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الانفتاح العلامي في الفن المفاهيمي The Symbolic Openness In The Conceptual Art

اسم المؤلف: سامرة فاضل محمد علي
اسم المشرف: مكي عمران راجي الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: عني البحث الحالي بدراسة ( الانفتاح العلامي في الفن المفاهيمي ) ويقع في اربعة فصول، خصص الفصل الاول لبيان مشكلة البحث واهميته والحاجة اليه، وهدفه، وحدوده، وتحديد اهم المصطلحات الواردة فيه. وقد تركزت مشكلة البحث على الطبيعة التاويلية للعلامة في ال | This research paper is interested in studying (the symbolic openness in the conceptual art) and consists of four chapters. The first chapter is about the research problem, importance, goal, limits and identifying the most important expressions. The research problem is focused on the interpretation nature of a symbol in the conceptual art in all its expressions resulted by the changes of the world after modernity including the social, politic, economic, and cultural pressures which affect negatively on the level of vision, acceptance and sense. This is guaranteed due to the relation between the art and the modern development which include all human durations across history to be in cope with this change. So the artist is obliged to be more courageous and spontaneous in expressing himself and thoughts to cross the limited lines for the traditional painting to present conceptual artistic works that are not restricted with one artistic style or type to include all exist in nature including the human body, language and consumable items. So the current research's problem is begun through answering the following question, (how can the artist make the recipient as a second author for the artistic script?).The importance of the research is clear because it establishes a critical study to give the searchers, and those who interest in the graphic sides, a chance to be informed about the kinds of the conceptual art including the symbolic openness.The searcher finds this study is so important because there are no previous studies focusing on the symbolic openness in the conceptual art. The searcher also wants to be interested in the basis of this study to fulfill the intended goal which is identifying the symbolic openness in the conceptual art.The subjective research limits include the study of the symbolic openness in the conceptual art in all its branches, elements, time limits (1965 - 2016) and place limits including (USA, UK, Germany, Mexico and France). The important expressions in this research are also clarified.The second chapter is about the theoretical frame and the previous studies which includes four topics : the first topic is about the theories of a symbol in the critical studies. The second is about studying the thoughtful basis of the symbolic openness in arts after modernity. The third is about the conceptual art, the conceptual context and the graphic system. The last is about the indicators. The second chapter ends with the previous studies which are not closed to the current study.The third chapter is about the research procedures including identifying all the samples which is (200 artistic works) and choosing and analyzing only (20 artistic works) intentionally.The fourth chapter includes the results which are : 1 - Achieving the symbolic openness through interaction and conversation and be away from autism and introversion in all research samples.2 - There are many sides of the conceptual art including the language, graphic art, geography and the human body. So it is an art of moved concepts which are effective in the daily life of a human being and his environment.3 - The idea in the conceptual art is the tool which makes the art through its philosophic embodiment. This leads to make an argument which raises questions that make the visual perceiver be in harmony with senses and mental action and the artistic work to obtain the symbols, signs and concepts. Another results are : 1 - The searcher tries to clarify the script origin and its openness to be interpretable to make the recipient (second author) read and understand more meanings and facts as in the research samples. 2 - The recipient is responsible for understanding the artistic work to create new items that help in understanding the work.The research ends with recommendations, suggestions, references and appendixes.

جماليات الخطاب النسوي في فنون ما بعد الحداثة The Aesthetics Of Feminist Discourse In The Arts Of Postmodernism

اسم المؤلف: فرح علي عبد الرزاق الدليمي
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: عني هذا البحث بدراسة ( جماليات الخطاب النسوي في فنون ما بعد الحداثة) وهو يقع في اربعة فصول الاول لبيان مشكلة البحث، واهميته، والحاجة اليه، وهدفه، وتحديد اهم المصطلحات الواردة فيه، وقد انطوت مشكلة البحث الحالي على الكشف على ان ما شهده العالم الغربي من | Focus this research to study ( The aesthetics of the annual speech in the arts of postmodernism ) is situated in the four chapters of the statement of the research problem, and the importance of, and need for, and purpose, and to identify the most important terms contained therein, have involved the problem of current research to reveal that what the western world has witnessed the a change in the concepts and transformations of intellectual and what happened from the rapid changes has had a clear impact in bringing about changes in the various structures and as a result of those big changes that affected the cultural, literary and cash by engaging in systems as well as cultural, literary and artistic on the other hand engage in systems, it promotes the emergence of new types of literature including feminist who was an anti - hegemony of art and literature male has adopted the theses of feminist criticism pivotal link antithesis between accomplished male dominance and the accomplished feminist and a weak presence on an area of research literature, and the theses postmodern fertile area from which the feminist movement demands, general women and actresses in particular I have proven that every woman is able to achieve the same in the works of art and literature and in line with the philosophical and intellectual propositions of postmodernism.Hence the problem of current research originated through the following questions : - What is the role played by data feminist discourse in the art of post - modernism? - How did the contemporary visual artists, may file accomplishing visually crystallizes feminist speech from an aesthetic perspective holds insights and theses culture feminism? The importance of searching through explanation for literary and monetary concepts contemporary have a close relationship with art feminist masculinity and femininity, and the feminine and feminist and women's notions of parental (Patriarchate) and gender and its relation to the ideas of postmodernism, and represents an attempt to shed light on the nature of the relationship between the aesthetics of feminist discourse and the products of post - modernism, according to interested professionals through access to the findings and conclusions, it has found a researcher that there is an urgent need for this study is the fact that the subject has not been studied previously within the area effective for the products of arts postmodernism, as well as this study the concentration of matter on the contemporary visual artists and knowledge her methods performing and her creative achievements which has been absent for several decades.The aim of this research to know the aesthetics of feminist discourse in the arts of postmodernism was limited research on how long the time period of (1951 - 2016) and of studying the feminist productions for artists postmodern and executed with different materials at different ores in streams (abstract expressionism, pop art, visual art , graffiti art, conceptual art, art synthesis, new expressionism, digital art).The second chapter (theoretical framework) guarantees the three sections, first topic focus to the concept of post - modernism and the arguments of Netasheh and Freud, structural and some concepts that diffusion structuralism, deconstruction and the proposals of Jacques Derrida and Michel Foucault, and a speech after the buzzards and globalization, and a letter of postmodernism and the culture of consumption, while focus second topic entrance into feminism and feminist literature and criticism feminist, language and given the female of the text, while the third section rotation arts postmodern and implications of feminist discourse in streams (abstract expressionism, pop art, visual art, graffiti art, conceptual art, art synthesis new expressionism, digital art).Chapter three has included action research, the researcher reviewed the research community and appointed by the style selected.The fourth chapter focus on results search results and conclusions, summarized the researcher to a range of outcomes, including : 1. Feminist discourse depends on the products of postmodernism on data aesthetic transformation and stylistic and technical as well as formulations structural forms of intellectual and contents and their contents, which appeared in the second half of the twentieth century, has shown the emergence of post - modernism, according to the visions of intellectual feminist adopt a new attitude to express contemporary problems of women, as in the research sample models.2. Gaining visual artists experiments in post - modernism, the dimensions of functioning merge with the experiences of contemporary plastic artists, but up to focus on the necessities of research on the technical trend on the one hand the aesthetic and the inevitability of a departure from the prevailing traditional patterns on the other hand, as in the research sample models.3. The theme of alienation in the products of human visual artists, the investment pattern overlap between the conscious and unconscious, and between reason and emotion, a choice of intellectual touches the essence of the idea of self and carry meanings and connotations, as in most of the research sample models.The researcher has reached a number of conclusions, including : 1. Aesthetics feminist discourse in the arts contributed postmodern elevating of philosophy initiated no mind and the adoption of individual categories and chance and blow up the idea of art through the presence of the idea of demolition and dismantling of the bonds aesthetic realities.2. Uniformity intellectual formulations for aesthetics feminist discourse in the arts of postmodern philosophies with frameworks postmodern theses and feminist criticism, as well as other contemporary monetary concepts that have had an active role in deepening the critical reading and calendar visual feminist done.3. Interpret the visual landscape of the products of feminist art, aesthetically, as manifestation Layout hermeneutical reading and analysis, especially where infrastructure is enhanced mental scene assignments of symbolic probe form actually modulated semantic from the signifier and the signified. The researcher considers a series of recommendations including : 1. Interest in academic studies that specializes in visual themes of feminist art and that the lack of the existing ones in the scientific field, the big and important in the definition of this art with data and types.2. The establishment of cultural institutions and the houses of the Arab local publishing translated foreign sources dealing with plastic feminist art experiences in the world, the lack of such sources in specialized scientific libraries.3. The establishment of plastic arts exhibitions and annual festivals and events and periodic conferences, dealing with plastic feminist art, and the definition of the methods and insights, methods and propositions own visual artists.The researcher proposed the following headings study : 1. Aesthetics feminist discourse in modern art.2. Feminist discourse and representations in products of contemporary Arab art.3. The aesthetics of the image in contemporary feminist art

جماليات التقنيات الرقمية في تشكيل العرض المسرحي العالمي Aestheticism Of Digital Techniques In The Formation Of The International Theatrical Performance

اسم المؤلف: محمد كاظم هاشم الشمري
اسم المشرف: محمد حسين محمد حبيب
الموضوع العام: الفنون الجميلة
السنة: 2017
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تتكون التقنية الرقمية من الاجهزة والوسائل والمعدات التي تعمل بالنظام الثنائي اي نظام التشفير الذي يتكون من ( 0 , 1 ) ويعد الحاسوب التقنية الرئيسة التي تتفرع منها العديد من التقنيات والاجهزة الرقمية التي تخص العرض المسرحي كاجهزة الاسقاط الضوئي او اجهزة الم | The digital technique consists of the apparatus, tools and means that work in the dual system, i.e., encoding system which is composed of (0 , 1). The computer is considered the main technique which is subdivided into various digital techniques and tools that are related to the theatrical performance such as the apparatus of light focusing or the apparatus of sound and image processing. These techniques have gained aesthetic and creative value through their use as an important technique that plays role in the theatrical performance. These techniques have given the theatrical director vast space in varying his hypotheses and choices via specifying the dramatic environment of the events; they also help in creating new means and forms which have had an important role in establishing the philosophical dimensions of the theatrical director. The letter has four chapters : The first (the problem) is the following inquiry : What aesthetics can be achieved by digital techniques in the world theater? The chapter also includes (importance) by focusing on the importance of digital techniques in theatrical performance. The chapter also includes (Objective) an illustration of the aesthetics of digital technologies in the world theater. This chapter, which is temporarily restricted to the period 2005 - 2015, includes space for international theatrical performances, including foreign, Arabic and Iraqi performances, and an objective study of digital techniques in directing theater performances. The chapter ends with linguistic terms and definitions, both in terms of terminology and procedure. The second chapter, the theoretical framework and previous studies, included three sections : First : digital art; trends and views. And the second : digital technical devices and mechanisms of its work in contemporary theater. The third is the aesthetics of digital technologies. The chapter ends with a discussion of previous studies and indicators coming from the theoretical framework. The third chapter, the procedures, includes the society of the research and the samples which have been chosen intentionally depending on the indicators of the theoretical framework being a tool to analyze in a descriptive, analytical method. Then five performances including (foreign, Arabic and Iraqi). The fourth chapter involves discussing the results, the conclusions, the recommendations, and the suggestions. The chapter ends with the bibliography, the appendices and an abstract in English.

المواطنة وجدلية الهوية في العرض المسرحي العراقي Citizenship And Dialectical Identity In Iraqi Theatre

اسم المؤلف: مريم صباح العوادي
اسم المشرف: معتمد مجيد حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: ياخذ مفهوم المواطنة والهوية حيزا غير قليل في الثقافة والفكر وفي الدراسات وكذلك الفنون وفي التعبير عنها , والمسرح كونه احد هذه الفنون فهو يقوم بدوره في تنمية القيم التي تدعو الى المواطنة ونشرها.فهو يبقى احد الوسائل الاكثر فاعلية وملائمة لاحتواء | The concept of citizenship and identity takes a space in culture , thought , studies as well as in arts and how to express it. however , theater is one of those methods which is used to develop the values of citizenship and spread it. it is one of the most convenient and effective ways to show the uncivilized practices in order to cross the problem of citizenship in societies. the research is meant to study ( citizenship and dialectical identity in Iraqi theater ) which is an important subject to develop the society. the research is divided to four chapters , the first chapter will deal with (methodological framework) in which the point of the research is discussed as the concept of citizenship and dialectic identity and the mechanism of showing it in the Iraqi theater. the essence of the research deals with citizenship concept and its implications and contents which specify the relationship between the individual and identity and show his rights and duties. in addition , the dramatic performance is used to clarify these contents of identity which is the connection among individuals among one system. the research is beneficial for students and researches because they will be aware of the implications of this concept through theatrical performance and raise the awareness and attendance in belonging to the country. the aim of the research is how to show citizenship and dialectic identity in the Iraqi theatre and then search the spatial , temporal and objective firstly , the spatial boundaries were restricted to theatrical performance which were performed in Baghdad national theater. secondly , the temporal boundaries were used from 2010 to 2016. thirdly , the objective boundary which is represented by studying citizenship and dialectic identity of the Iraqi theater. the chapter ends with specifying the terms and defining them.Chapter two deals with three topics : the first topic describes the concept of citizenship in terms of historical background and locations. the second chapter is concerned with the dialectical identity and it is divided in to two branches : dialectical identity between culturalism and globalization and theatrical approaches. however , the third section is intended to deal with citizenship and identity and how to perform it on stage. the chapter ends with the results induced from the theoretical framework and the previous works.In chapter three (procedural framework ) includes (56) theoretical performances. the researcher depends on indicators resulting from the theoretical framework as a tool in the analysis of ( sour minbjladi ) directed by ahmed muhammed abd al ameer (2012) , the second show is (ahlam cartoon) directed by kazem al - nasar (2014). the third show is (mukashafat) directed by ganim hameed (2016). the fourth chapter includes the results of the analysis and here are some : - The theatrical speech strives to make the interaction among the citizens according to societal values and behavioral practice which expresses cultural maturity and real recognition without distinction of religion , race , gender or sect. - lots of cultural or religious concepts change because of the interfering factors that associated with and may distort their image. this may cause ignorance to the citizens where the directors tried to expose to with criticism and mocking which reflects the distortion it exposed to. - the directors tried to send an idea that belonging to one religion does not mean that there is one identity but individuals differ in culture and tendency due to the difference among the same culture.The chapter also includes results , recommendations and suggestions and it is followed by bibliography and appendices of picturs.

تنوع الاشكال المنفذة على الخزف الاسلامي الاندلسي The Diversity Of Executing Shapes On Islamic Ceramics Andalusian

اسم المؤلف: منى شاكر عودة
اسم المشرف: رنا حسين هاتف الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة تنوع الاشكال المنفذة على الخزف الاسلامي الاندلسي، فدرس ماهية تنوع الاشكال وطبيعتها التكوينية ومرجعياتها الفكرية بوصفها نشاطا فاعلا في البنية الجمالية والفنية احتوى البحث اربعة فصول : خصص الفصل الاول لبيان مشكلة البحث واهميته والحاجة | This study include the diversity of implemented form of Islamic Andalusia pottery , it includes different types and construction of them and the ideological references as active in artistic composition , also the research includes four parts : The first part include the problem of research and the it's importance , needs , objectives and the most important termed contained category. The problem was identified through answering the next question : What is the variety implement a form of Andalusian Islamic pottery through the formed elements and it's method's. The importance of this research comes from that it represents sight for nature of diversity that occur in implemented form of Andalsium Islamic pottery through searching of it's Composition and construction parts and appearances of ideological concept and it is influences and also the importance of structural and technical wizards that adopted by artist to achieve this diversity , also the study explains to general and private libraries. The purpose of this research is to recognize and idenhfy the different implemental form of Andalusia Islamic pottery through aesthetic organized elements and it's means. As for second part , it includes the theorhcal frame and the previous studies and it contains 3 parts : The first one includes ( the comparisons between different types of philosophical thoughts ). The second one include the formal continent of Islamic art through studying the formal elements in Islamic arts and formal elements. The third one includes the appearance in diversity of forms in Andalusion pottery through different subjects like (Islamic arts and it's properties Islamic Abbasi pottery , Fatimi , pottery , enterance to Andalusain arts and it's methods. As for the third part involve the the procedure of research which include determination of sample research which include determination of research community and the choice of sample research which reach (20) ceramic arts and the research tools and the approach in analyzing the research sample. The fourth part includes the results of research and conclusion , recommendation and suggestion form results that researcher includes like : 1 - The researcher ensures the artistry elements and the organized and it's types through it's forms in related to Andalusion pottery through the artist achievement in formal work to achieve expressive and aesthetic values. 2 - The study distinguishes between the artistry elements and its types in Andalusion pottery because it recognize the importance of work through formal relationships in artistry work. 3 - The formal elements in implemental pottery type of which in spite of it's diversity in relationships to it's forms.4 - The researcher appreciates the nature of different forms of Andalusion pottery through Its appearance in expressive form in order to achieve symbol omitted out of oridinory in pottery arts. The results that the researcher reaches include : 1 - The presence of diversity in artistry elements and organized elements in Andalusion arts in configuration and structure of this art through formal relationships in stearic order and it unites it's parts in the work and it's structure from artistry parts to be in are entity2 - The work's element's and organized elements in Andalusion arts undergo to represent the emotional and expressive sides if the work to display the expressive aesthlic values of the work which results from the artist and it's methods in perform and imovation. 3 - It's go to expressive privacy in Andalusion pottery work through using different ways and archery form and its specific nature to befit to concepts that imposed by Islamic civilizer to be the sign of it's properties. The research ends with some recommendation and proposal and the references and research title and it's abstract in English

