فضاء النص الزنجي في المسرح العالمي == Space Text Negro In The World Stage
Author name:
شاكر عبد العظيم جعفر
Supervisor name:
حميد علي حسون الزبيدي
General topic:
Fine Arts
Specific topic:
Theatrical Arts - Literature and Criticism
Degree:
Doctorate
University:
University of Baghdad
Language:
Arabic
University location:
Baghdad
First pages:
18T900 - p.pdf
Abstract:
Owned theater Negro as produced by the texts of the play accompanied by the achievements of the writer west of different affiliations, had the potential and the superior quality because of his triumphant, which has sought to respond to legitimize slavery, which was launched concepts machine western giant, which reflected significantly in attempts absence, and the exclusion of, and break their personal identity Negro sloping from the sweat of black for as long as Consider him an evangelist EU on the one hand and some western thinkers on the other hand being is a substance biologically characterized by the black no history or religion or art, or even culture, which put the intellectual and thinker Negro on the amplitude spectrum lions that faces an advocate for identity associated with the social context and stand with different binary (black / white, master / child, present / absent) and formed The jurisprudence of binaries veneration of the American West, at the expense of civilization has produced and produces humanity that does not want to abandon them, so it has poured cultural system Negro diverse technical capabilities, intellectual and cultural in many genres, including, in particular, that document (text theatrical) which is one of the most important documents install and consolidate identity rechargeable crossover with other cultures and, the requirements of Mrs. Mubarak retain full identity of personal representative color black and its extensions in ethnic history The geography of the African, but it is a space expressive broad stretch in every time and place, so it has sought the writer of Africa wherever Seen Through theatrical text that up to the other, because the arrival is the sponsor to provide his true identity and the deportation of culture and heritage and its contributions to the building of human thought and not owning culture and isolation by , so ithas the form of text theatrical space to respond to erase the identity, space Tatt heritage and the past and the present and empowered personal Negro features all around, as well as the effectiveness and human presence.According to the current research may be of four chapters, came in the first quarter (systematic framework), which contained the research problem in question : ( ) And the importance of research and the need for him and the goal of the research and the limits of time and space research and objectivity. And determine the terms and definitions procedural.In lobe II (theoretical framework) has focused on three topics, and was First research titled (conformations knowledge of the culture of the Negro) and the second section (awareness of the Negro and his performances in the space of transformations cosmic) and came third section carrying the title (space text Negro in / a. Africa b.America) Then came a series of indicators researcher borne out the theoretical framework and previous studies. Here ends the second chapter.Turning to Chapter III (separation procedures Research) and the find to determine the research community and specimens and research methodology, as well as the analysis of five samples representing the research community, which amounted to (42) play Tamoqat between African countries and the United States, and then move on to a new chapter.Chapter IV (the last), which includes findings, conclusions and recommendations and proposals.The research concludes his cards bibliography references and sources and supplements.
