his own mark, Art Islamic era, and then 4 - styles and trends affecting the restructuring has been accompanied by contemporary ceramic art pottery modren Iraq artistic schools and trends that have crystallized within the global art movement.The study singled out the third part, references influential in the formation of ceramic output in Iraq and monitor the most important these references, and then shifts the cultural and social co - founder of attributes to form when potters in Iraq, and previous studies that showed the two studies was the points of convergence and divergence, and the indicators gleaned from the context theory. The third chapter represents the proceedings of research and analysis and monitoring of the research community, which consists of a set of ceramic works accomplished by the Iraqi potters for the duration of (1960 - 2003) The number of potters research community (33) Potter, and produced a sample according to the willful manner a number of controls that were produced by depend upon personal and professional has been selected (9) potters research sample, has been chosen for each of five forms of ceramic Potter then analyzed within the framework of criteria and indicators of the theoretical approach to the method of survey and descriptive analysis of the ceramics curriculum description and extrapolation of research and reliance on scientific studies and research dealing with analysis of content of porcelain in Iraq, has been divided into two generations of potters , the first generation represented by the period of time (the sixties, seventies, eighties) and second - generation (eighties, nineties, two thousand). The fourth chapter singled out the findings and conclusions, the results have been divided according to potters attributes of the inventory at each Potter.The conclusions were : 1. The topics of life that represent human forms, especially the man or woman and animal shapes like birds, fish and horses, the main topics selected by the potters and worked within them.2. Social relations have emerged, particularly the relationship of men and women in much of the potters. 3. Any forms characterized by the double is often the representation of the relationship of men and women a diagnosis or by implication, mother and son relationship in the frequency and therefore a clear and readable. 4. Characterized by geometric shapes circle formations - the box - the cube - the rectangle - the ball - the cylinder in the starting line - or internal design. 5. potters adopted the first generation of breeding color and showiness in it, while the second generation relied potters Unification color or the number of colors, sometimes dark, harmonious and blurry at times. 6. Spraying techniques followed potters combriser or sometimes a brush, one of the traditional techniques.7. potters also expanded on the themes and wall sculpture, pottery and construction manual and a little bit to work wheel electric or platelets.8. potters affected by references, heritage and historical art references old Iraqi or Islamic art. 9. The metaphors of a single environmental roses and twigs and metaphors of color Islamic heritage and metaphors such as lines, shapes and decorative designs. 10. Multiplied potters the tendency to realistic representation and abstraction and the abstract expressionist style, sometimes cubical in the representation of shapes. And we ended the search bibliographic sources in Arabic, English and supplements.

الاشتراطات التصميمية في اضاءة قاعات مدرسة الموسيقى والبالية == Design Pre - Requisites For Lighting The Halls of The Music And Ballet Schools : A Focus Study On Display Spaces At The Ballet Schools In Iraq

Author name: سماء فاضل خليل البياتي
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الاضاءة في الفضاءات الداخلية على اختلافها ومنها عروض الباليه، من الوسائل المهمة والمؤثرة التي يتوجب مراعاتها عند التصميم، وتصميم قاعات البالية بالخصوص، وذلك لما للاضاءة من قدرة على توصيل الصورة الدرامية بيسر للمتلقي وسهولة ووضوح تام، ومن هذا المنط | Lighting of various theatrical performances, including ballet, is considered as a significant and an effective means which are to be taken into consideration when designing their dedicated halls, due to the Lighting ability to deliver dramatic image to the recipient with perfect ease and clarity. Hence, the researcher has considered deriving her study from the ballet halls in Iraq, which have considerably declined in recent years and lacked ultimate specifications in their most essential terms, in an attempt to identify an approach to promote them owing to their significance at civilisational, cultural, and technical levels, following the neglect they have been subjected to, especially in recent years, because of the unsettled circumstances which prevailed in Iraq.As creativity puts us always face to face with sensory and psychological perceptions through a set of pre - requisites which are integrated into the design process of the Interior spaces, perhaps the most important of which is the lighting and plurality of its natural and artificial sources, which imply the nature and implications on realistic time and place, which, in turn, helps delivering the visual vision in creating the psychological and dramatic atmosphere and design configurations of Scenography. Thus, lighting is regarded as one of the important elements to enrich the artistic performance and design, and its effective presence is reflected on the integrated artistic accomplishment of a ballet performance. This integration we seek can only be achieved through the intensification of the function of lighting which should attain its significance through the conscious and well considered handling of its optimal functioning in the performance, and in its diversity, such as to allocate a specifically designed lighting for every performance on the basis of its theme requirements in terms of content and appearance and their pre - requisites according to the methodology and style they involve. Lighting is, then, an artistic language which lends indicative representation to the dramatic situations in their various varieties, which necessitated that technologies have to evolve over the time in a centrifugal dynamic multi - process in the commonality between art and scientific techniques implied by the Social Laws Evolution Theory. This, in turn, has compelled the deployment of lighting within the spaces as a design tool directly related to the realisation of the phenomena which have the greatest and most vital role in shaping the reality of those spaces through the act of illusion and achieving sensual and visual amusement which promote a sense of reality and its implications in terms of magnificence in the art of ballet in particular and other visual arts in general. In light of the above, the study has taken into consideration offering part of the knowledge quantum of design requirements in lighting ballet and music school halls, despite their previously noted permittivity as they were not specifically dedicated to displaying the art of ballet, so as to facilitate the designer's task and function in the formation of their own performance Scenography in order to achieve the vigorous design environment which facilitates practicality in dealing with the requirements of achieving the realistic image required for artistic performances, and what they could accomplish of semantic and aesthetic effects. Other than that they will benefit all parties interested and involved in visual performance arts, audio and visual. Therefore, the objective of this research stems from the need to determine the design requirements for lighting in the halls in line with modern lighting techniques, with a hope of attaining to the ultimate objectives of the research. The search has consisted of three main chapters : Chapter I / The research problem, the need for it, its significance, and the objectives it seeks to reach, in addition to the temporal and spatial boundaries, as well as term definitions.Chapter II / is devoted to displaying the cognitive and theoretical quantum, which included three Investigations. The First : dealt with the concept of "pre - requisite", its original inception and association with the interior design. The Second : dealt with light, its concept, beginnings of its usage, its varieties, and methods of its employment within the interior spaces. The Third : dealt with internal spaces in general / and then focused on the explanation on spaces specifically devoted to artistic performances of the art of Ballet, in addition to a brief on the history and evolution of the art of ballet. We, then, identified the indicators which we arrived at and which served as axes for the analysis.Chapter III / included the research procedures and methodology as the research has adopted a descriptive approach in the analysis of the samples represented by two samples related to the research community, namely (the two Music and Ballet Schools in Baghdad and Sulaimaniya) as they were distinguished for being the only two such schools in Iraq despite the difference in their foundation as the first was established in Baghdad in the year 1969, while the second emerging school was established in Sulaimaniya in 2008 through individual efforts. The research tool was represented by the (Analysis Axes Form), based on the theoretical framework of the indicators which emerged, as well as description and analysis. The researcher then reached results of different matching rates between the two samples leading to drawing conclusions which can be taken into consideration when embarking on the design and lighting of performance halls which are shown in : Chapter IV / which included : recommendations, proposals and future studies, in addition to designing proposals that were applied using computer programs which has helped clarifying the proposed design in a closer form to reality.It is reconciled to God.

الممثل بين منزلة الشخصية واختلاف الاداء في العرض المسرحي العراقي == The Actor Between Personal Status And Performance Differences In The Iraqi Theatrical Presentation

Author name: سلمان مزهر ديوان
Supervisor name: عبد الكريم عبود كريم المالكي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: في هذا البحث استعان الباحث بالعلوم المجاورة لفن المسرح، فقد استعار من علم الاجتماع مصطلح (المنزلة الاجتماعية) واختلاف الدور لياخذ هذا المصطلح مديات واسعة على مستوى الشخصية المسرحية والاداء التمثيلي وفق المتغيرات السلوكية التي يوفرها متغير المنزلة، وقد جاء | The researcher has been used similar science for the Performing Arts in this research, it has borrowed from sociology term (social status) and the different role to take this term ranges and wide to play the personal level and performance analog according to behavioral variables provided by the status variable that has been said about this research (actor between personal status and differences in performance in the Iraqi theater performances) to get to know the reality of performance variables when the Iraqi theater actor through discovery of core of behavioral act for personal between its status and its role differences.The research is contains four chapters : the first of which included a systematic framework of the research problem and the need to Research based on the following question : How can recognize the different between the personal status and role? What are the ways to diagnose and performance, and how to be submitted by the Iraqi theater actor? Then the importance of research and its goal, which is determined to identify the difference between the status of the personal actor the performance and role in the Iraqi theater performances.The limits of Research spatial confined in the presentations of the capital Baghdad, theater, and temporal, which is determined in the eighties of the twentieth century, the objective limits, it focuses on the study of performance variables representative of status and personal role in the Iraqi theater, and then determine the terms, namely, (status and personal).The second chapter (theoretical framework) it contains three sections : Section I : (personal status between concept and engaging) and touched the researcher to clarify the concept of social status in sociology and then how he quit in human life. The second topic : (play between personal status and the different role), in which the researcher deliberately to dive into the world of the scripts, trying to investigate and demonstrate the different roles across arent social status of the character drama. And the third section : (performative method in personal status), which was addressed to the main performing methods in the art of representation variables (Stanislavski and Brecht and Mirjuld), as well as some other recent performance tests, to demonstrate the performance variables have changed as a result of Representative status.The third chapter (action research) has included the research community and to identify the sample felt that the researcher to be intentional selective, then search tool, and the research methodology and method.Finally, the sample was focused on analog performance for a number of Iraqi representatives in the following theater performances analysis : 1. His Excellency campus.2. good human.3. between the owner and owned Leaver lost and forsaken.4. Black and white.While the fourth quarter results included and discussed on the basis of what has been reached in the sample analysis, including : 1. Combining analog presentation performance to reach the performance difference according to the requirements of personal status and the different role change, as in the performance of actress (Salima Khudair) in the theater (wife of His Excellency). 2. Adoption of Representative on the idea of hiring a mask full membership (physical and moral) as a principle of behavior to reflect on and jurisprudence change their personal status, which moves in the performance of the personal to the other to enhance the difference in performance, as in the performance of the actor (Mahmoud Abu Abbas) in the theater (between the owner and owned lost Leaver and discarded).Then the conclusions that are related to the objective, recommendations, proposals and then a list of sources and references, and appendices.Finally, Abstract this research in English.

امكانية تطويع دعائم لخامة البولي استر (Poly ester) المستخدم في المنجز النحتي (تقنيا وفنيا) == The Possibility of Plasticizing Processes of (Poly Ester) Raw Material Used In The Sculpture Work (Technically And Artfully)

General topic: Fine Arts
Specific topic: Sculpture
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: احتلت اللدائن الصناعية وخامة البولي استر مكانة متميزة في الانجازات المعاصرة على المستويين الفني والعلمي , وهذا البحث هو محاولة لتطوير مساحيق مضافة ودعائم لراتنج البولي استر غير المشبع للحصول على خواص تلائم متطلبات المنجز النحتي , وتتلخص مشكلة البحث في

المتغيرات الاخراجية في العرض المسرحي العراقي ما بعد 2003 == The Direction Variables In The Iraqi Theatrical Show Post 2003 - Period

Author name: سعد عزيز عبد الصاحب
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعتمد المتغيرات الحضارية والانسانية على عدد من المحددات في ضوء حاجة الانسان في تغير معطيات حياته من شكل لاخر، لذا تبعت هذه المتغيرات اشكال الحياة الاخرى ومنها المجال الفني بصورة عامة والفن المسرحي بصورة خاصة، والذي انبثقت منه صيرورات جديدة، حاولت ان تغير | Civilization and human variables depends on many determinants through the need of man for variables through the man need to variable his life from one form to another. Therefore, these variables have followed other forms of life including art in general and theater in particular. That has flowed from new issues which tried to variable the traditional issues in to new ones, which the receiver has not been familiar in their essence. But these are not common among us through intellectual and aesthetic components as well as new techniques that continued to present many reading and perspective (dialectic) for the social, economic and political events within the context of artistic show and with the style and attitudes of directors, as wee as their dramatic and directive attitudes. That is with a direct effect of the political variable on the theatrical structure and discourse.The research contains, in its structure framework - the problem of study - the following question.Has the artistic (directive) variables founded new theatrical traditions on mechanisms of theatrical directive, that we can talk about variation of direction style and vision after opening of new horizons of expression?The impotence of the study lurks in dealing and detecting transitional period from the date of modern Iraqi theatre - i.e post - 2003 according to the artistic direction that happened.The objective of the study lurks in treating and detecting the variables, terms mechanism and styles of the Iraq direction in the post - variable shows.The theoretical frameworks were confined in two inquiries, the first shows the directive perspective and the ideological transformation of the modern European theater IN Germany, England, Ireland, Russia, and playwright and their theatrical perceptions and readings of the social, economical, and political realities as well as the uprisings and coupes and the consequential effects.The second inquiry deals with the directive attitudes and variables in style in the Arab Theater post - 1967 war in Egypt, Morocco, Syria and Lebanon in openness on the directive forms, scripts and the scenegraphical techniques that were invented in the post war era.The comes an inquiry about the finings of these two inquiries until we tackle the previous studies and their relation to the title, and inquiries of the thesis, the Direction variables in the Iraqi Theatrical show post - 2003 period.The third chapter is procedure of the thesis. the inquiry stars with directive tendencies before the change 1992 - 2002 which unfolds the directive tendencies and attitudes in relation the delaing with patterns of performance and the stenographic forms before change.The sample of the study was chosen randomly out of the research community for having resource, reference, photographs, CDs, and the printed texts and the shown scenes of the live shows.The samples were : 1. the play of this life triumphs.2. the play Ali Al - Wardi and Hi Rival.3. the play Death and the Virgin.4. the play curfew.5. the play pawns.6. the play hatchback of new terdam.7. the play dream in Baghdad.In the descriptive approach in analyzing then above sample, in the fourth chapter, the research what he finds out in the conclusion as well as an index of the recourse and references an abstract in English

الاشتغال الدلالي للتشفير في التعبير الفيلمي == Semantic Work For Coding In Film Expression

Author name: سعد ناظم عيسى الزبيدي
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اخذت السينما تشق طريقها لتنحت لنفسها مكانا بارزا بين الفنون الاخرى. ليبدا هذا الطريق بدراسة السينما سيميائيا، وكانت اولى الخطوات في هذه الدراسة هي محاولة اثبات امتلاك السينما للغتها الخاصة، وذلك من خلال مقارنتها باللغة من حيث الوظيفة والوحدات والتنظي | Cinema started to make its own way to build special place among other kinds of art. The first steps on this study were a try to prove that the cinema has its own language; this was done by comparing it by the language from many angles, such as function, units, organizing and shape.Many results were appeared from this comparison; the most important one was the similarity between the film and the language in functionality. Also, the ability of implementing most of the linguistic aspects on cinema like coding, messaging, system, building, …, etc.As these aspects are common in all communication systems, any system has its own signs and symbolic meanings which are organized in the form of rules that permit to understand the messages built on similarity and difference relationships, which shows multiple kinds code.In addition to the codes in the film structure, as a part of semantic systems, depending on the aim of delivering messages with deep meanings, using all of its elements. For studying this process in details, and for analyzing the terms it contain, like sign, code, communication, meaning, culture, and for establishing scientific research basis, so this study represents an attempt to read the semantic work for codes which are included in the film texts. This study; named (Semantic work for code in film expression); contained four chapters as follow : Chapter One : Includes research problem which is represented by the study of the film code by explaining how they work, and explaining the role of the film expression elements in showing the film code. This chapter also contained the goals, the limits, the importance of this research and a definition for all of the used terms.Chapter Two : Theoretical frame and past studies, was divided into six parts, as follow : 1. Cima Part : Here we mentioned the Cima science and the founders of it, some important classifications for it and some important points for studying this science.2. Communication Part : The communication theory was discussed here (using Jackson diagram with the six levels), the importance of each level and some other important information about these levels.3. Codes Part : Explaining what is the code generally, then what is the cinematic code.4. Sign, Symbol and Code : The three aspects are discussed together as a one part and as different parts.5. Semantic Science Part : This science was discussed in details in this part.6. Film Expression Part : What is the film expression? How can we distinguish between the similar aspects in this field? The answers were mentioned here.Then, a quick show of the past studies was done.Chapter Three : Research procedure, includes the research process and the sample explaining. The samples were two films (Devil's Advocate, and Da Vinci Code).Chapter Four : This chapter contains the conclusions and the recommendations we get from this study, the most important one was the ability to form the complex indirect semantic for the cinematic code, by using the icon - pointer or the icon - symbol, as the iconize is a method (code) to recognize the direct and the indirect semantic, while pointer and symbol are tools to reach to the deep messages of the film. Last, the research contained suggestions and resources list and the English abstract.

توظيف الانماط الكتابية وعلاقتها بالدلالة في تصاميم الملصقات السياسية == Employig The Writing Patterns And Its Relation With The Connotaion In The Political Posters Design

Author name: سحر علي سرحان السوداني
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الملصقات السياسية من بين اهم الوسائل الاتصالية التي تؤدي هدفا فكريا وعقائديا وسياسيا فضلا عن الارشاد والتوجيه، وغيرها، ويراد من وراء فكرته التركيز على المعاني والدلالات الموجهة والمتجسدة من توظيف الانماط الكتابية، فالملصقات هي رسائل فنية وتؤدي و| The political posters are one of the most important means of communication that fulfill an intellectual, ideological and political target as well as guidance and counseling and others.The idea behind these posters is to focus on the meanings and the addressed connotations which are embodied from employing the writing patterns, so the posters are art messages which sometimes may have been aesthetic, but aesthetic is relative and is performing a function which is delivering idea to the recipient.The writing patterns is one of the important element in creating design, which is meant the delivery of advertising or information messages through it, and also has an importance in determining the fundamentals that underlie the clarity of letters’ forms which leads to the design of letters that have the efficiency to fulfill most requirements and one of the most important of those requirements is the literal function and the operational technique.The research problem has been summarized with some questions : 1 - What is the problem of employing the writing patterns and its relation with the connotation in the political posters designs. 2 - What are the methods that can be used in employing the writing patterns in the political posters and its relation with the connotationAs for the objectives of the research it has been determined into two axes : - 1 - Detection the mechanisms of employing the writing patterns and its relation with the connotation in the political poster 2 - Develop designing proposals for the design of the writing patterns, and its relation with the connotation in the political posters.As for the limits of the research, it were substantive limits in employing the writing patterns and its relation with the connotation in the political posters designs in Iraq, and the spatial and temporal limits were the political posters in Iraq for the years 2007 2009 as well as the identification of terms contained in the title of the study. The second chapter covers the theoretical framework and the last studies, the research has contained four chapters, the first one included the research methodology and the second included several topics, the first topic (the writing patterns in the political posters),the second (variables of space management of the writing patterns), the third (the structural system of the writing patterns), the fourth topic (the writing patterns and its semantic relationship), followed by the previous studies and its discussion and came after that the indicators resulting from the theoretical framework on which the researcher is based on in the preparation of analysis form , then the researcher addressed the research procedures in the third chapter, which included research community contained the advertising political posters, the research tools that the researcher used are form of analysis axes to examine and analysis the results, the researcher has designed the form and presented it to a group of experts and specialists, as the sample research has been analyzed through this form. Chapter IV includes the results of the analysis, conclusions, recommendations and suggestions.The most important results of the research : - 1 - Weakness of volumetric activations for the writing patterns, as it emerged with small sizes and unreadable, which affected adversely in the process of the optical attraction of the reader, and receiving the idea, as the size of the letter is important to achieve clarity and readability as in the samples (1, 2, 4, 5, 7, 8, 9, 11, and 16). 2 - Weakness of semantic relations and interdependence between signifier and signified, and this led to weakness in the meanings received, which resulted from lack of attention to the importance of the writing patterns which appeared secondary and small scale, whereas the meanings correlation between the writing patterns and images related to a significant impact for the recipient, as in the samples (1, 5, 7, 9, 10, 17). 3 - Weakness of aesthetics activations in the writing patterns that increase the optical attraction of the reader as this weakness will reduce this attraction as in the samples (1, 2, 3, 4, 5, 7, 9, 12, 13, 16, and 17). 4 - Most of the political posters have not used the symbols and its writing shorthand in the writing patterns and what they are carrying of depth in meanings and connotations as in the samples (2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, and 20). 5 - Employment the color of writing patterns in accordance with intellectual references and semantic relations, for instance the connotation of red color to confirm the excitement, terror and blood and the black color as a sign to the mystery and fear, as in the samples (1, 3, 5,15,16,17, 19, 20).The study has reached the following important conclusions : 1 - Designers have not used the voluntary letters design effectively, so the letters appeared easy because they have not been used as a design. 2 - The relationship between writing style and photos have been established so that we can find it an objective link through a basic use of writing patterns specifically associated with the activity of the social culture of our people. 3 - The use of typographic vocabulary has come in an intensive and busy form which causes confusion to some designs of political posters. The most important research recommendations are : - 1 - Employment the design principles and studying the formal space relationships that promote the organization of typographic vocabulary because of their role in attracting the attention of the recipient and that is because of the expressive connotations that the media message is containing. 2 - Activating the study of writing patterns that peoples of different patterns are characterized by and try to understand its meaning and translate it through presenting of designs contributing to the development of humanitarian contacts between our society and other societies.3 - Trying to provide design ideas that have meanings and connotations reflect the reality and concerns of Iraqi society with methods far from complex and exaggeration.

البنائية للخزف النحتي الهولندي المعاصر : دراسة تحليلية

Author name: سجى رسول نفل
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناولت الدراسة الحالية اعمال النحت الخزفي البنائي الهولندي للفترة الممتدة بين (1970 ـ 2008) في ضوء تطورها ودلالاتها الفكرية، وقيمها الجمالية، ومرجعياتها، فضلا عن ان الباحثة لم تعثر على دراسة اكاديمية سابقة مباشرة تقترب من موضوع الرسالة الحالية الموسومة

الاشكال والانواع الغنائية في الموسيقى العراقية == Forms And Types of Singing In The Iraqi Music

Author name: زينب صبحي عبد حسين البياتي
Supervisor name: طارق حسون فريد
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تنوعت الاشكال والانواع الموسيقية والغنائية واختلفت وفقا لمعطيات مكانية وزمانية، ومن ثم فهي تبلورت بوصفها محصلة للعلاقة بين العناصر التي تكونت منها : اللحن والايقاع والتعدد الصوتي والطابع الصوتي والنص. وتضم الموسيقى الاشكال والانواع الغنائية بجانبيه | Musical and vocal forms are varied and differed according to spatial and temporal criteria. Forms have been crystallized because of the relationship between constituent elements such as melody, rhythm, harmony, tone colour and text. Music includes forms and types of systematic and popular folk singing. These forms have been changed and developed by time, and new forms were generated according to different cultural, social and artistic influences. Iraqi music is replete with many forms of singing; systematic, popular, secular and sacred. These forms can be divided geographically or in terms of demography. In addition, the overall circumstances and events, through the history of Iraq, have played a role in the crystallization of new and modern forms and types. Moreover, some forms are evolved from older forms that became richer and more complicated than the older version. Furthermore, there are different factors that affect the structure of musical forms and singing types, such as the cultural, social and economic factors. In fact, all that was innovated of singing forms is a true reflection of the reality of the Iraqi daily life and simulation of this life’s different conditions.Forms and types of singing had increased and developed faster than the musical instrumental forms, because the Iraqi musical culture preferred to practice singing forms in their ceremonies. However, unfortunately, these forms and types have never been collected, preserved, documented, archived or studied. Therefore, I have decided to study this topic. This research is important as it presents an academic study of the forms and types of singing in Iraq. In addition, it participates in preserving these valuable forms and types. Moreover, this thesis is the first study of such topic in the academic and musical field. Furthermore, this study will fill the gap in the Arabic musical library and will assist the researchers in this field of study. However, the purpose of this study is to define the structure of the singing forms and types in the Iraqi music. This study will cover the period from 1921 to 1941 in the city of Baghdad; it focuses on the Iraqi mundane forms and types of singing in the Arabic language.The second chapter includes the theoretical framework and the previous studies. The theoretical framework consists of four topics; the first is “the structure of the musical forms and types”, the second is “singing forms before and during the Islamic period”, the third is “music and singing in Baghdad from 1921 to 1941” and the fourth topic is “the analytical standards of the musical and vocal forms”. In the end of this chapter, the results of the theoretical framework were presented. The researcher did not find a previous study that dealt with the topic of this research.The research’s procedures are presented in the third chapter, where the researcher defines the methodology and the samples of the study. The entire sample consists of 112 songs and the randomly chosen samples are 24 songs, which are divided into a specific category according to its types or form. The main tool of collecting the required information was the “Interview technique”. The main tool of the analysis was a specific analytical standard, which was created, tested and applied on the selected samples by the researcher.The results, conclusions, recommendations, suggestions, list of resources, appendices and abstract of this study are presented in the fourth chapter.

خصائص الحوار في نصوص يوسف الصائغ المسرحية

Author name: زياد حلو جاد الله محمد
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: الحوار المسرحي هو المكون الاساسي للمسرحية باعتباره المسرحي يحمل الاحداث والشخصيات والجو العام والذي يكشف في نفس الوقت عن الزمان والمكان وعن وقوع الاحداث وصراع الشخصيات بما فيها الشخصيات الحاضرة في الحدث والمختفية والتي لا تظهر الا بشكل ملاحظات يتبناها الم

الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر == Ideological Discourse of The Image of Women In Contemporary Iraqi Drawing

Author name: زهراء موسى مهدي
Supervisor name: عياض عبد الرحمن امين محمود الدوري
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر تبلورت مشكلة البحث بالاسئلة الثلاثة التالية اولا هل تبدلت القيمة الجمالية لمظهر المراة في الرسم العراقي المعاصر؟ ثانيا هل للمرجع الايديولوجي حضور في صياغة اسلوب العرض؟ وثالثا هل للمرجع | This research Addresses with the ideological discourse of the image of women in contemporary Iraqi drawing Crystallized research problem the following three questions first Are changed the aesthetic value of the appearance Iraqi women in contemporary painting? Second, does the presence of ideological reference in the formulation Style of presentation? Third Is the local and global impact of the references Summons Metaphoric image of women? The importance of the research was the result of the fact that research is Unfrequented previously as well as detect stealthy ideological image of women in Iraqi drawing The objective contemporary research is detected ideological discourse of the image of women in Iraqi contemporary drawingas well as the the limits of research and definition of terms that were with him The chapter concludes with the first and start the second chapter (the theoretical framework), which contains four The first sections of the concept of discourse and ideology put forward by the researcher through hypotheses And definitions of philosophical concepts with philosophers and philosophical books The second section includes Historical root image of a woman who shows how it has changed the image of women through the ages And how it changed the look of the artist put forward a woman through to the image of women in the work of art either The third section display of modern technologies in the drawing, which shows the extent of the development Technology, and how, in turn, the impact of women in the form of artwork inside and tha four deal with amage women in drawing iraqi art, Access to Chapter IIIwhich addresses research procedures of the research community, the research sample, justifications Sample selection, the search tool as well as the use of researcher applied descriptive analysis To analyze the sample and then finally the sample represented in the analysis of eighteen sample to achieve the aim of the research Confined Ben1990 - 2012, and the researcher in chapter IV to a number Results of the most important is that there is a self and social ideology in addition to the use of material Folklore dramatically in the work of artists, as well as the absence of men in some Works and appearing beside women in other works of art as well as the use of artists In display technologies often oily colors without the intensity or add new material To the optical surface in the nineties, while we find the diversity of methods of presentation in the work Artists in the period the new millennium, the following findings and conclusions suggestions and recommendations Developed by the researcher to concludes with this search a list of sources Developed by the researcher to concludes with this search a list of sources.

فاعلية النشاط التمثيلي في تعلم مفاهيم مادة العلوم لدى تلامذة المرحلة الابتدائية == The Effectiveness of The Acting Activity In Learning Science Concepts of Primary School Pupils

Author name: زهراء صبحي خزعل
Supervisor name: فؤاد علي حارز الصالحي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اصبح اكتساب المفاهيم هدفا اساسيا من الاهداف التربوية في المراحل الدراسية المختلفة، ولاسيما في المرحلة الابتدائية، وتعد العلوم من بين المواد الدراسية المختلفة التي تضم في طياتها الكثير من المفاهيم ذات الصلة المباشرة بحياة التلامذة، وهذه المفاهيم تؤثر بش | Became acquire concepts fundamental objective of the educational goals in grades different, especially at the primary level, and is the science of the subjects which include with it a lot of the concepts of direct relevance to the lives of students, and these concepts directly affect their thinking about things and phenomena that surround them, and help them understand and predict, and in spite of the large role for the acquisition of concepts in the processes of learning and teaching, but the students are still suffering from many of the difficulties in learning and acquiring optimally, and after research and fact - researcher found that the best way is the way the old new is the representation through the embodiment of the concepts that face the students to understand it, so has the need for this study in order to detect the effectiveness of activity acting in learning concepts science to the students of primary school. which is one of the most important stages throughout the student who is in the case of maturity of mental knowledge, so have to collect the largest number of concepts that will help him to the other stages, which are the basis for moving attic laterThe study included four chapters dealt with the researcher in the first chapter the research methodology included the following headings in terms of posing the problem, and the importance of research, and objective as well as the assumptions and the definition of terms.The second chapter includes historical background about using this medium of communication to deliver some of the meanings that are difficult to access only through this medium, which has achieved positive results in their respective fields, positive results, while the second section evolved to include educational difficulties faced by students and their types and methods of the teacher in the treatment, and the third section evolved to include the concepts and dimensions and levels of quality.The third chapter includes procedures where a researcher has experience in dealing with difficulties in learning the concepts primary school pupils based on a scientific lessons which they were found to achieve the goal the following steps : - The researcher adopted the experimental design for the two groups with unequal post - test.Researcher has chosen the School of the primary schools of the Directorate of Education in Baghdad's Karkh third at random, and selected divisions in the fifth grade of primary random also to represent the experimental group and two for a control group.Consisted sample of (110) male and female pupils were divided into two groups (53) experimental (57) officer was conducting equality of variables (degrees of Science in half, equal intelligence, academic achievement to parents, chronological age), and therefore the researcher prepared the plans tuition for each of the control and experimental groups, it has applied the test began on Sunday, 19/2/2012 the researcher has taught herself the two groups, then the search tool has been applied (cognitive achievement test) at the end of the experiment on Wednesday, 14/3/2012.The fourth chapter has included the following : - Results researcher adopted a set of statistical tools, including test Alta?a, easily coefficient, coefficient of difficulty, the effectiveness of alternatives and reached the wrong researcher to positive results, notably : The presence of a statistically significant difference favoring the experimental group, indicating the superiority of the experimental group students who have studied the activity representative to the control group students who have studied according to the method in the usual collection.The lack of a statistically significant difference between the experimental group(male and female)who have studied the activity of representativeness.The conclusions were as follows : - The use of representational activity (role play) led to positive results in the treatment of learning difficulties concepts.That the use of representational activities can facilitate the process of teaching and the provision of time and effort for students and the teacher or the teacher and this shows the link for the representation of education in general.Therefore, the researcher recommends the following : - The use of representational activity in the teaching of scientific concepts of science among primary school after it became clear a significant impact in improving the level of academic achievement in these concepts that the students had difficulty understanding.The need to use analog activity as an educational tool in teaching the concepts and to simplify the delivery of information easily and smoothly.And development of research studies researcher suggested the following : - Examine the role of representational activity in the transmission of scientific concepts to students in other grades.study of the impact of the activity in the treatment of learning difficulties concepts to other subjects in primary school and other grades.

الدراما التلفزيونية العراقية بعد 2003 (المضامين والمعالجات الفنية) == Iraqi Television Drama Post 2003 (The Implications And Artistic Treatments)

Author name: رضوان مكي عبد الله
Supervisor name: علي حسين صفوك الركابي
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تشغل المضامين وطريقة عرضها وتجسيدها اي (معالجاتها الفنية) اهمية كبيرة في الدراما التلفزيونية، وتتازر تلك الاهمية مع اهمية التلفزيون بوصفه من اهم وسائل الاتصال الجماهيري، واكثرها انتشارا وتاثيرا، فالتغيرات الكبيرة التي شهدها العراق بعد عام 2003 ادت الى ايج | The intellectual and aesthetic implications and the way of exposing and embodying them occupy a great importance in TV drama. This importance goes side by side with the importance of television as being the most important, most spreading and most effective mass communication media for the great changes witnessed by Iraq post 2003 led to finding new ideas and goals non - existent in the Iraqi society culture. Those changes had their wide echo in the Iraqi TV drama produced post 2003. To know the implications distributed by the stage and how to treat them, this research came to take care of studying the Iraqi TV drama post 2003 - the implications and artistic treatments. The researcher divided the research into four chapters. The first chapter "The Methodological Frame" included the research problem which was formulated in the shape of the following question : what are the intellectual implications and how are they treated artistically in the Iraqi TV drama post 2003?, the research significance, aims which aim at identifying the intellectual implications and their artistic formulation in TV drama produced post 2003, research limitations and definition of terms. As to the second chapter, it contained the theoretical frame including three main titles : Section one : Iraqi TV drama - a Historical Prospect Section two : Implications in TV dramaSection Three : Artistic Treatments of intellectual implications The researcher got out with indications from the theoretical frame which would be relied on as an instrument to analyze the sample, while related to the previous studies, three studies were mentioned for their approximation to a side or a part of our current research. The third chapter "Research Procedures" contained the research method selected by the researcher for its suitability to the research nature, i.e., the descriptive method embracing the analysis, then the research sample which was selected purposively, research instrument, analysis unit and instrument validity. As to the fourth chapter "Results and Conclusions", the researcher arrived at several results and conclusions the most important of which were the following : 1 - The Iraqi TV drama produced post 2003 focused on showing many implications such as (rejecting the occupation, necessity of science and culture, rejecting war, freedom of expression, respect of law, security loose, administrative corruption, tolerance, affection, cooperation, aid, freedom, authentic customs, popular heritage, absence from homeland, importance of love and marriage and open criticism of the government). Whereas the conclusions were as the following : 1 - The artistic treatments included literary treatments (scenario) and directing (video) treatments, i.e., the artist's capability of transforming the abstract thoughts into concrete thoughts perceived by senses. This chapter also carried the recommendations and suggestions. Also, the last pages included a list of references, then came the appendices and finally the research English abstract.

المتغير الشكلي وعلاقته بالاداء الوظيفي للاثاث اللدائني في العراق : كرسي البالغين انموذجا == Formal Variables And It Relationship To Functional Performance of The Plastic Furniture Used In Iraq

Author name: شعلة علاء الدين درويش لطفي البكري
Supervisor name: سعد محمد جرجيس
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتلخص البحث الخاص بالمتغيرات الشكلية وعلاقتها بالاداء الوظيفي للاثاث اللدائني في العراق اذ يعد الاثاث بشكل عام والاثاث اللدائني بشكل خاص من العناصر المهمة الاساسية لدى المستخدم في العراق، اذ تلمست الباحثة ذلك من خلال انواع الاثاث المستخدمة في جميع مرافق | The research variables formalism and its relationship to functional performance of the Furniture plastic in Iraq, as is the furniture in general, and furniture plastic particularly important components of the basic user has in Iraq, as it learned first - hand the researcher through the kinds of furniture used in all areas of our daily lives as (home, office and other ), but this diversity of furniture in general, and furniture plastic in particular, which was not the required level almost the end of the meet the needs of the user Iraqi different due to the lack of fits in with the factors (environmental, climatic and psychological behavioral) in many types Vdilaan and cases of non - proportionality to measurements of the human body, so the aim of the research to reveal the formal variable and its relationship to functional performance of the Furniture plastic in Iraq.Chapter Two included five Detectives are : The first part, which included changing the formal concept.The second section has included all of : 1 - a historical review of furniture : 2 - furniture plastic in Iraq and the Oases on each of : - Forms of chairs made from thermosetting plastics - Forms of chairs made from thermoplastic elastomers Almtlana - Types of seating.The third part included both : 1 - the design elements in the units of seating. 2 - foundations of organizational units and their relationship to sit (Holy)The fourth topic was to ensure both : 1 - furniture plastic relationship to the surrounding environment.2 - relationship with the chair and the environment3 - Relations Alargeonomitrih plastic in the design of furniture (chair), which in turn contained on each of : - Designed to sit - Parts of the Holy - The conditions of living - Types of seating4 - relationship plastic furniture (chair) to sit and physiology of the musculoskeletal system, which contained the - The backbone. - Joints - MuscleThe fifth topic was included plastics through - The nature of plastics - Types of plastics - The formation of technical plasticsAs well as from the remembrance of the indicators resulting from the theoretical framework and previous studies.The third chapter is to ensure research procedures and methodology and tool design and research labs honesty and analysis of samples, which amounted to (14) sample for the seven previous years.The fourth quarter included the results of research and the conclusions and recommendations, proposals and summarize the most important thing a researcher can make to this research from the results of which the proceeds of Aldrashokma following : 1 - General Authority of the Chair of adults and job performance achieved in the models of the sample number (2 - 4 - 5 - 7 - 8 - 9 - 10 - 11 - 12 - 13), while the check to some extent in all models of the sample number (1 - 3 - 6 - 14).2 - values of aesthetic expression and its association with variable formal has been achieved in each of the models of the sample number (2 - 3 - 4), while the check to some extent in all models of the sample number (1 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14).3 - Relations Alargeomitrih and its association with functional performance has been achieved in models of the sample number (1 - 2 - 3 - 4 - 6 - 7 - 9 - 10 - 11 - 12 - 13), while the check to some extent in the models of the sample number (5 - 7 ), while not materialized in the form of sample No. (14).4 - raw material and its association with effects, the different environment of Iraq has been achieved in models of the sample number (1 - 4 - 5 - 6 - 8 - 9 - 11 - 13), while the check to some extent in the models of the sample number (1 - 2 - 10 - 12 - 13) while did not materialize in the form of the sample number (7).5 - through the questionnaire show that the taste of color to the user achieved in each of the (green 37% - white 56% - the color turquoise 50% - color Maronite 50% - orange 46% - yellow 46% - the color red 33% - color beige 33% - blue 26% - violet 26%), while achieved to some extent is (violet 43% - the color red 33% - color beige 30% - blue 30% - white 26% - yellow 23% - the color turquoise 23% - color Maronite 20% - orange 20 %), while others are verified (white 3% - 3% violet color - red, 3% - 3% orange - yellow 3%).6 - consumer desire of the Holy plastic in terms of the cost of the purchase price reflected through the questionnaire which was to buy the chair cheap price (achieved by 6%, and verified to some extent by 23%), while the Argbh consumer to buy the chair plastic expensive (achieved by 6%, and achieved to some extent by 16% was achieved by 10%), while the consumer desire to buy the chair plastic average price (it has been achieved by 23%, were achieved to some extent by 23%, while it has not achieved a rate of 6%.)7 - the desire of consumers to buy the chair plastic in one piece without supporting them (achieved 46%, and achieved to some extent, 33%, while non - verified 16%), while the consumer desire to buy the chair plastic one piece armrests condemned by (achieved 46%, and verified to the extent of 13%, while non - verified total 10%), while the consumer desire to buy the chair plastic in one piece the palm of Zaraala was (verified at 20%, and achieved to some extent reached 33%, while non - verified at 16%) , as well as the desire of consumers to buy the chair plastic in one piece the palm back and low (where achieved Mnhakan by 6%, and verified to the extent Mapnsph 43%, while the non - verified amounted to 3%), and we find that consumer desire to buy the chair plastic moving the palm back and low reached them (13% achieved, as well as to the extent achieved Mabulg 13%), while we find that consumer desire to buy the chair back of the palm mobile plastic high have been achieved to some extent by 10% only).8 - through the questionnaire was the desire of the consumer in the presence decoration on the parts of the chair in different proportions with no signal of any rate in the desire of the consumer in the presence of ornamentation on the legs of the chair, while the desire for a decoration on the base of the chair by (achieved 20%, and verified to the extent What is also 13%, while non - verified 20%), and we find that consumer desire of the Holy plastic was Rbgenh in the presence decoration on the back of the chair by (verified 93% and Agheirmthakq 3%, but for the presence decoration on a supporting hand, was the rate achieved to some extent 6% only).9 - as clarified by the questionnaire regarding the type of decoration in the chair plastic Allve preference, the score of his preference for decoration engineering 96%, and plant motifs by 30%, while the consumers' desire to hold the chair for more than one type of decoration by 6%.10 - The job performance requirements for units of furniture have impacts on the formal structural configuration of the design.11 - The development of the performing functions that a user needs to achieve the best service and reduce the effort spent by humans led to the need to develop units and changing the forms of furniture to get to the designs achieve these objectives and satisfactorily.12 - that imposed by raw material in the manufacture of the product from the possibilities of manufacturing and plastic arts forcing the designer to formulate design within these possibilities and make changes required to achieve the formal specifications alozifahalmtalobh.13 - the potential for the human body and mechanism of kinetic role to impose itself on the general shape of the product in general and in particular units of furniture because of its direct and significant impact on the formative structure of the design.14 - to impose the surrounding environment by using unit furniture tathirambacraaly the training requirements of the form and any of the variables in the process of development required by taking into Alaattabarnsph weight of plastic granules, which makes them the chair.15 - The formal variables created by the designer to get to the results achieved and the convenience of the user Alamralasthlaki of the chair can be achieved through the variable elements in the form in whole or in part and to achieve the total integrated design idea.16 - technical effect in the evolution of the variable, especially formal methods of production (industrial technology).17 - the time requirement for the life of the product, whether functional or formal, and their impact on the formal variable, through the weight of plastic granules of the product (the chair) where the greater the weight of particles by a good addition to the anti - particles is the product specifications in order to be good.18 - attention to the standards of human engineering in the process of building the aunt of the chairs is what can users use different chips easily and away and away from any obstacles or the effects of physiology or psychology.19 - most of the models available in the local market productive way of injection.20 - role of the artist comes to be activated nature of the data and the researcher Mknonadtha hard for my conversion and transfer of data to be of particular stylistic feature and transformed through the transitions, executive thought to be formed as a creative output that any variable from case to case.21 - as a result of lack of control of standardization and quality control for imported goods from furniture plastic has led to the importation of furniture for poor creditors of the specifications and not meet the safety conditions and safety for the consumer.One of the conclusions reached by the researcher summed up as follows : 1 - Alastaban by the results of the general assembly of the chair (adults) and job performance, we find that the user of the Holy plastic prefer some chairs on the other, as suits his performance career.2 - The values of aesthetic expression and its relation to the formal variable in the user's preference for the types of them without the other.3 - Alargeomitrih of the relationship and its association with performance functional role in consumer preference for the type of plastic chairs and not others.4 - the severity of effects, and Rtbatha different environment Iraqi born in the user's preference for the type of chair plastic of them without the other, and that the nature of the place where the chair will be used as an environment or an environment external internal.5 - to taste the color of the user role in the color of the chair Akhiarh plastic.6 - the cost of the purchase price of the Holy plastic role in the process of user preference for the chair Allda?na where he prefers the chair with the average cost in addition to other features.7 - different consumer desire to buy the chair plastic in terms of the AHA (in one piece without the pads, or in one piece armrests to the hands, Okqtah one the palm - to - back high, or in one piece the palm back and low, Ktrk the palm back and low, or Ktrk the palm appeared high.8 - the type of decoration on the parts of the chair and place both in the back of the chair base or legs or hands or a supporting role in the user's choice of a chair in the procurement process.9 - must study the possibilities of the human body and motor Mdyatea, because of their Tathermbacr and accurate on the variables required in the product development process, especially furniture designs.10 - that the environmental effects of the sun, wind and temperature difference, etc., have an active role in influencing the product design of furniture, especially because of its negative impact in the short life of the product.11 - must know the raw materials and manufacturing specifications and capabilities, in order to determine the possibility of employing them in products.12 - for the technical development role important and significant in the open broad prospects before the industrial designer in the processes of creativity and toziv output of this development in the design and production, so the use of technical developments at all levels of design and production is a crucial element in the success of the design at all levels.13 - cope with the intellectual and scientific production, as the machines became controlled by the electronic programming.The researcher recommended the following : 1 - it is necessary to study the functionality to be achieved accurately by the designer, to be able to identify the variables in the desired shape, which must be studied in terms.2 - attention to the protection of the laws of the local product, and giving attention to the Iraqi market through the development of future plans to develop a private practice to suit the production and development taking place in the world.3 - the need to subject local and imported product, to measure and control Alnoaahhat exist in the market for Mahlahmentjat Da?nahubmoasfat is good.Researcher has proposed a study of the possibility of developing and supporting the local product plastic in general.

الاساليب التقنية في اعمال تشكيلي مرحلة الستينيات وتوظيفها في نتاجات طلبة قسم التربية الفنية == The Technical Styles In The Plastic Artists' Works of The 1960S Stage And Their Employment In The Products of Artistic Education Students

Author name: جنان جبار عبود الجوراني
Supervisor name: ابراهيم عبد الرزاق الجبوري
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: شهدت الفنون التشكيلية تحولات في الاظهار الفني والجمالي عبر ممكنات الاساليب التقنية, وذلك باستعمال مجموعة من الوسائل والطرائق, وفقا لحاجات الفن في التجريب بهدف ترجمة افكار الفنان وقد تحقق على يد العديد من الفنانين العراقيين امثال محمد مهر الدين, ليلى العط | The plastic arts saw many transformations in the artistic and aesthetic manifestation through the mechanisms of technical styles using a selection of means and methods according to the art needs in experimentation aiming at translating the artist's thoughts. At the hand of several Iraqi artists like Mohammed Mahruddin, Laila Al - Attar, Saleh Al - Jumai'i… etc., innovated techniques were achieved like collage, transparents… etc. Those technical manifestations in the formation styles distinguished the 1960s stage which was an important stage among the stages of the Iraqi contemporary formation rich with experiences and interesting to the artists who came after that stage; thus the researcher found it necessary to study the technical styles for its significance in enriching the artistic works of the plastic project material for the students of Artistic Education Department at the College of Fine Arts being the main gate for identifying the modernism data in the formation. Hence, the researcher traced her research problem via a pilot study conducted on the students of Artistic Education Department - 4th stage - in the material of plastic art project. She tended to establish his research problem via employing the technical styles used by the Iraqi plastic artist in artistic treatment of the artistic work components in the material of artistic project. The study addressed the students' opinions on the project material and its items and the difficulties they face in executing them, especially how to employ the canvases with their types in manifestations of the artistic work. The study gave the researcher an image of how were the technical fundamentals used by the artists of 1960s stage of the last century. Within that light, the researcher constructed her aim as follows : - Revealing the technical styles in the works of Iraqi plastic artists in 1960s stage. - Designing ideal teaching plans in terms of the technical styles shown in the works of Iraqi plastic artists in 1960s stage. - Measuring the effectiveness of the teaching plans by experimenting them on a sample of fourth class students - Artistic Education Department - in plastic project material. To examine the aims, the researcher set two nil hypotheses to show the results and check them out, hence they required defining the population of the current research which was composed of all artists of 1960s stage and the fourth stage students at the Artistic Education Department in plastic project material. The total number of students was (60) male and female students. A random sample of (15) male and female students was selected and taken by the researcher as a one experimental group taught according to the ideal teaching plans. In order to measure the teaching plans, the researcher designed an achievement test (cognitive - skillful) as well as designing an analysis form to evaluate the students' skillful performance. To show the research results, the researcher relied on a collection of statistical means to treat the data and information which she obtained from the research sample and show the results she arrived at, i.e. (Wilcoxin test of one sample, difficulty coefficient equation, discrimination coefficient equation, Kuder - Richardson equation and Holesti equation). As to the most important results the researcher arrived at, they were represented in : The effectiveness of the teaching plans prepared in the current research in employing the technical styles in the works of 1960s stage in the cognitive and skillful aspect. Conclusions : 1 - The capacity of the teaching plans designed in terms of technical styles shown in the works of Iraqi plastic artists in 1960s stage to acquire the fourth stage students - Artistic Education Dept. the cognitive information and their employing it in achieving their plastic artistic projects. 2 - The process of defining the teaching and behavioral aims in the process of acquiring the students the cognitive information in terms of the teaching plans designed for the current research and their clarity to them led to making it a purposeful and an individually and collectively oriented process. Recommendations : In the of the conclusion the research arrived at, we can formulate the following recommendations : 1 - Relying on the teaching plans designed in terms of technical styles of the works of Iraqi plastic artists in 1960s stage which were experimented in the artistic project material due to the manifestation of their efficacy and worthiness in acquiring the information and mastering the skills for the students of the Artistic Education Dept. Suggestions : The research suggests the following : 1 - Practicing the male and female teachers of Artistic Education on the skills of executing the artistic projects at the secondary stage schools

المرجعيات الشكلية للمنمنمات الاسلامية في رسوم هنري ماتيس

Author name: وداد هاشم النعيمي
Supervisor name: هادي نفل مهدي
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

اشكالية المطلق في النص المسرحي العراقي == Absolute Problematic In The Iraqi Theater Text

Author name: هبة عمران نجم الشمري
Supervisor name: احمد سلمان عطية
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد موضوع المطلق من المواضيع التي شغلت بال الانسان قديما وحديثا، فهو من المواضيع التي توقف عندها الانسان منذ بداية تواجده على الارض، فمنذ ان فتح عينية في هذا العالم حاول جديا ان يفسر الظواهر الطبيعية وما يعتريها من اشكال وصور والغاز، بعدها اخذ يكتشف | This research included (absolute problematic in the Iraqi theater text) four chapters : The first chapter (methodological framework of the research), the research problem which Balastfham follows : What is the absolute problematic in the Iraqi theater text? While importance of current research demonstrated by highlighting the theme of absolute, as the study of this concept is an important pillar for the detection of the creative process and know Khvayaha, as well as being accomplishing cognitive benefit college students and fine arts institutes in addition to working in the theater and critique interested. The limits of the research was confined to the scripts Iraqi started between the year (2001 AD - 2010 AD), and concluded chapter identifies some of the terms contained in the title search.The second chapter (theoretical framework) has included three sections : Me first study of the concept of absolute religions and includes two axes : the first study the concept of absolute religious position, has been chosen both religion (Zoroastrianism - Hinduism - Buddhism). The second axis within a monotheistic religions (Judaism - Christianity - Islamic). The second part has me study the concept of absolute philosophical. And some have been selected philosophers and opinions on but not limited to : (Thales - Anksyma_s - Anksamenderas - Pythagoras - Parmenides - Plato - Aristotle - Hegel - was - Schopenhauer - Nietzsche). With me the third research study of the concept of absolute in the theatrical version also included the first two axes : Worldwide : (Greek - Roman - Middle Ages - Renaissance - neoclassical - Romance - realism - natural - Avatar - Expressionism - existentialism - the absurd (tampering)). Second : Arab World : (Tawfiq al - Hakim - Salah Abdel Sabour - Saadallah news - Meliani Hassan). We have concluded this chapter the most important indicators to which each theoretical framework, either previous studies have found a researcher only one study a doctoral thesis titled (absolute problematic in modern painting), Dr. (Luxury Mohammed Hassan al - Rubaie).The third chapter goal on (research procedures) and included the research community consisting of (20) Text theatrical Iraqis started between the year (2001 - 2010 AD), and selected (4) texts to represent a sample search as intentionality according reasons, plays are : (runway, the bridge to the imams, brutal ritual, Mnakan), and researcher pursued (descriptive and analytical) in the analysis of samples.The fourth chapter : annexation of the most important results, including : 1. Embodies the concept of absolute protagonist (runway) (Abdul Hussein Mahuad) as follows : (God), (self), (abundance and diversity), (the will of life), (Destiny), (mind).2. Represents the concept of absolute protagonist (the bridge to the Imams (l) Falah Shaker) as follows : (God), (article), (the will of life), (the will power), (Destiny).Then the researcher reached inter conclusions demonstrated through what emerged from the results, and also came with some recommendations and made some suggestions which I found important to complete aspects of the research, the researcher concluded Find a list of sources and supplements and a abstract in English.

الدلالات التعبيرية لرسوم التلاميذ بطيئي التعلم وعلاقتها بسماتهم الشخصية == The Expression Indicators of The Drawings of Slow Learning Pupils And Their Relationship To Their Personal Features

Author name: نهى سالم جبار العجيلي
Supervisor name: رعد عزيز عبد الله
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Drawing and its worlds and colors and significances and the indications it hides make the researcher probe into its world with its various deceptions and expression significance. The category of slow learning pupils is one of those who express their ideas and depictions through linear and colors on papers.The present research study sheds the light on the expression indicators of drawing of slow learning pupils and its relationship to their personal features, specifically the two features introversion and extroversion, in addition to determine the feature that is prevalent in these pupils, and whether there are any statically significant indicators between males and females.The study aims at the following : 1 - Knowing the expression indicators of drawing of slow learning pupils.2 - Comparing the expression indicators of drawing of slow learning pupils according to gender.3 - Knowing the features of introversion and extroversion for pupils according to gender.4 - Comparing the features introversion and extroversion, pupils according to gender.5 - Finding the relationship between expression indicators for pupils drawing and features introversion and extroversion.The researcher prepared an instrument to analysis the drawings made up of (16) fields and (44) items, and she adoptedan instrument to measure features introversion and extroversion, prepared by Al - Kubaisy (1994) after making the revisions for the suitability with the sample of (111) slow learning pupils within the schools of Directorate of Education in Al - Kharakh II. The researcher applied the two instruments of the study and comes up to the following : The Results : 1 - The research found that there are (9) items not statistically significant and (4) which are significant in the drawings of pupils.2 - The feature of introversion is the prevalent in this category and the male respondents are not different form females in this feature.3 - There is no relationship between expression indicators and the features introversion and extroversion for slow learning pupils. It is very weak or none.Therefore, the researcher recommends the following : 1 - Supplying the schools of special education with training and heuristic programs to develop their mental capabilities and their personal features which would lead to stable life.2 - Making the media - audible and read - aware the parents of the special needs of their children by fulfilling their material and psychological needs.3 - Making the responsible for the special education to benefit from the two instruments adopted in this study in the field of instruction and guidance.The researcher suggests the following : 1 - Making a subsequent study that tackles the effect of the training programs in developing the capabilities of the pupils.2 - Making another study that tackles other classes in special education or normal schools.3 - Making a similar study that tackles the effect of art education programs in treating problems of special education pupils

فاعلية مهارات ما وراء المعرفـة في تطويـر القـدرات الفنيـة لطلبـــة قســـم التربيـــة الفنيـــة فـي مادة الانشاء التصويري == The Metacognition Skills Effectiveness In Developing The Artistic Abilities For Art Education Department Students In The Graphical Composition Subject

Author name: جبار خماط حمـزة
Supervisor name: محمد سعدي لفتة
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تاسست مشكلة البحث الحالي على توظيف مهارات التفكير العليا المتمثلة بمهارات ما وراء المعرفة في تطوير القدرات الفنية للطلبة , والتي سعى الباحث الى تضمينها في برنامج تعليمي يختص بمادة الانشاء التصويري , لاسيما وان الدراسة الاستطلاعية التي قام بها الباحث كشفت | The current search issue was established on employing higher - order thinking skills which are the metacognition skills for developing the Artistic abilities of students, which the searcher sought to include them in an educational program regard to the Graphical Composition Subject ,especially the survey by the researcher revealed the problems experienced by the students in this subject such as poor understanding of the concepts , foundations and difficulty in implementing the process of learning requirements and the absence of essential and assistant elements are necessary to the learning process of students and improve their skills performance. The current research goal to : - knowing the effectiveness of metacognition skills to develop the Artistic abilities of Art Education Department students in the Graphical Composition Subject. One group experimental design per set with a minimum of setting adopted, to measure the effectiveness of the educational program which implicated on random experimental sample reached (10) students of the third stage - Department of Art Education - Fine Arts collage - University of Baghdad. The researcher designed two tools which have been subjected to the conditions of alignment honesty and consistency, and adopted the third as follows : 1 - A cognitive achieving test consist of (33) paragraphs2 - A skill achieving test consist of (11) paragraphs.3 - The researcher adopted (observing of the metacognition skills Form), which consists of (32), paragraph covers three fields (planning, monitoring and control, assessment). In order to evaluate the students using of the metacognition skills during the performance of students achieving skills test (before and after). The Researcher used a number of appropriate statistical methods in current research, depended on statistical program (SPSS). The research results improve : - The educational program effectiveness which based on the metacognition skills (planning, monitoring and control, evaluation) and its active role in developing of Artistic abilities for the Department of Art Education students in the Graphical Composition Subject by drawing a mind plan for the stages of performance before, during and after the completion of educational tasks which included in the educational program, cognitive and skill achieving tests after. The most important conclusion that has been extracted from the results achieved are : - The development which the experimental sample of the research has taken in the field of the Artistic abilities due to the effectiveness of the metacognition skills and its role in the management and organization of the learning process, especially after the passage of the experimental sample in the experiences of the educational program. According of results the findings the researcher recommended the following : 1 - Adoption of the educational program as an assistant curriculum in the Graphical Composition Lesson teaching, which proved its effectiveness and success in the development of the Artistic abilities of the third grade students in the Department of Art Education. 2 - Include the current curriculum with and modern effective strategies and teaching methods, especially the metacognition strategies and skills to make a serious and quick quantum leap to fill the gap and catch up with scientific development. As the researcher suggested the following studies : 1 - "The Metacognition Skills Effectiveness in Developing the Artistic Abilities for Art Education Department Students in other Subject such : Art Elements, Graphic, Drawing, ECT

تصاميم الاقمشة النسائية وعلاقتها بالمتغير البيئي == Women'S Cloth Designs And Their Relationship With The Environmental Variable

Author name: ايناس صالح عباس
Supervisor name: سامي ابراهيم حقي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: شهدت حياة المراة المعاصرة تطورا في تصاميم الاقمشة النسائية وجاء هذا مصاحبا تنوع الحاجات الوظيفية مما ساعد على تداخل وامتزاج اشكال وعناصر تصميمية مختلفة لا تعبر عن البيئة العراقية. مما استبعد ذوق المراة عن المنتج المحلي الذي يعد خاليا من اي سمة وظيفية تع | Contemporary woman's life witnessed a development in women's cloth designs accompanied with the variety of functional needs which helped in the intervention and mixture of different designing forms and elements that did not belong to the Iraqi environment. As a result, the woman's taste was eliminated from the local product which was void of any functional merit expressing the society (women's) sense of taste and its non - association with the cultural heritage originality of Mesopotamia arts and that what made the cloth designer in Iraq pose his designing ideas eliminating and subjecting the Iraqi environment components according to the functional and aesthetic purpose. From this point the idea of studying the research topic (Women's Cloth Designs and Their Relationship with the Environmental Variable) stemmed. The problem was defined as what was the relation between women's cloth designs and the environmental variable in contemporary Iraq? The research contributed through its significance in the following : - 1 - Identifying and studying the effect of the environmental variable on women's cloth designs. 2 - Developing the functional and aesthetic performance among the designers of texture factories. The research aims included the following : - a. Revealing women's cloth designs through their relationship with the Iraqi environment (items of natural, social, cultural and heritage environment) in conformity with the utilizing function. b. Defining the constructive designing relations suitable in women's cloth designs. The research limits were specified by addressing women's clothes produced locally in texture factories that belonged to the country within the period (1980 - 2000). The second chapter dealt with the theoretical frame including four sections. The first section was (The Variables of the Iraqi Environment through History and Their Impacts on Women's Cloth Designs), the second one (Cloth Designs through Historical Ages in Iraq), the third (The Cultural Heritage and Folklore in Iraq) and the fourth (Constructive Relations in the Designing Unit). Then came the indicators of the theoretical frame and previous studies. The research procedures were defined within chapter three by following the descriptive analytical method of research population which mounted (60) models of the productions of Iraqi factories and establishments for women's cloth designs. While the sample test was purposive mounting (20) models. As to analysis tool, it was represented by the analysis form according to the scientific method and then the analysis of sample models and their discussion. Afterwards, the research results were arrived at, the most important of which were : 1. It was shown that the designer had taken design items from the natural environment rather than from the items of social environment and the mixture between both environments in one design was clear. 2. The absence of the cultural factor and the cultural awareness in women's cloth designs, especially at North region. 3. The facial formal non - adjustment was shown with the functional performance. 4. The weakness in activating the role of constructive designing relations (elements, bases and relations) in a way contributing in attracting the learner (the woman). Whereas the recommendations were : 1. Taking care of continual developments in cloth designs basing on the cultural heritage and reformulating it in a contemporary style characterized with novelty and originality

البعد الثالث للاشكال التصميمية وتطبيقاتها في اقمشة الالبسة الجاهزة == The Third Dimension of Designing Forms And Their Applications In Ready - Made Clothes

Author name: نسرين محمود محمد الجاف
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The design of readymade clothes is regarded as one of the arts which man is involved in functionally and aesthetically. Research in the design aspects is regarded as an important objective after the technical developments began to emerge which covert many of the aspects and search in the aesthetic aspects required from the designer to possess and taste and the ability of imagination and employing the imagination the units forming the general shape in coordinating an integrated image. This is because the designer in general and the textile designer in particular is in need for special features and innovative interventions to enrich and give more of new means to take that lies in his ability to effect the sensual receptors through organizing the expressive meaning in new contexts.The researcher preferred to make use of the third dimension which is regarded as one of the techniques in the setting off of the artistic and designing through the methods and the techniques. The proposes of defining the third dimension which require the investigation and research of its concept as an effective dimension in the design of textile so that the designer could make use of it in his or her designs. In order to arrive at that thing, the researcher found the necessity of understanding the third dimension and tackling third dimension in her research entitled (The Third Dimension of Designing Forms and Their Applications in Ready Clothes Textiles).In this starting point, the researcher posed the following questions as follows : 1 - Can we make use of the methods of achieving the third dimension in the designing forms?2 - Are there possibility of applying these designing forms in the textile of the readymade clothes that would promote the aesthetic and functional value for the receptor?The present study aims at revealing the third dimension of the designing form and putting suggestions for the use of third dimension and applying them on the readymade clothes. The researcher tackled the readymade designs and the printed firs of multiple origins the period 2013 - 2014, after that three concepts were posed to define each term.That what was discussed in Chapter One of the study consistent in the four chapters.Chapter Two contains the theoretical framework and the previous studies. It includes three inquiries; the first inquiry includes the features and methods of third dimension in design, the second includes the three - dimensions deigning figures and their showing applications, while the third inquiry includes the artistic techniques of third dimension for readymade women apparel. Then, the researcher tackled the most important indicators on which the theoretical framework was based and the previous studies.Chapter Three includes the procedures; the researcher followed the descriptive approach in analysis and the experimental approach in the presentation of the suggested designs. The research community included (60) various samples of the printed readymade women textile of which (12) samples chosen by the use of the random selection in rate 20% out of the total samples. The tool of this study is represented in the analysis form according to the scientific approach. It was displayed on experts concerned with textile design to acquire the apparent validity. After that the samples were discussed.Then, Chapter Four tackled the findings and conclusions of the study, the important findings are the following : 1 - The showing techniques has a role in revealing the illusive and real third dimension in the readymade textile in which the digital printed material played a main role. That helped to attract the attention.2 - The style of design represent the significance of the expressive forms, between what of real, abstract or geometric, from which the design is set.3 - The achieved third dimension as geometric form is related to the effectiveness of the luminal values which reflect the transformation of forms on the surfaces from two - dimensional to three dimensions, through the high contrast between the forms and their functions.4 - More than one methods were combined in showing third dimension inside the textile space which has become effective in the functional and aesthetic aspects.5 - The use of third dimension revelation methods in various forms and ideas.6 - The contribution of the digital processing in the treating of two - dimensional and transforming them into three dimensional is a more inevitable matter to arrive at achieving the form to achieve the formative manifestation.Chapter Four includes the suggestions and the recommendations : 1 - The stress on the role of digital technology in the field of textile design, and keeping up with the up - to - date software and employing them in the art of design of textile.2 - Caring for the deduction of the abstract forms and briefing the parts and using the uniform for male and female.3 - Taking into consideration the factor of technical the choice of forms to suit.4 - Taking interest in the chromatic values and he shade grades to deepen the conceptual aspect in the materialization.The researcher suggested : 1 - Making a comparative study between the three dimensional designing and he two - dimensional.2 - Studying symbolic designs of the national traditions in the formation of the cultural dimension.This chapter includes the suggested designed carried by the computer of (14) suggestions which are adopted for readymade clothes textile
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