First pages:

البناء الشكلي ومتطلبات الاداء الوظيفي في تصميم عبوات المنتجات الصناعية

Author name: زياد حاتم حربي العامري

Supervisor name: فوزي ابراهيم المشهداني

General topic: Fine Arts

Specific topic: Industrial Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: تعد عمليات تعبئة وتغليف المنتجات بصورة عامة والمنتجات الصناعية بصورة خاصة من العمليات بالغة الاهمية اذا صح التعبير ذلك كون العبوة هي المسئولة عن ايصال تلك المنتجات الى المنافذ البيع ومن ثم الى المستهلكين. فلكل عبوة تصميم يجب ان يلاءم المنتج من حيث البناء | The packing of the products in general and industrial products in particular is one of the complicated operations, because package is responsible for delivering of those products to sale outlets and then to consumers.Each designed package must fit the product in building of the general shape and its task Pressure as well as the Packet has the ability to show aesthetics of the Product, so the Package has limited base that can be distinguished. These Products will be Paid attention by the consumers. Therefore the researcher focuses his idea on (The formal building for functional requirements in the design of packaging industrial products). This research explains clearly the fact that Packing is regarded as a reflexive mirror of the Producer who tries to give a good visual image.It is also a means of communication between producer and consumer it has an effective role in vogue of products. It is as silent salesman. Being a motive acceleration towards high quality products factories and productive developments in order to reach the objectives of the research.In determining the design of the packet industrial products.Depending on temporal boundaries in duration (2006 - 2010) and form the Products of the electrical industries company in Baghdad exclusively.The research also included a set of terms related to the subject of the research. Some of them are important and suitable to the research.The second chapter contains the theoretical framework and previous studies according to the following division.The first section included formal construction and functional performance.It means building the figure in industrial product and the elements of the designed foundation in building shapes and the relationship between the outer shape of the packed and the inner.The second research included packing in industrial products which includes (industry of packing and its relationship to the environment).The third research included designing of the packages which includes the packet itself as a communication material and factors of ideal designing of packets and its elements. The conclusion of the framework refers to some references that the researcher has a do pled in designing of analysis form to search wit hen its products in chatter including research community, which represents products of the electrical industries in Al - Waziriya, My sample of the research aims to choose five models out of twelve models and 40% of the research community.The researcher depended on books and other resource, specialized his method on descriptive analysis in a researcher sample. He concluded a number of results (some of them did not achieve to the inner shape in all samples that leads to weakness of the formal performance and never achieve the required engineering function in protecting the packet products, and using the raw material did not achieve the required protection), up to the conclusions, including (the formal building of industrial products has clear effect in building varieties of packets according to the size of the packet plus fro duct to build Varity of forms which has the capacity to perform the function well excites the consumers reaction), then recommendations and proposals, and sources and finally the summary of in English

البناء الحركي وانتاج المعنى الدلالي في المشهد التلفزيوني == The Buildup of Motion And Production of Semantics Meaning In The Television Scene

