القصيدة الومضة في الشعر العراقي المعاصر حتى 2010 م : دراسة فنية == The Coruscation Poen in Contemporary Iraq Poetry up to 2010 : artistic
Author name:
سجى عبد الرضا هاشم العزاوي
Supervisor name:
نوافل يونس سالم الحمداني
General topic:
Arabic Language and Literature
Specific topic:
Language
Degree:
Master
University:
University of Diyala - College Of Education For Human Sciences - Department Of Arabic Language
Language:
Arabic
University location:
Diyala
First pages:
01T4752 - p.pdf
Abstract:
Development is still going on in life and all fileds, especiallyliterature. Its development is of crystal clear impact on society itselfas it is regarded the mouthpiece of aggrieved and their righteousvoice. It is my love of poetry that urged me to be directed to thismajor and it was the plase of care and thought. Therefore I madeup my mind to delve in my depth so as to figure out whatsoeverport and cons in the inside of it.After thinking for a while, I have made up my decision, with theassistance of my supervisor, in choosing a topic in literturegenerally and poetry specifically that is dealing with the artisticside. After keen reading and cogniting the topic chosen was TheCoruscation Poem in Contemporary Iraqi Poetry up to 2013 : anArtisic Study I have labored hard to afford a portrait of the artisticvalue of the poem in literary devices system which mightcontribute in the expression. As far as I know, there is no previoussimilar study in the coruscation save the (Coruscation Poem) by(raed Jaradat) in Almustansiriya University which is a Ph.D.dissertation written in 2014 . Unfortunately , I did not have accessto this dissertation nethier in libraries nor by means of the authorhimself . As for me, I have shed light on poets of coruscation fromthe beginnings of the poet Ahmed Safi Elnaja up to the last of the2013 poets, wishing yet that I did not forget any f them.Throughout collecting the information and sources, and embarkingon writing the thesis. I have found out that the outline of the thesisis to be comprising of a perfase, three chapters of three sectionseach and a conclusion .The prefase tackled the scope of the term focusing mainly on thewhere and when was the beginning and flourishing of coruscationpoem, whether it is of valus or not, names it is known in andnumber. The first chapter, which is concentrating on coruscationas image, is subdivided into three section the first dealt with thesimile and its devices that are included in the poem, the secondtackled personification, incarnation and metaphor in the poem inaddition to defining it via my analysis of the poem, while sectionthree was alloted to the metony my image in which I have dealtwith everything comprising metonymy and its artistic image through analyzing the poetic texts.Moreover, chapter tow is dedicated to the study of condensation and is divided into three section. The first contained semantic and stylistic condensation the second was entitled condensation and shadows of meaning while the third was about condensation anachronism and its relation to coruscation poem. In the third chapter I studied coruscation in terms of prosody. It is also divided into three sections; the first was about assonance and alliteration in coruscation and their relation to each other the second dealt with repetition and contrast while the third was entitled coruscation prosody and whether it has a phonetic prosody. It might be worth noting that despite the difficulties and obstacles faced in terms of lack of pervious studies and references, yet, I was capable of achieving this study wishing it to be in the service of literature.
