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المعالجات الدرامية لشخصية الاسكافي في النص المسرحي العراقي == The Dramatic treating for the character of cobbler in the Iraqi

Author name: عدنان محمود قاسم خلف الخفاجي
Supervisor name: اسيل عبد الخالق محمد
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الاداء التداولي للحوار في النص المسرحي المعاصر == DELIBERATIVE PERFORMANCE OF DIALOGUE IN THE CONTEMPORARY THEATRICAL SCRIPT

Author name: علي كريم حسون الركابي
Supervisor name: حميد علي حسون الزبيدي
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

الخصائص الفكرية والجمالية في نصوص المسرح العراقي ما بعد التغيير == THE INTELLECTUAL AND AESTHETIC CHARACTERISTICS OF IRAQ THEATRICAL SCRIPT AND PLAYWRIGHTS POST-TRANSFORMATION AFTER 2003

Author name: قصي عبد العباس راضي
Supervisor name: محمد عبد الزهرة محمد
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
Key words:
  • .
First pages:

جدلية الصراع بين الانا والاخر في الادب المسرحي العراقي المعاصر : نماذج مختارة == The Dialectic of Struggle between the Ego and the Other in contemporary Iraqi Theater literature : Selected models

Author name: ندى محمد علي كاظم
Supervisor name: محمد عبد الزهرة محمد
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
Key words:
  • .
First pages:

الارادة في نصوص المسرح النسوي العربي : نماذج مختارة == Will and its Manifestations in the Texts of the Arab Women Theatre: Selected Models

Author name: علية لطيف عبد الجبار
Supervisor name: حسن عبود علي النخيلة
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

النص الموازي في المسرحية العربية المعاصرة : نماذج مختارة == The Parallel Text in Contemporary Arab Play - Selected Models-

Author name: علياء جبار سهيم
Supervisor name: صبار شبوط طلاع |حازم عبد المجيد اسماعيل
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

تحولات الذات الانسانية الى النص المسرحي العربي المعاصر : نماذج مختارة == Human Transformaions in Contemporary Arabic Theater Text- Selected Models

Author name: سعيد مصطفى هادي الموسوي
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
Key words:
  • .
First pages:

توظيف المضامين التربوية القرانية في النص المسرحي العربي

Author name: نزار شبيب كريم العبادي
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
Key words:
  • .
First pages:

الخطاب الثقافي وتمثلاته في النص المسرحي العراقي : نماذج مختارة == Cultural Discourse and its Representations in the Iraqi Theatrical Text : Selected Model

Author name: فيصل غازي شاكر الخزاعي
Supervisor name: عبد الله عبد عبد علي
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

مفهوم التضمين واشتغالاته في النص المسرحي العراقي المعاصر == Concept of Embedding and its Functions in the Iraqi Contemporary Theatrical Text

Author name: حسنين علي حلو الزيدي
Supervisor name: حارث حمزة عبد اليمة الخفاجي
General topic: Fine Arts
University: University of Baghdad
Language: Arabic
University location: Baghdad
Key words:
  • التضمين
  • الاستعارة
  • التناص
Abstract: يعني البحث بدراسة مفهوم التضمين واشتغلاته بالنص المسرحي العراقي المعاصر. اذ
ًعن طريق قراءة النصوص المسرحية ومعرفة الاساليب التضمينية ، بوصفها منجزاً ادبيا
، ومتغيراً قرائي ً ا يتكون من تداخل المعنى للخروج بمعاني اشمل و اعطاء اللغة قوة بلاغية
، ضمن معيا ر فل سفي ونقدي جمالي ،وبذلك تتشكل الابعاد اللغوية في سياق النص المسرحي
وتكون المفاهيم التضمينة اساليب يعتمدها الكاتب ، بوصف الا فكار المتضمنة اداة من ا ت
دوا
التاليف المسرحي عن طريق الاندماج والتداخل في البنية الداخلية او الخارجية وفق
لانسجام في الشكل والمضمون للافكار الظاهرية او الباطنية لبنية
النصوص المسرحية ، فلا بد من تثبيت المفهوم بشكله النقدي والجمالي في ضوء فاعليته في
النص ا
الاشتغال الاتساق وا
لمسرحي ومناقشة التساؤل الاتي : ما مفهوم التضمين واشتغالاته في النص
اربعة فصول ، يتضمن الفصل الا ول الاطار المنهجي ، ومشكلة البحث
المسرحي العراقي المعاصر .؟
يقع البحث على
والحاجة اليه ، والهدف من ال تعرف على شتغال التضمين في ا لنص المسرحي على
ا
اختلاف مستوياته الجمالية والفنية ، فضلاً عن حدود البحث التي تحدد مكانياً في العراق
( وزمانياً وما بين العامين 1995 م ا و 20 ، فضلاً عن تحديد مصطلحات البحث
14 م
التضمين ( ، فيما اشتمل الفصل الثاني على ثلاثة مباحث : المبحث الاول مفهوم التضمين
اشتغال التضمين في الحقل
ًالابداعي ، اما المبحث الثالث فقد عُني بتجلي مفهوم التضمن في النص المسرحي، فضلا
. عن الدراسات السابقة ، وما اسفر عنها من مؤشرات في الاطار النظري
بين الاجراءات والمرجعيات ، فيما عُني المبحث الثاني بدراسة
ا ما الفصل الثالث فقد ا ى اجراءات البحث المكون من مجتمع البحث، واختار
شتمل عل
، ثالباحث لاثة نماذج لعينة البحث بصورة قصدية ، ومن ثم اداة البحث ، ومنهجية البحث
وطريقة تحليل العينة اولاً ومن ثم تحليل العينة المنتخبة ، ثم جاء الفصل الرابع ليحمل النتائج
البحث ، والاستنتاجات ، وقائمة المصادر ، والمراجع والملحق ، فضلاً عن ملخص باللغة
المل
. الانكليزية
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الابعاد التاريخية في النص المسرحي العربي

Author name: ضياء عبد العالي ابراهيم
Supervisor name: محمد عبد الزهرة محمد
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

الاستبداد في الادب المسرحي العربي المعاصر نصوص مختارة

Author name: رواء محمد خالد
Supervisor name: حسن عبود علي النخيلة
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

المانا وتجلياتها في خطاب المسرح العراقي == The Mana and Its manifestations in the Iraqi Theatre Discourse

Author name: زيد طارق فاضل جارو
Supervisor name: علي محمد هادي الربيعي
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

ما بعد الجندر واداءاته في الخطاب المسرحي == post gender and its performances in theatrical discourse

Author name: احمد ضياء هادي قدوري
Supervisor name: محمد عبد الرضا ابو خضير
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

اسلوب النص المسرحي العراقي مرحلة التسعينيات

Author name: رياض صبار سندال
Supervisor name: محمد صبري
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

ملحمة كلكامش مسرحيا : دراسة تقابلية

Author name: خولة يوسف ابراهيم الزهاوي
Supervisor name: سامي عبد الحميد نوري
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

خصائص اللغة الدرامية في النص المسرحي العربي

Author name: سافرة ناجي جاسم
Supervisor name: فؤاد علي حارز الصالحي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

جماليات العرض المسرحي العراقي المعاصر : دراسة نقدية

Author name: جبار خماط حسن السليم
Supervisor name: سامي عبد الحميد
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

مناهج النقد المسرحي في العراق : دراسة في نقد النقد 1967 - 1997

Author name: محمد عبد الرضا ابو خضير الجنابي
Supervisor name: فاضل خليل رشيد
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

تقنيات بناء الحوار الداخلي والجانبي في المسرحية العربية الحديثة

Author name: محمد شيخ موسى ادريس محمود
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

مفهوم الجميل والجليل في نظرية الدراما

Author name: باسم عبد الامير جبار الاعسم
Supervisor name: فاضل خليل رشيد
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الرؤية التجريبية في نصوص عبد الكريم العامري المسرحية : نماذج مختارة

Author name: محمود شاكر كاطع
Supervisor name: حسن عبد المنعم عبد المحسن الخاقاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

الهروب كم الواقع وتمثلاته في النص المسرحي العربي المعاصر نماذج مختارة == Escapism From The Reality Its Examples in Contemporary Arab Theatrical Text -Selected Models

Author name: ايناس عادل عمر العبد العالي
Supervisor name: عبد الله عبد عبد علي
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

روايات جرجي زيدان وتوظيفها في تاليف المسرحية التاريخية العربية / نصوص مسرحية مختارة == The Effect of JurjiZaydan's Novels on Historical Drama in The Arabian Theater" consists of four chapters.

Author name: طالب هاشم بدن
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

جدلية المقدس والمدنس في النص المسرحي العراقي المعاصر( نماذج مختارة ) == THE DIALECTIC OF THE SACRED AND THE PROFANE IN CONTEMPORARY IRAQI THEATRICAL TEXTS (SELECTED MODELS)

Author name: ضياء عباس خشن
Supervisor name: عبد الستار عبد ثابت
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

فلسفة الحرية وتمثيلاتها في النص المسرحي العربي المعاصر نماذج مختارة == The Philosophy of Freedom and Its Manifestations in the Contemporary Arab Theatrical Text (Selected sample texts)

Author name: صلاح حمادي جازع
Supervisor name: حسن عبود علي النخيلة
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

المضمر في النص المسرحي العراقي المعاصر نماذج مختارة == THE IMPLICIT IN CONTEMPORARY IRAQI THEATRICAL TEXTS: Selected Models

Author name: رغد عبد الحسين مسعد
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

الخصائص الفكرية للمناجاة الفردية في النص المسرحي العراقي المعاصر نماذج مختارة == Thought Characteristics of Soliloquy in the Contemporary Iraqi Theatrical Text: Selected Samples

Author name: دعاء حسن جواد
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

اليات التحليل الظاهراتي للخطاب المسرحي المعاصر نصوص مسرحية مختارة == Mechanisms of the phenomenological analysis of contemporary theatrical discourse (Selected models)

Author name: باسم علوان حسن الهاشمي
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

واقع التاليف المسرحي النسوي في العراق وخصائصة الدرامية : اطياف رشيد انموذجا

Author name: مريام سعد جليل
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

الخطاب المسرحي النسوي والهيمنة الذكورية في النص المسرحي العربي المعاصر == Feminist theatrical discourse and male hegemony in the contemporary Arab theater text

Author name: فوزية ماهود حسين العواد
Supervisor name: حسن عبد المنعم عبد المحسن الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

صراع الارادات في النص المسرحي العراقي المعاصر : عبد الخالق كريم انموذجا == Conflict of Wills in the Contemporary Iraqi Dramatic Text ( Abdul Khaliq Kareem : Sample as an Example )

Author name: اطياف فوزي سلمان
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

الانسان في الادب المسرحي العراقي المعاصر

Author name: معتمد مجيد حميد
General topic: Fine Arts
Degree: Master
University: University of Baghdad
University location: Baghdad

المحاكاة عند الجاحظ بين البنية الحكائية الدرامية

Author name: عبد الوهاب عبد الرزاق
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
University location: Baghdad

التحليل المسرحي في ضوء المنهج النصي دراسة تطبيقية

Author name: عدنان علي احمد
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
University location: Baghdad

اليات البنيوية التكوينية في النص المسرحي العراقي == STRUCTURAL FORMATIVE IN THE TEXT OF IRAQI THEATER

Author name: عبد الجبار حسن عيسى
Supervisor name: ثائر بهاء كاظم
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

اشكالية تحليل النص المسرحي العراقي على وفق نظريات التلقي المعاصرة : نماذج مختارة == Controversy of Iraqi dramatic text Explication in Terms of contemporary Perception theories ( Selected models )

Author name: مصطفى جلال مصطفى حمزة الدراجي
Supervisor name: مجيد حميد جاسم الجبوري
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

التناص بين النص المسرحي العراقي المعاصر والنص الشكسبيري : نماذج مختارة == Intertextuality between Iraqi contemporary theatrical text and Shakespearean text (selected models)

Author name: ضحى عباس عبد السيد
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

القاص العراقي وتجربته في التاليف المسرحي : نماذج مختارة

Author name: حسين علي عبد الحسن
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

الدلالات الفكرية في نصوص جليل القيسي المسرحية : نماذج مختارة == Intellectual connotations in the texts Jalil Qaisi play (Selected models)

Author name: علياء جبار سهيم
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

تمظهرات الشخصية العدوانية في النص المســـرحي العربــي المعاصــر – نماذج مختارة == The aggressive characterization of the character in Arabic Theatrical Text: Selected Examples

Author name: التفات محمد جاسم
Supervisor name: حسن عبود علي النخيلة
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

مسرح اللامعقول وتطبيقاته في المسرحية العربية المعاصرة : نماذج مختارة == Absurd Drama, Its Applications in The Contemporary Arab Drama

Author name: ايناس عادل عمر العبد العالي
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

المنـهج التاويلي في النقد المسرحي المبادئ ـ الاجراءات

Author name: رياض موسى سكران
Supervisor name: بشرى موسى صالح | عادل كريم
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

المفهوم السياسي في النص المسرحي العراقي المعاصر نماذج مختارة == The Political Concept in the Modern Iraqi Theatrical Text - Selected Samples.

Author name: وضاء قحطان حميد
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

الخصائص الفكرية والجمالية للمسرحيات ذات الفصل الواحد نماذج مختارة

Author name: هند باسم هاشم الهاشمي
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

الانساق الثقافية وتمثلاتها في النص المسرحي العراقي المعاصر نماذج مختارة

Author name: مهند ابراهيم مالك العميدي
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

القراءة الاركيولوجية للنص المسرحي العربي المعاصر نماذج مختارة == reading of the text of the theatrical contemporary Arab archaeological selected models

Author name: مسار عربي جاسم
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

ازدواجية الشخصية في المسرحية العربية المعاصرة : نماذج مختارة

Author name: محمد قاسم عبد حسن العلي
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

التحولات السردية للنص المسرحي في الفيلم السينمائي == The narrative transitions of the text theatrical in cinematic Film

Author name: محمد عبد الزهرة محمد حسن
Supervisor name: عبد الستار عبد ثابت البيضاني | طه حسن عيسى الهاشمي
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

المتغيرات الاجتماعية وانعكاساتها في نصوص (عبد علي حسن) المسرحية == Social Variables and their Refllections in the Dramatic Texts of Abd Ali Hassab

Author name: فيصل غازي شاكر الخزاعي
Supervisor name: حسن عبد المنعم عبد المحسن الخاقاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

بنية الحل في المسرحية العراقية المعاصرة نماذج مختارة == The solution constitution of modern Iraqi Theoretical Selected models

Author name: علاء يوسف يعقوب
Supervisor name: مجيد حميد جاسم الجبوري
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

القانون الوضعي وتطبيقاته في النص المسرحي العراقي الحديث نماذج مختارة == Positive law and its implications in the theatrical text lraqi modern selected models

Author name: علاء حاتم محسن
Supervisor name: حسن عبد المنعم الخاقاني | حسين عبد القادر معروف
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

البرمجة اللغوية العصبية لتحليل الحوار في المسرحية العربية المعاصرة : نماذج مختارة == Neuro linguistic Programming to Analyze Dialogue in The Arab Contemporary Drama Selected Samples

Author name: عقيل قاسم ولي الراشد
Supervisor name: عبد الستار عبد ثابت البيضاني | عياد اسماعيل صالح
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

الهوية في النص المسرحي العراقي : دراسة في ضوء النقد الثقافي ــ نماذج مختارة == Multiplicity of Identity in the Iraqi Theatrical Context after 2003 : A Study in the Light of Cultural Criticism

Author name: عبد الله حميد محمد الثامري
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

التاريخانية الجديدة وتمظهراتها في النص المسرحي : نماذج مختارة == Newhistoricism and its Manifestations in the Dramatic play (Selected Samples

Author name: عامر محمد حسين
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

خصائص التاليف الدرامي في النص المسرحي العراقي : نماذج مختارة == Authoring Properties dramatic text the Iraq Theatre Selected models

Author name: صباح عبد الرحمن عبد السلام
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

التحولات الديمقراطية و تمثلاتها في النص المسرحي العراقي المعاصر == Democratic transitions and tmtheladtha in in the theatrical text Iraqi

Author name: سارة عبد الكريم عبد الرضا عبيد صالح البلادي
Supervisor name: حسن عبد المنعم عبد المحسن الخاقاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

نصوص المسرح الحسيني بين الشعائرية وخصائص البنية الدرامية نماذج مختارة == The Texts of the Husseini Theater between Ritualism and Characteristics of Dramatic Structure : Selected Samples

Author name: زينب نوري هاشم
Supervisor name: مجيد حميد جاسم الجبوري
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

الاشكال النثرية في الادب العربي وتوظيفها في تاليف المسرحية العراقية المعاصرة ـ نماذج مختارة

Author name: زينب عبد العباس عبد اليمة
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

بناء برنامج تعليمي لطلبة الثانويات في كتابة نص مسرحي == Building an educational program for high school students to write a theatrical text

Author name: خلود جبار عبيد مري الشطري
Supervisor name: حسن عبد المنعم عبد المحسن الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

تداخل الاجناس الادبية واثرها الجمالي في النص المسرحي العربي : نماذج مختارة == Overlap races literary and aesthetic impact in the Arab theatrical text - selected models -

Author name: حيدر علي كريم الاسدي
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

في جماليات الميتامسرح في النص المسرحي العربي المعاصر : نماذج مختارة == In Aesthetics of Metatheater in Contemporary Arabic Theatrical Text : Selected Examples

Author name: حسن عبود علي النخيلة
Supervisor name: مجيد حميد الجبوري
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

مفهوم الاستلاب وتطبيقاته في النص المسرحي العربي المعاصر - نماذج مختارة == The concept of Alienation and its Applications in the contemporary theatrical Arabic text - Selected models

Author name: اسماعيل محمد هاشم الياسري
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

توظيف الرمز في المسرح التركي المعاصر نماذج مختارة == Engaging the symbol in the text of modern Turkish theatre (chosen models)

Author name: احمد ناصر حسين الشندل
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

التكوين النفسي والاجتماعي لشخصية المراة في التراجيديا الشكسبيرية == Dramatic structure for woman’s person in shakespeare’s tragedy

Author name: عبلة عباس خضير
Supervisor name: عبد المرسل الزيدي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الظواهر الاسلوبية في حوار المسرحية الشعرية العراقية : نماذج مختارة == Stylistic Phenomena In The dialogue of the Iraqi poetic play (Selected models)

Author name: ازهار جاسم محيسن الحمداني
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This topic ( stylistic phenomena in the dialogue of the Iraqi poetic play selected models )in the framework of modern literary studies , which take the tools of language tool. In order to reach some of the secrets of Stylistic representative in a group of phenomena that may be the reason for the distinction of theatrical text poetic from the rest of the other literary texts.In search faulty consists of stopping the following structure .1)The first chapter ( the methodological framework of the research ) , which presents the problem of research , the importance of research and the need for it , the research objectives and the limits of research and terminology2) Chapter ll ( theoretical framework of research ) consists of the following detective - The first topic ( levels of stylistic analysis \ technical study ). lt reviewed the levels of vocal syntactic and rhetorical in the poetic play . - The second topic ( the stylistic dialogue of poetic poetry in the world), in which the researcher gave a presentation of methods of poetry drama since the Greek Aschilos until Lorca and Elliott contemporary transversal dozens of poets who wrote their plays poetry. - The third topic ( the stylistic dialogue of poetic poetry in Arabic) in which the researcher reviewed all the experiences of

المرجعيات الفكرية والاسلوب الفني للناقد علي مزاحم عباس == The SURCES MENTALES AND STYLE TECHNICIAN FOR THE CRITIC ALI MUZAHEM ABBAS

Author name: زين العابدين جاسم محمد
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

توظيف الموروث الشعبي في المسرح الكردي العراقي المعاصر

Author name: بلقيس علي شرين الدوسكي
Supervisor name: اسعد عبد الرزاق
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

المسرحية العراقية والواقع : دراسة نقدية في ضوء المنهج النقدي الاجتماعي

Author name: شذى طه سالم
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

مفهوم التناص في النص المسرحي : دراسة نقدية لنماذج من المسرح العربي == INTERTEXTULITY CONCEPT IN THE THEATRE TEXT Criticism study for a samples of Arabic theatre

Author name: عمر محمد علي نقرش
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

الصمت في نصوص اللا معقول : دراسة تحليلية - نقدية == The Silences in Absurd Texts Analytical - Criticismcal - Study

Author name: سافرة ناجي جاسم الميالي
Supervisor name: ثامر كريم عبد
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

مناهج النقد وتطبيقاتها في النقد المسرحي العربي المعاصر

Author name: رياض صبار سندال
Supervisor name: جميل نصيف جاسم التكريتي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:

تداخل الواقع والخيال في تشكيل الرؤية الدرامية للنص المسرحي العراقي المعاصر == Overlapping of Reality And Fantasy In The Formation of The Dramatic Vision of The Text of The Iraqi Modern Theater

Author name: كفاح حسن محمد الشمري
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد النصوص المسرحية الصور المعرفية والفكرية والفلسفية في المجتمع الانساني وخاصة وان كتابها شملوا ما هو ذاتي وموضوعي في حياة الانسان وتجاربه المتوالدة. فلرايب ان نجد تداخل الواقع والخيال في تشكيل رؤية دراميه جديده للنص المسرحي الصورة الكاملة للتعدد والت | Theatrical texts are images of cognitive, intellectual and philosophical in human society and especially since her book comprised the self and what is the objective in human life and experiences proliferating. There is no doubt that we find the reality and fiction overlapping of in shaping the vision of a dramatic new text theatrical complete picture of the multiplicity and uniqueness it reveals the desire of our writers in innovation and experimentation, through the search for methods and modern techniques in playwriting So About Me research studying the play in terms of Overlapping of reality and fantasy, with texts the research includes four chapters on the first chapter discusses the research methodology, starting from the research problem identified in the following questions : - What reality and fantasy? And their importance in the Iraqi theater text? Does imagination play an important role in the drafting of the Iraqi modern theatrical text? The importance of research in art as a means to achieve the objective goals and other aesthetic and psychological vary depending on the objectives of the literary trends in artistic expression. And clear objectives of the research to identify the way graphical mature way of upgrading the reader's mind as well (detection aesthetic features of the equation of reality and fantasy interact and ranges employed in the formation of seeing playwright in the contemporary theatrical text Iraqi chapter included on the borders of research identified chronologically texts theater consisting of a period of 1990 - 2013) and spatially in the play texts composed and stomach in Iraq came the search terms used by the researcher identified in the theoretical framework and analysis of samples terminology. The second chapter, it is the theoretical framework and previous studies, which included a Ila?h Investigation, : About Me first identifying the concept of philosophical and psychological reality and fantasy, where branching into two parts, the first concept of reality and the second concept of the imagination, and the second section under the modes of reality and fiction Overlapping of in the theatrical text and section title third aesthetics of reality and fantasy in a theatrical text Overlapping of, and cared chapter created by including the theoretical framework of indicators. The third chapter : - it has the procedural framework, which included the research community, as it included the plays that bear overlapping of fact and fiction.In the theatrical text and identified (100) theatrical text within the temporal and spatial.Chapter also included a sample consisting of three texts play a play (time) to Yusuf al - Ani, and play Sidra to Khaz'al Majidi and memory cage to Ali Terminal selected deliberate manner consistent with the research community and the reasons Sogtha researcher to achieve the objectives of the research were research what emerged from the indicators in the theoretical framework tool and then the samples for specific data analysis, as was the research methodology (analytical).The Chapter Four was a presentation of the most important findings of the researcher through the disclosure of intellectual, philosophical, and technical infrastructure to Overlapping of reality and fiction in modern theatrical text Iraq, as conclusions emerged based on what emerged from the results have been concluded with a list of sources and references, which contributed to the incorporation theoretical research and subsequent analysis of the samples research.

خصائص الحوار في نصوص يوسف الصائغ المسرحية

Author name: زياد حلو جاد الله محمد
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: الحوار المسرحي هو المكون الاساسي للمسرحية باعتباره المسرحي يحمل الاحداث والشخصيات والجو العام والذي يكشف في نفس الوقت عن الزمان والمكان وعن وقوع الاحداث وصراع الشخصيات بما فيها الشخصيات الحاضرة في الحدث والمختفية والتي لا تظهر الا بشكل ملاحظات يتبناها الم

وظيفة الدراما تورج في المسرح العراقي المعاصر : دراسة تحليلية

Author name: مثال غازي سلمان التميمي
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يقف البحث عند اهم اشكالية وظيفية في عمل الدراما تورج وتمفصلاته ما بين النص والعرض. وهي اشكالية يعاني منها المسرح العالمي والعربي والعراقي المعاصر، حول شخصنة الوظيفة او دمجها بالمنجز الابداعي مع باقي الوظائف الاخرى.في حين استطاع الالمان التاكيد على استقلا | The research tackles the most important issue in function of (dramaturge ) and its problems between text and the show. it is an issue in which Arab and global theater is suffering about the personification of the dramaturgical and merge with the innovative achievement and the theatrical functions. While the Germans were able to stress the independence of the dramaturge as a function that lies between the function of the author and that of the director, as a third sensitive eye that is concerned with the aesthetic and intellectual observation for the work to create a balance between the text and the show without the occurrence of unbalances here or there. The research tackled the stage of development of this function passing through the author - dramaturge relation to the director - dramaturge relation reaching to the independence diagnosis of the dramaturgical function and its tasks and duties within the mechanism of dramatic show. Chapter One approaches the problem, importance, the need for, objectives and the limitations of the study, until we arrived at the detertminaiton of the dramaturge concept with some clarifications of the main terms which distinguish between the dramaturge as a concept and a s function. Chapter two tracked the stages of the emergence ad development of the makers of this and the technical and literary condition they posses combining the practical and scientific mind in practice, whether the dramaturge practice outside the dramatic or inside it. The first inquiry included the (author - dramaturge) stage, which is the state that effect the dramaturge action of the literary authorship of the author ((dramaturge)). This stage is as a preface to the way of the emergence of the director - maker of the show. This stage also effect the dramaturge practice which the critical effort has assumed in founding the base of dramatically writings.The second inquiry included the effort of Brecht, technical and ideological, in founding and fixing the stage of (director - dramaturge), with this experiment include of the application effort and theoretical impact. Brecht managed to destabilize and refute many rules which Aristotle had managed. The Brecht experiment is an advanced step forward.The third inquiry included what the Arab experiment has come up to in dramaturge practices for the first Arab pioneers in theatre arriving at the Iraqi theatrical experiment for Qassim Mohammed and Aqeel mahdi. The fourth inquiry tackled in some of reminding of the duties and tasks of the dramaturge tasks inside the team since the experiment of Gotschid, arriving at the dramaturge experiment of Helmut Schiffer. The chapter ends with the posing of the which enriched the procedural chapter. The third chapter which depended on that on samples of the Iraqi samples , which differed in their functional dimensions and limitations which resulted in the fourth chapter. The chapter included the results in details the dramaturge functions of the development and growth, the chapter ends up with a group of conclusions, in addition to the recommendations and suggestions that were imposed to rise the dramaturge reality inside the theatrical experiment in Iraq.

الرؤية الاخراجية للفنان جعفر السعدي : دراسة نقدية == The Directorial Vision For The Artist Jaafer Alsaady : Critical Study

Author name: علي محمد علي العطار
Supervisor name: اسعد عبد الرزاق
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: جعفر السعدي احد الفنانين العراقيين المسرحيين الذين كان لهم دور بارز في العمليه الاخراجية، وكان متاثرا ومؤثرا في الوقت نفسه، اسهم في تطوير التجارب الاخراجية باسلوب واقعي، واعتمد الحياة الاجتماعية الواقعية في مجتمعه بما فيه من تناقضات ليقدمها باسلوب واضح | The study is include four chapter : The first chapter : the symmetrical frame : The chapter is deal with the problem of the research and the necessity for it.Al saady experience of direction has not documented , and that induce the researcher to made a critical and analyze study about al saady Theatrical shows. and that to stand on Al saady directorial vision. the main reason to use the study is to fixed that privation and provide to researcher and critic the experience of one of the Iraqi theatrical movement leaders.Second : - the importance of research : the importance of research is to put the light on one of the Iraqi theatrical leader ,who participated in activate the theatrical movement , and that who was Jaafer Al Saady third : the research target : Deal with directorate vision of the director Jaafer Al Saady Through a critical and analyses study about his theatrical works during his artist life fourth : time and place objective limitations the researcher seeing that it is the period from his super vision (Bait al dummia) team till dead on 2005 , and renewing his acts on Iraq theaters as well as an analyze and critical study about that shows.Fifth : limitations of idioms which compose the directorial vision : - The researchers identify the vision, and put an identification.Second chapter : - theoretical frame. It includes the following : The first research : 1 - the reality concept.2 - the reality in art.3 - the researcher deals with the reality as a concept and trying to find its growth , and its historical , and society march.The second research : 1 - social reality.2 - direction in real style.3 - directorial vision of gustinteen stanslavski the researcher trying to deals with the social reality, and the reason of its appearance , as well as the reality of theatrical directory vision of Stanislavski. showing its effect and effect in the directory process of many directors.The third research : - 1 - The past studies : The research did not find and study that deal , with the directorial vision of the director Jaafer Al Saady as a critical study and that which gives.2 - then the researcher summarize , in the end of the chapter , the significant points which results the theoretical frame.Third chapter : the research procedures include two researcher : The first one is the researcher identify the society , the sample , the methodology and the means , of the research and the researcher made the second chapter to analyze the samples as the following : - 1 - (Bait al dummia) play2 - (shahrazad) play3 - (Ayam zaman) play4 - ( Raqsat Al - Aaqnana )playFourth chapter : the results The researcher made a show of the main results as well as the supplement and sources and the summary in English language.

مقاربات الملحمي والغنائي في مسرحيات جليل القيسي == Approaches Epic And Lyric In Plays Jalil Al - Qaisi

Author name: علي حلو داشر
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثل عملية تحديد انماط مقاربات الملحمي والغنائي ومرجعياتهما في نصوص ( جليل القيسي ) المسرحية، ضمن بناء منظومة العلاقات الداخلية للنص وتشكلها وتفاعلاتها وتصادمها، عملية تعرف وازالة غموض عن تلك الانماط التفاعلية لمكونين رئيسيين في البنية الدرامية للنص ا | Represent the process of identifying patterns approaches epic and lyric and Marjayatema in texts ( Jalil al - Qaisi ) play, within the building system internal relations of the text and posed and their interactions and collisions, a process known and remove ambiguity from those patterns interactive two main components in the structure of the dramatic text theatrical local contemporary Iraqi by shedding light on the mechanism enrichment or interaction in order to understand, since this Altsahir leads to the production of the act drama within the structure of the dramatic text, all this and that is recognized through the adoption of local experience is important, replete with accomplishment artistic and literary (texts plays Jalil al - Qaisi), as a model subjected to analysis and study for marking the movement of the epic and lyric, since this analysis is reflected in turn deepen the awareness of the aesthetic techniques of theatrical and dramatic text pointing problematic border artistic and aesthetic in the installation of the dramatic action. The research consisted of four chapters, as was the research problem, approach the epic and lyric drama, in how to build a theatrical text local, and marking the problematic border artistic, aesthetic, installing act drama, the need for research, raising awareness of the aesthetic techniques text dramatic theater, and see the local experience distinctive in the Iraqi theater of contemporary writer (Jalil al - Qaisi), and the importance of research, the need to deepen the search experience local theater " at the level of authoring dramatic, and elevate it, as stating Find playwright, critic, and researcher in this field and all those concerned to study the theatrical text in academic institutions for theater Arts and workers in the fields of media, and the aim of the research, shed light on how the production of the act drama by the interaction between modes literary, epic and lyric, in texts ( Jalil al - Qaisi ) play, the research methodology, and descriptive, and the research community, texts plays ( Jalil al - Qaisi ), and the selection of the research sample, poem, the most important findings, the emergence of patterns of interactive between the epic and lyric, worked to enrich the structure of drama within the events of the play - Qaisi mounting toward the teleological particular, the most important proposals, the adoption of such patterns interactive between the epic and lyric as cases must create them in the production of the dramatic action within the structure of the text theatrical dramas

الحدث السياسي واثره في بنية النص المسرحي العراقي == Political Event And Its Impact In The Dramatic Text Iraqi Structure

Author name: خالد وليد جاسم محمد
Supervisor name: جبار خماط حسن
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الحياة مليئة بالاحداث السياسية والتي تمر على الانسان وتعبر من خلاله ولكنها تترك في وجدانه عظيم الاثر اذا من خلال الاحداث السياسية تتشكل خبرات الانسان وافكاره فالحدث السياسي ربما يكون صانعا للاشخاص ومبررا لهم بعد ان كانوا مهمشين او متواريين لذا يعد الحد | Life is full of political events which pass on the rights and cross through it, but leave it in great conscience impact if through political events of human experiences and ideas of political The event may be the maker of the people and the justification for them after they were marginalized or Mtwarien So is the political event of the texts of intellectual behavior that are formed determined on the images State Administration concepts and identify external and internal relations of the dominated political event on all aspects of life, including the arts of expression KUNA taken from reality arena for Achtgaladtha intellectual and aesthetic, including the performing arts, and because the Arab lining replete with political events that reflect the concepts of internal and external relations, which are reflected in the outcome of the human in the format of these events, including the modern Iraqi lining characterized by political events that expressed the moral, religious and social concepts. The piece researcher found important study the effect of political event on this card including the play card, especially the dramatic text and in order to reveal the search for these aesthetic changes in the theatrical text may Department Finder his research on the four first chapter may include research problem and the need for it.The importance of research in political induction as a springboard to the doctrines and concepts of literary and intellectual new, objective research has focused on the most important political events and their interaction constitute creative achievements in theatrical text.The limits Find Vaguetsrt on the Iraqi theater texts, which lasted for a period of 1985 - 1995 and seal chapter defines key terms. As second chapter contains the theoretical framework and previous studies have this chapter three Investigation included eating the first section of political inhuman phenomenon, social, while the second section has cared for study of political events and their impact on the drama department as important stages of the political events that produced accomplishing morally, and then came the third section in order to Reviews the dramatic structure of the text playwright has devoted the third chapter of the research procedures, which included identifying the research community on according to three layers that include an extension of the political events in Iraq and was the first class, which was the duration of the Iran - Iraq war and the second is peace for Iraq third term is the duration of the economic blockade, has was selected class method intentionality in the selection of sample forms and samples were composed of three plays are distributed on the basis of the expanse of time and the first Valaana is (play back) of the author (Joseph Sayegh) started in 1987, the second sample is play (Speak, stone) of the author (Mohiuddin Zangana) by the year 1989 third sample is (play the descent of Ishtar to a shelter Ameria) writer (Khaz'al Majidi) The samples were presented to a group of experts, either fourth chapter contains the conclusions drawn from the research and then seal this search a list of sources and references, and the title and summary Search in English and supplements.

المعالجات الدرامية لشخصية الحسين في النص المسرحي العربي == Drama Treatment of Al - Hussien Personality In The Reading Arab Theat

Author name: حميد لطيف مريوش الشريفي
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان شخصية تاريخية مثل شخصية (الحسين بن علي) (ع) برفعة منزلتها ونهايتها الماساوية لابد ان ينعكس تاثيرها النفسي والاجتماعي والديني على الانسان والمسرح حيث مثلت الهاما للمؤمنين والاحرار في جميع ميادين الحياة وعلى مختلف مستوياتها وكان تاثير هذه الشخصية واضحا ج | The historical character like (Al - Hussein Bin Ali) with high dignity and tragic end, hispsychologic, social religious impact reflected on human and theater. He is a symbol of inspiration for faithful and independents people inall aspects of life. He is affected on literature specially theatrical literature.The Arab dramatis deal with this character in a dramatic ways from Karbala events taking from Islamic History.The chapter of Ali - Hussein share in the built of human though. The dramatist dranscript events and chapter in a technical form.This is show us the important of this chapter in the past and its impact in contect poraray human that makes us seek for this chapter and treated in the theater in a technical form.So we look for this character to acknowledge the dramatic feature of this character and the tenses that the Arab dramatist follow it.Therefore the research is divided in to foure parts : 1 - first part : methodical setting included problem and the important of research and the need of the research , the aims of the research, the borders of research.2 - The second part : theoretical setting included three researches : A - First research : the built of tragic character refers to the character in its general shape and its development and the tragic of researcher and different methods.B - second part : historical character : the researcher dealing with the understanding of the historical character in general way and the forms of these character and its important impact on our contemporary human and the utilizing from this character to creat moral worthy and social.c - Third research : dramatic treatment for historical character, the dramatist deals with the treatment of historical character in different tenses, it refers to the treatment of historical character by words and Arabs dramatists.The research tries to collect the different opinions for dramatists and researchers who deal with this subject to stand of the most important opinions about this research.3 - Third part : this part include the steps of research. The researcher counted the dramatic tenses that writing from the character of AL - HUSSAIN since 19131 - 2009 he chooses some sample from research and its three theatrical tenses : 1 - Abdul Rahman Al - Shaeqawi(AL - HUSSIAN MARTYR).2 - Mohammed Ali Al - khafaji(Al - Hussian return again).3 - Abdul Razaq Abid Al - Razaq(Al - Huee AL - Reyahi).4 - Fourth part : this includes the result of the research and discussion, conculion, recommendation and collateral in English language.

التحريض في الخطاب المسرحي العراقي == Instigation In The Iraqi Theatrical Discourse

Author name: حسين رضا حسين
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد كان التحريض وما يزال احد الوظائف الاصيلة في التجربة البشرية كما هي في الدراما باعتبارها اداة للتغيير بكشفها عن الزوايا المظلمة في هذه التجربة على مختلف انواعها ومسمياتها واضاءتها، وذلك بالتحريض عليها ورفضها والدعوة لتبني موقفا انسانيا جديدا. وينطوي ال | Instigation has been one of the genuine functions in human experience as well as in drama. this is because it is a tool to discover the dark spot in this experience on its various types names and lighting. By instigation we mean alert and continuous stimulus and by active wishes that intentionally in deep structure of theatrical experience to show a meaning respond to human values. for this reason we find that it's important to explore instigation, in theatrical discourse. this research contain four chapters. The first chapter included the frame approach on research in which we discuss instigation in Iraqi drama as it as an active sign to enrich the structure of the speech so the researcher limits the problem of his research which is to follow the important of instigation in the Iraqi theatrical discourse. this chapter also contains the important of the research and its aim and limits. And reflected the importance of research in approaching the concept of instigation, and effectiveness within the paths of the Iraqi theatrical discourse. The 2nd chapter has three aims. the 1st studied the concept of instigation as it is an active corner in human experience and so in the movement of existence , in addition to its activity in universal theatrical discourse. the 3rd studied instigation in the Arab and Iraqi theatrical discourse. then it comes to the end to show the indicators which were generated by the theatrical frame work and previous studies. The 3rd chapter studies the research procedures, which included the research community and appointed by the researcher selected randomly to comply with the object and purpose of the search. The researcher adopted the descriptive method as an approach to analyise the research. The 4th chapter included the following result; 1. Incitement is embodied in the form of discourse as in (countdown to Macbeth), while aimed Doctor (Mikdv) crown on the head (Macbeth). At the scene of writing the petition (rehearsal in hell). 2.The instigation can be seen clearly and directly in the play" Rehearsal in the hell" and it is codded for the 2nd time in countdown for Macbeth. Then the researcher present the results conclusions recommendation add bibliography.

تفكيك الزمن في الخطاب المسرحي

Author name: جبار حسين صبري
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ارتبطت الزمانية باشتراطات التمرحلات الفكرية المتعالية فجاء الزمن موثوقا بتشفيرات كل مرحلة، ومن ثم متغلغلا في افهومات او اليات الخطابات الفرعية مثل : الفن، السياسة، الادب، المجتمع، الاقتصاد..وصولا الى تمفصله في جزئيات تلك المفاهيم ومعايشته او تاطيره لتلك ال

تحولات بنية التطهير في النص المسرحي == Transformations of Structure Catharsis In Dramatic Play

Author name: محمد مهدي حسون راهي المياحي
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يخوض البحث الحالي في دراسة المفهوم الجمالي للتطهير وتحولات البناء الفني للتطهير، بوصفه غائية بنائية يقاس على وفقها تحولات المنظور الجمالي للمنتج الابداعي، وضمن الفضاء التاريخي لهذا المنجز، في زمانه ومكانه..فالتطهير هو موقف للذات تعانيه باشتراطات تجربتها | Since his first steps in existence, the human being followed mental or sentimental or instinctive activities in order to reach to the state of tranquility and stress reduction between the requirements of the self and its propensity for differentiation in this world, and between the conditions of the world and its laws. These activities were issued by the first act of the human, starting by worship, and through worship came tranquility which leads to the power of the ritual and the flooding of spiritual energy of the self being differentiated in this world and reforming the conditions in the line with the self, i.e. changing the world humanly and this is the principle of the civilization. Through the evolution of repetitive practice of worship and the growth of its aesthetic awareness, emerged the art work and the aesthetic practice which its basic point is catharsis.In a philosophical perspective through bilateral self/world argumentative conflict, the self gains some of the world`s themes. These themes forms through their hazards and threats to the self, a prior criterion to moral and manners standards such as; danger, panic, fear, murder and loss. These are threats by the world, and their opposites are the need of the self to what is against them to sustain survival such as; safety, peace, tranquility, goodness, justice, honor, loyalty and honesty. But the fact that the outside world is always threatening, keeps the self in constant sufferings for the absence of the catharsis out of the art work and the aesthetic experience, which must be the basic aspect in the creative structure of the work - theatre. when it is there, the aesthetic factor is also there but when it is absent, the whole experience is becoming incomplete. Therefore, the multiplicity of artistic structure of the text as a basis of theatrical presentation, which leads to catharsis and that was what occurred of shifts in the functional concept of catharsis. Thus, this study comes to explain the concepts and procedures of the transformations of structure catharsis in theatrical text. In the light of this study, the following chapters have been resulted : Chapter One : the methodological framework that contained the problem, the significance and the limits of the study; in addition to identifying some of the idioms mentioned throughout the whole study.Chapter Two : the theoretical framework that contained the following sections : Section One : Catharsis in philosophical speechFirst Hub : Catharsis in Metaphysics Speech / Classical Second Hub : Catharsis in Modernism Speech / Realism Third Hub : Catharsis in Postmodernism Speech / Expressionism Section Two : the Mechanisms of Catharsis in the elements of dramatic structure First Hub : Catharsis in PlotSecond Hub : catharsis in personality Third Hub : Catharsis in ThoughtForth Hub : Catharsis in LanguageSection Three : Aesthetics of catharsis in theatrical speech / Indications of the theoretical framework and previous studies. Section Three : the Procedural chapter in which samples had been analyzed as follows : 1. The play of "Oedipus the King" of the Greek writer Sophocles - translated by Taha Hussein.2. The play of " al - huor al - ryahi" of the Iraq writer abed alrazaq abed alwahid.3. The play of "the House of Agoesar Holm" of the Norwegian writer Henrik Ibsen - translated by Tamader Tawfik.4. The play of " Ana omak yashaker " of the Iraq writer Yosef Al - any.5. The play of " allawha" of the british writer Harold pinter.6. The play of " Mythical Reality" of the Iraqi writer Ali Abd al - Nabi al - ZaidiChapter Four : it contained the results, conclusions and recommendations. Then, a list of sources, references and an abstract in English.

الاساليب الشعرية في النص المسرحي == Styles Poetics In The Theatrical Text

Author name: عبلة عباس خضير
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: This research deals with the conceptions of poeticalness as they are considered significant ingredients for the formation and construction of contemporary dramatic texts. Because the dramatic text can provide suspense, tension and curiosity for the recipient throughout the dramatic structure molded with the poetic components and techniques, poetry forms an action factor in the formation of the discourse of the contemporary dramatic text which makes use at the poetic structure and methods, so that new spaces are made available for the recipient to mark a scenario between the essence of the text and the essence of the recipient to produce the meaning contained in the dramatic text in a form that is like a chemical equation with different results according to the nature of the mixed materials which represent in this connection the text and the recipient, and thus poetry opens wide directions and lines for their entrance into the domain of meaning. Therefore, the researcher finds it important to study the conceptions of poeticalness and how they work with in the dramatic text, and their aesthetic values. The study is made an analytical one for the sake of finding out the components of the dramatic text, as seen throughout this perspective, which plays, at a high level, its role in the contemporary textual discourses as a whole. The researcher has set a plan for achieving this aim. The plan is summed up as follows : The researcher presents the first chapter which consists of the problem of the research, its significance and aims. Chapter Two is divided in to the following sections : Section one : The concept of poetical nessSection Two : Techniques of poeticalness and the systems of the dramatic conflict. It consists of : First : The poeticalness of rhythm in the dramatic text. A. RepetitionB. ContrastC. Juxtapontions and parallelsSecondly : poetical ness of the structural phenomena : A. Brevity B. Violations of the rulesC. Role transformationD. Emphasis and EllipsisThirdly : The poeticalness of meaning : metaphorical meaning Section Three deal with the aesthetic poetic levels in the dramatic text.Chapter Three presents an analysis of the samples according to the theoretical references. The samples are chosen from effective and typical specimens according to the level the dramatic writings and compositions in Iraq. The Plays chosen are : 1 - Speak o Stone, by Muhaiy AL_Dean Zangana2 - A City Full of Knives, by Jaleel Al_Qaisi3 - The Nights, by Dr. AKeel Mahdi4 - The Door, by Yousif AL_Saig. 5 - Heaven opens lately, Falah shakir Chapter Four consists of the findings reached at by the researcher throughout analyzing the chosen samples conducive to the results, recommendations and suggestion, which contribute to shedding more light on the conception of poetical ness. Then The researcher has attached this research with a bibliography, which shows the reference books the researcher has adopted during the course of this research and study. The researcher has also made an outline of this study in the English language.

وظيفة القراءة والتلقي في تشكيل معنى العرض المسرحي العراقي == Function of Reading And Reception For Forming The Meaning of Iraqi Theatrical Show

Author name: عمر فاروق محمد
Supervisor name: سافرة ناجي جاسم
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Reading is considered as an interactional space between sender, recept - ionist and the message which acts as a mediator through them. So without read - ing action, the invention achievement is not fulfilled, particularly in theatrical di - scourse since reading itself forms the mental dimension and effects the audient - the reader actor, because receiver in theatrical discourse typifies the intellectual presence of text and show in same time. So reading symbols as a connection channel of its aesthetical service which forms the meaning of Iraqi theatrical show. Interpretation and its conception which assume as reading tools discuss with the achievement of invention for discovering the explicit meaning in the show, especially contemporary show. Brecht said : “Our audient’s decaycomes from lack of knowledge that both audient and theatre do not know what should appear on the stage”1. The research has divided in to four chapters. First contains the methodical frame and the problem of research. The emergence of reading and reception methods changed the rout of critique to follow the innovation, and taking from these methods a new way about recipient role and reading deed to reform critique looking in creating show, and exuded new different ways of relationship with the receiver. So, from research question we could ask … “Does the creator of Iraqi theatrical show use reading and reception methods as a new way and aesthetical dimension to build his attitude to his show”. Depending on this, the researcher shaped his research title “Function of reading and reception to forge the meaning of Iraqi theatrical show”. The importance of research is to raise a critiqued study to Iraqi theatrical show depending on reading and reception methods for reforming the theatrical show. In addition, theresearch introduced an assumed plan of strategic pattern to read, receive and explain theatrical show to release audient - receiver from what has been obstructed him before. It sprang up the variation of theatrical practice among contemporary cultures. Then research defined some of sides that can benefit from it. And the goal of research tried to discover the track of reading and reception to reform the meaning of the theatrical show, the limit of objective research locally and temporally, and ended 1 Brecht, Bertolt : Epic Theatre, translator : Jameel Nasef, Baghdah - Al Hurria publishing, 1973 the chapter with defining some expressions which limited on ‘function’ only and leaving the others to theoretical frame. Chapter two (theoretical frame) has three topics; everyone has a part of the title to set up the basis which can be as a starting ground for its procedures. First topic held the title (reading) which has displayed how this term has changed and established from the past until now, tools and the relationship with the (doer - the reader) that does the act. Second topic titled (reception) because of the subject significance to review the way of studying the drama, and dealt with some sides that we often ignored them like; audient as a person and a member of certain culture, his own expectation horizon which is formed by that culture frame, choosing specific events to participate in, and currently developing in dramatic studies, which gave the audient the way to be free from the theatrical show’s capture. So it is not required from this topic (reception) to describe audient’s response to a certain show. Third topic (forming the meaning) which this research discussed this through the relation with reading, reception, and receive. And theoretical frame ended by choosing two reception samples toanalyze, (external reception theory) and (internal reception theory).Chapter three (procedures of research) analyzed and studied specific samples. Then the researcher has examined show reading, through prepared text, or created one, or some other texts stand basically on other texts, and comparing them with originalpieces which leaded to value the theatrical figure more precisely. Chapter four enclosed the results and the conclusions. Some of results are; 1 - Waste the postponed meaning because the show juThe conclusions which became our answer to the researchquestion is;1 - Reading and reception function has participated in theatrical show more effectively for out put the meaning which is made it to reform inside the show not out of it

البنية الدرامية والايديولوجية في نصوص محي الدين زنكنه المسرحية

Author name: عباس فاضل عباس
Supervisor name: سافرة ناجي جاسم
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Ideology shapes the theme of man’s struggle. Because it represent the conflict of different wills about a subject. So it is really one of man’s struggle ways in the existence, and it’s his dramatically problem with it. It becomes the motive to many philosophers and writers. As theatre considers one of mind’s systems, which discovers the clash dimension, and it rests on it, the ideology frames on his ideas, which the theatrical texts declare this or that ideology through an aesthetical investment. And with in, the playwright states his attitude about any human matter, as the fate and human being, the problem between the authority and a person, religion complex and other intricate which were a space of resistance and contradiction.The playwright offered his aesthetical ideology based on his dramatically dealing that developed according the time needs, and the conception and political problems. In order to get the full cognitive of aesthetical and intellectual ideology delivered, the researcher divided his research to four chapters index of references, appendix of names and dating of publishing of Muhi Addin Zankana’s plays.The first chapter contains the problem of research which concentrated on the relationship between the theatre and its technique, then its relationship with people to embody their dreaming and agony, and leads to look for the dramatically structure distinguishof Zankana’s texts. And how the ideology appears inside the texts. The importance of research is to study the creative achievement of one of Iraqi dramatist significant, which we see that can add more knowledge. And be useful to theatrical studiers, and to the theatrical foundations.The aims of research : discover the characteristic of Zankan’s texts through technique and ideology. The limit of the research restricted locally in Iraq where Zankana had written all his plays. And chronically in the dramatic texts which published from ( 1859 - 2002 ). And objectively, it is a study and analysis of the technical structure and the intellectual of Zankana’s texts. The second chapter comprises the theoretical framework and previous studies and its discussion. It includes three topics. The first one heeds to the dramatic structure notion and reviews the dramatic structure of theatrical text from Aristo to these days. Historically, talkingabout the methods of writing plays. Second topic pays attention to the ideological meaning and its relationship to society classes. The relationship between the ideology and artists, and how it reflects in their works, the position of government authority from the opposites.The third topic is discussed the text connotation, then the text language structure, and the text semantically structure. The third chapter includes the research procedures which embraces the research society that involves Zankana’s plays, which extended around fourty years. Limit locally and temporally and broach to search method. The tools depend on the indicators that bring out the theoretical framework, as the main tool to analysis the samples, and to realize the research goal and solves its problem, reaching toscientific result. The chapter holds two fields of research, first, the dramatic structure of Zankan,s texts. Second, the ideology, how it is reflected inside the texts, and inside the playwright himself.The chapter four implies the results that the researcher reached, through analysis Zankana’s plays, which declare that Zankana used many methods from traditionalism to experimentalism to reach wider horizons. He was effected by Brecht, using his method to break out the traditional plot, push people to think about what is going on the stage, not to identify with it. Discussing the tragedy concept which destroys the heroes. Zankan’s interesting to the poetic prose, and to range his dialogue between dramatic and narration, because he wrote both plays and stories. And to put the idea of the character before its art structure.The conclusion of the research attained that Zankana is an ideological playwright, but he was not the type of writers that ideology can limit his work or capture his creation. His erudition and the high human feeling helped him to put the ideology under his hand, not the opposite. Ideology appears in his works through his choosing characters, their dialogue, actions. He was not talking friendly when he descried the capitalism class and its political or economical representatives. He strips of their sick behaviors, their slavery tobenefits and privileges, and how easy for them to commit the crimes without twinge of conscience. But he changed his situation, when he descried poor people. He is kind, a friend, caring them the best human feeling and actions. They sacrificed themselves to the others, refusing the injustice, and revolted against it

درامية التاريخ في نصوص المسرح الاحتفالي == Dramatic History In The Texts of The Festive Theater

Author name: حسام عبد الستار عبد االجبار
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: رافقت الاحتفالية فن المسرح منذ عهد الاغريق، وذلك عن طريق ا الطقوس الراقصة التي كانت تؤديها الجوقة,، كما ظهر في وطننا العربي ما سمي بالجماعات المسرحية العربية التي تهدف جاهدة الى ايجاد هوية مميزه لمسرحنا العربي , ينقسم البحث الموسوم (درامية التاريخ في نصو | Find divided marked ((dramatic history in the texts of the festive theater)) Allier four chapters, the first chapter includes a methodological framework through research problem and the need for and importance, research, and purpose, and its limits, and then determine the terms . As the second chapter has included the theoretical framework of the research component of the three sections, the first entitled (the concept of drama in the theater ceremonial), which dealt with the evolution and emergence of the start of the celebration theater in various Arab countries and foreign while eating second section titled (relationship history in the drama), includes this section Ttoreddrama through the ages and the extent of the impact of history began with "eras of the Greeks to the Romans to the Middle Ages from the Arabs and then move to the third section is titled (the aesthetics of history in the drama) contains the philosophy department of the philosophers in the art and the extent of their relationship to the evolution of art A third chapter (research procedures) research community, who identified within the time period of the year (1970 to 2013), and research samples chosen way intentionality, namely, (a play shrines Abu Ward) authored just Kazem and directed by Ibrahim Jalal, and (theatrical nights Sumerian) authored a nice Dulaimi, and (a play on the Tour of Abu Othman yesterday now) written by Dr. Zuhair Kazem. Rely researcher descriptive analytical method for the analysis of specimens based on the texts of the play. The fourth chapter dealt with the search results, discussion and conclusions, and then recommendations, and proposals, and then the list of sources and references, and a list of supplements, and finally abstract in English

الاتجاه الجمالي في تجربة الناقد عقيل مهدي == Aesthetic Trend of Aqeel Mahdi'S The Critical Experiment

Author name: محمد مهدي حسون
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تنفتح دائرة النقد اليوم لتشكل تداخلات مفصلية مع الفلسفة، وهذا التداخل بين النقد والفلسفة يتميز بوصفه علامة بارزة في القرن العشرين, وحتى لحظة تدوين هذا الملخص، اذ ياخذ النقد صفة متعالية تبلغ درجة ووسعا وكانها فلسفة العصر, وهذا بدوره قد اثر كثيرا على الاش | Today , the criticism's cycle opens to form an auricular overlap with philosophy's , this overlap between the criticism and philosophy distinguished as a remarkable mark the 20th century till the moment of preparation of this thesis , the criticism takes a transient adj. attains degree as it's era philosophy ,that has largely influenced histrionic functioning with all it's trends and men and all.Following the global criticism scene and its influences onto theater is necessary to follow the effect relativity and influence in histrionic scene. And this way the researcher thesis opened in his dissertation to see in global criticism movement experiment being the occupied thinking trends which replaced the philosophy and formed a group of functions which accompanied the scientific and humanitarian fields with all it's types.The matter which made the researcher , to follow the critical experiment from available aesthetic perspective in critic experiment ( Aqeel Mahdi ) and the operation of following this experiment doesn't halt onto the concepts frontiers which is enjoyed by each critical trend but it extends further until reaches to discover the pleasure and aesthetic climax which accompanies each criticism trend and diagnosis with generality from one side and the privacy in critic project ( Aqeel Mahdi) , that opened the door to articulate the research (Aesthetic trend on the critic of Aqeel Mahdi's experiment ) with the following splits.First 1st chapter : the methodical frame : - The researcher has exposed to diagnosis the research difficulty and need extent , it's importance , it's targets , research frontiers then the extension to locate the terms mentioned in research title. Second - 2nd chapter : the theoretical frame : - which include 3 researches : A. Shows the criticism trends concepts onto the contextual level , text , reading trends level and receiving.B. 2nd. research : in this research the researcher has concluded the mechanisms which are enjoyed by every trend.C. 3rd. research : this research forms a checking for aesthetic in every trend.Third : 3rd. Chapter it is the research procedures : the researcher has worked to discover three of criticism books which are distinguished by the criticizer (Aqeel Mahdi ) ,He hold a funding and analysis fit and the research nuncupative.As well as the researcher has recapped in this chapter a group of ramifications based on his analysis for opted samples. Fourth 4th. Chapter : - this chapter has the research ramifications , conclusion ,recommendations , suggestions , a list of references and finally the research abstract written with English language.

اشتغالات التابو في النص المسرحي العراقي

Author name: نورس عادل هادي
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد التابو احد اهم المفاهيم المهيمنة في بنية العمل الفني ولاسيما النص المسرحي بوصفه اشتغالا على ثنائيــــــــة الوعي والوجود بمجمل تحولاته وافرازاته التي تؤثر في تشكل الخطاب الدرامي وبالتالي تنوعه في الرؤى والاساليب بحسب المعطيات الفكرية والجماليــــــة | Taboo Presents one of the most important influencing concepts in the structure of the art work , especially in the theatrical text because it works on the duality of consciousness and existence in all its alternative aspects and discharges which affect in forming the dramatic rhetoric in consequence its variety in visions and styles according to the intellectual and beauty findings which arose from them the culture of individual and society. From that above crystallized the specialty of the research in its chapters , where it implied four chapters : The first chapter : - Which dealt with methodical frame which includes studying the implications of Taboo as influencing concept for the whole social, economic and political transformations and their reflection and influence in the behavior action of the individual within the social system specially the conflicts the Iraqi society confronted in the Iraqi theatrical text for the period between ( 1990 - 2000 ) which led to disturb the individual behavior Forms and exceeding the virtual order limits as a collector of the taboo concept in its different forms. The second chapter : - Which dealt with establishing and following the taboo concept through the human consciousness system along its intellectual periodical differences. Also in the researcher discussed the way in following the Taboo concept between the philosophy of beauty and science. In addition to that the researcher pointed out the most important implications of Taboo as procedure term its influences had reflected in the structure of the theatrical text.The third chapter : - implied the research Procedures. Where the research was limited as a whole in the published Iraqi theatrical texts in the 1990's where the researcher refuted to the intentional way in selecting the sample of its research. The forth chapter : - the final chapter dealt with the research results , conclusions and the list of references.

فضاء النص الزنجي في المسرح العالمي == Space Text Negro In The World Stage

Author name: شاكر عبد العظيم جعفر
Supervisor name: حميد علي حسون الزبيدي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Owned theater Negro as produced by the texts of the play accompanied by the achievements of the writer west of different affiliations, had the potential and the superior quality because of his triumphant, which has sought to respond to legitimize slavery, which was launched concepts machine western giant, which reflected significantly in attempts absence, and the exclusion of, and break their personal identity Negro sloping from the sweat of black for as long as Consider him an evangelist EU on the one hand and some western thinkers on the other hand being is a substance biologically characterized by the black no history or religion or art, or even culture, which put the intellectual and thinker Negro on the amplitude spectrum lions that faces an advocate for identity associated with the social context and stand with different binary (black / white, master / child, present / absent) and formed The jurisprudence of binaries veneration of the American West, at the expense of civilization has produced and produces humanity that does not want to abandon them, so it has poured cultural system Negro diverse technical capabilities, intellectual and cultural in many genres, including, in particular, that document (text theatrical) which is one of the most important documents install and consolidate identity rechargeable crossover with other cultures and, the requirements of Mrs. Mubarak retain full identity of personal representative color black and its extensions in ethnic history The geography of the African, but it is a space expressive broad stretch in every time and place, so it has sought the writer of Africa wherever Seen Through theatrical text that up to the other, because the arrival is the sponsor to provide his true identity and the deportation of culture and heritage and its contributions to the building of human thought and not owning culture and isolation by , so ithas the form of text theatrical space to respond to erase the identity, space Tatt heritage and the past and the present and empowered personal Negro features all around, as well as the effectiveness and human presence.According to the current research may be of four chapters, came in the first quarter (systematic framework), which contained the research problem in question : ( ) And the importance of research and the need for him and the goal of the research and the limits of time and space research and objectivity. And determine the terms and definitions procedural.In lobe II (theoretical framework) has focused on three topics, and was First research titled (conformations knowledge of the culture of the Negro) and the second section (awareness of the Negro and his performances in the space of transformations cosmic) and came third section carrying the title (space text Negro in / a. Africa b.America) Then came a series of indicators researcher borne out the theoretical framework and previous studies. Here ends the second chapter.Turning to Chapter III (separation procedures Research) and the find to determine the research community and specimens and research methodology, as well as the analysis of five samples representing the research community, which amounted to (42) play Tamoqat between African countries and the United States, and then move on to a new chapter.Chapter IV (the last), which includes findings, conclusions and recommendations and proposals.The research concludes his cards bibliography references and sources and supplements.

المعالجة الدرامية لشخصية المراة في مسرحيات هنريك ابسن - واوجست سترنبرغ الواقعية : دراسة مقارنة == The Dramatic Treatment For The Women Personlality In The Plays of Henrick Ebson And Ugost Strendbergh

Author name: شيماء علي لعيبي
Supervisor name: عبد المرسل فليح الزيدي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تحاكي الدراما منذو نشؤها العلاقات الانسانية التي تالف المجتمعات وتنطلق من مكونات المجتمع - المراة والرجل - وفق معطيات الطبيعة ومؤثراتها الدينية والاجتماعية والسياسية والعادات والتقاليد ولكل هذه المفردات مؤثراتها على الفعل الاساس للانسان ذكر كان ام انثى ول

تنوع الرؤية الفنية في تجربة الفنان عبد المرسل الزيدي المسرحية == The Variety Artistic Perception of Abd Almursal Al Zaidi Dramatics Experience

Author name: علاء عبد الله راضي
Supervisor name: سافرة ناجي جاسم
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان دراسة تجارب الفنانيين، والادباء، والمفكرين، والعلماء تسهم بشكل فعال في تطور المجتمع، والاهم تطبيقها علميا وعمليا.فضلا عن التلاقح بالمعرفة والانفتاح على ثقافة الاخر، تساعد على النهوض بالواقع المعرفي بالتخصصات الدقيقة والثقافة العامة، وكان للبعثات | The study of the artist, Literates, thinkers and the scientists experiences contribute in a active way to develop the society and the most important applying them a academically and practically.The interference of different knowledge and to open to other culture help to raise up the real knowledge by specialization and common culture.The scholar - delegations have great role in Providing Arab Societies by curriculum and the Specialist methods in dramatics by the legates who work as teachers in the academy of beauty arts, We mention as instance the lading group like (Haqi AL - shib;I ,Jaapher Al - saadi,Asad Abd Alrazaq,Jasim Al - Abudi,and sami AbdAl hameed).Moreover they work as directors and actors they have presented their works in educational institutions in the bands of show applying in such works varying directing schools based on their own styles and senses.Abd Al mursel Alzaidi one of the Iraqi artists has different artistry scopes by the variety of their experiences and talents, He studies theater in academy of beauty arts In Iraq and completed his higher education (masters and doctorate degree) specialization of literature and dramatic criticism in Romania (Bokharist university ).He used to teach the students after his reoccurrence from the study in dramatics department , in addition to his practical experience by his variant participation in many dramatics work either as director or actor or styler ,in increase to his participation of variant artistry in radio ,Television and in the field of plastic art. According to that the scholar gets the title of his research : - (The variety Artistic vision in dramatics experience of the artist Abd Almursal Al Zaidi ) and for reaching to the aims of this study is described by for chapters taking this from : - This consist of (The problem of the research and the need for it, the research confines ,and the definition of the terms ) , The problem of the research included this question : - (Is there any role to the variety of the technicality scope for Alzaidi in the field of radio ,T.V, and plastic art on his dramatics experince).The importace of the research is considered as one of the studies that are about the demonstration and the development of Iraqi theater by its : - Observation to the enlightenment and crystallization of the artistry scopy in the mind and the senses of one of its pioneers who is the artist Abd Almursal Alzaidi and so it is the study that focuses on the aids that use the universal script feasibilities in handling Arabic or native cases.And to put in to use the plastical scopy that Alzaidi has in designing the items of the dramatics show space and this is by the way is considered as a knowledge that serve the workers who work and study in the theatre and the establishments that are in relation with it.The aims of the research consist of three points that are : - 1 - To know the originator of the ideological, and the artistic of the artist Abd Almursal Alzaidi and how this originator influence his own artistry experience.2 - To know the origins of the artistry that are about Alzaidi by following the demonstration of his history his artistry , educational, and social life.3 - To know the nature of the moment that was lived by Alzaidi and knowing its contradiction on the conflict level that the origin artistry methods have witnessed or by the ones that coming by his traveling around the world or by his study in Romania.The limits of the research are restricted according to such ones : - The temporal margin - the locative - The topical , the temporal margin was limited for about (2010 - 1940) concerning his own technical experience focusing on his dramatistic experience, The locative margin (Iraq) but the topical margin is concerning the study of the cultural and creative originators of Al - mursal Al zaidi chapter two Academic field.In this chapter the scholar tries to constitute theoretical domain for the Variety of the technical surveying about the dramatics experience of the artist Abd - Almursal Alzaidi in three main subjects : - The first subject : - The meaning of the technical scopy, the scholar sees in this chapter that the artistry scopy is formed by two important formatives they are in origin from the parts that are connected to the voluptuousness physiological parts of human being and to his social and psychological cultural that are sight and conception.The second subject : - the materials that malte the dramatics artistry scopy come true, the scholar considered such mediums as akind of sciential coherence between the thought and the art for the coordination of the voluptuousness , and the audio - visnal for the theatre show the scholar has distinguished between two kinds of the material that achieved the dramatics Artistry scopy the script and synography.The third subject - The resources of the technical scopy variety about Al - zaidi experience in spite of that these resources are long, imbricate and intricate in different arts however, the point of initiating it was in his dramatics experience (acting and mechanisms , and dramatics there the plastic, T.V,and his radio experience).And the scholar make ratiocination in the end of chapter two that contain the most important of the signs the academic field.In chapter three : - the scholar did his research procedures by limiting (so ciety , sample, the method ,the research mediums) and then he did explication the sample of the research that include the drama shows that was directed by him,1 - (Macbeth)by William shakespear.2 - (lovers not Failed) by farhan Bulbul.3 - (Abu Hamdans dream) by Jamal Abu Hamdan.4 - (Good Human) by Auny caromy.The scholar take the persuasive way in choosing the research sample depending on the analytic descriptive method in analysing the research sample.Chapter Four : - consist of the following : - (the research findings and its arguments, and the ratiocination) the scholar make many recommendation , suggestion the list of index and appendix moreover the digest of the paper in English Language.

وظيفة النقد الثقافي في الخطاب المسرحي العراقي المعاصر == Operation of The Cultural Criticism In Iraqi Theatrical Discourse

Author name: محمد مطشر عبد الكريم الغراوي الكحلاوي
Supervisor name: سافرة ناجي جاسم
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الاهمية التي يشكلها النقد الثقافي في مجال الدراسات النقدية الثقافية، تكمن في انه يكون احد الروافد المفاهيمية في تلك الدراسات، كذلك انه يرصد العلاقة بين النسق الثقافي وبنائية الادب لما لها من بعد بعد حداثوي، ولمقتضيات منهجية البحث، فقد قسم البحث ا | Criticism is a calibration tool on which both literature and recipients makers based, and each according to his approach, because any literary work, whether it was popular or elitist, as it needs to be re - considered and calibrated due to what it bears of intellectual implicit rely on the cognitive concepts of the course of that work, Whether it was poetry or short story or novel or a play as well as other kind of literature, and to be understood by the receiver.As that literature was elitist and restricted to those only (Elite), cultural criticism came to break the hurdle, surpassing all the obstacles placed in front of the popular literature so as to take ample space in the cognitive studies field, To search in all that is hidden and latent in response to the proposals of the postmodern and post - structuralism.All of these changes came as a result of the evolution that took place in post - colonial that led to the awareness of the people and be alert to what is going on around them, so the book made research for that kind of criticism, and as a result the cultural criticism emerged.Based on that, we realized that the importance posed by the cultural criticism in the field of the critical cultural studies, to be one of the conceptual tributaries in those studies, and to monitor the relationship between the cultural pattern in literature constructivism due to its modernist approach, as a result the remarkable research has been divided into (Functioning of the cultural criticism in Iraqi theatrical discourse) four chapters, and they were as follows : - The first chapterThe methodological framework and in which : 1 - The issue : - It is possible to determine the issue and identify the defect to be an entry to the research after identifying the problem.2 - The Importance of the research : We have explained what the Importance of the research in the text of this study is.3 - Research goals : The researcher adopted two goals to be his starting point.4 - The research limits : It has been identified with temporal and spatial (time and place) as well as the objective limit.5 - Determining the terms (idioms) : The researcher has set the terms in accordance with the requirements of the research.Chapter II / The theoretical framework : It contains three topics and by sequence.The first topic - the cultural criticism concepts.The second topic - the references of cultural criticism which is : A) Modern Marxism.B) Materialistic cultural and sometimes called cultural studies.C) Modern historicismD) Womanly criticismE) Modern colonialismTopic III - Cultural criticism strategy in dramatic criticism.Chapter III / research procedures which included : - 1 - Research community.2 - Research tools.3 - Research method.4 - Sample analysis, contained five plays and they are as follows : - a) (Fog) Play - 2003.b) (Curfew) Play - 2008.c) (Death and the Virgin) Play - 2010.d) (Badr and Wafiqa Tale) Play - 2013.e) (The Cart) Play - 2014.Finally, chapter four which included : - The results and conclusions of the research.And after that, the sources and references adopted by the researcher in his research and finally a summary in English.

التحولات الاسلوبية في بنية النص المسرحي العراقي المعاصر

Author name: منتهى طارق حسين جبار المهناوي
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: هناك تحولات واضحة جرت على مستوى الاسلوب واللغة التي انتجها العصر نتيجة حاجات وبواعث اجتماعية وسياسية واقتصادية...الخ. هذه التحولات جرت عبرة سلسلة متواصلة لقرون عدة وصولا الى القرن العشرين الذي احدث انقلابا كبيرا ضد الميتافيزيقيا وصولا الى الحداثة وما بعد | Hare is obvious changes happened on the levees of mode and language that the age produce motive… act. These changes occurred ty continuous series of hundred years access to the twentieth century which make a big revolution against metaphysic get to modernity and what comes after : these changes impact on literature and language which was locked up metaphysic, in view of the fact that language is the agent in embodiment and conduction the literary message and through it, it can be veach to solve the code which represented meaning and symantic levec. Its style tosad on surface meaning on text, so it must be diving in depth to produce style and woven fabril corresponding to what required by modern consciousness. So it must be taking an altions and difterent means in expressing and discovering the meaning of language which elevated power through compatibility of precent and atsent that was established to build advanced language Whig invade the mind of world by his thoughts and realities through several interpretations of a relative expression and interpretation via reading of unlocked text. From here the researcher has an examine glance to observe and chase ( stylistic transfer in framework of modern theater text) it contains four chapters to study that is : The first chapter companies the chief address (systematic frame) which contains a problem of research, targets and its borders, to get finish it by definition of trans fers term and procedure challenge. The it comes the second chapter which reveals to us five subjects, the first one is talking about the style and its historical changes after that it comes the second modifier to be integral and complementary to the first modifier in the address mode of modern text, then it comes the third research which explains, the mode of poetic text and the mode of prosaic text in the forth subject to be the final cheater in the fifth subject which comes with the address of stylistic changes and dramatic speech poetry. Then the research comes out with assigns to establish it her procedures within the third chapter which attributes by the address procedure frame which has analyzed fire samples are respectively : 1 - drama : opera snmar.2 - drama : the clock.3 - drama : the gate.4 - drama : the clown.5 - drama : sedra.6 - drama : republicanism of al jwahery Finally it comes the forth chapter which discover the most important thing by the researcher who discovers the consequences, deduction and recommendation… to complete hev series research by a source of lists which way established on it theoretical frome, to be the final summary of English language out come of research tour.

نظم الخطاب في عروض المسرح العراقي على وفق الاتجاهات النقدية الحديثة نماذج مختارة == The Systems of The Iraqi Drama Shows Discourse According To The Modern Directions Critical

Author name: حارث حمزة عبد الائمة الخفاجي
Supervisor name: نصيف جاسم الدليمي
General topic: Fine Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثل العملية الابداعية فعلا تواصليا ناتجا عن العلاقة المتبادلة بين الوعي والوجود، على وفق صيغ وانساق تنتظم داخل فضاءات فكرية، تتجسد على نحو متحول في الاشكال المادية الممثلة للشكل الظاهري في الفن بحقوله المختلفة، التي يشكل الفن المسرحي احد تلك الحقول.وي | The creative process is represented communication active is ruselt from the mutual relationship between awareness and existence according to forms systems orginicing inside mental spaces represented on transform in material forms witch are represented in external shape to art in different in fields and the theatrical art is one of that fields.And the system of theatrical art is represented transforms active pivot or many levels wich is represented on realation ships and advices wich are spread between abstract humanity wich represnted in the text of the writer and what is carrying of elements and relationships wich are organize according to the given of text system, from one side ,and transform , in in side the external according to two levels the audiovisual from another side.And because of the processes of be organized the awareness to include the facts of theatrical field is come from to call for all humenty references and wich it cannot to out of tamely place facts and reflexes include the structural of creativness system theatrical - and its just like to called on it as abstract structural and atoms structural wich it called by those previous vocabularies from briefly of all to name for example : ( mentally, abstract, perfectly, sensitively, materially, externally, …. Ect ).The objectly equal wich is to spread the structural of theatrical system and finely, and charm reading , what this meaning in discourse, it is effect in the text, and criticism systems, in the theatrical art, included the place on the stag.The search it s contain in four chapters : The first chpter : the form a manner : 1. problem of research.2. aim of research.3. 4. Sami A. Al - hameed.5. fahdel khaleel.6. ssalah Al - qasab.7. Aakheel mahdee.After that, the researcher look in some criticism current : 1. structural.2. seismology.3. deference.

اتجاهات النقد المسرحي الصحفي في العراق (1990 - 2008) == The Tendencies of Journalist Dramatic Criticism In Iraq - For The Period 1990 - 2008

Author name: علي حلو داشر
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان النقد المسرحي الصحفي العراقي يمثل احد الانماط النقدية المسرحية العراقية ذات الحضور الواسع والفاعل ضمن حراك النقد المسرحي العراقي، وان هذا الحضور جاء نتيجة لتفاعله النشط مع العرض المسرحي العراقي على مستوى المهرجانات والعروض الفردية داخل المؤسسة الاكادي | The dramatic criticism in Iraq represents one of the dramatic criticism patterns that have crucial impact within the movement of criticism in Iraq. The importance of this thesis is entitled (The Tendencies of journalist Dramatic Criticism in Iraq - for the Period 1990 - 2008). The title bears questions and inquiries. The question is what are the tendencies of journalist dramatic criticism in Iraq for the period 1990 - 2000. The inquiry, on the other hand, is why we are investigating these trends, for this very periods which represent the last period in which journalist dramatic criticism was practiced in Iraq. To answer the question, the researcher shed his analytical efforts on the dramatic shows (plays) by Iraqi directors, and international and local plays attempting to know the trends of criticism and their aesthetic tendencies through analyzing these critical texts, employing the simple and compound cases in the known trends and their uses such as the method of content - analysis after determine the standards critical trends. The units were employed to analyze the sample to get closer to the scientific fact by numbers and statistics in an attempt to get away off the disguised relativity that is not accurate. To answer the inquiry, on the other hand, the researcher analyzes the results employing the descriptive procedure and the method of case study in order to know the scopes of this type of criticism, i.e. journal criticism. Thus, we detect point of strength and weakness through the evaluation of journal dramatic criticism. Thus, we will be able to rise up the aesthesis of society. The research is made of four chapters. The first chapter included the problem of the study, the need for it, objectives and the limits of the study. The second chapter is made of the theoretical framework that consist, in turn, of two inquiries; the first is about the concept of criticism and the second deals with the tendencies of dramatic criticism and aestheticism. The second chapter also contains the indicators and standards that the researcher has come up with such as sample analysis, and the analysis of the conclusions of the study and the discussion. The fourth chapter includes the conclusions, recommendations and suggestions. Then, the references and appendices. The researcher shed light of his analytical effort on what has been published in the Iraqi journals by Iraqi critics about the Iraqi critic shows for world and local texts trying at knowing the reading texts and employing them in the simple and composite critical trends made of the critical method of the content analysis and the use of percentage to derive every critical aspect alone within one critical article after specifying the criterion and indicators as an instrument which the researcher has come up with within the theoretical framework, which the research employed as his method of analytical instrument vis - à - vis the idea taken from the approach of content analysis as the unit of analysis to achieve the highest degree of closeness to the scientific reality by numbers and statistics in an attempt to get away from the illusionary percentage that sprout here and there and mostly, inaccurate.

المعالجات الدرامية للشخصية التاريخية في النص المسرحي العراقي

Author name: محمد مطشر عبد الكريم الغراوي الكحلاوي
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الشخصية التاريخية في معالجاتها الفنية المسرحية ركيزة من ركائز الدراما المسرحية، فهي العنصر ذو الاهمية، وهي الفعالة في النص المسرحي، لكونها صلة الوصل بين المؤلف والمتلقي، والمعبرة عن فكر الكاتب وما حصل عليه من معلومة موثوقة بعد تقصيه عنها، واستدراكا | The historical character, during its theatrical artistic treatment, is a main pillar of the theatrical drama pillars, it is the most important effective element, of the article, due to it is the connection between the author & the observer, expressed by ideology of the author, by what he has got of a certified &documented information trying to know, the importance of that historical character & the private characteristics of the historical period in which it lived in ,the approach to the historical character, from which the author chose as properties &characteristics discovering the properties ,characteristics of the given historical period & the depressive or liberal circumstances, formed that character, as a result besides its properties in the humanitarian dimensions, perhaps there is an self & influential effects of the historical character, upon the author. There are many historical events in the international history, composed the humanity, is a mean as groups or individuals, coming from the surrounding environmental circumstances, or the resulting individual & collective self agonies suffered, the author is almost obliged by the transfer of the historical events, through historical character, as if this character represents one component of the main resources, composed either the civic development or developed the civilization it self. The theatrical artist (the author) takes the transfer task of these events, even though hypothetically or actually, sometimes, only for the artistic theatrical enrichment, by the inspiration of the passing actual humanitarian history, during different passing eras, containing subjects, ideas and objects lead to the development of peoples vital experiments. It may be seen, from the passing essay, the importance composed from both the history & the characters contained in the past, still have its resonance inside the modern observer, this is the major motive, to look after the reality of the historical character, to be dealt with, theatrically in an artistic style , the research also shows, the author imaginative power, his ideas enrichment of the writing professionalism.Accordingly the research was divided into four chapters : 1) Chapter One : The Text Domain Contains the description of the research problem, importance, targets, limits & the definitions of the terms.2) Chapter two : Covers the theoretical frame, where it contains four research parts, as follows : A) Part one : The concept of public character The public character is treated by its general concept & the limitation of its dimensions (natural, social & psychological dimension) through the ideas &the different theories of the researchers. B)Part two : The concept of the historical character The historical character is treated through its common concept about, as if it is real, not mythic, or imaginary imagined by the author himself, characterized by real humanitarian characteristics lived in real historical period in the past. C) Part three : The concept of the dramatic character The drama is investigated because its importance to the theater, where originally the historical character is contained for the artistic treatment, as considering the character is an important element in the dramatic theatre. D) Part four : the dramatic treatment of the historical character characteristics in the an elective essays, the dramatic treatments of the characteristics was studied by theatrical author, according to the treatments mentioned in the theatrical text. To clarify the complicated image, it was tried to collected different opinions of different writers. The research was stopped, up to this point, on which it was treated as proof supporting the exisistng research, as a specific indicator of the Thesis.3) Chapter three Contains the procedures of the research. The research analyzed the historical plays documented in (1980 - 2005) ,then some specific specimens purposely chosen supporting the research, they are five theatrical essays. 4) Chapter four The results, conclusions, appendences, list of references & English summary.

المنطلقات النفسية لتحليل الشخصية الدرامية في النص المسرحي العراقي : نماذج مختارة == The Psychological Beginnings In Analyzing Iraqi Dramatic Character

Author name: عقيل قاسم ولي الموالي
Supervisor name: حسن عبد المنعم الخاقاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: اهتمت الدراسات الادبية والنقدية في تناول النص المسرحي من الوجهة النفسية عالميا وعربيا ؛ غير ان النص الدرامي العراقي لم يحظ بالكثير من الدراسات النفسية خصوصا التي تناولت المنطلقات النفسية للشخصية الدرامية.. من خلال تقصي الدوافع النفسية الكامنة في هذه المن | The critic and literary studies concern in dealing the theatrical text in psychological in International and Arabic point of view, while the Iraqi dramatic text did not acclaim in many psychological studies specially those studies which dealt with psychological beginnings of dramatic character due to the lack of potential incentives of these beginnings , therefore, the researcher challenge this point in his thesis titled ( The Psychological Beginnings in Analyzing Iraqi Dramatic Character - Selected Samples) , which will includes Two Chapters : The first chapter (Methodic Framework), and second chapter (Theoretical Framework) which were divided into two sub - researches and they are : First sub - research : The Psychological beginnings of analyzing the character, while the second sub - research : The Psychological beginnings in analyzing the dramatic character The researcher and throughout the theoretical framework indications has come up with nine psychological beginnings, and they are as follows : First : Instinctive Psychological beginnings Second : Social Psychological beginnings Third : Self - psychological beginnings Fourth : Sub - conscious beginnings Fifth : Sicken Psychological beginnings Sixth : Bio - physiological Psychological beginnings Seventh : Reaction Psychological beginnings Eighth : Emotional Psychological beginnings Ninth : Philosophical Psychological beginnings As for the third chapter (Procedures of the Research), the researcher deals with those nine Psychological beginnings based on the indications resulted from analyzing the following samples : First : Text of play titled (the Door) by the writer Yousif AL - SaeghSecond : Text of (The Thorns) by the writer Muhyee AL - Deen Zankana Third : Text of (Welcome Oh, Peacefulness) BY the writer Jalil AL - Qaisi While the (Forth chapter) deals with displaying : First : Research Results. Second : Conclusions.

انساق التلقي في الخطاب المسرحي : دراسة سوسيولوجية == Receipt Order In Dramatic Speech (Sociological Study)

Author name: محمود سعودن رسن
Supervisor name: سافرة ناجي جاسم
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The theory of aesthetic reading and receiving is looking for critic conceptions which make a change in the world of criticism concerning the reading of literature achievement this element make the - person - reciver remarkable factor to release the meaning of the achieved speech. on the ground of the controversial relation between the three elements of creation (the writer - achiever - receiver ) this theory provide us with its conceptions by several terms and principles that have great role to make big aesthetical knowledge based at (the horizon line of expectations - underlying reader - range of aesthetic - movable point of view - filling the gaps )As we said that the theatrical dialogue has formed strong and effective relation with the receiver, this we lead to the result of indispensable dual dialogue , so we ask How can the reader will interact with theatrical dialogue and How can interact with whole dialogue or some of it’s elements?For the sociological method importance in shaping human’s awareness, and what awareness consists of references which made from the effect of the fact, it hold sociological influences, that forming knowledge and aesthetic changes in order to answer all questions, we made the thesis into divisions : - ? Chapter one / systematic field (problem of thesis, importance of thesis, thesis goals, thesis limitations, terms restricted) - ? Chapter two / theoretical field consists of (first subject : theory of receiving concepts and procedures (method), second subject : sociological changes in theatrical dialogue. Third subject : method of receiving theatrical show, forth subject : previous studies, theatrical field aims)After the work of the writer he make the conclusions that thesis procedures in chapter three : ( society of study and it’s limits, study samples, study tool, study systematical tools) intentionally, we confine samples in order to apply it to thestudy, (theater / Hussain now / director and composer : Akeel Mahdi, theater/ summer rain/ composer : Ali Abdul - Nabi / director Kazem Al Nasar, theatre / brutal wedding / composer : Falah Shaker, director : Ahmed Hasan Mousa).After the writer’s finishing his sample analyzed the results appeared and discussed in chapter four based on standards shows in the clauses (9,11,12,13). In chapter two within subject four.In the study, we had discovered hypothesis conclusions that we made cognitively hoping to complete the scientific use, we are whishing God to send us his blessing in our study, and to be good luck

تعددية المذاهب المسرحية في النص المسرحي العراقي المعاصر : نماذج مختارة == Multiplicity of doctrines in the text of contemporary Iraqi Theatre - Selected models

Author name: اسماعيل محمد هاشم الياسري
Supervisor name: مجيد حميد جاسم الجبوري
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:

النقد النسوي واتجاهاته المنهجية في المسرح العربي المعاصر : نماذج مختارة

Author name: فوزية ماهود حسين
Supervisor name: عبد الستار عبد ثابت البيضاني
General topic: Fine Arts
Degree: Master
Language: Arabic
University location: Basrah
First pages:
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