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قصيدة النثر العراقية : دراسة في الانساق الثقافية == Iraqi Prose Poem Study Of Cultural Norms

Author name: هيثم كاظم صالح

Supervisor name: سوادي فرج مكلف

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: The current study addresses the cultural norms in the Iraqi prose poem, as it represents a trial to detect the control and prevalence of such norms in the discourse of the poem. The study also reveals the directions of norms domination in the message of the prose poems, as well as the detection of the revival of old cultural norms in new verses. The current study takes the Iraqi prose poem as field of researching as the latter represents a phenomenon that apply the same conditions of cultural criticism and norm requirements. The prose poem indeed is a puzzling and encrypted production having the potential of cultural mystification around it. The study is made of three chapters, introduction, and a conclusion, followed by a list of references and bibliography, with an abstract and a table of contents. The first chapter is entitled "The Prose Poem and Cultural Norms" which starts with introduction of two sections; the first of which is entitled "Norms (emergence, concept, and interference)", while the second section is entitled "Norms between Breach and Revival". The last section carries two directions; the first of which is "Prose Poem and Breach of Norms", and the second is "Prose Poem and Revival of Norms". This section represents theorization about the norms, their emergence, interference with culture, then their domination, and prevalence in the prose poem examined to detect its breach of cultural norms, with applied texts of that breach, then the way of norms revival thereto, the way of getting norms back into original forms, and the untold in their discourse. The second chapter is entitled "Poem of Centre and Cultural Norms" which is made of an introduction and three sections. The first of which is "Prose Poem and Domination Norm" while the second section is "Prose Poem and the Norm of Abuse" formed of two directions; the first direction is "Abuse of Others/ The Black", and the second direction is "Abuse of Others/ The Woman". Then comes the third section, which is "Prose Poem and the Norm of estrangement". The last chapter includes applied texts concerning the issue of cultural norm and its revival in the discourse of prose poem. This chapter revealed some inherited and normal ideas like (Masculinity / Class) and Death haunted the Iraqi individual. Therefore, the poetic verses come to sustain such ideas and reinforce them with the idea of old norms revival with new aesthetics.The chapter also make clear the modality of the return of center and margin in the poem texts claiming the margins equity, in time other centers are created in conflict with new margins. The third chapter is entitled "Margin Poem and Cultural Norms" also formed of an introduction and two sections; the first of which is "Kurdish Prose Poem, which in turn consists of two directions (The first is Prose Poem and Ego Norm, and the second is Prose Poem and Revenge Norm), while the second section is entitled "Femininity Prose Poem". The second section carries three directions. These directions are "Prose Poem and Subordination Norm", "Prose Poem and Centrism Norm", and "Prose Poem and Violence Norm". This chapter is also an applied one as well, as the researcher employs poetic verses implying the cultural norm, with the potentiality of cultural interpretation, encrypted texts, showing Revolutionary characteristics, implying the norm or appeasement. Thus, the chapter shows the creation of cultural norms and their inheritance in various people classes, whether centered in culture or Marginalized. As shown above, the study revealed the control of cultural norms over our discourses, their effect our vision of life, and communication with others. Later, the poem is seen to have created a new center parallelized to the center of old texts. Therefore, the Iraqi accomplishment of prose poem may have potential reactionary roots and dictatorship, as well as having the possibility of revolutionary origins and progressiveness. Hence appears the effect of cultural norm, which gets deeply rooted as more as it is thought to be retroactive or impairment. That's what is revealed through the course of this study, and tried to be shown in this thesis.

Author name: عمر عبد الهادي مطر الزهير

Supervisor name: محمد عبد كاظم

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Author name: عدي صالح جبار

Supervisor name: صيوان خضير خلف المياحي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

الجملة في ديوان المعبد الغريق للسياب البناء والدلالة == The Sentence In Collection (Temple Drowning ) For Sayyab Syntax And Semantics

