عرض: 25 50 75 100 النتائج

نتائج البحث: 25 من أصل 122,632

المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية The Processors Designing For Thermal Insulation And Water In The Design of Industrial Products

اسم المؤلف: مصعب حسن عبد
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: ان هذا البحث الموسوم ( المعالجات التصميمية للعزل الحراري والمائي في تصميم المنتجات الصناعية)،يستند الى العديد من الدراسات التي تناولت موضوع العزل الحراري بشكل خاص والعزل المائي بشكل عام, بتقديم طروحات حول مفهوم يشمل المستوى الحضري والمعماري وصولا الى تصم | Focused many studies to topic thermal insulation a private and waterproofing generally provide Propositions around the concept includes urban level, and architectural reaching to the design of inner space, as well as the Propositions of insulation system in cooling and preheating, but he did not obtain adequate level of the importance, particularly system design isolate Designated industrial products and of computer devices. The counting concept of thermal insulation and water of the concepts and basic task in the current study. However, the contemporary studies have shown significant interest concepts and applied theory and in particular technological more than others, and therefore tries to current research that offers a new contribution to take advantage of those propositions, the adoption of the reciprocal influence of the bilateral relationship between regular thermal insulation and water through the levels of performance cooling systems suitable for parts heat - producing electronic computer as well as enhanced protection system provides electronic components, the risk of water, with the aim of producing a comprehensive concept for insulation in the design of computer and access to these totalitarian pillars of design Check the best of performance of the computer, and the was the highlight implicit in his first chapter.To achieve this objective and tackle the problem of research has been crystallizing theoretical framework included three topics, 1st has included multiple levels of concepts and techniques for thermal insulation and water, and a detailed review of the parts of electronic producing heat, as well as the most important cooling systems in place through the basics of scientific transmission of heat conduction pregnancy and radiation, as well as the relationship system waterproofing lanes multiple computers and of ports output and input electronic outlets and drag - and - subtraction antenna ports for keyboard, mouse and screen, while 2nd topic, the research in what role influential ecological through the concept of home and environmental Center for the user and the computer and the levels of thermal insulation and watering the inner space and its relation systems thermal insulation, water and ranges of the mutual influence of the components physical and code performance computer as well as outputs manufacturers & their impact on ecosystem of the product industrial, while , 3rd topic was a statement processors design of the system of formal and its relationship to composition of procedure of the system isolation through novelties technical as well as posts principles and Job design elements in the structure of industrial insulation producer.Then came the third quarter search procedures, which included the research community, consisting of computers produced by the Company (HP) U.S. in the years 2012 - 2013. The total number of units produced in this period (25) model, and the Department of researcher these models depending on the type of design into three sections (laptop, desktop computer, computer tablet), which represented 25% of the research community. Through analysis and description quo of the research sample, was adopted researcher indicators The outcome of sources and references relied upon, as well as field visits to agents computers, interviewing poll carried out by the researcher using the form interview with the owners of the expertise of engineers in the maintenance workshops computers to identify the main obstacles and failures electronic infect the computer due to the effect of heat and water., came fourth and final chapter presents the results and conclusions and design foundations, recommendations, proposals, and that the most important findings of the research are : 1.The adoption law basic or importance to the Rxan through the style (All - in - One) All - in - one, him Effects career for regimes thermal insulation and water in the design of the computer through the assembling ingredients annexed in the unit run Chairperson of B (the Fund).2.. The rise in computer restraints by (3 mm) is not agreed with the thermal insulation system and the represented obsolete air drag on the fan and the not to achieve the appropriate antenna Swaps of electronic parts for emitting heat.3. the low of performance associated the specification electronic parts self - cooling technology of the processor (Intel Atom) to achieve the slim design pattern in the computer and this is not consistent with cooling the processor (Intel Core i5).4. have lacked computers to the cooling system for the video card, which parallels the rate of heat emission in which at rates greenhouse gas emissions per unit processor central as well as non employ technology cooling unit RAM and hard drive and only mechanisms of cooling convection natural thus is reflected in the performance and life of the computer.5. satisfying technical alternatives the magnetic connectivity of the screen with a waterproofing system. Traditional techniques for connect mediated axial screws.6. The distribution of electronic ports visibly Exposed to anterior and side elevations are an easy paths for the passage of water in the computer.7. Lack of integration of the functionality of the waterproofing diaphragm add the silicon rubber under the keyboard, without Add a custom corridors to Log out the water and its survival at home,8. The touch technology with occasion of waterproofing system through hide keyboard ports.
الصفحات الاولى:

مظاهر الاغتراب في رسوم فان كوخ Appearances of Alienation In Art Work’s of Van Gogh

اسم المؤلف: اسراء قحطان جاسم
اسم المشرف: كاظم نوير كاظم الزبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بابل
المستخلص: تناول هذا البحث : (مظاهر الاغتراب في رسوم فان كوخ)، فاحتوى البحث اربعة فصول، عني الفصل الاول بالاطار المنهجي للبحث ممثلا بمشكلة البحث التي تحددت بالسؤال الاتي : (ما مظاهر الاغتراب في رسوم فان كوخ ؟)،وكذلك احتوى الفصل هدف البحث الذي كان (كشف مظاهر الاغتراب ف | This study deals with the Appearances of Alienation in Art work’s of Van GoghThe study falls in four chapters. Chapter one deals with the theoretical frame which is represented by the problem of the study that is limited to the answer of the question; what are the appearances of alienation in Van Gogh’s paintings. The chapter also contains the aim of the study which is to reveal the appearances of alienation in Van Gogh’s paintings.The study is limited to investigate the appearances of alienation in Van Gogh’s paintings between (1881 - 1890). This period represents his works from his artistic beginning until his death. The researcher uses the analytical approach according to an ideological and aesthetic vision in both of its aspects the theoretical and the practical.Chapter Two deals with the theoretical framework which consists of four topics : the first topic deals with the conception of alienation, while the second topic sheds light on the concept of alienation in the movements of modern painting. The third one gives an idea about Gogh’s life. The fourth topic studies the ideological and aesthetic features in the paintings of Van Gogh. The chapter is concluded with the mentioning of indications of the theoretical framework in order to make use of them in the building of the research tool and the analysis of its sample.Chapter Three deals with the procedures of the study, it explores the society of the research which consists of 200 works of art of Cogh’s. They are distributed chronologically. These works of art are executed with different materials; 55 drawings, 26 works with water color, 119 paintings with oil, and the sample of the study which is the society of the study at the same time for the quantitative analysis. From the study society which consists of 20 works, a sample was chosen randomly to be analyzed critically in order to compensate the gaps that appear through the use of the quantitative analysis for the aesthetic and artistic phenomenon in the visual texts. This is done according to the research tool which is built in consistence with the theoretical framework. The researcher notices the meeting between the appearances of alienation and the mechanisms of the painting production. The tool consists of the cores of alienation which are : isolation, non - normative, nonsense, disobedience, impotence, despoliation, rejection, escape, and withdrawal. These are put in the horizontal core in the analysis form. The main items which include the elements of formation, and the secondary items which include the relations of formation, and the subsidiary items are put. The tool then is showed to a number of specialists and experts in artistic education and visual arts and psychology, in order to make use of their opinion in its validity. Accordingly, the form is amended by the omission and addition of some items. After the tool acquires validity, it becomes ready for use. The researcher makes sure of the tool validity through the agreement comparison of outside analyzers by making them analyze the same content separately. She depends also on the agreement through time which means that the researcher acquires the same results as she analyzes the same content after a period of time using the same tools.After the application of the statistic tools which consist of Cooper Equation to measure the validity of the tool, which appears to be 88%, and Scott Equation to measure the consistency of the tool which appears to be 87.25. She uses the mathematic average to measure the frequency of the research society. She uses Kai square to analyze the sample quantitatively. After that she analyzes the sample critically.Chapter Four includes the results and the conclusions of the study. It also includes the recommendations that the researcher sees important for future studies. Among the main results that the researcher arrives at are the followings : 1 - Isolation appears to be an appearance of alienation in the works of Van Gogh. This reflects his dissociation from the others and society in the aspects of interaction, communication, cooperation, and emotional and social incorporation. Isolation appears very clear through the elements of the critical analysis : line, color, touch, and the relations of formation. Van Gogh expresses his isolation in his paintings. Isolation appears clear in the society of the study and the statistical analysis of the research sample. The cut form is 64.06%, horizontal line is 39.16%, hot transparent color 27.73%, soft touch 19.36%, non - asymmetric balance 41.01%, color dominance 22.31%, distortion of figure through elongate 21.82%, and technical expression 20.45%.2 - Non - normative appears in the works of Van Gogh through his trial to get rid of society as he tries to focus on his being and the rejection of social relations. Non - normative is represented semantically through the constructional critical analysis of the figure and its elements; line, color, touch, formation relations. He reflects them in his paintings and the incarnation of figures and things using indicatives that reject society, life, and social connections. According to statistical analysis, non - normative appears : hot transparent color 95.3%, varied line 47.18%, normal cut figure 24.75%, tough touch 20.04%. Through the formation relations; normal representative movement 40.04%, rhythm and repetition 23.7%. Through artistic treatments : distortion of figure through stretch 26.25%.3 - Disobedience appears in the works of Van Gogh in his separation from the moralist, civilization, historical, social norms in the form a destructive trend that goes out of his person and takes the form of an aggressive behavior against society and its civilization indications. Through the critical constructive analysis, disobedience appears semantically in the form and its elements : color, touch, formation relations. Gogh expresses his disobedience through his paintings. The statistical analysis of the sample of research society reveals the following : thick hot color 56.33%, varied touch 26.8%, and geometrical cut figure 22.15%. The formation relations through the unbalanced balancing 25.25%, the rhythm and the repetition 21.81%. Artistic treatment, the distortion of color 20.59%, the expression through technicality 20.66%.4 - Rejection appears in the works of Gogh as another appearance of alienation. He expresses this through the rejection of some types of behavior and culture that are dominated in the society he lives in. Aspects of rejection appear semantically and through the critical constructive analysis of the form and its elements : color, line, formation relations. Gogh expresses his rejection through the drawing of forms and contents that goes far from society. According to statistical analysis : thick hot color 63.78%, vertical line 43.56%, and varied geometrical shape 20.37%. According to the formation relations : color consistence 31.85%, rhythm and contradicted repletion 23.64%, the relation of the part to the all 20.45%, color dominance 23.64%.The most important conclusions are : 1 - Van Gogh does not use the appearances of alienation willingly but as a result of a psychological mood that affected him in an indirect way. This is reflected in the unconsciousness of the artist affecting his production. Different moods and circumstances help in the appearance of such representations. The most important of these circumstances are his culture and way of living.2 - The psychological aspect has a strong connection with the work of art as a value that achieves a kind of spiritual connection between man and his subject. The psychological dimension of Van Gogh appears to be a centre of the human subject to introduce its suggestions about the work of art.3 - The elements of formation and its relations have semantic indications for alienation. Van Gogh expresses an emotional feature, not as decoration, but according to a subject system and as a deep philosophical and spiritual concept. The search also includes : Proven sources, supplements, abstract in English.
الصفحات الاولى:

مظاهر السرعة المعرفية في رسوم اطفال الروضة

اسم المؤلف: براق هلال جاسم
اسم المشرف: عباس نوري خضير الفتلاوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بابل
المستخلص: لا يزال العلم يبحث في الاطر المعرفية ونموها عند الطفل ووضع الحلول المناسبة ازاء المعوقات التي من شانها ازاحة ذلك النماء المعرفي نحو التدهور ولعل رصد الاساليب المعرفية المرتبطة بالعمليات العقلية وتطبيقاتها في الرسم عند الاطفال قد يسهم في توفير ظروف تعليمة
الصفحات الاولى:

مظاهر العنف في الفن التشكيلي المعاصر Aspects of Violence In The Contemporary Plastic Art

اسم المؤلف: نشوان علي مهدي
الجامعة: جامعة بغداد
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: The current research (Aspects of violence in the contemporary plastic art) described as events and behaviors dominate the whole joints of life in the western society, notably the afflictions of politics, wars , dangers of mass destruction weapon, dominance of the capitalism economy and market monopoly, the matter that reflects on the cultural and social life and stigmatized it with violence, so the plastic art was a major and vital joint reified the whole burdens and haunches of the contemporary western world including the violence, through stylish and technical treatments that resulted in a unique modification ever been familiar in the previous experiments.Therefore the problem of the research came with the query of reasons behind violence and its aspects through artistic treatments and how much did the violence aspects deal with the system of psychological, social and morale relations.We found through first chapter the target of the research that aimed to knowing the aspects of violence in the contemporary plastic art within the boundaries of contemporary art in Europe and USA in the period (1972 - 2012). Also terms were defined in this chapter.While the second chapter included the theoretical frame and previous studies , the theoretical frame included three sections, first one dealt with the violence and its approaches in the contemporary intellect , while in the second section showing the psychological and social appearances of violence. The third section showed the appearances of violence in the art. The frame was ended with indications , then showing two of previous studies related with the current study and discuss it.The third chapter dealt with the procedures of research represented by the society of the research whose population was (19)sample and the nature of constructing the tool in its primary and finally form and how to use the appropriate statistical means to show up the truth and stability of that tool and then analyzing the research's population.The fourth chapter included results of the research, conclusions, recommendations and suggestions.Results of the research : 1 - The human being is the most expressional space for appearance of violence and abuse of human in the contemporary art, one of the works who express violence by using real bodies. Or through the evidential expression by drawing or sculpture and by variant formal treatments.2 - Appearances of violence were unique in the contemporary plastic art, by depending technical treatments and materials included human and animal bloods , bodies of human and animals and real materials and stuff implemented in combination method, that opened new spaces for expression for violence that exceed capability of the classic portrait.3 - The pictures of violence and its appearances in the contemporary art were described with tendency to the formal treatments has instinct, primary and brutal opposite to the civilized cultural false life, and the afflictions of all that by tendency toward the defacing and breach the system and harmony.The conclusions : 1 - Beside the belief that violence is old and exist in every era , but appearances of the violence in the contemporary art is different in its applications and references with an extraordinary style that it was considered as a breach for the previous contexts and traditions with all kinds on the level of concepts , styles and techniques.2 - Directions of the contemporary arts reflected in its dealing with the subject of violence the social and economic side, by expression of conflicting the wars and the psychological and social effects so the acts were as a reaction against the evil in the world , invalidity of the wisdom of the civilization and express that with sadism motives.Finally the research ended with references, appendixes and an English
الصفحات الاولى:

مفهوم الذاتي في اعمال النحات الفطري منعم فرات : دراسة تحليلية Features Experimentation In Theater Iraqi Academic

اسم المؤلف: حسنين صادق عايد علي
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: اصبح ( التجريب) اليوم مقياسا للنضج العقلي والتحررالفكري من كل اشكال التقيد، كما وسعى الى ترك الباب مفتوحا للابتكاروالاضافة، حتى اصبح مدخلا مهما في تطويروبناء العمل الفني.وجاء هذا البحث لدراسة ملامح (التجريب)، واهم الاضافات التجريبية التي تتضح عن ط | Experimentation became a milestone from tradition work into creative art, conceptual work, based on breaking Perceptions and familiar artist formula into new version, now a day, its consider as indicator to maturity and Intellectual freedom from all restriction & deadlock; it also sought to leave the door open to innovation and addition till its became important iterance to develop and sustain the artwork.This research is to study the sign of "Experimentation", The most important experimental add - ons that emerges through the completed creative artwork (Iraqiacademic'sdirector), and trying marking the most important additions to the pilot on which it runs, has been marking this research under the title (The Features of Experimentation in academic theater in Iraq), where taken researcher took the additions Experimental subject with the director of academic material to be examined, which came from the four chapters : 1. Chapter I (systematic framework) which includes : the research problem and the importance of the research, the need for it, the goals of the research, the temporal &spatial boundaries, determine the terms and defined procedurally.2. Chapter II - the theoretical framework : It consists of three sections are : • The first topic : - the concept of references and experimentation in the theater. this section divided into three paragraphs where the researcher presented the concept of experimentation and the most important definitions, then the emergence of factors experimentation in the theater and then on the characteristics of experimentation. • The second topic : - the movement of experimentation in contemporary" modern" world stage. This included the topic, followed by an introduction and first two paragraphs concerned the most important schools and currents of contemporary experimental and the second where the researcher talked about experimental filmmakers in contemporary theater.• The third topic : - the director of academic and experimentation in Iraq. Two paragraphs in this section came after the introduction, in first paragraph to talk about the Iraqi theater academic and experimentation, and in the second paragraph the researcher spoke about the academic director of the Iraqi and experimentation. Then the researcher put the most important indicators that came out of the theoretical framework, dividing into as follows : indicators of theatrical text, directing specific indicators, performance indicators, technologies indicators. The researcher also connected (previous studies) which arranged by date as shown : ? Dhiyaa Kareem Riziyakh, Experimentation and its impact on the Iraqi theater, 1989.? BahaaZuhairKadihom, Features performance analog in experimental theater in the College of Fine Arts Offers, 2012.? MudaferKadihomMuhamed, Techniques experimental theater and the development of performances, 2012.3. Chapter III - Actions - the research community : - the method of selecting samples : Adoption of the way (intentional) in the selection of specimens. Research Methodology : - The researcher adopt historical method in tracking the movement of relay experimentation in the theater through the three topics, descriptive approach adopted in the study and analysis of samples. Search Tools : - has included : (what resulted in the theoretical framework of indicators, including documents, books, magazines, periodicals, documents CDs, photographs, observation that adopted by the researcher as an important tool in tracking the features of experimentation and additions campaign theatrical approved samples to search ). Find samples : - Play : "Ali Al Wardi& his Opponent" directed by Akil MahdiPlay : "Shadows" directed by Haitham Abdul RazakPlay : "Romeo and Juliet in Baghdad," directed by MunathilDawood4. Chapter IV - Results and conclusions : - (results, conclusions, proposals, recommendations, list of sources and references, appendices, abstract in English).
الصفحات الاولى:

اشتغال الخدعة البصرية ودلالاتها التربوية في مسرح الطفل Operation of The Optical Trick And Educational Implications In Children'S Theater

اسم المؤلف: منار محمد جميل الربيعي
الجامعة: جامعة بغداد
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: The current research was devoted to the study of visual tricks and educational significance in the play made presentations to children's theater. Find comprised of four chapters, the first chapter dealt with the problem of search identified the following question - : - What connotations educational visual trick to children's theater?The second chapter devoted to the theoretical framework and previous studies it.Eat first section visual form components, the picture received by the eye and are affected by built on a visual form and its components in general, either in the theater are associated with this visual plug - in theater, which was divided in this section elements to (representative, decor, fashion, lighting, makeup) or meets and solidarity in order to create a unit subject, and become the greatest value from a mere presence as a valuable elements.In the second section dealt with the (educational privacy of children's theater) For those privacy that is unique to all others in the way of the delivery instructions and the information it contains what regales the child and feeds abilities and insatiable needs of knowledge as well as those values that build character in the long run, the children's theater being The most important breeding methods that utilize audio and visual means to address the minds of these age groups in which science and art methods enjoyable as well as religious and national principles and follow the example of good role model receives. This does not negate the audience indirectly composed of key stakeholders to take this theater messages and methods of handling and processing performance in a theatrical home and school.In the third section dealt with the functioning of the trick and the production of significance, as it was allocated when talk about the visual trick and types in general the production of significance has talked about the human element, which produces meanings as a means continue linguistic and visual through innovation signals and interpret the beneficiary of the most famous thinkers of this comprehensive science not They Fernand de Saussure and the American philosopher Charles Pierce logician who invented the three types of signals, a brand and brand iconography indicative and symbol.Then current research in the relevant section dealing with semantics in the theater that had a special character in the theater because it is derived from the fact it adds greater depth and a broader interpretation in order to convey the human values format aesthetic in theater.Also addressed the topic of educational implications and visual tricks and study the relationship between them through visual deception and receiving processes and the role of the imagination in expanding the ability to think.And the importance of visual trick in children's theater presentations reflected in the aesthetic offer in a fun and interesting addition to the educational implications embedded in the context of the design of those tricks that were in director Samir Dawood in his plays Offers. This is the aspirations of the researcher in the light of the descriptive analysis of the samples in the third quarter of the search and out of the results and conclusions in the fourth quarter.
الصفحات الاولى:

اليات التعبير للتابع البصري في تصميم الفضاءات المتضمنة Manifestation Mechanics And Visual Succession In Inclusive Space Design

اسم المؤلف: ميس نصير عبد الرحمن
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: ان هذا البحث الموسوم : " اليات التعبير والتتابع البصري في تصميم فضاء متضمن " يهدف الى تحديد التوجهات التصميمية لاليات التعبير والتتابع البصري في تصميم الفضاءات المتضمنة التي تحقق النظم الجمالية والجوانب الادائية الوظيفية، تكمن اهمية البحث في محورين : ال | This thesis; titled “manifestation mechanics and visual succession in inclusive space design”, is aimed toward defining design trends for manifestation mechanics and visual succession used in inclusive space design; which insures implication of beauty systems and functional aspects of the space.This research importance revolves around two axes : 1 - Theoretical axis : emphasizes on the importance of interaction between man and interior space, through observation of main functional standards of the space deploying visual hints.2 - Practical axis : developing a knowledge base which will assist interior decorator in the process of understanding space comprehensive and sensual capabilities and deployments of visual hints to enhance the design process of inclusive space.In pursue of research targets achievement; the researcher has developed an analysis form; which covers the following : 1 - Functional and beauty manifestation mechanics, which in turn covers the following secondary aspects : (functional performance - beauty manifestation - space dimensioning blocks “floors, walls, ceilings, openings).2 - Inclusive space relations to surrounding space; which includes secondary aspects of (space design succession with neighboring space(s)), space internal successive design).3 - Visual succession suspense and stimulation, which includes : (basis and principles of “ strangeness, mystery, sophistication, variety, contradiction”, space definition plastic elements” lights, motion, colors, space supplements”). The researcher applied descriptive analysis approach, in analyzing three research samples of airports duty free markets; which were chosen carefully, to represent a wide sample range on international level; samples are duty free market for “Baghdad airport, Dubai airport, Ataturk airport”.To emphasize main of many products of the analysis process : 1 - Activation of space suspense, time illusion, motion and succession illusion, figurative attention of space interior, are all requirements to achieve beauty and functional design values; which are the tools to of visual succession activation.2 - Man tends to change his/her linear motional track often to zigzag, or curvature tracks depending on visible attractive points; this indicates the necessity in reconsidering space linearity, in a way which makes space design focus on applying attraction points proportionally to favorite motional tracks of shoppers; to direct man natural motional tracks toward designed attractive points.
الصفحات الاولى:

الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي Significance And Temporal Dimensions of Industrial Design In The Product

اسم المؤلف: مصطفى ابراهيم دحام السهيل
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: هذا البحث الموسوم ) الدلالة الزمانية وابعادها التصميمية في المنتج الصناعي ( يتناول تاثير الزمان في تحديد اهم الابعاد في تصميم المنتجات الصناعية وانعكاس تلك الابعاد في تحديد شكل ووظيفة المنتج واهم المتغيرات والتطورات التي يحدثها الزمان والتي تقوم باحداث | This marked research (significant temporal and designing dimensions of the industrial product) deals with the impact of the time factor in determining the most important dimensions in designing of industrial products Its reflection on those dimensions in determining the shape and function of the product and the most important variables and developments caused by the factor of time which make a designing changes to the industrial products including the technical and technological aspects and what these changes may occur the consequent transformations in finding shape changes to the designing form of the functional prefromance ,the quality of the raw used in the industrial product.The research aims at determining the desining dimensions and the impact of time factor in Its composition which relates derectly in the process of industrial design that might lead to clarifying designing tracks taken by the designer in desingning process as the designing comes through a continueous and changed developing form due to chronological progress and what might this factor affects on linking and classifying things according to (past, present, future).The research sonsisted of four chapters, the first one dealt with the research problems,its importance and purposes,and idioms mentioned in, the second chapter focused on the the previous studies ,theoritical frame which included three introductions , the first one dealt with the temporal meaning and its intellectul dimensions , while the second introduction focused on the designing variables of the industrial product ,through time factor,as for the third introduction ,it dealt with the designing variables and its forming dimensions according to time factor and indications of the theoritical frame which formed the research mean by designing an analysis application which resulted definition of the aspects of an analysis form presented to a group of specialized experts.The third chapter included the research procedures of a society that have expanded capacity relying on (intentional) choice for samples of society of the study and the descriptive style in analyzing the sample by analyzing aspects form after presenting ot a group of experts ,which cosidered the most appropriate method to achieve the purposes of the study, the chapter addressed to descibe and analyze the specimens according to analysis form designed by researcher,while the seventh chapter has included the following results : 1 - Significance has achieved formal variable in the specimens of the body (6,3,2) with an average(50%) and turned in the specimen(2) that it was in than it was in the past which preceded in the specimen(1), the designing shape of the speciemen changed and has been enhanced, while in model (3), the design was directed towards the sculpured mass form, hence ,the design was deffered from its predecessors in the chrononlogical past eras,model (6) has achieved the formal variable as the design derected towards the formal shorthand and became more slim than before.2 - The variables effect of the functional performance was achieved significantly with average (33%) in the specimens (6,3), while achieved with (16%) in the specimen (2),and was achieved to some extent in specimen (5), not achieved in specimen (4,1).The most important conclusions in the research as follows : 1 - The transformation and change in the characteristics of design system adopted functional addition according to the technical development besides maintaining the essential system in some specimens a matter which led to waekness of the expressive power and the apparent conductivity of the system from the innersome design, in addition to the recommendations and proposals then references
الصفحات الاولى:

البعد التعبيري لبورتريه الخزف الاوربي المعاصر Dimension Expressionist Portrait of Contemporary European Ceramic

اسم المؤلف: مياده حسن مرهج الكعبي
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: دراسه قائمه على التنقيب عن المفاهيم والاصول في قيام العوامل التكوينيه والعليا والوظائفيه بهدف تاطير الانظمه التعبيريه للخزف الاوربي المعاصر. فالتعبيرية الى جانب بواعثها الفطرية لدى الفنانين بما تحمل من دلالات الابداع الشخصي, تنقلنا ايضا الى الحاضن الخارج | Based study exploration concepts and assets in the textural factors and upper and functionality in order to framing regulations expressive of European contemporary ceramicsExpressive motivation along with artists including fungal afford connotations of personal creativity, also Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureake uArtist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitures outside the custodial culturally, and culturally.Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureNow that seen in the art of portraiture European porcelain contemporary offsets Azha and implications in the context of technical and stylistic and aesthetic implications revealed thought Alheiomana which still governs taste new milestones keep pace with progress.from here it seemed the emergence of diversity Graphic showing expressive portrait rights of the reality of cross - fertilization between the past and the goal thought Alheiomana and between the paths of renewal in the framework of modernity and onwards to praise the subject of portraiture new formulas dimension expressionist despite control of quantitative models of the products of different kinds, but the employers doctrine clastic had reached a dimension expressionist the legitimacy of the chaos emerged a clear relationsformalism the most profitable products in portraiture to find this topic rationale for the present study to decode meaning boarder behind diversity in crafting dimension expressionist for portrait porcelain European contemporary in light of the sensitivity of the artist and the expression and contain the aesthetic as well as read the shifts shapes depending on the subject matter of his face and the services of hand in a time of as the body of contemporary portraiture relationship dimensions syntheticAllow to be exploited for artistic expression through various technical treatments in addition to the presence of attributes and Graphic sculptural portraiture of contemporary ceramics from functional integration and aesthetic and associate with everyday life.ln light of the foregoing researcher assumed possession of European porcelain portrait of contemporary characteristics and dimensions of new creative expressive phenomenon influenced the art of modernity and its aftermath a lot of artistic and aesthetic concepts.and offers a researcher fragile study in four chapter included the first chapter the importance of research problem in dimension expressionist porcelain portraiture European comtemporary, have been identified in this chapter bending search time period 2014 - 2000this addition to identifying procedural came in this chapter for the most important termsbasic searchthe chapter has two within the theoretical framework, which included three sections pertalning to contemporary European ceramic portraiture.first research : expressive elements in the art of portraiture and supplements the body. section twante : first concept art of potraiture in formation section third topic of prtraiture contemporary ceramics. the fourth topic : methods of forming ceramic portraiture and techniques. As the third quarter came from search procedures for the busy professionalcontrolled by research community and appointed the fourth chapter select to discuss the results derived from the analysis of samples of research and including checks of this research and included from this study, which ended in a pri acy statement ceramic portraiture European contemporary in terms of its distinguished presance as the value of art and aesthetic affecting the various arts era and in accordance with the regulations , which relied on businessman and big goals in the history of art and ask him pictures of the body.
الصفحات الاولى:

مرجعيات البناء التشكيلي للقطة في الفيلم السينمائي References For The Formation Structure of The Shots In Cinema

اسم المؤلف: نصير حيدر لازم
الجامعة: جامعة بغداد
اسم المشرف: رعد عبد الجبار ثامر الشاطي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: The Formation represents one of the concepts that came from the Plastic Art, which has been effectively Involved in the cinematic shot structure, adapting with the cinematic form that produces motion, although The Formation in the drawing art generally an important reference for film director in the study of the nature of the composition or to suggest movement or flexibility in the usage of colors, and this led to reproduce films for global paintings, from here the researcher put the title of the subject for his research (References for the Formation Structure of the Shots in Cinema).The first Chapter includes (Methodological framework), beginning the problem of research, which is formulated on this question (what qualities which were represented by the References for the Formation Structure of the Shots in Cinema?), And the importance of this research was in addressing important issue of linking the Film Art and Plastic Art, in addition to the benefit of students and scholars in this field of study. The aim of the research has focused on the revelation of representation of References for the Formation Structure of the Shots in Cinema.The research has three limits, the substantive limit addressed feature films that dealt with global Fine paintings as a reference in the construction of the film shots, temporal limit represented by the period between (2004 - 2014), and the spatial limit represented by Films that was produced globally.The second chapter (The theoretical framework and previous studies) in three sections : The First section : Cinema relativity with plastic art.(References for the Formation Structure of the Shots in Cinema) This section has dealt with the chronology of plastic art techniques that helped to develop the Film Art over the years, such as the dark room and Magic Lantern, in addition to the will of cinema to introduce motion to be unique and different from the plastic art, and the Performing relationship between film Art and plastic art and the most important approaches and differences between these two arts.The second section : Formation Structure elements of the Shots in Cinema.Turning topic to Formation Structure elements shared between the art of painting and film art, from the point, line, color, balance and rhythm... etc., have been clarified that the basis for the Formation Structure is not a formative element, but relationships do from this element and make it an interactive capabilities with the rest of the elements for the production of meaning and information, and how the director Employs his tools in ways that leads to a Formation Structure supporting the middle of formative elements and cinematic language elements.The third section : Formation references according to the diversity of performance theories.The Operation types Selected in this section engage in the relationship between cinema and drawing, and joint productions between these two arts, and also addressed to the references of formation art that have had a significant impact in film history, such as classical, surrealism and abstract… etc., in addition to reproduce paintings cinematically, especially those paintings that belong to the global well - known painters, and how they match Formative with the final cinematic image.Finally... the researcher at the end of the second chapter came with indicators that formed the theoretical framework recap, including : that the(References for the Formation Structure of the Shots in Cinema) configuration in the cinematic shots inspires its Formation Structure from the joint proposals between plastic art and film art, and also the motion represents the diversity structure between the painting formation and cinematic shot formation, in addition to Dealing consciously with the optical script as a basic structure between the film shot and formational painting. As for The previous studies the Researcher did not find any study that specializes in his subject (References for the Formation Structure of the Shots in Cinema), except for a few references here and there in a number of books, references and researches related to his subject (The Shots Formation) which the Researcher relied on in his research.Then, in the third chapter, the researcher developed (Research Operations), he used the descriptive method for the analysis of samples in this research and then chose the intentional samples for the purpose of conducting the analysis process through the fourth chapter (Samples of the Research) : 1. Film (The Passion of the Christ).2. Film (Goya's Ghosts).3. Film (The Mill and the Cross).Then the results and conclusions in Chapter five, which the researcher reached what he purports through this research, and the most important results of the researcher is revealed that the film art has the ability to achieve symmetry between the shot and its formational references with pinpoint accuracy, which leads to the production of intellectual and aesthetic level in film structure. Plastic Art theories represent a basic reference that completes Film Art theories in dealing with the raw material (facts).(References for the Formation Structure of the Shots in Cinema) The motion represents the diversity structure between the painting formation and cinematic shot formation. As well as the painting affects the cinematic shots by making them an indication unit with specific features without linking it in the image intellectual context that insures it's formational and dramatic interaction.The recommendations and proposals by the researcher, followed by a list of sources and references which the researcher adopted at his research process, and then the supplements and the Abstract in the English language.
الصفحات الاولى:

الاضداد في النظم الشكلية للمنتج الصناعي وامكانيتها في استجابة المتلقي Opposites Formal Systems For Industrial Product And Their Ability In The Response of The Receiver

اسم المؤلف: نور عباس حسين السعدي
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: تشكل الاضداد بالنظم الشكلية في تصاميم المنتجات الصناعية التي تؤدي دورا اساسيا في شكلها ودورها في استجابة المتلقي. ولعدم قيام اي من الدارسين بدراسة موضوع الاضداد في النظم الشكلية ودوره في عملية الجذب والابهار للمتلقي قامت الباحث بطرح الدراسة الموسومة ب ( | Opposites constitute formal systems in industrial designs products that play a key role in its form and its role in the recipient's response. And the failure of any of the students studying the subject of opposites in the formal system and its role in the process of attraction and fascination for the recipient the researcher asking study tagged (opposites in the formal systems for industrial product and their ability in the recipient's response) through the four seasons, the first chapter dealt with the problem of the search centered What is the role of opposites in formal systems and their ability in the recipient's response, then the importance of research in a statement opposites systems formalism for industrial product came as one of the means in the recipient attract, and can benefit from them and put it as a way of moving Bsykologgio receiver to achieve the benefit of the individual and the community, has been the first quarter included the goal of research is to determine the effectiveness of opposites relations and their ability in response Almtgay.vdila eating it identify the terms that Tzmnha search.Chapter II has included previous studies and theoretical framework, the theoretical framework it contains three sections, dealing with the first part, the subject of the idea of spatial contrast broad faithful to the concept of antagonism and Mbdoaltdhad and philosophy of antagonism and theories contrast, while the second topic antagonistic relations and organizational bases (formal systems) for industrial product and explained the foundations of organizational relationships and their types and their relationship contradistinction, while the third section psychology of visual perception and responsive recipient and explaining the cognitive and understandable, and some theories of cognition and the excitement and response and aesthetic judgment.The third chapter included research procedures and methodology that has been through the selection of the research community and choose the descriptive approach in the case study.Chapter IV has included the search results, and most important of these The results : 1. aesthetic values achieved regulatory connotations and at different rates, where the sudden rhythmic patterns in the formal system and color models (1,2,4), while the rhythmic patterns came clades formalism of the model (2.3), either model (5) rhythmic patterns have been achieved in design through raw material (Mca).2. Tmzart formal systems for industrial body product through objective and subjective job performance achieved functional mechanism in the human body models (1,2,3,5), which have the effect of a clearly defined response in the recipient and to realize the function of the product through Almnzawmth formalism.The most important conclusions of the researcher are : 1. The recruitment of antagonism through sudden rhythmic patterns in the formal and tonal system in the industrial product design aesthetic values occur regulatory connotations which they can check the recipient's response.2. antagonism is a goal to create a sense of where the transfer of translational appointed receiver from one area to another investigator continuity, so that the contrast makes winning product design art is visually obvious and makes high - alone form different but interconnected.And the researcher then to set the foundations of the design was the most important : 1. You must sudden rhythmic systems for industrial product adoption in its system of formal and color that affect directly affect the response of the receiver.2. The use of contrast in the system size, shape and direction to enhance highlight the formal systems for industrial product and must be employed is not limited to color spaces equal and flat
الصفحات الاولى:

فاعلية طريقة الاستكشاف في تنمية المهارات الفنية لدى تلامذة المرحلة الابتدائية في مادة الاشغال اليدوية Effective Exploration Method In Substantive Skills Development To The Pupils of Primary School In The Subject of Handmade Works

اسم المؤلف: هالة محجن نعمان
الجامعة: جامعة بغداد
اسم المشرف: احلام مجيد سلمان
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: نظرا لما تمتلكة طرائق التدريس من دور مهم في العملية التعليمية يرتكز عليه مختلف الاسس والاساليب والانشطة المختلفه التربوية منها والتعليمية، ولكون طرائق التدريس الحديثة لها اهمية بارزة في العملية التعليمية فان طريقة الاستكشافية وفاعليتها في تنمية المهارات ا | Because of their methods of teaching an important role in the learning process. Based upon various grounds and different styles of educational activities , including learning. The fact that modern teaching method of Prominent importance in the learning process the way of exploration and of activeness in manual skills development, of various material especially material handicraft, and activation of different method to its full Potential and the power of the elements to get to high level of education between students and teachers. This is what the current organized (Effective exploration method in the development of skills for students in primary school ). The research consists of four chapters : - The first chapter : Find deals with problem of cross - crystalline question follow : - Q : How effective exploration method in the development of skills among primary school students?The objective search by : - 1 - Disclosure of the effectiveness of exploration development skills to pupils of primary school.2 - Measure the effective of exploration development skills to pupils of primary school for Hand work. The importance of higher research need to upgrade to high level using modern teaching method to active the educational process - and represented by the objective limits and then spatial and temporal boundaries border as well as identifying terms in the title and exit procedural definition.The second chapter : - It is including the cortical frame work which consisted of three research : - 1 - First section : - The skill and the importance 2 - second section : - included the hand work3 - third section : - included about the importance to teaching method relationship with skill sideThe third chapter : - Included research procedures and methodology adopted the experimental method has been selected sample of pupils of Al - Ashbal primary school fifth grade primary and extent of the use of meta , search teat and tribal tool.The fourth chapter : - Includes findings and conclusions that have been reached and was the most prominent1 - All hand work develop performance skills to students 2 - Conscience and artistic expression and associated operations creation and innovation development3 - Through it is to achieve social cohesion among themselves And then the recommendation and proposal, and list of sources and supplements came.
الصفحات الاولى:

الاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصاميم الطباعية Aesthetic Response And Variables In The Process of Communication

اسم المؤلف: هبة مزهر محجوب
اسم المشرف: ادوار الاشقر
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: تشكل اهمية هذا البحث مؤشرا لمواكبة التطور للاستجابة الجمالية ومتغيراتها في العملية الاتصالية للتصمايم الطباعية، فالاستجابة الجمالية تعد ردود الفعل الايجابية التي يثيرها المثير عند المشاهد اثناء الحكم الجمالي او التجربة الجمالية والنفعية اما عند المتغيرات | The importance of this report considers an index to convoy the development of Aesthetic responsive and its changes in the communicative procees for theprinting design.on scientific foundation of effective with using the facilities available for new technologies wich is available in commercial advertising through the computer which through it the effective responsive achieved Conserning with the problem and through the researcher observationjob and her study for the Aesthetic responsive.ahe found that three was aproblem in dealing eith that subject from the searcher specially for the specil reality of the Aesthefic responsive and is changes and effeeing of the communicative rocess in printing design field and that to achieve receiving the actting letter with designs filld with beautiful vaiues to do the job and to get the responses from the listener and his interaction in this letterSearcch target Discovering the changes of the Aesthetic responsive in the communicative process for printing designs ,graphic designs.The search restricted in studing the Aesthetic responsive and is change in the communicative process for the modern commercial advertisement dealing with the beautiful and creer way and that what concerned withchabter one , but chapter tow covered the oretical frame work and it divided to three investigations ,the first study content concept of Aesthetic responsive and Aesthetic concept and the second study content communicative process and the factors which depends on the success of the communicative process, also the third study is commercial advertising and the target of it functions and types artistic side of the most important things in the announcement since it concern with graphic designers?s abilities in artistic and technical skills.Recommendation and propo sals ;1. That are ative and practical application in the commercial side of the announcement.2. confirmation that the work in the design of ommercial advertising deals with receiving advertising me ssage from the designer to the recriver.Suggestions ;1.Undertake astudy similar aesthetic response for the shope and color characteristics in commercial advertising. 2.Practical study to contrast vole of the image in advertisement and its effect on the recever.
الصفحات الاولى:

برنامج تدريبي لبناء التكوين في رسوم طلبة المرحلة المتوسطة لمدينة بغداد A Training Program of Composition Structure In Secondary Stage Students Drawing In Baghdad City

اسم المؤلف: هند عماد حميد البياتي
الجامعة: جامعة بغداد
اسم المشرف: هاني محي الدين محمد النعيمي رعد عزيز عبد الله
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: تعد التربية الفنية من الدروس المهمة في حياة الطالب وخاصة في مرحلة المراهقة, المهمة في حياته , حيث تسعى الى صقل وتنمية قدراته فكريا واجتماعيا وفنيا, اذ تتيح له التعبير عن افكاره ومشاعره وانفعالاته حيث يصور العالم الخارجي بنظرته الذاتية او الذاتية الواقع | The art education regarded as one of the important lessons in learners life particularly in adolescence period. Because it a tempts to refine and enrich his abilities mentally , socially and artistically.In this way gives him the opportunity to express his thoughts , feeling and emotions through shaping the outside world with his own or realistic vision. The art of drawing considered one of the most important arts that have been used in the artistically expression which is the visual borrowing from environment. This is done by organizing the lines shapes and colors in specific palter of expression in order to be perfect by the Composition structure of the paint.From the observation, we notice that the learner flounders in his subjects and failure to produce his paint with it perfect shape and context. the reason lies, according to the researcher point of view , through her experience in the artistically supervision , the learners lacking the knowledge of the minor elements and founds of the artistically structure which is considered the basic pillar in any artistically perfect work.Depending on what is said above , the researcher has put the following aims : - 1 - Designing truing programmed for Composition the artistic structure in students drawings according to Gagne& Briggs (1988) theory. 2 - Measuring the effectiveness of the training programmed for the artistically structure elements and founds within the (cognitive - skill) dimensions. By applying it on a sample of secondary stage students. to achieve the second aim , four null hypothesis have determined to measure the cognitive and skill performance achievement level. The stay population is limited to second year boys student of the general sector of education in Baghdad city for the academic year (2011 - 2012), the total number is (27824) male student distributed on (50) school. The study sample is (40) male students which have been chosen randomly. Actually (2) classes from total (7) classes in AL - Garbia secondary school. The experimental group have been exposed to the requirements of training program designed according to Gagne& Briggs (1988) Theory which included (3) educational units.While the control group have taught by using the traditional methods. To option data , two tools are designed : - 1 - Cognitive - achievement test : to measure what in formation the students elements before and after applying the training programmed. 2 - Skill - achievement test : - To measure what drawings skill students have before and after applying the training programmed. Anevalution of skill performance list have been used. The presenter have used the suitable statistical tools such as : (mann_whitney) test to equalize the students in age, the cognitive achievement test (pre _ post)and skill performance (pre _ post). the discrimination power and difficulty of items. (Alpha_Cranach) formula to obtain reliability of the test , (Pearson _correlation) and (spearman brown).The most important results that the research have reached at is that the experimental group. exceeds in their performance of the cognitive - achievement test for article structure Composition and skill performance on the control group which shows the effectiveness of using the training programmed according to Gagne& Briggs (1988) Theory. The important recommendations are : - 1 - Adopting the designed training programmed in teaching elements and founds of artistically structure in secondary school because it is one of the important lessons.2 - Enabling teachers of art who are not specialized in art department to be supported by the content of the training programmed in teaching this lesson.The researcher has suggested the following : - 1 - Conducting a fellow up study for this study sample which have been exposed to this programmed anther studying stages to determine the effectiveness of this programmed in future.2 - Conducting a study for training programmed of Composition artistically structure in talented students drawings at Baghdad university.3 - Conducting a similar study on female students in the same stage and make a comparison between male and female students according to the results of the present study.
الصفحات الاولى:

واقع اداء الة التشيللو عند المؤلفين الموسيقيين العراقيين وامكانية تطويره : دراسة وصفية تحليلية The Performance Status of Cello Instrument At Iraqi Composers And The Possibility of Development Descriptive And Analytic Study

اسم المؤلف: وليد غازي فرمان
اسم المشرف: حسام يعقوب اسحق
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: This Research consisted of five chapters with a list of sources andsupplements : First chapter addressed methodological framework of the research, exhibited research justification, whereas the researcher referred to the status and development of music in ancient communities in both theoretical and practical levels, and its transferring between east and west, whereas many musical issues transferred to Arab world like western musical composition rules and musical instruments, especially orchestral ones, that encouraged many Arab musician, specially Iraqis, to take concern about these instruments and learn how to use them in orchestral compositions, and how that’s led to emergence of some Arabic and Iraqi orchestral compositions. Then the researcher talked about orchestral instruments, which cello instrument considered one ofthem in violin family, and he clarified that orchestral composer must have full knowledge about the characteristic of this instrument, like acoustic range and its performing techniques, whereas the composer writes special symbols on the score refer to these techniques like dynamic, ornaments and articulations…etc. Then the researcher addressed Iraqi orchestral compositions, whereas he observed a weak utilization of Cello capabilities through little usage of performing symbols in the scores. He realized the importance of academic research, and for lack of previous researches dealt with the subject, after he showed his justifications, he issued his research as : (The performance status of Cello instrument at Iraqi composers and the possibility of development).Then the researcher exhibited the importance of his research as follow : 1 - Studying the amount and types of performance techniques used in Cello line in Iraqi orchestral compositions.2 - Showing the role of Cello instrument in Iraqi orchestral compositions.3 - Useful for students and to those who involved in music field, especially the composers.4 - Considered as an academic source in music field, especially about Cello instrument.5 - Considered the first methodological study about cell instrument in Iraq.The performance status of Cello instrument at Iraqi composers and the possibility of development Descriptive and Analytic study A Thesis submitted to the University of Baghdad council of the College of Fine arts In partial of fulfillment of requirements for the Master Degree in Musicology Then the researcher defined the aim of his research as follow : 1 - Exposing amount and types of performance techniques used in Cello line in Iraqi orchestral compositions. 2 - Exposing performing status of musical usage at Iraqi composers.3 - Setting suggestions for developing composing for Cello instrument.After that, the researcher explained the limits of his research and he defined the terms. Chapter tow consisted of the theoretical framework and previous studies. Theoretical framework consisted of an introduction and four subjects; the introduction addressed music importance in community and its relation with human life. First subject addressed string instruments and orchestral composition, where he defined the term, history of the orchestra, orchestral music instruments and grouping, and then he addressed the development of bowing string instruments and violin family over the time. Third subject was about cello instrument, addressing its importance, especially in orchestral composition, its making history and development, some acoustic characteristics, and the most prominent composers and performers in the west, and then he talked about cello transferring to Arab world and Iraq.Third subject addressed for performance notation techniques symbols and their history. Forth subject addressed definition of some performance techniques and specialty on Cello. Third chapter addressed research procedures, where the researcher identified the research approach he taken. Then he chose his research community, which consisted of all orchestral musical compositions, composed within the time limits, (above 2008),involving a cello line, which consisted of 24 orchestral compositions. Then he exhibited the community to experts to choose the suitable compositions, they chose seven compositions as sample according to special conditions. Then the researcher named his research tools and the analytical standard, and his researcher requirements.Fourth chapter addressed musical analysis of the selected samples. Chapter 5 set the results of the musical analysis, then the
الصفحات الاولى:

برنامج تدريبي لتطوير مهارات الاخراج في المسرح المدرسي لدى مدرسي التربية الفنية A Training Program To Develop The Skills of Directing In The Theater School'S Technical Education Teachers

اسم المؤلف: ياسمين عدنان بهجت
الجامعة: جامعة بغداد
اسم المشرف: صباح عطية سويبج
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2012
مكان الجامعة: بغداد
المستخلص: لقد اكدت الدراسات والبحوث التربوية التي تناولت في اجرءاتها موضوع المسرح المدرسي واهميته في العملية التعليمية ضرورة تخصيص مساحة كبيرة له في برامج المؤسسة التعليمية، كونه يخلق حلقه وصل مهمة بينها وبين المجتمع، كما ان المراحل الدراسية الاولى هي التي تخلق جم | We have confirmed the studies and research addressed in procedures Multi school theater and its importance in the educational process should be allocated a large area has programs in the educational institution, he creates an important link between them and the community, and the grades first is to create public school theater and building artist theatrical authentic.So is theater school of media task that can be used in the development and activation capabilities scientific, educational and technical learners through the stages of pre - stage university, as is through the provision of knowledge in the form of art, helps refine educated and make them accept eagerly to accept scientific data that usually be dry sometimes if presented to them traditional methods in the educational process.We started (the researcher) in the process of incorporation to the problem discussed according to the survey conducted by the scientific studies and research that dealt with the subject of school theater. Moreover the study exploratory in the number of secondary schools of the Directorate of Rusafa second to determine the extent of knowledge of teachers of art education the basic principles of the output and its components, rules and mechanisms applied, I survey teachers of art education and administrative cadres and found their need for more practical experience in this area and courses training and development to drive and develop their skills in the field of directing in the theater school.Based on the foregoing and the researcher found an urgent need to study that will develop the skills of directing in the theater school's art education teachers and raise the technical proficiency.Aim of the current research is to achieve : - Develop directing skills in school theater's art education teachers, and to achieve this goal researcher identified the following two sub - goals : - 1. Building a training program to develop the skills of directing theatrical according to model kofmin / 1970.2. Measure the effectiveness of the training program through its application on a sample of teachers and teachers of art education at the secondary level for the academic year 2010 - 2011.To verify the targets laid researcher hypotheses zero.Ensure the research community of teachers and art education teachers who taught soil art at the secondary level for the academic year 2010 - 2011.To achieve the goals of current research, the researcher designed a training program be (5) modules according to a model kofmin /1970. and includes training content in the material directing theater for theater school, and to measure the effectiveness of the training program has been prepared two types of tests (cognitive - skiller) and measured mediated form calendar performance skills.To show search results based researcher Cookson test for one sample and Kjordichardson equation / 20 and the equation of discrimination and difficulty equation Holsta.The main results are : - 1. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in the achievement test cognitive dimensional, reason and clarity phases of the program, and you know teachers and teachers of art education targets training knowledge and skills for each stage of education, making it easier for them follow - up process steps, in chronological order.2. Outweigh the experimental group who trained on the content of the training program is designed according to the principles and foundations of instructional design itself in test performance skills dimensional skills directing for the theater school, and why it clear steps training through the presentation skills directing and models play was prepared in the training program in order to recognize them members Group the treated After creating or preparing complete ’s Necessary , and the use of tools, and implementation of performance correctly and building phases of training in a logical sequence, and not move from skill to skill other only in mastering the skill previous full and dividing the skills to its simplest form by behavioral objectives performing.The main recommendations are : - 1. Adoption of the training program, which try to train teachers and art education teachers on the skills of directing the school theater, to prove its worth and effectiveness in the Acquisition of information and perfecting their skills during the training session.2. Take advantage of training centers and development of the Ministry of Higher Education and Scientific Research and the Ministry of Education of the training program based on principles and the foundations of instructional design for training of personnel teaching in the disciplines of the arts for the theories and models design training and analysis skills and use them in other subjects varied.
الصفحات الاولى:

السمات النحتية في العمارة التفكيكية Sculptural Features In Deconstructionist Architecture

اسم المؤلف: عقيل حسين جاسم حمزة
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: Affected by the nature of the fine arts in general, structures its neighboring affected seem like the product of logical, through contact with these arts influences thought compressor socially and religiously and scientifically and psychologically, and this is what makes sure functionally according to the relationship art evolution year which occurs in the human communities throughout history. I have contacted art, including sculpture composition data of the intellectual and aesthetic transformation that has occurred in the structure of the art in a different historical era from arts of ancient civilizations in Iraq, Egypt and Greece, through the art of the Middle Ages and the Renaissance, and ending, including the outcome of the modern arts and beyond.It was the emergence of currents modernist impact evident in the development of coordinated Achtgala a clear distinction between art painting, sculpture, and took the products of contemporary architecture, influenced by and influence, with the result of the achievements of artistic creativity, and it was for the development of the great in the field of technology have a positive impact of the relationship of sculpture, architecture, in terms of employment and similar and metaphor and embedding, and but relativism rise and fall, the vision of the architect or sculptor alike.Hence, the evolution of architecture in the period of modernism connects the idea of switching from level realistic to the level of abstract or symbolic, and it was for this, a role in showing the properties of architectural most relevant features art talk, specifically sculpture, and this similarity or overlap strengthened through the system aesthetics of modern art all related references poignant and mutant methods.The researcher found important to know the most important of these characteristics. So Me Find studying (sculptural attributes in deconstructionist architecture).This research included four chapters : Chapter One : ensure that the research problem and its importance and the need for objective research and its boundaries, and define the
الصفحات الاولى:

خطاب ميشيل فوكو وتمثلاته في العرض المسرحي العراقي Michel Foucault Discourse And Its Representation In The Iraqi Dramatic Show

اسم المؤلف: عمر محمد جنداري
اسم المشرف: عبود حسن عبود المهنا
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بابل
المستخلص: تمحورت الرسالة حول خطاب ميشيل فوكو وطروحاته الفكرية واهم المراحل التي مر بها هذا الفيلسوف في حياته, وابرز الشخصيات التي اثرت في فكره ومن ثم على نتاجاته التي تضمنت مفهوم الخطاب في مختلف المجالات, وما يتخلله ذلك الخطاب من طروحات ذات حقائق معرفية وسلطوية ماد | The current study dealt with Michel Foucault's discourse, his materialistic psychological propounds, the most important periods of his life and the most prominent characters which affected his thought and consequently affected his products including the concept of discourse and all its fields, and what that discourse contains as propounds characterized with epistemological authoritarian fact whether they were materialistic or psychological, then Finding approaches of Foucault's discourse in some works of a group of international directors reaching to the impact of this thought on a group of Iraqi dramatic shows and experiments. Therefore; the researcher divided the study into four chapters The first dealt with the methodological frame and the problem of the study embodied by the following question : How is the discourse of Michel Foucault represented in the Iraqi dramatic show ?The importance of the research is embedded in studying Foucault's philosophical discourse, as one of 20th century philosophers, and identify his thought and his product concerning discourse, the extent of the benefits that the Iraqi dramatic shows got from those theorizations. As for the need for the study; it is implied in providing advantages to students of Fine Arts colleges and Fine Arts institutions in devising the philosophical thoughts that are embedded in the dramatic show. The purpose of the study is represented in Identifying Michel Foucault discourse and its representations in the Iraqi dramatic shows.The Second chapter (the theoretical frame) included three sections; the first is concerned with the cultural philosophical conformation of Foucault's and his main writings, stages and transferences which he experienced during the period of his discourses theorizations, the most important philosophers, men of thoughts, men of literature, artists and the poets who affected his thought then his philosophical product and his own concept of discourse, then perusing the most important terms he worked on in his writings such as epistemology, Genealogy , archeology, panoptisme in addition to Marxism , structuralism reaching to College De France. In the Second section; the researcher shed light on Foucault's materialistic and psychological thoughts which are represented in various types of discourses to which he relates his propounds such as (the discourse of power, self - discourse, body - discourse, history discourse, epistemology discourse and madness discourse. These discourses took a critical way to show the relation between the total discourses on the one hand and power and epistemology on the other in order to find out the facts whether the matter is concerned with the materialistic visible image or with the invisible mental images. As for the third section; the researcher dealt with Foucault's discourse approaches in the dramatic show referring to some directors, such as(Arto , Erwin Pescator , Cantor , Jozef szajna , Peter Brook , Ariane Mnouchkine , Grotowski , Ojino Barba and Robert Wilson) as models whose products resulted in approaches on the theoretical and applying levels within the Foucault's discourse. Then the researcher talked about the indicators that are resulted from the theoretical frame to conform the tool by which the samples of the research were analyzed. Then the researcher ended the section with reviewing the previous studies. The Third chapter (the procedures of the study) which included the community of the study, that consists of sixty three plays. The researcher relied on the academic dramatic shows which were presented in the colleges of fine arts in Baghdad University, Babylon University and Mosul University from 2005 to 2010, from which the samples of the study were chosen. The samples of the study were analyzed by means of the tool of analysis, its validity, its stability and the approach of the research, choosing the intentional sample; then analyzing the sample that are represented in the following dramatic shows : 1. The Play "Mice and Presses"2. The Play "Either…Or"3. The Play "Ice"The Fourth chapter dealt with the findings which the researcher reached at : 1. The authoritarian discourse dominated the three shows; represented as a moral and materialistic authority as in "Ice", or the authority of power as in "Either…Or" and "Mice and Presses" in which the authorities varied between materialistic and psychological in the characters. 2. The three shows shed a light on the role of the marginalized person in the society and the loss of values which he suffered because of coercion and social injustice considering him, the neglected, as a (non - thought of) category.3. The shows of the two plays "Ice" and "Either… Or" presented the mechanisms of power sexuality and madness through disassembling their themes and relate them to epistemology. While "Mice and Presses" is built on the authoritarian conquer and presenting paste and senseless words to the minds of characters which misguided them in finding the truth.The chapter also included the conclusions and a group of recommendations and suggestions, followed by references and photos. The researcher ended the study with the English abstract.
الصفحات الاولى:

اتجاهات النقد المسرحي الصحفي في العراق (1990 - 2008) The Tendencies of Journalist Dramatic Criticism In Iraq - For The Period 1990 - 2008

اسم المؤلف: علي حلو داشر
الجامعة: جامعة بغداد
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: بغداد
المستخلص: ان النقد المسرحي الصحفي العراقي يمثل احد الانماط النقدية المسرحية العراقية ذات الحضور الواسع والفاعل ضمن حراك النقد المسرحي العراقي، وان هذا الحضور جاء نتيجة لتفاعله النشط مع العرض المسرحي العراقي على مستوى المهرجانات والعروض الفردية داخل المؤسسة الاكادي | The dramatic criticism in Iraq represents one of the dramatic criticism patterns that have crucial impact within the movement of criticism in Iraq. The importance of this thesis is entitled (The Tendencies of journalist Dramatic Criticism in Iraq - for the Period 1990 - 2008). The title bears questions and inquiries. The question is what are the tendencies of journalist dramatic criticism in Iraq for the period 1990 - 2000. The inquiry, on the other hand, is why we are investigating these trends, for this very periods which represent the last period in which journalist dramatic criticism was practiced in Iraq. To answer the question, the researcher shed his analytical efforts on the dramatic shows (plays) by Iraqi directors, and international and local plays attempting to know the trends of criticism and their aesthetic tendencies through analyzing these critical texts, employing the simple and compound cases in the known trends and their uses such as the method of content - analysis after determine the standards critical trends. The units were employed to analyze the sample to get closer to the scientific fact by numbers and statistics in an attempt to get away off the disguised relativity that is not accurate. To answer the inquiry, on the other hand, the researcher analyzes the results employing the descriptive procedure and the method of case study in order to know the scopes of this type of criticism, i.e. journal criticism. Thus, we detect point of strength and weakness through the evaluation of journal dramatic criticism. Thus, we will be able to rise up the aesthesis of society. The research is made of four chapters. The first chapter included the problem of the study, the need for it, objectives and the limits of the study. The second chapter is made of the theoretical framework that consist, in turn, of two inquiries; the first is about the concept of criticism and the second deals with the tendencies of dramatic criticism and aestheticism. The second chapter also contains the indicators and standards that the researcher has come up with such as sample analysis, and the analysis of the conclusions of the study and the discussion. The fourth chapter includes the conclusions, recommendations and suggestions. Then, the references and appendices. The researcher shed light of his analytical effort on what has been published in the Iraqi journals by Iraqi critics about the Iraqi critic shows for world and local texts trying at knowing the reading texts and employing them in the simple and composite critical trends made of the critical method of the content analysis and the use of percentage to derive every critical aspect alone within one critical article after specifying the criterion and indicators as an instrument which the researcher has come up with within the theoretical framework, which the research employed as his method of analytical instrument vis - à - vis the idea taken from the approach of content analysis as the unit of analysis to achieve the highest degree of closeness to the scientific reality by numbers and statistics in an attempt to get away from the illusionary percentage that sprout here and there and mostly, inaccurate.
الصفحات الاولى:

سمات الحداثة في فن الكرافيك الاوربي The Features of Modernity In European Art Graphic

اسم المؤلف: بشير احمد جعفر
اسم المشرف: كامل عبد الحسين خضير النداوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بابل
المستخلص: The art is considered one of episodes that produce fresh perspective , Opening a new fields to wards.renew in all life scopes so The modernity does not be the result of a certain moment , but it refers to the many historical stages that are contributed and formed it.The modernity is a new intellectual movement in art in general and in European graphic art in particular. It mainly depends on trying to replace the intellectual reference that govern the human behaviour in life.And according to this fact , the modernity is an active partnership in the intellectual transformation grand witnessed by the humanity.The modernity does not call only for the evaluation of thought and renewal the literature but also to develop the art and out of old to the new style , language and thought without losing its cultural roots, and also its original features which are stemming from human civilization. As ( Audinos ) mentioned that every modern does not mention about a new view of life , man and science through art aesthetic and not be valuable.It is worth mention that Europe has been witnessed modernity in its large meaning which rapidly spread and impact on arts all over the world, among an important things that European modernism confirmed on especially in art : is great tendency toward abstraction or alienation depending on the currents brought by modernity , which made the shape rejects any static image through diversity in technology and style , so this figure appeared clearly in the art , particularly in the graphic artThese changes have led to revision the nature of the vision to art in general and graphic in particular. On art level , these changes represent by new European movements , the researcher has found the importance of knowing the modernism features in European graphic art. The research has focused on ( The features of modernity in European graphic art ). The research has contained four chapters , the first chapter is to show the researches problem which summarized in (What are the features of modernity in European graphic are) and its importance its needs and its aim which sets in (Definition of modernity attributes in the European graphic Art) during (1895 - 1978)and spatial in (Europe) , As objectivity identified by graphic works according to its techniques , and determine the terms contained therein. Chapter two has contained three studies ; the first one concentrated on the concept of modernity in art , the second one contained the grew up of the graphic art and its development through ages while the last one is about paths and directions of European modern graphic. Chapter three has devoted for the research procedures which contained identify the research community and choose the sample which is nearly (18) aprinted work , then the search tool and to analysis the sample.The Chapter four has contained the results , conclusions , proposals andrecommendations. Among the most important results finding by the researcherare : 1. Modernity led the movement changes in the nature of visibility to art ingeneral and graphic art in particular.2. modernity has combined between passion and scientific analysis in shape , colour and movement , and this method has formed the basis for many movements (Graphic art) in Europe.3. Modernity for the impressionists considers as a renewed movement which contributed in great change which accompanied the artist , of this school by their using the technology of ( wood engraving in colour , Lithograph in colour) as in examples (1 , 2 ,4).4. The modernity feature has confirmed for the impressionists by using symbols taken from lived environment which implemented in a style with simple lines as in example (1).5. For the expressionist artists , the modernity has confirmed that they have two levels within two ways : the first , is to determine the shapes by his strict limits of linear up to the point summary which makes the real foundation of forms away from realize , while the second is to look for about the details of the shape within geographical (modeling) strict for colour by using mechanism experimentation chromatography as in examples (3 , 18).6. Modernity for the expressionist artists , shown in colour by using the main colours ( black , red , green , yellow , and violet) with some changes in , with modern technologies (drypoint with aquatint in colour , woodcut in colour) as in examples (3, 18).7. Modernity for the brutality school , affirmed on unusual colour and vision as in examples (11).8. The brutal artist collected a total of technologies in their modern works , and within it ,modernist form has been activated and in modern view unlike the previous forms. And among these important technologies are (sugar lift Aquatint) as in example (11).9. Modernity to the Cubism school is characterized by analysis and forming shape. by returning shapes to the mind concept and meditation for cubists as in examples (9 , 14).10. Modernity to the cubists characterized by using of new technology ( linocut printed in five colours , etching) by these techniques , the features experimentation showed to the cubists as in examples (9 , 14).11. Modernity to the futurists arts is considered as renewed movement which contributed in great change which accompanied the artist of this school by introducing the concept of dynamic cosmic and used it in graphic art fieldas in example (5 ,10).12. Technologies for the futurists arts formed a modern touches through the expression and formal method of treatment manipulates light and shadow within the printed work. It was obvious in techniques of ( Etching ), (Linocut in colour) as in example (5,10).13. Modernity has appeared at abstractionists artists within the geometric abstraction which is the most reductionist level structure of formal and modern colour as in example (8 , 12).14. Abstractionists artists has taken a new formulation of the printed form by using modern technologies different from the previous techniques groups ,which enhanced the shape with modernism , and among the most important of these techniques are ( lithograph in colour , woodcut , Lithograph ) as in examples (6, 8,12).15. Modernity found at aldadanyeen and the surrealists , which comes from the illogic (neglect logic) and we can see through that they set out the visibility in their thoughts and emancipation outside the limits of laws to create forms (abstract forms which have mysterious nature) which consists of the absurd within abstraction as in examples (13 ,17).16. The Modernity has embodiment for alddadanyeen and the surrealists by defining the concepts of dream and realism in a new frame from the reality within dream which means expression of activities over realism in disordered forms or incoherence , one of the most important technologies that have emerged features of modernity they have are : (etching , lithograph , etching with Aquatint ,Aquatint with etching in colour ) as in examples (13, 15 , 16,17).The conclusions reached by the researcher Among the most prominent. : 1. Human dimension appeared in most of the fields of European art especially in graphic art.2. The new printed work considers as text which shows aesthetic relationships through the ordering of structural elements of the graphic art.3. The European artist graphic enabled to find spaces to show the expressive dimension in their works.4. The European artists graphic interested in experimentation which led to show a new technologies in his works.5. The printed work appeared diverse in forms features through diversity in arts fields for the European graphics.The search is over by recommendations and proposals with a list of references and sources and with abstract with English language.
الصفحات الاولى:

برنامج تعليمي لتنشيط الذاكرة البصرية لطالبات قسم التربية الفنية / معهد اعداد المعلمات في مادة عناصر واسس التصميم Educational Program For Activation Sighting Memory For Girl Students / Fine Arts Department - Institution of Preparing of Girl Teachers In Subject Elements And Basis of Design

اسم المؤلف: نورا عبد الله علي
الجامعة: جامعة بغداد
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2011
مكان الجامعة: بغداد
المستخلص: اصبح الوقوف على اليات تنشيط الذاكرة ضرورة من ضرورات هذا العصر الذي تتفجر فيه المعلومات يوما بعد يوم وتزداد اتساعا وتنوعا، اذ ترتبط الذاكرة بالتعلم ارتباطا وثيقا فالانسان يتذكر ما سبق ان تعلمه، اذ ان مشكلة صعوبة الاسترجاع وعدم الاحتفاظ بالمعلومات في الذاكر | The reliance on techniques of memory activation , it becomes necessary from necessaries of this age within it information flowing day after day and increasing of expansion and variety where as the memory connected by learning relevant connection. the human rembered what have learnt it in former. Problem of recovery difficult and not keep by information in memory which have become importance of researches in scientific fields. From here psychologists and education are think in styles and strategies' which used ( teacher or learner ) in classroom to activation of memory and encourage learner on employment it in order to help him on use of strategies of coding and storing of information in memory and recovery it.starting point from that the researcher find importance of foundation for problem of researcher which aims to achieve as following build educational program for activation visual memory for artistically education department in subject of elements and basis of design , measure activity of educational program by two dimensions cognitive and skillfulness through application it on sample students of fourth class artistically education department institution of program teachers and in order to confirmation from two aims of research have specified (( 4 )) zero hypothesis for measure level of obtainment and also to know on ability of program in activation of memory at students.country of research have specified by students for classes of fourth and fifth in departments artistically education institution of preparing teachers belonging to general directorates of Al - Russafa / Baghdad education ( 1 , 2 ) and Al - Karkh ( 1 , 2 ) where their total reach ( 191 ) students have selected sample from students of fourth class / institution of preparing teacherfs - Palstain street reach ( 20 ) students. the researcher depend on experimental design by two independence groups as being more fit for aims of present research , where as experiment group have submitted for experiment through their teaching according to requirements of educational program which have designed a cording theory of dual coding for rembereing which include ( 3 ) educational units , while controlling group have studied itself through use ways of normal teaching. in order to achieve from aims of research and reaching to results which have designed educational program for refresh of sighing memory according to vocabularies of material elements and basis of design restricted within methods of preparing teachers by specialization artisically education and for measure activity of educational program. the research carry out two kinds of tests , the first obtainment cognitive for activation sighting memory , the second skillfulness obtainment for measure skillfulness performance levels of students in carry out requirements of skillfulness test which performance within it level of their performance according to list of appreciate of skillfulness performance which have prepared for this purpose , educational program , tests , list of skillfulness performance appreciate on group of experts owner of specialists in fields of artistically education and artistically design and measuring and work in order to recognition on modulus truth then actualization from modulus of stability. the research depend on group of statically devices to show results of research such as test ( Mann - Whitney ) in order to actualization from results of two tests cognitive obtainment and skillfulness pre - and post and also formula of diffecult modulus and distinctive for items of cognitive test and formula ( Kyoder Richardson / 20 ) for fix obtainment test and formula of Holisity for fix skillfulness test and find modulus of agreements between observers. from most results which present research find out which may sum up it in superiority of experiment group performance in cognitive test for refreshing of sight memory and skillfulness performance on controlling group of what appear activity and utility of use of prepared educational program according to dual coding theory in teaching elements and basis of specified designed in fourth class - artistically education department in institute of preparing teachers comparison with by normal way.the researcher have advised by group of advises as following : - 1 - reliance educational program in present research in teaching subject of elements and basis of design and generalization on departments of artistically education in institution of preparing teachers and girl teachers because is being positive influence and activity , show it results of present research. 2 - importance of interesting of teachers subjects elements and design basis by cognitive aspect to teach design relations by connected , successive and series way in formation which concerning that basis by constructional form to it which ensure connect relation every teaching units by unit which follow or precede it.The researcher suggested that as following : - 1 - carry out match study from through preparing of educational program in other study subjects and measure its influence in obtainment.2 - preparing of educational program in subject of design through use educational computer and measure its influence in obtainment.
الصفحات الاولى:

التقنيات الحديثة في سينوغرافيا العرض المسرحي The Modern Technique In Scenography of Drama Show

اسم المؤلف: انعام معن ابراهيم
الجامعة: جامعة بغداد
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: بغداد
المستخلص: ان المسرح كائن حي يتفاعل مع كل المتغيرات والمستجدات القائمة، فلم يكن يوما ولن يكون بعيدا عن هذه المبتكرات والتطورات الحديثة في عالم التكنولوجيا. فالعرض المسرحي تساهم في بنيته وسائط تقنية عديدة يتم توظيفها من قبل اختصاصيون في مختلف الانشطة العلمية ,كالم | The second chapter (theoretical frame) is divided it into five section , in the first, the researcher has explained the importance of technology and its reflections on dramatic culture through the concept of cultures dialogue which was elaborated by the French thinker ( Rojeh Garody) who embraced Islam. In the second section ,the researcher explain the work of that technology through composing dramatic speech. The third section is divided in to two directions; in the first she refers to the most important technical techniques that contributed to development of drama show structure ;identifying it by computer firs and then by internet, while in the second she talks about the most important computer techniques and how to employ it in designing the element of drama show. The fourth section touches the most important direction techniques of directors whom the researcher has divided into tow current, each has a different way when building the Scenography of drama show in the light of using those techniques. She closed the section with the most important techniques used by modern theatre which are body performance through gesture language, sound expression and dancing. She concludes this chapter with former studies and set of indexes resulted from theoretical frame; the most important of them is that the modern theatre is mixture of many cultures that is affected by those cultures, furthermore the director has dealt with the actor as a body having mythological and expressing abilities capable of producing a new language with the receiver. However, modern techniques don't neglect the human being role and his creation, but it increases the opportunities of innovation and renewal in modern theatre.The third chapter includes the research procedures throug the research society and samples represented by the following designs and drama shows : 1 - The play of "The Bedouin and the Orientalist" directed by Akeel Mehdi. Theatre is considered as a living thing that interacts with all standing and revived variables, it was ever and will never be far from these modern innovations and developments in the world of technology. Several technical means contribute to drama show, these means come from specialists in various scientific activies such as musicians, lighting designers, sound effects, optical tricks, as well as designers of fashion, building and shaping. Today theatre also depend on various expressing techniques represented by using the language and grace of the body to put through the meaning by shaping gesture movement, singing and dancing so that the receiver can interact with. So, technology in theatre is not a newborn, but it accompanied it since the Greek times till the present. Consequently, it appeared with a new language whose features have been employ in the artistic currents that emerged and spread definitely after the Second World War in Europe,USA and the Arab World. These current used technology as a technical means employed in various innovation processes to discover its abilities and its intellectual and aesthetic dimensions. Upon this basis ,the researcher has identified the research problem in the first chapter of her thesis designated " Modern techniques in Scenography of drama" , in the following question : How to employ modern techniques to build the Scenography of drama show?Then, the researcher has explained the importance of her research which is regarded as one of the scientific efforts looking for the importance of technical development and its inflection on drama show techniques in Scenography building, and she considered it as an important reference for students at Fine Arts Academy. Then ,she explain the objective of the research , its limits and finally defining the most important term that is the concept of technology and Scenography.
الصفحات الاولى:

تقنيات الايهام البصري في تصاميم الاقمشة النسائية Techniques of Visual Illusion In Design of Women'S Textiles

اسم المؤلف: ابتسام محسـن حسـون الخفاجــي
اسم المشرف: سامي ابراهيم حقي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2010
مكان الجامعة: بغداد
المستخلص: انجزت دراسة (تقنيات الايهام البصري في تصاميم الاقمشة النسائية) الكثيرمن المفاهيم والافكار الجديدة فسحت المجال للتعدد في الاتجاهات التصميمية للاقمشة، كونها من التقنيات التصميمية المهمة بما يتميز به من قدرة على الايحاءات العديدة وهو ناتجا مستلما من عملية | The study of (Techniques of Visual Illusion in Design of Women's Textiles) demonstrated many novel concepts and ideas within the field of diversity in textiles design orientations, being a significant design technique characterized by an ability for suggestiveness as a final product of process of architecture of constructive relations. It reveals the techniques of Visual illusion in the design of women's textiles and establishes design leverages in women's textiles that depend on techniques of Visual illusion. The significance of the study stems from increased intellectual enlightenment by textiles designers and scholars as well as developing the knowledge of styles and orientations which contributed towards Visual illusion. The study was limited to design of women's textiles for dresses available in Baghdad's local market for the period 2006 - 2008. The study is in four chapters; Chapter One elaborates on the study problem, its significance, aims, limits and definition of terms. Chapter Two deals with the theoretical framework and former studies. It consists of three parts : The first part : Comprehension and Visual illusion in textiles design. The second part : The techniques of Visual illusion in the design process of women's textiles. The third part : The technique and its methods for design of women's textiles. This is followed by the former studies and their discussion thereof. The researcher achieved the most important pointers out of theoretical framework. These pointers were enhanced in Chapter Three. Chapter Three encompasses the study procedures, its methodology by adopting the descriptive approach for analysis of specimens out of the total (96) specimens of the study. A deliberate choice of the study was taken according to design objective levels consistent with the study aim. The study sample was randomly chosen at (25%) of (24) samples. A form was compiled for analysis axes by reliance on pointers out of Arab and foreign sources which were submitted to a panel of experts. The study specimen was analyzed through it. Chapter Four consisted of results of specimens of the study. The most important results obtained by the study were as follows : 1 - Most designs under research depended on the apparent in - form characteristics to achieve Visual illusion to generate diversified formative effects. These effects reflected on the motion, distribution and directions of the items. 2 - Color remedies were adapted to impart vitality aesthetic effect on textiles design by focus on color contrast as an actionable vision accomplishment to demonstrate the illusory space depth due to forward lead of fair colors and rear lag of dark colors. Besides, Chapter Four encompassed the following most important conclusions attained by the study : 1 - Basically, the techniques of Visual illusion were associated with the content of the design idea which was built upon many methodical technical data to be a modern tool whose idea was crystallized by virtue of many intellectual and materialistic concepts which rendered it into evident applicable fact. 2 - In spite of formative diversities in most designs, the design items relied on abstract form as a priority to present the true dimension of the design idea. This made other units of secondary importance overlap with it by limited non - determined motion in the design construction. Chapter Four included also the design leverages concluded by the study. The following are the most important : 1 - Need to widely invest and implement the techniques of Visual illusions in the design of women's textiles as modern design methods to achieve design formations via non - conventional, innovative new and organizational vision which is a product of variance and diversity of the formative items through mixture, placement and change in the formative relationships. 2 - Concern for choice of natural and synthetic fabric raw materials fit for the local environment. These materials have flexible, fine, endurable and moisture - absorbent specifications. On its basis are chosen the types of yarns, fabric construction and appropriate design.3 - Making use of the developments in the technical styles observed in the design of textiles to create non - conventional design assortments through overlapping between styles in order to achieve association between forms and embody them non - conventionally in a manner capable at enhancing Visual illusion. The purpose is aesthetic achievement to serve the functional aim. Chapter Four also included recommendations and suggestions.
الصفحات الاولى:

الاطر الفكرية وانعكاساتها في تصميم المطبوعات الدينية

اسم المؤلف: صادق هاشم حسن الموسوي
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: Prevail in the world of intellectual and scientific variables... And overlap the treatises of this party, come research addresses the deliberative ideas as an important and necessary in the cultural communication and information update.. Hence it was dialogue of civilizations.. And individuals in the dialogue between them and the means of activating the intellectual and conceptual frameworks after he entered the concepts of globalization in all their in requirements attempt to impose a particular ideological line style.. But the cultures and traditions of theses communities attend to confirm the role that should not deviate or marginalizes its spiritual and physical level... Where is the means of communication, including print and one of the dozens of ways in which nations and peoples trying its institutions all through the dissemination of cultures, traditions and ideas and concepts..Being at hand and easy circulation and can be employed for the purposes of tourism, religious, economic and otherwise, generally, those nations and institutions are trying in various ways, the announcement of the frameworks related intellectual inheritance of civilization have, including religious shrines that frequented many parts of the world, which requires dissemination and promotion in support of after spiritual and material both whether, in Iraq this ancient country that stretches at home shrines are many varied and different religions and sects, the presence of printed religious for that shrines is an act communicative however, and worked the institutions of the thresholds of the holy given printed religious significance, as it is one of the media and promotion, , Because it appeals to the general public who attend religious shrines of different cultures and referents, and from this perspective the current research to examine and explore the link between spammersintellectual which is designed on the basis of publications issued by those shrines and between the artistic process and its implications, where his grandfather researcher subject should go into it, and distributed find classes as follows : The first chapter methodological framework of the research in terms of the research problem represented by asking the following : Are intellectual frameworks reflected on religious publications design? As the importance of research came in : ? The possibility of benefit from working in the field of Graphic Design in general and employed in the design of religious publications in particular.? The possibility of a briefing media organizations and advertising of the sacred thresholds, set a target Search in : ? The intellectual reflection spammers statement in the design of religious publications.? Provide practical proposals based on the outcome of the theoretical framework and indicators, and the search results, and then refer to the limits of research and determine the terms, as the second quarter included a theoretical framework, where it came from his interlocutor as follows : Also included the first section two addresses (such as conceptual frameworks, philosophy and thought, frame aesthetic, in the framework of art and design, intellectual framework - aesthetic when some civilizations, data intellectual thought and Islamic philosophy, frame artistic and intellectual philosophical Islamic "private"), as discussed topic the second to the (structure design, structure elements, elements Typography, foundations and structural systems), and interested third section in a statement (digital technologies and electronic publishing,producing and designing programs elements Typography, the communicative properties of print), , While the fourth section referred to the (design patterns prints, design publication, Graphic Design and Printing, the most important digital programs used in the design Jerafah), then followed by the indicators theoretical framework, and included the third quarter research methodology and procedures supported the descriptive method (method of content analysis)in order to reach results, and the research community, and the method of selection of models, and search tool which was to design a form identifying axes analysis based on what emerged from the axes and indicators theoretical framework, and opinions of a group of experts respondents who expressed an opinion scientifically built in, to other procedures reported in detail in separate proceedings, then the search in the analysis of the models chosen, came fourth chapter involving the results, discussed and that came from : Conceptual frameworks : 1. based methods of construction design which conceptual frameworks variety of dimensions, philosophical, and intellectual with theses global Islamic, and local variable rates and indicates this fact to the vulnerability results conceptual presented by the scientists and thinkers of the Islamic nation, and non - Islamic, and that proved the most of the ideas presented in the religious publications, namely the ideas of human dimensions related events experienced by the characters in question, as well as being connected to the religious and social situation associated with the ideological environment.2. Adoption of the style of presentation symbolic of the events promise to approach the representation formal, as in models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17,18, 19, 20). And (95%). Thereligious symbols is one of the most important means showing historical events through the employ of being known and unknown when a lot of the audience, and generally the employment of religious symbols or environment - related religious forms is important in the embodiment of the structure of the idea, as well as the fact that the symbols represent a tool easy to bring ideas unhindered and difficulties.Elements Typography : 1. Recruitment effects digital available in computer software in order to achieve dimensions of aesthetic certain, as in the models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17 , 18, 19, 20). And (95%). Commonly used these effects after he added an important set of filters and digital effects, and should be used by designer without distorting what makes writings without clarity and readability2. the emergence of clarity and readability in biblical patterns that have adopted away from digital processors that can come to the contrary where she appeared in all models. It is well known the importance of clarity and readability in hiring patterns written being talkie reader, and that the lack of interest by means cause problems in reading the text, which is not something he wishes designer and he has to pay attention to him.Structural foundations : 1. The adoption of symmetrical balance in the design of the versions with the absence of other balances, and appeared in all samples models. The adoption of symmetrical balance in this type of publications designer was caused by the use of a limited number of pictures of the shrines and domes and minarets of the design spacemakes space for syndication unbearable condensation or search for other balances.Regulations, and the relationship : 1. Recruitment open spaces will be the basis of which a picture has organized other formal elements as in the models (1, 2, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 16). And (65%). A systems designer works on the printed employed in religious, and open spaces come to express fallow visual and openness structural system which is often linked to spiritual orientations for visitors.Communication characteristics : 2. Adoption of Direct to provide ideas. Appeared in all models. The use of the direct method in the presentation of the idea, makes it a high gloss deal with all recipients, and equally, and it needs this kind of stylistic designs of this direct relationship with a wide range and variety of people. Then ensued and the conclusions that came from : 3. The intellectual frameworks between the path in front of religious publications and designer working directory based on him in many of the propositions.4. Worked spammers and the arguments of religious thinkers and practitioners in religious affairs by direct reflex on the design structure of the print.5. The weakness that was apparent in the formal organization of the religious publication comes from the few know the designers of modern systems in Graphic Design, including the study of form and space relationships and employ photographs to the other.And continue with the outcome of the results and conclusions of the research researcher recommends including the following : 1. given conceptual frameworks that relate to Islamic history more attention and break the cycle of restriction, and to serve the - oriented ideological intermediary.2. the adoption of new methods in design and art direction and in accordance with up - to - date modern techniques.3. revolving develop specialized media and printing experts and designers led them informed and widely thought any ideological work will organize Publications printing and publications.4. Work on biological directorial sizes of prints and stay away from sizes that may occupy the continental and familiar.The researcher also suggested do following two studies : 1. employ images architectural design Islamic religious publications.2. dimensional aesthetic in the design of religious publications.He then read some of the works carried out by the Applied Researcher in which he singled out the second goal and a list of names of experts who showed Raya scientifically and technically, and he finished researcher finally conclude with a list of sources and supplements, Abstract and Title in English.
الصفحات الاولى:

برنامج تعليمي لاكساب طلبة قسم التربية الفنية مهارات استخدام الالوان الزيتية Teaching Program To Acquire The Students of Department of Artistic Education The Skills of Using Oil Colours

اسم المؤلف: محمد عبد الله غيدان
الجامعة: جامعة بغداد
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: بغداد
المستخلص: تعد الاتجاهات الحديثة التي افرزتها الثورة العلمية والتكنولوجية والتي من مبادئها واسسها الاهتمام بهندسة البيئة التعليمية المخصصة لتعليم المتعلم الذي يعد محورا للعملية التعليمية وباساليب تخضع للتحليل والتركيب والتطبيق والتقويم,وما توظفه من معلومات ومفاهيم | The modern trends developed by the scientific and technological revolution which its principles and bases are concerned with teaching environment teaching technology devoted to teach the learner who is the pivot of the teaching process,by methods subjected to analysis, structuring, applying and rectification along with what they employ of scientific data, concepts and activities made according to programmed courses arranged in regulations and law invented by science of teaching design introduced in all fields of specialization.This prompted the teaching institutions with all stages to accompany the developments of this science through directing postgraduate students to search for modern scientific means contributing in developing the teaching process.This include using teaching programs, systems and models and trying to applying and experimenting them in different fields of art, specially in acquiring them the skills of using oil colours which are a basic subject in Department of Artistic Education in College of Fine Arts, specially in practical plastic arts, then employing them in their artistic oil painting.According to the abovementioned, this study aims to : 1.Designing a teaching program to acquire the students of Department of Artistic Education the skills of using oil colours.2.Measuring the efficacy of the teaching program through applying it on empirical sample of 3rd grade student of Department of Artistic Education for the academic year 2007/2008. In order to achieve the objective of the study, a zero hypothesis will be invented according to study procedures.To ascertain those objectives, the researcher invented tow zero hypotheses. The group of the study consists of 3rd grade student of Department of Artistic Education of College of Fine Arts. Their number is (40) male and female students. A random sample of (13) male and female students was chosen whom the researcher adopted to apply the experiment.Since the present study adopted the empirical methodology, a teaching program was designed through analysis the subject of oil colours re - froming it according to the model of (Ganne & Briggs,1988).To measure this program, two types of tests was designed : the first one was cognitive achieving to measure the data that the student acquire and the second is skillful which measured through rectification form of skillful performance prepared for this purpose, those tools were subjected to truth and consistency procedures.To manifest the results of the study concluded by the researcher, he used the following statistical means : (Willcoxn Test) to show the prior - posterior differences between the students of the empirical group, (Difficulty and Discrimination Coefficient) equation to analyze the paragraphs of the cognitive achieving test and (Holsti) equation to find the agreement between the two criteria also those noted in consistency on performance rectification form.In addition to using (Kauder Richardson / 20) equation for consistency of cognitive achieving test.Most significant result concluded by the researcher : 1. The adequacy of the designed teaching program for how to use oil colours through its capability to acquire the students the artistic skills and to assist them to prompt them to think and making mind imaginations to comply with oil colours requirements and acquiring their artistic skills. This, in turn, contributed to achieve the desired objectives which was obvious in experiment results when applying the prior - posteriorcognitive achieving test for the posterior test.2. The adequacy of the teaching program in acquiring the students the artistic which was obvious in experiment results when applying the prior posterior cognitive achieving test for the posterior test.The most significant recommendations by the researcher are : 1. Adopting the teaching program in teaching colour generally and oil colours specifically in the Department of Artistic Education and the scientific departments in the compatible colleges or in departments of plastic arts in institutes of fine arts. This proved an efficacy in training the students on acquiring cognitive and performance skills.2.The agreement between the results of the present study and the results of former scientific studies and researches which adopted designing and inventing teaching programs in their procedures necessitated to add an academic curriculum specialized in teaching design for undergraduate study, especially in Deparment of Artistic Education in order to introduce most recent scientific and technological developments and their role in developing the teaching process.
الصفحات الاولى: