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الايقاع ودلالاته في شعـــر كاظم الحجاج == The rhythm and its implications in the poetry of kazem Al - Hajjaj

Author name: علي كاظم رحيم الاعاجيبي
Supervisor name: ناجي عباس مطر
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The rhythm is one the more important elements on which the poetry based on; because it is subject directly to the psychological state of the creator issued by it , it is also one of the most important elements of the production of significance in the poetic text, Based on this premise comes the importance of this study (Rhythmic structure and its implications in the poetry of kazim Al - Hajjaj ) and the choice of this poetic experience as a s ample through which to detect those rhythmic dimensions and the implications of the connotations by the poetic text , this study is to identify the most important manifestations of poetic rhythm , the study was able to highlight the most important semantic dimensions resulting from the rhythmic structure of the poetic texts .This comes to connect the rhythm of the emotional experience and the emotional state , the study is on three main aspects : the rhythmic and rhythmic rhythm, the inner rhythm and the plastic rhythm

التباين النصي في مرويات عاشوراء حتى القرن السابع الهجري : دراسة سوسيوثقافية

Author name: محسن بدر مارد
Supervisor name: كاظم فاخر حاجم الخفاجي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: تزايد الادراك والوعي بالاهمية الكبيرة والمسؤولية الملقاة على عاتق المجتمع لصون التراث وحمايته للاجيال القادمة قدر المستطاع ، لذا حظي باهتمام كبير من اجل الحفاظ عليه ، وان اي فشل في انجاز هذه المهمة يعني قطع العلاقة والرابطة بالماضي ، وحرمان اجيال المستقبل من هويتهم.الحديث عن مرويات عاشوراء لا يمكن توجيهه ـ باي حال من الاحوال ـ في حقل معرفي معين او ادراج ما وصل الينا من ماثورات وحقائق تاريخية في سياق ثقافي محدد ، فالدين والتاريخي والادبي كلها مصاديق معرفية حاضرة وبقوة في تلك الماثورات ، وهذا ما جعلها حفرية حية تختزن تحتها مستويات متباينة من الفهم والتفسير. يعد استشهاد الامام الحسين (ع) في كربلاء نقطة تحول هامة وتحركا وانطلاقا في التاريخ الاسلامي , فمن كربلاء بدا الاتحاد بين الحركة الدينية والحركة السياسية بعلاقة جدلية شكلت بدايات وعي جديد لفعل ثوري جديد , بعدما تعرضت الامة الاسلامية الى هجمة كان للمال والسوط اثره الكبير في تحديد وجهة السلطة. اذ ان الوضعية الاجتماعية الضاغطة التي عاشها المسلمون تحت حكم الامويين دفعتهم للقيام بحركات سياسية معارضة فجرت انتفاضات مستمرة ودامية استندت غالبيتها تقريبا , الى شرعية اهل البيت (ع) وحقهم في الخلافة بعد رسول الله (ص) , لذا اضحت الواقعة الشرارة التي اوقدت معظم تلك الثورات.كل ذلك دفع الباحث الى دراسة احداث واقعة عاشوراء والاحاطة بظروفها وملابساتها وتتبع تاريخها، وتطورها ، وتوصيفها ، واثارها في الامة من خلال الانتقال السوسيوثقافي , وقد توصلنا الى بعض النتائج والحقائق الهامة منها ان الخطاب الشيعي المتمثل بالوعي الشعبي كما يظهر من خلال المدونات يرتبط في اصوله بحركات المعارضة في الاسلام. اذ ان الخطاب العاشورائي يقيم ارتباطا ضمنيا بين موضوعتي الشعائر والطقوس والمقاومة الاسلامية , اذ تعد هذه الاخيرة طريقة من طرق الدفاع عن الهوية , وهكذا تشكل موضوعة الهوية الرابطة بينهما.وقد نظر الباحث الى مسالة الخلاف بين علماء الدين لبعض الطقوس والمظاهر الفلكلورية والتي تعد ( بدعا ) تبتعد كل البعد عن روح الاسلام , اخص منها ما يتعلق بوسائل التعذيب الجسدي , وبعض الاساطير والخرافات الدخيلة على الواقعة , والتي تشير الى دوافع وميول ومصالح ايديولوجية تدفع بالبعض نتيجة لعجزهم والنكوص عن ردها.ان الاختيار دائما من الامور الصعبة ، التي تشق على النفس ، حيث التردد والاقبال ، وتارة الخوف والقلق ، واحيانا الجراة ، وما الى ذلك ، الا اننا خلقنا من ضعف وبالتالي دائما نحن بحاجة الى توفيق من الله.ولابد من الاشارة الى انه لم تكن هناك دراسات سابقة تناولت الواقعة في حدود الدراسة السوسيوثقافية ، الا بعض الدراسات التي كانت تتعرض الى الواقعة من خلال وصف احداثها وتسلسل وقائعها ، وهي من اهم الصعوبات التي واجهتنا في الدراسة.وكانت لتوجيهات الاستاذ المشرف الفائدة الكبيرة في اضفاء لمسة حادثوية على خطة الرسالة والابتعاد عن الجانب التقليدي في توجيهها. يتكون البحث من تمهيد واربعة فصول وخاتمة , اضطلع التمهيد بتاصيل نظري لتوجيه الدراسة ومضامينها وذلك على اساس هام الا وهي ( الاركولوجيا ) التي توفر لنا امكانية الحفر والظهور لمعرفة ماهية المروية من خلال المدونات التي اختيرت على اس زمني.تناول الفصل الاول (( المرويات في الوعي الشعبي )) وذلك في مبحثين هما : (( التباين الثقافي عند المدون)) و(( عاشوراء بين الوعي التاريخي والوعي الثقافي )) يخوض الاول في قراءة المدونة قراءة مختلفة ليست مبنية على فكرة الثابت التاريخي اي محاولة قراءة المروية بوصفها حادثة بعيدا عن سيطرة التاريخ. ويخوض الثاني في بيان الوعي الشعبي تاريخيا وثقافيا , والتاكيد على ان هذه المرويات لم تكن من خيال او اختراع وعي معين وانما هي مرويات تاريخية ثابتة وموثوقة بالروايات الصحيحة لذلك انتقلت هذه المرويات الى الوعي الثقافي والاجتماعي وتناول الفصل الثاني سرد المرويات من حيث الاسطرة والتحريف في محورين تبنى الاول (( المروية وصناعة الخرافة )) وتبنى الثاني ((المغايرة والتفرد)). اما الفصل الثالث فقد جاء بعنوان ( عاشوراء في المتخيل الاسلامي ) فتوجه الى حدود هذه المرويات في المتخيل الاسلامي ومن ثم الوصول الى المتخيل الاجتماعي الذي لا نتحسسه ماديا , اذ انتظم هذه الفصل بمبحثين هي : ( المتخيل الشيعي الامامي ) و(المتخيل السني).وقبل الخاتمة التي تعرضت فيها الى اهم النتائج والتوصيات جاء الفصل الرابع بعنوان (البنى الرمزية وتعدد الدلالات) ليحمل مبحثين هما : ( المفارقة ومغايرة الغرض ) و(الرمز وسلطة المعنى) , والذي اكدت فيه على تشبع المرويات العاشورية بالصور الرامزة او الاساليب الرمزية , وظهور بعض المفارقات في طريق التناول او الاستماع الى المروية , وكل ذلك جاء نظرا للاوضاع السياسية والعقدية والايديولوجيات المتنوعة غير القارة , ما دفع الى اللجوء الى الترميز الخفي لكي يبتعد البعض منهم عن الصدام مع السلطات او مع المجتمع وعاداته.فهناك شعور يخالجني بالقصور والتقصير ، وان كثرا من الامور قد خفيت علي ، او لم اتمكن منها، وهذا هو مقدار جهدي المحدود ، فان وفقت فيه فذلك من فضل الله تعالى ، والا فاني من طلاب العلم ودائما بحاجة ماسة الى التسديد والتوجيه من قبل اهل العلم والدراية والمعرفة.وفي الختام لا يسعني الا ان اقدم جزيل الشكر والامتنان للدكتور الفاضل استاذي المشرف الدكتور كاظم فاخر حاجم على ما ابداه من رعاية علمية خالصة واراء سديدة ذللت الكثير من الصعوبات فطالما رفدني بعلمه منصحه كلما راني بحاجة اليهما

خطاب الناس للانبياء في القران الكريم : دراسة في دلالة البنية والتركيب == People speech to the prophets in the Qur'an Study in the indication of the structure and composition

Author name: انعام رحیم قاسم المطیرفي
Supervisor name: عبد الرحمن فرهود جساس
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Researchers have come a long way, they are drawing from a certain Koran, was apparently one of them he was about to satisfy the appetite for science, what everyone is still weighing, for Igtrv what could accommodate him its container of knowledge, and that only because the Quranic text open letter on space not limited topics, stretching wide to what is not aware of minds.Anmazat verses speech people to their prophets as she recalled what Aatml in the hearts of the tribes toward the messengers, and highlighted clearly what they were agitated by good or evil, and obedience or obstinacy, contribution in shaping the Quranic their stories, and the magnitude of this stories of warning and preaching, and clearly spelled out what It accompanies this story from the mention of the reward or punishment in the same verse, making it the signs indicating the subjects ideological times, and the provisions of the legitimacy again, especially in the verses that remember the words of stubborn, Kufra, in the positions of the controversy, according curriculum alone by the Koran, what to remember the verse claims do not keep track of them, even the argument amounting to come to God, in demonstration or more, to denounce what I call, and Tnsfh blown up, the recipient An understanding of the true faith, or divine rule in the affairs of the creation.2The research on the four seasons came, first chapter discusses the speech of people of the prophets, came on the four sections, highlighted in the first of which features the letter and included the second section placed the unity of the call and the tongue among the apostles and tribes, came third section about the layers of people in the Qur'an, through their rhetoric for their prophets, while the fourth has studied the letter of the faithful of the Quraysh of the Prophet Muhammad (may Allah bless him and his family), and dealt with in chapter II acoustic structure, it was on two topics, the first dealt with acoustic instruments in a speech people to their prophets, and their impact in the context, and Dar es second topic on the phenomenon of refining and audio effects.The third chapter was titled in the morphological structure, it came on two sections, the first names in the circle, and the second acts in a circle. The fourth quarter was below the compositional structure of the title, and split into three sections, the first of which is talking about the news and construction, while the second section talks about Arabic sentence structure, eating a third of some Alandziahih methods, Kaltkadim, delays, deletions, and pay attention.

تاثير المستشرقين في البحث الصرفي والنحو ي عند العرب المحدثين == The impact of Orientalists inmorphological search andgrammar when Arab modernists

Author name: نرجس عبد الرضا حسين السعيدي
Supervisor name: رعد هاشم عبود العبودي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Praise be to Allah, peace be upon the noblest creature of Abu al - Qasim Muhammad and his divine good and after : Emerged as the influence of Orientalism and Orientalists in the Arab world and a clear and concrete in recent times, particularly with the beginning of the twentieth century, especially in the intellectual sphere, and was Orientalists behind most of linguistic modern ideas, they have bulldozed a shift in the path of modern Arabic linguistic thought, what pushed him to the ideas of the new language and exclusively in the fields drainage, as well as the curriculum, some of them seized in Arab researchers who studied under their hands, or look at their tracks, or translate them, Vojb ideas, and influenced by, he took them, adding the delete and kept. Given the importance of this context, the study titled : "Orientalists in morphological search and grammar effect when Arab modernists." Established research foundations on the centrality of the idea that the role of orientalist studies in determining the Modern Arab Studies path in the areas of exchange and as with the curriculum, and to this characterization sought search to track and extrapolate the work of the linguistic application prepared by the Arab pens effects orientalist, has sought search to limit the most important names and works he was able to identify them from the two parties (the influential and affected) are aware of the default can neglecting aspects overlooked, with an ambitious study to reach a result that satisfies the reader.Find and try to answer a number of questions, as a whole : What is the reason for the direction of recent studies about the direction in which we knew about it? The motivation behind it? What causes? Then what benefits earned by the Arab language and then took them the Arabic language as a result of modern orientalist studies? These and other questions raised in the discussion of this research, try to answer them as he could find it from evidence.The importance of the subject of the importance of language, and the impact of modern studies in the light of the receipt of the Arab modern ideas of speed The reason that pushed me because Saussure and Firth and Jomski cited with Orientalists, although theyWestern; perhaps the presence of semi - features between their approach and linguistic thought grammar of the Arab old represented including his Sibawayh and Jerjani, this may clear from the studies presented by researchers including : Abdul omnipotent and Saussure, Ahmed required, and linguistics between Abdul omnipotent and modernists, Rashid Abdul Rahman al - Obeidi, creative dimension in the curriculum of Abdul omnipotent Jerjani, Mohammed Abbas, thinking rhetorical when Arabs, Hammadi steadfastness, and the concept of deep structure between Jomski Arab grammar lesson, for Murtaza Jawad Baqir, and the theory of generation and conversion between potential and performance linguistic,Abdullah dormitory.Because what is important in their door, and the presence of the Arabs adopted by researchers from the modernists adding the added or applied to Arabic. We saw the importance of our work be included in this note that they do not apply to them the term Orientalism.It should be noted that the reason that pushed me because he outlined an entire chapter of the curriculum despite the fact that my address unrestricted research morphological and grammar; is that the researcher morphological or grammar he must approach runs it, and the curriculum is the first step for the researcher, there is no study in the exchange or in the way in the modern era, however, has belonged to the approach of the modern curriculum, and most modern ideas (morphological and syntactic) created the modern approaches to the researchers the opportunity to develop them, and expanded the area in front of them to search The argument in the numerical disproportion between chapters; I left topics expansive mood, they are controlled by the number of pages of each chapter.And it faced the study great difficulties during the collection of subject matter including : the capacity of the subject, and the large number of sources and complexity, and the convergence of ideas and overlap, and the difficulty of access to sources of Orientalists; esulting in a limited study on books translated and available to all, and used the studies that addressed the Orientalist research and study The research plan are based on three main chapters appended to the results of the research and a list of major sources and references, and issued with an introduction and reboot. As for the boot, it was in the term Orientalism and studies that revolved around him, and began to explain the concept of Orientalism, and the evolution of Orientalism, then go to show the motives of Orientalism, and means of Orientalists in spreading their ideas, and then display the previous studies with comparison between them. The first chapter was titled : Impact on the level of the curriculum, and included four sections : Section I : vulnerability historical approach, and the second section : vulnerability and omparative approach, and the third section the vulnerability approach descriptive, and the fourth section : vulnerability statistical approach The second chapter was titled : Effect of Orientalists in morphologicalsearch, and included five topics : The first topic : the evolution of Arab buildings, and the second topic : the origin of derivation and verb tense, and the third section : Alaalal and replacement, heart spatial, and the fourth section : audio clips of the buildings in Arabic and the theory of internal transformation and section V : Instant and feminine and the evolutionof feminization marks.The third chapter was titled : Effect of Orientalists in the search grammar, and included three sections : Section I : at the origin of the phenomenon of expression and its inception, and the second topic : the Arab wholesale, and the third section : the conscience and anned from the exchange, and each separated from those chapters begin featuring now a prologue was a entrance handsome reader to access the content of the chapter.With all the difficulties and Whatever the case, this study has tried to receive what Bdjaptha, the hit - Mawla, it is satisfaction, though, we

البناء التركيبي لشعر البند في القرنين الثاني عشر والثالث عشر الهجريين : دراسة نحوية بلاغية == The Sentence Structure for Al - Band poetry In The Twelfth And Thirteenth Centuries (A.H.) the study of Grammatically And Rhetorically.

Author name: حيدر محمد حسين العتابي
Supervisor name: رياض يونس السواد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Al - Band is a type of the Arabic poetry. It his appeared because of the poets' ignoring to the ancient poem pattern. Other types of Arabic poetry also appeared, as Al - Dobait, Al - Mowashah, Al - Mokhammas …etc. and it is one of anew poetic purposes. Modern poets have rejected traditional aspects that were used for thousands of years, because they found them restricted by enslaving and tradition as well as creating new liberal art.The Poets used it to express their religious, political and social purposes. This new pattern appeared in Arabic poetry during the eleventh century (A.H. ), In southern of Iraq. then it spread to centre of Iraq and Bahrain. So several poets wrote in such new model as Ibn matouk Al - Mawssawi (1087 A.H.), Mohammed Ibn Al - Khalfa (1247 A.H.) and Mohammed Ibn Mehdi Al - Qazwini (1325 A.H.). On the other hand, words and structures are the same in both Al - Band and the ancient Arabic poetry . Its purposes have included the same old Arabic poetry purposes, like praise, slander, lamentation and the praise of women. But more poetic purposes were mentioned by the poets of this literary art, are the praise and lamentation. As for construction of musical poetry, its usually a mixture of two musical patterns in a poem.

اخبار ابي تمام واخبار البحتري لابي بكر الصولي ت335هـ : دراسة تداولية == Abu Tamam’s and Al - Bahtari’s events by Abu Bakr Al - Suli,335 AH. A pragmatics study

Author name: رحيم جبر حسون
Supervisor name: يحيى حسن خضير
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The pragmatic approach is the best method for all studies concerned with the communicative way, because it does not care about the formal or constructive study of the discourse, but rather examines all the aspects and circumstances that accompanied the appearance of such a discourse, for reading a systematic reading that surrounds everything related to the composition of discourse. As the speech is not limited to study the language itself and for itself, but taught the language two levels : 1 - Apparent level : It is related to the words and structures.2 - The hidden level : the state of psychological, social and cognitive ...., and from both levels consist (strategy) of the speaker, addresser and text.A - The speaker : It refers to what is expressed by words and structures to convey his intention, which is called (implicature)B - To addresser : because of the strategy of interpretation and explanation, to know the intended speaker (implicature)C - Text : