Author name: عبد الكريم حسين عبد السعدي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

Abstract: By the name of God the all merciful, thanks to his grace, and peace upon his greatest profit Muhmmad bin Aabdillab. There is no daute that Nahj Albalagh in the highest situation of the Arabic eloquence, for that many of Arabic linguestics - ainsent and modern - do their best to explane it's words and sentences in their books and researches.This research is stepping on the same way of those, it studied the stranger in Nahj Albalagh which had been jaid by Aliyy unbnu Abi Talib peace upon him and collected by Alshareef Al Radiyy. ( 406 A.H.). This research divided in preface four parts, and a conclusion. The first part is apreparated one, it is in two chapters, the first chapter studied the strange in the Arabic language in general. And in the ( Nahj ) particularly . The second chapter studied the ( text ) firming, and it's regestredment, there were three kinds of texts. a : texts conteporared Al - emam Ali peace upon him. b : texts precedied AlRadiyy several hundreds of years. c : texts conteporared al Radiy's collecting of Nahj - albalagah.The second part was studying the strangest of the word. It had three chapters. I studied in the first one the strangment of the singular word. And in the second chapter I studied the strangment of the word in meaning, in the third chapter I studied the strangment of the word in it's etymology. I studied in the third part the strangment of structure in three chapters. I specified the first one to the strangment of the whole sloup, the second chapter to the strangment of the speech because the irregularity of the word or because of their entangledment. The third one was about the strangment of the speech because of the highness of it's elocuence.The fourth part of this research was about the strangment of rhetoric building it had also three chapters. The first chapter was about the strangment of the ( eloquence system ), the second one was about the ( rhetoric science ), and the third one was about the strangment of the tripic system. I ended my research with a conclusion, which I explain in it the most emportant results. At last I would like to thank God for my successful in this research, after that I would like to thank my professor Dr. Abdullah Ahmed Aljubouri who guided me in this research and we landed together on the shore of Nahj - Albalagah safely.

فلسفة التربية عند هربرت سبنسر == Spencer's Philosophy of Education

Author name: نسرين خليل حسين

Supervisor name: علي عبد الهادي المرهج

General topic: Philosophy

Specific topic: Modern Philosophy

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

Abstract: The main idea which has dominated on all of the themes of Spencer's philosophy is the idea of development and he was the first who apply this idea as inclusive apply in all fields , and because the education is one of his philosophy themes he built his educational philosophy on the base of his developmental ideas so that his educational thoughts becomes with no doubt as a main theme of a modern educational thoughts in a manner, we require a closer look at the origins of educational philosophy and its branches and its goals .And to achieve my goal from the remarkable research "Philosophy of Education for Herbert Spencer " The plan came, which includes : The first chapter was titled " His life and his era and his philosophy " and it is in three parts the first one was about Spencer's life , and the second one is about the circumstances of the era which he lived in and it includes two themes they are : the political reality and the scientific reality which impact on him, his thoughts effected on his era. While the third chapter we talked about Herbert philosophy and its influence on his educational philosophy it includes three Main themes the first one is Involuntary Spence's attitude on religion and science, the second one is the relationship between philosophy and science in Spence's philosophy, and the third one is about the development law.The second chapter was titled " the philosophy of education for Spence " it was divided into 4 main parts the first one was on the subject of Spence's attitude of education at his era, it contains two themes they are : Spencer's criticism of the education system and his presented of the sciences which must be taught, while the second one was about " Mental education " and Spencer's criticism of the style of education in mental education as well as the principles of teaching in the education industry, then we explained the educational teaching methods from the perspective of Spencer. In the third chapter we talked about Moral Education Regarding the normal penalty of education and the need for natural educational penalty for Spencer. The fourth chapter is about Physical education, it contains three themes : the first in is about the importance of education for Spencer and the second one is about the methodology of Spencer in education Physical and psychological education, while the third one is about The impact of mental effort on physical health.The third chapter was titled " the education and its relationship to morality and society and politics " it contains three parts the first one was about Education and morals and it has a multiple themes such as Moral development for Spencer, and the moral rules, and the concept of moral education for him, and What selfishness, altruism, and Relative and absolute morality for him. And he made the second one in a subject of Education and community we talked here about Spencer's opinion in society, its kinds , and its development steps. It shows the similar faces between the humanitarian society and the Organism, Beside talking about the rights as a necessity in the educational process, and the third chapter on the subject of education and politics it contains three themes : the first on is the development of Political Thought for Spencer, and the second one was about the ideology of political parties for Spencer, and the third one was about An attempt to clarify the educational policy system for Spencer.While the fourth chapter entitled " The presence of educational philosophy of Spencer in modern western Thought " It has been divided into three parts : the first one is held in the presence of Spencer in England Thoughts, the second one was about Herbert Spencer present in European Thought, and the third one was about Herbert Spencer in American Thought.

Author name: تغريد ضياء مشفي الفخري

Supervisor name: سامي مكي العاني

General topic: Arabic Language and Literature

Specific topic: Literature

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

Abstract: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class

التوجيه السياقي في تفسير مقتنيات الدرر وملتقطات الثمر للحائري (ت1353هـ) == Contextual Directing In Interpreting Of Muqtanayat Al - Durar And Multaqatat Al - Thamar " By Al - Haeri ( Dead 135A.H )

Author name: يوسف عبد القادر عبد سلوم الحسني

Supervisor name: لطيفة عبد الرسول عبد علي الضايفي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

Abstract: الحمد لله رب العالمين والصلاة والسلام على اشرف خلقه اجمعين محمد واله الطيبين الطاهرين واصحابه الامناء على كتاب رب العالمين ورسالة سيد المرسلين.وبعد.نال جهد المفسرين الاوائل على مر القرون عناية من المفسرين جيلا من بعد جيل وعناية الباحثين الذين حاولوا ال | Praise to Allah , God of all the universe and peace be upon the most honorable of his creatures Mohammed Peace be upon him and his pure and good family who were trustworthy people upon the Holy Quran and the message of master of messengers ,and then : - Efforts of pioneer interpreters over centuries got great care by interpreters generations after generation and the concern of researchers who tried to acquire what were presented interpretation efforts.Knowing that pioneer interpreters had presented an important and unique outcome as they were proactive in offering scientific items and rare interpretations through their abundant knowledge , aware of the secret of that great book. The latecomers of interpreters beneficiated from that great efforts with their outcome. But we did not deny that we got privacy explanatory and unique. This description included Al - Haeri interpretation which was called " Muqtanayat Al - Durar And Multaqatat Al - Thamar " which was complete interpretation of Holy Quran in twelve volumes by Mir Ali Al - Haerti Al - Tahrani in which we studied. This book was verified by Mohammed Waheed Al - Tabsi Al - Haeri and reviewed by Mohammed Taqi Al - hashimi which we saw contextual directing phenomenon as one of its important characteristics that enabled the researcher to justify a method in interpretation exceed partial interpretation of holy Quran interpretation based upon pronunciation and meaning or upon limited sentence to the text of Holy Quran which characterized the current interpretation.Therefore our research did not concentrate upon partial sides in interpretation , but depending on a plan not only concentrate upon single word or pronunciation , sound and morphological formulas , which was the issues studied by two researchers focus on Al - Haeri method and linguistic efforts concerned. Accordingly the title of the study was : " Contextual Directing In Interpreting Of Muqtanayat Al - Durar And Multaqatat Al - Thamar By Al - Haeri ( Dead 1353A.H )". The research was divided into three chapters preceded with preface regarding introduction of the interpreter due to its rareness translation , his method of interpretation , context theory and what were said about it from the pioneers of this trend in linguistic research and their researchers.Regarding first chapter , it was under the title of contextual directing of syntax which dealt with contextual directing multi - aspects syntax and syntax narration and grammatical differences , besides the effects of grammatical instruments in context. Second chapter dealt with the title of contextual directing of grammatical structure which included contextual directing of structure symptoms and grammatical transfer. Third chapter dealt with site directing in Holy Quran speech. Then the circle was expanded to include sentences limitation as directed to discover final guidance.which came as follow : Site directing in communication with prophets , good people , with Muslims and heathens , besides comprehensive speech for others regardless belief status. Conclusion consisted of the most prominent results reached by the researcher which will be useful in studying Holy Quran interpretation such as adopting context directed for interpretation whether grammatical or site ( circulation ) or text.

اعتراضات شراح التسهيـل علـى ابـن مالـك : دراســة نحوية == Objections Commentators Easing The Son Of The Owner Grammatical Study

Author name: محمد علي عبد الله العنبكي

Supervisor name: سامي ماضي ابراهيم

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

Abstract: Thankfully praise befits His Majesty, and his power is great, Praise be to God, who honored the humanity, Islam and made us proud, and honored us with AF, and prayed to God to His Prophet Muhammad and his companions and the divine. Almentajabin The best language the language of the Qur'an (Arabic), (down by the spirit secretary. On your heart to be omniscient. (Arab spokesman Amin) (poets 193 - 195) It is the scientists who Ulloa this art sincere devotion, and made his way most of their Ibn Malik (d. 672 AH), he left his book, easing a great impact in the Arab, and held the high status among the authors who wrote in his time; to collect it the grammar in summary, it was a rich students science - sufficient for its lengthy This effect has been demonstrated in a tribute to the scientists, including Ibn Khaldun (d. 808 AH), which decided to book the facility the son of the owner to have absorbed all of the transfer of rule He said his Damamana (d. 827 AH) : "Book collecting benefits collect frequent, and disclosed his words GLT value was every word of it Dora, do not be meddling in the bounty of the income from the door to engage him, and if you count other waste there is no doubt that the mayor Resulting in an idea of choosing the subject of consolidating a set of grammatical issues objectionable to a set of annotations, which invited me to Osgelh subject of my thesis (b objections commentators easing the son of the owner grammatical study), nor would argue that I add to this study to the son of the owner of a male, nor to His glory, glory, it is late in the developed decades in the male and fame, who revived the study as fees and landmarks Tamsh What objections commentators easing the son of the owner, but to complete what was initiated by former grammarians, it is an attempt to discuss their objections with reference to deaden diverse books. Our aim of all this is to reveal the truth of what went to him commentators in their objections to the son of the owner, walked in and whether it is scientifically objective attitude? Or if their objections tend to criticize the abstract without any evidence The previous studies that have taken place on this subject, they are two studies The first study, presented by researcher : the patience of quality, Ph.D., entitled (the annotations easing grammatical study of the budget), submitted to the Faculty of Education, Ibn Rushd, Baghdad University, 2013 The second : the objections of Sheik Khaled al - Azhari the son of the owner in writing (noble connector to about easing), the researcher Mohamed Ibrahim Hassanein, a (research) submitted to the Al - Azhar University, Faculty of Arabic Language in Cairo and study distinguishes this study from others they deal with most of the annotations easing printed, unlike previous studies, they examined the objection explainer explainer on another, as well as so that my work is based on a set of annotations objector by the son of the owner followed by a conclusion and Mazan Thesis are arranged in four chapters and boot, He studied the boot : (objection grammar : The term and concept), and devoted the first chapter of the study (curriculum commentators facility to object grammar of the son of the owner) and consisted of three sections. The first curriculum objection grammar when commentators and the second objection grammar patterns when the commentators, and the third : Types objection grammar when commentators The second chapter : studied (objections in introductions and grammatical nominative or indicative), was in two sections; the first : the objections in the grammatical introductions, and the second : the objections in the nominative or And singled out the third chapter of the study (grammatical objections in Mouncobac), and consisted of three sections, the first lesson : the objections in Mufaullac, and the second : the objections in the exception case, discrimination, and studied the third topic : the objections in the name of that and her sisters and And dealt with in the fourth quarter : (grammatical objections in the addendum and disciples prepositions), and split on the three sections, the first of which he studied : the objections in the addendum, and the second : the objections in the disciples, and the third objections in prepositions. The conclusion, they included the most important findings of the study, followed thesis bibliography of sources and references. The approach taken in this study, it is the historical method balancer through the collection of objections cited by the commentators on the son of the owner, and then I put a title for each issue objectionable and studied grammatical study, turned away from the text of the objection, as reported by son of the owner, and documented from the source, and then submit a summary outlines the substance of the objection, objection and discuss the extension of the views of grammarians, and income statements it is probable or weakening contained objections, as well as the graduation of the different evidence, whether from the Koran, or the hadith, or the words of Arab poetry and prose both suppositions.For this thesis it has objected to a number of difficulties stand in the forefront unavailability of some of the explanations printed, as well as that the large size of the one explanation and the multiplicity of its parts, we find that explanation headmaster army arrived to (a tenth part), as well as so obvious difficulty in the search for the words of objection when commentators and this march, making a trip this thesis uphill was not affordable. And I have to thank him right thanks and praise my teacher supervisor, Dr. Sami past Ibrahim, who provided me with the directives of sound and views bright since the idea of choosing subject so firmly established on its market, and endured with me to read it and follow it, and that persistence with science students, Vdzah God Me the good of what may reward byAs well as to each of did to me known, professors are generous, and dear friends, and make special mention of them d. Raad Karim Hassan, as well as d. Eyad Suleiman, and Mr. Amer apparent Alabadana, ask God to Adzehm richly rewarded I conclude my voice the words of Sheikh Qalqashandi : "To be excused for standing by, the results of ideas on different Alaqraih not come to an but spent every one of the estimated capacity of (God does not burden any soul. But what Otaha) (divorce 7), God and the womb had stood on the omissions or error Vosalehh, Aadhira not Aazla, and Mnala not Naila, it is not acquitted of the absurd, but the shelter of God and Asm, has been said : the book Kalmklv not be extradited from culpability, and brings with him the pen; and God Iqrnh luck! and instructs it to clear through! (and compromise I put my trust in God, but he and I turn to him) (Hood 88. Researcher

تداخل الانواع الادبية والفنية في شعر الجيل التسعيني العراقي == Overlap Of Literary And Art Genres In The Verse Of 1990s Generation Of Iraqi Poets

Author name: كريم عجيل صاحي الهاشمي

Supervisor name: طالب عويد نايف الشمري

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

Abstract: لا يخفى على المختصين بالادب والنقد ان النص المتداخل يمثل وحدة نصية تتسم بالاشكالية الادبية والفنية معا، الامر الذي يؤسس مطلبا لكشفها ورصدها في النصوص الابداعية من هذا النوع، التي تعد مجالا رحبا للدراسة والبحث، لما ينطوي عليه من كثافة لغوية تعبر عن خفاي | The 1990s Iraqi poets generation isconsidered as one of the important generations of Iraqi poets in the field of culture and literary criticism due to the fact that its poets have acquainted themselves with the achievement of the former generations and attempted to comprehend it within adeep artistic vision in order to establish a trend guided by awareness of these visions and broad enough to embrace their different orientations and aspirations on the level of vision and art. This achievement was flexible thanks to its transformational structuralism from the lyrical poetic patterns to the dramatic narrative ones that came as a response to the requirements of denotation through anew formulation springing from the creativity co - occurring with the multiple literary genres. Overlap means that a single genre enters into various interrelations rendering it acceptable by the receiver through utilizing its formative elements and using them as new elements and tools of this new generated art (poetry) in order to create the aesthetic pleasure and to bring verse into the domain of the open text that can embrace fine arts.The verse 1990s generation of Iraqi poets overlapped via a series of stylistic and artistic techniques that consist with the textual content of their poetic texts due to the structural peculiarity of the course of poetic structure in spite of the confusion and looseness inflicted by modernism approaches that seek to remove boundaries separating literary genres, even though they did not cancel the delicate internal characteristics between them. So the approaches mentioned remain in bad need of them and their existence is necessary to identify the amount of displacement that ensues or the new deviation in their generalities that tend by their overlap to formulate and merge with other genres through the flexibility that the 1990s poem providesThe overlap between the poetic and the narrative has become clear. The dissertation came across many details that indicate the kind of this overlap, its methods and styles and these were studied according to the predominant ones of which. It has also become clear that the poem of the 1990s Iraqi generation of poets is a flexible one in terms of its theme and style and embraces the fields of modernism and consequently embraces the ideas and visions of their composers in the midst of hard circumstances surrounding their lives yet the broadness of vision entertained by this generation poets made them overtake the epic without isolating themselves from its painful details.These mechanisms that cope with verse came to be one of its aesthetic foundations that distinguish it and made it a text open to overlap with the other genres in their interaction and communication with each other let alone their consistency with the allegorical poetic discourse structures which represent a concomitant feature of the verse genre. The narrative techniques have become predominant in the text components, for verse represents a pure creative field but it infiltrates to all other fields able to put up with its effectiveness in infiltration and its ability to create a montage that renders the poetic production of images and others consistent with its delicate details through different axes as illustrated in the textual corpora.The 1990s text entails that time is not fixed because it represents a frame of the text and is involved in the crux of the textual structure and its organization.Reading the poetic achievement of the 1990s Iraqi generation of poets, we may conclude the presence of a great interactive recognition in the patterns of setting structure formulation and its prominent presence in their poetic texts on both the single structure and the total structure of H - setting a matter which shrouded their texts with aesthetic and technical features that the receiver can feel in their verse, for its well - known that man by nature deeply related with place. Undoubtedly, the poet, therefore pays special attention to it and his relationship with the place is exceptional and his recognition of its effect is tremendous and this results in a peculiar relation between the poet and the place with an interactive dynamism that generates different meanings. The poets of this generation made use of the interpretive level and its broad scope to embody the theme of event in a concomitant way that combines both the real and the imagined. It may also show the dynamism of the event and highlight it by the role that the characters play in the narrative poetic text and their unity in a relationship that reveals the nature of the event and its type when it relies on different religious and folkloric references.It has also become clear that the 1990s generation of Iraqi poets wanted to introduce a poetic achievement far from adherence to boundaries that separate it from the other artistic and literary genres, their achievement, therefore, was rich with overlap with these arts in a way that opens a large scope of stylistic and technical exchange a matter which characterized it with the feature of interaction through the employment of contextual structure techniques and textual structure styles. It is obvious that the poet was deeply concerned with the overlap between cinema and poetry and it is easy to conclude that the 1990s verse in Iraqi overlapped with cinema art and the fields of imagery that it employs follows the rules and techniques of this art to the extent that its well - known procedural tools allow both on the level of acting and direction. Cinema was one of the most important arts that overlapped with verse and through this overlap, it enables the poet to express his views and ideas in accordance with the features that characterize cinema. It is clear for all those concerned with cinema now important are the audio and the visual effects in the production of the cinematic picture, for these effects play an auxiliary role in the completion of the picture and making it easy to comprehend on the part of the receiver in order to emulate the real life that the cinema clips is tackling.It was revealed that this overlap was based in accordance with apattern of diverse and multiple structure in which poets resort once to following a traditional system of cinematic art and portraying things as they are in real life, and another follows the new trend of this art and avoid the exact imitation of real life in the pictured narrative material. It is not hard, anymore for the literary text receiver to observe that literary arts of various types are overlapping to the extent that it's now possible that they meet and introduce a single creative discourse for they all seek to perform an aesthetic effect on receives via expressive diversification and indication that crystalize the vision of its producer. Literature attempted to make use of painting effects through the diversification that overlap between verse and other arts permits and tried to paint with words. The employment of painting in 1990s verse was not confined to sketching the picture and embodying its dimensions via words alone but the increase in this employment in most their poetic texts so it overtook it in a manner that make it a participant in the acts of characters when they imitate a certain scene

المعايير النصية في كتاب تحف العقول عن ال الرسول لابي محمد بن علي الحراني (ت 381 هـ) == Textual Standards In The Book Of Minds Jewels Of Prophet's Family

Author name: قاسم صاحب كريم الاسدي

Supervisor name: صالح هادي شمام القريشي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

Abstract: This study sought to apply the methodology text linguistics represented the seven criteria that classified all of the de Bojerand, and Drssler, and made her mainly from the basics of text, and the most important components.It has adopted the method of selection to choose texts of sermons and governance, and necessitated the nature of the subject and the material available that includes research on the introduction and preface, three chapters and a conclusion.I began to boot three sections, the first section dealt with the life of Shaykh Ibn Harrani Division, and related, where he was born and his studies and his scientific stature and moral and elders and his students and his death and its effects. The second section was the definition of a book (Antiques minds for each apostle) and its content and its place and accounted for and sources. The third section, was in linguistics understandable language text of the text and the impact of the Arabs in the text studies, and the concept of the text and idiomatic origins when linguists, and edit terminology. And I discussed in the first chapter, which relates to the text and are standard : foundries (Cohesion) and harmony (harmony).And it worked first internal structures of the text - grammatical ones - which is the formal means of cohesion that connects parts of the text among themselves; from about : repetition, and the definition or identification, referral, and deletion, and linking.The second and singled in the FAQ relations, to detect the manifestations of harmony enjoyed by the sermons and governance, including the antagonistic relationship or (bilateral antibody) and the relationship overall, and cutting - relationship is why the result and relationship requirement answer and the relationship of the question and answer and addendum relationship and the alternative relationship.And was based Chapter II : over related Bmstamla text, whether it is a product of the text, or Mstamla, two standard : intentional (Intentionality), and acceptability (Acceptability), the first and singled on the study of the purposes of the author and analyzed, and what was purports to deliver it to the recipient, including the concept of intentionality, and concept to the ancient Arabs and the direct and indirect purposes when the ancient Arabs, and intent from the perspective of text linguistics, direct and purposes (phenomenon), and the purposes of indirect (hidden).The second and singled in the acceptability of the texts of sermons and rule the recipient and its interaction with her, and to achieve textual property, including the concept of acceptance or admissibility, and acceptance from the perspective of text linguistics, and the mystery and acceptance and understanding and acceptance, and the factors that help the recipient to understand and types of reading in the process of understanding the receiver, and acceptance of linguistic lesson of the Arab perspective.The third chapter was reciting in relation to the physical and cultural context surrounding the text, including the standards : media (Informativity) and Almqamah (Situationality), then intertextuality surrounding it, eat concept of linguistic and terminological and.Me was the first section of media study and concept and media in sermons and governance, and the media in sermons and governance, and in the media and as a metaphor and information.The second topic I care study Almqamah, and regards this standard on the occasion of the text, and related material and cultural context and the position and the circumstances context in linguistic lesson Arab, and when grammarians and Albulageyen and commentators, and when linguists modernists, and the types of context, and context internal or linguistic, and external context, or the context of the situation, Oosyak place, or Almajeryat.The third section of the highlights intertextuality, and the extent of its prevalence in the texts of sermons and judgment, and his contribution to the building reads, and the delivery of its purposes to the receiver, and ensures intertextuality language and idiomatically, and intertextuality in linguistic lesson Arab, and forms of intertextuality in Antiques Minds book (proverbs and governance), Direct and intertextuality (Tnas Transfiguration) and intertextuality indirectly (Tnas rough), and intertextuality with the Koran, and intertextuality with the Hadith, and intertextuality with hair, and intertextuality with proverbs..Then concluded the thesis conclusion, said the most important of our findings, and proven sources and references, which was based on our research.

المتن والهامش في الكتاب لــ ادونيس : دراسة نقدية == Text And Margin In Adonis's "The Book" : A Critical Study

Author name: عز الدين صخي خضير

Supervisor name: عصام عسل حسن العتابي

General topic: Arabic Language and Literature

Specific topic: Literature

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

Abstract: The thesis deals with the text and the margin in Adonis's "The Book" A Critical Study. It describes the central saying which dominates the content of The Book on special level. On the other hand, It dominates the history of the population on public level. It is a hegemony throwing light on Adonis's view point who has uttered the culture of the transformed text. It springs from philosophical basis, believing in the principle of move due to the move of reality, leading to guarantee the Adonisian pure transformation, that forms an intellectual, knowledgeable, innovative and aesthetic break off with what is prevalence in the Arabic and global cultures.Adonisian text is interwoven one; many philosophies and culture has melted within it. Therefore, his text is a combination of poetry and intellect simultaneously. The Graphic and textual structure of the Book has gained a special importance; on hand described as a new innovative writerly text, history is dissolved within it. On the other hand, described as a science embracing all types of cultures - sometimes they cross with poetry and other time they meet with it. The former reveals the hegemony and persecution; the latter glorifies the innovation and liberation, and between this and that the opposition between text and margin, emerges the former glorifying, and the latter critical, within them dialectic occurs at which time is existed in its three dimensions (the past, the present and future) - exposing and knowledgeable - leading to the victory of the text over the margin and that is through presenting unified and comprehensive vision about reality. Its principal relies on the principle of motion; It leads the necessity of transformation. Through the induction of the whole content of "The Book" it turns out that the graphic and textual structure same as pyramid; religion serves as its basis, cylinder is composed of text and margin, and its top is the vantage point. So the start is deconstructive mode, its conflict is exposure and the salvation / vision, A structure each part of it inescapably depends on the other; and this combination of parts leads to vision / salvation. The hypothesis of thesis attempts to be proven from the introduction to the conclusion. It divides thesis into an introduction and three chapters discussing the reading of the text and margin in Adonis "The Book"; it depends on three pivots; first fundamental; second foundation; and the third the term which seeks for the potential exemplar of knowledge beyond Adonis's creative and intellectual idea. On the light of the exemplar, the term "the text and the margin in The Book" will be specified. The first chapter is The start / Deconstruction which discusses the tools of Adonis's critical view point toward The Stable / The religion. The first tool : the rebellion against the sacred; the second : the glorification of sin. Chapter two is The Conflict / the revelation which throws light on the dialectic of text and margin leading to exposing knowledge. That is achieved through three points; first is the combinative structure of The Book; the second is the dialectic the history of authority / the margin. The third is the dialectic of glorification / the body. Chapter three is salvation / visions which consists of a comprehensive vision discussing its singularity and its optimistic / pessimistic dimensions. The systematic and academic process of thesis ends up with conclusion which recapitulates the important results of the research, on intellectual level is that man in the absolute center of universe. On the creative level is that poetic writings do not correspond with axioms. However it is a perpetual transformation producing suspicion and anxiety in all certainties.

نقد البلاغة : دراسة في المشروع البلاغي للدكتور محمد العمري == Rhetoric Criticism Study In The Rhetoric Project Of Dr. Mohammed Al Omari

Author name: زينب ميثم علي

Supervisor name: فائز هاتو الشرع

General topic: Arabic Language and Literature

Specific topic: Literature

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

Abstract: فقد بينت النظريات والمناهج النقدية المعاصرة, بعد تفعيلها قراءة النص ان النصوص التراثية قابلة للتشكل وفق تصور حديث قد يختلف عن تصور منتجها, وقد اتضح مدى عمق كشف هذه النظريات للاسس التي ارساها بلاغيو العرب, التي كانت, ولا تزال محط انظار كبار النقاد والباحثي | Showed the theories and methods of monetary modern yet activated to read the text that the traditional texts are constituted in accordance with the perception of an interview differs from the perception of governing, as evidenced by the depth of these theories and foundations established by the Arabs, which was and still is the focus of attention leading critics and researchers rhetoric, reflected this perception in the project Dr. Mohammed Omari in reading the Arab eloquence, and it was the title of our research "Rhetoric Criticism study in the rhetoric project of Dr. Mohammed Al Omari" to solidify this perception, came divided Find the three seasons after booting between the Biography scientific Dr. Mohamed Omari, the concept of criticism of rhetoric, either the first chapter was titled "terms of reference of the project" has included three sections are : References Greek, Arabic and references, and the third section of Western references.The second chapter entitled "read the rhetoric" and included three topics are : the history of rhetoric, which included the history of magnificent poetic, and the date of the statement of rhetoric, and the date of the public rhetoric, the second section theories of rhetoric, which included the receipt of Western theories, Arabic and theories, while the third section was titled criticism rhetoric, which included cash of trends in rhetoric, and rhetoric bosses, and rhetorical Studies in cash.The third chapter, entitled "rhetorical project," which included three sections weakness : the concept and the term that was affiliated beneath terms that re - flick about, localized terminology, innovative and terminology, while the second section titled theoretical dimension included poetic discourse, discourse deliberative Hajaji, and of public rhetoric , while the third section came under the name Applied oriented included voice applications graphic, persuasive applications deliberative, public rhetoric applications. He concluded several search results Perhaps the most prominent. - Greek, Arab and Western Omari Project, it was the Greek in the establishment of the theoretical basis deliberative side persuasive, while formed to study the root acoustic balance, while contributed Western references in the order of these topics and consistency in a new configuration. - Track Dr. Omari in "read the rhetoric," its history and progress and the different sciences receive literature and speech from rhetorical to another in spaced periods of time, noting obtained evolution, as explained various theories special Ultimate received.

السردية في اخبار نفح الطيب من غصن الاندلس الرطيب == Narrativity In Anecdotes Of "Nafh Al. TIb Min GhusN Al.Anduls Al. RatIb

Author name: رائد يونس لفتة

Supervisor name: سناء ساجت هداب

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

اللسانيات الانثروبولوجية منظور معرفي لدراسة بنية الثقافة العراقية

Author name: جواد كاظم ابراهیم التمیمي

Supervisor name: علاء جبر محمد الموسوي | علي زیدان الجبوري

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

التناص الديني في شعر الغديريات : موسوعة الشيخ الاميني انموذجا == Religious Intertextuality In The Poetry Of The Ghdeeriyat From The Encyclopedia Of Sheikh Amini As A Model,

Author name: بشرى خضير شمخي

Supervisor name: هناء فاضل سلمان الدليمي

General topic: Arabic Language and Literature

Specific topic: Literature

Degree: Doctorate

University: Mustansiriyah University - College Of Literature

Language: Arabic

University location: Baghdad

First pages:

Abstract: My thesis entitled : (Religious Intertextuality in the Poetry of the Ghdeeriyat from The Encyclopedia of Sheikh Amini as a Model,), in which I applied one of the concepts of modern criticism which is Intertextuality on the poems taken from Islamic Heritage. My goal is to contribute to the revival of the heritage by using modern approaches.I studied the Ghdeeriyat poets from the first century after Higrah to the sixth century. The number of poets whom I studied their poetry of Ghadeeriyat is fifty - five. I have noticed that religious intertextuality was limited to the interaction with purely Islamic sources, such as the Koran, the Sunnah, biographies, and histories. That approves that these Ghadeeriyat are totally influenced by Islamic resources, as they did not demonstrate any other effects derived from other religious traditions.Koran was the cornerstone in the construction of intertextuality among poets, employing its words, phrases and connotations, using its style and reflections in a productive and interactive way. This interaction with the religious text demonstrates the evolution of the religious intertextuality. The tangible images varied in their texts including visual, auditory, and taste, it contributed to supplement the text with artistic beauty, continuous movement and imagery creativity reflecting the dominance of the sensory image in this accomplished poetic, which has added to the Arabic poetry creative a clear touch cannot be overlooked by unbiased critic.We have found that the poets of the Ghadeeriyat until the sixth century AH had been committed to the rhythm and did not follow those who tried to abandon them. They have totally turned away from composing poetry by feet of five rhythms, which are : the Hazaj, Madeed, Muqtadhab, Mudharia and Mutadara. In which they did not compose even one line. That may be because their desire to cope with inherited Arabic poetic, and respecting the recipient, as well as the lack of adequate freedom of expression and prolong the poem in these rhythms.The poets of the Ghadeeriyat preferred rhymes ending with vowel sound over that ending with constant sound in which they did not abandoned the Arabic poetic teste. The Ghadeeriyat were full of internal music, especially in the late centuries, reflecting the attention of poets to this arts after Ibn al Mua’taz had established the Badee’ and the style of modernize poets who followed Abu Tammam.