Share
المتغيرات الاخراجية في العرض المسرحي العراقي ما بعد 2003 == The Direction Variables In The Iraqi Theatrical Show Post 2003 - Period
Author name:
سعد عزيز عبد الصاحب
Supervisor name:
عقيل مهدي يوسف
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Directing and Acting
Degree:
Master
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T1219 - p.pdf
Abstract:
تعتمد المتغيرات الحضارية والانسانية على عدد من المحددات في ضوء حاجة الانسان في تغير معطيات حياته من شكل لاخر، لذا تبعت هذه المتغيرات اشكال الحياة الاخرى ومنها المجال الفني بصورة عامة والفن المسرحي بصورة خاصة، والذي انبثقت منه صيرورات جديدة، حاولت ان تغير | Civilization and human variables depends on many determinants through the need of man for variables through the man need to variable his life from one form to another. Therefore, these variables have followed other forms of life including art in general and theater in particular. That has flowed from new issues which tried to variable the traditional issues in to new ones, which the receiver has not been familiar in their essence. But these are not common among us through intellectual and aesthetic components as well as new techniques that continued to present many reading and perspective (dialectic) for the social, economic and political events within the context of artistic show and with the style and attitudes of directors, as wee as their dramatic and directive attitudes. That is with a direct effect of the political variable on the theatrical structure and discourse.The research contains, in its structure framework - the problem of study - the following question.Has the artistic (directive) variables founded new theatrical traditions on mechanisms of theatrical directive, that we can talk about variation of direction style and vision after opening of new horizons of expression?The impotence of the study lurks in dealing and detecting transitional period from the date of modern Iraqi theatre - i.e post - 2003 according to the artistic direction that happened.The objective of the study lurks in treating and detecting the variables, terms mechanism and styles of the Iraq direction in the post - variable shows.The theoretical frameworks were confined in two inquiries, the first shows the directive perspective and the ideological transformation of the modern European theater IN Germany, England, Ireland, Russia, and playwright and their theatrical perceptions and readings of the social, economical, and political realities as well as the uprisings and coupes and the consequential effects.The second inquiry deals with the directive attitudes and variables in style in the Arab Theater post - 1967 war in Egypt, Morocco, Syria and Lebanon in openness on the directive forms, scripts and the scenegraphical techniques that were invented in the post war era.The comes an inquiry about the finings of these two inquiries until we tackle the previous studies and their relation to the title, and inquiries of the thesis, the Direction variables in the Iraqi Theatrical show post - 2003 period.The third chapter is procedure of the thesis. the inquiry stars with directive tendencies before the change 1992 - 2002 which unfolds the directive tendencies and attitudes in relation the delaing with patterns of performance and the stenographic forms before change.The sample of the study was chosen randomly out of the research community for having resource, reference, photographs, CDs, and the printed texts and the shown scenes of the live shows.The samples were : 1. the play of this life triumphs.2. the play Ali Al - Wardi and Hi Rival.3. the play Death and the Virgin.4. the play curfew.5. the play pawns.6. the play hatchback of new terdam.7. the play dream in Baghdad.In the descriptive approach in analyzing then above sample, in the fourth chapter, the research what he finds out in the conclusion as well as an index of the recourse and references an abstract in English
