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المعجمية العربية في فكر الدكتور علي القاسمي == Arabic Lexical At The Thought Of Dr. Ali Al Qasimi

اسم المؤلف: بتول عبد الكاظم حمد
اسم المشرف: لمى فائق جميل العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Praise due to Allah, the Lord of the universes, peace be upon the Master of the messengers, Mohammad, his family and companions. The importance of dictionaries has increased lately, because technical means have been introduced into their manufacturing.Dictionaries have become one of the significant features of the present time in achieving reaction, harmony, and communication among nations. Dictionaries have also attracted the intention of modern linguistics' theories. This necessitates a new lexical study to investigate dealing with dictionaries on the basis of their capacity to receive the new innovated lexes, their purposes and the number of their users which increases everyday.Therefore, the present Arabic lexicographic study, tackles the thought of Dr. Ali Al - Qasimi to which it is restricted. This is so because of the achievements of this scholar and the services he presented to Arabic and the status he occupies among Arab scholars. His fame is wide spread in the Arab Homeland, in addition to the variety of topics covered by his lexicographic writings. He is, actually, a prominent figure in the modern age. He has provided, and still provides, the Arab library with references which depict the genius of this unique personality who does his best effort to serve these who speak it and those who do not. Due to his qualifications the Union of Arab Academies has adopted him a god deal in compiling the outlines of the Arabic Historic Dictionary.He showed a significant activity in this concern, presenting his opinions in setting the body of the Historic Dictionary through a bulky reference issued in 2014, under the title "The Making of the Arabic Historic Dictionary". Hence, this is the reason behind the choice of this topic to be studied. The researcher has found a great value in the thoughts of this scholar which are characterized by innovation and the call to change the methodology of the linguistic studies. Moreover, there is no single study which covers the lexicographic references and books written by Dr. Ali Al - Qasimi.The structure of the study necessitated its division into an introduction, three chapters and a conclusion. The introduction is divided into two parts, the first of which introduces Dr. Ali Al - Qasimi, his published books and researches. The second part is titled (Lexicographic Thought for Arabs). The chapters are as follows : Chapter one is titled (Al - Qasimi and the Modern Dictionary) including four sections the first of which tackles the (Definition of the Lexicographic Terms); the second (Methodologies of Arabic Dictionaries' Arrangement and Classification); the third (Lexicography Making in the Thought of Al - Qasimi), and the fourth, which represents the topic backbone of the concern of Dr. Ali Al - Qasimi, is titled (Dictionaries and Language Learning).Chapter two has been devoted to the study of the study of the Arabic Historic Dictionary. It mentions the most significant bases on which this dictionary stands. It is divided into four sections, the first of which includes several axes among which are : Introducing the Arabic Historic Dictionary, types, necessities for its appearance, the scientific plan to achieve it and the remarks on it, and the previous attempts to compile it. The second section is titled (The Lingual Change in the Arabic Historic Dictionary); the third is titled (The Arabic Historic Dictionary between Etymology and History).The fourth section is titled (The Corpus linguistic and the Historic Dictionary).Chapter three is titled (The Dictionaries Compiled by Al - Qasimi : A study in the Application). It is divided according to whether the dictionaries are complied by Al - Qasimi or participated in compiling them. Thus, the first section discusses the dictionary titled (The Basic Arabic Dictionary); the second (Recitation Dictionary). The third section is concerned in the study of (The Dictionary of Modern Linguistics Terminology), a bilingual English - Arabic Dictionary.The research has been provided with a conclusion which includes the most important result the researcher has attended to throughout the chapters of the study. A list of the references has also beenprovided.

القمر في الشعر العراقي المعاصر من 1947م - 1970 م : دراسة في الصورة الشعرية == The Moon In The Contemporary Iraqi Poetry 1947 - 1970 A Study In Poetical Image

اسم المؤلف: مجيب عيدان جبر
اسم المشرف: سلام كاظم الاوسي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: This Research is tackling the moon image and it's connotations in the contemporary Iraqi poetry , that it has been built of an interdiction , three chapters and a conclusion. The introduction was explaining the Reasons behind choosing this Research topic specifically and the purpose of this Research. The first chapter has been divided in to two Researching ports , the first part delt with the most significant concepts , and the basics that the pillars of the poetic image has based on by the old and the contemporary reviewers and how does these concepts used by the contemporary Iraqi poets in building the image of moon and it's different connotations. And it worth's to mention that this research paper took the bases of the poetic image as a method. In the second part of the first chapter has delt with the components of the basic poetic image such as ( Reality , thought , emotion , non - consciousness , imagination ) and the reflections they made on the imaging of moon and it's many indications , and in addition to the divest and indirect role in determining these indication. In the second chapter , the Research went thought the most significant , notable places of moon and it's connotations in the contemporary Iraqi poetry It has been noted that most poets has educed the image of moon in many of their poetic imagers such as flirtation , Lamentation , Praise , enthusiasm and depiction how does the contemporary Iraqi poet interact with the moon in such images. In the first part of the third chapter , I went through the artistic side of the image of the moon , in the poetry of the contemporary Iraqi poet. It has used the relation - ship between the moon from aside and it's simile , metaphorical , epithetical , chromatic and dynamic , images , that which left a distinguished artistic toch on It's poetic image. The second part of the third chapter , elaborated on the religious , psychological , and asocial aspect of the moon image , and it has been note that , the moon , through it's various connotations has left a clear impact on their poetic images which has a relation to these aspects in what relates to the different connotations of the poetic image of the moon. Finally it Reaches the conclusions of this Research followed by list of sources and references alphabetically organized.

شعر كشاجم : دراسة اسلوبـية == Poetry Kashajim ? Stylististic Study

اسم المؤلف: سارة محمد حمزة
اسم المشرف: ياسر علي عبد سلمان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: The object of this study is to determine the style aspects in the poetry of Abu AL - Fath Kashajim Al - Ramly Muhammad ibn Al - Hussain. It appears in the from of preface and three chapter. In the preface I mentioned something about the poet personal life , his poems and his position among his contemporaries simply , then I Tackett with the stylistics and its concepts , types and its relations with other literary concepts and sainces like language , rhetoric , critisim. Also I tackled with the subject of (style changing) in western studies which was known in Arabic studies as ( Al - Inziyah Al - udnl). The first chapter was to the right matic level and some subjects under lined it. The first the outer thematic level of poems which divided into two parts ( meter , why me scheme ). the second contains the sequence technique with all its types (voice , derivational and introduction ) Also I took alliteration of word ) types ( completed , non - completed ) derivational and other types. the third chapter concerning as pacts found , in the poetical collection of kashajim. Who second chapter is a study of construction level of poetry , and its divided in to three papers. the first is about the styles of poetic discourse (Nida style vocative partich (A - ya) ) , Is tifham (interrogative Amrw , Alnahi , the article "Aya" pat at the first position more than the others used in his poems. The third chapter tackled with semantic level in kashajim poetry , and it has three divisions. The first about similarity level , it contain similarity style and rhetorical borrowing. the second one is about Alknuya wara style ( the nearest meaning not the direct , I talked about (Alkinaya metonymy ) the third paper is about textual derivation intersexuality and this divided in to religions and literal.Religions textual derivation has two divisions , one related with Holy Quran and other with propend Muhammad traditions (Al - Hadeeth). The literal contextual derivation took two types poetic and proverbial , the I condnde my research study with bricf conclusion contained the most important results , with a full bibliography of references I benefited from them

الطبيعة في شعر مكفوفي العصر العباسي == The Nature In The Poetry Of Blind Poets Of Al Abbassi Era

اسم المؤلف: وسن حسين غيث الظالمي
اسم المشرف: عامر صلال الحسناوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: المثنى
الصفحات الاولى:
المستخلص: After a long journey, joyful and fun with blind people in the world of nature we looking forward now to see the results of this trip and we review the most important thing we came up with : The psychological factor has played an important role and essential in the orientation of the blind toward nature in which he found a safe haven, to escape from the community was a hostile environment for him. Multiple cognitive and cultural resources for poet blind, provided him confounded cognitively culturally Thera, had the largest share of this stockpiling return to the product of poets sighted; since found a blind wellspring Bmaanyh and his words that cemented in his mind and filled the depths of his soul, he took draws, including wills him meanings and images of nature, and which appeared excellence where Bashar and Maari, as he leaned on the language inherited by coming in in language daily - the first sources of culture blind cognitive - represented by parables, and he has brought the blind signals Koran which carried descriptions of nature, and who help him in drawing pictures descriptive, as well as tributary ideals and goes, and tributary to read and see, and found the researcher's role Zip historical and legendary in the poetry of nature; since summoned the poet blind symbols of personalities historical, and legends belong to nature, and had Me'ri a distinct presence in calling these symbols; indicating the depth of the culture, and intellectual maturity. Entered the nature formative element in the formation of the poetic image when the blind poet, and stirred his imagination and Ncttha, and expanded its horizons, and become rich Balchbhet drawn pictures and images which reflect the different fertile imagination. Description of nature, like the blind poet of poets sighted, and in the collection and described between tradition and innovation, and came a picture of nature is often mixed with the rest of the purposes of poetry, and rarely came in the form of separate pieces. Occupied the descriptions of the camel and horse center stage in systems poets blind departing from the benefits of those animals Fmdoa statement descriptions, forms, and colors - for Khil - , while the rest of the animals was calling the poet blind her for the purposes of spinning or praise or lamentation or spelling - including awarded the horizon simulator or prepared him, including his expressive many of the tributaries - and not for the description itself only rarely. More poets blind from the description of the bird in the animated nature, focusing primarily base on their voices and a private bathroom, which interpreted his voice according to the psyche, it was happy two thousand in his voice twitter and vocals, and was sad like his voice has a scar and crying, while such Algrab - code Banshee - in most images guide fences and separation. Most of the descriptions of the plant came overlapping with other purposes poetic when poets are blind, and Mbthoth within them, and rarely pure Maogdna description of the plant, which was of the tribe of Ben Altaaoive where the largest share outstanding on the rest of his companions in this area. Suffered the blind poet of the length of the night to move around a fixed Vleilh With regard to the lexicon industrial nature, has described the poet blind ships relying on a picture ship descriptions of camels and horses, aided in completing his portrait of poetry this much of the descriptions of the desert, and the poet in all of this compares between his ship and the camel, and how she does not feel defrauding a sailing the river, and had superiority to Bashar and dad Hes in this area, have also been blind to describe the depths of the buildings as well as exposure to mention dilapidated homes, fully demonstrating the superiority of the blind poet blind in this area because it excelled in the accuracy of the description. In the field of industrial tools Hafez arms in the Abbasid era to the status they had since the pre - Islamic era, received the sword replaced the lead of offensive weapons in the abundance of material noodles contained when the blind, has mastered in accurately described as male parts, and its industry, and its qualities, and its impact on resolving the bout, and replaced swords and Indian Mishrefeh replace a head start and progress on the other, followed by a spear, shield, which then accounted for Maari as among his peers, while not share and bow attend impressively between several blind war. I have to stop the blind poet to describe tools lighting of candles and lanterns taking of forms and qualities to express what it feels are suggestive art. Pervaded the poetry of the blind as winery Fathdthoa for undimmed and serenity pictures of visual spectacular grabbing the receiver to the beauty of the formulation and the magnificence of their descriptions, Vngnoa paid to the concerns, Margen on the color and characteristics, as well as the value of psychological Altnafisah, and was distinguished for Bashar in the field description winery and tools drinking. Drawing poet blind pictures of scenes of the desert through his trips to the land of acclaimed mediated camel, described and its share and walk in the tread rugged, noting the rigors of travel and the difficulty faced by them in order to reach acclaimed, for a lot of tender first, then to boast Pfrossith II; being prowling float lonesome and alone. It was a blind poet pause on the ruins of the fees and what they contain and landmarks, Vahtam out, and absorbed a lot of the traditional meanings mentioned by the poets sighted, he asked and complained and cried and pictures of homes and the effects of their charges and the impact of rain and wind on them. Deliberately poet blind to the coloring of his paintings of poetry, the desire to keep up with the sighted was adopted in image color on the covenantal audio and especially the poet, the blind, who could not give a true picture of the color of a given, but he was able to give indications of the colors by his concept to her, and it was white checkered and black are the most presence of the rest of the colors, perhaps due in to the psychological impact of these colors in the lives of the blind, being in permanent conflict with the light in the shadow of darkness eternal imposed equally upon, and as usual it was the largest share in these pictures colorimetric Bashar and Maari who Tfoqa - Godh - frequent and even on other newly blind. The auditory sense is most present in the poetry of nature, followed by olfactory, and tactile, Valdhuqah. Taking freelancing senses dimension poetic special when the poet blind making of images and compositions phones in the poetry of nature painted painting Bogdan poet, and pulse sense, is up talent poet blind and creativity peak in the use of compositions poetic visual, auditory, and olfactory and gustatory, and plays a sense of the poet blind delicate an important role in moving his mind about this line of rationing artwork. Have revealed chapters message as well as the substantive results, the results of other art, was the fact that most of the poems of nature when the blind had been organized on the seas long, took the sea long space bulk of the hair nature, followed by (full, simple, generous) and the use of the poet for this seas Related Activations long; for shows and separates accurately manifestations of nature, as well as the weights of poetry such as (shun, and Lilt, and light) and the seas again came about very few (k Almnsarh, and prolonged, and convergent), as we found through research that the poet uses rhymes that are clarity and power, such as a character (Alaba, and signifier, and ra, and harvest), as well as the use of rhyme both types of absolute ones and restricted, has had a rhyme broken luck and abundant in the poetry of nature when the blind, and followed embraced, and then open the rhyme restricted did not appear in the poems blind but in a way few. As for the rhythm of internal Fimthelh repetition; since sought poet blind by repeating words to assert the idea that, while repeating the letters aims to make a melody musically rhythmically rest his vocal and Thuah, as well as a common method of recycling in the poetry of the blind, and subjected to the atmosphere of emotional psychological; to achieve Using convergence moral terms, as they could through alliteration and Altbara to achieve harmony of music in the context of the House of poetry, as well as impart these methods of semantic and moral values on the hair nature. Shred poet blind in the formulation of an image of nature formulation of fine art, it has more of the use of similes; since used the analogy of different types (the sender, and the total, and detailed, and eloquent, and inverted), moving from similes sensual, to comparisons technical suggestive expressed taste poet blind, who was tends to innovation, and innovation in the poetic image, as well as the emergence of style (metaphor) as a means; to deepen the significance of meaning through use, not for what put him, and had to borrow tools attend the largest of metaphor declarative, and the style (metaphor) has shown the poet blind desire for non - disclosure, or disclosure of the meanings that was Eptgaha directly, resorted to metaphor for character, and for metonymy described, this method of taking a way to achieve what aspire. Most of the methods demand was orbiting the emotions psychological poet, and receiver alike, and for this reason is often found poets blind out about the real meanings to gloss metaphorical; what gives him the freedom to express their feelings and make the recipient to contact and communicate with what he says poet. As regards (Reliable Wholesale) has appeared in Poetry Nature Methods synthetic contributed to the enrichment of meaning, and the strengthening of the building, and clarity in showing the positions that have a link with affection poet blind, and his imagination, and these methods are (submission delays, Chapter interfaces, and male and deletions). After these are the most important results of the question raised by this study, do not pretend it Facts final for granted, but at the same time figured I done everything I can in order to access them, and in conclusion, I would put this study made it my best, and I tried what I could display which opens the way for new studies of the nature of poetry when the blind in the other literary ages, and praise be to God always.

شواعــر العرب في العصــرين الجاهلي والاسلامي : دراسة في ضوء النقد الثقافي == Arab Poets In The Pre - Islamic And Islamic Eras During The Study Of Cultural Criticism

اسم المؤلف: هند كامل خضير عباس
اسم المشرف: حسين علي الدخيلي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: Entered Effectiveness of Criticism in the period of postmodernism a new phase in their approach to the product of the writer, where he peered at this stage cultural criticism of Western assets by (Vincent Leach), Criticism culture as a way of culture is placed central to his research, to take such a tool and function for a critique of consumer culture, and the to this criticism effectiveness responsive curriculum cognitive Such as psychological, historical, social and structural disassembly and curriculum reading and interpretation and simologi in standing on the runways speech, the text is from the point of cultural criticism, and one of his interests, the Speech is the home he quit, and most important goals of cultural criticism is to break the barrier of sculpture between literature institutional and non - the official, here we adopted the approach of cultural criticism to our study and tagged (Arabs Poets in pre - Islamic and Islamic eras. study by cultural criticism). As cultural criticism deals with the texts of the marginalized women of literature and popular literature and literature of tales and Tramps, the fact that women's Poet and object women in particular belong to marginalized groups in the pre - Islamic era and continues to now as a society governed by patriarchal system, and as a result the presence of weak attendance record. Women have an active role in the process of poetry. It exercised its literary since that was the Arabs and the presence of literary, were organized in the flirtation and wisdom and praise and Satire in all the arts of poetry, but the efforts rulers masculine culture ruled on all Powered By a woman politely weak as genera feminine, radishes provisions of culture unrelated to the cause of the poetry shaft and its features but only because it comes from a woman, it is here that the literature of women towards formats social, intellectual and cultural existed then, and we tried to be analyzed from the perspective of cultural criticism as by Ideology deals with themes of cultural authority and its relationship with the male. The nature of the study, it was Required to be preceded by three chapters dealt pave the problematic term cultural criticism and the marginalization of the woman '. The first chapter was titled (cultural references to the role of women poet) came divided on the three sections are : (religious references, and references historical and mythological references). The second chapter was titled (the authority of cultural patterns), and be one of the three sections are : (pattern tribal authority, and the authority of the ruling power format, and the format of domestic authority). With regard to the third chapter was entitled (representations of virility in women's poetry). As it received its subjects in the following order : (women and stallion poetic, and representations of the identity of the women in attendance and absenteeism). The most important have exceeded the study through the study in highlighting the cultural patterns in women's poetry. Because the study found that the purpose of the commiseration of the most important purposes of poetry that revealed cultural patterns of women's poetry, being a battleground for women's freedom of intimation of what touring in reality ideological cultural, in addition to this that most of the terms of reference of women cultural, especially the legendary came across the path of the second and this in turn reveals the theme of conflict between masculinity and femininity. As these references legendary orbiting the myth of the bird (as Dove and Rook bird the phoenix, the legendary bird rooster, etc...) to give Equivalent systemic between the bird and women. The study also found reading through cultural samples women's poetry to the representations of identity Virility in her poetry, they mimic the poets in her speech, we find democracy opens her standing on the ruins, and speech Blocker and permission to drink alcohol and flirtation sensuous, and that was systemic aesthetic to confront patterns of authoritarianism.

الظواهر الصرفية في قراءة خلف بن هشام البزار == Morphological Literal Meanings In Reading By Khalaf Bin Husham Al - Bazar

اسم المؤلف: مروة عبد الباسط حميد رشيد
اسم المشرف: هند عباس علي الحمادي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: • First chapter : - Sources and bibliography survey it's having concerning from matters and mater of course deal with discuss study it's tried a different.Bibliography and derivations by its types and resources research works. • Second chapter : - that's divided upon two research work : - first investigation : reminding,I am (male) reminiscence and display definition phenomenon of reminding , being to show off the morphological surgery on base of research Khalaf reading ,it's smanly difference between readers (remembrance, virile ,masculine).Second object of research : feminine : I mentioned definite article (notification) the feminine , that is or was selection of the phenomenon in feminine on base of khalaf reading ,to call attention to his evidence (proof),demonstration of dissenting opinion reading.• Third chapter : that's divided upon two research work : First object of Research : individualism,(add) notification this phenomenon(uneven)Second object of the research : collectivism (jointly) and it's definition, so to call at tension what to mentioned it's from types of in groups regarding studies (survey s) that notification in khalaf perusal (readin(• Fourth chapter : it was in establishment of verbs and constructive at representation third of having a specified weight (significance) verb by first stem of verb (un augmented),metrical weight about verb and fourth verb concerning any minted ,just as were selection this establishments on base of khalaf selection ,offering of an justification ,in relation to cause stem (significance).

قضايا التعبير القراني في سورتي الانبياء والحج == Cases Of The Quranic Expressions In Al - Anbya' And Al - Haj Suras

اسم المؤلف: محمود شاكر محمود نجرس العزاوي
اسم المشرف: طه شداد حمد الهيتي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الانبار
الصفحات الاولى:
المستخلص: God gives our Arabic Language unique characteristics and many properties, and then He bestows this language with matchless scholars. Those scholars formed its rules under perfect principles and accurate standards. These principles and standards support the Quranic inimitability which comes through linguistic fortunes and treasures. Analyses, theorization, justifications, explanations and many opinions are interacted with the Quranic inimitability to arise very many directions, instructions, guidelines and opinions that shows the fertility of this language and its scholars. If we enter a case of this science, we find a lot of opinions from different places, doctrines and ages. The Quranic expression is one of these cases. This case has many studies, researches and a lot of attention that all the scholars agreed of inimitability of Quran because of the fluent style and eloquent statements. Under the light of the above, this thesis is written to study the cases of Quranic expressions inside two suras (Al - Anbya' and Al - Haj). The thesis has an introduction, preface, four chapters and a conclusion, then a bibliography. The preface is entitled «A Historical Study of The Quranic Expression». It gives a brief summary of the Quranic inimitability and interpretation scholars. The first chapter deals with «The Preference». It begins with a foreword about the lingual and idiomatic definition, and then it shows the opinions of interpretations and rhetorical scholars about «preference». The chapter is divided into four sections : Section One : Preference in Nouns. Section Two : Preference in Form. Section Three : Preference in Verbs. Section Four : Preference in Sentences. The sections study the notion and give Quranic examples from the two suras (Al - Anbya' and Al - Haj).The second chapter deals with «Cases of Quranic Expressions in Rhetoric». The chapter is divided into four sections : Section One : Advancing and Delaying. Section Two : Mentioning and Elision. Section Three : Making the Case Definite or Indefinite. Section Four : Affirmation. The sections study the notions and give Quranic examples from the two suras (Al - Anbya' and Al - Haj).The third chapter deals with «Cases of Quranic Expressions in Rhetoric». It studies the following notions : simile, metaphor, metonymy and figuration. The chapter studies the notions and give Quranic examples from the two suras (Al - Anbya' and Al - Haj).The fourth chapter deals with «Cases of Quranic Expressions in Rhetoric». It studies the following notions : paronomasia, antithesis, opposition, consideration, direction of speech, hyperbole, commendation by the style of vilification, disregarding by the cognizant, synonymy, gathering the dissimilar and harmonious, and the form of the verses endings. The chapter studies the notions and give Quranic examples from the two suras (Al - Anbya' and Al - Haj).The researcher puts the results in a list of conclusions with an appendix of the subjects that have studied. Sources & References : The researcher used more than 200 resources in this thesis which define, discuss and declare the aims and results of the thesis.

النفس بين المدح والهجاء في الشعر الصوفي من القرن الثاني الى نهاية القرن الثامن الهجري == The Self Between Praise And Satire In The Mystic Poetry From The Second Century To The Eighth Century

اسم المؤلف: علي عزيز عكار الشحماني
اسم المشرف: اسماعيل خلباص حمادي الزاملي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: واسط
الصفحات الاولى:
المستخلص: In the Name of Allah, the Beneficent, the Merciful Praise be to Allah, the lord of the worlds, and the blessings are upon prophet Mohammad and his household, the purified. The self is a world of secrets and wonders and it is a great angelic creation. That is why knowing God is connected to knowing the self. From this perspective, a lot of humanistic and scientific studies were conducted in different fields to investigate the self. Each science studies it according to its rules and approaches. You cannot see a science or an art or a school of thought which did not study it. Among the schools of thought which greatly took care of studying the self is the Mystical Doctrine. In their approach, they focused on educating and disciplining the self so they purify their souls and cleanse them in order to reach high degrees, see the unseen and prevail the secrets. So they studied it from many different perspectives and they studied the self states. The mystical literature - prose and poetry - took care of the self and they were affected by the explanations which were conveyed to them by their teachers explaining the self and its psychological states. That is why the mystical literature about the self is rich. According to that, the present study is conducted to investigate the self in the mystical literature. The first chapter studies the self in general( according to its meaning in Arabic language, in the holy Quran, in the teachings of the prophet, in philosophy, in ethics, in psychology, and in the mystical doctrine). The second chapter investigates how mystical poets praised the self and clarifies the reasons behind praising their selves. The most important reason for that praise is that mystics see themselves as a reflection of God in this world. The most important sources of praise for them are love, knowledge, good morals such as patience, contentedness, trustworthiness, keeping secrets, forgiveness, modesty, self richness, etc. The most important mystical terms that are related to the present study are defined in this chapter such as the mystical love and its characteristics, monotheism, prevailing, classifying sciences according to mystics, understanding, realization , and the meaning of the most important morals mentioned in the present study. The third chapter investigates dispraising the self in mystical doctrine. The main reasons for that dispraise are sins, disobeying, weakness, not having a will to continue on the path to Allah, prevailing the secret, not having loyalty, not following the righteous people, confusion, being lost, and ignorance. The most important mystical topics discussed in the present study are praying, pessimism, the heart, blame, willingness, confusion, and some other topics. We ask Allah for correcting us, He is the best lord, the best supporter. May Allah's blessing be upon the prophet and his household, the purified

الدرس الصوتي بين الفيلسوف الفارابي واخوان الصفا : دراسة صوتية موازنــة == Phonetic Lesson Between Philosopher Al - Farabi And Ikhwan Al - Safa - Phonetic Study - Comparison

اسم المؤلف: شهلاء خالد محمد رضا
اسم المشرف: ميساء صائب رافع
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The philosophers had main role and thankful efforts in studying phonetics, it discern their early depth understanding to phonetics, and their tendency to study phonetics of their language with special concepts distinguish them from Linguistics. They mixed between phonology and philosophy; they have taken great strides in phonology physicist, their studying outcomes with results similar to the results that reached by current phonetics scientists. In this search I tried to explained points of view of al - (Farabi) and (Ikhwan al - Safa) about phonetics, through the presentation of ideas, and find out the similarities and differences in their concepts, and the approach followed by each party.This search has been divided to introduction, three chapters and Conclusion, Each chapter is divided according to number of discussion topics.The introduction : divided with two topics : a - The first topic titled (The phonic lesson for philosophers : in this topic, I explained the emergence of the phonic lesson and its beginnings, the phonic lesson has been begun early by Imam Jafar Sadiq (Alayhi Al Salam) (Dead 148 IC), he explained how phonetic is being generated and comes out, also I entioned to the most important achievements of the philosophers in The phonic lesson.b - The 2nd topic divided into tow sections, the 1st section includes (Al Farabi) birth, Upbringing, his writings, and his death date. The 2nd section talked about (Ikhwan Al Safa), date of their appearance, reason of called them (Ikhwan Al Safa), their thoughts, their philosophy and their perceptions.Cahpter one : title is (Singular phonetics) which includes three topics : 1 - (Articulatory Phonetics) : I started with this topic because It was earlier acoustic science to emerge, moreover the attention of philosophers with it, especially of them (Al Farabi) and (Ikhwan al - Safa), it includes philosopher's approach in studying the singular phoneme (not complex) according to way out of phonemes, Arabic alphabet and explain the Similarity and differences between them.2 - (Acoustic Phonetics) or can be called (Physical Phonetics) : In this topic, I offered other names to the term, moreover explain in detail the reason behind (Acoustical) term, and method of transferring the sounds according to concepts of Al - Farabi and Ikhwan Al - Safa, and recognization among phoneme source, Its elements and the intermediate carrier to the phoneme in comparing between both sides.3 - (Auditory phonetics) : this topic includes the explanation in details of hearing device, moreover the importance of perception and influences that affect it, Ikhwan al afa had multiple stops in this topic, moreover they mentioned to senses that Al - Farabi had interested to them, it is the basis of perception, the importance of the psychological aspect and its auditory impact on phoneme.Chapter two : It is titled (functional Phonology) which includes two topics : a - First topic includes (Syllabic, Accent, and Tuning); in this topic I explained the phoneme part and linkage with prosodic part.b - Second topic under title (Sounds of Arabic Language), I explained the phoneme as the smallest phonetic unit, and it's relation with Arabic sounds.Chapter three : It is titled (Relation of Phonetics with other Siences) which includes of tow topics : a - First topic under title (Relation between Phonetics and Musicology).b - Second topic is under title (Relation between Phonetics and Significance).Find a conclusion in the end which recorded the most important results that found in this research.

النظرات والعبرات للمنفلوطي : دراسة بلاغية

اسم المؤلف: شهد محسن عبد
اسم المشرف: عبد الهادي خضير نيشان
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: this study dealed with al - manfaluti's literature , looks and lessons (rhetorical study) according to the analytic method.it studied rhetoric , semantics preface and upgraders verbal.it included an introduction , preface and three chpters.the preface dealed with al - manfaluti's literature within the rang of criticizes and the criticizers opinions about it. the first chapter was rhetoric which studied simile , mataphor trope and metonymywhilst the second chapter was named (semantics) in which studied structures fronting , delation , omission , stating, definition , un definition statement methods : - interrogative , command , prohibit and vocative where as the third chaptertalking about upgraders verbal in its both phonetical types like , rhyme and paronomasia.and abstract like : - antithesis , compasability , good reasoning , qouoting and modulation.as the conclusion had the core of the result of the research

الدرس المعنوي والدلالي عند الاستاذ الدكتور كريم حسين ناصح الخالدي == The Moral And Semantic Lesson For Dr. Kareem Hussein Nasih Al - Khalidi

اسم المؤلف: سندس ناجي رشيد
اسم المشرف: بان صالح مهدي الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The theme of my study “The Moral and Semantic Lesson for Dr. Kareem Hussein Nasih Al - Khalidi” is one of the remarkable scholars of linguistics in the modern age. No one can deny the importance of this Iraqi scholar in syntax and his call for the simplification of grammar. The methodology of the study necessitates its division into an Introduction and three chapters to state the relation between the meaning and significance. Chapter One tackles the syntactical character of Dr. Kareem Al - Khalidi in five inquiries : the first inquiry tackles the features of, the second his sources, the third his legacy, the fourth his attitude towards the classical approaches and the fifth inquiry is about the effect and influences. Chapter Two deals with the moral and semantic trends in his writing in four inquiries : the first studies the approach of Dr. Kareem Al - Khalidi, the second deals with the attitude of Dr. Kareem Al - Khalidi from interpretation, the third studies the critical aspect for Dr. Kareem Al - Khalidi, while the fourth inquiry tackles the moral and semantic trends in the theses and dissertation he has supervised. Chapter Three is concerned with the moral and semantic trends in his opinions in four inquiries : the first inquiry studies the issue of declension Araab, the second studies the sentence, and the third the active while the fourth studies the meaning. The study ends with a Conclusion with a conclusion that includes the moist important findings.

(اي) في العربية شواهدها ودلالاتها في القران الكريم == Any" In Arabic Language, Provisions And Divisions In Holy Quran

اسم المؤلف: سليم خلف صالح الجميلي
اسم المشرف: طه شداد حمد الهيتي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الانبار
الصفحات الاولى:
المستخلص: In the name of God the Merciful. Praise be to Allah, the Lord of the Worlds, and the best peace and blessings be upon the Prophet Muhammad, and upon his family and companions. After : Of those issues that won a large share of the discussion and analysis of "any" in Arabic, when he had a wide circulation in the use of language and grammar and Koranic and prone to expansion in use, especially since many of the provisions grammatical may perfusion as a result of such use. Fsharat - after reconciling God Almighty to work on the curriculum necessary to correct in the introduction, smoothing, and three chapters, and a conclusion, followed by research sources, either provided : they are that I mentioned earlier where to say on the subject and the reason for his choice and still proceed which is included by the curriculum, and the boot Fossum b (ie, in Arabic between the three axes) : First : derivation and weight. Second time was treated. Third, any of expressing and construction. The first chapter Fajssth to discuss "any" in Arabic and divided on several sections which are as follows : The first topic : aspects of (any) in Arabic, featuring now a prologue starting in it, and then spoke on aspects of (any) when linguists and grammarians. The second section included (any) "Alastfhammeh" in Arabic and provisions. The third section included (any) connected in the Arab and provisions. The fourth topic included disagreement grammar in "any" connected grammarians and guidance in his verse from verse 69 of Surah Maryam. The fifth topic included "any" conditional in Arabic and condition. As for the second quarter and guarantees the sequel to the first chapter, as well as matters pertaining to different subject, and the detective was the following : The first topic, and included the following matters : First : (a) descriptive in Arabic and provisions of the starting featuring now a prologue in it, and then spoke to the provisions of (any) descriptive in Arabic. Second : (any) character interpretation. Third : (any) "Altaajabih" in Arabic and provisions. The second section guarantees the following matters : First : (any) character appeal in Arabic. Second : (any) link to the call of the (AL) in Arabic and provisions. Third : (any) in Arabic in terms of masculine and feminine, and individuals, and the combination of Deuteronomy. Fourth : the rule of (any) if the Haktha V feminization between drainage and prevent it from or not. The third section guarantees the preparation for (any) and the addendum, as well as the following matters : First, the conditions of (any) Andadavcha. Secondly, directives and express (any) connected in the case of adding and deleting issued relate to. Third : (any) Asma'yalm - khasos - in the style of jurisdiction - in Arabic and provisions. Fourth : the origin (Caen). The third chapter in the study was "any" in the Koran from my grammar, semantics, as it began (b witness Quranic and its impact on the social market grammatical rules), and was on several sections which are as follows : The first topic : (any) Alastfhammeh knocking and implications in the Koran. The second topic : (any) Alastfhammeh in the Quran added to implied. Section III : (any) connected to the knocking and their implications in the Koran. Section IV : (any) police knocking and their implications in the Koran. Section V : (a) the link to the appeal of what it (AL) and knocking implications in the Koran. The Conclusion Vadrjt where Manal research and its results, followed it with a list of sources and references, and a summary in English. After the 000 I ask God to make this practical purely for Allah's sake, and that goes to him holds tremendous benefit, and to the way God intended it and Almthab, a helper to him and trust him MAB 0

الفنون البلاغية في كتاب عيون اخبار الرضا للشيخ الصدوق == Rhetorical Arts In The Book Of Ayoon Akbar Al - Rath : Peace Uponhin" To Sheih Al - Saduq

اسم المؤلف: سارة حسن جبر
اسم المشرف: سناء هادي عباس الجشعمي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The reseaech in Arab literary heritage is part of stand on the beauty and creativity do you enjoy, it tiving heritage attracts researcher to its way, there is no doubt that the Abbasi era represents the bright face to this heritage, It has included kind of literary surprised the recipient, and the book “Ayoon Akbar Alratha” peaceupon him to sheikh Al - saduq (d 381 H), represents one of the pillars of the Islamic Arab civilization landmarks in moral, ideological and literay aspects. As Ahal baeat of in fallibility peace upon them the have given eloquence and rhetoric, they are home of science and divine source of radiation which is of God by all of mankind, and God up the darkness of the Almighty hily land on there seience. Pure strain muhammadyah was still focus of attention of scientists, writers, and researchers.The book of “Ayoon Alkbar Al - Ratha” “peace upou him” full of rhetorical arts which can be referred to by Researcher.The requirement that the research required to be in three chapters preceded boot : the boot has life of Al - Emam Al - Ratha peace upon him personal attributes and scholarly first. Life of Al - shekh Al - saduq (Author ofth book), scholarly, his teachers, his pupil and his book second.Chapter one was in Arts semantics which included first is about the following methods ofd construction : Question Appeal, Negative and introgativem and the third section is about conditions of the sentences consisting second chapter in graphic arts, the first section is about simile, second is about the art of metaphor the third section is about Metonymy.While third chapter in eluded Literary technique, which is tow section : First section is about upgraders moral, which included counterpaint, corresponding, doctrin uerbal, reverse and switch.Second of this research (Rhetorical Arts in the Book of Ayoon akbar Al - Ratha peace uponhim continued of data and results and most importunt are : The research came complement to the achivvenments research of the value - focused on the study of technical prose of Ahl al - Bayt.Al - kaber and his belongings help to high light the connontation metaphors that come to them.Achived after the form formulation of the conditions of sentence aesthetic.Dominated the mwthods of construction and the oeder went out to the truth about their meanings and purposes metaphorical meanings.This study stand on technical picture displayed by the home folks talk and made analogy in aspect esthetic ahl al - Bayt.Incest Ahl al - Bayt metaphor in conversations.The talk of Ahl al - Bayt did not disturb from metonymy arts metonymy came less than artistic metaphor and simile, because imams tent to clarity in their words.Phenomena formed a magnificient feature in rhetorical speeches came as Ahl al - Bayt service required for the meaning of the quote was technical and assonance formub in their conversation.Ahi al - Bayt speeches and conversations Emply from modulation poetic perhaps it is up to the culture.Ask God to cleanse and beyond for oue mistake and we calculated that we are aware of minors and request him to the carpet and righteousness and praise be to allah, the lord of the worlds.

المباحث الدلالية في تفسير من هـدى القران للمدرسي == The Semantic Inquiries In The Interpretation Min Huda Al - Quran By Al - Mudarisi

اسم المؤلف: زينب عبد الزهرة التميمي
اسم المشرف: زينب عبد الحسين بلال السلطاني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The study includes study of the interpretation of Min Al - Huda Al - Quran by Sayyd Al - Mudarisi - a semantic study. The nature of study required that it is divided into an introduction, four chapters and a conclusion. The Preface includes (The Semantics for the Interpretation). Chapter One is entitled the Inflectional significance and the inflectional. In Chapter Two is entitled the Semantic Relation in three inquires : the first inquiry was (the antithesis and Synonym). The second inquiry is entitled (Semantic change) and the third is entitled (the semantic opposition). The third chapter is entitled (the grammatical semantic) in four inquires; the first inquiry is (the semantic of the letter meaning), the second is (The Semantic of Nouns and Verbs), the third is (the Semantic of Sentence and its meaning) and the fourth (the Semantics of Styles). Chapter Four is entitled the (The Semnatic of Text - The great Lingual technique). It includes two inquires; the first is (the context for Al - Mudrisi) and the second (the semantic harmony between verses and suras). Then, these chapters were followed by a conclusion that includes the most important findings of the study such as that Sayyd Al - Mudarisi was aware of the inflectional semantic, the interpretation lacked the phonetic semantic , and the interpreter was aware of the semantic relation and others.

تصميم المشاهد السينوغرافيا في شعر رواد قصيدة التفعيلة == Scenography In The Poetry Of Metric Foot Poetry Pioneers

اسم المؤلف: زينب جبار حمود
اسم المشرف: ثائر عبد المجيد العذاري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: واسط
الصفحات الاولى:

التكثيف عند الشعراء المخضرمين : دراسة تحليلية == The Condensation Of Poetic Language For The Poets Of The Two Epoch An Analytical Study

اسم المؤلف: زهراء عباس فاضل
اسم المشرف: احمد اسماعيل محمد النعيمي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: One of the reasons for choosing this topic is that the concept of condensation (old and modern) is the most outstanding feature of the language and one of the most important features of the innovation which the poets draws to is through capturing an idea or an event, a scene or an imagery that he means in a verse or a set of lines of verses. In general, we find this term is not new as there were many signs of it embedded in other terms such as (summarization and briefing), later this is known as condensation. We find that the poet includes usually many meaning in little as well as a condensation in imagery. On that term, condensation is an interesting theme for including the showing of lines that has been in immortalized. This study includes a preface which tackles the term of the two epoch poets; which is subdivided into two sections temporal, those who lived through the Pre - Islamic and Islamic and did not recite poetry during the latter period and the poetic section in which poets recited poetry during both epochs. Chapter One studies the condensation in the concept of poems in which we showed in various opening lines like (ruin lines, courting lines, imaginary lines and the youth and age). These opening lines were condensed by the poet aiming at attracting attention to his poem. In the Second chapter we showed the condensation in the purpose which is subdivided into (eulogy, apology, enthusiasm, praise, elegy, satire, wisdom and other purposes). They were represented in one line or many lines in which the poet declares his purpose through references and hinting. He was one of the diligent poets to choose the most condensed utterances for the large meanings. In the Third Chapter we stated three pivots in which the condensation is achieved : the first is the brief utterance with large meaning which shows the poets’ mastery of the use of these utterances that carried wide meaning and the second pivot includes the imagery condensation in which the poet condensed the uses of the simile, metaphor, and metonymy. The third pivot represents the condensation of cadence which is archived through the opening lines to which the poet has resorted to bring the attention. This would make it easier to memorize the line of verse and attract the attention to it. One of the features of the condensation is repetition which was an important feature as far as the Arabic poetry is concerned. Poets resorted to that to achieve what they desire through repeating and achieving cadence to the listener. The study ends with a Conclusion which sums up the findings of the study.

مقاييس اللغة لابن فارس (ت395هـ) والصحاح للجوهري (ت400هـ) : دراسة لغوية == Language Standards For Ibn Faris And Asahah For Jawhari : The Study Of Linguistic Balancing) Thesis Submitted By The Student A

اسم المؤلف: زهراء شهاب احمد
اسم المشرف: مجيد خير الله راهي الزاملي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: واسط
الصفحات الاولى:
المستخلص: The research topic is the (language standards for Ibn Faris and Asahah for fundamental study of the linguistic balance), came this research at the forefront and to pave the four chapters and a conclusion, dealt with in the boot definition Son of Persia and substantial, growing up, their elders, their pupils, etc... The first chapter was titled ( Budget curriculum) came in four sections, Section I, on sources of Ibn Faris and essential, the second Order article, the third section topic on the right and the ailing of the Acts, the fourth section for the user, scrapers of words, Chapter II (the budget in the morphological issues), came in three Investigation (firstpart issues For banking that which they agreed, (second section) morphological issues that differed in, (Section III) morphological issues alone essential Bzla, Chapter III (witness and martyrdom), Section I (the Koran and the Hadith), second topic words Arabs (poetry and proverbs ), A The fourth chapter (phenomena Tag is linguistic : derivation, synonymy, antibodies, co - verbal, Sculpture, be followed and expressed) the conclusion stated where the most important findings. The ibn fairs his dictionary section (language standards) to books and buildings dependent Alphabetical order on the basis of the first letter, and the gawhari door and rely Chapter system, based on the last letter. Establish Ibn Faris wordy ailing and Almanmozh place in the contiguous or close to, but essential, he devoted the last door of his dictionary of words and ailing Almanmozh.Ibn Faris put wordy neglected, did not refer to it, as well as essential,We have adopted the well - known sources, including oral What of Alab, including reliance on linguistic reliable sources. In separate morphological issues, there are issues of banking, in which they agreed, and Hmak banking issues where they disagree, the delegation himself by mentioning some of the fundamental morphological A.lmsail which did not mention Ibn Faris. In the separation of the evidence, I have martyred the Holy Quran and the Hadith, as well as the language of the Arabs of the hair and sayings but the largest proportion of martyrdom Kdbulgt Hair rate, and least cite parablesIn the separation of significance, was the theory of Ibn Faris in the genesis of language, which says that Toukavih language of God has not been recognized in tandem linguistic phenomenon, but it has said is essential to the meaning of words Chbr to synonymy.For the adoption of standards Ibn Faris on the system, so it was considered the phenomenon of antibodies and followers, and expressed Zawah original meaning, but the meaning of sub - Ibn Faris expansion in the phenomenon of sculpture as many counting all the extra Alavaz three that she carved, or placed a situation, or increased, essential differs in that it referred to the sculpture linguistic phenomenon, but he did not elaborate on that.The dictionary language standards a practical application of the phenomenon of derivation younger, essential pointed her but did not fleshed as Ibn Faris.

الحجاج في شعر الكميت بن زيد الاسدي == The Protest Of Al - Kumait Bin Zaid Al - Asadi

اسم المؤلف: رشا فاضل سواري
اسم المشرف: عبد الحسين عبد الرضا العمري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ذي قار
الصفحات الاولى:
المستخلص: The protest(Al - Kumait bin Zaid Al - Asadi). This study displays the subject(The protest of loyalty) as described it as a wide range for the protest,and that made it related to the problematic which rasied by rhetoric and lingual speech and communcation.The study includes perface and three chapters : The structure of protesting text, logical indications in Al - Kumait poetry and the protest and poetry. The preface dealt the concept of the protest and loyalty as language and idomatically.It tried to find relations between the protest and loyalty because they are very important in the speech protest. The first chapter ,the structure of the protest text is dedicated to search in the concepts of the structure and the protest text and the methods of its structure and characteristics and the most important conditions which are underlied the protest in certain textand the most important features which distanguish it for the other texts. The second study dealt the linguistic structure of the loyalty of the protest text. The second Chapter offered the connection the protest with figurehead logic under the title of logical signs in AL - Kumait which is divided into two sections the first is in the meaning of the connotation, logic and showing their linguistic and idomatically meaning and this Section dealt with the meaning of the logical connotation and its functions in the protest of Al - Kumait potery by focusing on a group of the concepts such as connections, the factors ,the principles, relationships , power and peace of protest and results power and metaphorical sayings that located at the top of the protest peace.The issues are consisted which raised by the implications of mental , natural and objectivity and protest of these indications that served each issue presented by the poet. The third chapter which called ( the protest and poetry) was set aside an applied the elements of protest for the adults ,it is a study of aesthetics that the protester depending on them.The research is divided into two sections.The first in the protest of the poetic dialogue and the second presented the connotative and aesthetical aspects for the poetic image and appearing the hprotest aspect from it.

الظواهر الاسلوبية في شعر زاهر الجيزاني == Stylistic Phenomena In Zahir Al - Jeizani Poetry

اسم المؤلف: رحيم خنجر جوني
اسم المشرف: جاسم حسين سلطان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The poet Zahir Al - Jeizani is one of the seventy s generation poets that seeks for the renewal and contrary the form and content of the modern poem.He started with the vertical poem as a traditional exercise , after that he wrote the rhyme poemaffected by the pioneers liveliness.Then he wrote the prose poem. The headline of my research “ Stylistic Phenomena in Zahir Al Jeizani Poetry “ that suggested by my teacher Dr Jassim Husein sultan Al - Khalidi. I found it as a worthy , because it is one of the subjects that didn’t teach on the higher studies level. In addition to that , my desire to study the modern Iraqi literature that represents the natural resource for our literary legacy for different ages and the cultural and critical poetry that Al - Jeizani has , was another motive in studying this poet according to the stylistic manner and the fewness of the modern stylistic studies of the seventy s generation and be limited to artistic and analytic studies. The importance of this study is the concentrate of the stylistic phenomena that distinguish Al - Jeizani poetry and how it connected with him and psychological affect on him. The first chapter is about the phonetic level (rhythm structures )and it is divided in to three topics , the first topic included the frequency studying as an artistic expressional need in the poetic text.The poet made it as a style in many contexts such as words, verbs , letters ,sounds and punctuation marks frequency. The second topic is about the revolving phenomenon as one of the modern poem requirements and its psychological and emotional on the poetic text. The third topic is about variety of the rhythm and types of the rhyme according to the mental requirements and modernism in the modern poem structure. The second chapter is about the level structural and included the stylistic structural phenomena in the poet language. It divided in to three topics , the first one is about the question and calling phenomena as a stylistic request that covers his poetry and helps to motivate the poetic meanings.the second included the verbs tenses far from the obligated tense and how the poet gave it new standards by changing the tenses to make the poem as pulsing or living tissue The third topic included different stylistic patterns that came in his poetry like the pronouns structures and the advancing and retardation that came as a stylistic variety.The third chapter was specialized for the reference level. the first topic deals with the meaning glide with the presenting of the metaphor manner according to the poetry mode. The second chapter is about the colours by describing them as stylistic phenomenon that contribute with the richness of the poetry mode. The third one is about the accord phenomenon by describing as a n artistic and cultural phenomenon in the modern Iraqi poetry and its historic , koranic and literary usage.

ايات العاقبة : دراسة لغوية == The Verses Of Sequence A Linguistic Study

اسم المؤلف: رحاب زهير لازم
اسم المشرف: ضياء حميد دهش الموسوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The verses are plenty about the book of Allah since the revelation until this day, and it will so a source from which it taken until the day of Judgment. the rule of fate has destined that my study of the Holy book of Allah. After scrutiny and examination Allah has helped me to choose this topic (The Verses of Sequence - A Linguistic Study). The nature of the study necessitates the division into three chapters preceded by a preface entitled the sequence in the holy Quran. Chapter One is about the phonetic level in two inquiries; the first is about the structural and non - structural phonetic level and the second is about the Quranic level. Chapter Two is about inflectional level in two inquiries. The first inquiry is about the inflectional in two inquiries; the first inquiry is about the derivatives and the second is about verbs. Chapter Three is about the structural level in two inquiries; the first is about the articles and the second is about the sentences. The conclusion sums as the findings of the study, then a list of the references is provided.

الاحالـة فــي النـحــو العــربـي : دراسة في ضـوء علــم لغـة النـص == The Reference In The Arabic Grammar A Text Linguistics Study

اسم المؤلف: باسمة عبد العزيز علي
اسم المشرف: بان صالح مهدي الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The references took the attention of scholars in textual linguistic for its distinguished role in the cohesion of the text. For its importance, Halliday and Ruqiyah Hassan in their book Cohesion in English, one of the five considerations which contribute to the consistency of the text. Most of Arab scholars tackle reference as one of the means that contribute to the cohesion or the formal consistency as in the textual of Azher Al - Zinad who dedicated a chapter for the referential links. The attention for the topic of references is a stimulus to search that tackles the topic of reference in the Arabic grammar. My search in the research entitled (References in the Arabic Grammar A study in the Light of the Textual Linguistic). The methodology of study was presented as the following : A Preface entitled The Importance of Junctions for Grammarians, in which I spoke about the junctions. Chapter One is entitled “The References in the Light of Linguistics and Arabic Grammar”. This chapter includes two inquiries the first is the Reference in the Frame of Textual Linguistic; which I tackled the reference for the textualists. The second inquiry is entitled the Reference in The Tradition and Arabic Grammar, in which we tackled the roots of reference in Arabic grammar. Chapter Two us entitled the Reference in Pronoun and Arabic Grammar, which is made in four inquiries;The first inquiry is entitled the Referential of the Pronouns in Arabic Grammar, and the second is about The Reference in the Prefix Pronouns, which tackle the concept of the prefix pronoun.The third inquiry The Reference in the Affixes in which we mentioned the opinions of the grammarians and the Fourth Inquiry tackles The Stable Pronouns. Chapter Three tackles the topic of The Means of Sub - references, which is mad in three inquiries that includes the references of nouns and relative pronouns and the definite (al).The most important finding of the study is that the concept of reference for the grammarians goes back to the roots, and the division of the nouns to definite and indefinite, and known and unknown, the pronouns for the represent the origin of the relation and that the pre reference of the absent pronoun and the constancy of the referential pronouns in Arabic grammar. Some of them are distinguished by the absence of the referential element. The constant reference is prevalent in the pre - and post - references for the grammarian's for the dominance of the organ discourse in the inquiries. They looked at the junction as an element that lacks the link which explains its ambiguity. The pronoun belonging to the sentence of the referential element that links between the relative and the junction. Therefore, it is not possible to omit it

القصدية والتلقائية في النقد العربي من القرن الخامس حتى نهاية القرن السابع للهجرة == The Spontaneity Intentionality In Arabic Criticism From 5Th Century AH. To 7Th Century AH

اسم المؤلف: افراح جاسم محمد حمد
اسم المشرف: ثائر حسن حمد الغرباوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The topic of my study is (The Spontaneity Intentionality in Arabic Criticism from 5th Century AH. To 7th Century AH. ) which has been studied to know and investigate their roots in the old Arabic criticism. It includes an introduction and five chapters and a conclusion the most important findings of the study. Chapter One was an introductory Chapter which includes the definition of the terms “Spontaneity, Intentionality” and statement of their emergence. Chapter Two studies (The author between Spontaneity and Intentionality) subdivided into four inquiries; the first was entitled the principles of Intentionality, the second inquiry is about the printing and apprenticeship while the third is about the imitation and renovation. The fourth inquiry is world of the author. The second chapter is about (The Recipient between Spontaneity and Intentionality); the first inquiry of which is about patterns of recipients while the second inquiry limits of interpretation and spontaneity. The third inquiry is entitled aesthetic amazement, the fourth inquiry is entitled (Secondary Meaning). Chapter Four includes the (the Independence of the Text), the second inquiry includes the study of the poles, and the third inquiry the column of poetry. While the fourth inquiry was entitled the textual strategy.

نظم الحوار في سورتي (الكهف) و(مريم) : دراسة في الدلالة النحوية == Dialogue Coordinate In Two Surats (Al - Kahf And Maryam) A Study In Grammatical Significance

اسم المؤلف: نبا حميد بكيع المسافري
اسم المشرف: علي عبد الفتاح محيي الحاج فرهود الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: Koran is miraculous, as the highest speech, it cannot keep up with it or get close to it. It is still outrigger for scholars. So, it is the wider field and the sufficient spring from which scholars water their topics in all ages. This study attempts to show the significance of dialogue coordinate in both surats (Al - Kahf) and (Maryam), how the dialogue coordinate has been built in both surats, the arrangement of its linguistic structure (fronting, delaying, repetition, elision, and mention) and the styles on which this coordinate has been built. This study comprises three chapters, in front of them, there is introduction, named (the significance of the dialogue coordinate) deals with the concept of the dialogue in the language and in the convention as well as its figures and styles. The first chapter, (structural styles), presents two sections : the first section ( the request or demand styles) such as : interrogative, imperative, inhibition, prayer, call, please, show, customize), the second section includes the unrequested styles that are not found in both surats except the style of ( Al - Qassam). The second chapter, ( the predicate styles), shows the concept of the predicate, language and convention, the predicate purposes, and its styles : ( the primary predicate, the requested predicate, and the denial predicate).The third chapter, (the dialogue structure), has three sections : The first section deals with the fronting delaying style and significances and intimations that belong to this style. The second section presents the repetition style such as the repetition of some sounds, some words, and sentences. The third section shows the phenomenon of elision and mention , the scientists' opinions about it and what its significances are. Finally, there is the conclusion that includes the most important results arrived at this study, as follows : 1 - The composition styles, as in : interrogative, imperative, inhibition, prayer, call, please, show, customize. They are considered as one of the contents the principal dialogue and they are found highly in the two surats (Al - Kahf) and (Maryam). 2 - Most of the interrogatives that found in the Quran dialogue in both surats (Al - Kahf) and (Maryam) are interrogatives about events that have happened or will happen which refer to something that is movable and renewed and this suited with the verb that refers to the occurrence. 3 - The repetition records the distinctive structural style in the Quran dialogue especially in the surat of (Maryam). 4 - The dialogue coordinate in both surats has more than one significance, some related to the vocal side, and other related to the abstract side.

الصبر في شعر بني الاحمر : دراسة فنية == The Patience In Bani - Alahmer'S Poetry Gritical And Technical Study

اسم المؤلف: محمد حسين جاسم العيساوي
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Literature Andalusian, episode of Arabic literature had been adopted, as Anmaz range of technical phenomena of what constitutes an extension morally so that Arab literature integrated whole can not be hashed no matter how different environments, including with joy Andalusian Environment, was that the hair Andalusian shift from the description of the nature and phenomena Joy to describe the phenomena of alienation and grief that has not produced a new phenomenon known Andalusian literature which is patience.I chose the phenomenon (of patience) a field of my studies, as is the link between the Albaiatin Oriental and Moroccan their differences, but they confirmed the link between eras, and showed the power of the Andalusian environment influenced by Arab literature is poetry field has required research topic that the message comes three chapters, preceded by booting , and followed by a finale, it came (boot) under the title ((assets patience in Ahlgrenatih life)), a definition between red, and offer social, political and literary life and a statement of the roots of patience in the Holy Quran and Sunnah and inherited literary, and definition of patient language and idiomatically.The classrooms are the first of which was devoted to the study of (emitters patience), and included two sections, studied in one : (Self - motivation for patience), and in the other (social motives of patience).The second chapter, it was titled (technical study, and included two sections, too, dealt with in one of them : (the study of language and style), and in the other : (internal and external music) represented by the alliteration and repetition and export permit as well as weight and rhyme.The third chapter, has been allocated to study (artistic image), and came on two sections, the first of them in : (means of the formation of the image), represented by analogy and metaphor and metonymy, while the other, came noting (for patterns technical picture) represented in the ways of visual and auditory expression and olfactory and gustatory

لوحة الافتتاح في المفضليات والاصمعيات : دراسة تحليلية وموازنة == The Opening Panel At Al - Mofadaliat And Al - Asmaiat An Analytical Study

اسم المؤلف: محمد جعفر زامل الساعدي
اسم المشرف: رزوقي هاشم حافظ الموسوي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The opening panel at AL - Mofadaliat and AL Asmaiat"The study examined the opening panels in the AL - Mofadaliat and AL Asmaiat was setting in the poems with paintings in AL - Mofadaliat (66) poem.While in the AL - Asmaiat (24) poem. The opening panels of varied opens the poems between poets (altelal , kin , contest , plam , grey hair , the complaint of the night and complaining about women).The research analysed the different opening panels in the AL - Asmaiat and AL - Mofadaliat in different eras , we noted that there is alink from the panel opening and purpose , and through our induction plate opening in AL - Mofadaliat and AL - Asmaiat , we notedthat the build in these plates have two sections : opening panel single ( simple) and the opening of complex. Women occupied a distinct space and has had her editorials ( altelal and descent ) and may be real or symbolic. In the painting of ( Plame ) maintains the poet for his defense of rejecting a requirement of the people who Plame him certain that life is his only chance for glory or honour the work is at risk achieve individual and social successes. It seems philosophically controversial poet about life in too late on the vineyard , the vine will ensure his survival.In palming the grey hair , we find the poet collides with grey hair as a time - shift has a concern and as a result of the brutality described by others of weakness and disability , tries to address those by memories of the past full of trophies and adventures , in the sadness we find the poet made it a means of showing his ideas associated with the reality of death , and sometimes poets used in these paintings by subtraction narrative based on dialogue , especially in the modern poet who blame him in the poem of pride.In a complaint from the women who represented the poet's wife and no complaint in the opening picture of the mood of the poet , what was it only be a symbol of the suffering.Either the complaint of gray hair , the poet in the opening ceremony were psychic scream for important sense of alienation felt by man who suffers from graying.In reporting the night there was a complaint from the long night with bogeys , and it was not the night emotionally ( because the image of the suffering poet , a symbol of life with sorrow , and found in poets an outlet for their emotions and feelings and especially not hurt their feelings in their joy and sorrow.In the dream he found emotional outlet poet escape mechanism have once again selected through a daydream that caressed by creating a professional image , the individual's feeling of inferiority to overcome that feeling , and this was achieved in dreams. Poet's used names of women and places in various paintings of AL - Mofadaliat and AL - Asmaiat and in poetry wights they used long seas to fit a long side of soul in the poetry. Either the rhymes have used the easy rhymes and absolute more restrictive.
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