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البنية الاسلوبية للجنة والنار في القران الكريم == The Stylistic Structure Of Paradise And Hell In Holy Quran
Author name:
Ahmad G. Naif Alsaadoon
Supervisor name:
عبد الواحد زيارة اسكندر المنصوري
General topic:
Arabic Language and Literature
Specific topic:
Language
Degree:
Doctorate
University:
University Of Basrah - College Of Literature - Department Of Arabic Language
Language:
Arabic
University location:
Basrah
First pages:
01T4544 - p.pdf
Abstract:
Stylistics is born under the shadow of the modern phonological studies and achieves a balance and connection between the distance and the literary distance , bordering its field in studying the literary phenomenon through the phonological entry. It starts from the idea that the expressive context as a unity can be achieved by seueral phonological patterns. Since the stylistics is directed essentially to the expressive text ; and the research in its creativity and wit , and the texts are distinguished by components of the text that prepares for the influence and acceptance in the recepiant. The aesthetic and literary value of the text is not occur except by the options of its tools and expressive methods and it is not separated from it but subordinate to it and rotate in the frame of its machinery. Because of what the stylistics characterized by nonalliance in the view to the text as it is a materialistic entity stands by itself , so the researcher tries to recite this methodology and grasp benefit in understanding the holy Qur'an text especially the scenes of paradise and hell. He also follows what it has of aesthetic values and stylistic features , and expressive features , and reveals the system that governs the grammatical relations with in the holy Quran text “ the scenes of paradise and hell “. The researcher also tries throughout his study of some scenes to uncover some of the features and obscure in other times using stylistic methodology and its linguistic tools by different ways as calculating one time and structural in other times and the alliances and defectives in the third time and imaging in fourth , the articulated bell and tone in fifth time
