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تنوع دلالات الاشكال المرئية في تصاميم الاعلان التجاري == The Diversity of Semantics Shapes Visual Designs In Commercial Advertising

Author name: ليلى علي رجب العبيدي
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتميز الاعلان بانه قوة اقتصادية واجتماعية لايستهان بها ويعتمد نجاحه على قدرات المصمم الابداعية في توظيف عناصر التصميم بشكل ملفت للنظر يجذب المتلقي الى منتج قد لايكون بحاجة الى استهلاكه، ان اهم الاسباب التي دعت الى اختيار موضوع (تنوع دلالات الاشكال المرئية | Featuring announcement that economic power and social supports his success on the capabilities of designer creativity in the recruitment of design elements strikingly attracts the receiver to the product might not need to consumption, the most important reasons for choosing the subject (the diversity of semantics shapes visual designs in commercial advertising) is the ability of advertising to accommodate commercial designs with various connotations in visual formats, To give commercial advertising regeneration and dazzling ability to continue to acquire the attention of the receiver, who is under dozens of ads a day packed with ideas and images and connotations, but hotshot designer is able to implant the idea in the mind of the receiver to deliver a desired response from the entire advertising process. The search included a summary and four chapters, where the fact that the first chapter, the methodological framework of the research, which included the research problem represented by the following questions : 1 - The Semantic shows diversity in the visual forms only or whether the in the ad business?2 - How Semantic diversity arises through advertising formats across its design and progress of the sensory response and aesthetic towards fees or words in aboard commercial advertising, including advertising ensures speech affect the customer?The importance of research in being important addresses placed a semantic diversity of forms of visual designs in commercial advertising, as it is a point proceed in the field of advertising design and Learners in the Department of Graphic Design. In addition to the limits of temporal and spatial search, objectivity and research community goal of commercial advertisements in magazines and appointed Iraqi who represented the Iraqi network magazine advertising, then the researcher has identified search terms. The second chapter, which included three Investigation handled first section origins and evolution of commercial advertising any announcement date and stopovers on the most important stages undergone by the announcement from oral to written and evolution witnessed after the invention of printing, and new technologies and the impact of the spread of newspapers and magazines on a variety of designs The second part, the idea of design implications and dimensions in the Declaration traders have had placed significance in some detail cross - check ideas advertising, which represent the basic building block in the design, advertising through the shapes visible through (consistency, installation, mystery, clarity.) To form the meaning inherent behind the figure inIn this sense, design disclose the same result demonstrated icon and marks (iconography, symbolism, and indicative) reflects the appearance of the other meaning of her beauty functional verification, The third topic was the visual way and methods of design in commercial advertising, and was the first section talks about the formats of video and how organized according to the specific configuration and employ symbols written and image forms and types and logos in addition to employment chromatography and the rest of the elements (point, line, shape, space) according to the principles of design (unity and Diversity, General balance, repetition and rhythm, contrast, and sovereignty), which operate within a system architecture (focal length, radial, linear, synthesis, reticular, circular, random Speaking section to the methods directorial design mismatch image or cartoons or writing or combines more than style and all that in order to achieve the purposes of design to announce commercial next career and expressive and aesthetic, then the indicators that emerged from the researcher of the theoretical framework and previous studies that touched in one way or another study researcher then comes the third chapter which deals with procedures for research and analysis of the sample intentionality a group of ads in the Journal of the Iraqi network and discuss the results, which was the most important : system architecture (focal length, radial, linear, synthesis, reticular, circular, random Speaking section to the methods directorial design mismatch image or cartoons or writing or combines more than style and all that in order to achieve the purposes of design to announce commercial next career and expressive and aesthetic, then the indicators that emerged from the researcher of the theoretical framework and previous studies that touched in one way or another study researcher then comes the third chapter which deals with procedures for research and analysis of the sample intentionality a group of ads in the Journal of the Iraqi network and discuss the results, which was the most important : 1 - domination formalism based on the total area of occupancy Advertising exit conclusions, including that the semantic diversity does not respect the idea, method, or purpose, whether aesthetically or functionally, but that diversity holds in all the design process.2 - The perceived importance of the logo in advertising for each product being a commercial adds meaning and value of Advertising in the expression of his identity and a sign of trust between the consumer and the product.There were also recommendations for the researcher including : 3 - The designer uses label (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.4 - The designer uses the mark (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.Proposals5 - The designer uses the sign (symbol, icon, signal) in advertising design elements to demonstrate the commercial product because it tightens the receiver and it connects the idea of substance that particular day became tired recipients simplified format is clear.

ماهية النظام الكامن في فعل التصميم للاعلانات التجارية

Author name: دنيا محمد عناد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعنى هذه الدراسة اهمية لايجاد صلة مبدئية نظرية في بناء النظام الكامن وما يتضمنه من مبادئ ومفاهيم فكرية وفلسفية من خلال الافكار والاساليب الاخراجية التي تتعلق بالتطبيق العملي لتحقيق النظام الكامن في فعل التصميم ادراكيا الذي يؤدي الى وحدة الفعل التصميمي م | To deal with the significance of this study ,is theoretical ignition ,to the construction of the concealed System, and what consists of principles and philosophical and intellectual concepts, through ideas and directional methods ,which related to the practical application ,in order to achieve the concealed System, in the act of design ,that perceived cognitively, This leads to the unity of the act of design objectively and functionally. To increase the leverage of influence on the audience side, in that it supply the cultural side with a recent and development study, for the design of commercial advertisement. To the lack of a study, dealing with a subject of the concealed system in the act of design, including an act worthy of its importance ,in the process of design ,and its technical construction ,which meets, the requirements of the designing process ,influence and delivery, So this study is tagged under the title " The Essence of concealed System, in the design act, of the commercial advertisement" through four chapters. The first chapters included, the focused on research and the need for it. This focused on the question ,of what is the concealed System in design? And what is ,their impact in the act of design?Hence ,the importance of research comes with in some specific justifications : - 1 - It contributes to highlight the directorial methods, with the concealed systems in the act of design.2 - IT contributes to the development of visions and the skilled capabilities of workers, in the design commercial advertisement.The objects of study are represented by. revealing the concealed systems ,in the structure of designing the commercial advertisement, and laying down the essential foundations to the act of the concealed systems, according to the following : - 1 - The confirming on the fulfillment of the concealed system in the act design , through achieving an expressive unity, to establish the unity of the designing act , through consistency of the apparent formal elements , with the content of the concealed idea , at the heart of the direct sensory perception , this leads to the achievement of a high communicative value , used as an instrument , producing the concealed meaning , through excitement , and attracting attention , towards the product by the act of the concealed expressive forces.2 - The confirming on the expressive forces , to the concealed system , in the act of design , through modulation , and changing in the design elements , by adopting the mechanism of deletion and addition.3 - Achieving the presence of the concealed designing systems , by the act of the formal distinction , through the apparent designing systems , in a way that relies on the objective expression about designing idea. In addition to present an applicable proposal to the concealed influenced systems , in the act of design. The research limitations were represented by the printed commercial advertisement , in the foreign and Arab magazines , that released by the following states : Syria - Lebanon - Saudi Arabia - The United Arab Emirates the united states of Ameriea , for the periods from the year 2004 - 2009. As well as determining the terms , which contained in the study title. The second part came to cover the theoretical framework , and the previous studies , which found by the "female" researcher. They are adjacent studies to the current study , in the field of graphic design , approaching the subject of research , without being involved in it. The previous studies had been agreed with the current study , in terms of addressing the subject of system , and the formal systems , which differed in terms of meaning , the content and the target. In regard to the theoretical framework , that included four fields of investigation. The first part focuses on what is the concealed system , in the act of graphic design. And according to the second part , which has been focused on the "Concealed forces in the design" and the third part included "The structure of the commercial advertisement design " The fourth part contains "The methods of the commercial advertisement design " along came the theoretical framework in several indicators. Then the third part has been allocated for research procedures , in that the "female " researcher followed the desecriptive approach , as a method of analyzing the content , for the purpose of monitoring phenomena - Since the unity of analysis has been specified , for it's being carry out the integrated communicative ideas , that can be drawn from it ideas by analysis. And thus it formed "20 " units , as samples , and in proportion to 20 % of the research community. These were selected in a non - intentional potential way to be close to the average of the phenomenon , which are being searched , and for the following reasons : 1 - The availability of the objective reasons for each advertisement.2 - The quality of the print , and the particularity of its intellectual arguments."The female" researcher has come through a number of results and scientific conclusions , that has achieved the plotted targets of the study , and some of the results are : 1 - the concealed systems contained several techniques in the act of design , like the formal lending techniques , the formal referral , and the integration between the positive and the negative picture , the element of surprise and amazement in the expression , and the style of technical processing , which could be used to help in achieving the concealed systems.2 - The impact of the concealed systems on the designing act , is associative , that comes through the connection of the main idea with the advertisement content , as a result to the correlation of the implicit expression forces with the semantic suggestive , which broadcasting the form , to achieve the unity of the designing act , to stimulate the drawing of attention.3 - To achieve the concealing system it produced as a result that each designingly space , has it's special system , through a combination of an unusual , innovative forces , to be as incentives for working on directed eye movement, with in the limits of the designing surrounding.4 - The system has multi - forms in the advertisingly design - there is nothing prevent it ,from containing more than one optical system , in order to achieve it's communicative function.5 - There are two types of designing systems , in terms of interaction with the surrounding environment , that is the closed system and the open system.6 - It is expresses on the characteristics of the concealed system , through the idea as an average relation between the two systems "This notion should reflect the characteristics of the concealed systems". This should reflect the characteristics of the concealed system in shape , and the ability to evolve , the self - control or flexibility - this system affect in the design through the expression of implicit and it's developmental abilities. It is a sensible , intangible thing , that cannot deny the existence or determine it's presence. It finds out in a set of relations , that are governed by fixed laws. It is the essence , that cannot be change , is governed by the rules that are subject to change , in order to achieve different appearance methods for the concealed system , which cannot be absorbed by stereotypes.7 - The ingredients of the concealed system are (intellectual and physical) , and through which the integration is being achieved the creative element in the act of design. 8 - To understand the concealed system needs to be aware of the fact, that the biggest innovation system is the highest rank.9 - The act of design includes many concurrent transitions, which are the use of different integrated plans, interacting and overlapping with each other.10 - The expressive system are considered in the case of constant change, we respond only to a limited group of shapes and meanings, and thus to particular relations with each other (and to adopt the forms systems, and the meanings to some extent each other) as the structural analysis leads us from the surface level of research to a deeper level, meaning, that live on the borders of this level.11 - The forces can be seen as expressive powers, and include its manifestation, different areas of life, some of it, including the apparent and the other is the concealed, which reflects the self - aware human being, and is a strong trend everywhere. It is a process governed by cognitive mind, and the sense at the same time. And then the search introduced recommendations, proposals, and practical application, in the attic light of the finding results, and the conclusions

فاعلية الافراط في النظام التصميمي للمنتج الصناعي == Excessiveness Efficiency of Designing System For Industrial Product

Author name: مرتضى حيدر عبود العبيدي
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: بحثت الدراسة الموسومة بـ ( فاعلية الافراط في النظام التصميمي للمنتج الصناعي) في مشكلة عدم توفر اطار شامل يوضح مفهوم الافراط والجوانب المرتبطة به وامكانيات هذا المفهوم فيما يمكن ان يحدثه في بنية التصميم الصناعي اذا ما احسن استخدامه من قبل المصمم.ومن هذا | Tagged his research study (Excessiveness Efficiency of Designing System for Industrial Product) in the problem of the lack of a comprehensive framework illustrates the concept of excessive aspects associated with it and the possibilities of this concept can be wrought in industrial design structure if properly used by the designer.From this point the researcher found logical justification for the selection of the problem consideration and determined to answer the question the following : - 'What is excessive and its effectiveness in the system design of industrial products?The research aims to : - Identify excessive and effectiveness of the system in the industrial design of the product methodsThe importance of research to provide a clear picture of the concept of over - design the system and be a theory base can utilize them in practice to achieve the benefit of the individual and society.Find and Stmmelt limits studying industrial products characterized by excessive formalism, functional and technical aspects of furniture, equipment and tools for companies for the years (2014 to 2015)A search of four chapters included the first chapter of the research problem and its significance and purpose and its borders and determine the terms. The second chapter shall be from previous studies and theoretical framework and theoretical framework included three sections on the first section came under the concept of excessive at the same time ensure the second topic system and system design title while the third section displays mechanisms for achieving excessive industrial product. The third chapter included research procedures and methodology adopted researcher on the descriptive approach in the process of describing and analyzing the sample. Chapter IV has included the research and conclusions, recommendations and proposals results.The most important results : - 1. Check excessive formality in all the sample models and 100% through the use of the designer simple and obvious elements in the construction of the unit design in order to get to the simplicity of form design.2. Verify career excessive models (1.3, 4, 5.6) and by 83% due to the use of the designer of the concepts of (multi - enrichment and condensation career)3. shares that employ modern technology in achieving the over - technical models (3.4, 5) and by 50% the fact that these techniques have an active role in the performance and function design.One of the main conclusions are : - 1. Within the industrial designer in his designs over - design system format (formal, functional, and technical) to produce an industrial product is characterized by the beauty of the shape and the efficiency of job performance.2. Excessive career happened within the systems design in various formats including multifunctionality and job enrichment and job condensation, which as a whole has diversified performance and increased Mdyate focused than the number of jobs within the same segment without Atkhalkhal weakness in job performance.3. The technical innovations employed by the designer of industrial products increased within the ranges of functional performance thus achieving a high degree of satisfaction to the consumer through the technical possibilities and performance provided by the product.

