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صورة الذات في شعر الشريف الرضي == Self - Image in the Poetry of Al Shareef Al Radhi
Author name:
قاسم كريم احمد حمد الخولاني
Supervisor name:
اياد عبد الودود عثمان الحمداني
General topic:
Arabic Language and Literature
Specific topic:
Language
Degree:
Master
University:
University of Diyala - College Of Education For Human Sciences - Department Of Arabic Language
Language:
Arabic
University location:
Diyala
First pages:
01T4756 - p.pdf
Abstract:
The idea of the study is to investigate the poetry of Al Shareef Al Radhi (d.406 A.H.) in a way that leads to the self - image in it. If we want to reach that aim, we should know the self and the image in isolation. Then, observe the poetry that contain it. Al Shareef Al Radhi is a poet that introduced himself to Arabic literature through his poetry.The significance of the study lies in carrying the name of a famous poet whose poetry still recited a thousand years since his death. On the other hand, the type and quality of his poetry that can be suitable to any type of scientific and critical studies.Al Shareef Al Radhi is regarded as the most accurate poet in description in his poetry. His poetry is the most accurate in documenting his life stages , the depth of his personality , and the secrets of his soul. He is regarded as one of the great Arab poets of all times. He was distinguished by the richness of his poetic art and the variety of the topics that it addressed. So, his poetry is regarded as a huge classic heritage that affected the literary and linguistic ideology to the extent that some of the early authors put him on the lead of all Arab poets of all time.Al Shareef Al Radhi was born in the fourth Hijri century (359A.H.) which is the peak of Islamic civilization. The Abbasid age is regarded as the greatest age in the Islamic history. It was the age of civilization, science, literature, intellectual opening. The fruit of that age was the names of the scientists and writers that reached to us. This advance was accompanied by the greatest episodes of political conflicts between the foreign interference represented by Buyid dynasty and Abbasid authority. This led to a great diturbance in the lifestyle ,especially, social life. It1created severe class differences to the extent that some have a huge fortune and others cannot afford their food.Al Shareef Al Radhi's family suffered from those circumstances. Adhudh Al Dawla arrested his father and imprisoned him in the caslle prison in Fars and confiscated his estates in 369 A.H. Al Shareef Al Radhi was only ten years old at that time.This study is divided into three chapters proceeded by an introduction and a background entitled "On the Concept of Self - image : A Theoretical Introduction". In the first chapter, which is entitled " Triggers of Self - occurring and the Crystallization of Image", the researcher discussed the triggers of his poetry which is accompanied by his poetic genius to write the greatest poem. One of these triggers is Islam and his strong faith and his noble origin because his fifth grandfather is Imam Musa bin Jaafar Al Khadhim (PUH) and connected to the golden chain that reaches the Prophet Mohammed (ABAPUH). The other poetic trigger is Arabism that was in his blood and a characteristic of his poetry as well as the social circumstances which is dealt with in a dedicated chapter due to its effect on the poet. His poetry was originated from his suffering. The last section of this chapter was devoted to discuss the poet's genius and innovation.The second chapter discussed the Beduinism which was a characteristic of his poetry by his pride in himself , self - mirror, and sense of exile.In the third chapter, the researcher discussed the compound self concept by following the dominant pattern and religious belonging. It also discussed the conservative self and the rebellious self.2The conclusion discussed extracts of self - image in the poetry of Al Shareef Al Radhi and the following findings of the study : 1. Al Shareef Al Radhi renewed Arabic language and vocabulary by the noble meaning of his poetry and innovating new vocabulary and others derived from imagination.2. His poetry was yearning for the genuine Arabic traditions. He was not affected by the appearances that corrupted the Islamic ethics which was clear in his metaphors.The conclusions also contained a recommendation which is the need for studying the poetic text in a qualitative way because it can respond to any critical method and carries a precious heritage.