Author name: كمال شناوي ذياب

Supervisor name: دريد شريف محمود

General topic: Fine Arts

Specific topic: TV Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: سعى الباحث في هذه الدراسة الى ابراز دور الحركة كمفهوم شمولي في مستويات متعددة امتلكها الفلم كمنتج فني سواء على مستوى السينما او التلفزيون بشكل عام، كما سعى الباحث الى تجذير العلاقة ما بين الحركة ذاتها بكل مستوياتها ومراحلها وتاثيراتها في انتاج المعنى الد | Researcher sought in this study to highlight the role of the motion as a comprehensive concept in several levels the film has as an artistic product, both at the level of the cinema or television in general. The researcher sought to consolidate the relationship between motions itself at all levels and stages and their effects in the production of the semantic meaning. The study tried to follow the appropriate way to achieve the maximum benefit through reading all views in line with the research objectives, the research was divided entitled (buildup of motion and production of semantics meaning in the television scene) into four chapters in which he first entitled (The methodological framework ) which includes the problem research, its limits and its goals, while the problem of the research can be summarized asking following ((what are the aspects of motion affecting the production semantic meaning in unified artistic buildup?)). Yet, the importance of the research being dealing with basic subject in the structure of a scene, which is motion and their meanings in production as well as the possibility of becoming a useful study for those interested in field of TV drama. Meanwhile, the limits of the research focus on studying television drama. The research objectives have been limited to (detecting the modes in which motion operates within its various forms on production of semantics of meaning in the television scene). The chapter also included on a definition of the term motion, while chapter two (the theoretical framework and previous studies) which has included three studies which have formed the theoretical foundation of the research, these studies were titled as follows : The first section (motion from the structure to the meaning) it gave a thorough discussion to the concept of motion, in addition to the structure and semantics and the significant of the structure on scene buildup in films, in addition to the theoretical picture and its relation with the meaning which is being dealt in details. The second section (from the movement to the film) it reviews the history of motion picture and factors that affect the composition of picture in television.The third section (motion and dramatic structure in the television scene) it addresses the concept of drama, in addition to the elements of action and its buildup, also we have dealt with the rhythm of the scene and building it both intellectually and editing (montage). The research also tackled a number of previous studies that have smaller interests. The researcher has come out of a number of indicators which are the results of the theoretical framework.The third chapter included (research procedures) which included the used methodology and the research community and the chosen samples and justifications for choosing them, as well as the mechanism of research and unit of analysis, this chapter also included analysis of the selected samples. The fourth chapter includes conclusions that focused on two television series that were intentionally chosen to meet the requirements of the research. There are fundamental findings that both series have resorted to motion levels in producing the meaning in different manners, starting from the buildup of motion to vision and the editing, camera and sound. The researcher confirmed on a number of conclusions that have resulted in the light of discussing the samples of the research which confirmed that television series should deal with almost all levels of motion and its meanings in the production of the television scene, with a significant difference in the levels of motion in building of the scene. The results and the recommendations have maintained the goal that the researcher has made in mind in his scientific plan, as mentioned above. This chapter also includes the recommendations, proposals and sources, in addition to summary of the research in English.

البعد الوظيفي للعناصر البنائية في التصميم الطباعي == Functional Dimension of The Structural Elements In Graphic Design

Author name: نور احمد حاجم الربيعي

Supervisor name: حكمت رشيد فخري العزاوي

General topic: Fine Arts

Specific topic: Typographic Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: The completed design layout space mixed the structural elements and react according to the ranges of operation and functional, establish by regulation and interrelationships that are formed according to the bonds of the structural discourse visual design career in Graphic Design in general and the cover of the magazine , in particular, for its fun mentality and culture of the recipient affect the everyday needs him in various directions. The focus of current research in almost all its attention on knowledge of functional dimension of the elements of building in Graphic Design in order to understand the mechanism of action and the realization of ideas and assisted by the intended delivery to the recipient, where enrolled Search classes several , came the first chapter required for the research problem which manifested itself by asking the following : ( What's the role of the functional dimension of the structural elements in layout design ? ) And demonstrated the importance of research in : The possibility to form a view of knowledge contributes to the Iraqi supplement the library a new type of research in the field of Graphic Design , as well as its contribution to the open window scientific knowledge for those working in the field of Graphic Design. As set a target search : (learn functional dimension of the structural elements in the layout design , and make proposals for practical purposes according to the results). Interested in the theoretical framework of three Detectives , touched first section of ( the concept of origination and development function , function in philosophical thought , a job in the art, design and function ). The second topic addressed ( in art and architecture design, structural elements for the cover of the magazine , and directorial styles for the cover of the magazine and its relationship to job performance ). While eating Section III variables design and its relationship dimension career as follows : (function and Attractions visual function through unity and diversity, function and significance , function and cognition, function and connectivity, functionality and digital technology , function and beauty). Then came the theoretical framework of inter indicators are the epitome of what resulted in the theoretical framework , including 1 - Position not be realized arbitrarily by the designer , but must have a level of awareness of the specialist, and a level of awareness Palmgeorat ofknowledge and phenomena exist. 2 - the aesthetic value of harmony with functional value and interpretation of functional value in a utilitarian manner and performance make it to the cover of the magazine outlook such us beauty and the value of a direct relationship between each other. Followed by the research procedures contained in the third quarter , marked by the adoption of the descriptive method (method of content analysis ) in order to reach results that achieve the target search. Also represented his research tool the analysis identifying axes form the basis of the theoretical framework , and resulted in the indicators and analysis axes were as follows : • functional dimension of the element Alkraveka • functional dimension of the element Altibograve • functional dimension - semantic structural elements • perception relationship the functional performance of the structural elements • processors relationship technical digital functional performance of the structural elements • 's function in terms of content • relationship methods design the functional performance of the structural elements • functional dimension _ aesthetic elements Altibogravekah According to the contents of each model on the unit where it was described and analyzed (16) sample research , based to the paragraphs of analysis, Chapter IV, has included a presentation of the findings of the researcher , the total number (18 ) as a result , for the first target of the search , and it was them : 1 - achieved a system architecture formal moot differentiation by employing forms Allamolovh and redesigned and adapted consistent and subtraction objective idea of the cover of the magazine, donor 's energy performance functional aesthetic through innovation and uniqueness in the way of subtraction, and this stems from a number of elements and the values of design that not only required The distinction is to make it unfit for understanding and vision , and but instigate our sense and intuition effective visual design field and in accordance with the requirements of utilitarian image. 2 - over - employing key Anwanat number and subsidiary in the cover of the magazine , had a negative impact in the process of receiving it , they distract the receiver because of the large number and its color variations and thusweaken functionality. 3 - Check the iconic structural element - written , which led to the production of functional structure - Tagged , designer prduses system Alamatah expressive semantics , through formal positioning of symbols and visual signs with signifier written. 4 - According to the designer of processors digital technology specialized processing digital photo in particular in the job enrichment - semantic image through the use of technology (filters ), as reported techniques pieces , deletions and additions, Alfotomonteg , and contributed to processors of digital technology is the basis in shaping the idea of working to break the stereotype of shapes and out of the conventional method of frames through Semiotics produced approach visually and functionally speech by digital technology. Then the researcher concluded a number of conclusions , including : 1 - Enter key to the language of mock job was through the adoption of the principle of sovereignty in the volumetric space of the cover of the magazine. 2 - rapid transfer visual and mental unit moving in the process of receiving the elements was due to the adoption of structural variations and sharp color value Altdadat her. The researcher organized recommendations A_i_vtha by in the light of its findings , including : 1 - choice of images with deep meanings and connotations that are consistent with two goals design idea. 2 - Pay activate visual discourse through the organization structures Altibogravekah the importance of being frees broadcast communicative the and functionally - Tagged - aesthetically pleasing. 3 - Activating Digital Alkraveka Design in all its specificity as a tool supportive performance done layout , and make it accessible to the hands of students in educational institutions and Fine Arts and the establishment of sections designed to teach and in line with global trends. The researcher also presented two proposals could form the focus of subsequent studies complement the current research , namely : 1 - the communicative function of Amolov formal layout design. 2 - Semantic job enrichment component Altibograve using digital processors. With regard to the second goal of the researcher presented a search applications proposed designs for the covers of magazines , according to the results. And then seal Find a list of sources and supplements

Author name: سامي هيال عبد الرضا فهد الساعدي

Supervisor name: طارق حسون فريد

General topic: Fine Arts

Specific topic: Musical Arts

Degree: Master

University: University of Baghdad - College Of Fine Arts - Department Of Musical Arts

Language: Arabic

University location: Baghdad

First pages:

الاثراء الجمالي للكادراج في تشكيل فضاء اللقطة لبنية الفيلم السينمائي == Aesthetic Enrichment For Cadrage In The Formation of A Snapshot Space of The Film Structure