توظيف الايهام البصري كمعالجة تصميمية للمنتجات الصناعية الكبيرة الحجم == Investment of The Visual Deception As A Designing Treatment For The Large Size Industrial Products

Author name: مصطفى عدنان علي الشمري
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: عنوان هذه الدراسة ( توظيف الايهام البصري كمعالجة تصميميه للمنتجات الصناعية الكبيرة الحجم ) اذ تجسدت المشكلة بالسؤال الاتي ماهية الاساليب التصميمية التي يعتمد عليها في تصميم المنتجات الصناعية لتحقيق الايهام البصري التي تعمل بوصفها معالجات تصميمية للمنتجات | Address of this study ( investment of the visual deception as a designing treatment for the large size industrial products) at which the problem shapes by the following questions : - what is the designing methods that we depend on in designing the industrial products to get the visual deception that works as designing treatment for the large size industrial products ?It's important came from here ( by condensing the light on methods and design directions that have a role in creating visual deception and increasing senses and consumer and designer )But the purpose is that ( quiddity of designing methods that have been depended on in designing industrial products to creating the visual deception ) We found that all the search have been determined by products made from LG company that present in Iraqi local markets at Baghdad city for ( 2014 ).The study formed from four lessons , came as bellow : - Lesson one contain the problem of the search and it's importance , purposes , borders and definition of it's terms.Either lesson two probably contain previous studies then the visual casement for the search and it's signs , and then the visual casement contain three subjects : - the first subject is the visual deception and it's relation with designing industrial products , the second subject is the designing methods and it's role in creating the visual deception, working as designing treatment for the large size products , the third subject is the designing mechanics and it's role in making the visual deception as designing treatment.As for the lesson three it's contain the adjectives of the search and it's systematicness ( the attributive method ) in addition to analysis of the research specimen.As for the lesson four it's contain the research results and it's conclusions , the most important results are the following : - 1 - achieve everyone who (elements and bases and relations ) designing different visual deceptions in designing the samples in very high relations.2 - achieve designing technique ( movement , translucency , delusive space, shorthand and condensation and distributing systems ) and the capacity of creating visual deceptions working as designing treatments for the large size industrial products.Truly the most important conclusions that have been get from the study is : - 1 - the elements and bases and designing relations have the capacity to create several various designing forms that work in it's role to create deception motive manners work as large size industrial products.2 - the samples distended by the designing technique multiplicity and appearance to achieve designing creative by means of newly creative adjustment result from different and solitary variety through the mix and structure and change in formal relations for having these differences and multiplicities of deception movements working on receptor deception by increasing and decreasing the industrial product

المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية == The Processors Designing For Thermal Insulation And Water In The Design of Industrial Products

Author name: مصعب حسن عبد
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان هذا البحث الموسوم ( المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية)،يستند الى العديد من الدراسات التي تناولت موضوع العزل الحراري بشكل خاص والعزل المائي بشكل عام, بتقديم طروحات حول مفهوم يشمل المستوى الحضري والمعماري وصولا الى تصم | Focused many studies to topic thermal insulation a private and waterproofing generally provide Propositions around the concept includes urban level, and architectural reaching to the design of inner space, as well as the Propositions of insulation system in cooling and preheating, but he did not obtain adequate level of the importance, particularly system design isolate Designated industrial products and of computer devices. The counting concept of thermal insulation and water of the concepts and basic task in the current study. However, the contemporary studies have shown significant interest concepts and applied theory and in particular technological more than others, and therefore tries to current research that offers a new contribution to take advantage of those propositions, the adoption of the reciprocal influence of the bilateral relationship between regular thermal insulation and water through the levels of performance cooling systems suitable for parts heat - producing electronic computer as well as enhanced protection system provides electronic components, the risk of water, with the aim of producing a comprehensive concept for insulation in the design of computer and access to these totalitarian pillars of design Check the best of performance of the computer, and the was the highlight implicit in his first chapter.To achieve this objective and tackle the problem of research has been crystallizing theoretical framework included three topics, 1st has included multiple levels of concepts and techniques for thermal insulation and water, and a detailed review of the parts of electronic producing heat, as well as the most important cooling systems in place through the basics of scientific transmission of heat conduction pregnancy and radiation, as well as the relationship system waterproofing lanes multiple computers and of ports output and input electronic outlets and drag - and - subtraction antenna ports for keyboard, mouse and screen, while 2nd topic, the research in what role influential ecological through the concept of home and environmental Center for the user and the computer and the levels of thermal insulation and watering the inner space and its relation systems thermal insulation, water and ranges of the mutual influence of the components physical and code performance computer as well as outputs manufacturers & their impact on ecosystem of the product industrial, while , 3rd topic was a statement processors design of the system of formal and its relationship to composition of procedure of the system isolation through novelties technical as well as posts principles and Job design elements in the structure of industrial insulation producer.Then came the third quarter search procedures, which included the research community, consisting of computers produced by the Company (HP) U.S. in the years 2012 - 2013. The total number of units produced in this period (25) model, and the Department of researcher these models depending on the type of design into three sections (laptop, desktop computer, computer tablet), which represented 25% of the research community. Through analysis and description quo of the research sample, was adopted researcher indicators The outcome of sources and references relied upon, as well as field visits to agents computers, interviewing poll carried out by the researcher using the form interview with the owners of the expertise of engineers in the maintenance workshops computers to identify the main obstacles and failures electronic infect the computer due to the effect of heat and water., came fourth and final chapter presents the results and conclusions and design foundations, recommendations, proposals, and that the most important findings of the research are : 1.The adoption law basic or importance to the Rxan through the style (All - in - One) All - in - one, him Effects career for regimes thermal insulation and water in the design of the computer through the assembling ingredients annexed in the unit run Chairperson of B (the Fund).2.. The rise in computer restraints by (3 mm) is not agreed with the thermal insulation system and the represented obsolete air drag on the fan and the not to achieve the appropriate antenna Swaps of electronic parts for emitting heat.3. the low of performance associated the specification electronic parts self - cooling technology of the processor (Intel Atom) to achieve the slim design pattern in the computer and this is not consistent with cooling the processor (Intel Core i5).4. have lacked computers to the cooling system for the video card, which parallels the rate of heat emission in which at rates greenhouse gas emissions per unit processor central as well as non employ technology cooling unit RAM and hard drive and only mechanisms of cooling convection natural thus is reflected in the performance and life of the computer.5. satisfying technical alternatives the magnetic connectivity of the screen with a waterproofing system. Traditional techniques for connect mediated axial screws.6. The distribution of electronic ports visibly Exposed to anterior and side elevations are an easy paths for the passage of water in the computer.7. Lack of integration of the functionality of the waterproofing diaphragm add the silicon rubber under the keyboard, without Add a custom corridors to Log out the water and its survival at home,8. The touch technology with occasion of waterproofing system through hide keyboard ports.

معطيات النظرية الجمالية وانعكاساتها في التصميم الطباعي == The Outlet of The Aesthetic Theory And Its Reflection In Printing Design

Author name: ايمان طه ياسين
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: Varied styles and trends in contemporary Iraqi art, especially in the era in which Iraqi pioneers artist activiated - the second generation, who immigrated to most European countries where the revolution started on The trends of resemldance Imitation manner conforming with the managed items through the window of the optical einronment. For the purposes of linked with the attemps of the advancement of the movement under the pretext of Fine contemporary intellectual and cultural cross - fertilization between East and West.Different reasons obligcet the Iraqi artists to immigrant - a generation after the pioneers “ as attempts to political ideologies in contemporary Iraq is keen to use the art and the artist to serve political purposes , which led to the search for climates outside of Iraq, allows the Iraqi immigrant artist freedom in artistic creativity, especially in visual field.Numerous environmental references affecting the outputs of aesthetic Iraqi contemporary creative drawing ;since it included the formal applicant of the real environment, and simulating him in a manner of conforming times, and growing in the act of perception formal down to abstraction, it also included the intuitive applicant to simulating ideas and passions and emotions... which are often active in the environment.The study Included (four chapters), the first chapter (methodological framework ), which represents the ( research problem ), which raised a number of questions as follow : 1. Is it correct to call the man who is acclimatized,and Interactive possitivly with the the new environmental climate (colony) recipe expatriate man ?2. Do you achieved in the environment variable , outputs in creative drawing ?3. Does the diversity in the environment affected on the plastic style?4. Is the variable in the environment Impact on of the identity of the Iraqi contemporary painting ?5. Does The Iraqi painter (immigrant)acclimate with the environment (immigrant), and come to terms with it in away which kept him out of local artistic identity and belonging to the original environment ? Is the outcomes Impact on the technical achievements ?6. Does the Iraqi painter (immigrant) carry the characteristics and attributes of the original and the identity of his environment with him to the colony? Is it left its impact on the creative process ?7. Do the body transfer from the original environment (Iraq) to the environment colony (Europe - America)activiared the idea of cultural exchange , and intellectual , and technical ; creativity in the field of plastic ?The first chapter includes olso the importance of research and obiectivec of research seeking to : 1. Detect representations reference in environmental colony on Iraqi artists.2. Detection mechanisms shift stylistic variation in the process of environmental reference.This chapter includes also the limits of the research according to the aspectds and speci fication of Iraqi artists in the immlgranet (Europe - America)and time limits between(2012 - 1971).In addition the definirion of the terms.The second chapter (theoretical framework), which included five sections follows : 1. Introduction to the Theory of Reference2. References institution for visual field3. The third topic : the environmental variable in the drawing of Iraq.4. Contemporary Iraqi drawing rooting and rooting experience.5. Artists of the colony - a study in styles and references. Has included all of those sections on a number of approaches.Chapter three includes the procedurs of the research which includes the analysis (22) model for the research sample , completed (11), a painter Iraqi immigrants , the purpose of the questionnaire growing shift characteristics and attributes painter contemporary Iraqi between his artistic experience in Iraq (before the diaspora) and experience (after the Diaspora) researcher has found the need to discuss one model represents the experience of the painter (in Iraq), and the model represents one experience with a painter (in the Diaspora).Colony of Chapter four includes : results, conclusions and proposals, suggestion and reco in wordations, and the list of references and the abstract in English.

المعطيات الفكرية للفن الشعبي وانعكاساتها على التصميم الكرافيكي == Intellectual Outcomes of Pop Art And Their Reflection On Graphic Design

Author name: مها مؤيد عبد الحسين الناصر
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

اليات التعبير للتابع البصري في تصميم الفضاءات المتضمنة == Manifestation Mechanics And Visual Succession In Inclusive Space Design

Author name: ميس نصير عبد الرحمن
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان هذا البحث الموسوم : " اليات التعبير والتتابع البصري في تصميم فضاء متضمن " يهدف الى تحديد التوجهات التصميمية لاليات التعبير والتتابع البصري في تصميم الفضاءات المتضمنة التي تحقق النظم الجمالية والجوانب الادائية الوظيفية، تكمن اهمية البحث في محورين : ال | This thesis; titled “manifestation mechanics and visual succession in inclusive space design”, is aimed toward defining design trends for manifestation mechanics and visual succession used in inclusive space design; which insures implication of beauty systems and functional aspects of the space.This research importance revolves around two axes : 1 - Theoretical axis : emphasizes on the importance of interaction between man and interior space, through observation of main functional standards of the space deploying visual hints.2 - Practical axis : developing a knowledge base which will assist interior decorator in the process of understanding space comprehensive and sensual capabilities and deployments of visual hints to enhance the design process of inclusive space.In pursue of research targets achievement; the researcher has developed an analysis form; which covers the following : 1 - Functional and beauty manifestation mechanics, which in turn covers the following secondary aspects : (functional performance - beauty manifestation - space dimensioning blocks “floors, walls, ceilings, openings).2 - Inclusive space relations to surrounding space; which includes secondary aspects of (space design succession with neighboring space(s)), space internal successive design).3 - Visual succession suspense and stimulation, which includes : (basis and principles of “ strangeness, mystery, sophistication, variety, contradiction”, space definition plastic elements” lights, motion, colors, space supplements”). The researcher applied descriptive analysis approach, in analyzing three research samples of airports duty free markets; which were chosen carefully, to represent a wide sample range on international level; samples are duty free market for “Baghdad airport, Dubai airport, Ataturk airport”.To emphasize main of many products of the analysis process : 1 - Activation of space suspense, time illusion, motion and succession illusion, figurative attention of space interior, are all requirements to achieve beauty and functional design values; which are the tools to of visual succession activation.2 - Man tends to change his/her linear motional track often to zigzag, or curvature tracks depending on visible attractive points; this indicates the necessity in reconsidering space linearity, in a way which makes space design focus on applying attraction points proportionally to favorite motional tracks of shoppers; to direct man natural motional tracks toward designed attractive points.

فاعلية البناء الافتراضي في التصميم الكرافيكي المعاصر == Virtual Construction Effectiveness In Contemporary Graphic Design

Author name: نادية خليل اسماعيل العزاوي
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تاتي العمليات الابداعية لتجسيد الوجه الجمالية والبنائية في التصميم المعاصر من خلال استقراء التصورات الذهنية للبناء الافتراضي بالدراسة والتحليل، وابراز قيمة وفق المفهوم الفلسفي للبنى والمتغيرات، بحسب مخيلة المصمم وامكاناته ليظهر مايحملة من افكار نحو فعل مؤ | Creative processes come to embody the aesthetic and structural face in contemporary design through extrapolation of perceptions of mental default building study and analysis, and to highlight the value in accordance with the concept of the philosophical structures and variables, according to the imagination of the designer and the capacities to show what one holds of ideas impressively did achieve presumably to show contemporary Graphic designs. The current problem has been identified by asking the following question : What Is the effective default of Graphic construction in contemporary design? In order to reach the desired results through the goal set by the researcher as : - 1. Disclosure of the effectiveness of the default construction in Graphic contemporary design.2. To highlight the design pillars , ideas and visions to show expressive, functional and aesthetic values of the contemporary Graphic design. For the purpose of access to the objectives of the current research was to identify key themes contained in Chapter II (theoretical framework) four Bembagesh (the concept of construction in design and concept of the default construction, determinants and objectives of the default construction, the default design and philosophy of the digital age, trends and con temporary & Graphic.),art movements And support including what was resulted about the theoretical framework of the basic indicators, identified the procedures of research in the third chapter following the descriptive method (content analysis) for the diverse research community and with (150) one hundred and fifty - designed default, the appointed elected dele bersrately with the help of experts to considerations envisaged by the researcher and the related subject matter whith (15) model for advertising (magazine (Marie Claire) and one page and two pages, and interface published Web sites on a global site (Deviant Art). The covers of magazine (Time)) for the year 2014,according to imperatives highlighted by the researcher and identified according to the pillars derived from the Theoretical frame and indicators, and relied upon in the selected sample analysis to show the results discussed in Chapter IV has been reached.The set of results including : - 1. effectiveness embodied the idea of the building to the default output suggestive creative thinking distant from the reality on the hypotheses according to comparisons, and the effectiveness of the creative thinking of the imaginary axis innovative and metaphor.2. Effective default construction components emerged through subsequent dimensional visualization for configurable output showing new and fanciful to imagine the result of the integration and re - installation of new builders.A group of the most important conclusions where added : 1. Default formal building associated according to the perception of(an objective basis) based on the assumption of mental interpretation according to interpretation and to impose on the for drafting language, and the assumption according to the representative analogy to like in the forms elements and characteristics.• The default design. shows the temporal assumption excitation with a view time assumption and call for the past and, present and call for the next a mentally presumption gives dimension to the future thinking. Then it caused a series of recommendations including : The necessity to emphasize the effectiveness of virtual relationships in the virtual construction of the use of Hypertext (Ultra) or multi media impressive to embody the impressive character of and to empress expression its content. And she put forward a set of proposals and the most the important of : A study of interactive philosophy, deliberative designed product in the construction of online advertising. The sources , references, and appendices ,were added to the study and Displayed summary in English.

