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فلسفة التربيـــة الجمالية في ضوء الجمالية الالمانية المعاصرة Philosophy of Aesthetics Education According To The Contemporary German Aesthetics

اسم المؤلف: علي عبد الكريم رضا
الجامعة: جامعة بغداد
اسم المشرف: عقيل مهدي يوسف ماجد نافع الكناني
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2010
مكان الجامعة: بغداد
المستخلص: يهدف البحث الحالي الى بناء اطر عامة لوضع فلسفة للتربية الجمالية، كان الدافع لها بحث العلاقة التي تجمع بين الجمال والتربية بتعالقاتها، وتواشجاتها المتعددة والعامة؛ وما يعنينا هنا هو ما يخص قسم التربية الفنية تحديدا بوصفه القسم الذي يعد مدرسين للتربية الفن | The research aims to build general frameworks to form a philosophy to aesthetic education , the motive beyond this , searching the relation that combines aesthetics and education with all its various characteristics. What concerns us here is definitely what relates to the aesthetic education department , since it is the department which prepares artistic education teachers who are responsible for their future role concerning the aesthetic education. For all that , the research problem appears to show the negative side of students of artistic education department and their lack to react with post contemporary production in both sides , the artistic and the philosophical ones. This forms a gap which should be faced and tackled by reinforcing the student's philosophical and aesthetic fields ,also, to introduce opinions of post contemporary in its intellectual field. That is beside reinforcing and enriching this field by showing its application in the artistic production , and the way of tasting the aesthetic appearance , and finally criticize and give decision. This happens to form a part of artistic education department performance integrative in the light of knowledge development and present time requirements to achieve a high level of specialization. Therefore the research gives additional knowledge that mix the specializations which compose it , which are also the philosophical educational and aesthetic opinions of the investigated institutions through which the research importance appears as well as what the research introduces of intellectual and aesthetic principles for each philosophy of the four investigated philosophies. Testing the four philosophies was intentional for its implication to intellectual and critical principles , that reinforce post contemporary production readings. The debate with the specialized in the scientific committee - which confirmed the research - has a significant role , that these philosophies are put of the Contemporary German aesthetics which represents the twentieth century philosophy in its speculative stream.The Four Research Aimsa - Limiting the aesthetic education philosophy intellectually ,objectively and functionally.b - Knowing the mechanics of Contemporary German aesthetic thoughtc - Investigating principles and laws that establish to the aesthetic education philosophy according to the philosophy in question , with its intellectual organization and harmony that can be reliable considering as a base for the aesthetic education.d. Suggesting a curriculum for the required aesthetic education.The current research was surrounded with a philosophical framework , limited by the Contemporary aesthetic ( the Neo - Kantianism, phenomenalism , Frankfourt School , Acquisition Theory )This framework extends and penetrates with the artistic education philosophy in a selective manner , lacking in consideration requirements of preparing artistic education teacher , in his turn , Iraqi privacy , time requirements and the academic need to achieve the aesthetic educational philosophy. That what the first chapter included in addition to specifying the important terms that the research title implied : philosophy , education , aesthetic educational philosophy ,and modern German philosophy. The second chapter included four chapters. The first three included the philosophy , education , and aesthetics according to essential nature ,structure and the general directions. the last section included the aesthetic educational philosophy according to the historical roots , meaning , teacher and learner , aims , curriculum , teaching methods and functions of the aesthetic educational philosophy.The third chapter dealt with the Modern German aesthetics. It included four sections containing : Neo - Kantianism, phenomenalism , Frankfourt School , and Acquisition Theory according to structure and aesthetic essence. The researches concluded evidences of the Contemporary German aesthetics. The fourth chapter contained the research procedures which included the research society ,sample , research design , construction of analysis tools and analysing procedures for the artistic samples of post modernity art streams that the researcher chose consisting of fourteen paintings with various styles of Iraqi and Western artists , one painting or more for each direction. The researcher depended on the analytical approach to ensure applying third chapter indicators. He depended on the measuring tools to analyze research sample after checking tool reliability through a group of specialized experts in the fields of criticism forming artistic education. The fifth chapter contained the research results that achieved the first and the second aims of the current research , then , through the achieved aims and indicators of the third chapter as well as the fourth chapter's results. The researcher presented his conclusions that express a vision for the perfect aesthetic educational philosophy in the light of the German Aesthetic for the four philosophies in question. He showed the intermingled points among the intellectual institutions, which form the similar and meeting points or even the overlapped ones. This participates actively in discovering the hidden meaning beyond symbols of post Contemporarity art. At last the researcher suggested some recommendations and suggestions to develop the current research.
الصفحات الاولى:

سمات الاداء التمثيلي في عروض مسرح ما بعد الحداثة

اسم المؤلف: اياد رحمان بدن الذهبي
الجامعة: جامعة بغداد
اسم المشرف: ميمون عبد الحمزة الخالدي
الموضوع العام: الفنون الجميلة
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: والصلاة والسلام على سيد الانبياء والمرسلين محمد واله الطيبين الطاهرين وصحبه المنتجبين.وبعد : تحدد هذا البحث بدراسة مختارة عن مفهوم وجماليات الاداء التمثيلي في مسرح ما بعد الحداثة، وكشف ماهية هذه الجماليات، وخصائص الاداء ومعرفة اوجه الاختلاف الحاصل بينها
الصفحات الاولى:

دور عناصر الوسيط الفني في اخراج الافلام التعليمية Artistic Mediator Elements Role In Teaching Films Directing

اسم المؤلف: عبد الله حسين حسن الجنابي
اسم المشرف: جاسم الصافي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: بغداد
المستخلص: اصبح من البديهي النظر الى التعليم على انه الاداة الفعالة والضرورية في الوقت ذاته لبناء المجتمع المتطور المؤمن بالعلم وبمقدرته على حل المشاكل كافة التي تعاني منها الشعوب جميعا.ولقد ادت التطورات العلمية والتكنولوجية وتطبيقاتها العملية في ميادين الحياة الم
الصفحات الاولى:

بطارية اختبار للطلبة المتقدمين للقبول في قسم التربية الفنية - كلية الفنون الجميلة - جامعة بغداد Battery Tests Students Advanced Acceptance To Department of Art Education College of Fine Arts Baghdad University

اسم المؤلف: زينة سليم كمال العطار
الجامعة: جامعة بغداد
اسم المشرف: محمد سعدي لفتة
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: بغداد
المستخلص: اعتمدت المجتمعات في تقدمها على ما يمتلكه الافراد من امكانيات بسيطة بالعملعلى وضع اسس وقواعد وانشطة فعالة وجهود مثمرة في نواحي الحياة بشكل علميموضوعي.ومع تطور تسارع خطوات العلم في كل عصر ومواكبتها تم اعتبار بطاريات الاختبار من الوسائل التي ساعدت على تط | All societies depended on what their people have of prosperities. in order in establish the main bases, as well as the affective facilities and the fruitful efforts Through different Horizons of life within a scientific and subjective frame. During the scientific progress in all centuries Testing Batteries had been considered as one of the major mean that helped to develop and serve humanity generally form one hand as well as studies and researcher from the other one. The problem of the research is how to make a Testing Battery for students who are to be accepted in the Department of Art Education college of Fine Arts / Baghdad University. The aim of this research is : To establish a Testing Battery for students who are supposed to be submitted in the Department of Art Education / college of Fine Arts / Baghdad University. Beside to measure its validity upon an average of student who are already accepted in the Department of Art Education for Art Education for the years 2007_2008. Upon this light the researcher prepared a Testing Battery on asperies of students under the conditions and bases to build the Testing on About (55)students who were accepted in the first class of the year 2007_2008 to check the validity of this Battery. This Battery consists of five separate cells. each of which in itself four different Testings, and they are : the knowledge Testing ,the Plastic ( practical ) Testing , the Acting Performance Testing and the Personality Testing. These four testing are considered according to the classifications form which the curriculum of the department that is known as a varictical one in its curriculums since it is responsible for the graduating students who are supposed to be scientifically and artistically qualified to be teachers in the future within the secondary education in Iraq. The data has been processed statistically by using two different coefficients , Discrimination coefficient and kuder Richardson 's coefficient / 20. So that to find out the reability and CrounBach - Alfa Equation so that calculate harmonial coefficient ( reability ) and to see the arrangement ( reability ). This operation is done by using Holesty's Equation in the plastic ( practical ).Testing as well as the agreement coefficient for Acting performance Testing. The result 's of this research comes out like that , the success of this Battery after its application, that is why the researcher recomends these who might be concerned to get use from the Testing Battery in order to limit the level of students who are to be accepted within this Battery's terms and conditions. The researcher also re commends to do studies for designing and making Testing Batteries in the colleges and institutions of Fine and Applied Arts ,as well as in the institutions of teachers in Iraq.
الصفحات الاولى:

التنوع الشكلي للخطوط المبكرة في المصحف الشريف The Formal Variation of The Early Calligraphies In The Holly Quran

اسم المؤلف: كفاح جمعة حافظ
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
السنة: 2012
مكان الجامعة: بغداد
المستخلص: The problem of the research represented in a basic question : (What is the formal variation of the early calligraphies in the holly Quran?) The research aims to answer this question mentioned in the problem The research deals with the calligraphing models which arrived to us from the period of prophecy to the end of second century of Hijra , which represented with the holly pages of Quran.The theoretic frame dealt with the following subjects : notating the Quran in era of prophet Mohammed (peace to be upon him),and the material which were the Qurans written on at the beginning of Islam ,the research dealt also with the spreading of calligraphy in the first two centuries of Islam. The second research deals with the variation of Quranic calligraphies at the beginning of Islam.The third research deals with emotions and admiration, then the fourth one deals with spacing between suras and decorations. The last research dealt with what the researcher concluded about the variation of the early letters in the holly Quran through using tables showed that variation.The indicators of theoretical frame and the previous studiesThe researcher followed in his procedures the descriptive approach to come to results that achieve his aims and solve his problem.The sample was chosen deliberately where the number of samples was (10) samples out of (40) models. The tools (form) was designed and submitted to the experts to assure its validity and achieving the aims.The researcher came to several results which are : 1 - Some Quranic calligraphy characterize with simplicity in drawining the letter or the formal building of the page ,on the contrary of other kinds came in high accurate drawining.2 - Variation of the one letter form in the same calligraphy and its appearance in various forms, whether it was connected or disconnected, it helped the calligrapher in finding the differentiation among the forms of the letter and choosing the suitable form in building the designing frame for the Quranic page.3 - The calligrapher , who concerned with drawining the letters , characterized with perfect generally, this seem clear through the models which we got.4 - The pages which were written with the Quranic calligraphy were full of lines wher e their number reached (32) lines, where in other kinds they did not overcome (3) lines ,where their average was (11) lines through analyzing the models. The average of number of the words in the single line was (5) words according to analyzing the samples.5 - The Arabic calligraphy achieved great change in the formal pages for letters and the systems of their building, as a result of taking care of Moslim calligraphers at that time in improving and decorating the Arabic letter and taking care of the aesthetic side of the letters images and their connections to achieve the functional and aesthetic aims in the holly Quranic.6 - The multi - levels systems did not appear at the beginning ,while the simple lining system was adopted in the lines of holly Quranic page ,with appearing of a simple way to form a single letter over the other as in the sample number (6) in the word (aladthab).7 - The decoration became representing the added unity, when it entered on the Quranic calligraphy ,but the calligraphy remained with its Sovereign and dominated role in the holly Quranic.The researcher recommended to make use of his results and vocabulary in supporting and activating the study Curriculum concerned with early calligraphies generally, in the concerned departments within the artful collages and institutes.The researcher proposed studying the variation of the early calligraphies for the next periods as third and fourth centuries and the advanced periods and make a comparison study about their formal variation.
الصفحات الاولى:

اشتغالات المنظر في العرض المسرحي العراقي (عباس علي جعفر) انموذجا Astgalat Scene In The Iraqi Theater (Abbas Ali Jaafar) Model

اسم المؤلف: مزاحم خضير حسين الجبوري
الجامعة: جامعة بغداد
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: ان اشتغالات المنظر في العرض المسرحي قد اكتسبت دلالات مختلفة مرت بها الية تصميم المنظر المسرحي على الخشبة، اذ انطلقت فيها الممارسات التصميمية للمصمم عباس علي جعفر بين مساحات الخيال والابتكار وبين مساحات الواقع لخلق توافقية تنسجم مع المضامين الفكرية والجمال | The Achtgalat scene in the play have gained different connotations passed out mechanism design theorist theatrical on stage, as it was launched by the practices of design for the designer Abbas Ali Jaafar between the spaces of imagination and innovation, between spaces reality to create a consensus consistent with the implications of intellectual and aesthetic display of theatrical, as the researcher of mechanism functioning of the scene when the designer Abbas Ali Jaafar as artistic interpretation and aesthetic and technique for the delivery of the subject in an integrated manner to the recipient, as a researcher wanted to reach through the problem discussed stand on the experience of the designer Abbas Ali Jaafar and the resulting interaction is based on mixing and homogenization techniques theater The research includes four chapters : - Chapter I : - methodological framework for the search, which includes the research problem and the need for and importance of research and research objectives and its borders and determine the terms, since emerged the importance of research and focused on one of the means of expression in the theater, a recognition Achtgalat scene in the play, but needed it to identify experience designer Abbas Ali Jaafar in the Iraqi theater, and that this study will benefit all students and workers in the fields of art in general and theater in particular, and can be generalized to the modern curriculum in the future The researcher identified the limits of his research, a temporal boundaries of the presentations since 1980 and even in 2010 theaters Baghdad The objective is the border with Iraq plays Elachtgalat scenic developed and owns Mkhil high design, and conclude chapter defines the terminology (of operation, parallax) The second chapter : - has included the theoretical framework and previous studies, which included five sections and are as follows : - The first topic : the foundations of design theorist theater, which make up the landscape theater, which is employed by the designer in order to give a theatrical work recipe beauty during harmonies and contrast in the organization of the desired shape, with me the second part, which consisted of two axes, the first axis : - parallax between the designer and the director , as it was the opening salvo in an approach to the understanding of the landscape between the vision and directorial vision that convey design ideas and connotations contained in theater The third topic : - handled the theatrical landscape and trends and how to adopt each director and designer in shaping the play according to the direction that meets the aspirations of art The fourth topic : - Astgalat scene in the play, as it ensures designers to eat this or that direction through the incarnation and the manner in theater to achieve the desired effect in the theatrical landscape Section V : - Abbas Ali Jaafar and dealing with the elements of the play, which dealt with the researcher stand on the biography of the artist Abbas Ali Jaafar by Maaktsabh of expertise in the study phase and the phases that followed and stand on artistic experience through the implementation and design of the landscape in the Iraqi theater and evolution in the theater and the subsequent general evolution of the view in a private theater and experiences gained by Iraqi artists through their studies outside Iraq It also included this chapter on the most important indicators that resulted from the theoretical framework and previous studies Chapter III : - contained research procedures, containing : 1 - the research community, which consists of theatrical performances presented on the stages of Baghdad, for the period from 1980 to 2010, and the research sample, containing the three samples have been selected in a deliberate namely : - King Lear, b - Goat Island, c - Macbeth 3 - the search tool relied on as indicators resulting from the theoretical framework, and Manscher in media 0.4 - Research Methodology : adopted as a researcher on the descriptive approach (analytical) in the review samples Chapter IV : - consisted of the results and discussion, as the researcher to some results of the analysis of samples, including : - 1 - The recruitment and Achtgalat landscape designer with Abbas Ali Jaafar shows through diversity places with theatrical presentation of an exhibition hall to the traditional circular theater to theater in the open air, and so by employing various spaces in order to conform with the requirements of theatrical text 2 - The Iraqi experiences with designers and directors Iraqis was able to form the new features of the generated forms and bodies reflect the aesthetic philosophy to produce movement visible through the scenic formations and deal with them Representative to paint a visual image to express instead of dialogue 3 - The Achtgalat scene in the play came through visions compatibility between the director and the designer, which gave room for a multiplicity of visions and multiple interpretations which indicates good experience in the capture, interpretation and analysis of successive images in the play in shaping the image of the future theater
الصفحات الاولى:

تطور النظم التعبيرية في اعمال الفنان محمد علي شاكر The Development of At The Expressionism Systems In The Works of Artist Mohammed Ali Shaker'S

اسم المؤلف: ماجد جاسم مولى
اسم المشرف: عياض عبد الرحمن امين محمود الدوري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: The study represents tagged evolution systems Expressionism (Expressive systems development in the works of artist Mohammed Ali Shaker) scientific effort to detect systems expressive and evolution in the work of the artist, as well as how they epitomized the systems expressive in his works, which follows that the researcher collect scientific materials to serve the research topic four chapters, and include : - Chapter One : included a research problem and its importance and its objectives and its borders and determine the most important terms contained therein.Chapter II : The included five sections included the theoretical framework of the current study : - The first topic dealt with the concept of evolution in the optical surface, where the researcher highlighted to clarify the terms of evolution, and change some of the differences between them and whether the artist role in bringing about one of them, or not?As well as the relationship intellectual development and scientific and human impact on the development of the arts, especially in the field of art, and the dialectical relationship between all those influences in the formation moot technical and developments, as well as the conditions and terms of reference through which the artist and their relationship to the development of his production technical,As well as review some of the views of philosophers and critics in the development of art in general and its relationship to the evolution of society, as well as the views of philosophers in the scientific laws that govern the evolution.The second section has included the concept of the system in the surface visual, giving this concept (the system) some important and special process Fine, classified him to systems (point, line, color, shape, and texture) presenting the views of philosophers and critics art, and thinkers in the field of art , and artists as the installation of such systems must be process uniformity, it must take place right, Vlnakth presence and importance of its presence in the regulatory framework entirely, and the point in itself is not the basis, the foundation is the form in which organized through the points, and the line filled card and forces.In the third section, entitled the general features of the graphical where he began researcher defines the graphical Kttiar technician broad and roots and its extensions historical, as well as expressive as a school where launched and grew up and time that I knew him, as well as those who are pioneers, and exposure to the three most important artists of the artists expressive and their careers technical and negathm and their effects on , and also touched on topic to brutality and artists, genres and the difference between them and the brutality, also displays search tactics that characterized the expressive and brutality in general, and tactics for the individual artist expressions, in particular, and the branches of expressionism, which included two groups ((bridge "Qantara", and rider blue)) everything related to their founders and their tactics and affected, and their effects on the art, at the close of The researcher reviewed the topic and details of abstract expressionism in terms of the emergence and spread of most important Venaninha and performing their tactics, and most important work.The fourth section guarantees the expressive features in contemporary Iraqi drawing, where the researcher reviewed some important Iraqi artists who produced work or graphical expressive work carrying attribute, in terms of style and technical reference and local and global impacts on them, and topics Gesduha in their business.While Section V contains biography and art of the artist Mohammed Ali Shaker, where he was born, and growing up, and his studies, and his artistic career, he reviewed the researcher views of some critics and artists who wrote it, as well as interviews taped, and some information from some students, , Where the artist influenced by the nature of Western art while studying at the time, while he was influenced by other Bosatzth at the Institute of Fine Arts and their impact in his art.Has been singled out by the third quarter, research methodology and procedures, and reviewed the researcher here the research community and his samples, and then adopted the style, and the tool by which it has been collecting and analyzing information, and a detailed analysis of the selected sample models.The fourth chapter included the results of research and the conclusions that have been reached through researcher analysis, recommendations also included researcher and his proposals.
الصفحات الاولى:

الخامات غير التقليدية في تركيب الشكل النحتي المعاصر : دراسة تحليلية Traditional Materials At Structure of Contemporary Sculpture : Analysis Study

اسم المؤلف: ALA'A MUHSIN KUBAYSH AL - BEKRI
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: In the beginning of twentieth century the sculpture have leaved the 'classic instruments that was joined with its structure and contents. The period between second war occurred notice change at' the form structure, and with technique of show and performance , and this can not keep up the usual notions. This artistic change was pave by replace of items and derivation many recent raw as a result of the technology and industrial advance that synchronized with this period , and the artist entered the test operation that leaded him to know the new non - classic items m and study its descriptions and referendum from it , and investment it at the plastic arts, and for what submitted the chance for performance methods have over to the scrutiny and the discovery by his supervision this items. The using of iron, aluminum, plastic, and another various items have leaded to contrary showing at structure of the contemporary sculpture.. Therefore this study (Traditionalism materials at structure of contemporary sculpture ) aimed to knowledge of the effects of the non - classic ore upon the structure of sculpture form, as well as to knowledge of new materials that was used for the contemporary sculpture. This study included four chapter : first chapter was specialized for methodical frame.such as problem of research.that it was abstracted by question about the reason that lead the sculptor to search from new raw to carry out his sculpture works. Are the classic sculpture materials do not respond for technical problem, and new notions? As well as the important ofresearch and its limits was that define between year 1950 up to 2000 , and its aims, then limit the idioms. The second chapter included the theoretical field and previous studies, that formed from three researches, such as the fist about the materials, as it was considered master element at the sculpture formal.the it included study about the widespread classic materials in the sculpture , such as ( clay , bronze, stones, and wood) and showing its effect and its formal and expression ability. The second research included the affects of non - classic raw at the formal system in the historical studies that included stylistic change during the twentieth century , and the third research included the study of the structural relations systems at the sculpture formation.The third chapter included the procedures of the research that its contents the research society such as European and American contemporary sculpture, and sample of research that was formed from (20) samples. It was choose according to the aim of this research. As well as performance of research based upon the analysis form, and this chapter included the following method at sample study as the analytic descriptive method in order to reach to the results, and conclusion that fixed in forth chapter, as below : 1 - The contemporary sculpture have became an achievement direct to the faraway imagination from the classic by using the non - classic item's. Sometime the sculpture structure to be same the building construction, or industrial tools, or scrap heaps.2 - Freedom that was granted by the raw to the sculptor to make him Carry out the sculpture's structure by improvisatory and Spontaneously that indentical with his disposition and his creation.3 - The using of the non - classic materials have produced big structures, specially works of art of ground, that fit with the environment, and it go out this work from gallery.4 - The using of the electronic devices as senser of movement, Transistors, an another in the sculpture ,has changed the classic Structure sculpture exactly, and created a new style of reactive relation between the artistic work with the watcher.
الصفحات الاولى:

اثر العلولمة على تمظهر الشكل الانساني في رسوم المشرق العربي المعاصر : دراسة تحليلية

اسم المؤلف: نذير مسلم لفتة
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
الصفحات الاولى:

اسس بناء تصاميم الزخارف النباتية الجدارية في العتبة الكاظمية المقدسة The Foundation of Building And Designing Wall Plant Ornaments In The Holy Shrine of Imam Kadhum

اسم المؤلف: سؤدد مشعان حواس
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: تمثلت مشكلة البحث بتساؤل اساس ماهي : اسس بناء تصاميم الزخارف النباتية الجدارية في العتبة الكاظمية المقدسة ؟ وتجسدت اهمية البحث بالاسس البنائية للزخارف النباتية الجدارية بوصفها ممثلة لتنوع من الفنون العربية الاسلامية وعلاقتها بالمرجعيات الفكرية والفلسفية، | The problem of study is summed up in the following question : The Foundation of Building and Designing Wall Plant ornaments in the Holy Shrine of Imam Kadhum?The importance of the study lies in the bases of building and designing wall Plant ornaments as representing the variety of the Arabic Islamic arts and its relationship to ideological and philosophical references. The present study aims at answering the questions. It also was confined to the external and internal facades carried out on the glazed and marbled slabs in the Shrine for the present status 2012/1433 ah. Chapter Two included the following themes, a short historical review of the emergence of the ornaments in the holy shrine of imam, the most important elements constructing it and the contents of the wall plant ornaments. In addition to the most important vessel, flora and bough existing in the designs of the shrine. Some of these designs include vessels, heart shaped frames and pillars, animals and realistic shapes as well as natural scenes to obtain one basic needs of the shrine as well as the technical shape.The researcher followed in the procedures the descriptive approach in order to arrive at achieving the results of her research. She chose purposely her samples. The sample attained 10 samples out of 191 design. The analysis form was based on the indicators of the theoretical frame and were shown before the experts to verify their validity. According to the analysis form, the samples chosen were analyzed. The following were found : 1 - the weak interest in the organization and adjustment which was conducted on some designs by demolishing some of the slabs and using instead designs that do not suit the old slabs. In addition to the lack of a cadre specialized in calligraphy.2 - the appearance of more than one bough movement inside the one design like (spiral, wavy, circler) which were conditioned according to the requirements of the area and were divided into (dual, quadruple, radial, reticulate) in addition to the free designs. 3 - more than the shape of the form, this spatial occupation of the plant ornaments (vessels, floral) were more,. There are other plant unties like (vessel, heart shape) ornaments. 4 - the designer was inspired in carrying out his color treatment according to the closely allied relations and the chromatic graduation among the colors and the other formations, in order to show the dominance of the appearance on the other formations. 5 - the ornate designer tried to activate the structural bases through his expertise and taste in carrying out the ornament product to achieve unity and repeating them in the artistic ornament work. According to the results reached to by the researcher the following was concluded : 1 - the use of more than one type of ornament in one design (plant, linear, animal. Heart shape, vessel and architectural) in order to accomplish the appearance enrichment as well as to achieve variety. 2 - The use of the technique of carrying out the glazed and veined slab raw to reflect the richness and brilliant color. 3 - The design bases contribute to the process of founding the for structure of the plant ornaments, especially those with identical formations according to the (balance, dominance, repetition, homogeny, variance, unity and variation) to achieve the functional and embellishing objective.According to what the researcher has reached out, and in completing to the benefit and knowledge, the researcher recommends the following : 1 - making benefit of the findings of this research and inserting them in the curricula of the Artistic Ornament studied like the institutes and college of fine arts (Dept. of Archaeology) as well as the offices and institutions concerned with this holy shrines in Iraq. 2 - employing new technique suiting with the moral value of the status of the Holy Shrine of Imam Kadhum in the execution of (outstanding and cavernous ornament) technique with a consideration of the rules and principles of ornaments to vary the executive techniques.In completion to the requirements and to achieve scientific benefit, the researcher suggests making these subsequent studies : 1 - studying the artistic and technical ornaments in the Arabic Islamic art.2 - studying the balance of concepts for the aesthetic concepts to employ Islamic ornaments between the modern and postmodern arts.3 - studying the artistic characteristics of the plant ornaments and designs in the ideological and philosophical values.4 - studying the building of a program to analyze the formation of ornament by the use of computers
الصفحات الاولى:

مفهوم اللعب في اداء الممثل المسرحي العراقي

اسم المؤلف: يحيى ابراهيم فليح
الجامعة: جامعة بغداد
اسم المشرف: هيثم عبد الرزاق علي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
الصفحات الاولى:

التنوع التقني في اعمال النحات صادق ربيع Technical Diversity In The Work of Sculptor Sadik Rabe

اسم المؤلف: ساره محمد مناف
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: The value of any work of art lies in the magnitude of the thought ,and given the importance of aesthetic studies between the cognitive continues between the.Artwork and the receiver,it has become necessary to know the techiques and materials in the work of the sculptor Sadik Rabie through statement.Analysis and implications as well as documented.The importance of study of sculptural works by the artist Sadik Rabe rabe including inherited from the accumulation of cultural and matalmh in his study in different environments impact on the headrng technical coupled movementof modern sculpture in Iraq ,and produced from unfinished techninian confirming the importance of art tributary streams of human life,the goal of current research to reveal : ldentify the techniques adoption of his works and the methods and materials used.And identifies research studied sculptural works of sculptor Sadik Rabie ,perfomed during the period (1962 - 2006)And the researcher has designed a form for business analysis ,has been under analysis Business ,which contained the form on the About : business name,ago a chievement ,measurements,materidea of working ,and other information has researcher collects information on private business artist through personal in terviews in the player artist in Baghdad and his own house,and analyzed business and extract the findings and conclusions,with the benefit of indicators resulting from the theoretical framework, have reached aresearcher to a number of re sults including : 1 - the artist Sadik Rabie of the uniqueness in ntegath sculpture and especially the stylistic and method of implementation ,most of his work is characterized by the diversity of materials at work one depending on what is required of the purpose of the subject,2 - confirmed sculptor space sculptured almtmazj with raw material and their relation hipaesthetic formalism a chieved by this intention.3 - Use the sculptor texture to express aesthetic values.4 - work on thesimplification and reduction of the shapes associated with the elements of nature and sought to strip the forms and configured for investigating forms new creative.5 - Obseved divsity in the nature of the raw material and the different composition so as to contribute significantly to diversify the nature of the shapes sculptural.6 - invented artist systems formality new sculptyre of Iraq ,far awaysystems shape or configuration prevailing and traditional.7 - A variation appeared in tonal has to do with expression and the weighted value of the form.8 - artist a dopted the principle of the part that compensates for the total or carrying capacity may out weigh the overall graphical work sculptural.9 - granted its in sculpture prospects interpetion multi expressive capabitities.10 - characterized most sculptural Ntegath the Basma interials,wood etc…11 - came someof this sculptures a ccordance with vision,self for sculptor.12 - that technical Alttnoa in his works confirm specificity and uniqueness of sculptured accomplished sculptor has ratified the spring.Reached a researeher to conclusions including : 1 - that most of the products of the artist approached and interviewed the concept of shape without thread direct.2 - the role of the artist importance and the basis of the product of sculptural form through experience and technical knowledge,aesthetic and technical.3 - that freedom of sculptor and non - adherence to the application of building codesthe configuration in sculpturalform ,following the self - interest side and stylistic freedom configuration get seulptlistic freedom configuration get seulptued done.4 - the display space through work and ,in turn ,in the embodiment dimension Alalaqati among done sculptured and outer space,then the interest of space ,then the interest of space interiorto create dimension aesthetically and technically.The researcher recommends to : 1 - where the researcher recommends interesting as poct of the media and the opportunity for more articles Altkadih for sculptors lraqi.2 - attention side of the archival and documentary honest sculptor spring and sculptors Iraq.3 - recommends a researcher studying the achievements of sculptors Iraqis and get to know their march technical and ntegathm creative.4 - researcher recommends relevant departments uch as ministry of culture est a blishing galleries pevmanently to the achievements of techniccqlSuggests researcher : 1 - further res earch and studies that address the experiences of sculptors.2 - conduct a study on the technical diversity of the products of Iraqi scuhptors.3 - conduct a study on the diversity of style with Allen.
الصفحات الاولى:

انساق التلقي في الخطاب المسرحي : دراسة سوسيولوجية Receipt Order In Dramatic Speech (Sociological Study)

اسم المؤلف: محمود سعودن رسن
الجامعة: جامعة بغداد
اسم المشرف: سافرة ناجي جاسم
الموضوع العام: الفنون الجميلة
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: The theory of aesthetic reading and receiving is looking for critic conceptions which make a change in the world of criticism concerning the reading of literature achievement this element make the - person - reciver remarkable factor to release the meaning of the achieved speech. on the ground of the controversial relation between the three elements of creation (the writer - achiever - receiver ) this theory provide us with its conceptions by several terms and principles that have great role to make big aesthetical knowledge based at (the horizon line of expectations - underlying reader - range of aesthetic - movable point of view - filling the gaps )As we said that the theatrical dialogue has formed strong and effective relation with the receiver, this we lead to the result of indispensable dual dialogue , so we ask How can the reader will interact with theatrical dialogue and How can interact with whole dialogue or some of it’s elements?For the sociological method importance in shaping human’s awareness, and what awareness consists of references which made from the effect of the fact, it hold sociological influences, that forming knowledge and aesthetic changes in order to answer all questions, we made the thesis into divisions : - ? Chapter one / systematic field (problem of thesis, importance of thesis, thesis goals, thesis limitations, terms restricted) - ? Chapter two / theoretical field consists of (first subject : theory of receiving concepts and procedures (method), second subject : sociological changes in theatrical dialogue. Third subject : method of receiving theatrical show, forth subject : previous studies, theatrical field aims)After the work of the writer he make the conclusions that thesis procedures in chapter three : ( society of study and it’s limits, study samples, study tool, study systematical tools) intentionally, we confine samples in order to apply it to thestudy, (theater / Hussain now / director and composer : Akeel Mahdi, theater/ summer rain/ composer : Ali Abdul - Nabi / director Kazem Al Nasar, theatre / brutal wedding / composer : Falah Shaker, director : Ahmed Hasan Mousa).After the writer’s finishing his sample analyzed the results appeared and discussed in chapter four based on standards shows in the clauses (9,11,12,13). In chapter two within subject four.In the study, we had discovered hypothesis conclusions that we made cognitively hoping to complete the scientific use, we are whishing God to send us his blessing in our study, and to be good luck
الصفحات الاولى:

اليات تحول الشكل في تصاميم الفضاءات الداخلية The Mechanisms of Transformation Form In The Designs of Interior Spaces

اسم المؤلف: اراء عبد الكريم حسين
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: As the flower shops are a part of the model that signifies the civilized appearance of Iraq , they became an important requirement on which depended the necessity of transforming the form in its design dimensions that keep with the style of the present age and its remarkable imprint as described as a directed message including an aesthetic and cultural vision to have flowers and that doesn’t mean necessarily that they embody living or real implications in themselves, but in their aesthetic symbolism and expressions according to aims carrying a meaning in their different taste dimensions , Consequently , a behavior will be produced which conforms with this direction in taste , This arrive us to the title named research "The mechanisms of transforming the form in the design of interior spaces ".The research consists of four chapters as follows : - 1 - The first chapter deals with the research problem " Which clarified by the following questions : - Q/ What are the mechanisms of transforming the form in the designs of interior spaces? May these mechanisms impact on activating the functional meanings "performance, aesthetic and expression" for the flower shop to contribute in attracting the others in their cultural levels and aesthetic tastes towards humane evolution for this activity ?The purpose of this research is to reveal transforming the form and its mechanism in design of interior spaces of flower shops and then to lay designs pillars for form transforming according to mechanisms that suit the age, and The importance of this research lies in presenting a study required by the necessity of evoluting the level of the interior space designs for the flower shops, the importance of research Lies the mechanisms of transforming the form in the designs of interior spaces objectively. One of these mechanisms is the flowers shops in Baghdad , Al - Rusafa side in the period 1975 - 2013 spatially and temporally. in addition , the chapter explains the terms mentioned in the title of the research linguistically and terminologically to get practical definitions.2 - The second chapter contains the previous studies and theoretical frame. This chapter consists of four part as follows : ? The first part : enlightens transforming the form and searches in the concepts of transformation and form.? The second part : deals with the design dimensions for transforming the form that include " idea , material , style, function".? The third part : is searching for the source of generating the design form and the forces affecting its transformation.? The fourth part : adopts the design consideration of interior design as the objective fundamental to transform the form.3 - The third chapter : contains the research procedures and methodology. It depended on the descriptive methodology in analysis, Only six models were chosen by the purposeful selection to study the samples of the original research population, the instrument of the research adopted across several axes on which the form of analysis was built, indicating the degree of realizing those axes in addition to describing the research models and their analysis.The fourth chapter : includes findings and conclusion reached by the research as follows : - 1. The deep understanding for the concept of mechanisms of transforming the form, as described the general topic contained in the phenomenon of interior space of flower shops, and its effectiveness of its role when it is applied on the part, its influence reflect in different partial transformations and with functional values (performance and aesthetic), it may reflect on all with high proportion, to realize the full transformation on the level of interior design.2. The interior design “separated from the building“ characterized with spatial characters satisfying the considerations of design to transform the form as compared with middle and corner spaces, The interior design also presents a wide and flexible space for active possibilities through which the interior designer may create formal transformation which their mechanisms adopt aesthetic things satisfying the receiver’s taste.3. The façade is regarded as the most active space visually in transforming the form in its functional dimensions of flower shop especially the aesthetics of innovated design and the nature the exhibited things express by their significant value about the identity of professional space design.The fourth chapter also contains the theoritical design and practical pillars, recommendations general suggestions, beneficiaries and design proposal, in addition to horizontal diagrams, tables, illustrative means and a list including references and appendices.
الصفحات الاولى:

خصائص التعبير الفني وعلاقتها بانماط التفكير المرتبطة بنصفي الدماغ لدى طلبة المرحلة المتوسطة في محافظة بغداد Characteristics of Artistic Expression And Its Relationship With The Thinking Patterns Associated With The Two Sides of The Brain Among Middle Stage Students In Baghdad Province

اسم المؤلف: زهراء صائب العاني
الجامعة: جامعة بغداد
اسم المشرف: صالح احمد الفهداوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: يعد فن الرسم احد الطرق الفعالة التي تجعل من التفكير شيئا محسوسا، فربما ? يستطيع الطالب التعبير عن تفكيره شفويا، فيكون مـن ا?سهل ان يعبرعنه بوساطة الرسم، وان الظن بان بعض الطلبة غير اكفاء في التعبير الفني ليس بسبب نقص في قدراتهم العقلية ولكن بسبب ان انم | The painting is one of effective ways that make thinking something felt, the student may not be able to orally express his thinking, it would be easy to express it by drawing, It is believed that some students do not have the necessary Competency in artistic expression is not because of lack of mental abilities, but because of their thinking patterns do not match with the patterns of thinking of doing the assessment and evaluation process and particularly in the teaching of drawing. We need to keep in mind the students' thinking patterns of, if we want to reach them and communicate with them, so the current research problem identified the following questions : A - Are there specific characteristics of middle school students fees according to the thinking patterns associated with two sides of the brain?B - Is there a relationship between the characteristics of artistic expression and thought patterns linked with the two sides of the brain?C - Is it possible to use the function of artistic expression drawing on the thinking patterns associated with the two sides of the brain? The goal of research is to (detected the relationship between the characteristics of artistic expression and thinking patterns associated with my side of the brain among middle school students in the province of Baghdad), and to achieve the goal of the research, the researcher derivation of several hypotheses zero.Current research community included average the second grade students who are continuing to study in the middle day school of the Directorate of Education in the first Karkh and Rusafa second, In the center of the province of Baghdad for the academic year (2012 - 2013), was selected (300) students at (150) male and 150 female students by (6) Schools of which (3) Schools for Boys and (3) schools for girls were selected randomly. The researcher adopted the (descriptive method) in the current research that required tools. First : diagnostic measure of thinking patterns associated with the two side of brain and prepared by (al - Dulaimi, 2005) after the confirmation of his sincerity and firmness. The second tool : Form analysis Graphics : built tool consisted of (9) areas and (17) key feature, and (39) property secondary was checking the veracity of the tool through a presentation to a group of gentlemen experts and specialists, while consistency has been the use of analysts, the researcher has identified two topics for the first draw special in school and the second theme is free what the experts agreed.In order to achieve results has been the use of the following statistical means) Kai - square, Pearson correlation coefficient, coefficient link Point By serial, equation of Cooper, Scott equation of, coefficient of compatibility).After unloading the data research found the following results : 1 - The existence of (15) a statistically significant property in fee students, those with dominant pattern (right).2 - The presence of (11) a statistically significant property in fee students, those with dominant pattern (left).3 - The presence of (10) a statistically significant property in fee students, those with dominant pattern (integrated).After viewing the results and discussed, the researcher had got a number of recommendations, including : - 1 - Give more opportunity for students to free artistic expression, making their artistic output will be in tune with the prevailing pattern of thinking.2 - - Make the article or subject thinking patterns associated with two side of the brain according to the psychological approach within subjects for primary school students, in addition to the establishment of courses for teachers of art education and lectures that include the subject of thinking patterns associated with two side of the brain in order to be of help to them in how to deal with their students.A complement to research a researcher has proposed the following studies : 1 - Characteristics of artistic expression and its relationship with the thinking patterns associated with the two sides of the brain among the students of the Faculty of Fine Arts2 - Characteristics of artistic expression and its relationship with the thinking patterns associated with the two sides of the brain in primary school pupils.3 - Technical features of the contemporary Iraqi painter and relationship patterns of thinking linked with the two sides to the brain.
الصفحات الاولى:

الانزياح الدلالي للصوت في الفيلم الروائي Semantic Deviation of A Voice In The Novelist Film

اسم المؤلف: محمد اكزار معارج
الجامعة: جامعة بغداد
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: That the transfer of the terminology and migration from neighboring fields to the field of cinema, it has been initially is Mysore not unwelcome, but it has become now a legitimate, since the phenomenon film itself Forum arts and literary forms, meaning that incoming item of literature term cash or theoretical Leger to the cinema After you have several factors in Tndejeh and Tahjanh, and therefore it will Itlaqah with other elements that make up the film, to become a tributary of the tributaries that feed the river, namely cinema, Valandziah term literary purely descended from the rhetoric and stylistics in general and poetry in particular, then Leger to the arts in general and film in particular, so was the researcher's role in investigating this individual and keep track of their source and regression with valleys and walk with plains and climbing peaks to get all the information serve this search and access to the truth that contribute to supplement the students in this field. That any element contained to the cinema has earned its existence and its significance within the new structure, and this is possible, especially with the film because it is a form expressive and technical give the right and the initial of these elements in roaming inside the structure and make it easier for theorists writing in their respective fields, and are entitled to question Can we be theories of pure cinema without resorting to neighboring fields, and whether cinema is able alone to build and describe and explain and express itself as a phenomenon without resorting to other areas, and all this has paid researcher to delve into the study of displacement as a term in the range of cinema and will stand on his ability, and the possibility of analyzing various aspects Kashtagalh within the tape in the movie Film Festival. I've divided the study into five chapters and included the first chapter the methodological framework, the research problem and the need for and importance of research and its objectives and the limits of research and then determine the terms, was the term displacement is out of the ordinary Experience film for movies Surrealism and Dada and even experimental films Cinema dogma, is go out and break the rules of language film , many of these films carry ideas are meant to reach the receiver, through the use of vocabulary contiguous to the concept of shift change is and strangers and illusions, gave maker work is free to use its capabilities available to control the rhythm of the film, as dictated by the formulation of the picture and the psychological impact resulting from them, which the receiver will be paid to the interpretation of what to see pictures of paid to the subconscious mind, which interprets them as dictated by the culture and environment of spatial, temporal and even psychological.Chapter II included the theoretical framework in several Detectives are : - 1 - The first topic : - 's eloquence, the eloquence of sound We have focused on four concepts are displacement and rhetoric, style and stylistic relationship with each other and their relationship to the image and sound later, the longer the displacement of the leading phenomena penetrate the hair of the familiar, a deviation from the rules of the law of speech and penetrate controls criterion its own, The noise gives meaning Tagged may for the original to be a voice gives additional rhetorical dimension, and the method is the concept of Old and appears more closely.2 - The second topic : - Dimension dramatic aesthetic and structural contexts of voice Take this section dimension of the aesthetic of the picture and sound and then dimension dramatic picture and sound and finally shift the aesthetic and dramatic across the elements of sound, where the subject artwork to beauty as a conscious and fruitful for the recipient, either يتذوقه and not يتذوقه, how can we talk ear about art without can see the beauty in it, even took the film makes it sound does in self actually stronger than the image that lies beneath the eye, The noise reflects the dramatic content and aesthetic.3 - The third topic : - significant voice in the space of the film Eating a researcher in this section how to achieve displacement semantic level Suri and voice over job explanatory function expressive We have strengthened this detective examples and models Vlmah and emerged index one broad and multifaceted covered by the analysis of all the corners, covering the second quarter also previous studies that dealt with the sound and that have a relationship the content of the message. The third chapter has addressed research methodology and the research community and the search tool and sample which includes three films a 1 - Bay (PI) 2 - Passion of the Christ 3 - inception and has done a researcher at the fourth chapter analyzes these samples three Finally, Chapter V, which included the results of the research and its findings and then the recommendations that came out of the researcher.
الصفحات الاولى:

توظيف تقنيات الادارة الفنية في بنائية الخطاب السينماتوغرافي المعاصر The Employment of Production Design Technology In Structure of Cinematography Contemporary Speech

اسم المؤلف: رهام عبد الكريم عبد الرضا
الجامعة: جامعة بغداد
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: يشكل الخطاب السينماتوغرافي منجزا ابداعيا يمهر بختم المخرج، الا انه في حقيقة الامر عمل جماعي تكافلي، يتماهى وسط هذا الخطاب، الكثير من التفاصيل البنائية، والتي تتمثل بعناصر اساسية ترتبط بطبيعة الوسيط السينماتوغرافي نفسه، وعناصر اخرى تمثل تقنيات علمية يتم | Associated done creative in film and television arts, a lot of scientific techniques that check the credibility of the visual image, Elements technical need in order to carry out its mission of creative for some industrial practical techniques, and of techniques and technical management of digital and classic in both, which often falls upon themselves embody a lot of the Acts hacks and dangerous by the figures, both in real places realism, or places the fictional manufactured by digital technologies, thus achieving the act occurred final thaumaturgy discourse in Cinematograph, sources have varied to obtain the production design techniques between what is classic and what is digital, since attempts (Millais) The first, and the end of the digital technologies entirely manufactured by Computer programs the three - dimensional techniques and the hologram, that these techniques visual and employ them in the cinematograph picture are summarized researcher to study, as research is divided into five chapters, the first chapter include (methodological framework), which includes the problem and the importance of research and the need for it, and determine the goals and limits of research and research, and finally, the researcher identified some terminology.In the second chapter (theoretical framework and previous studies), it was for the production design inception and its concept has been divided into three sections, the first section, as it dealt with the beginnings of the emergence of the term production design and how it moved from the stage at the hands of (Millais) to the cinema, while the second section was for the structural relationship between the production design mediator in the cinematograph elements, grabbed a researcher here every production design techniques which is classic and function within the discourse structure the cinematograph, while the third section was technology digitized technical management in the cinematograph speech, and in this section the researcher digital production design techniques three - dimensional addressed and divided into three levels, and then discuss some of the previous studies reached a researcher to a set of indicators that have been adopted by the tools for the analysis of the sample, after taking the opinion of the Committee of Experts and arbitrators, and the research sample were as follows : 1 - The English Serial (Game of Thrones)2 - The English film (The Grand Budapest Hotel)After the analysis concluded the researcher to the set of results in which the importance of hiring technical production design techniques, both classic and digital found in the cinematograph speech, in order to achieve act thaumaturgy image of cinematograph, and achieve directorial processors according to the director's vision with the help of technical director, and therefore put the researcher some of the conclusions and recommendations and finally proposals, and concluded Find a list of sources and references, and appendices, and abstract in English.
الصفحات الاولى:

البناء اللحني والايقاعي للاغـنية البغدادية في عقد الاربعينيات Construction And The Melody And Rhythm The of The Baghdadi Songs of The Forties

اسم المؤلف: طارق محمد علي كاظم الاوسي
اسم المشرف: طارق حسون فريد
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
اللغة: العربية
السنة: 2010
مكان الجامعة: بغداد
المستخلص: جاء البحث متكونا من اربعة فصول مع قائمة بالمصادر والملاحق 0حيث يتناول الفصل الاول الاطار المنهجي للبحث، ويبدا بعرض مشكلة البحث التي تلقي الضوء على الاغنية البغدادية، والتي ارتبطت مضامينها وموسيقاها وطرائق ادائها بحياة المجتمع البغدادي ولكونها احدى م | Search comprising of four chapters with a list of sources and supplements. First chapter discusses the methodical framework for research.The research problem begins by highlighting on the Baghdadi's song which associated its contents and music’s and methods of performance with Baghdadi community life and being one of the sources of singing and musical heritage in Iraq and requires the preservation of extinction and distortion and loss through collected and documented and studied there was a need to conduct study on the construction melodic and rhythmic in the Baghdadi’s song. Then, the researcher illustrate importance of his research, either the target determined by the disclosure of characteristics of construction melodic and rhythmic features in the Baghdadi's song for forties contract.The second chapter guarantees the theoretical framework and previous studies, and was consists of three studies, came in the first study of it a brief illustration about history of music and singing in the civilization of Mesopotamia, and then the singing in the pre - Islamic era, then that came in the Arab Islamic civilization until the Abbasid era, and In the second study the researcher partook of singing in the Abbasid period, followed that topic of the singing in the era of the Moguls and by reach to the end of the nineteenth century AD, in the third study the researcher partook of situation of Baghdadi's song since the beginning of the century and until the end of the fourth contract, also the study included topic of song at the stage of forties of the twentieth century which is the main topic in this study, a researcher did not find any scientific and Academy study partook of Baghdadi's song at the stage of the forties of the twentieth century.and the third chapter contained on procedures of research, where the experts identified the research community and then sample of search had been selected intended, and then talked about research tool, clarifying the analytical standard which was prepared by him based on stated in Part II, which is marked (the curriculum and the application rate and addenda) in : 1 - Book (analysis of contemporary music in the science of comparative) of the author of a. Dr. Tariq Hassoun unique. And : 2 - the book (theories and methods of analysis of Arabic music) for the same author, as indicated by the analytical models for the messages of different music, and the researcher depended on chapters five and six of the book II (Explanation of fields’ content the five forms and the two drawings, the diagrammatic and schematic), and this what relates directly in determining the standard analytical music so that we can analyze the selected samples.And partook of the requirements the research and then methodizing of research and veracity of standard and its immutability. This chapter had included the musical analysis for the samples to be brought under for analysis.In the fourth chapter the researcher got out with a list of results and achieved by this his goals , then reached to conclusions, and then, the researcher put some of the recommendations and proposals, and came after it a list with the sources and supplements, and the research summary in English.
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اسم المشرف: سامر احمد الكرادي
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