الممثل بين منزلة الشخصية واختلاف الاداء في العرض المسرحي العراقي == The Actor Between Personal Status And Performance Differences In The Iraqi Theatrical Presentation
Author name:
سلمان مزهر ديوان
Supervisor name:
عبد الكريم عبود كريم المالكي
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Directing and Acting
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T1221 - p.pdf
Abstract:
في هذا البحث استعان الباحث بالعلوم المجاورة لفن المسرح، فقد استعار من علم الاجتماع مصطلح (المنزلة الاجتماعية) واختلاف الدور لياخذ هذا المصطلح مديات واسعة على مستوى الشخصية المسرحية والاداء التمثيلي وفق المتغيرات السلوكية التي يوفرها متغير المنزلة، وقد جاء | The researcher has been used similar science for the Performing Arts in this research, it has borrowed from sociology term (social status) and the different role to take this term ranges and wide to play the personal level and performance analog according to behavioral variables provided by the status variable that has been said about this research (actor between personal status and differences in performance in the Iraqi theater performances) to get to know the reality of performance variables when the Iraqi theater actor through discovery of core of behavioral act for personal between its status and its role differences.The research is contains four chapters : the first of which included a systematic framework of the research problem and the need to Research based on the following question : How can recognize the different between the personal status and role? What are the ways to diagnose and performance, and how to be submitted by the Iraqi theater actor? Then the importance of research and its goal, which is determined to identify the difference between the status of the personal actor the performance and role in the Iraqi theater performances.The limits of Research spatial confined in the presentations of the capital Baghdad, theater, and temporal, which is determined in the eighties of the twentieth century, the objective limits, it focuses on the study of performance variables representative of status and personal role in the Iraqi theater, and then determine the terms, namely, (status and personal).The second chapter (theoretical framework) it contains three sections : Section I : (personal status between concept and engaging) and touched the researcher to clarify the concept of social status in sociology and then how he quit in human life. The second topic : (play between personal status and the different role), in which the researcher deliberately to dive into the world of the scripts, trying to investigate and demonstrate the different roles across arent social status of the character drama. And the third section : (performative method in personal status), which was addressed to the main performing methods in the art of representation variables (Stanislavski and Brecht and Mirjuld), as well as some other recent performance tests, to demonstrate the performance variables have changed as a result of Representative status.The third chapter (action research) has included the research community and to identify the sample felt that the researcher to be intentional selective, then search tool, and the research methodology and method.Finally, the sample was focused on analog performance for a number of Iraqi representatives in the following theater performances analysis : 1. His Excellency campus.2. good human.3. between the owner and owned Leaver lost and forsaken.4. Black and white.While the fourth quarter results included and discussed on the basis of what has been reached in the sample analysis, including : 1. Combining analog presentation performance to reach the performance difference according to the requirements of personal status and the different role change, as in the performance of actress (Salima Khudair) in the theater (wife of His Excellency). 2. Adoption of Representative on the idea of hiring a mask full membership (physical and moral) as a principle of behavior to reflect on and jurisprudence change their personal status, which moves in the performance of the personal to the other to enhance the difference in performance, as in the performance of the actor (Mahmoud Abu Abbas) in the theater (between the owner and owned lost Leaver and discarded).Then the conclusions that are related to the objective, recommendations, proposals and then a list of sources and references, and appendices.Finally, Abstract this research in English.
