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تحولات صورة الجسد في الخزف المعاصر == Converting The Image of Body In Contemporary Ceramic Works

Author name: علية محسن عبود الصياد
Supervisor name: انغام سعدون طه العذاري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: لعبت صورة الجسد في الفن دورا كبيرا ومهما في تطور الفكر والمعرفة الانسانية، وساهمت تحولات صورة الجسد التي اعتمدت الازاحات الكبيرة في تاريخ الفن بافراز تحولات في الاسلوب والية طرح صورة الجسد في مختلف البنى التشكيلية والتي تضمنت الابداع كاحد اسس هذه التح | The body image in art has played a major role to develop the thought or mind and human knowledge, and the converts of body image has contributed to depend on large displacement in history of art to sort the innovation as one of bases to this conversions the body image has moved in the art of pottery in side the mechanism of its matter and the style of it forming and technical style to take its specialization to be emerged to rests of Arts. This abstract includes the study of matter of conversion of body image and recognize its specification in contemporary Iraqi pottery that includes four chapters.The First chapter contains the problem of Abstract and its wondering and an importance of abstract and then its aims upon the observation the important conversion of body image in contemporary Iraqi pottery, and then the boundaries of time abstract that limits (1970 - 2010) and place, then specifying the terms, upon to the need of abstract and process identifications, bet the second chapter that has been divided to three approaches, in the first part of first abstract talking about the confirmation of philosophical and intellectual concept of conversion, in the second part it has been specified to a concept of body image that contains philosophical concepts for body and throw the light on it, at the second approach the showing was made for conversion of body image in art in civilization to deals the body image in ancient Iraq. The body image in Egyptian arts, the body in Greek arts, the body image in Islamic art and its conversions, and Abstract continues to reach the third approach to deal the conversions of body in contemporary pottery. But the Third chapter has been specified to the procedures to select that society, specimen, the tools of sample classification, the tool of analyzing and its concept and then analyzing the samples that have been received to five samples (inspire body image symbol body image, advertising body image, pragmatic body image, realistic body image) have been classified upon to the sample classification tool and its specimen. At the fourth chapter, the results of abstract and its conclusion and recommendation and suggestion, have been acted, and then English, Arabic references, appendixes and images and the researcher has reached to the numbers of conclusions are : 1. It has been appeared significant cross and time cross to appear the body image in potteries that exchanged that emerging and absence upon to the social, intellectual stresses to move to body image to another and from idea to idea.2. The searching always about obscured intercepting beyond the concept and referring to another concept and those referring subject to intellectual, social environmental potteries.3. Body image subject to references either Rafidain it mean old Iraq thought, the order the references of Islamic thought, the order the reference of Islamic thought and oppress to borrow the symbol, inspire, and borrow by color, shape and the style of formation some times, or contemporary references inside modern art school.4. The mythological borrow animal ports for example the horns, feet of birds, wings, and heads of animals upon to the partial idea, where this body becomes alternative body.5. Denoting the image of body for man and woman together a mostly to appear in front of you in pottery samples to indict the human social sense of contemporary Iraqi pottery.6. The abstract shapes performs to play inspiration with mind and sometimes it does out recognize between the shape that takes fake shape and the body is absent, so, the body in case non concisions will be a bent incase of naked form and the surface of body try to expose it by many significant ways methods.7. The web of bodies and clothes stretch to the analyze long and contemporary pottery analyze long and contemporary pottery formation to emerge the body image by different meaning or significance.8. The body image has become a special sign denotes with discontinuing that does not be appear only for special environment or an idea (Death, Birth, the relation ship each other) and continuing the advertising about a case or an idea.9. Borrowing the body image natural shapes to emerge in it and contain grovel and rocks and trunk of tars, color of soil to execute that image in contemporary pottery.10. The fertile body image converted to advertising body image and alternative body image and typical body image inside the beauty specification (style women) and body building a modern idea.11. Pragmatic body image subject to the relation of pottery with received to show the achievement, those carvers, the mind and message that will be in received boundaries and interact with him by borrowing the human, social and enliven mental meaning or vocabularies.

التمثل الشكلي في رسوم فخاريات عصر ما قبل الكتابة بالعراق القديم == Formal Assimilation In Pottery Paintings of Pre - Writing Age In Iraq

Author name: اسعد مطر خليل العزاوي
Supervisor name: انغام سعدون طه العذاري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ساهم الفكر الرافديني في البناء الحضاري للانسان والذي تجلى بانجازات مهمة على صعيد الفن والادب والعلوم، فقد ابتكر الفخار والاختام ثم ابتكر الكتابة وطورها، وابتكر الدولاب اليدوي والعجلة وعرف الرياضيات والكيمياء والتنجيم وبرع في هندسة المدن والابنية والمعاب

النظم السريالية في الخزف البريطاني المعاصر == Surrealism System In British Contemporary Pottery

Author name: احمد عودة نايف
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Surrealism appeared as literary and artistic movement from very beginning of the year 1924 which disclosed of the first statement by Andria Briton who was regarded as the inheritor of the movement. It used some of its techniques , besides its affected with roots that established for this movement.Therefore the characteristics of this movement were regarded that it did not practice mental control due to the absence of actual sense.Also conceive aesthetic and moral aspects in far away embodying from as familiar one and different from reality , besides its affect with Fraud modern school and what Fraud discuss about dream, dreams and psychological analysis which allow the Surrealism to for expression about information of their artistic experiences according to visions and directions reflect by its concept and characteristics that tend to gather between the reality and below reality.Confirming upon reflex hallucinations and delirium which was regarded by the Surrealism like wake up process resulted from imagination of the artist who has special presence and works ,. Therefore the Surrealism when it call for destruction of criteria and classic traditions , it aimed at creativity and more developed frameworks. By criticizing the reality and leaves awareness and reflex feeling ,it is related to that movement Founded by the inevitable shake in artistic trends.The renewal of logical system rather than others of philosophy and contemporary artistic trends ; therefore we found that Surrealism nowadays increased its importance and earnestness as in other contemporary arts and trends to understand our new world. Surrealism as term has passed the stage where it was rejected by the earnest critics who regards itfunny ,now it is one of the most great modern artistic and intellectualmovement in which its thoughts affected distinctly at many artists in modernization period and then.Accordingly the researcher specialized the first chapter to explain the problem of the research and what is the stylistic systems in contemporary British pottery ,then define the importance of the research and necessity of such researches in order to know new styles in Surrealism art which has clear vision embodied in contemporary British pottery ,then the limitation of the research which was represented in : - Objective limit in Surrealism , criticism theories and new philosophy , starting point and references of contemporary British pottery. - Time limit in contemporary British pottery ; from 1970 - 2014. - The spatial limit : the machinery of operation in execution of pottery production in the country of the study - British besides specifying the terminology in the research titleThe researcher displaying theoretical intellectual and philosophy frame in the first category identifying the Surrealism formation and its changes in fine art post modernism the roots impact in the general structure in the Surrealism formation and what generated of works incarnated in Mesopotamia and presenting the text in symbolic structure, besides the pharos arts and what they presented of creek arts of analyzing processes and structure in the human and animal body also the art productions(Jerome Bush) which Surrealism sustained a lot of their characteristics which impact clearly and effective in modern Surrealism art and the second category in Surrealism and its transformations in modernism formations and after it which influenced by Existentialism and the physiologicalCanalyzing school especially Freudian thought and intellectual analyzing presented by Friedrich Nietzsche depended by Surrealism as fine art and its theories theoretically entirely and the third category disclose the starting and references and the Surrealism systems in British pottery which effected directly in develop and advance of British pottery leads to broad uses Surrealism - oriented confirmed by the modern period artists in their incarnation of the pottery product which the researcher depended in his research based on indications from which theoretical frame as a tool of analyzing the sample.As for the third chapter represented by the research procedures as follow : - The research community and its sample, then the research approach in which the research sample within the research community for the British potters according to time limit ( 1970 - 2014) and the sample was chosen deliberately consisted of eighteen pottery works and disclose justifications and method of analyzing the sample and the researcher depended the descriptive analytical approach for its consistence with trends, and visions of the immediate research depended on indications of theoretical frame mentioned in P.( 115 - 117)In the forth the researcher achieved the research results reached via them to disclose the Surrealism systems disclosed by pottery works represented by sample analyses and reached conclusions and suggestions then list of Arabic and Foreign sources and references lists and abstract in English language.

المقاربات الشكلية بين الخزف المعاصر والعمارة : دراسة تحليلية مقارنة == Formal Approaches Between Contemporary Ceramics And Architecture (Comparative Analytical Study)

Author name: زينب صالح عباس البيرماني
Supervisor name: صباح فخر الدين عبد القادر | زينب كاظم صالح البياتي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: To understand what the role of the arts in general, and particularly Fine Arts of purposes, one must know the methods of implementation of social relations, historical and cultural of this era, And that they are different from each other, but they remain interconnected we see through the mutual influences between ceramics and architecture, Thus, we find that certain artistic traditions new. In art, including give the value of knowledge and formality with human consciousness, But was a reflection of the cultures of the peoples through secreted Through its productions pillar and porcelain which clearly through its productions pillar, which clearly indicates porcelain asymptote of architecture in terms of its external form which requires research and follow - up to identify the nature of the public to what is in the achievement of this study. Indicating what it takes research to find out the nature of America's cultural. He explained that through the extrapolation of its artistic product as a put forward image prevailing business now.Deals with research in this area of formal approaches to ceramics and architecture, the study determined works ceramic artist who lives in America since the seventies of the twentieth century. Necessary research to know the historical roots of both the statement of one to the other affiliation.The study included in this four chapters, are meant to cover specific objectives of this study. Which included the first chapter, which contained a research problem in determining the formal approaches to ceramics and architecture to know the effects of styles and the overlap between them, Could help in the development of indicators illustrate the features of American art during that period, and determine the specificity of the ceramic artwork. And this chapter is also included on the importance of research and it's needed, As stated in the problem of the vertebrae directly on the nature of thesubject, was also presented research to identify targets on formal approaches and identify the formal specification implementation approach to the work of ceramic and architectural picked, Which is within the limits of the search, and determine the terms contained in the search task, and also included similar previous studies and our search nearby to study this.Chapter Two included the theoretical framework. Where conceptual framework is divided into three sections : the first intake form. And discuss the general concept of the shape, then known in the art form has been to clarify the specific form content, and translated the language of expression through formal organization, defined the trends and shifts the art form over the ages.The second topic included a brief definition of the architecture through a brief history. Architecture modernity included at the end of the nineteenth century and architecture between the wars, as well as the experiences of some style architecture Globally Harmonized System, and Building late modernity and post - modernity. Has addressed the characteristics and advantages in the form of trends and currents and architectural schools, which is important to us in our research.The third section has dealt with a brief definition of the American Ceramic through a brief History, also addressed a comprehensive study to identify the morphological transformations of the American Ceramics.Included Chapter III action research, which was how to gather the research community and the selection of the sample under study it and methods and tools for gathering information, and the statement of the style of presentation of a study and analysis of samples of the research and a table showing the aspects of convergence and divergence between ceramics and architecture in a clear and explicit. The researcher chose «25» contemporary ceramic sample of American potters from the consideration of the community ceramic model for its approach with «100» Building a global intended choiceIn the fourth Chapter, the researcher concluded several results, including : ? show formal approaches between ceramics and architecture and clearly by the engineering construction output through the employment of straight and curved lines, or dashed lines cross, divide the surface of the internal or external shape determines the overall shape of the unfinished ceramic and architectural.? Almost ceramic forms by architectural configurations employ colorimetric surfaces and touch on the outer surface, between the ceramic body and architecture by employing color.? Converged ceramic formations and architectural style in terms of inspiration and artistic trends including intentional and serves the goal of the search.? Sort samples for analysis approaches in the recruitment of internal space and the ocean in the form.? Selected samples showed precedence on ceramic architectural achievement in terms of the time period.As well as search included conclusions that were built according to the results, including : ? Technical trends in the completed form of reference and ceramic pro forma basis approached them and some of them contemporary architecture configurations.? Ceramic figure appeared aesthetic goals by employing the same technical elements that it contains elements of the body of architectural done. In spite of the different sizes of between Achievers ceramic and are excreted architectural aesthetic self - goal in the formal composition of the three - dimensional models.As the researcher has developed some of the recommendations and proposals. And the search ended with a list of sources and references, and appendices and summary in English

تمثلات الاشكال الواقعية في الخزف العراقي المعاصر

Author name: عباس حمدي بكتاش
Supervisor name: فاروق نواف سرحان العيساوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: من خلال تتبع التجارب المتنوعة في مجال الفن التشكيلي العراقي المعاصر بين المحاكات التقليدية والموضوعية والتجريب في عوالم لا المرئية من خلال الاستعارة والتوظيف التعبيري عن مضامين الكامنة وراء الاشكال للخروج بعمل فني فرادي الرؤية تحقق متطلبات التجربة الذاتية | By tracking different experiences in the field of contemporary Iraqi art between simulations and traditional objectivity and experimentation in invisible worlds through metaphor and expressive employment for the overlaid of the underlying shapes to deliver an art with an individual vision that meets the requirements of a subjective experience,from which emerged forms and methods based on significantly open suspicions with realistic resultes which are surrounded by a lot of mystery assignored those shapes to a mythological paths , which launched the research problem. in this study , the first chapter dialed with the problem and its significance by adding introductory approach about realism and its new directions in the contemporary Iraqi porcelin art and highlight the trends that have emerged and had taken wider area in the framework of realism to the goal to be achieved by the research.The second chapter of the research,in the first part dealt with the sensible and un sensibl in art and establish the link between the human and the presence with concepts of material by the spiritual from the other side , and between them and the aesthetic expression and artistic for that link , through philosophical compititions and the vagaries of social reflected on this dialectical Booze founding spirit concepts reality in general, and addressed in the second part, and at length , addressing the concept of reality and realism. giving difinition of material reality and objective reality and knowledge , a departure for a clear vision of reality after the presentation of views and debates in which , creeping to the foundations of realism then to the cultural phenomenon and art through the depiction of the realities of existence and melodious received from those facts it portrays life in all of its differences and balances.After that the third section started by the presentation of realism and trends in the art of contemporary exhibitors to approach realism in art that has taken place and the range of between curriculum afterlife through association with life and the capacity of the artist from the jaws of blades actually rebuilt and installation and turn it to ideas according to the processes of analysis an synthesis , and new ideas which resulted in actually studeing the reality deeper and more contemporary that gave the trends varying in their concepts of realism of the most important neo - realism and socialist realism and magical realism , otherwise expressionistic and surreal and excessive abstraction and other trends that are generated Retracted this concept spaces wide range of concepts , from here , we find that the Iraqi artist in dealing with realism which we can see in his works, that was dealt with in the fourth section ,The contemporary Iraqi porcelen , in terms of realistic or not, and the use of icons and realistic shapes. The measures included in the Chapter III of the research for the descriptive analysis of the work and that has been selected (11)sample of from whitch results and the conclusions reached by the researcher. lastly there were the recommendations and proposal summary.

عينات المجتمع الاصلي للبحث الموسوم بـ الشكل ودلالاته في الفخاريات والخزفيات البابلية والاغريقية : دراسة مقارنة == The Form And Its Significance In The Babylonian And Greek The Pottery And Ceramic

Author name: كريمة هاشم محمد البيضاني
Supervisor name: زينب كاظم صالح البياتي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: في البدء لابد لنا، ونحن نخوض في مضمار بحثنا الحالي من تحديد موضوع الشكل والدلالة وتعيين موضوعها المقصود في الفنون بصوره عامة والفنون التشكيلية والفخار والخزف منها على نحو خاص، ولابد من تحديد مفهوم الدلالة ومعرفتها لارتباطها بالاشكال ومضامينها من خلال التا | In the beginning, we should delve in the determination of the form, and the significance of our research and determining what is meant by arts in general and plastic arts, including ceramic, in particular. We should also determine the concept of significance and its correlation with form and content through the exchanging effect between the signifier and the signifies. This connection can be explained through the visual discourse, especially what is implicit in the metaphorical pressures and what they pressures produce like religious dictorine, mythological, social and political which the natural and civilized environment has produced for Babylon and Greek. The study tackles in this field the form and its significances in the Babylonian and Greek ceramic and pottery works. The study was limited to the Babylonian and Greek ceramic and pottery works of art, specifically the Babylonian ceramic and pottery of the two old periods (1595 - 2004 BC) and the Hittite period (627 - 601 BC) and the Greek ceramic and pottery in the century (1800 - 500 BC). The study includes four chapters which cover the determined objectives. It includes : Chapter One : the methodology frame of the study which is based on the problem of study that is represented in the achievement of the Babylonian and Greek ceramic and pottery artistes how the internal and external pressures has affected the understanding of the significance of meaning of the form system in the Babylonian and Greek civilization and the external pressures like the culture and regions and politics which contributed to the foundation of indicators that satisfy the form and its significances in the Babylonian and Greek ceramic and pottery works through the period of the study. In addition to that, the chapter includes the importance of the study and the need for it according to the direct items in nature. It is important to point out that the study includes previous studies because there is none. Chapter two includes the exposition of the theoretical frame in three inquiries : The first inquiry tackles the concept and meaning of the general concept of significance and then defining the significance philosophically and then describe then according to the formal concept (iconic, symbolic, referential). Then, the significance and its reading were applied. The second includes the referential and intellectual pressures in the plastic arts of Babylonia. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Babylonian pressures are also illustrated. The third inquiry tackles the referential and intellectual pressures in Plastic arts in Greece. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Greek pressures are also illustrated.In Chapter Three which illustrated the procedures of the study represented in how to detect the society and choose the sample, and the methods and tools for data collecting and analysis. In addition to that, the researcher prepared diagrams in which some of the significancs have been form and matching them. Finally, the community of the study through the sample of the study which includes 12 samples varied between the Babylonian and Greek ceramic and pottery works out of 180 Babylonian and Greek earthworks. They were purposefully chosen using the assistant specialized professors in the field of ancient pottery like Prof. Dr. Zuhair Sahib in addition to the assistance of Prof. Dr. Majid Na’fa Al - Kinani. In chapter four the study comes up the following findings of the study which can be summarized as following : * The significance of the forms in Babylonian and Greek ceramic and pottery works are clearly reflected through the realistic forms and the organizations which represented in iconic and symbolic forms. Also, we found some unrealistic forms like the compound and abstract forms to represent some forms with significance the ceramic and pottery works. * Some significance has come with purposes of completing the level of the colorful functions on the level of Babylonian and Greek forms. * Ceramic and pottery works revealed the inspiration of natural themes and effects on pressures through which can artistic tendencies. The analysis sample analysis of ceramic and pottery works resulted in approaches in the significances.Finally, the most important conclusions of the study are tackled and based on that the researcher put some of the recommendations and suggestions. Then, the study ended with a list of references and resources.

استخدام تقنية العجينة المصرية (Egyptian Paste) في انتاج اجسام خزفية مزججة == The Using of Egyptian Paste Technique To Product Glazing Bodies

Author name: نبيل مصطفى محمد الركابي
Supervisor name: احمد هاشم عبد الكريم الهنداوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث استعمال تقنية العجينة المصرية ( Egyptian Paste ) وخلطاتها ذات اللدونة المنخفضة في تشكيل بنى باحجام وابعاد واساليب مختلفة باستعمال خامات محلية وانتاج رائب زجاجي يطبق على الجسم الفخاري ضمن مدى حراري تتراوح بين ( 850 - 950مه).تم استعمال سبعة | This research deal with the technique of Egyptian Past and it's mixtures which have low viscosity in forming built in a different sizes ,dimension and styles by using local raws and produce slip glaze stack on the pottery body through temperatures between ( 950 - 850c ). We use seven local material included sand (Arzama) ,Cawolen (Dwelka),Calcium carbonate(AL - Jabha)Bentonite and unlocal material included Sodium carbonate ,Sodium bicarbonate, feldspar soda added in different ratio after sieving and grating and chemical analysis to determined the properties and the continent of materials added to five mixture managed from references and internet adjusted according to researches s' aims.We evaluated the results and select the sample of researches from the whole models depend on researches s' aims and we made several tests on the sample s' models such as plasticity test, efflorescence salt test, porosity,absorption , density , linear shrinkage ,hardness, scratch hardness of surface,the analysis chromatic , glaze surface topography , formula units.From tests we know that the rise of clay ratio to (30% - 45% ) increasing Plasticity and produce body in a different dimension and the rise of water percentage to a specific level produce slip glaze stuck on pottery body beside using of alternative feldspar made suitable results and the rise of Fusing material ratio led to reduce porosity , absorption , density increasing and forming bound body.and the mixtures s' glaze appear so opaque in spite of ratio of (R2O3 - RO2 ) produce transparency glaze. The reason of darkness is the adding of colored oxides (RO ) group to earthenware glaze beside silica percentage (Higher than the equilibrating ) and gasses resulting from reaction. The slip stationary on pottery body depended on paste texture and body pores ability to absorb liquid and salts which work after firing to fix slip on the body , and the appearance of glaze on surface depended on self glazing of mixtures s' contents and ratio of efflorescence salt weight which reach to surface , beside the heat s' effect on surface

البعد التعبيري لبورتريه الخزف الاوربي المعاصر == Dimension Expressionist Portrait of Contemporary European Ceramic

Author name: مياده حسن مرهج الكعبي
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: دراسه قائمه على التنقيب عن المفاهيم والاصول في قيام العوامل التكوينيه والعليا والوظائفيه بهدف تاطير الانظمه التعبيريه للخزف الاوربي المعاصر. فالتعبيرية الى جانب بواعثها الفطرية لدى الفنانين بما تحمل من دلالات الابداع الشخصي, تنقلنا ايضا الى الحاضن الخارج | Based study exploration concepts and assets in the textural factors and upper and functionality in order to framing regulations expressive of European contemporary ceramicsExpressive motivation along with artists including fungal afford connotations of personal creativity, also Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureake uArtist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitures outside the custodial culturally, and culturally.Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureNow that seen in the art of portraiture European porcelain contemporary offsets Azha and implications in the context of technical and stylistic and aesthetic implications revealed thought Alheiomana which still governs taste new milestones keep pace with progress.from here it seemed the emergence of diversity Graphic showing expressive portrait rights of the reality of cross - fertilization between the past and the goal thought Alheiomana and between the paths of renewal in the framework of modernity and onwards to praise the subject of portraiture new formulas dimension expressionist despite control of quantitative models of the products of different kinds, but the employers doctrine clastic had reached a dimension expressionist the legitimacy of the chaos emerged a clear relationsformalism the most profitable products in portraiture to find this topic rationale for the present study to decode meaning boarder behind diversity in crafting dimension expressionist for portrait porcelain European contemporary in light of the sensitivity of the artist and the expression and contain the aesthetic as well as read the shifts shapes depending on the subject matter of his face and the services of hand in a time of as the body of contemporary portraiture relationship dimensions syntheticAllow to be exploited for artistic expression through various technical treatments in addition to the presence of attributes and Graphic sculptural portraiture of contemporary ceramics from functional integration and aesthetic and associate with everyday life.ln light of the foregoing researcher assumed possession of European porcelain portrait of contemporary characteristics and dimensions of new creative expressive phenomenon influenced the art of modernity and its aftermath a lot of artistic and aesthetic concepts.and offers a researcher fragile study in four chapter included the first chapter the importance of research problem in dimension expressionist porcelain portraiture European comtemporary, have been identified in this chapter bending search time period 2014 - 2000this addition to identifying procedural came in this chapter for the most important termsbasic searchthe chapter has two within the theoretical framework, which included three sections pertalning to contemporary European ceramic portraiture.first research : expressive elements in the art of portraiture and supplements the body. section twante : first concept art of potraiture in formation section third topic of prtraiture contemporary ceramics. the fourth topic : methods of forming ceramic portraiture and techniques. As the third quarter came from search procedures for the busy professionalcontrolled by research community and appointed the fourth chapter select to discuss the results derived from the analysis of samples of research and including checks of this research and included from this study, which ended in a pri acy statement ceramic portraiture European contemporary in terms of its distinguished presance as the value of art and aesthetic affecting the various arts era and in accordance with the regulations , which relied on businessman and big goals in the history of art and ask him pictures of the body.

التطبيقات الجمالية والتداولية للخزف المعاصر في العمارة العراقية == The Aesthetic And Communicative Applications of Contemporary Ceramics In Iraqi Architecture

Author name: علية يونس ثجيل
Supervisor name: بلاسم محمد جسام
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The research sets to study the relation between Ceramics and Architecture.It concentrates on functioning Ceramic murals in Iraqi Contemporary Architecture, and the link between these murals and the internal and external spaces of the buildhings that make use of them.Ceramics has special artistic chara - cteristics that make it a significant entity and present it as an independent artistic genre. Because of the close symmetry of Ceramics with Architecture , many artworks have been produced that transfer Ceramics from beneficial and functional fields to the horizons of creativity and beauty and enable Ceramics to make aesthetic formative relation and produce transformations in the disciplines of shape and genres through the use of metaphor and symmetry Language among arts.This is resulted from the artists endurance to create aesthetic transformations in shape ,so categorizing has appeared between Plastic Art and Architecture since the thirties of the last century with the appearance of (Bauhaus) which seeks to integrate arts with each other and with other genres. The study deals with the functioning of Ceramic murals on inner and outer Architectural entities. The study has three chapters ,which involve covering the aim of it.The first chapter deals with the problem of the study and aims at finding out ,whether Ceramics has an effective presence in Iraqi Contemporary life ,and the extent of its applications on this level, and if there is a culter of reception and communication of this art.The chapter also includes the significance of the study, and the aim of it which tries to find out the communicative and aesthetic applications of Ceramics in Iraqi Contemporary Architecture Sections.It also states the Locative and periodical limits of the study. It presents the experimental definitions of important terms. The second chapter includes three sections ,the first one deals with the references of Iraqi Contemporary Ceramics.the effects of Mesoptamia civilization , Islamic Arts and world Art on Ceramic productions.The second section deals with "Ceramics " from Modernism till Contemporariness, and the periods that pass over the total plastic Arts and the changes that Modernism and PostModernism have made in form and content and the installation of shapes and the effect of that on world Ceramics generally , and Arabic & Iraqi Ceramics , specifically. While the third section deals with "Ceramics" in Iraqi Contemporary Architecture , initially from pioneering in Ceramics and the most well - known Ceramics with their stayles and artworks and the functioning of Ceramics in Iraqi contemporary Architecture sections, then the Ceramic murals with their applications on buildings walls and Public squares Regarding Architectural interior, the section deals with the works that made by one artist ,and various cooperative works of many artists.The Ceramic murals have varied in technique ,raw material ,genre , and them & concept. They all unified in the Ceramics inspiration from folklore , Mesopotamia civilization , Islamic Art and the effects of European Art on group of Ceramic murals. The third chapter includes the results and conclusions : I - Achieving architectural environment that has the ability to inspire from Mesopotamian heritage and functions it in murals aesthetically with the addition of modernism forms in Iraq Architecture. 2 - suggestion of functioning of Arabic letter which is considered as a type of refreshing memory towards lettering formation in Islamic arts which has its effect on Iraqi artistic taste on the level of communication.3 - Mesopotamion heritage with its shapes, abstract and symbols has its presence in ceramics shapes which parallel with the materials that Iraqi Architecture has used. As a result it has a kind of symmetry on the level if row materials and reproduction of them.

امكانية استخدام الاطيان النهرية لانتاج انواع من زجاج الخزف عالي الحرارة == Possibility Usage of Clays Rivers To Produce Kinds of High Temperature Ceramic Glaze

Author name: طه حنش سلمان الربيعي
Supervisor name: محمد عبد الحسين العريبي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث امكانية استخدام الاطيان النهرية المحلية في انتاج انواع من الزجاج عالي الحرارة، وقد حددت طينة خان بني سعد النهرية الحمراء، اذ اخذت كمية من الطينة وتم غسلها وتنقيتها من الشوائب والرمال الخشنة بطريقة الترسيب، وحرقت بدرجة حرارة (700) ( كلسنة ) | The research the possibility of using arable land river local produce kinds of glass, high temperature, have been identified Tine Khan Bani Saad, the river red, where it has a quantity of this clay has been washed and cleaned of impurities and coarse sand in a deposition, and burned at a temperature (700) (calcinations) to get rid plasticity of clay and organic matter after what appeared a problem secede from the body layer of glaze pottery at the application stage of drought (before Firing). Were evaluated the results of initial trials by relying on chemical analysis has been attributed Tina to (Unity Formula) to find out the percentage of vehicles and determine the type of treatment, addition, and make up the shortfall, with a number of processors through the addition of materials used in the composition of glass as material modified the sand silicosis (Erdma ) and Kaalin Duejlh and feldspar Iraqi and feldspar Mxidized which was added in different proportions to the clay, and burned models with varying temperature of the three (1230 m - 1260 m - 1290 m), where the effect of oxides of coloring in the installation of clay and a clear transparent glass, and seemed colors green olive to the honey - colored and dark brown.Was conducted several tests on laboratory models of glass, the most important examination of hardness, abrasion resistance and testing, resistance to chemicals, metal detector. Found during the tests and experiments that the most important factors to form glass cooked at high temperatures of the clay used in the research was to balance the rates of oxides falling within the composition according to the law of the unity of the formula (Unity Formula), and found by experience that there is a difference in the fusion of materials and lack of homogeneity and their interaction enough at certain temperatures there is more than a glass phase in the liquid molten glass, and increased rates of added silica and alumina caused the increase of degrees of maturity and fusion, as well as high hardness of glass and its resistance to scratching and acids. As the examination (X.R.D) crystallization of new minerals after all components of the glass melting temperature specified in the search except the temperature of 1290 AD as any metal did not materialize because of a new high - temperature melting and destroying the Shabak and the full crystal glass.

تناسق التقنية والوعي الجمالي في اظهارات الشكل الخزفي == Systematic Between Technique And Aesthetic Awareness In Ceramics Art Works Presentations

Author name: فاروق عبد الكاظم غانم
Supervisor name: سلام جبار جياد السوداني | احمد هاشم عبد الكريم الهنداوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الخصائص التقنية للخزف العربي - الاسلامي في العراق (ق 3 هـ / 9 م - اوائل ق 14 هــ / 20 م) == The Technical Characteristics of Arab - Islamic Ceramic in Iraq (3rd H/9thA.D Century - The Beginning of 14th H /20th A.D Century)

Author name: علي حسين علوان الاسدي
Supervisor name: محمد عبد الحسين العريبي | صباح جاسم عبد الامير الشكري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

الرمز في تكوينات الخزف المعاصر في العراق == The Symbol in the Formations of the Contemporary Pottery in Iraq

Author name: Rana Amir Mukhlis Al- Ghanim
Supervisor name: ناصر عبد الواحد الشاوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الشكل والمضمون في الخزف العراقي 1955 - 1989

Author name: خليل كاظم طاهر
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad

التكوين الفني لفخار العصر الحجري الحديث - المعدني في العراق : دراسة تحليلية

Author name: صباح احمد حسين الشايخ
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
Language: Arabic
University location: Baghdad

اثر نموذج توليفي من التعليم التجميعي والتحكم والاتقان في اداء فن الفخار

Author name: نسرين محمود شهاب الشبلي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad

تاثير اضافة الالومينا الى الخامات المحلية لانتاج اجسام خزفية عازلة

Author name: رياض عبد المجيد معتوق
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
Language: Arabic
University location: Baghdad

امكانية استخدام خامات محلية لانتاج خزف وتزجيج ذاتي

Author name: فوزي عبد العزيز القيسي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
Language: Arabic
University location: Baghdad

الية القوالب الجبسية المستخدمة في الخزف

Author name: رائد محمد جبر ظاهر الجبوري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad

المنتوجات الفخارية البشرية المدورة من عصور قبل التاريخ في العراق

Author name: زهير صاحب محسن
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
Language: Arabic
University location: Baghdad

توظيف الخزف الفني في العمارة المعاصرة في العراق

Author name: عبد الهادي محمد علي العزام
General topic: Fine Arts
Specific topic: Porcelain
Degree: Doctorate
Language: Arabic
University location: Baghdad

امكانية تكوين اطياف محلية لخزف التراكو وتزجيجها

Author name: انغام سعدون طه
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad

التربة العراقية وصلاحيتها للخزف

Author name: حسين بطل وسيج القيسي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad

تطوير البلاط الكربلائي المتزجج فنيا وتقنيا

Author name: لازم حازم داود
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
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