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النقد اللغوي في شروح صحيح البخاري

Author name: غازي فيصل عزاوي اللهيبي
Specific topic: Language
University: University of Diyala
University location: Diyala

القصدية في قصص القران الكريم

Author name: صادق بريسم كيطان العزاوي
Specific topic: Literature
University: University of Diyala
University location: Diyala

الخلاف اللغوي بين اعضاء مجمع اللغة العربية بالقاهرة (من الدورة 1934م حتى الدورة الحادية والثمانين 2015م)

Author name: عبد الله عمران
Specific topic: Language
University: University of Diyala
University location: Diyala

الاخر في شعر صدر الاسلام

Author name: جنان خليفة عباس حسين
Specific topic: Literature
University: University of Diyala
University location: Diyala

الرمز في الشعر العراقي 2000 - 2014

Author name: علي ماجد عباس ناشد
Specific topic: Literature
University: University of Diyala
University location: Diyala

عالم ميسلون هادي الروائي دراسة في الاشكال والمضامين

Author name: زينب عبد الرضا علي
Specific topic: Literature
University: University of Diyala
University location: Diyala

المصطلح اللغوي عند المرزوقي ت 421 هـ

Author name: سعد ابراهيم محمد عبد
Specific topic: Language
University: University of Diyala
University location: Diyala

التراث الشعري تمثلا معياريا عند ادونييس في كتابه ديوان الشعر العربي

Author name: محمد طه ياسين درويس
Specific topic: Literature
University: University of Diyala
University location: Diyala

البحث الدلالي في كتب معجمات المصطلحات العامة في القرن الرابع الهجري حتى القرن الحادي عشر الهجري

Author name: عصام نجم عبد
Specific topic: Language
Degree: Doctorate
University: University of Diyala
University location: Diyala

مظاهر التشكيل السينمائي دراسة في لوحات الصراع في الشعر الجاهلي

Author name: شيماء حاتم عبود مطر الصباحي
Specific topic: Literature
University: University of Diyala
University location: Diyala

التفسير الدلالي لالفاظ القران الكريم دراسة تحليلية موازنة في كتب مفردات القران الغريبة

Author name: شيماء زيدان عبد صبر
Specific topic: Language
University: University of Diyala
University location: Diyala

اثر استراتيجية المكعبات الملونة في تحصيل تلامذة الصف الخامس الابتدائي لمادة قواعد اللغة العربية والاحتفاظ به == The Effect of the Colorful Cubes Strategy in the Achievement of the Elementary Fifth Grade Pupils in Arabic Grammar and its Retention

Author name: فرح علي لطيف الشمري
Supervisor name: اسماء كاظم فندي المسعودي
Degree: Master
Language: Arabic
University location: Diyala
First pages:

اسلوب الالتفات محاولة في البحث عن اصلها وممارستها في قصار السور القرانية == The Style of Al - Iltifat (Aburupt Change in Style and Tense) An Attempt of Seeking Its Origin and Practice in Short Quranic Suras

Author name: نوافل يونس سليم الحمداني
Supervisor name: حسن يحيى محمد رضا الخفاجي | مشحن حردان الدليمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: Al - Iltifat (abrupt change in style, number and tense) is a rhetorical device which has been authentic in Arabic. The pre - Islamic poets, such as Imriu Al - Qais, used it. It was well known by the poineering linguists and interpreters, such as Abi Ubayda Maamer bin Al - Muthana 210 H., Al - Asmaii 216 H., Ibn Qutayba 276 H., and Al - Mubarrad 285 H., when they explained the Quranic a ayas and poetic lines having this rhetorical device.As a term, Al - Iltifat was known and studied by rhetoricians such as Ibn Al - Muaataz, Qudama bin Gaafar, Al - Zamakh shary, Ibn Al - Atheer, As - Sakkaky and Al - Quzwiny. It is the change from one style of speech into another, from the singular into the plural, from the plural into the singular - and from one tense into another. This change should have a reason for its happening. Al - Zamakhshary said that the benefits of Al - Iltifat are praise, awakening, drawing attention and making the listener more interested. This phenomenon has been called “the courageous style” for it indicates the bravery of the speaker in making his speech more effective.The Glorious Quran is rich with this rhetorical device, especially in the short Suras beginning with Qaf and ending with the last Quranic Sura (Qul Aauthu bi Rab An - Nas).These Suras were revealed to Prophet Muhammed (P.B.U.H.) at the beginning of Islam when the new religion was erither accepted or refused. So, these Suras and this phenomenon under study played their part in calling ungelievers to believe in Islam.This dissertation has studied Al - Iltifat from different angles phonectis and phonology, semantics, syntax morphology

صورة الذات في شعر الشريف الرضي == Self - Image in the Poetry of Al Shareef Al Radhi

Author name: قاسم كريم احمد حمد الخولاني
Supervisor name: اياد عبد الودود عثمان الحمداني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: The idea of the study is to investigate the poetry of Al Shareef Al Radhi (d.406 A.H.) in a way that leads to the self - image in it. If we want to reach that aim, we should know the self and the image in isolation. Then, observe the poetry that contain it. Al Shareef Al Radhi is a poet that introduced himself to Arabic literature through his poetry.The significance of the study lies in carrying the name of a famous poet whose poetry still recited a thousand years since his death. On the other hand, the type and quality of his poetry that can be suitable to any type of scientific and critical studies.Al Shareef Al Radhi is regarded as the most accurate poet in description in his poetry. His poetry is the most accurate in documenting his life stages , the depth of his personality , and the secrets of his soul. He is regarded as one of the great Arab poets of all times. He was distinguished by the richness of his poetic art and the variety of the topics that it addressed. So, his poetry is regarded as a huge classic heritage that affected the literary and linguistic ideology to the extent that some of the early authors put him on the lead of all Arab poets of all time.Al Shareef Al Radhi was born in the fourth Hijri century (359A.H.) which is the peak of Islamic civilization. The Abbasid age is regarded as the greatest age in the Islamic history. It was the age of civilization, science, literature, intellectual opening. The fruit of that age was the names of the scientists and writers that reached to us. This advance was accompanied by the greatest episodes of political conflicts between the foreign interference represented by Buyid dynasty and Abbasid authority. This led to a great diturbance in the lifestyle ,especially, social life. It1created severe class differences to the extent that some have a huge fortune and others cannot afford their food.Al Shareef Al Radhi's family suffered from those circumstances. Adhudh Al Dawla arrested his father and imprisoned him in the caslle prison in Fars and confiscated his estates in 369 A.H. Al Shareef Al Radhi was only ten years old at that time.This study is divided into three chapters proceeded by an introduction and a background entitled "On the Concept of Self - image : A Theoretical Introduction". In the first chapter, which is entitled " Triggers of Self - occurring and the Crystallization of Image", the researcher discussed the triggers of his poetry which is accompanied by his poetic genius to write the greatest poem. One of these triggers is Islam and his strong faith and his noble origin because his fifth grandfather is Imam Musa bin Jaafar Al Khadhim (PUH) and connected to the golden chain that reaches the Prophet Mohammed (ABAPUH). The other poetic trigger is Arabism that was in his blood and a characteristic of his poetry as well as the social circumstances which is dealt with in a dedicated chapter due to its effect on the poet. His poetry was originated from his suffering. The last section of this chapter was devoted to discuss the poet's genius and innovation.The second chapter discussed the Beduinism which was a characteristic of his poetry by his pride in himself , self - mirror, and sense of exile.In the third chapter, the researcher discussed the compound self concept by following the dominant pattern and religious belonging. It also discussed the conservative self and the rebellious self.2The conclusion discussed extracts of self - image in the poetry of Al Shareef Al Radhi and the following findings of the study : 1. Al Shareef Al Radhi renewed Arabic language and vocabulary by the noble meaning of his poetry and innovating new vocabulary and others derived from imagination.2. His poetry was yearning for the genuine Arabic traditions. He was not affected by the appearances that corrupted the Islamic ethics which was clear in his metaphors.The conclusions also contained a recommendation which is the need for studying the poetic text in a qualitative way because it can respond to any critical method and carries a precious heritage.

القصيدة النسوية في الشعر العراقي الحديث بين الرؤيتة الابداعيتة والتجربتة الذاتية : نازك الملائكة وبشرى البستاني مثالا == Feminist Poem in Iraqi Modern Poetry between Creative Vision and Self - Experience (Nazik Al - Malaika and Bushrah Al - Bastani as Models)

Author name: ميسون عدنان حسن علوش السعدي
Supervisor name: علي متعب جاسم
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: The study of women's legal and what is produced by women in literature, especially poetry, it required to search in self - experience of the poet , firstly Women, and secondly her creative vision in writing her experience , for the purpose of detecting her internal worlds.The study was reported many visions and critical issues imposed by the nature of the subject as it focused on the study of self - experience which required briefing the outer circumstance of the text and at the same time the analysis of text structure and the interpretation of it connotations.Above - mentioned, the study divided into an introduction , preface, three chapters , conclusion and a list of sources and references . The preface entitled (self - experience and creative vision in the perspective of literature).The first chapter entitled (Feminist and ideal interval), it included two sections, the first one devoted the accomplishment poetry of Nazik Al - Malaika under the title (Feminism and the nonappearance in the poetic text of Nazik Al - Malaika), while the second section has been allocated for the accomplishment poetry of Bushrah Al - Bastani under the title (women speeches and ideal interval in Bushrah Al - Bastani poetry).The second chapter, entitled (Feminist loyalty among text thresholds and symbols of women) , it included two sections : the first one for the poet Nazik Al - Malaika under the title (Feminism and symbols of women in the text thresholds for Nazik Al - Malaika), while, the second section was for the poet Bushrah Al - Bastani under the title (Feminism and symbols of women in the text thresholds for Bushrah Al - Bastani(.The third chapter entitled (Feminist between event space and women memory) which included two sections : the first under the title (The representations of feminism and its effectiveness in the event to Nazik Al - Malaika) and the secondsection entitled (feminist dialectical, event effects and the reality of women to Bushrah Al - Bastani).Finally, the study ended with aconclusion included a set of results and a list of sources and references, which varied between old and modern, for the purpose of scientific rigor and objectivity.I would like to extend my sincerest thanks , appreciation and gratitude to the great heart which includes all his students without discrimination my supervisor Dr. Ali Muta'ab Jassim, who was so kindly act through standing by me during the writing period , choosing the topic , supplying the most important sources, opening the doors of his home and his library for students candidates tirelessly or fatigue, retracing the footsteps of the study step by step. He never be a stingy in outpouring generosity , value, guidance and advice.

شعر تميم بن مقبل في الدرس النقدي العربي القديم == The poetry of Tameem Bin Mukbil in The Classical Critical Lesson

Author name: مخلص سليم جاسم دلي
Supervisor name: وسن عبد المنعم ياسين الزبيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: The Importance of this study stems from the maven personality of Tameem bin Mukbil as he has his own finger print on Arabic literature specifically as he was pagan characteristics in his thoughts , spirit , habits and traditions Tameem respected Islam , but he believed that this religion separated him from his beloved wife "Aldahmaa" . He couldnt stop loving her and longing for her , although he married her after his fathers death as shy was his fathers wife originally . So he must treat her as a mother ,But he loved her and treated her as a beloved .Tameem was brilliant at description , love , pride , Satire , compliment , lamination complaint , wisdom and preachment which were dominant in the pre - Islamic literature . He used various eloquent styles like simile , metaphor and antonomasia beside other prosodic phenomena . He was a Muslim with a pagan spirit .

الاطلاق في الاحكام النحوية

Author name: اياد عبد الجبار احمد الويسي
Supervisor name: نصيف جاسم محمد علي الخفاجي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:

القصيدة الومضة في الشعر العراقي المعاصر حتى 2010 م : دراسة فنية == The Coruscation Poen in Contemporary Iraq Poetry up to 2010 : artistic

Author name: سجى عبد الرضا هاشم العزاوي
Supervisor name: نوافل يونس سالم الحمداني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: Development is still going on in life and all fileds, especiallyliterature. Its development is of crystal clear impact on society itselfas it is regarded the mouthpiece of aggrieved and their righteousvoice. It is my love of poetry that urged me to be directed to thismajor and it was the plase of care and thought. Therefore I madeup my mind to delve in my depth so as to figure out whatsoeverport and cons in the inside of it.After thinking for a while, I have made up my decision, with theassistance of my supervisor, in choosing a topic in literturegenerally and poetry specifically that is dealing with the artisticside. After keen reading and cogniting the topic chosen was TheCoruscation Poem in Contemporary Iraqi Poetry up to 2013 : anArtisic Study I have labored hard to afford a portrait of the artisticvalue of the poem in literary devices system which mightcontribute in the expression. As far as I know, there is no previoussimilar study in the coruscation save the (Coruscation Poem) by(raed Jaradat) in Almustansiriya University which is a Ph.D.dissertation written in 2014 . Unfortunately , I did not have accessto this dissertation nethier in libraries nor by means of the authorhimself . As for me, I have shed light on poets of coruscation fromthe beginnings of the poet Ahmed Safi Elnaja up to the last of the2013 poets, wishing yet that I did not forget any f them.Throughout collecting the information and sources, and embarkingon writing the thesis. I have found out that the outline of the thesisis to be comprising of a perfase, three chapters of three sectionseach and a conclusion .The prefase tackled the scope of the term focusing mainly on thewhere and when was the beginning and flourishing of coruscationpoem, whether it is of valus or not, names it is known in andnumber. The first chapter, which is concentrating on coruscationas image, is subdivided into three section the first dealt with thesimile and its devices that are included in the poem, the secondtackled personification, incarnation and metaphor in the poem inaddition to defining it via my analysis of the poem, while sectionthree was alloted to the metony my image in which I have dealtwith everything comprising metonymy and its artistic image through analyzing the poetic texts.Moreover, chapter tow is dedicated to the study of condensation and is divided into three section. The first contained semantic and stylistic condensation the second was entitled condensation and shadows of meaning while the third was about condensation anachronism and its relation to coruscation poem. In the third chapter I studied coruscation in terms of prosody. It is also divided into three sections; the first was about assonance and alliteration in coruscation and their relation to each other the second dealt with repetition and contrast while the third was entitled coruscation prosody and whether it has a phonetic prosody. It might be worth noting that despite the difficulties and obstacles faced in terms of lack of pervious studies and references, yet, I was capable of achieving this study wishing it to be in the service of literature.

البحث الدلالي في كتاب الايضاح في شرح مقامات الحريري للمطرزي ت610هـ == Semantic Investigation in Al - Edah Book in the Explanation of Maqamat Al - Hariri for Al - Mutarizi

Author name: همم راضي عليوي
Supervisor name: محمد بشير حسن
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: Maqamat Al - Hariri is important literary texts since it represent a lovely literary type in human souls till now. So, the linguists pay attention to it by explaining and clarifying its ambiguities and investigating itsbeautiful areas. Al - Edah book is one of these explanations but itparticularizes from others in that it cares to the semantic side making the linguistic levels its own beginning. So, the researcher pays attention tothis explanation in that she revel the authors’ cleverness. This studyconsists of three chapters. The first one entitled (phonetics andmorphological level) which consists of two sections. The first one (phonetics level) deals with two topics, alternation among voiceless sounds like alternation between (التاء and ,(الھمزة and the alternationbetween voiced sounds and it deals with alternation between (مالفتح والض )and other things. The second section deals with morphological level. It deals with topics like derivation, rigid, minimization, attribution, plurals, and others. The second chapter is entitled (grammar level) which deals with topics like indication of inclusion, deletion, and indications of some names and letters. The third chapter entitled (indication sections in Al - Mutarizi) which deals with two topics, the first is (singular words indication) and ( semantical development)

شعر الغزل بين عمر بن ابي ربيعة وبشار بن برد ونزار قباني : دراسة بلاغية موازنة == Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane (A Pithiest Paralleled Study

Author name: خالد فائز ياسين
Supervisor name: خالد علي مصطفى
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Diyala
First pages:
Abstract: This dissertation title " Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane - A Pithiest Paralleled Study " , inanalyzing romantic poems in stylistic way . This science is a beneficialelement of stylistics and different levels of language " structural ,morphological , and phonological " besides other artistic aspects inanalyzing a literary text . Stylistics deals with a poetic text as being acomplete structure comprising in it elements of the text and partialstructure. Also the direction of criticism is towards poetry not the poet ,by that it is necessary to teach poet's poetry separate or far from theinfluence of desire and felony of generalization .In this study the researcher chose three poets ( as mentioned before )concentrating the speech on a common poetry aspect between the threewhich might barely be the most common in their poetries . This aspect islove , and the study of love in these three poets was not new . It has beendealt previously by several researchers . They studied it separately in eachpoet and demonstrated its types and directions , by studies that could bedescribed as artistic and subjective . But , they did not deal with concernthe stylistic study , even if we find stylistic studies dealing with all thepoets poetry . This study was done dealing with one purpose in poemshaving one subject . On the other hand , the study dealt with the stylisticaspect accurately in each poet by demonstration , and stylistic analysis .The study started with a theoretical part about ; first : stylisticsbetween the theory of the term and the concept ; second : showing themeaning of comparison and its styles in Arabic heritage . Then dealingwith concept of paralleling and its styles in Arabic heritage . Also ,through reading love poetry of the three poets stylistically . The study isdivided into two chapters, each chapter contained five sections . The firstchapter was entitled " structural level " and its sections are ; first section ( style of interrogation ) , second sections ( style of command ) , third section ( style of vocation ) , it is known that these styles are structural ordered styles demonstrating artistic aspects of their usages by each poet and most significant metaphorical aspects of each style , fourth section ( repetition ) mentioning in it types and patterns of a single poetic line , and its style in connecting , and finally the fifth section ( alliteration ) mentioning in it the verbal expressions of this art and its place in poetic line . As for chapter two it is entitled " levels of image formation " and contained five sections , as follows : Section one " sources of forming image of Romances " . Section two " images of simile " .Section three " images of allegory " .Section four " images of allegory " .Section five " contradiction ( antithesis and paralleling ) " .The study came to several results : - The researcher found common manner in structure of interrogation between the three poets . Especially, in the poets " Bashar and Omar " sometimes the researcher finds that their poems have an opening of this kind of style . Also , the technique of concrete interrogation has been found in the three poets . - In repetition and from the samples that has been exposed in the study , it is found that the repetition of expressions has taken a huge space especially in the poems of " Nazar " thought they are different in form it has been employed beautifully . - In alliteration , which is a rich style used by the three poets in all its types and forms , we find " Omar and Bashar " committing to all its classifications and common structural places in the line of a poem . - In the second chapter : we found in section one ( sources of forming image of love ) the experiment of feeling is varied in the three poets with existence of lines the poems that meet in the poems of the poets Omar and Bashar , especially , in the openings of their poems . Where we find them standing on remains addressing friends . This opening toke a wide space in the poems of Omar compared to Bashar , and disappearing totally in Nazar Qubane poems . Then we find narration and dialogue in the three poets with existence of similar art in poetic messages in experience of Nazr Qubane dealing in it with his passions within the frame of his emotions. - In the second section ( simile style ) the researcher found that the three poet's attitudes are to build a complex image of simile , which give an expressional value wider than simile called " individual simile " . - Section three ( allegory ) our study in this section is limited to diagnostic allegory or what is called dynamic allegory since having vitality and flexibility in drawing the poetic image and the researcherfound big constancy in using such kind of allegory.

الهوية النسوية في شعر المراة الجاهلي == Feminism Identity in Pre - Islamic Women Poetry

Author name: ماجدة حسن حبيب
Supervisor name: خالد سهر محي الساعدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: This dissertation title "Feminism Identity in Pre - Islamic Women Poetry" to discuss the important role of women in Pre - Islamic period. It is divided into three chapters with several sections in each chapter.Chapter one, entitled "Manifestations of women identity in poetic purposes", and this chapter is divided into three sections including the speech of elegy, flirtation, and satire. Chapter two, entitled " Manifestations of women identity in poetic themes", and also it is divided into three sections speaking about women identity and themes of motherhood and childhood, and the discussion about women identity and family life, women identity and theme of affiliation.Chapter three, entitled "artistic structure in pre - Islamic feminism poetic texts". It is divided into three sections dealing with texts about feminism poetic image and poetic language, and speaking about rhythm in its two parts weight and rhyme.The dissertation has been concluded with several results and recommendations. The researcher has depended on important references like Al - Aghane for Abi Farag Al - Asfhanee and the book Balaghat ANesaa for Ibn Tayyfor.

اتجاهات نقد الرواية في صحيفة الاديب الثقافية 2016 م - 2003 == Trends in Novel Criticism in Al - Adeeb Newspaper (2003 - 2016)

Author name: هبة جاسم محمد عباس الطائي
Supervisor name: خالد علي یاس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: This study investigates the known concrete samples (articles), published in Al - Adeeb cultural journal, by research and observing. Those samples are identified by the critical article style analyzing and criticizing the novel. Therefore, the study is divided into two sections, one section deals with the academic criticism. This section is divided into two chapters, the first chapter adopted the formal structural approach, while the second adopted the postmodern approach. The second section deals with press style which is divided into two chapters. The first chapter introduces the Impressionist monetary (interpreter). The second chapter introduces the interrelated criticism (hybrid) which show similar visions that is the absence of rhetoric with its stable intellectual approaches. Therefore, this study is based on the discrimination between two types of novel criticism, one adopting critical approaches and known methods and the other which is uncommitted to them

عبد الغفار حامد هلال وجهودة اللغوية

Author name: محمود يوسف رميض رجب العباسي
Supervisor name: ليث اسعد عبد الحميد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:

التوظيف الاسلوبي للتثنية في التعبير القراني

Author name: عبد الرحمن محمود كريم ناوي
Supervisor name: وسن عبد المنعم ياسين الزبيدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Diyala
First pages:

شروح ابيات كتاب سيبويه : دراسة تحليلية == The Reviews of the Verses of Sibaweih's "Al Kitaab" (The Book) : Investigation and Analysis

Author name: ابراهيم عبد الرحمن محمد
Supervisor name: ليث اسعد عبد الحميد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Diyala
First pages:
Abstract: Sibaweih's "Al Kitaab" is regarded as the first and the most comprehensive book that reached us. It is was the book that is the mostly studied and investigated among other books. The efficiency in this book was in the originality of expression and the power of the structure.As this book has took a great deal of study, some of the many major scholars conducted reviews, comments, illustration to its verses, and investigations to its structures in most of the capitals of the Islamic states from east to west. Due to its importance, the number of those reviews reached to twenty. The only reviews that reached us are four : "The Review of Sibaweih's Verses" by Abu Ja'afar Al Nahhas (d.328 A.H.), "The Review of Sibaweih's Verses" by Ibn Al Sirafi (d. 385 A.H.), the third review was called "Tahseel Ein Al Thahab" by Al A'lam Al Shantamri (d. 476 A.H.), the last review was by Afif Eddin Al Kufi (d. 696 A.H.) which was a script that is not available in our country. So the study was based on the first three reviews. It is worth mentioning that the review of Abu Ja'afar Al Nahhas was not real. It is either a shorthand of the original review, or attributed to him, which is the truth. The study reached the following conclusions : 1. Concerning the methodology of writing and reviewing : a. The introduction of Al Nahhas's review was too short that did not cover all the aspects; Al Sirafi did not write an introduction to his review; while Al Shantamri's introduction was comprehensive and he was committed to it in his review.b. Al Shantamri followed the same order of the original book in his review while the review of Al Sirafi had some overlap and fusion of some verses. On the other hand, Ibn Al Sirafi's review was random and did not follow the original order. c. Ibn Al Nahhas's review was very brief and sometimes he did not comment on the verses, while Al Sirafi illustrated the meanings of the utterances , the rules, and the examples. Al Shantamri's review was less detailed than Al Sirafi.2. Concerning the basics of grammar.a. The authors paid much attention to irregularities without admitting that.b. The authors used less Quranic examples. In the review of Al Nahhas, 24 examples and seven in the Quran recitiations were used. In the review of Ibn Al Sirafi has 37 examples and seven examples on recitations. Al Shantamri brought 31 Quranic examples and two examples on recitations.c. The authors did not use Hadith in their examples except two examples by Al Shantamri. The study was organized into three chapters preceded by an introduction and followed by a conclusion. The introduction contained a brief illustration on the significance of Sibaweih's work and his use of poetic examples as well as the reviews written on it. It also contained a brief biography of the three reviewers.The first chapter studied the review writers' methods and their resources. It was divided into two sections. The first section discussed the reviewers methods while the second section discussed their resources. The second chapter was devoted to the study of the basics of grammar. It was divided into three sections. The first section dealt with irregularities, the second discussed assessing, while the third discussed reasoning. There was no need to make a section about the reviewers agreements because there was only two points in Al Shantamri.The third chapter was a grammatical and linguistic study to the three reviews. It was divided into three sections. The first section was a grammatical study. The second section was a linguistic study. While the third section was about poetry and poetic license.The study ended in a conclusion of the results of the study followed by a bibliography and an abstract in English
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