Author name: علي حيدر خالد فرمان

Supervisor name: متي عبو بولص

General topic: Fine Arts

Specific topic: TV Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: When he was told earlier that the film image and the movement were matched at the same moment that attempts perpetual to find potential unique art film , a possibility that must be characterized and unique among the rest of the other arts , which laid with the long history of the foundations of language unique.. as he says Eisenstein in his book Movie format that the musician uses a ladder of votes , as well as a painter uses the area graded colors as that of the scribe set of characters and words.. but in return what fired on cinema recipe she image and movement have come to the recipe opaque in the eyes of aesthetics film since there is no image transmitted the camera does not move CONTAINED within this cadre express virtually no way for the uniqueness of this special art.. the picture itself is a possibility of many other visual arts... as well as the movement within a specific framework cadre is also a feature of the theater.The image and movement are two of the data of this language does not mean in themselves this language , but is just data , and these data are recoverable only to the restructuring and the creation and then the way restructuring is the same as that language desired , which will uniqueness of the art film venue solo the rest of the languages of art, because the cinema visual art , it was the configuration the effect of the basis of the formation of the mainstay of this art , Valtkoan picture film performs a critical function in the development of any accomplish my film , not surprising that the overlap in the configuration process all the technical elements and technology that contribute to the making of the film , way out and photographer and designer decor , actor and sound engineer contributing to all of us in creating a configuration Film Festival, as well as " all this, the film largely depend on the aesthetic image problem system configured I mean , it can be Mahbuka Banazare and special effects nearby , which qualifies the process of attracting viewers and raise their senses and provoke Maiqathm about topics that drama Moot film , particularly as it was the product of a technical support look and feel as a showpresenting , and leaning on the configuration elements and forming processes in the formation of the final image of the drama movie , which up to the viewer , carrying in its content story or idea , in the framework of art was his mastery and drafted through the techniques and tools employed by Maker work with his style and his way and visions.Hence the researcher in identifying placed his research (such as the inclusion of aesthetic enrichment in the formation of a space snapshot of the structure of the movie), has been divided into five chapters on research were as follows : The first chapter ( frame systematic ) : to ensure the research problem, which was questioning follows ((what qualities by which to achieve enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie?)), As well as its importance and the need for him in being dealt with articulation accurate one language elements film, in addition to the aim of the research, which represents detects modalities by which or contribute to the enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie, as well as ensure that the limits of the search, and seal Chapter determine the terms contained in the title search.Chapter II (theoretical framework and previous studies ) : The researcher dividing the chapter on the three sections, as shown below : 1. The first section : (Alkadraj in the structure of the movie)2. Second topic : ( plastic film shot in space )3. Third topic : (aesthetic building frames acoustically and visually)Finally, the researcher came out at the end of the second chapter of inter indicators formed a summary of the theoretical framework.Chapter III ( action research ) : ensure research methodology and the research community and the research sample, and the search tool has been identified through the indicators derived from the theoretical framework after a presentation to a committee of experts for examination and evaluation.Chapter IV (sample analysis and discussion) : ensure that the sample analysis and discussion of the analysis was to deliberate three movies to get to the results and objectives , A film (Shakespeare in Love), directed by John Madden and film (Kingdom of Heaven), directed by Ridley Scott and the film (a nightmare of blood and sex), directed by Joseph Kolbyk.Chapter V ( findings and conclusions ) : Review of the researcher to ensure that the most important results that came out of the analysis of the sample , including : 1. Enrichment is a given aesthetic basis for action when Alkadraj composition of space from the vision of self - treatment of structural frames in the film , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( Shakespeare in Love ).2. The building Alkadraj means the ability of the director to manipulate the rhythm and the mass distribution through homologues and antonyms , which represents the process of enriching the aesthetic of the snapshot in the structure of the film as a whole , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( the nightmare of blood and sex ).3. Represent the process of the mass distribution within the framework of the standard basis in shaping the aesthetics of the rhythm of the picture and the overall unity of rising onthe balance of the overall composition of which , as demonstrated in our research sample movies.4. Achieved enrichment aesthetic through activation of the text scanner , and the gradient hormonal colors or Alcontrast which is a factor creating clarity and isolation and vision , as well as distortion and guess in a sense, as demonstrated in our research sample film ( Shakespeare in Love ) and film ( the nightmare of blood and sex).As well as the conclusions that the researcher extracted from the overall theoretical framework and analysis of the sample and that of the most prominent : 1. The Alkadraj is one of the most important means of creating distance aesthetic image , Valotra aesthetic in the picture is constructive Eptgeh director of that image in its final form, it is that expresses the sum of intellectual and formative vision of Foreign Affairs of the same artist to public life , which is the result of all his thoughts and instincts on differing trends and inclinations and different affiliations , culture and consciousness , experience and practice , which represents emotions and maturity and the extent of his capabilities , which led him to this level of performance excretory , especially since the plastic snapshot extends to the meanings of Interior , which is closely related to and interacting with all shapes and sizes , and the characters and decoration , furniture, fashion and color and lighting of during that intentionality regulatory those different elements.2. Said enrichment aesthetic such as the inclusion controlled by the ability of the director to manipulate the rhythm mass distribution language brevity of its subject , who is filming , as well as by staff and the framework Ikts intent to form was footage establishes turn later scenes , which in turn containsall elements of the picture and formations granted by the characteristics and dynamics , which is incorporated in the final form of image expression and its beauty.3. Polarization and induction of wonder and exoticism at the viewer , to establish enjoy and gravitate to the image Bmoduaadtha , shape and construction of the picture and the objective and all this is thanks to the amount and type and multiplicity ( abundance ) and the shape , color, size and method of formation of fonts, colors and decorations and sculptures , which are in constant flux and constant , and that even included fashion accessories and all assets in most movies samples.Chapter and seal the proposals and recommendations , and then the list of sources and references that benefited the researcher and seal search extract in English.

الاثراء الجمالي للمؤثرات الرقمية في الصورة التلفزيونية == Aesthetic Enrichment of Digital Effects In The Television Picture

Author name: نوفل جنان بهنام فتوحي

Supervisor name: ماهر مجيد ابراهيم

General topic: Fine Arts

Specific topic: TV Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: Tertat data aesthetic and practical achievement of enrichment variable technical and scientific development adopted by means Alcinmatugraveh, especially psychotropic Digital, which employs in the production of TV picture, and the formulation of the reality of art as much as possible of persuasion, since they represent the process enriching the form of technical drama television, producing layers of meaning, accompanied that achieving credibility dealing with vocabulary set drama, so granted the fact of the Incarnation in the window, and this articulation select researcher Title search (b enrichment aesthetic effects digital TV picture), where it formed digital technologies certain scope for creative building (picture art) characterized by high capacity on intellectual expression because of its highly effective techniques to achieve aesthetic enrichment level exceeded the traditional concept of the tricks and traditional influences, has been divided researcher discussed into Khosma chapters were as follows : Chapter One (methodological framework) : which included the research problem that summarized in the following question : How are achieved aesthetic enrichment of digital effects in the TV picture?The importance of research and the need for it, as well as the limits of search, and seal identifying the most important chapter of the terms contained in the title search.Chapter II (theoretical framework) : included three sections were as follows : The first topic : technical development and creative construction in artworkThe second topic : employ digital effects in TV pictureSection III : aesthetic influential digital television drama.In light of this, the researcher to a set of indicators which represent abstract theoretical framework as a prelude to the presentation to the Committee of Experts as described in Chapter III, the researcher concluded Chapter Two previous studies.Chapter III (search procedures) : The research methodology included, and search tool, the unit of analysis and research community and sincerity of the tool and analysis steps, and finally the research sample, where purposive sample was selected are as follows : three television series : First series : (Sinbad) Directed by (Brian Grant - Andy Weston)Second series : (Visitors Visitors) Directed by Scott Peters.Third series : (Spartacus Spartacus) first season out (Rick Jacobson)Then, the researcher analyzed the sample from theoretical framework indicators after taking the opinion of the Committee of Experts and the arbitrators.In the fourth quarter (results and conclusions) : it included findings researcher after analyzing a sample search, including : 1 - aesthetic enrichment achieved through the effective capacity of the effects on the formulation parameters of time and space in the television drama high flexibility and voluntarily whether through industry place fully, or partially. As we have seen in the research sample TV (Sinbad, Spartacus, visitors).2 - leads enrichment aesthetic image to enrich the credibility and construction, verification and conformation, which means achieving maximum active connotations expressive different in all cases the result is a functioning aesthetic features the ability to combine the advantages of the real world and the vision fictional at the same time. As we saw in the research sample (Sinbad, visitors)The researcher came after a number of conclusions, and seal research recommendations and proposals.The researcher finally put a list of Arab and foreign sources adopted by research, supplements and seal research Abstract in English.

الاتجاه الجمالي في تجربة الناقد عقيل مهدي == Aesthetic Trend of Aqeel Mahdi'S The Critical Experiment

Author name: محمد مهدي حسون

Supervisor name: رياض موسى سكران

General topic: Fine Arts

Specific topic: Theatrical Arts - Literature and Criticism

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: تنفتح دائرة النقد اليوم لتشكل تداخلات مفصلية مع الفلسفة، وهذا التداخل بين النقد والفلسفة يتميز بوصفه علامة بارزة في القرن العشرين, وحتى لحظة تدوين هذا الملخص، اذ ياخذ النقد صفة متعالية تبلغ درجة ووسعا وكانها فلسفة العصر, وهذا بدوره قد اثر كثيرا على الاش | Today , the criticism's cycle opens to form an auricular overlap with philosophy's , this overlap between the criticism and philosophy distinguished as a remarkable mark the 20th century till the moment of preparation of this thesis , the criticism takes a transient adj. attains degree as it's era philosophy ,that has largely influenced histrionic functioning with all it's trends and men and all.Following the global criticism scene and its influences onto theater is necessary to follow the effect relativity and influence in histrionic scene. And this way the researcher thesis opened in his dissertation to see in global criticism movement experiment being the occupied thinking trends which replaced the philosophy and formed a group of functions which accompanied the scientific and humanitarian fields with all it's types.The matter which made the researcher , to follow the critical experiment from available aesthetic perspective in critic experiment ( Aqeel Mahdi ) and the operation of following this experiment doesn't halt onto the concepts frontiers which is enjoyed by each critical trend but it extends further until reaches to discover the pleasure and aesthetic climax which accompanies each criticism trend and diagnosis with generality from one side and the privacy in critic project ( Aqeel Mahdi) , that opened the door to articulate the research (Aesthetic trend on the critic of Aqeel Mahdi's experiment ) with the following splits.First 1st chapter : the methodical frame : - The researcher has exposed to diagnosis the research difficulty and need extent , it's importance , it's targets , research frontiers then the extension to locate the terms mentioned in research title. Second - 2nd chapter : the theoretical frame : - which include 3 researches : A. Shows the criticism trends concepts onto the contextual level , text , reading trends level and receiving.B. 2nd. research : in this research the researcher has concluded the mechanisms which are enjoyed by every trend.C. 3rd. research : this research forms a checking for aesthetic in every trend.Third : 3rd. Chapter it is the research procedures : the researcher has worked to discover three of criticism books which are distinguished by the criticizer (Aqeel Mahdi ) ,He hold a funding and analysis fit and the research nuncupative.As well as the researcher has recapped in this chapter a group of ramifications based on his analysis for opted samples. Fourth 4th. Chapter : - this chapter has the research ramifications , conclusion ,recommendations , suggestions , a list of references and finally the research abstract written with English language.