الابعاد الجمالية للابيض والاسود في التصوير المعاصر Dimensional Aesthetic For White And Black In Contemporary Photography

اسم المؤلف: هشام عبـد الســلام مصطفـى العباسي
اسم المشرف: محمد عودة سبتي عادل عبد المنعم عبد المحسن
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: توسم عنوان البحث الحالي بــ( الابعاد الجمالية للابيض والاسود في التصوير المعاصر ), الذي عني بدراسة الية استخدام الابيض والاسود وقيمتهما الفنية وسماتهما الذاتية ومحاولة الامساك بمرجعياتهما الفكرية والفنية المعاصرة في الاعمال الفنية(الرسم والكرافك) من خلال | The title of the current research is : (The aesthetic dimensions of black and white in contemporary photography), which deals with the study of the mechanism of using black and white and their artistic value and their subjective characteristics and trying to capture their contemporary intellectual and artistic references in the works of art (drawing and graffiti) through four chapters. Which ended with the following question : What are the aesthetic dimensions of black and white in contemporary art?And its importance and need to contribute to highlighting the contemporary art, especially the work carried out in black and white and aesthetic dimensions and technical value and the guidance of their references, and the search for the importance of the employment of black and white in the painting in a distinctive manner, despite the features of these two values of aesthetic and formative, Was to identify the aesthetic dimensions of black and white in contemporary art, while the limits of research related to the subject to study the work of contemporary artists available (black and white) of the artist himself through the subject matter and material and technical touch Serves the media in the output of the painting with their artistic touches implicitly covered. With regional borders including Europe, the United States of America, Asia, and Africa. With temporal limits for the period from the post - World War II period 1945 to 2015, and terms were defined to serve the purpose of the research.The second chapter covered the theoretical framework. The theoretical framework contained three topics. The first topic deals with the study of black and white in the ancient arts, their philosophical origins, and their physiological and psychological interpretations. The second section deals with the study of black and white in the construction of the artistic form. The third topic is the study of black and white artists of contemporary art.The third chapter was devoted to the research procedures (93) pictures, which included the research community, which selected (17) models chosen intentionally, while the researcher took a descriptive approach to the content in the sample analysis.The fourth chapter included the findings and conclusions reached by the researcher.Among the findings of the researcher : 1. The mechanism of works performed in black and white is reflected in the actuality of the act of social, political, cultural, economic and religious reality. The work of art becomes a tool that puts in its first goals everything that achieves an aesthetic dimension to everything without exception, glorifying the individual spirit and elevating the ego on the one hand. To be an implicit invitation to the emotions of isolation, introversion, anxiety and self - imagination and move it with surprise to the recipient with free play, so that these products take formal forms characterized by the adherence to the use of colors with the variety of techniques without constraints that tried to show the aesthetic dimensions.2.The technical aspect has a role in showing the aesthetics of black and white and highlighting some details that distinguish them from others through the texture and the nature of the shapes as in the sample (17.16.14,11,10,9,8,7,3,1,1). The researcher reached a number of conclusions, the most important of which are : 1. The work of artists in Black and White has gained the trait of independence and self - expression in the style of technical innovation, experimentation and bringing new things despite the adherence to color in the output of their works. The style is divided according to the artist's subjective energy and his inner sense between the direct, the immediate, the automatic, the dynamic, (Traditional), fast, simple, complex.The study concluded by presenting a set of recommendations and practical proposals related to the study of the aesthetic dimensions of black and white in contemporary art in order to complement the usefulness, followed by a list of Arab and foreign sources and references and supplements in English.

التفضيل الجمالي وعلاقته بانماط التفضيل المعرفي لدى طلبة كلية الفنون الجميلة جامعة بابل Aesthetic Preference And Its Relationship To The Patterns Of Preference Cognitivethe Students Of The Faculty Of Fine Arts University Of Babylon

اسم المؤلف: ناريمان اكرم محمود العكام
اسم المشرف: عباس نوري خضير الفتلاوي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: ترى معظم الادبيات ان الجمال هو مثير يولد لدى المتلقي جملة تغيرات جسمية ونفسية ويثير انتباهه وملاحظته ويجعله يندفع الى التفضيل الجمالي، فالتفضيل الجمالي هو عملية سلوكية عامة يقوم بها المرء تجعله يحب او يقبل او ينجذب نحو فئة معينة من اعمال الفن من دون غيره | Most of the literature you see that beauty is sexy generates the recipient among other physical and psychological changes and provokes attention and be seen and makes it rushes to the aesthetic preferences, Valtvdal aesthetic is a general behavioral process carried out by one makes love or accept or gravitate toward a particular class of works of art without the other; were numerous views on the interpretation of aesthetic preferences Some of them sees an innate trait in humans and were seen as the phenomenon of educated and growing and some of them see it affected an objective or subjective factors and these theses remain in need of rigorous scientific testing to verify the sincerity in practice, the receiver factors is the human being who is exposed to acts of aesthetic and responds to a Check is a figure of the total behavioral and cognitive attributes.As well as featuring the current era we live in change and complexity, speed and massive development of the information and the era of knowledge explosion, and so we find in general growing interest in cognitive processes and here the importance of the cognitive aspects come in dealing with information, process and manipulate accounting for this favorite means by educated people in the reception and processing of information and represent patterns knowledge of cognitive strategies to learn an individual's learning style has targeted the current research to identify : - 1. Detection aesthetic preference among students of the Faculty of Fine Arts, University of Babylon.2. Identifying the differences in the level of aesthetic preference among the students of the Faculty of Fine Arts, University of Babylon, according to the race.3. Recognize the preference of cognitive patterns of Fine Arts Students - University of Babylon.4.Identify statistically significant differences in cognitive preference patterns among students of the Faculty of Fine Arts, University of Babylon.5. The relationship between the aesthetic preference and preference patterns of knowledge among students of the Faculty of Fine ArtsThe study included four chapters as follows : - The first chapter included the problem of the study and the importance of and need for, and objectives of the study and its borders as well as determine the terms contained therein.The second chapter included as part of the previous theoretical studies, as it dealt with a researcher at the first section aesthetically philosophy, while the second section has dealt with the researcher aesthetic preference, and the third section patterns of cognitive preference. But previous studies have been presented by the researcher parallel zones of separation and to agree with the current study.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement to delete group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement Khzvt group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.The fourth chapter included a presentation and discussed the results of the study as well as conclusions and recommendations and proposals and the conclusions of its study : 1. The presence of a low level of aesthetic preference of the students of the Faculty of Fine Arts, as she was the calculated value of $ (1,366) smaller than the tabular value of $ (1.96) at the level of significance (0.05).2. There are no differences in the level of aesthetic preference, amounting to the calculated value (0371), the smallest of the tabular value of the (1.96) at the level of significance (0.05).3. The presence of a high level of patterns of preference knowledge to the students of the Faculty of Fine Arts, as she was the calculated value (6138) and (4202) and (2785) and (2045) Patterns (remember, the principles, the critic, the application) greater than the tabular value of the (1, 96) at the level of significance (0.05).4. A) And no statistically significant differences in the pattern of memory depending on the variable (sex) were in favor of females as the value of (P) calculated (6541) which is greater than the value of tabular the (1.96) at the level of significance (0.05) and the degree of freedom (1) and (149), while the other styles, there are no statistically significant differences.B) And no statistically significant differences for the typical remembering and application depending on the variable grade and was in favor of the fourth stage as the value of (P) calculated (27.842) and (9165) on the sequence which is greater than the tabular value of the (3.89) at the level of significance (0.05 ) and the degree of freedom (1) and (149), while the typical critic and principles, there are no differences.C)There are no statistically significant differences for all styles, as the value of (P) calculated (0602) and (1933) and (0631) and (0476) on the sequence which is smaller than the tabular value of the (3.89) at the level of statistical significance (0.05 ) and the degree of freedom (1) and (149.There were significant differences in the pattern of remembrance for the interaction (sex × grade × specialization) as the value of (P) calculated (5959) was the biggest of the spreadsheet the (2.42) at statistically significant (0.05) and the degree of freedom (4 ) and (149), while the rest of the patterns were not statistically significant.5. The existence of a positive and a weak relationship between aesthetic preference and style to remember (0022), and the existence of an inverse relationship and weak between aesthetic preferences and style of the critic ( - 0.109), while the relationship between the aesthetic preferences and style principles are inverse relationship is very weak ( - 0.018), while the relationship aesthetic preference and style of the application (0125) is a positive and a weak relationship.The researcher made a series of recommendations and proposals, including : - 1. to provide educational institutions starting from kindergarten and up Undergraduate all modes of education on aesthetic preference and interpretation of its implications in all areas.2. Make use of the patterns of preference cognitive measure in determining the student to the style that suits him down as the need to enhance the cognitive patterns of preference among students through the curriculum.The proposals : - 1. relationship preference aesthetic tendencies technical students at the Faculty of Fine Arts.2. Information processing and its relationship to cultural norms cognitive preference among students of the Faculty of Fine Arts

الابعاد النفسية للتعبير الفني في الفن الكرافيتي Psychological Dimensions Of Artistic Expression In Graffiti Art

اسم المؤلف: حوراء علي عبد محمد
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعد الفن الكرافيتي من اخر الحركات الفنية التي نمت في اعقاب الحرب العالمية الثانية لزوال الرقابة الصارمة على الجدار او الاماكن العامة، وتعبيرا مباشرا لمشاعر الفنان بلا قوانين فهو من فن ما بعد الحداثة محملا بابعاد نفسية يصبها على الجدار او الفضاء العام | The Graffiti art is considered as the last artistic movement which appeared at after the second world war The lack of strict control appearance on the wall or puplic places, and a direct expression for the artist feeling without laws art postmodern which loaded by many Psychological dimensions touched by on the wall, or public space to form the contact with the other world forum for debate on any subject, whether economic or political, religious or even sexual. Eating current search the psychological dimensions of artistic expression in graffiti art,the research community is made up of (200) work of art,and select for the period(1975 - 2016) ,and research sample (20) work of art, statistical methods were used scott and cooer and arithmetic mean.among the results that have been reached : 1. psychological dimension has appeared Representatively by the worried among the painters throughout features ( involved and partial shapes ) ( feel the artist loneliness ) and (The presence of the features of imaginary ) and ( the Varity in colors , sizes , details and proportions and ( The intensity of the movement and emotion ) and (fragmentation of forms ) in quantitative statistical analysis , in which three items has gained the high in the arithmetic average for the items (39%) the items indicative of a anxiety , the anxiety has represented among artists (Michelle, Branuc nock ???,bankce, and Keith).2. psychological dimension has appeared representatively by introversion among graffiti art's artists statistically through ( the pessimistic sence and present the world tragically) , (the depth and ambiguity of the ideas presented in the artwork ) , ( using dark colours ) , (neglect the work space or non interest in it ), (the lack of details drawing elements and its sense of stillness ), in which three items has gained the high in the arithmetic average for the items ?????? so that these items indicate the introversion, the introversion has shown with artists ( Mart, Michelle, Banksy, Nock ).3. psychological dimension has appeared representatively by extraversion for the painters statistically throughout ( Idiomatic expression of subjective feelings of the artist ), ( sense of optimism from the atmosphere artwork ) , ( having a sense of Carnival )and ( using colours that represent happiness and pleasure ), in three points in this work area have gained the high in the arithmetic average for the items ?????? these points indicate the extraversion the extraversion has appeared with painters ( Alis , Quik and Miss Van )..Some of the conclusions reached by the researcher : ?. Generally the Postmodernism art characterized by pluralism and overlapping races , varity of art styles , keep away from the constants in the area of individual and temporary methods that the Postmodernism art characterized with and before it , and the psychological dimensions in Graffiti art agreed with the nature of this openness and The overlap of races.?. The big diagnosis in the Graffiti paintings with repetition of the artist's name characteristically in artwork ,If anything, it shows the artist's quest to prove himself , and confirmation of him especially that the Graffiti art painters are oppressed by agencies specialized lifting these paintings and reject its content which pushed to Incitement and a provocation and consider it also titled ugliness.?. The Graffiti art paintings have taken huge area from psychological dimension that filled throughout display conscious and unconscious that characterized in involvement of the recipient, it is like remarkably and exciting letters contain purposes and other media order imposed ,as well as functional ones in several areasthat is how the researcher has concluded her research by recommended and suggestions and then the sources and appendixes

الخطاب الفكري والجمالي في العروض المقدمة لنصوص علي عبد النبي الزيدي المسرحية The Intellectual And Aesthetic Discource Of The Dramatic Shows Presented In The Texts Of Ali Abdulnnabi Al - Zaidi

اسم المؤلف: بشار صباح جابر الاعرجي
اسم المشرف: محمد فضيل شناوة
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: شغل الخطاب الفكري والجمالي للعرض المسرحي منذ بواكيره الاولى, حيزا مهما وركنا اساسيا في مضمونه وبنائيته , ولاسيما ان العروض المسرحية الحديثة عمدت الى التركيز والتاثيث لفلسفة الخطاب الفكري والجمالي بوسائل اجرائية متنوعة ومختلفة في محاولة لتصوير الواقع | The intellectual and aesthetic discourse of the dramatic show has occupied, since its early times, an important and essential space, as long as its content and structure are concerned; especially, contemporary dramatic shows have proceeded to the concentration and the furnishing of the philosophy of the intellectual and aesthetic discourse using various and different means in an attempt to portray reality and its ideologies. Consequently, every historical phase and every era has its own intellectual and aesthetic discourse that makes it distinct.The dramatic shows, presented for the texts of (Ali Abdulnnabi Al - Zaidi), carry ideological and aesthetic propagations along with a philosophy of discourse that deals with the subject matter bravely and deeply. In addition, they break the taboos, and deviate from the norm clarifying a philosophical and ideological discourse that goes beyond the mental and psychological limits. The study is divided into four chapters. The first chapter deals with the methodical framework including the problem of the study which concentrates on the following question : (What are the ideological and aesthetic propagations that are carried by the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi?), whereas the significance of the study manifests itself in studying the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi and the intellectual and aesthetic discourse that is used in such shows to express the reality in such a way that seems to be unfamiliar in treating this reality by using, often, forbidden ideas. As for the aim of the study, it is (to know the intellectual and aesthetic propagations carried by the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi). Then, the study is limited, in terms of place, to include the dramatic shows of the texts of Ali Abdulnnabi Al - Zaidi in Iraq. In terms of time, the study is limited to the years 2003 - 2016. As for the subject matter, it is limited to study intellectual and aesthetic discourse of such shows. Finally, the chapter ends with the determination and definition of the terms. The second chapter deals with the theoretical background along with the literature review to include three aspects : the first aspect is concerned with studying (the concept of discourse in the philosophical intellect) which is subdivided into two further aspects : the first is the concept of discourse in the international philosophical intellect and the second is the concept of discourse in the Arabic and the Islamic philosophical intellect. The second aspect is concerned with studying the intellectual and aesthetic references for the author (Ali Abdulnnabi Al - Zaidi). The third aspect is concerned with studying the intellectual and aesthetic discourse of the director in the international dramatic show. Then, the chapter is ended with the indicators of the theoretical framework as well as the literature review.The third chapter deals with the procedures of the study including the sample of the study which involves (30) dramatic shows, and the data of the study which is (3) representing a sample for the dramatic shows presented for the Al - Zaidi's texts. This chapter also includes the model of the study and data analysis.The fourth chapter deals with the results that are arrived at by the researcher, and the most important of which are : 1. The three dramatic shows depend on the dichotomies of (good vs. evil), (love vs. hatred), (life vs. death), (war vs. peace), and (doubt vs. certainty). Such shows attempt to find an agreement between these dichotomies and figure out what they are.2. The three shows deal with those who live on the margins of the society along with their problems trying to find solutions for them.3. The three dramatic shows are characterized by their intellectual and aesthetic discourse that swings between reality and absurdity. The drama of Rain of Summer depends on the personification of dolls and human cloning regarding them to be human beings. In the drama of O Allah, the mothers, threatening God, refused to pray and fast. And Macbeth, in The Countdown of Macbeth, has a miserable end as he is buried in rubbish. 4. There is an important presence for the woman in the three dramatic shows where she plays an important role in decision making and changing the plot.5. The three dramatic shows make use of quoting from the Glorious Qur’an and making such quotations the main theme of the intellectual and aesthetic discourse, as in the drama of O Allah. The chapter also includes the conclusions, the recommendations, the suggestions, and a list of the references in addition to the appendices. Then, it presents the abstract in the English language.

النزعة الروحانية في الرسم الاوربي الحديث The Tendency Of Spirituality In Modern Euroean Painting

اسم المؤلف: مها عبد العزيز ساجت القره غولي
اسم المشرف: عارف وحيد ابراهيم الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تكون البحث الحالي " النزعة الروحانية في الرسم الاوربي الحديث " من اربعة فصول , تناول الاول منها مشكلة البحث والتي حددت بالاجابة عن التساؤل الاتيي : هل هناك نزعه روحانية تمثلت في مدارس فنية متعددة في الرسم الحديث ؟ وماهي مجرياتها وهل هي ناتجة عن صراعات | The current research consists of the tendency of the spirituality in modern European painting.The research including Four chapters.First chapter ,have research problem which is limited by the answer to the following question : First question : Has the spirituality a tendency in modern European painting ? Second question : is there a spirituality tendency in modern European painting ? The first chapter have also included research important and need for it , and also contains the aim of research “Identify the spirituality a tendency in modern European painting “. While the research limitation contains the period between 1870 - 1960. The second chapter includes two research , first research : includes the spirituality in philosophical thought ,while the second research includes spiritual references in art ; moreover ,the same chapter contains ,theatrical frame and its indicators ,and previous studies. The third chapter includes research procedures ,such as research society , research sample and research tool : in addition , research methodology , and analyses sample amounting “16” patterns. The fourth chapter includes results research ,and its discussion ,conclusions , recommendations and suggestions. Among results ,the researcher reached following results : 1 - Spiritual illusion and Sensory perception play important role in modern European painting , Then activate the picture s and the incusion in to the depths of and feeling inspiration of the artist and the search for spiritual reservoirs contact with God.2 - Each of the concepts of time and space associated spiritual tendency , according to the Holy Quran from Dialogues angelic where is no time and no place versa in this relative live.3 - The artist seek for a high tendency in modern European painting and this trend four in the samples analyzed and in respect of the spiritual dimensions which have fixed indication for the liberation of vision depends intuition and free fantasy that reflect the outside word in the European art inspires artists of modernity in the construction of their artwork and using them to produce artistic different drifts expresses the freedom of the spirit of the modern.4 - The pure form discussing modern abstract with modern European painting for regular structure of relation between the elements to produce geometric shapes based on engineering indicative dimension ,but high spiritual idealism in the construction abstract in modern abstract support pictorial idealism situation linked to the reality of spiritual sensory ,while in modern European painting linked to the spiritual aims borrowed from the luxury qualities of absolute monotheistic. The researcher has found a group of the following conclusions : 1 - European artist derived spiritual trend from the ancient Greek civilizations,taking in to consideration the religions, which was carrying the secrets of cosmic through spiritual and mystical contact with that employed by the artist in his paintings component creative form.2 - Spiritual tendency represented the thread of luminous or beam and the rope of connection between the artist and the creator ,the has found pure single spirit of self and pure purity and that string represents the spirit descend a pure artist and close to the body so that the devil receives and disperses it with analyzes the light in to the colors of the solar spectrum which represents indispensable article sensory ,so when the artist liquidates his self and diminishes his attachment with materialism , the light will be increased and liquidates , and then become whit lights as his origin oneself , so Mohammed the prophet “ peace be upon him “ said : “who knows himself knows his lord “. According to what results reached by the researcher and conclusion and perfecting of the interest and knowledge ,the researcher considered the following recommendation : The students of higher studies including students of art and religion and who owns the relationship should benefit from this studying.As a complement to the requirements of research and scientific, ”dimensional spirityality and indication in the works of European artists

الابعاد الجمالية للاشــــــكال الفنية في الفنون الشعبية العراقية ومرجعياتها في اللاشعور الجمعي Dimensional Aesthetic Art Forms In The Iraqi Folk Arts And Their References In The Collective Unconscious

اسم المؤلف: علي عزيز ناصر
اسم المشرف: دلال حمزة محمد علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول البحث(الابعاد الجمالية للاشكال الفنية في الفنون الشعبية العراقية ومرجعياتها في اللاشعور الجمعي) باربعة فصول ضمن الفصل الاول الاطار العام للبحث وتم فيه عرض مشكلة البحث والتي حددت التساؤلين الاتيين : - هل تمتلك النتاجات الفنية الشعبية من البسط والحلي اش | The research (aesthetic dimensions of art forms in the Iraqi folk arts and their references in the collective unconscious) in four seasons within the first chapter general framework of the research in which the research problem has been identified and Altasaalin the following two : - Are Owns the popular artistic productions of rugs and ornaments forms have aesthetic dimensions representing a phenomenon in terms of the nature of the technical systems of shapes, lines and spaces and technologies. - Do you have the artistic productions as a formality texts of their references in the collective unconscious on the art forms represented in the productions Livni rugs and ornaments of the dimensions of a formal written and color and dimensions Amadaminah (code - listed - values - ideas perceptions). The importance of research in the detection of the aesthetic dimensions of art forms in the Iraqi folk art in which may enrich those in charge of technical education and researchers in the field of folklore studies and anthropological fact that folk art one of the main tributaries of the Iraqi identity. The research aims to identify the aesthetic dimensions of art forms in the Iraqi folk arts and their references in the collective unconscious. Confined to the limits of research forms the technical Folk Art (ornaments popular numerator) for the era of (1900 m - 2015 m), Iraq's adoption of the descriptive approach and the way the descriptive analysis for the purpose of fact - dimensional aesthetic forms of art and their references in the collective unconscious of the Iraqi folk art works for the extension and ornaments. As well as identifying terminology research.The second chapter presented the theoretical framework and previous studies and discussed in terms included three sections, taking the first section of which dimensional conceptual and aesthetic reference for the Arts popular composition represented by the forms and symbols in the cultural heritage of Mesopotamian and Islamic, while taking second section study of folk arts among aesthetic shape and significance, and display the third topic the concept of collective unconscious mechanisms Achtgalath in technical fields through exposure to Helms by the world, "Jonk" about the collective unconscious and mechanisms Jonk. The third chapter contained on the applications of the aesthetic dimensions of art forms in the Iraqi folk art and of rugs and ornaments through a sample of (18) form derived from the framework of a society (180) model and using indicators of research and mechanisms Jonk in the research sample analysis. As it is proven in the fourth quarter results, conclusions, recommendations and proposals, and reached by the search of the most important conclusions, including : 1. manifested many of the characteristics of the forms of roots and historical assets - alravedanah and Muslim - through the emergence of decorations geometric modified, and another with an ideological link Old such as the cross and the star octagonal and triangle Almottagabl the head, which are connected to the cultures and references unconscious association in contexts deliberative.2. larger circle has formed part of geometric abstract involved in the formation of ornaments because of its historical significance and origins of ancient and Islamic folk artist he took it upon himself to be replicated in most of his works of art realized in rhythm all the ornaments samples. Conclusions1. The aesthetic formats in the popular arts represented technician rugs and ornaments derived many Ansagha and their references symbolic and formal design of the structure of the ancient Mesopotamian art and Islamic ones.2. indicate processors Constructivism to the concept of collective unconscious and resulted in the meanings and connotations conceptual, to the existence of civilization continues to derive its terms of reference of the artistic and literary productions of Islamic civilization and the ancient civilization of Iraq.3. The most popular designs rugs based to mathematical logic, based on the structures Alchidah stringent than existing lines and obtuse and acute, to be its forms, including engineering and predominantly (appointed, and the Triangle, and the box and combine them).4. Try to folk artist through gold material moving between abstraction and reality, and the imposition of vegetarian content in a part of the artwork and the content of symbolic and social Kalhilal for example, in another part, which represents the references in the Iraqi and Islamic thought.

جماليات المنحوتات الخزفية في العصر السلجوقي

اسم المؤلف: ميساء سليم عبد الواحد الخفاجي
اسم المشرف: محمود عجمي جاسم الكلابي
الموضوع العام: الفنون الجميلة
السنة: 2017
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: يعنى هذا البحث بدراسة جماليات المنحوتات الخزفية في العصر الاسلامي السلجوقي، والذي يقع في اربعة فصول : تضمن الفصل الاول عرضا لمشكلة البحث والمحددة بالتساؤلين الاتيين : هل شكل العصر الاسلامي السلجوقي ظاهرة في الطرح لما انجز من المنحوتات الخزفية، بحكم م

الاندماج الاتصالي في الاعلام الجديد : دراسة نقدية لنظريات الاتصال السائدة Communicative Integration Into New Media A Critical Study Of The Prevailing Theories Of Communication

اسم المؤلف: مؤيد نصيف جاسم السعدي
اسم المشرف: عبد الامير مويت الفيصل
الموضوع العام: الاعلام
السنة: 2017
الموضوع الدقيق: الصحافة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The study demonstrates the concept of the communicative Integration as a new concept that explains the nature of communication in the new media. The study displays this through criticizing of the theories of communication that are used in the studies the new media. The researcher coins this new term to provide an explanation for the transformations that was brought by the technology in the communicative process; however, with these transformations, we can find that the theoretical rooting continued in relying on assumptions that were basically raised on the techniques that were convenient for it. However, the situation has changed after the emergence of the new media, in addition to the emergence of the need to a theoretical rooting that commensurates the size of variables. Therefore, the study raised on an underlying assumption which is : Is the prevailing theories of communication can interpret the new phenomena of communication, including the communicative Integration?The study concluded the following results : - 1 - The communicative integration is a process that exists as a result of the increasing in communication which allows integrating the elements of the communicative process.2 - Both time and speed are factors that determine the size of the communicative integration which results to the concept of the user.3 - The communication theories that are certified by the studies of the new media do not give factual explanations for the variables of the new media, including the communicative integration4 - The model of the communicative integration interprets the process of communication in the new media.

الصحافة العراقية ومستويات معرفة الجمهور بقضايا الفساد : دراسة مسحية لجمهور مدينة بغداد The Iraqi Press And The Audience Knowledge Levels With Corruption Issues A Survey Study On The Public Of Baghdad City

اسم المؤلف: اريج ناظم يونس سيالة
اسم المشرف: هاشم حسن جاسم التميمي
الموضوع العام: الاعلام
السنة: 2017
الموضوع الدقيق: الصحافة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Areej Nadhim Younos Syiala, the Iraqi Press and levels of Public knowledge of corruption issues - survey of the public of Baghdad city. Ph.D research, university of Baghdad, college of media, press section, 2017.This research examines the relationship between the Iraqi press on its various directions (semi official, party, independent and individual newspapers) by addressing the issues of corruption, and the levels of public knowledge of these issues. This research aims to achieve main objective. Answers on questions and hypotheses of the study. And is related to its importance (measuring, the levels of knowledge of the public subject of research on corruption issues).Through the public's knowledge of the corruption issues. By Iraqi newspapers shed light on these issues. By analysis, interpretation and explanation through the arts of various journalism (news, report, investigation, talk and press article).The research included two levels of first questions : the exposure of the public to the Iraqi newspaper's, the level of information it has about corruption issues, and the second level : questions related to measuring levels of public knowledge of corruption issues.The research also included a number of hypotheses. The first assumption : is that there is a significant statistical correlation between the degree of the public's reliance on Iraqi newspapers in their knowledge of corruption issues.And the extent of the contribution of these newspapers to the public and the art of press editing and sources of information that he trusts and the age of the public and his profession and exposure to Iraqi newspapers. Second : assume that there is no linear correlation between the standard of living of the public and the exposure to Iraqi newspapers. The research was based on the descriptive approach that describes the phenomenon in its present state. In order to arrive at accurate data and answers, the descriptive approach was used in both descriptive and analytical terms.The research used three research tools : interview, questionnaire and measure the levels of public knowledge of corruption issues. And to measure the hierarchy of corruption issues according to the interests of the public.The research was also based on a randomized multi - stage sample, with geographic areas selected in stages, and randomly so that they move from a large area to a smaller area at each stage.The sample size selected from the city of Baghdad was (415) single one of the main finding of the thesis is that Iraqi newspapers in the eyes of the public in question contributed to increasing their knowledge of corruption issues.As well as other results related to the relationship between the Iraqi press and levels of public knowledge of corruption issues. And levels of dependence on them to obtain this knowledge and levels of exposure to it.The research recommended the need to activate the focus of cultural awareness on corruption issues and conduct periodic and scientific surveys to measure public knowledge of corruption issues, and strive to deepen the culture of investigative journalism, and its practice on a broad media scale and work on the drafting of a draft law. (right to get information).The research contains (50) schedules and (14) form and (6) appendix.

دور البرامج الصحية في الفضائيات العراقية في تعزيز الوعي الصحي لدى الجمهور The Role Of Health Programs In The Iraqi Satellite TV Channels In Promoting Health Awareness To The Public

اسم المؤلف: احمد مهدي صبري عبد الدجيلي
اسم المشرف: محسن جلوب الكناني
الموضوع العام: الاعلام
السنة: 2017
الموضوع الدقيق: الصحافة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: احمد مهدي صبري. دور البرامج الصحية في الفضائيات العراقية في تعزيز الوعي الصحي لدى الجمهور. رسالة ماجستير، جامعة بغداد، كلية الاعلام، قسم الصحافة الاذاعية والتلفزيونية، 2017. تعد موضوعة تعزيز الوعي الصحي من الموضوعات المهمة نظرا لاهميته في الحفاظ على سل | Longer placed the promotion of health awareness of important topics, and health awareness among individuals the cornerstone in the patterns of their behavior daily which have a significant impact on their health in general, and the mass media are among the most important sources to provide information on the topics of health, as well as to perform an important role in building the individual and the composition of the behavioral cognitive, emotional from one of the functions of the media message is Acculturating, guidance, and through the adoption of members of the community have become the media an effective tool to develop and changing attitudes and practices among the most important of these means are space television channels.This is intended to explore the role of exposure to health programs provided by the Iraqi satellite channels in contributing to the promotion of health awareness and repository, have reached the researcher to many of the Conclusions : 1. researcher found that the rates of exposure to health programs in the Iraqi satellite channel, the same for males and females this indicates the interest of gender equality at risk of these programs.2. researcher found that most observers of the health programs and those interested in the health awareness of staff and students The Earner housewives, and this is what the Panel finds it Tawfiq Iraqi satellite channels in the selected times to provide health programs, also came to the attention of The Earner staff and students in the topics of health and the promotion of health awareness and the fact that their health requires physical and psychological, for the attention of the housewives Their search for comes to provide a healthy environment for the family avoided health problems resulting from lack of awareness.3. It was clear from the answers Respondents health programs provided by the Iraqi satellite channel is more sightseeing of health programs provided by the channels and other, this may be due to the technical and material potential available in health programs in the Iraqi satellite channel also the fact that these programs are produced with the first official on health in Iraq, the Ministry of Health.4. The paragraphs showed the standard set by the researcher health programs have contributed to the promotion of health knowledge Of respondents, further to promote health behavior as well as the strengthening of emotion, conscience, meaning that these programs based on hypotheses theories of reliance on means of communication and cultural sexual division has contributed to strengthening the health awareness Of respondents.5. The research revealed in the field on his part that the variables by sex and age and the social situation and educational level did not affect the promotion of health awareness and whether this is what indicates a positive point of these health programs in their ability to access all of these variables.6. The research revealed in the field on his part that the only variable which impact relative to the promotion of health awareness is the size of the exposure to health programs, meaning more exposure to health programs whenever contributed to the promotion of health awareness.Use the researcher scanning method analytical work, the building of a measure of the quadripartiteUse the researcher scanning method analytical work, the building of a measure of the quadrilateral consisting of Terraced (agreed to a large degree, agreed to a medium, agreed to a few degree, do not agree at all), preferred to ensure the gauge Questionnaire questions on the characteristics of the sample and the nature of its exposure to these programs.The researcher adopted statistical means the following : 1. Simple occurrences of the percentages of2. Applications Spss program.3. Covariance normative perversion.4. The Applications (Anova).5. Kay box (Chi - square)6. Correlation coefficient (Pearson)7. The center transferable.8. Coefficient Cronbach's alpha.9. The midterm retail link laboratories Spearman brownthesis contained on (412).

دور رئيس الجمهورية في العملية السياسية العراقية بعد عام 2003 The Role Of The President In The Political Process In Iraq After 2003

اسم المؤلف: سيران قاسم محمود
اسم المشرف: طه حميد حسن العنبكي
الموضوع العام: العلوم السياسية
السنة: 2017
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول موضوع الدراسة الموسومة (دور رئيس الجمهورية في العملية السياسية العراقية بعد عام 2003)، وعلى الرغم من تمتع رئيس الجمهورية بمنصب شرفي وشكلي في النظام الا ان له دور في حل المشاكل والازمات وتجاوزها وذلك من خلال توظيف اختصاصاته من اجل التقدم بالدولة وله | Dealt with the subject of study entitled (the role of President of the Republic in the Iraqi political process after 2003), and in spite of the enjoyment of the president post of honor and formality in the system, however, it has a role in solving problems and crises and overcome through the employment of its powers in order to progress the state has an active role and carry it political and constitutional responsibility because it is the highest political authority in the state.The study was divided into three chapters included the first chapter of the political process in Iraq from 2003 - 2005, while the second quarter included the conditions and mechanisms for selecting the president of the republic under the 2005 Constitution, while the third quarter included the role of the presidency in the political process for the period 2006 - 2016.The study reached a number of conclusions from them, expanding the powers of the President that does not violate the foundations of the parliamentary system and in a balanced manner so as to ensure him an active and influential role in bringing about a balance between all the institutions, and grant the president the power to take decisions which have the force of law, particularly in the case of war or any threat to the integrity and unity of the State and not restricted to the Prime Minister as (the president) is the head of the executive branch, as well as when choosing the president of the republic must take into account the pest personal for President, qualifications and Karzimaith and also the nature of his relationship with the Prime Minister and his weight and political position between the components and the forces in the political process and his keenness to ensure the functioning of the political process according to the constitution and maintain the application of constitutional provisions on the ground.

التعددية المجتمعية في السودان واثرها في النظام السياسي Community Pluralistic In Sudan Impact On The Political System

اسم المؤلف: سعد ماجد عبد الحسين جبار العزاوي
اسم المشرف: عادل ياسر ناصر الكنعاني
الموضوع العام: العلوم السياسية
السنة: 2017
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد المجتمع هو البنية الاساسية التي تتفاعل فيها الجماعات الانسانية "ايجابيا وسلبيا" ومن اجل فهم هذه الحقيقة يتوجب علينا التعرف على طبيعة التكوين العام للمجتمع السوداني في سبيل بلورة رؤية حقيقية لطبيعة المؤسسة الاجتماعية والسياسية وبيان دورهما في درء الص | The main idea around which pluralism community is that some states involving the divisions between different groups regulated by social and political structure of one and the reasons for the divisions may be of an ethnic nature or a religious, cultural or other so reflected on the embodied state political structure and political system where, pluralism is a human phenomenon historical know all societies because of the different nature and interests of human beings and this pluralism her first two sides positively where they become pluralistic power factor support and deepen the political and social development, and in this sense can be understood pluralism in developed countries, and the second negative where they become pluralism threat to the state and social cohesion in the open the door to foreign ambitions, and this is the face of the prevailing pluralism in most third world countries facing the development and independence and attempts to external penetration problems.As countries and experiencing multiple forms and various features ethnically diverse, it has hired most often to achieve political objectives for the benefit of the ruling elite, which has led to an escalation of the tone of the tensions and social and political Altnefrat between ethnic groups on the one hand and between them and the state on the other hand, thereby exacerbating the process conflicts coupling pluralism ethnic cultural inheritance redneck, resulting from the colonial era, and the resulting transfer of pluralism ethnicity into an instrument threaten social cohesion and political stability, coupled with political problems and developmental and subordination to the outside, which leaves a negative impact on the national state structure in general.And so is the ethnic diversity of the most important challenges facing and threatening national unity of the state in the Third World in general and Sudan in particular, where most of the Arab and African countries are suffering from this serious challenge as a result of the mistakes of the colonizer (intentional) or to the behavior of some governments is not rational to this phenomenon, which enter this country into a spiral of ethnic conflicts and civil wars, which exhausted the state and squandered its resources and chop people and lasted nearly half a century in southern Sudan (1955 - 2005) either in the west (Darfur) what the conflict continues and the shift from a tribal conflict to ethnic conflict (Arabic - African) took the regional and international dimensions.That the main problems facing the Sudanese state in terms of its power and national unity is the configuration tribal complex and disharmonious, the Sudanese community in general is a community composed of tribal groups and tribal style is still dominant in large parts of it style, whether in the form of large tribes or subdivisions of the tribes and families, Sudan is home to hundreds of tribes that are different and vary in the historical roots and social Anhaddaradtha in the nature of professions and levels of education systems and the use of the land, and is the tribe's central focus of identity in Sudan, where it is considered synonymous with contemporary nationalism, and this is a source of weakness of the state because the composite composition and the multiplicity of minorities makes the internal construction closer to the disintegration of the simple installation states if the state did not deal with this changing political tact and make the national standard is the foundation of the state. Sudan has so far failed to alleviate tribal or find a parallel has a social as an association of national and reason for this is due to several reasons, and as we mentioned the weakness of central authority and which are often illegal and failing to provide protection and social security for its citizens, a guarantee that they are still provided by the tribe as well the weakness of the roads and transport between the Sudanese regions that have deepened the state of cultural isolation among the population on the one hand and weaken the power of the state on the other hand, in addition to that the sharp contrast in all the natural and human geographical characteristics There must be an agreement on the fateful and national issues towards the state to be able to understanding the twelve to diversity does not come only through political and community conscious frameworks that will melt this diversity of one people by the political, social and economic factors have the political system active role in order to create harmony The intermingling and national integration and the melting of all affiliations to belong to the state, and then foundation for national unity successful

العلاقة بين التعددية الحزبية والوحدة الوطنية في العراق بعد عام 2003 Relationship Between The Multi - Party System And National Unity In Iraq After The Year 2003

اسم المؤلف: زهراء جبار رهيف دبيس الشويلي
اسم المشرف: فاتن محمد رزاق الخفاجي
الموضوع العام: العلوم السياسية
السنة: 2017
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد حاولت هذه الدراسة تحليل العلاقة بين التعددية الحزبية والوحدة الوطنية في العراق , وهو موضوع على قدر عال من الاهمية والحساسية لما له من تاثير كبير في المجتمع العراقي ذي التعددية الواضحة عليه.وان المشكلة الاساسية التي حاولت الدراسة طرحها هو التعددية ا | I have tried the study was to analyze is the relationship between the party pluralism and national unity in Iraq, which is the subject of the high degree of importance and sensitivity to the great impact. The Iraqi community of pluralism And that the basic problem of the study tried to put forward the party pluralism become a barrier to achieve Iraqi national unity because of the multiplicity of Loyalties affiliations away from national identity, must therefore be The emphasis on the achievement of national unity in this party pluralism of the priorities of the system Political, because without an Iraqi national unity cannot be the country to achieve their stability and development and This is not only if the recognition of all the components of the Iraqi people and other components Located in Iraq and respect privacy and respect their views. The study found that the parties must work law takes into account the reduction of many of the political parties and political movements by any strict legal rules setting conditions A little tough on the process of the formation of the party and Affiliate him and the nature of his participation in the political process, and this has nothing to do with dictatorship or restriction of Democratic Action, but is organizing a major Corner Of the pillars of democracy in order to operate properly meet Freddie domicile of the parties when they placed their trust in them and led it to power. In addition, the study found that observed in Iraq is a plurality of the leaders and personalities and political views, not partisan plurality , which in turn led to the creation of a conflict between these figures and those of the Iraqi citizen was killed and the Iraqi National Unity so should be the desire to achieve Iraqi national unity with real intent sincerity of good and optimism by catches of power in Iraq, which will be for the benefit of the Iraqi citizens to not be the preserve of one, or in favor of a class or a certain range, and this is achieved consciously and realize catches of power in Iraq and representatives political parties and the extent of their belongings and their love for their homeland and achieved by, preserving the independence and stability of Iraq and its national unity

النظام السياسي الجزائري في عهد عبد العزيز بو تفليقة Algerian Political System Under Abdul - Aziz BoutEFLika

اسم المؤلف: رعد فالح علي البهادلي
اسم المشرف: احمد عبد القادر مخلص القيسي
الموضوع العام: العلوم السياسية
السنة: 2017
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Dealt with the subject of study entitled (the Algerian political system under President Abdelaziz Bouteflika) the nature of the political system and constitutional powers of the President of the Republic Abdelaziz Bouteflika has given his president in the political system, presidential likeness of the constitutionality of broad powers led to the domination of the rest of the constitutional and political institutions, and made him axis of the system and the owner of the political role of influencing the rest of the system institutions, the study was divided in three chapters, the first chapter of political and constitutional developments for the period 1963 - 1996 which is divided into the first two sections of political developments for the duration of the second 1963 - 1996oualembges nature of the relationship between the legislative and executive branches, while the second quarter included democratization and its reflection on the political system, which included the first two sections multi - party system and the electoral process and the second on the political role of the military establishment, either the third quarter included the challenges of the presidential custody and achievements and be a chapter of the first two sections presidential term for Bouteflika 2004 - 2014 and the second topic of constitutional amendments and the future of the political system. The message has reached a number of conclusions, including the President of the Republic Abdelaziz Bouteflika enjoys wide powers through superiority over all state institutions by giving the Algerian Constitution to those powers enjoyed by the President and these broad powers have dropped Bdilalha on the nature of the relationship between the legislative and executive branches of during the acquisition of the executive branch over the legislative power since Algeria witnessed a political and constitutional important developments as a result of internal and external conditions, particularly the conflict between the military institution and the institution of the presidency, which was able to President Bouteflika to neutralize the role of the military from interfering in political affairs as well as external developments of the Arab spring, which saw the fall of many Arab regimes, where he was able Bouteflika generally those challenges and achieve some of the political stability and steadfastness

النظام الاتحادي الالماني : دراسة في توزيع الاختصاصات بين المؤسسات الاتحادية والمحلية The German Federal System Study Of The Distribution Of Competences Between The Federal And Local Institutions

اسم المؤلف: حسين علي حسين ابراهيم السعدي
اسم المشرف: سعد علي حسين التميمي
الموضوع العام: العلوم السياسية
السنة: 2017
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول موضوع الدراسة الموسومة( النظام الاتحادي الالماني دراسة في توزيع الاختصاصات بين المؤسسات الاتحادية والمحلية) توزيع الاختصاصات الدستورية بين الاتحاد والولايات في جمهورية المانيا، نظرا لما يتميز به موضوع توزيع الاختصاصات الدستورية من اهمية في النظام ا | Dealt with the subject of study entitled (the German federal system, the study of the distribution of competences between the federal and local institutions), the distribution of constitutional competences between the Union and the US in the Republic of Germany, due to the characteristic of the subject of the distribution of constitutional competencies of importance in the federal system, and that the fundamental idea upon which this system is a matter of the distribution of constitutional competencies between both levels (federal and state).The study she attended an introductory chapter and chapters three, as well as the introduction, as we dealt with in the introductory chapter, rooting theoretical study, and included the first chapter, the organization of the terms of reference of the Federal institutions, while the second quarter included the terms of reference of local institutions, while the third quarter included influencing variables in exercise terms of reference and the relationship between the institutions.The study found a number of findings, including that the federal system created in different ways, and as a result, the distribution of competence in the federal system the way vary from state to state, and in the Federal Republic of Germany has identified the basic law competencies Union and the rest goes to the US, with the definition of common terms of reference , It is characteristic of the German federal system is the duality of both the legislative branch and executive organization, the judicial institution is like an integrated judicial system that aims to preserve the unity of the law in the state, as the courts in various built - levels in a unified system and manages the US lower levels in this system, we can say that the application of the federal system in the Republic of Germany has achieved political stability that was missing before the adoption of this system.

دور الحكومة في النظم البرلمانية : دراسة مقارنة ==The Role Of The Government In The Parliamentary System A ( Comparative Study ) The Role Of The Government In The Parliamentary System A ( Comparative Study )

اسم المؤلف: محمد عباس هاشم الفرطوسي
اسم المشرف: احمد عبد القادر مخلص القيسي
الموضوع العام: العلوم السياسية
السنة: 2017
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: انطلقت الدراسة الموسومة ( دور الحكومة في النظم البرلمانية "دراسة مقارنة" ) من فرضية مفادها, ان اختلاف دور الحكومة في النظم البرلمانية على وجه العموم وفي النظم المقارنة على وجه الخصوص راجع الى التباين في اليات تشكيلها والصلاحيات الدستورية التي تمارسها, فضل | Our study titled under the name (The role of Government in the Parliamentary Systems : a Comparative Study). It relies on a hypothesis that the different role of government in parliamentary systems is due to the variation in the mechanisms of formation and constitutional powers exercised, as well as the nature of the relationship between the constitutional institutions. The study examined the mechanism of formation the government's constitutional powers in both Iraq and India, as well as other models. Due to the advantage of the government in terms of its broad powers, it becomes a core of the executive branch and the most influential power in parliamentary systems, compared with other contemporary political systems. The study has been divided into three chapters, in addition to introduction and conclusion. The first chapter is the theoretical and conceptual framework for the study, and was divided into two sections, the first section gave an integrated view of the government, including the concept and the mechanism of formation and powers exercised by it, while the second chapter we dealt with the structure and powers of the government in a public parliamentary models, including monarchical and republican models. This chapter was divided into two sections, the first one in which we dealt with the structure and powers of government in the United Kingdom, Kuwait, and the second we dealt with the structural and functional framework for the government of Germany and Italy, while the third has been allocated to stand on comparison of governmental structures in political systems of Iraq and India, and was divided into three sections, the first shed light on the government's role in the Iraqi political system, and the second topic was about the impact of the government in the Indian political system, while the third section devoted to the similarities and differences between the structures of governments in both systems. The study found a number of results, such as the disparity in the formation mechanism of the government and the powers exercised by the parliamentary systems in general, and a typical comparison in particular. the Indian government has practiced broader powers granted by the constitution of government powers, and this disparity in powers and the mechanism of formation has delivered a unique status in terms of the role and the nature of its relationship with the rest of the state institutions in both Iraq and India. In other words, they allowed the Indian government to practice wider role in comparison to the Iraqi government. Obviously, in spite of this variation in the terms of powers in these governments, we can say that the government in both Iraq and India possess broader powers than their counterparts in the mixed systems

دور النظام الحزبي في النظام السياسي : دراسة مقارنة بين الولايات المتحدة والمملكة المتحدة The Role Of The Party System In The Political System : A Comparative Study Between The United States And The United Kingdom

اسم المؤلف: جعفر عزيز محسن
اسم المشرف: سعد علي حسين التميمي
الموضوع العام: العلوم السياسية
السنة: 2017
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول موضوع الدراسة الموسومة بـ دور النظام الحزبي في النظام السياسي : دراسة مقارنة بين (الولايات المتحدة - والمملكة المتحدة), دور النظام الحزبي في كل من المملكة المتحدة والولايات المتحدة الامريكية, نظرا لما يتميز به النظام الحزبي من اهمية ودور كبير وفعال | The Addressed the subject of the study tagged (the role of the party system in the political system) : A Comparison of study between (United States - and the United Kingdom), the role of the party system in the United Kingdom and the United States of America, due to the characteristic of the party system of the importance of a large, effective and influential role in the stability of and the continuation of political systems whether the British parliamentary system, or whether the US presidential system since their inception until the present time. Includes the study is divided into three chapters, the first chapter, the theoretical framework of political and party system, the second chapters includes the role of the party system in the British political system institutions, and the third chapter included the role of the party system in the American political system institutions. The main findings of the study are The British prime minister has a way to control the behavior of the parliament, or more precisely to control the behavior of the House of Commons by dissolving the Council and calling for new elections. Conversely, the President of the United States through which the dissolution of the US House of Representatives and the call and the announcement of new elections, and vice versa, it is note that the bilateral party system contributes to the stability of constitutional institutions, and in creating a balance in political life, because it helps to achieve the process of rotation in power regularly, so rotate each of the Two parties competing for the exercise of power in the state, and this is what is happening in the United Kingdom (UK) and the United States of America

التكامل المؤسساتي في العراق على وفق دستور 2005 Institutional Integration In Iraq According To 2005

اسم المؤلف: تميم عماد صادق بني التميمي
اسم المشرف: طه حميد حسن العنبكي
الموضوع العام: العلوم السياسية
السنة: 2017
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The study Dealt with (institutional integration in Iraq in accordance with the Constitution of 2005), the significance of integration in general within any system to lead the principle of consistency of work and that each component of the system component obligations towards that system, the institutional integration, which handles the political system of any country especially the Iraqi political system, which is the subject of Stna, as lead institutional integration division of labor constitutional institutions, consisting of the political system so that each institution perform its duties independently of the other with the establishment of cooperation with each other to achieve the principle of institutional integration, which provides political stability and societal demands, which is one of the Chiefs basic to the political system. The study was divided in three chapters : the first chapter, the nature of institutional integration, while the second quarter included, the structural and functional integration of the institutions of the Iraqi political system constitutional, while the third quarter included the institutional integration crisis in Iraq during the period of parliamentary sessions (2006 - 2016). The study reached a number of conclusions , the Iraqi political system is based on the distribution of competence and powers of the constitutional institutions of a parliamentary system and created a constitution case of co - operation among themselves on the structural and functional level, as the legislative branch consists of a bicameral parliament and the Federation Council, the executive institution made up of the Board Ministers (government) and the President of the Republic, and the parliamentary system properties, as they are forming structural through the election of the House of Representatives and the emergence of the President and government of the Council, and the existence of a relationship between them, and have proven experience Iraqi political system after 2005 failure, and for a number of reasons, including, modern political experience and the transformation of the political system of the unilateral system to a multi - party system, with the lack of a culture of election and the multiplicity of parties and the dispersion of the opinions of the Iraqi voters in the midst of the political parties and the similarity of electoral programs, in addition to the adoption of sectarian or partisan system helped the failure of the parliament and government in the performance of the duties specified

دور رئيس الدولة في النظم العربية الوراثية البرلمانية : دراسة مقارنة بين المغرب - الاردن - الكويت The Role Of The Head Of The State In The Arabic Hereditary Parliamentary A Comparative Study Morocco, Jordan And Kuwait)

اسم المؤلف: ايهاب رزاق عبد الحسين
اسم المشرف: ناظم نواف ابراهيم الشمري
الموضوع العام: العلوم السياسية
السنة: 2017
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول موضوع الدراسة الموسومة(دور رئيس الدولة في النظم العربية الوراثية البرلمانية : دراسة مقارنة بين المغرب - الاردن - الكويت), الصلاحيات الدستورية لرئيس الدولة, نظرا لما يتميز به من صلاحيات دستورية واسعة, جعلت منه محورا للنظام السياسي, وصاحب الدور الفاعل و| Dealt with the subject of study entitled (the role of head of state in the genetic Arab systems Parliamentary : a comparative study between Morocco, Jordan and Kuwait), the constitutional powers of the king, because of the characteristic of the king in the parliamentary system of constitutional powers and wide, made him the focus of the political system, and his active and influential role on other institutions, official and semi - official both types, compared with the other parliamentary systems, this distinction enjoyed by the kings since the start of the treaties contract between the rulers and the authority of the pre - colonial independence, and then it was constitutionally entrench after independence. The study was divided into three quarters, introductory chapter first the genetic system in the Arab kingdoms, while the second quarter included the constitutional authority of the king in Morocco, Jordan, Kuwait, and the third quarter compared to ensure the King's role in the parliamentary system in the same countries. The study found a number of results, including the convergence of the constitutional powers of the King (Head of State) in the parliamentary system of these countries, we find that the constitutions gave the king a strong powers exercised in normal and exceptional circumstances, and these circumstances do not remember the nature but to leave the king discretion identified, and this what made him to exploit this aspect in consolidating his power and devoted constitutionally, and the liquidation of liabilities opponents to the authority of the monarchy, but after that the heads of these countries found recognition of all political parties to the primacy of the Royal institution and Her Highness, they give the largest space in the political practice of the various political forces in the country, with sufficiency framing the role of political action in the country, and to exercise the role of arbiter between the state institutions as long as the Royal institution enjoys superiority formal and objective. There is variation in the characteristics of each system, with characterize the role of the King from the other system also observes, In Morocco, the King granted the authority of Commander of the Faithful and the Supreme Representative in the country, which would make it tamper some constitutional provisions as strengthens the authority, and in Jordan is set to the Senate by the King, exercise the powers equal to the authority of the council elected directly by the people, and Kuwait's sovereign government and its ministries, the preserve of the royal family, it is not a vote of confidence by without the approval of the Prince.