فلسفة فن التصميم الطباعي في الفر المعاصر النظرية والتطبيق == Philosophy The Art of Graphic Design In The Contemporary Thought of Theory And Practice

Author name: نبيل احمد فؤاد
Supervisor name: حكمت رشيد فخري العزاوي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: The cultural level of any nation is measured by the prevalence of philosophising proper there, where indicates promoted Nations and its development on promoted thinking and philosophical evolution at their sons, while leading the deterioration of culture and dystrophy in any community to dissolution of philosophical thinking and rigidity where, from here stemmed the importance of the philosophy of being a the effectiveness of a purely intellectual trying to understand the world as a whole.What characterizes the philosophy of inclusiveness and stripping them of a humanitarian nature pushes the boundaries of nations and nationalities, and making it one of the most important means of understanding, cooperation and brotherhoodbetween ideological human beings on the earth. Therefore, the philosophy supports the self - consciousness of the human being and his understanding of the role of scientific discoveries in the overall development of human culture, and thenprovide a standard for appreciation and linking the separate episodes in one comprehensive theory. There is no doubt that the critical spirit characteristic of philosophy contribute liberation of the human mind from the power of tradition and transport and calls for the development of ideas and beliefs established under discussion and revision and modification, , Through those lines philosophical and stripping logic creative meanings of self - expression and nature, we can say that the design simply means approach the expression of certain ideas using visual aids, this process is more like a translation of the interior feelings with the person through the use of abstract shapes derived from nature within certain relationships such as Unity , balance, and rhythm. Design is emulates a vision or in other words "vision", Valmsamm is fully aware that the idea that wants to communicate to people through a particular design must be seen by the people, then design is to deal with the eye directly, and then made up a sense of aesthetics shapes insidedesign at receiver, where represents Chapter the first, which contained the research problem that came on as two questions, namely : - Is it possible to identify and study the philosophical theories and technical schools and experiences of the designers personal contemporary been affected by the art of graphic design as a concept and what are the ranges to take advantage ofthis philosophical theories and personal experiences in contemporary work of design typographical that appeared during the twentieth century in chronological order in a period of contemporary? - Does the sequence historical art graphic design, referring to deepen the philosophical and artistic vision through schools and concepts that have been affected by political considerations, social and environmental? As well as the statement of the importance of the concepts of contemporary thought effect active in the detection of environmental sources of inspiration, The set a goal to search according to the following : 1 - detection the schools of intellectual, artistic and monetary contemporary designs and their impact on print Through the study and analysis of advertising posters for movies.2 - axes identify theory and cognitive processes The their implications in Applied print designs.The boundaries of research have included the reduction objective study which defines the philosophy of the art of graphic design in contemporary thought theory and practice, and the study identifies Alhaddalmkane posters (movie poster) Qsidia selected from the United States, has been the adoption of the length of time from 1980 to 2000 _. As well as to determine the terms of the philosophy of art, contemporary thought, theory, application. And included the second chapter Anwanat including : Firstresearch About the History of Philosophy Abralkaron, the concept of philosophy at the school of contemporary thought, the concept of philosophy at the school of contemporary art, the concept of philosophy at schools cash in contemporary second topic : the axes of the design philosophy, in the third topic : the philosophy of the art of graphic design , in the fourth section : theory and practice, and then seal indicators theoretical framework, and included Chapter III : action research to identify the research method, the method of selecting the sample, the instrument sample analysis, and then allocated the subsequent pages to analyze and critique the models that included posters movies by (20) Sample , and then search out theresults, including : - The styles expressive and aesthetic design requirements also, as a counterpart to realize the inherent requirements of the three is the perceived value of the sensory and subject value formalism and Altobeiragayma connectivity. - Used the colors as symbols to indicate certain connotations and different, then we can say that the language of expressive colors and symbolic tag representing different feelings and aesthetic goals in humans according to the joy, wonder, fascination. - The latest conceptual art shifts in the quality of the concept of art which relies on technical skill, and aims to produce a beautiful thing, and in the concept of consumer artwork, and means of artistic expression, as well as the role of the artist.Then he went out research conclusions, including : - That all the foregoing philosophy are not facts ready nor knowledge acquired but is the idea of research free and permanent dialogue and the ongoing debate of ideas and opinions, theories and approaches, in order to availability on a clearerunderstanding and skill of the mentality of an enlightened and visionary educator, as the function of philosophy is to learn critical thinking in a different way. Then identified recommendations including : - The addition of the philosophy of art to the curriculum for the branches of the design department of the preliminary study of the effectiveness in the development of creative thinking. Then identified the subsequent pages of sources andsupplements, and display the summary in English

الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي == Significance And Temporal Dimensions of Industrial Design In The Product

Author name: مصطفى ابراهيم دحام السهيل
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: هذا البحث الموسوم ) الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي ( يتناول تاثير الزمان في تحديد اهم الابعاد في تصميم المنتجات الصناعية وانعكاس تلك الابعاد في تحديد شكل ووظيفة المنتج واهم المتغيرات والتطورات التي يحدثها الزمان والتي تقوم باحداث | This marked research (significant temporal and designing dimensions of the industrial product) deals with the impact of the time factor in determining the most important dimensions in designing of industrial products Its reflection on those dimensions in determining the shape and function of the product and the most important variables and developments caused by the factor of time which make a designing changes to the industrial products including the technical and technological aspects and what these changes may occur the consequent transformations in finding shape changes to the designing form of the functional prefromance ,the quality of the raw used in the industrial product.The research aims at determining the desining dimensions and the impact of time factor in Its composition which relates derectly in the process of industrial design that might lead to clarifying designing tracks taken by the designer in desingning process as the designing comes through a continueous and changed developing form due to chronological progress and what might this factor affects on linking and classifying things according to (past, present, future).The research sonsisted of four chapters, the first one dealt with the research problems,its importance and purposes,and idioms mentioned in, the second chapter focused on the the previous studies ,theoritical frame which included three introductions , the first one dealt with the temporal meaning and its intellectul dimensions , while the second introduction focused on the designing variables of the industrial product ,through time factor,as for the third introduction ,it dealt with the designing variables and its forming dimensions according to time factor and indications of the theoritical frame which formed the research mean by designing an analysis application which resulted definition of the aspects of an analysis form presented to a group of specialized experts.The third chapter included the research procedures of a society that have expanded capacity relying on (intentional) choice for samples of society of the study and the descriptive style in analyzing the sample by analyzing aspects form after presenting ot a group of experts ,which cosidered the most appropriate method to achieve the purposes of the study, the chapter addressed to descibe and analyze the specimens according to analysis form designed by researcher,while the seventh chapter has included the following results : 1 - Significance has achieved formal variable in the specimens of the body (6,3,2) with an average(50%) and turned in the specimen(2) that it was in than it was in the past which preceded in the specimen(1), the designing shape of the speciemen changed and has been enhanced, while in model (3), the design was directed towards the sculpured mass form, hence ,the design was deffered from its predecessors in the chrononlogical past eras,model (6) has achieved the formal variable as the design derected towards the formal shorthand and became more slim than before.2 - The variables effect of the functional performance was achieved significantly with average (33%) in the specimens (6,3), while achieved with (16%) in the specimen (2),and was achieved to some extent in specimen (5), not achieved in specimen (4,1).The most important conclusions in the research as follows : 1 - The transformation and change in the characteristics of design system adopted functional addition according to the technical development besides maintaining the essential system in some specimens a matter which led to waekness of the expressive power and the apparent conductivity of the system from the innersome design, in addition to the recommendations and proposals then references

الاضداد في النظم الشكلية للمنتج الصناعي وامكانيتها في استجابة المتلقي == Opposites Formal Systems For Industrial Product And Their Ability In The Response of The Receiver

Author name: نور عباس حسين السعدي
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تشكل الاضداد بالنظم الشكلية في تصاميم المنتجات الصناعية التي تؤدي دورا اساسيا في شكلها ودورها في استجابة المتلقي. ولعدم قيام اي من الدارسين بدراسة موضوع الاضداد في النظم الشكلية ودوره في عملية الجذب والابهار للمتلقي قامت الباحث بطرح الدراسة الموسومة ب ( | Opposites constitute formal systems in industrial designs products that play a key role in its form and its role in the recipient's response. And the failure of any of the students studying the subject of opposites in the formal system and its role in the process of attraction and fascination for the recipient the researcher asking study tagged (opposites in the formal systems for industrial product and their ability in the recipient's response) through the four seasons, the first chapter dealt with the problem of the search centered What is the role of opposites in formal systems and their ability in the recipient's response, then the importance of research in a statement opposites systems formalism for industrial product came as one of the means in the recipient attract, and can benefit from them and put it as a way of moving Bsykologgio receiver to achieve the benefit of the individual and the community, has been the first quarter included the goal of research is to determine the effectiveness of opposites relations and their ability in response Almtgay.vdila eating it identify the terms that Tzmnha search.Chapter II has included previous studies and theoretical framework, the theoretical framework it contains three sections, dealing with the first part, the subject of the idea of spatial contrast broad faithful to the concept of antagonism and Mbdoaltdhad and philosophy of antagonism and theories contrast, while the second topic antagonistic relations and organizational bases (formal systems) for industrial product and explained the foundations of organizational relationships and their types and their relationship contradistinction, while the third section psychology of visual perception and responsive recipient and explaining the cognitive and understandable, and some theories of cognition and the excitement and response and aesthetic judgment.The third chapter included research procedures and methodology that has been through the selection of the research community and choose the descriptive approach in the case study.Chapter IV has included the search results, and most important of these The results : 1. aesthetic values achieved regulatory connotations and at different rates, where the sudden rhythmic patterns in the formal system and color models (1,2,4), while the rhythmic patterns came clades formalism of the model (2.3), either model (5) rhythmic patterns have been achieved in design through raw material (Mca).2. Tmzart formal systems for industrial body product through objective and subjective job performance achieved functional mechanism in the human body models (1,2,3,5), which have the effect of a clearly defined response in the recipient and to realize the function of the product through Almnzawmth formalism.The most important conclusions of the researcher are : 1. The recruitment of antagonism through sudden rhythmic patterns in the formal and tonal system in the industrial product design aesthetic values occur regulatory connotations which they can check the recipient's response.2. antagonism is a goal to create a sense of where the transfer of translational appointed receiver from one area to another investigator continuity, so that the contrast makes winning product design art is visually obvious and makes high - alone form different but interconnected.And the researcher then to set the foundations of the design was the most important : 1. You must sudden rhythmic systems for industrial product adoption in its system of formal and color that affect directly affect the response of the receiver.2. The use of contrast in the system size, shape and direction to enhance highlight the formal systems for industrial product and must be employed is not limited to color spaces equal and flat

الاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصاميم الطباعية == Aesthetic Response And Variables In The Process of Communication

Author name: هبة مزهر محجوب
Supervisor name: ادوار الاشقر
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تشكل اهمية هذا البحث مؤشرا لمواكبة التطور للاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصمايم الطباعية، فالاستجابة الجمالية تعد ردود الفعل الايجابية التي يثيرها المثير عند المشاهد اثناء الحكم الجمالي او التجربة الجمالية والنفعية اما عند المتغيرات | The importance of this report considers an index to convoy the development of Aesthetic responsive and its changes in the communicative procees for theprinting design.on scientific foundation of effective with using the facilities available for new technologies wich is available in commercial advertising through the computer which through it the effective responsive achieved Conserning with the problem and through the researcher observationjob and her study for the Aesthetic responsive.ahe found that three was aproblem in dealing eith that subject from the searcher specially for the specil reality of the Aesthefic responsive and is changes and effeeing of the communicative rocess in printing design field and that to achieve receiving the actting letter with designs filld with beautiful vaiues to do the job and to get the responses from the listener and his interaction in this letterSearcch target Discovering the changes of the Aesthetic responsive in the communicative process for printing designs ,graphic designs.The search restricted in studing the Aesthetic responsive and is change in the communicative process for the modern commercial advertisement dealing with the beautiful and creer way and that what concerned withchabter one , but chapter tow covered the oretical frame work and it divided to three investigations ,the first study content concept of Aesthetic responsive and Aesthetic concept and the second study content communicative process and the factors which depends on the success of the communicative process, also the third study is commercial advertising and the target of it functions and types artistic side of the most important things in the announcement since it concern with graphic designers?s abilities in artistic and technical skills.Recommendation and propo sals ;1. That are ative and practical application in the commercial side of the announcement.2. confirmation that the work in the design of ommercial advertising deals with receiving advertising me ssage from the designer to the recriver.Suggestions ;1.Undertake astudy similar aesthetic response for the shope and color characteristics in commercial advertising. 2.Practical study to contrast vole of the image in advertisement and its effect on the recever.

تقنيات الايهام البصري في تصاميم الاقمشة النسائية == Techniques of Visual Illusion In Design of Women'S Textiles

Author name: ابتسام محسـن حسـون الخفاجــي
Supervisor name: سامي ابراهيم حقي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: انجزت دراسة (تقنيات الايهام البصري في تصاميم الاقمشة النسائية) الكثيرمن المفاهيم والافكار الجديدة فسحت المجال للتعدد في الاتجاهات التصميمية للاقمشة، كونها من التقنيات التصميمية المهمة بما يتميز به من قدرة على الايحاءات العديدة وهو ناتجا مستلما من عملية | The study of (Techniques of Visual Illusion in Design of Women's Textiles) demonstrated many novel concepts and ideas within the field of diversity in textiles design orientations, being a significant design technique characterized by an ability for suggestiveness as a final product of process of architecture of constructive relations. It reveals the techniques of Visual illusion in the design of women's textiles and establishes design leverages in women's textiles that depend on techniques of Visual illusion. The significance of the study stems from increased intellectual enlightenment by textiles designers and scholars as well as developing the knowledge of styles and orientations which contributed towards Visual illusion. The study was limited to design of women's textiles for dresses available in Baghdad's local market for the period 2006 - 2008. The study is in four chapters; Chapter One elaborates on the study problem, its significance, aims, limits and definition of terms. Chapter Two deals with the theoretical framework and former studies. It consists of three parts : The first part : Comprehension and Visual illusion in textiles design. The second part : The techniques of Visual illusion in the design process of women's textiles. The third part : The technique and its methods for design of women's textiles. This is followed by the former studies and their discussion thereof. The researcher achieved the most important pointers out of theoretical framework. These pointers were enhanced in Chapter Three. Chapter Three encompasses the study procedures, its methodology by adopting the descriptive approach for analysis of specimens out of the total (96) specimens of the study. A deliberate choice of the study was taken according to design objective levels consistent with the study aim. The study sample was randomly chosen at (25%) of (24) samples. A form was compiled for analysis axes by reliance on pointers out of Arab and foreign sources which were submitted to a panel of experts. The study specimen was analyzed through it. Chapter Four consisted of results of specimens of the study. The most important results obtained by the study were as follows : 1 - Most designs under research depended on the apparent in - form characteristics to achieve Visual illusion to generate diversified formative effects. These effects reflected on the motion, distribution and directions of the items. 2 - Color remedies were adapted to impart vitality aesthetic effect on textiles design by focus on color contrast as an actionable vision accomplishment to demonstrate the illusory space depth due to forward lead of fair colors and rear lag of dark colors. Besides, Chapter Four encompassed the following most important conclusions attained by the study : 1 - Basically, the techniques of Visual illusion were associated with the content of the design idea which was built upon many methodical technical data to be a modern tool whose idea was crystallized by virtue of many intellectual and materialistic concepts which rendered it into evident applicable fact. 2 - In spite of formative diversities in most designs, the design items relied on abstract form as a priority to present the true dimension of the design idea. This made other units of secondary importance overlap with it by limited non - determined motion in the design construction. Chapter Four included also the design leverages concluded by the study. The following are the most important : 1 - Need to widely invest and implement the techniques of Visual illusions in the design of women's textiles as modern design methods to achieve design formations via non - conventional, innovative new and organizational vision which is a product of variance and diversity of the formative items through mixture, placement and change in the formative relationships. 2 - Concern for choice of natural and synthetic fabric raw materials fit for the local environment. These materials have flexible, fine, endurable and moisture - absorbent specifications. On its basis are chosen the types of yarns, fabric construction and appropriate design.3 - Making use of the developments in the technical styles observed in the design of textiles to create non - conventional design assortments through overlapping between styles in order to achieve association between forms and embody them non - conventionally in a manner capable at enhancing Visual illusion. The purpose is aesthetic achievement to serve the functional aim. Chapter Four also included recommendations and suggestions.

الاطر الفكرية وانعكاساتها في تصميم المطبوعات الدينية

Author name: صادق هاشم حسن الموسوي
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Prevail in the world of intellectual and scientific variables... And overlap the treatises of this party, come research addresses the deliberative ideas as an important and necessary in the cultural communication and information update.. Hence it was dialogue of civilizations.. And individuals in the dialogue between them and the means of activating the intellectual and conceptual frameworks after he entered the concepts of globalization in all their in requirements attempt to impose a particular ideological line style.. But the cultures and traditions of theses communities attend to confirm the role that should not deviate or marginalizes its spiritual and physical level... Where is the means of communication, including print and one of the dozens of ways in which nations and peoples trying its institutions all through the dissemination of cultures, traditions and ideas and concepts..Being at hand and easy circulation and can be employed for the purposes of tourism, religious, economic and otherwise, generally, those nations and institutions are trying in various ways, the announcement of the frameworks related intellectual inheritance of civilization have, including religious shrines that frequented many parts of the world, which requires dissemination and promotion in support of after spiritual and material both whether, in Iraq this ancient country that stretches at home shrines are many varied and different religions and sects, the presence of printed religious for that shrines is an act communicative however, and worked the institutions of the thresholds of the holy given printed religious significance, as it is one of the media and promotion, , Because it appeals to the general public who attend religious shrines of different cultures and referents, and from this perspective the current research to examine and explore the link between spammersintellectual which is designed on the basis of publications issued by those shrines and between the artistic process and its implications, where his grandfather researcher subject should go into it, and distributed find classes as follows : The first chapter methodological framework of the research in terms of the research problem represented by asking the following : Are intellectual frameworks reflected on religious publications design? As the importance of research came in : ? The possibility of benefit from working in the field of Graphic Design in general and employed in the design of religious publications in particular.? The possibility of a briefing media organizations and advertising of the sacred thresholds, set a target Search in : ? The intellectual reflection spammers statement in the design of religious publications.? Provide practical proposals based on the outcome of the theoretical framework and indicators, and the search results, and then refer to the limits of research and determine the terms, as the second quarter included a theoretical framework, where it came from his interlocutor as follows : Also included the first section two addresses (such as conceptual frameworks, philosophy and thought, frame aesthetic, in the framework of art and design, intellectual framework - aesthetic when some civilizations, data intellectual thought and Islamic philosophy, frame artistic and intellectual philosophical Islamic "private"), as discussed topic the second to the (structure design, structure elements, elements Typography, foundations and structural systems), and interested third section in a statement (digital technologies and electronic publishing,producing and designing programs elements Typography, the communicative properties of print), , While the fourth section referred to the (design patterns prints, design publication, Graphic Design and Printing, the most important digital programs used in the design Jerafah), then followed by the indicators theoretical framework, and included the third quarter research methodology and procedures supported the descriptive method (method of content analysis)in order to reach results, and the research community, and the method of selection of models, and search tool which was to design a form identifying axes analysis based on what emerged from the axes and indicators theoretical framework, and opinions of a group of experts respondents who expressed an opinion scientifically built in, to other procedures reported in detail in separate proceedings, then the search in the analysis of the models chosen, came fourth chapter involving the results, discussed and that came from : Conceptual frameworks : 1. based methods of construction design which conceptual frameworks variety of dimensions, philosophical, and intellectual with theses global Islamic, and local variable rates and indicates this fact to the vulnerability results conceptual presented by the scientists and thinkers of the Islamic nation, and non - Islamic, and that proved the most of the ideas presented in the religious publications, namely the ideas of human dimensions related events experienced by the characters in question, as well as being connected to the religious and social situation associated with the ideological environment.2. Adoption of the style of presentation symbolic of the events promise to approach the representation formal, as in models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17,18, 19, 20). And (95%). Thereligious symbols is one of the most important means showing historical events through the employ of being known and unknown when a lot of the audience, and generally the employment of religious symbols or environment - related religious forms is important in the embodiment of the structure of the idea, as well as the fact that the symbols represent a tool easy to bring ideas unhindered and difficulties.Elements Typography : 1. Recruitment effects digital available in computer software in order to achieve dimensions of aesthetic certain, as in the models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17 , 18, 19, 20). And (95%). Commonly used these effects after he added an important set of filters and digital effects, and should be used by designer without distorting what makes writings without clarity and readability2. the emergence of clarity and readability in biblical patterns that have adopted away from digital processors that can come to the contrary where she appeared in all models. It is well known the importance of clarity and readability in hiring patterns written being talkie reader, and that the lack of interest by means cause problems in reading the text, which is not something he wishes designer and he has to pay attention to him.Structural foundations : 1. The adoption of symmetrical balance in the design of the versions with the absence of other balances, and appeared in all samples models. The adoption of symmetrical balance in this type of publications designer was caused by the use of a limited number of pictures of the shrines and domes and minarets of the design spacemakes space for syndication unbearable condensation or search for other balances.Regulations, and the relationship : 1. Recruitment open spaces will be the basis of which a picture has organized other formal elements as in the models (1, 2, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 16). And (65%). A systems designer works on the printed employed in religious, and open spaces come to express fallow visual and openness structural system which is often linked to spiritual orientations for visitors.Communication characteristics : 2. Adoption of Direct to provide ideas. Appeared in all models. The use of the direct method in the presentation of the idea, makes it a high gloss deal with all recipients, and equally, and it needs this kind of stylistic designs of this direct relationship with a wide range and variety of people. Then ensued and the conclusions that came from : 3. The intellectual frameworks between the path in front of religious publications and designer working directory based on him in many of the propositions.4. Worked spammers and the arguments of religious thinkers and practitioners in religious affairs by direct reflex on the design structure of the print.5. The weakness that was apparent in the formal organization of the religious publication comes from the few know the designers of modern systems in Graphic Design, including the study of form and space relationships and employ photographs to the other.And continue with the outcome of the results and conclusions of the research researcher recommends including the following : 1. given conceptual frameworks that relate to Islamic history more attention and break the cycle of restriction, and to serve the - oriented ideological intermediary.2. the adoption of new methods in design and art direction and in accordance with up - to - date modern techniques.3. revolving develop specialized media and printing experts and designers led them informed and widely thought any ideological work will organize Publications printing and publications.4. Work on biological directorial sizes of prints and stay away from sizes that may occupy the continental and familiar.The researcher also suggested do following two studies : 1. employ images architectural design Islamic religious publications.2. dimensional aesthetic in the design of religious publications.He then read some of the works carried out by the Applied Researcher in which he singled out the second goal and a list of names of experts who showed Raya scientifically and technically, and he finished researcher finally conclude with a list of sources and supplements, Abstract and Title in English.

الحركة في تصميم الصحف الرقمية ودورها في التعزيز الوظيفي والجذب البصري == Movement In The Design of Digital Newspapers And Their Role In Strengthening The Functional And Attraction Visual

Author name: زينه ساوا افرايم
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

التكوينات الفنية وتحولاتها في تصاميم اقمشة الازياء الحديثة == The Artistic Formations And Their Transformations In The Textile of Modern Fashion

Author name: زينـب احمـد هاشـم
Supervisor name: هند محمد سحاب العاني
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد فن تصميم اقمشة الازياء نتاجا حضاريا يدل على رقي الامم وتطورها وازدهارها ونتيجة للتطور العلمي الذي فرض حتمية المزاوجة بين العلم والمعرفة والفن والتي نتج عنها تحولات لتطبيقات اتاحت للفرد مزيدا من التوجه الفني والمعرفي مع سرعة التحول والتغيير المستمر | The art of textile design is a civilized byproduct which indicate the development and advancement of nations as a result of the scientific progress which imposes the inevitability of pairing theory and application and science and work which resulted in new or recent developments that allowed the individual for more artistic and epistemological trend with the fast conditioning and continues change.The artistic formations in the women textile design are subjected to the designer’s taste who bases his deigning ideas in modern style through transformations that go along with the appearance of textile in women fashion arriving at satisfying the taste of the recipient of these designs. In the light of that, the researcher determined her problems of the study with the question : Have the artistic formations and their transformations achieved an effect in the design of modern women textile? The research also contributed in the following through its importance : 1 - The importance of the study from being one of the studies that care for the study and adding an epistemological base for the specialized and workers in the field of the design of fashion textile in general and women in particular.2 - The results of the current study can be used to provide technical base for students of textile design in the institutes and the colleges of fine arts and how to made use them in the plastic art works and employ them in the design to achieve transformations that can enrich the aesthetic taste. 3 - The suggestions imposed by the researcher in her study can lead to the facilitation of the researchers in the women textile design, as well as scholars related to that vital field of art.The researcher also aims at the following objectives : 1. To reveal the reality of transformation of modern women textile (Islamic aba - Al - saya - the dress). 2. Putting suggested designs for the women textile based on the manner of employing the artistic transformations of Iraqi artsitis (Faraj Abou - Jameel Hamoudi - Widad Aourfaly - Bahija Hakeem) as a modernist transformation in the process of outer appearance design. The limitations of the study are manifested in the artistic formations and transformations in modern women textile design (picnicking and evening) for the (25 - 35 years) with originated from (Iraq - UAE - China) available in local markets in Baghdad within the period (2013 - 2014). Chapter Two includes the theoretical frame which includes three inquiries; the first inquiry tackles the artistic formations, while the second includes the concepts of the artistic and technical transformation in fashion textile design; the third inquiry tackles the transformations in fashion in women design. Then the theoretical framework and previous studies follow. Chapter Three includes the procedures of the study which was taking the analytic descriptive approach. The total number of the sample was (150) sample of design. The sample was chosen purposely in (%81) of (12) models. The researcher prepared the questionnaire form to analyze the women textile design that include many axis verified by the experts and then the constancy was derived. The samples were also analyzed.Chapter Four includes the result and findings of the study, and the researcher comes up to the most important findings : 1 - Repletion was used in the formation design as it forms the expressive energy for the distribution of deign items, specially the botanical and geometric forms. 2 - The sizes of items of the design formations have come in attract the attention 3 - The designers depended on the stenography of the written forms and abstract drawings through omission and addition which is more flexible. 4 - The variation in choosing the digital image through depending on the collective style for the adjacent items. It is an attempt to add a kind of change in the realization based on the style of transformations through the distribution of items which showed the effectiveness of the relationship between the form and the space that achieved vitality and dynamicity for the designing formation. Chapter Four also includes the recommendations and suggestions in addition to the suggested computer implemented designs prepared by the researcher. The study ends with the list of references and the abstract.

اقترانات منظومة تصميم الفضاء الداخلي وانعكاساتها على التذوق الفني للطفل == System Conjunctions of Interior Space Design And Its Reflection On The Child’s Artistic Taste

Author name: شيماء زكي عبد الحميد
Supervisor name: لبنى اسعد عبد الرزاق
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The interior design of kindergarten classes is considered as a system which has its psychological conjunctions and reflections on the growth of the child's artistic taste. To fully cover the topic of this study, it is essential to deal with interior design both as a science which has its considerations and conditions that fulfill the basic functional needs of a child and as an art which has its conjunctions that fulfill the child's sensual and psychological needs. Since the user of this interior design is the child himself at this important age of his/her life, it is necessary that the study includes the psychological aspect of the child and his/her artistic tasting. Thus, this study researches the conjunctions between the scientific, artistic, and psychological aspects.This study topic arises through questioning what the interior design conjunctions of kindergarten classes are and how they are reflected on the children's artistic taste. The goal of the study is to find mechanisms that activate these conjunctions in a way which increases their reflection on the growth of the child's artistic taste. This goal is achieved through knowing these conjunctions in the interior design of kindergarten classes and proving their reflection on the child's artistic taste. The study is divided to three sections; section one is titled "Explanatory Theories of Conjunctions and Artistic Taste", the title of section two is "Interior Design System in Kindergarten Classes", and section three is about the child's perceptions and his/her artistic tasting.Two research methods are used in this study. The descriptive method is used in analyzing the sample of the interior design of kindergarten classes. The second method is that of testing the artistic taste of the sample children; (Mann Whitney) table is used to analyze the test data. The test results, of the two dissimilar samples of children, show a clear statistical evidence of different percentages about conjunctions and their effect on meeting human needs. So, on the basis of the results, conclusions, and

استجابة المستخدم للتجربة الجسدية في التصميم الصناعي

Author name: علي غازي مطر
Supervisor name: شيماء عبد الجبار حميد العبيدي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تلخصت اهمية البحث الحالي بكونه يسلط الضوء على جانب مهم واساس في التصميم الصناعي قد نغفل عنه احيانا الا انه يؤثر بما لايقبل الشك بالاسس البنائية لفسلجة الجسد وبما يتعلق بشكل مباشر بالعلاقة مابين المستخدم وبين المنتج الصناعي وطريقة التعامل معه. فهو يبحث ف | Summarized the importance of being present research sheds light on the side of an important and essential in industrial design may overlook him sometimes, but it affects what is not possible doubt structural underpinnings of the physiology of the body, including directly related to the relationship between a user and the industrial product and how to deal with him. Thesis looking at the direct impact of the physical response of reliable and tested during laboratory dealing with the industrial product and the consequent strain resulting from the direct interaction with the product are different.its also trying to dismantle the ethical aspects and ways understood within the framework of the desired ideal design and what aspects that must be considered during the development of a comprehensive design plan for the production of industrial done. What are the real criteria for those ethics.The researcher put the problem discussed in the context of the question : (What's unique design current and future return to intensify the physical experience in the design of industrial products)Trying to achieve two main objectives1. Find the design trends that adopt the philosophy of returning to intensify the physical experience in the design of industrial products and to draw conclusions in this regard emerge from the theoretical framework of the research.2. The side effect of the physical output from the traditional physical experiment to measure within the current time frame during use of the industrial product and compare it with the effect he produces for use under the conditions depend on the physical experience more intensive.Through four classrooms, which dealt with the subject of research gradually through the theoretical framework included a diverse range of themes and detective. Turning through the first part, where the philosophy of physical response : which included within which the following themes : the user in response to experience physical, philosophical physical experience, atique ethics and design.The second section included and marked your subject matter in industrial product in the light of the physical experience : on the following themes : Appearance, compensation sensuous, then metaphysical exile and finally modern products that adopt promote physical experience in design And the third section included the hormones affecting the physical experience of such a groupAdrenaline and cortisol and prolactin, and others.The research has made the following findings : where 75% of the sample responded and 70% of respondents large system expected to experiment with lower percentage of cortisol in the blood after exercise game intensify physical experience because of the low psychological and physical stress level after playing the game using the muscular level and my body the biggest of them the situation in the tribal experience while playing the game tempo inhabitant ratio dimensional case also responded to 68% of the sample intentionality and 60% of the control sample for the test system. Where prolactin ratio in favor of Altghebrh dimensional decreased at the expense of tribal experience. But the rate of decline was very small and does not constitute a significant difference on a practical level.The conclusions of the researcher as follows revolves around that deal with interactive industrial product causes the secretion of the body of cortisol are the biggest apart from the fact that the body has come out of intensive physical experience or static Add to that the recipient who is dealing with the industrial product bodily experience intense will the consumption of cortisol and prolactin in greater than physical after his experience in dealing with the industrial product in the sleep mode. There is no doubt that the intense physical experience supposed to mimic the natural situation in which chemical reactions take place inside the ideal form.The researcher recommended by measuring the level of adrenaline in the urine through a similar experience a sample of the largest number of volunteers. Also examined are the recommended an examination on a mixed group of male and female alike can add to the experience of this kind of results that came out of this Find humble.

تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي == Artificial Intelligence Techniques And Effectiveness In Overcoming Designs Requirements

Author name: سامر عبد المجيد حميد
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: هذا البحث (تقنيات الذكاء الاصطناعي وفاعليتها في تجاوز المشترط التصميمي)، يتناول تاثير التقنيات الذكية على نظم تصاميم المنتجات وفاعليتها في تحرير المصممين والمنتجين من قيود واشتراطات العملية التصميمية. اذ تاتي اهمية هذا الموضوع نتيجة للتطور التكنولوجي في م | This research (Artificial Intelligence techniques and effectiveness in overcoming designs Requirements) deals with Smart technologies impact on product design systems and effectiveness in Unlocking designers and producers from the constraints of the design and operation requirements. The importance of this topic as a result of technological development in the field of high technologies capabilities, The research problem been identified by asking for the possibility fact of been smart technologies are the basis for built upon design (formally and functionally) in the future? The research aims to provide specialized knowledge of these techniques, and to specify trends of industrial products and designs according to the employment of these systems design techniques in the realms of form and functionality. The limits of this study include (Smart) electronic, electrical devices for the Korean company Samsung for the year 2012 , those are available in local markets in Baghdad. and the study contained four chapters, the first one included of the importance of research and the need for it as well as the research problem and the objectives and the limits and the specify of the terms. The second chapter has included previous studies and the theoretical frame, which contains three sections first interested in the concepts and the principles and the mechanisms of intelligence and the artificial intelligence, and the second included the smart technologies and the their use in products, and a third which interested in the design requirement definition and the types of it.The third chapter, which included measures search for community wide study based test (intentional) of the study population samples and descriptive analysis approach through analysis form after its presentation to a group of experts. And which is one of the most convenient ways to achieve the goals of the study.Chapter dealt with the description and analysis of models according to the analysis form designed by the researcher, the fourth chapter included number of results, and the most important : 1. the axis of change ranges in the product - according to the employ smart technologies and their impact on the product - was achieved well by 60% in models (1 - 2 - 3) which showed a change in the form according to the employ smart technologies in their systems, while not achieved by 40% in the two models (4 - 5) to form models remain on its traditional designs despite employ techniques in their systems.2. Change ranges Achieved on the performance of the product - according to the employment of smart technologies and their impact by100% in all models (1 - 2 - 3 - 4 - 5) ,and these technologies affect the performance and design functions primarily reflected the effect on the rest of the design aspects of the system.The most important conclusions drawn in the search : 1. A lot of elements and components of the general form of a smart device transformed from the material system (Hard ware) informational System (Soft ware) according to make them individual automated (automatic), Resulting to Reduction their sizes too much.2. Design Systems of the smart products characterized by fast performance interaction with the surrounding middle which making them time - saving products from aspects of the setup and control for achieving efficiency, and high ease of use.3. Portability and feature of changing elements & formalities which offered by display units and sensing at once (touch screens) gives great variety in the general form, and liberalization from the usual requirements for elements of form to the same device (keyboard & Normal screen), showing the desired and hide the rest.Also contain the suggestions and recommendations and then references.

الاستعارة الشكلية وابعادها الوظيفية والجمالية في المنجز الطباعي == Metaphor Formal Functional And Aesthetic Dimensions And Layout Done In

Author name: مظفر كاظم حميد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتضمن التصميم الطباعي المنجز مجموعة اجراءات تبدا من الفكرة وتنتهي بالاداء، او كما توصف من النظرية الى التطبيق. وهذه الاجراءات لا تخلو من اسس وعناصر تجسد الفكرة في منجز ملموس على ارض الواقع، منها واقعية مباشرة في استعارتها، ومنها خيالية غير مباشرة، كما تتض | Graphic Design done includes a package of measures starting from the idea and ending performance, or as described from theory to practice. These actions are not without foundations and elements embody the idea in a tangible accomplishment on the ground, including realistic directly borrowed, including the fictional indirectly, also includes other designs blends these Alastaartin and variable rates or balanced in many designs that require a sign, and the concept of the dimensions of functional orientation of Use and enhance the aesthetic values. Therefore, the researcher felt choose his research is marked Address : ((metaphor formal functional and aesthetic dimensions in the layout done)). Including four chapters, the first chapter consisted research problem identified in the statement of formal elements aliases finished layout declared Btabaah extremes (direct and indirect), which achieved a sense of desire and acceptance functionally and aesthetically. And its importance in the question of what a metaphor formal functional and aesthetic dimensions. The objectives were focusing on the identification of metaphor formal functional and aesthetic dimensions in the layout done. And finally its limits, and then determine the terms.The second chapter dealt with the theoretical framework and previous studies, as search only one study in Specialization found, a doctoral thesis in graphic design researcher philosophy (Shaima full inside) tagged : (metaphor in the default image for commercial Declaration) and three others on the subject of the metaphor, two of them in Fine Arts (drawing) and third in the specialty of interior design, the researcher did not find the approach between this study and the last three studies. And ensure that the theoretical framework Mbgesin, eat first (metaphor formalism in systems design and relations), the concept of this terminology in general and mechanisms put in the concept of the design and directorial methods in the evaluation of the structure and shape systems design and its role in the design of relations. While the second section came under the title (the metaphor between functional and aesthetic considerations) addressed the functional dimensions and dimensional aesthetic metaphors formalism in Graphic Design Ended formal shift in the design according to these two considerations. Then extracted from this chapter is based on indicators set by the selected sample analysis process to get to the search results.The third chapter has consisted action research, as determined methodology (b descriptive analytical method), then the research community and the samples selected, represented by (12) sample, the two tools of research and two Astmattin, first : determine axes analysis form, and the second : Analysis form. Then ratified tool and stability, and finally describe and analyze samples.The fourth chapter has put search field, conclusions and recommendations, and the results of the proposals.The most important results can be summarized as follows : 1. designer adopted the style excretory to borrow formalism based on the idea of the advertised subject and the nature of the slide or the recipient category, which showed a variety of ways, including direct download character peculiar subject of the idea, including indirect altered form system, some of which were collected between the two dual manner to address these levels according tastes and mental Bnahm.2. excretory focus style with the designer in the most completed designs to blend reality and imagination elements borrowed the idea, and also a mixture of different sources for the delivery speed of the plurality of meaning and interpretation and influence in psychology.3. strange shapes borrowed realism achieved by contradiction relational link between the two, beyond the pattern Alantma?a, circumscribed role shorthand meaning up to the idea, on the contrary, most of the shorthand form of fictional metaphor but a broader interpretation of the meaning.4. I took formal signifier symbolic metaphor as a metaphor for the role that represents wigs, require matching an icon directly in slang layout of what is realistic, abstract and indirect, were similar in matching original craft analogy.

خطاب السينوغرافيا في تصميم الفضاءات الداخلية : دور الازياء انموذجا == The Discourse of Scenography In The Interior Space Design (Fashion Houses As Example)

Author name: عمار طه محمود
Supervisor name: علاء الدين كاظم الامام
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: We can comprehend the addresses as a bound series of human principals and goals shaping by the sciences and connectives to build a human results revels or gives a meaning for things. So, the interior design is an entity cognitive elaborated in (our now a days world) the modern age to include in its environ sciences,arts,physics,and human directions fetching for forming an environment which adding the esthetic meaning.therefore, it will be possible to submit that through the stenography and its artistic address which is build on the idea of offering an optical picture achieving a sensitive respond reassures and enjoys with it the recipient accompanying a meaningful bearings, circulated and esthetics meanings the interior designer forming it to draw spaces identified according to imperative remarks resulted from a group of essences implied in stenography melting together within the priority of the closer essence on another of a period of time whether it was changeable or unchangeable according to the nature of the place.The research here is trying to discover the role of the stenography address in the interior spaces in the fashion houses through the show spaces; that is for the recent periods had witnessed a great development in this field ,where the optical and the audible through the stenography a creative arrangement attracting the recipient in order to activate the connection between it and there resulting design.Therefore, and according to the knowledge of the researcher ,synography didn’t witness an Arabic academic study as a conception in the interior design especially in Iraq ;so that this subject had been chosen to achieve the benefit from it by the parties of interest whether they were institutes, fashion houses or else.The thesis included in its chapters andtopics the following : - The first chapter : Dealt with the problem of the research ,its importance,goals,and limits ;then identifying the terms used in the research.The second chapter : The empirical frame which includes three topics , the previous studies and reaching to the research remarks.? The first topic : The address and its intellectual employments in the interior space.? The second topic : The stenography's address in designing the interior space.? The third topic : The stenography's address in the spaces of fashion houses' designs.The third chapter : Includes the procedures of the research, its curriculum and forming aform to identify the analyzing dimensions , so according to that it had been formed a form to describe and analyze the research's samples.The forth chapter : Implied the results the researcher reached to; of conclusions,recomands,and suggestions ;add to that the resources,the abstract in English.The researcher had reached to a group of conclusions of their most important are the following : - 1. The interior design is the ideal brooder which can bear the stenography conception in its conception and address and to relate the responsibility that the late (stenography)to it to elaborate in it to limits far to be just connected with one unilateral artistic address; where the interior design can express and include all the arts.2. Stenography is an art can be resulted in the interior design which looking for presenting consideration(functional, synthetic, and expressive) which are the whole inclusion of entity this direction and the feature essence which identify the stenography address in creation the essences and melting them with the priority on an essence on another in an exchangeable movement to reach the creation (out come) of meaning which aspirates in the show to achieve a response the recipient can understand.3. Stenography is an art can reach an extended dimensions in the ability of letting it reach the meaning of the esthetic and psychological interior space in the comprehensive design picture and these aspects represent part of forming the out looking principals of the stenography's esthetics in the interior design.

انعكاسات السرد في التصميم الداخلي == Narratives Reflections In Interior DESIGN

Author name: حارث اسعد عبد الرزاق السعيدي
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: This search is based on a common truth but missed by those who work in interior designing (ID) field such as historians and theorists, which states that the interior designs of temples and palaces of old civilization of Mesopotamia and the other civilizations that followed are considered as one of the narrative literature media that belongs to this civilized society or that, the truth that is still valid through Evangelical stories narrated by murals painted on churches interiors and the inwrought of Qur'ans stories garnishing interior walls of masjids and Mosques in the present time, as we know, language started as pictures embodying expressions of visual language unveiling meanings and significance, as humanity continued to grow, so did writing by getting its own entity that cannot be explained only by certain group of people, limiting its expressional ability so that wide scope of people won't be able using it, which led it to disappear and losing many of human experiences made by these communities and vanished forever.In accordance with the growth happened in the early and middle of the twentieth century, a group of narrative literature theorists called to use more than one way to convey their literature messages and experiments away from spoken and written form of language to ensure establishing their human experiments, to be understood by more recipients and expanding the audience using these messages with their new implications form, one of their saying was that visual entities have elements qualify them to be communicative language has its own alphabet in accordance with communicative components of this interactive environments, Following this a group of interior and architecture designers, Simultaneously, appeared calling to use the narrative literature as designing style model to produce equable significance interior designs, active in creating designing forms that differs from the traditional basis, one of the most controversial movements is the Deconstruction Movement in architecture and interior designing for this movement pioneers depended on one of narrative literature theorist, in spite of the production of this movement and the ones that are related to this synthesis approach between narrative and designing was either na1ve and limited to lateral metaphors has no intellectual dimensions out of the assimilation or metaphor, or appeared to be very odd cannot be explained even by the experts in criticism of art which led recipients to dislike its interior spaces and communication interrupted between them, that's why it didn't succeed to ensure narrative to be a clearly defined designing approach, with clear elements enough to be used by all those who work in this field for most of this style is subject to inner narrative vision and this limited narrative tools which is inspired from narrative in addition to the difference from designer to another, and incompleteness of designing vision of the sensory language alphabet enabling us to activate narrative as designing approach so can all those who work in designing to adopt it in disseminate ideas and their forward - looking vision concerning subject they embody through materialistic mold, and functional and environmental considerations they work with when designing interior spaces, when analyzing the above said a problem emerged which is (the bsence of designing forms that can be used effectively to reproduce narrative speeches as approach adopted by designer to create modem interior designs), many factors enhanced the importance of the subject most notably is the theorists instructing in interior designing field to improve designing method in way that activate the narrative approaches being one of the interior designing styles followed to achieve interior designs with future aspects in educating interior design practitioners in teaching and in the practical side.This vision came out of this study is based on aiming to describe general rules for readable message in narrative showing the ability to be used in the seen message of interior design. In order to start search it was important to define its methodical terms so that the subjective term appeared through studying Intellectual and technical concepts in narration and ways to employ them as new creation strategies constructing shape formations in modem interior design. Time term in this research defined by the interior design projects done by pioneers of deconstruction movement through the period from 2005 up to 2010. While place term is defined by interior spaces done in In global projects (entertainment and cultural) within the continent of Europe exclusively. Then defining the most important idioms in this research to conclude the first chapter of the thesis (dissertation).According to that early mentioned in this research led to rely on literary studies that pointed many aspects of the concept of narrative that emerged in the form of a theoretical framework consist of two chapters, the first addresses the issue of transforming narration in language and way to read it in interior design and what the narrative structure included such as narrator, narration and addressee and its reflections in interior design. While the second chapter we pointed out the structural foundations of the system of fiction such as character, event, place, time and mechanism with their reflections on the dimensional values in interior design projects. After that we discussed the former studies which discussed same subject of this research which enabled us, supported by what earlier has discussed in theoretical chapters through concluding indicators build on the basis of test tools in procedural chapter and that it represented an achievement for the first phase of the research approach in solving the pro bl em.While second step which is applying concluded theoretical form that has been implicated in the third chapter in which we discussed procedures and steps followed in research on its present form in order to achieve the objectives of the research, starting with the description of the approach adopted in the research which is a descriptive approach as well as the phenomenological approach in the analysis, and identify theresearch community and the election of the sample according to research on several criteria that fit with the goal of research, then we dealt with aspects survey of the building tool by creating survey application tool and check its apparent credibility verifying the validation of the tool by external analysts in the company researcher, so we can measure the relationship between the variables according to the note form for analysis then to discuss the results in the fourth chapter to draw conclusions and the most notably were : • narrative stimulates our minds to clarify our vision of design in internal projects since we are encouraged to confer complexity in our thoughts to activate unexpected innovative solutions achieving the appropriate between vision and the completed design.• Efforts to form and support our designs by the narrative is the same that help the interior space recipient to understand us better and more effectively deliver the visual message to them.And search came out with some of the recommendations, most notably : - • The interior design theorist must take in consideration, when heading towards other fields of knowledge to gain from, defining the limits of concept without leaving them fuzzy and with unknown potentials.• Designers have to embrace the idea of promoting the impression of the interior space nature in harmony with time and place in a way that support the designing event and confers upon it drama in aesthetic and functional performance of interior design.Finally, to pave the way for research in the future indicating the beneficiaries of the research.

تصميم الحلي المعاصرة في العراق وتقنياتها == Design of The Contemporary Jewelry In Iraqi And Its Techniques

Author name: وسن ناصر الشاوي
Supervisor name: محمد جاسم كاظم | محمد ابراهيم محيميد
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: استحوذت الحلي على رغبات شرائح واسعة من الناس في العالم، وفي العراق كانت الحلي ولم تزل من المتطلبات الاساسية الهامة في حياة النساء فهي تعكس الجوانب الاجتماعية والاقتصادية وهي دليل على ثراء ومكانة مرتديها. لعب وزن الحلية ومقدار قيراطها دورا مهما في تصاميمه | Jewelry design in the world has occupied a considerable part of population's interest. In Iraq, jewelry was and is still a necessary and important requirement of women's life. Jewelry reflects the economic and social aspects of life and people. It is an evidence of richness as well as social prestige. Metal weight and carat plays and important role in quality of goldsmithery and jewelry design. Further, precious stones play a remarkable part in both the type of design and the value of the ornaments Moreover; metal coloration has its effect in showing the aesthetic aspect of metal, and is used as an element to enhance the impact of the jewelry design.The use of enamel in jewelry coloring has played an important role, and has its stature on both gold and silver jewelry. The study lies in five chapters and deals with both design & techniques of the contemporary jewelry in Iraqi, focusing on the precious metal and gem jewelry. It has two goals : 1 - Identifying the bases used by the designers to create the shapes used in contemporary jewelry design. 2 - Clarifying the techniques employed by contemporary jewelry designers in Iraq.The most important findings of the research are. As for the first goal, it is found that : 1 - Iraqi Contemporary Jewelries are usually made of gold and silver, platinum is not used. 2 - Iraqi designers fall under the impact of cultural and economic factors. 3 - The continuous use of (Mina) in gold and silver jewelry coloring. 4 - the large use of geometrical shapes and designs. 5 - Designers used symbols, especially those derived from religious believe.As for the second goal : 1 - The use of several techniques in the jewelry making such as different types of casting, cutting, wilding, forging, drawing, pressing, rounding, bending, punching, rolling and other modern techniques. 2 - In decorating valuable metals (gold and silver), the designers used the techniques of sanding, perforating and filigree. Examples of designs and techniques employed are shown in color plates

استلهام الاشكال الواقعية وتطبيقاتها في تصاميم الاقمشة المعاصرة == Inspiration The Natural Forms And Their Applications At Modern Fabric Design

Author name: اسمار عبد الوهاب علي مال الله
Supervisor name: ناصر حسين الربيعي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The nature is a basic element for designer because it's containing variable elements as spots ,lines ,areas ,tangent forms ,colors ,and spaces and these elements consider at permanent change at visual view upon in what happened at the nature of such variables so it's controlled by nature law as birds , animals , insects ,fish ,shells ,coral groups ,sea waves , followers and plants.The role of designer is coming to extract what is wished to of such visual system to achieve what does he want to express for his own vision , and by his different performance means then the creative eye could see at the nature different designs and on great degree of accuracy and the design it consider as of many expression fields that sensed by human since of his existence on the earth and his insisting of need so the human concluded to centuries of meditation for different aspects to the basic of science and what occur on it of developments to reach with us of great revolution of science to recent century so the designer become as the important role of taking the different appears of nature as testing look and got of awareness ability to discover in what own of arts values and so we should choose the designer to achieve his expressional goal and to put the suitable solutions for designs problems.The fabric designer have the ability to inspire of his many source and multi means as to get for the obvious source inspiration or influence by representing source has the motivation of inspiration so the good designer who influences with all surrounding of direct optical visions effects or effects of inspiration designs invited him of thinking and meditating and analyzing represented as inspired design so every thing he , could do is a reflection for accumulated information results of previous optical or conceptual vision of the life and environment and behaviors , from this it come the recent subject study of ( the realistic forms inspiration and their applications at mordent fabric designs ) that included fourth chapters by using digital technology and the research goals were to discover the realistic forms and employment it to inspired designers of modern fabrics women by using digital design ?and the research goal is discovering realistic forms which inspired by designers then it employed their designing works ( on fabrics women ) and secondly to know the realistic inspired applications for modern fabrics women the research identified by subject to study the realistic and inspired forms to design the modern fabrics women and the research limited at time to design the modern fabrics women for the period 2009 - 2013 and local.Second chapter limited by many researches the first got the realistic forms sources and inspiration at nature and the second chapter got of the application of realistic forms and then it were extracted the signs that took by theoretical frame and by previous studies as follow : Third chapter took the research procedures that included the research's curriculum as discretional analyzing and research society that amounted of ( 93) designing models and removed of ( 70 ) designing models because their repetition and inconvenient of the research purpose so the residue were(23) of samples and upon the sample selection were mentally selected and about the research instrument were presented by bill of fabrics women design that prepared by researcher and included many axis's , the expertise were confirmed on it on basis of samples analyzing and then confirmed it validity according to bill's axis and for the fourth chapter it included the major results that concluded by the study as follow : 1 - The versatility of the inspired designing forms resources as natural resources to represent the realistic life because their a viability and their beauty specially the plants upon contained the love of God of beauty get the benefits of designers by employing it for fabrics designs specially the women designs that depended on it by designers to move the acceptance awareness as result of belonging to there realty then the inspired forms comes of the civilized heritage because it consider as a source and basis for design that never be ended so it's assign of civilizations and their symbols and the it inspired from the manufactured environments where it comes with medium ration and their employed as continues renewing as times and upon the forms inspiration by the society environment as the less ratio of appearing.2 - The executed forms by using the inspired application for the direct transferring decoration from the Islamic period3 - The appeared of designed style applications of indirect that's mean the modified and selected were used as many and it's followed to performing the forms where it shows the inspired forms as new character by new additions and arrangements gives the forms new look and sign get out of imitation.4 - It appeared the new style of implementation the inspired designs creations from the reality depend on inspiration of the natural reality beauties and not just literally transferring of reality so it harmonic with renewing spirit and technology developments science.Adding to the chapter itself included for the recommendations and suggestions.

التنظيم الشكلي للفضاءات الداخلية الحديثة للمجمعات الطبية الخاصة == The Modal Regulationof The Modern Interior Spaces of The Private Medical Complexes

Author name: بان احمد ابراهيم
Supervisor name: عباس علي جعفر العبيدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The interior design, with its lavish results, in terms of construction and performance, is more than other arts closest to the people, on the basis of the art that treats the difficulties which we face in the field of movement in the interior spaces. it is an essential part of the overall architecture of the building , it is the link between the parts of the building as a integral, elegant and assorted band. It is the max goal Intended to provide an internal environment. The patch vastness is illuminative in place with moderate air , scented space , aseptic atmosphere , comfortable furniture , full supplies, bright colors, adorned walls and full significance. It does not send boring nor boredom feelings , rippling in delight and calling for optimism. The heart exults in its sweet music.it constitutes, with these specifications, an example architectural, and be a masterpiece achieving performance today it is a work of art achieving advanced functionality and aesthetic considerations bestowing, on the human, psychological and physical and intellectual comfort bringing him closer into a lot of safety and reassurance area despite suffering where damaged by disease enforced to visit the medical complexes or the fate led him to work in whatever type of work was.Therefore this research deals with the failure of medical complexes in the provision of internal spaces that meet the humanitarian needs of the physical and mental ones to its users. Accordingly this research came upon the modal regulation of the interior spaces of the modern medical complexes , the idea of this research is generated from a research problem - what is the role of the modal regulation of the internal spaces of the modern private medical complexes to meet the needs of the occupants ? The research aims to detect the modal regulation of the interior spaces of the modern private medical complexes in terms of performance and aesthetic form in order to access to modern interior design.The importance of research hidden in the fact that these complexes must be within the terms of modern therapeutic environments in the world regardful the scientific and technical progress in the methods of providing medical and therapeutic services to the general public, regardful the aesthetic side and achieved through the creation of a modal regulation leads to the performance, functional and aesthetic purpose.The research relied on theoretical study and the analytical study of the healthful spaces. The research is divided into four chapters , the first chapter of the research included the problem of the research and its significance in addition to clarifying and defining the goal and borders and the definition of the most important terms contained therein , the second chapter dealt with the theoretical framework which consists of four pivots, the first one included the studying of the shape concept and its philosophy the sources of the shape and regulation and modal comprehension. the second has dealt with the concept of form in interior design and objectives of the modal regulation in the interior design, properties in the interior design,influencing factors in the modal regulation and the modal relations. The third topic dealt with the modern techniques and their influences on the form of spaces in the stage of Postmodernism, the form in the interior design in the stage of Postmodernism, trends of the movement of postmodern, disassembly internal space according to the modern vision, the impact of new technologies in the design of the internal space, modern ores, modern techniques of raw materials. While the fourth topic was taking about the modal regulation of the elements of the knowledge of the interior spaces of the medical complexes, the concept of inner space, forms of internal space, regulation of internal space, elements of knowledge of the internal space, vertical and horizontal determinants, the optical elements of the interior spaces of the compounds medical, furniture elements of the internal space decorative elements in the design of the internal space and the environmental control systems.The chapter 3 favored with the research procedures where adopted the descriptive analytical method in the research sample which represented by the sample of the form of medical complexes with the regulation and preparing an application for the pivot analysis based on the indicators of the theoretical framework and adopted as a standard basis and in the process description and analysis.The research included the current interior design (of the internal space of the medical complexes) that was established for the period from (2003 - 2013 ) and still operating for the fact that this period specifically represents several intellectual variables on the level of the architecture and interior design the most important of them is the appearance of the enormous technological discoveries which played a major role through modern techniques and its relationship to the performance and function of interior design space for medical complex at the level of the body and the raw material ,so they were counted according to the specific considerations , specifically that fit with the theme of the search, bringing the research (7) medical complexes on Al Karkh area. Samples of research were selected from it in a deliberate manner. The results have been circulating on the society as a whole , the research relied on the sample intentionality by ( % ) consisted of three internal spaces of the medical complexes. It has been chosen for the research because it is differentiated in terms of the use of modern technology at the level of functionality of these spaces. So the three spaces below were chosen as a sample for the research because they share with each other considerations in determining community and differ from each other in terms of interior design , namely : 1. Iraqi Specialist Medical Centre. 2. Dar Es Salaam Medical Center. 3. Razi Medical Center.The fourth chapter has been included on results, the most important are : 1. The non - completion of some of the vertical determinants of top of space,which was resulted to us cacophony of modality in the case of the design which had a negative impact on the achievement of the performance career, as well as giving a clear impression in the negative aesthetic taste which reflects the foolishness of the interior designer.2. The absence of fixed supporters at the vertical limiter which imposes their conditions as a system especially if the absence of theses supporters has a negative impact on the job achievement performance for the privacy of the users of thatbuilding.3. The glass material for doors and windows is free from the self - cleaning properties in addition to the fact that it never provides solar protection and acoustic and thermal insulation, while there is an alternative material of glass where these properties are available in it, which contains the NANO technology which led to weakness in achieving functionality and aesthetic.In light of the findings and its discussions has been going out some conclusions : The absence of typical architect in the building complexes body (medical specialist ) led to the emergence of some of the functional and aesthetic problems in most of the complexes.1. The absence of the use of modern materials due to unavailability in the market or difficult to be purchased impacted negatively on the general authority for architectural and interior medical complexes.2. The absence of the role of the interior designer in terminations and specialist furniture in addition to improper distribution of lighting impacted negatively on the aesthetic and functional values of the medical complexes.3. , The absence of the specialists in the selection of materials of the finishes and furniture caused a breach in the colorimetric regulations which led to confusion in achieving the aesthetic aspect of the medical complex.The research ends for submission of proposals and recommendations pertaining to the subject of the study.

البساطة والتعقيد في بنية تصميم العلامات التجارية == Simplicity And Complexity In Brands Design Structure

Author name: رؤى جعفر سعيد ياسين
Supervisor name: مها اسماعيل علي الشيخلي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This research addressed the subjects of simplicity and complexity in brands design structure, because these two styles of simplicity and complexity play an effective and important role in the design of brands in order to attract the largest number of recipients. The problem lies in how to use the styles of simplicity and complexity correctly and without exaggeration to deliver a clear message to the public. Thus, the messages will not be limited to the expression of the benefits of products only, but also calls for believing and trusting the brand for greater impact and effectiveness on the recipients, so the brand design structure is considered one of the problems faced by some companies trying to attract consumers to remember their brand and set it apart from competitors, and hence the researcher has put the following question : How is the simplicity and complexity in brand design structure exemplified? The aim of this research is to reveal the simplicity and complexity in brand design structure. This research focuses on the styles of simplicity and complexity in Ogilvy agency in the United State of America, in the years (2011 - 2012). Chapter two included the following topics : first topic : the concept of simplicity and complexity in art and design, second topic : simplicity and complexity in graphic design, and the third topic : the structure of brand design.The researcher then mentions one previous study (Brand Personality Creation Through Advertising Design), then the research’s procedures were mentioned, which included the research methodology and research population which was world famous brand designs. The study sample was chosen to be fifteen (15) samples consistent with the requirements and nature of the study, the researcher has shown the study’s tool represented by the analysis form which included several aspects and were presented to experts and research committee and based on that, the samples were analyzed. The results were based on the most important analyses, of the most important results : 1) the style of complexity in design is represented by an increase in elements during the suggestion process, as the design becomes crowded by many elements adding beauty and visual appeal denoting the vitality, youth and the spirit of the young because of the multiple shapes and colors and their variety. The multiple colors and vitality in design attractthe viewer’s eyes towards commercial advertisements and more importantly towards the brand.2) Globally, brands care about designing the shape of products, and having a unique identity distinguishing it from competitors in designing their products and keeping their principles of providing the same high quality and continuing in providing the best always, the outer shapes of a product helps remind people of the brand and sticks in their minds, even if a company wanted to change it in the future, it will try conserving the general and main style of the product shape, and changing simple minor things like the shape of the Fanta bottle in sample (4) and the shape of the Audi car in sample (13).And the main points of the conclusions : simplicity and complexity are important in brands design structure, and both are used by global brands, andit depends on the strength and success of the idea by the designer and the useof thoughtfully selected elements and how they are distributed in a way to attract attention. The most important recommendations : it’s necessary toselect appropriate elements in terms of colors, shapes, lines and graphics, and how to assemble them to attract attention in a way that achieves a successful thoughtful advertising message with strength in creativity. The most important suggestions : the aesthetics of the simplicity style in graphic design.

التنوع التقني الحركي في تصميم الفضاءات الداخلية == Technical The Moving Diversity In The Interior Design

Author name: احمد طالب جساس
Supervisor name: سداد هشام
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: نظرا لما يعانيه التصميم الداخلي من فقر واضح في توظيف التقنيات الحديثة للحركة الوهمية في تسيير الحركة الفيزيائية وخاصة في فضاءات الفنادق والذي يعتقد ان سببه هو قلة الدرسات في البلد التي توفر قاعدة معلوماتية للمصممين مستندة على ردود افعال الناس حول انظمة | Given the suffering of the interior design of a clear poverty in the recruitment of new technologies for the movement of the phantom in the conduct of physical movement and especially in the spaces of hotels and who is believed to be caused by is the lack of Studies in the country that provide a database for designers based on the reactions of people around the phantom movement in the internal spaces Systems to be this movement to adopt a tool in spaces of hotels in stimulating the motor inference (physical movement) in spaces which is one of the most important things to be the designer to deal with it so we found that we contribute as a service to the country in search means this aspect of publicly close the part of the knowledge gap in this area. The one who came research the problem by asking : what technical variations in motor design interior spaces. And when the review of the hotel spaces and the great diversity enjoyed by found begin Pfdhaouat can be controlled in its dimensions and diversity of the material. We found that spaces Burj Khalifa of the newest hotels used where these kinetic techniques and private spaces of the main halls of the reception and restaurants within the hotel space and corridors of the hotel and could help put the blocks information could be expanded by future studies more comprehensive spaces of hotels and technologies motor. Find and goals came disclose the modern techniques of the determinants of the movement in the design of administrative spaces. And the disclosure of the impact of technology in determining the physical movement. The axes of the theoretical framework has been included on the three sections first addressed the concept of technical diversity and the second movement dimensions The third intake movement techniques in interior design down to the theoretical framework indicators and then the third quarter, which resulted in research procedures in the internal spaces of the Burj Khalifa analysis is the most important results that determine Vocabulary formal and characteristics of morphological, among the determinants of the structural organization of the space, longer Based prototype of the effectiveness of structural relationships in the global configuration of the system motor, which is transforming the movement of just a sequence and juxtaposition to the same comprehensive indication of the independence of the locomotor system space facts, and that supplements are not the axis or center secondary but as a verb based on attraction and confirms the continuity of kinetic space, working as units overlap and blend with the overall design level. The most important conclusions was, Toss techniques that regulate some of them with some of the elements giving the variation in space, achieving an imaginary kinetic system to adopt materials in a modern way in the investigation because of its functional aspects.

التفكير المرئي ومؤثرات الخيال الابداعي في التصميم الكرافيكي المعاصر == Visual Thinking & The Effects of Creative Imagination In Contemporary Graphic Design

Author name: بشار شامل كاظم الخفاجي
Supervisor name: سعدي عباس كاظم
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان عملية التفكير المرئي كاستراتيجية وادوات ومهارات لا تتجاوز حدود النظام التصميمي المتكامل ونواتجه الابداعية، وبذلك فان ادوات حل المشكلة التي افترضها الباحث بتلك الادبيات المتعلقة باختصاص التصميم الكرافيكي دفعته الى وضع الفرضية والهدف لتحقيقها وفق منهجية | The process of visual thinking as a strategy, tools and skills do not exceed the integrated design system and its creative outputs, therefore; the tools that the researcher proposed to solve the problem concerning graphic design has led him to develop the premise and goal to achieve it according to the research methodology, and concluded researcher concluded the problem of the research with several questions as follows : ? To what extent do the visual thinking tools and its strategies operate in the design and cognitive process?? What is the relationship between the visual and imaginative thinking as a system lead to the graphic design and its creative capacity?? What are the influences that surround the creative imagination as a generator of ideas and their representation to the actual reality of the visual message?? What is the role of creative imagination in contemporary graphic designation and its being universal cosmic being a visual message.? The researcher put a temporary answers to these questions in the form of a hypothesis that can be achieved through the goals of his research and limit his aim to the following : ? Identify the effectiveness of visual thinking and creative imagination effects in the development of contemporary graphic designer.The researcher identify the limits of his subject of thinking and imagination and what can be employed of them in the system and process of designation with its various outputs of contemporary feature. It is known that spatially in Europe and the United States being the forefront of the cultural landscape of the visual in marketing and advertising globally, the researcher temporally limit and cover the period between 2000 to 2010 to study the research community for being the period of the start of the contemporary graphic design, and the researcher then offers the most important terms in search of a (visual and imaginative creative thinking and the graphic design) the second chapter the theoretical cognitive framework and included three sections cognitive theoretical framework, the three sections as the researcher covered titles and themes that he uses as a base for making his research.In the first section the researcher reviewed the patterns of thinking and view the visual thinking as a system of visual thought processes, inputs and outputs as strategies and tools of visual thinking as well as the thinking skills and uses of visual thinking in education and training and the development of understanding, communication and business management skills.The second section deals with single fiction and fantasy conceptual and the role of the visual insight as well as the mental picture, and also tackles the process of imagination and the types of imagination (scientific, innovative, creative and fantasy) As well as showing the mechanics of the operation of the creative imagination and the role of visual culture, design and employ the mind to think.In the third section researcher reviewed the graphic design and its use as being a visual connection , and tackled the basis of the graphic design that enhance visual thinking in graphic designers and processors as well as the importance of formal relations association in contemporary graphic design. Chapter III contains the procedures of the research and specifying its measures which follow the descriptive analytical method. The form of analysis has been designed and presented to the group of experts and specialists, and accordingly the models, that have been selected in the study, have been analyzed.The fourth chapter included a presentation of what has been reached from the results the most important of which are the following : 1. The process of visual thinking and through visual elements, carried on according to the visual dialogue between these coordinated shapes and interspersed by semantic expressive and aesthetic to create speed in the delivery of visual message and create aside from recalling the recipient is also being generated to stay and then has a long - term impact.2. Adopting strategies of visual thinking in design and integration imparted in the visual dialogue of thinking between the designer and the receiver, being based on a single scientific basis which is clear and has positive result.3. The inherent role in visual thinking to stir the creative imagination of the designer role contributes to fire the imagination of space during the full knowledge of the mechanisms available to show the design and the possibility of the recipient to understand the message and increase its effectiveness.4. Programs and strategies used in the generation of creative imagination into a process leading to the application and realize the available skills of the designer and its potential in the development of his abilities and find new mechanisms to keep pace with the new relationships that lead her creative imagination.Then search the conclusions of which output : 1. The thinking which is based on the human senses depend on the two factors of time and space, and the specific aim away from the infinity of thought in the abstract.2. The scientific studies, dealt with the mechanics of visual thinking in humans offers the possibility to employ them in visual messages between the receivers to the source and the future in training, education and guidance and public discourse operations.3. The element of imagination in the process of thinking, is the core foundation in the integration of visual thinking with the functioning of the creative imagination with the designer and the receiver together.4. The leading programs and strategies used in the generation of creative imagination to ease the process of finding a relationship and infinite imagination within the analog reality away from the fantasy and illusion limits.The recommendations of the study are the following : 1. Interest in visual culture with the community to be a process replete with visual thinking tools and current and common which elevate the technological development and social variables.2. Urging for the spatial intelligence capabilities or the development of the picture, It is the key to technological development versus reality challenges and needs of humanity.3. Depending on the programs and strategies used in the creative imagination in general teaching methods and curriculum design, teaching students, in particular, the fact that the adoption of innovative solutions to the problems and demands of reality must be inherent in human behavior. Finally, the pages of sources are supplied with an abstract in English.

التورية بين الفكر التصميمي والواقع التطبيقي في الفضاءات الداخلية == The Pun Between Design Thought And Applied Reality In Internal Spaces Thesis Advanced

Author name: زينب عبد العالي عبد الباقي
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث موضوعة التورية بين الفكر التصميمي والواقع التطبيقي في الفضاءات الداخلية، لتوضيح مفهوم التورية كمصطلح لغوي استخدم في البحوث الادبية وكون هذا المصطلح يشمل على معاني يمكن تسقيطها في تصميم الفضاءات الداخلية، لذا تمثلت مشكلة البحث عبر التساؤل ال | The research dialing with the pun between thought designing and applied reality in internal spaces , to Clare the pun concept as language term that used in literature research , and cause this term includes meanings that can used in interior spaces design , so that the research problem presented by the fooling quotation : - What available prospect in pun application in interior spaces treatment?the research has four chapters of the chapter I the problem of search (What are the pun application in the internal design spaces).It will address this problem by searching the title ( the pun and it applications Between designing thought and applied reality ) was the target of research depending on the problem that has been identified it : - - the definition of the pun concept and the extent of the involvement in designing thought type - Possibilities of pun applied in interior design the importance of the research was in : - the fact that the single new term and effective in interior design has not been addressed by the researchers from before, so it is a culture of modern design adds beautiful photos recipient the user , so its important.The research limitations included1 - the limits of objective : to study the pun subject applications in General interior spaces.2. The limitations of places : interior spaces commercial shopping centers, malls in the United Arab Emirates 3. limitations of temporality 2005 - 2014was followed by terms defection paragraph that used in the search , the secnd Chapter its theoretic farm in cloud three research the first one about pun concept ( language - Art - philosophy ) Second one it about designing thogh the third one about the pun and it applications in reaallty by using modern ticnecal.the theoretic frame get same indicators based onb An analysis of the models, Chapter three is the research methodology, which included descriptive approach in the analysis of Sample form included observation and analysis models and pictures of models aplecations , and the last fourth chapter Forms annulling the results of extracted from the analysis of the models and the results and conclusions The recommendations and proposals, the most results are : - 1. For the pun location of the space is implicit within its location in template I totally verified as part of and More of a part of the space and verified as being relatively includes all space, as the theme of the second template still disguise verified for relatively part of space, and is non - verified for more than a part and each space. The template III was lacking in mhwz is implicit in sites for more than a part and is relatively verified For the part of the space2.. Indications that is implicit in the template for special meaning it earned in appearance and implicit and also is the meaning of the second, the indications disguise is partially achieved for special meaning for the meaning of it is unachieved I (AVIC I) and but it achieved for relatively displayed, either for the template III is relatively achieved. And the most important conclusions were : 1. Modern packaging technology is no longer the most important applications is implicit in space, and that Its presence in a deliberate and systematic it buried a lot of unwanted also helps to highlight the function The inspirational within the space in which we recognize and deeper 2. The application of the technology that is implicit in interior spaces is the success of the application of modern technology as a tool which Technical Help is implicit in that apply within interior spaces.3. The tool is implicit is the technical The modern packaging technical B and this is no technical Technical packaging of the most important tools of the Help technology application is implicit in space, and that there is a lot of techniques, but that it is implicit packaging is one of the most important space

الانعكاس الجمالي للتفاعل البيئي في اثراء تصاميم الفضاءات الداخلية == Aesthetic Reflection of The Interaction of Environmental Enrich Designs Interior Spaces

Author name: صلاح الدين قادر احمد الجاف
Supervisor name: جبار محمود حسين العبيدي | لطف الله جنين عبد اللطيف
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: If any civilization has the estethic and its environment beautiful you'll feel design next to Ihorha and translated language unique and special Amzjha people are aesthetic in a very magnificence, where is the interior design of the systems aesthetic cognitive vehicle to fit on a Masasat interactive producer and overlapping and associated knowledge contiguous may be real or phenomenon which makes this specialization added to the cognitive level specialties who needs an outstanding level of expertise and performance or outstanding level of analysis and synthesis, and that as well, it must check to see intentional provide the data for such interaction and the inevitable overlap. That the situation of intellectual trying Almmazjh between thee formations fact objective and our understanding of it as a tool or utility and a means to achieve the goals of utilitarian and functional in order to maintain the composition necessitates the existence of this interaction. And that this interaction is live that raises a conflict within the Concept itself and system design seeks to interact and continuity and renewal, That's where the form of the environment and estethic result from the interaction of three basic components through the needs and requirements and types environment which components dynamic configuration, and then fixed factors which are determinants in the composition of the interior, such as patterns and interaction of these Alaoml that determines how that form the body of the Interior. This means the integration of factors, continuity and the inability to be separated in the environment design which is always a mirror that reflected ones, which lead to enrich spaces of the Interior, through the meanings and multiple interpretations andconnotations and abundance of the elements interacting to achieve a system design simple or complex In light of this.. The study objective reflection of the aesthetic of the interaction of environmental enrichment and its importance within the internal space of houses residential, is important in interior design, where lies the study, said in a statement that the awareness of the environment has become a necessity designed by the nature of this age and that what struck the environment from imbalance and disorder of thehuman environment This has become imbalance is growing rapidly unusual, that the goal of clarify Alatarmufahimi the interaction of environmental and aesthetic reflection to be a Bmanihama texture integrated and comprehensive and their impact on interior designs, whether existing urban areas or the environment for new components of the interior design elements Where that take advantage of the philosophical concepts of the environment and its components and enriched and its aesthetically pleasing design reflected on housing designs and commensurate with the culture and habits of everyone to keep pace with the progress and evolution. As unveils what carries Avcarelvelsfah and theories that you need to identify them and highlighted and an understanding of the attempt to take advantage of them. The study also trying to shed light on the philosophical concepts of beauty and the design and estethic idea and innovative sense of aesthetic idea. It is by recognizing the aesthetic organization and keep it within the phenotypic traits. Which aims to refine and refine and enrich the development, in order to realize the rights and the aesthetic appearance in nature and the technical and business aspects of behavior It can illustrate the importance of studying the interaction of environmental andaesthetic reflection of the following points The interaction of environmental and aesthetic reflection of the environment help to personal growth because it gives new possibilities for the behavior and recognize that the interaction of environmental and aesthetic reflection at teak and place a sense of intimacy and thus love with the place and belonging and Esida the spirit of cooperation As the study of this research was to enrich the library and try to fill the void is clear in this matter and as a result of the lack of technical studies and the process by which this subject is specialized to demonstrate the concept of interaction artistic Darcyan and researchers in the fields of interior design of the interior spaces and promote relevant theoretical knowledge, including the promise of opinions and explanations - based philosophical related to the environment and estethic with expression guaranteed in the aspects of the intellectual environment of the Interior, and also contribute to enhancing the possibilities of the use of semantic systemsdesign in spaces Interior and enrich the interaction of the internal environment and the extent of their relationship in the processors aesthetic design with the organization of the elements of the inner space environment within a philosophical frameworkAnd through informed researcher on many spaces interior modern residential, it was found necessary to identify the implications of the aesthetic of the interactions of environmental, where the use of philosophical concepts of the environment and itscomponents and enriched and its design reflected aesthetically pleasing designs housing and commensurate with the culture and habits of everyone to keep up with the progress and development and consistent with the area and the size of the internaldeterminants that it was necessary to exit the position illustrates the aesthetic reflection of the interaction of environmental enrichment designs interior spaces and consistent with the privacy of research topic, consisting of four chapters.. Making it afertile field for study in theoretical research and analytical For this researcher found that includes the (first quarter) formulation of the research problem which can be summarized by asking the following : What are the elements of environmental interaction of reflection to enrich the aesthetic designs interior spaces?.. In light of this objective researcher research focused in determining the tributaries of the interaction of environmental and aesthetic level reflected in enriching designs interior spaces, and through study and exploratory.. The researcher found that the study did not address it one of the researchers.. This is found justified logically and scientifically focused on clarifying the goal of research... As for the limits of research has identified in terms of the substantive study of the reflection of the aesthetic of the interaction of environmental to enrich spaces of the Interior, as included limits the spatial and temporal study spaces, interior designs for residential global contemporary countries continents (Asia, Europe , and South America), especially for the period from 2000 m - 2012 m.. As the researcher also define many of the terms relevant to the subject search In order to reach the objective of this research was to draw the second quarter your theoretical Blotar.. To study includes three sections in this chapter It first section dealt with the concept of beauty based on clarifying the concept of aesthetic philosophical thought.. With reference also to the study of the concept of reflection and stages Ncaha and theories, have adopted all of these threads to review many of the aesthetics of environmental and spatial and the most important characteristics of vision aesthetic andbehavior, experience and preference and judgment aesthetic to illustrate the importance of beauty to be the starting point and the base of the current study While focused second part, on a study to identify the concept of interaction and theories and objectives as well as the concept of environment, history and forms and elements and the mechanism of interaction of environmental through identity, and the types of Alostnvaa also discussed topic on the concept of place philosophically and their interaction with the place and organize space and characteristics of interactive spaces interior design The third section has included review of the concept of enrichment in interior design, levels and conditions and the role of beauty in enriching thought inventive and attractions visual rechaer in design and factors affecting it, also addressed the topic enrich the meaning innovation through artistic taste with reference to the role reversal aesthetic perception and mental In interior design enrich the image of the place through interaction chromatography It must be pointed to the adoption of a researcher in this chapter on the tables, charts, illustrations for the subject of study.. As well as from the picture Alfotgraveh for some modern residential spaces as well as the adoption of the researcher to some photographs of the interior designs that have been obtained from the references and sources, and adopting as examples and basic underlying base build a theoretical framework.. The researcher also to draw the most basic indicators that resulted from the three theoretical framework Investigation The third chapter specialization in determining the subject of research procedures, since it relied on the descriptive analytical approach has included research community schedule includes (6) states.. from within (7) continents, which showed a whole diverse and varied for the constituent elements of the space residential houses... Since that study is looking for the tributaries of environmental interaction, has been relying on intentional selective method of sample of the original research community.. Which has been on the track select models sample research elected that serve the purpose of the study and the closest to achieve, and the (6) states of the total (3) continents at a rate (45%) of the research community, and because it has been designed thoughtfully for the interior design and architectural , has also been selected based on the views of experts in the field of scientific and professional competence In order to achieve the goal of the research, based on the approach, it has adopted a researcher at the collection of information relating to research on the scoping study and landing sites marked by form numbers as a tool to gather information. And then the numbers include identifying Form axes analysis, consisting of primary and secondary passages have been organized according to the scientific method to search.. This is in addition to the experience of the researcher in theadoption of illustrative photos Models Search designs. For the purpose of confirmation of the validity and comprehensiveness of the analysis tool, has been presentation form Conversation analysis on a group of competent experts to demonstrate the comprehensiveness and validity to achieve the goal of the research..For the purpose of the correct application of the tool on the research sample, then resorting to extract stability analysis The fourth chapter has included discussion of a number of results within (three) main axes achieve the goal of the research and the findings of the research study to analyze the models elected, based on the means statistical.. In the light of the results and discuss the researcher to a range of results within this chapter, which was including1 - that the possibility of enriching the aesthetic employment was achieved in all samples2 - The design environment created by and interacted within the range of symbols and they owned the meaning or set of meanings that crossed from fiction was a cause for change and interaction3 - The traditional strategy of shape and material used and the nature of the user as well as light colors was one of the fundamentals of enriching the interior spaces Finally annexation Search List of Arab and foreign sources and a summary of the study in English.. Researcher and so could that complements the research process with the help of God Almighty

اليات تحول الشكل في تصاميم الفضاءات الداخلية == The Mechanisms of Transformation Form In The Designs of Interior Spaces

Author name: اراء عبد الكريم حسين
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: As the flower shops are a part of the model that signifies the civilized appearance of Iraq , they became an important requirement on which depended the necessity of transforming the form in its design dimensions that keep with the style of the present age and its remarkable imprint as described as a directed message including an aesthetic and cultural vision to have flowers and that doesn’t mean necessarily that they embody living or real implications in themselves, but in their aesthetic symbolism and expressions according to aims carrying a meaning in their different taste dimensions , Consequently , a behavior will be produced which conforms with this direction in taste , This arrive us to the title named research "The mechanisms of transforming the form in the design of interior spaces ".The research consists of four chapters as follows : - 1 - The first chapter deals with the research problem " Which clarified by the following questions : - Q/ What are the mechanisms of transforming the form in the designs of interior spaces? May these mechanisms impact on activating the functional meanings "performance, aesthetic and expression" for the flower shop to contribute in attracting the others in their cultural levels and aesthetic tastes towards humane evolution for this activity ?The purpose of this research is to reveal transforming the form and its mechanism in design of interior spaces of flower shops and then to lay designs pillars for form transforming according to mechanisms that suit the age, and The importance of this research lies in presenting a study required by the necessity of evoluting the level of the interior space designs for the flower shops, the importance of research Lies the mechanisms of transforming the form in the designs of interior spaces objectively. One of these mechanisms is the flowers shops in Baghdad , Al - Rusafa side in the period 1975 - 2013 spatially and temporally. in addition , the chapter explains the terms mentioned in the title of the research linguistically and terminologically to get practical definitions.2 - The second chapter contains the previous studies and theoretical frame. This chapter consists of four part as follows : ? The first part : enlightens transforming the form and searches in the concepts of transformation and form.? The second part : deals with the design dimensions for transforming the form that include " idea , material , style, function".? The third part : is searching for the source of generating the design form and the forces affecting its transformation.? The fourth part : adopts the design consideration of interior design as the objective fundamental to transform the form.3 - The third chapter : contains the research procedures and methodology. It depended on the descriptive methodology in analysis, Only six models were chosen by the purposeful selection to study the samples of the original research population, the instrument of the research adopted across several axes on which the form of analysis was built, indicating the degree of realizing those axes in addition to describing the research models and their analysis.The fourth chapter : includes findings and conclusion reached by the research as follows : - 1. The deep understanding for the concept of mechanisms of transforming the form, as described the general topic contained in the phenomenon of interior space of flower shops, and its effectiveness of its role when it is applied on the part, its influence reflect in different partial transformations and with functional values (performance and aesthetic), it may reflect on all with high proportion, to realize the full transformation on the level of interior design.2. The interior design “separated from the building“ characterized with spatial characters satisfying the considerations of design to transform the form as compared with middle and corner spaces, The interior design also presents a wide and flexible space for active possibilities through which the interior designer may create formal transformation which their mechanisms adopt aesthetic things satisfying the receiver’s taste.3. The façade is regarded as the most active space visually in transforming the form in its functional dimensions of flower shop especially the aesthetics of innovated design and the nature the exhibited things express by their significant value about the identity of professional space design.The fourth chapter also contains the theoritical design and practical pillars, recommendations general suggestions, beneficiaries and design proposal, in addition to horizontal diagrams, tables, illustrative means and a list including references and appendices.

خطاب التصميم الداخلي وانعكاسه السلوكي في فضاءات السلطة : قاعات البرلمانات انموذجا == Discourse of Interior Design And Its Behavioral Reflection On Spaces of Authority : Parliaments Chambers A Sampling

Author name: علاء الدين كاظم منصور الامام
Supervisor name: سعد علي يوسف البصري
General topic: Fine Arts
Specific topic: Interior Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:

تحوير الاتجاهات التصميمية لاجهزة العلاج الطبيعي

Author name: زيدون خلف جبار النصيري
Supervisor name: باسم قاسم الغبان
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

التطور التصميمي للعوازل الصوتية وتوظيفها في الفضاءات الداخلية == The Design Development of Acoustic Insulation and its Application for Interior Spaces

Author name: الاء طالب كريم
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

توظيف المواد الشفافة في تصميم هيئة المنتج الصناعي

Author name: ليث فريق كمونة
General topic: Fine Arts
Specific topic: Design
Degree: Master
Language: Arabic
University location: Baghdad

ايجاد معايير تصميمية لنافورات المياه باسلوب الوحدات النمطية == Finding Design Standards for Water Fountains by Using Stereotyped Units Method

Author name: مصطفى محمد بركات
Supervisor name: محمد ابراهيم محيميد الدليمي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

واقع العلاقات التصميمية للصورة الاعلانية في المطبوع العراقي : دراسة تحليلية

Author name: كاظم علي الجاسم عاصم الربيعي
Supervisor name: نصيف جاسم محمد عباس
General topic: Fine Arts
Specific topic: Design
Degree: Master
Language: Arabic
University location: Baghdad

وضع معايير في التصميم الداخلي لملاعب الاطفال دون سن السادسة

Author name: ولاء عدنان عطا
General topic: Fine Arts
Specific topic: Design
Degree: Master
Language: Arabic
University location: Baghdad

واقع وتصميم وطباعة التقويم العراقي

Author name: صفاء عبد السلام
General topic: Fine Arts
Specific topic: Design
Degree: Master
Language: Arabic
University location: Baghdad

واقع اخراج الصحف النصفية وطباعتها في العراق وامكانية تطويرها

Author name: يعقوب يوسف
General topic: Fine Arts
Specific topic: Design
Degree: Master
Language: Arabic
University location: Baghdad

دور الفلم المتحرك التعليمي في تحصيل طلبة كلية الفنون الجميلة في مادة اسس التصميم

Author name: احلام محمد جرجيس
General topic: Fine Arts
Specific topic: Design
Degree: Master
Language: Arabic
University location: Baghdad

تصميم وحدة هاتف عمومي لمدينة بغداد

Author name: عبد الكريم علي القيسي
General topic: Fine Arts
Specific topic: Design
Degree: Master
Language: Arabic
University location: Baghdad

تصميم بدن المرقاب 14 لاعقدة وامكانية تصنيعه من اللدائن في العراق

Author name: احمد عبد اللطيف احمد
General topic: Fine Arts
Specific topic: Design
Degree: Master
Language: Arabic
University location: Baghdad

تطوير التصاميم المطبوعة علي الاقمشة الوطنية ذات العيوب المظهرية

Author name: ابراهيم صاحب حسين
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad

تطوير تصاميم اغلفة علب الادوية للمنشاة العامة للصناعات الدوائية في سامراء

Author name: هند ودود فرحان السامرائي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad

مفهوم الحركة في التصميم الطباعي

Author name: احمد فيصل رشك الغانم
General topic: Fine Arts
Specific topic: Design
Degree: Master
Language: Arabic
University location: Baghdad

العلاقات التصميمية المتطورة لتنظيم الفضاءات الداخلية الكبرى

Author name: ايمان قادر البياتي
General topic: Fine Arts
Specific topic: Design
Degree: Master
Language: Arabic
University location: Baghdad

وضع اتجاه تصميمي لمجلة الاطفال دون سن السادسة في العراق

Author name: مها اسماعيل علي الشيخلي
General topic: Fine Arts
Specific topic: Design
Degree: Doctorate
Language: Arabic
University location: Baghdad

تطوير تصاميم جسور عبور المشاة في العراق

Author name: اشرف نذير عبد الهادي عمر صالح الخطاط
General topic: Fine Arts
Specific topic: Design
Degree: Master
Language: Arabic
University location: Baghdad
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