Author name: مهند احمد ابراهيم

Supervisor name: عدنان عبد الكريم جمعة السالم

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: The study is a wholesale basis in the understanding of the text , You may enter the world of the poet and reveal the meaning and connotations Thus, it opens the doors of the textTelly can be important in this letter the following : 1 - Sayyab did not come out too much about grammar originally syntax LittleThe impact of poetic weight in the formation of wholesale sometimes.2 - Linguistic context and the impact on the feelings of the poet syntax Since carrying a poet of conditions inside the poem.3 - Sayyab used two types of sentences which do not depart from the actual nominal and it is characterized by the palace and height. 4 - Find among the reasons for being in the Palace Wholesale literary position summary. 5 - Find between the delete of the sentence and the reasons for it. 6 - Find among the reasons for sentence length and the elements that led to the complete length in the poetic image. 7 - Sayyab ties linking his sentences moral and verbal. 8 - The most important contextual relations in linguistic cohesion sentence in the poetry collection. 9 - The temple is drowning ( customization , situational , ratio, dependency ). 10 - Sayyab adopted wholesale methods clearly , namely : A - It came a private Alastvhambesaagh style , in charge of your feet and often the last tool Interrogative. B - Call style came in and out of some compositions from the original for the purposes of rhetorical. C - This style came in different formats and different connotations. D - Exclamation style came in different formats , exclamation Balastvham , and the appeal , and so on.E - Came wishful thinking style (Leigh , though ).F - Apply condition method and delay came , and overlapping methods with him , as occurred Answer condition.G - Diversity among temporary exile and life imprisonment , according to entering the tool on the nominal and actual sentence.

دلالة المصطلح النحوي عند الكوفيين في ضوء الدراسات المعاصرة == The Conceptual Meaning In Al - Kufi'S Syntactical Expression In The Light Of The Modern Studies A Practical Study

Author name: هادي خلف رسن القرناوي

Supervisor name: هناء عبد الرضا رحيم الربيعي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: Praise to God, the creator of the universe and his messenger, Muhammed the last of prophets and missionary, and on his sacred, kind household and fellowmen and those who followed him graciously and kindly till the Judgement Day and thereafter.... The expression occupies or takes over a prominent outstanding position or status in man's intellectual life, it is key or code that man can reach science, as mentioned by theancients. Through the expression the recipient understands and realizes the gateway of this science from its symbols that within the expressions, the vague, mysterious, equivocal points or issues become obvious in any science, all oblique and unclear issues are dissolved. The syntactical expression, as any liguisticexpression, formulates part of total, complementary structure, subject as other expressions subject to special or particularusage for specialized class or group inside the science that contains it that it becomes to have features drived from the environment that lives in, grows up and thrives. It is an accurate subject that needs a thorough reasearching, this makes different writings deal with the expression in different or various frames. Our subject attemptsto deal with thesemantic side of the expressions.The idea of study entitled "The meaning of the Syntactical Expression at Al - kufiee's in the Light of the Modern Studies" concentrates on a general study to the meaning of the syntactical expression, and the choice of the application of Al - Kufiee's syntactical expression was intentional and deliberate because the subject of syntacti - cal meaning needs a reconsedration in the subject so as the bases that are subsumed under the syntactical expressions be delimitied. As it is usual, Al - Kufiee's syntactical expression like a healthy suitable environment for such a study since it is subsumed under a limited schooling system included methodoligical, intellectual orientations or directions which characterizes this study. Despite this soecification or limitation there has been a give and take state with Al - Basra's syntactical expression owing to its priority and pecedence because there are notion and opinions stating that the rise or origin was at the same time and from scholars who were contemperaries to the establishment of Al - Basra's syntax. This was a reason for electing and choosing such a study because many of the meaning's features apply to it according to the methodo - logy of studying the expression. The study necessitates a descriptive, theoretical, and applicational methodology in expression, the reseracher tries to make use of what has been tackled in the former studies of Al - Kufiee's syntactical expression and applies at the same time what the study has arrived at in the field of researching that in a numerous titles have been mentioned derived from the actual applicational study of the expression. The relied on methodolgy started from what really exists and not from what is assumed to exist. This necessitates modifying or changing the methodology for more than once and in lieu of the subject in question. The sources and refrences connected with my study, either those concerned with the syntactical expressions in general or with Al - Kufiee's expression in particular had their effect in paving the way towards reasoning and argumentation and aiding me to delimit the scope of my study and its objective domain or field. The sources or refere - nces I depended on most in allocating the applicational positions of Al - Kufi's syntactic expression are the following references : (The Meanings of the Qura'n) by Ali - Bin Hamza Al - Kisaae (189H), (The meanings of the Qura'n) by Yahyia Bin Ziyad Al - Ferra (207H), (The Concise Syntax) by Ibin Sa'adaan Al - Kufi (231H), (Logic Reformation), by Jacob Ibn Isaac bin Al - Sukeit (244H) , (Thalab's councils) by Ahmed bin Yahyia Thalab (291H), (The Explication of Pauses and beginning), (The Explanation of the long Seven poems), (masculine and feminine) by Muhammad bin Al - Qassim Al - Anbari (328H) in addition to other traditional sources which contributed to stand on Al - Kufi's syntacti - cal expression and to make a comparison between him and Al - Basra's Syntactical expressio. As for the refrences that I greatly benefitted from in my study, these inclu - ded studies that concerned with the Syntactical expression in general and with Al - Kufi's in particular or with both schools like : (Kufa School and its methodology in studying language and its methodology in studying language and syntax) by doctor Mehdi Al - Makhzoumi, (The syntactical schools) by doctor Khadega Al - Hadithi, (Abu Zakarya Al - Faraa and his creed in Language and syntax) by doctor Ahmed Mekki Al - Ansari, (The Syntactical expression, its rise, development till late third century A.H) by doctor Awadth Hamed Al - Kouzi), (The syntactical expression and the origin of meaning) by doctor Riyadh Othman, (The Encyclopedia of the Syntactical) by doctor Yokhana Mirza Al - khamis,and many other studiesd that eased the difficulty of the Study and helped in directing some Kufi's syntactical expressions to the suitable place, all these difficulties were overcome with the aid of God and hid grace. The title of the thesis obliged me to have a look at some academic theses and disseratations entitled (The Syntactic Expression). All these studies tried to remedy and treat the stablizied syntactical expression at a particular syntactical personality or numerous ones. The land marks of one thorough syntactical expression cannot be clarified in the light of one personality because the world might be electric in opting its expressions in accordance with its intellectual directions which differ or vary according to individuals. This may not endow a fixed picture or vie for the subject if we followed the same means or method of researching.

البنية الايقاعية في شعر احمد مطر == The Rhythmic Structure In Ahmed Mater'S Poetry

Author name: زهراء عبد الكاظم محمد المظفر

Supervisor name: عبد الواحد زيارة اسكندر المنصوري

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: Ahmed Matar is known for his own peculiar style, in particular his Lafitat, i.e. ‘Banners’, that has made him a well - known poet in the Arab world filled with anger against their political systems and governments. His poems are characterized by a sarcastic style. Therefore, some like to call him ‘the king of poets’. His poems have studies from different perspectives by a number of researchers. While some researchers, such Ahmed Ghuneim who has dealt with the elements of creation in his poetry and Abulkareem Al - Saeedi who has focused on the poetic narration in his poetry, some others, such as Khalid Jaffal Lafta and Tahsin Hasan Jasim have studied the stylistic aspects of his poetry concentrated and the techniques of the poetic formation in his poetry respectively. However, none of them has spell out the rhythm in his poetry. After having consulted my supervisor, I have come up with this title : THE RHYTHMIC STRUCTURE IN AHMED MATER’S POETRY This study adopts two approaches, viz. historical and descriptive; it is divided into three main chapters preceded by a foreword and an introduction and followed by a conclusion. Chapter one which is titled ‘The Structure of the Prosodic Rhythm’ spells out the poetic meters along with their contexts and the types of rhymes in Ahmed Matar’s poems.Chapter two, for its turn, which is titled ‘The Structure of the Phonic Rhythm’ confines itself to different types of rhyme, such as that of lexical items, lines, texts, rhyme.As for the third chapter titled ‘The Structure of Musical Rhythm’, it focuses on the most important factors that contribute to enriching his poems’ rhythm, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and so forth.The rhythmic structure in Ahmed Mater’s poetry has been studied by means of identifying the most important elements of such a structure and the main factors that influences and enriches the rhythm in Ahmed Mater’s full collocations of poems. Having carefully examined the poems, I have discovered that the Ramal Meter is the most dominant one in his poems, followed by the Rajis Meter, and then the rest of meters.In his poems, the rhyme has played a significant role in enriching the rhythmic structure of his text. The study shows that the poet, Ahmed Matar, banking on his linguistic and stylistic ability, has utilized a great number of stylistic features, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and the like in an attempt to add artistic touches to his poems. To sum up, this study has focused on one of the most famous poets in the Arab world filled with anger against their political systems and governments. I hope that this study could provide the reader with an explanation to the most important elements of the rhythmic structure utilized successfully by the poet.

Author name: سعد عزيز القطراني

Supervisor name: عبد الواحد زيارة اسكندر المنصوري

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages: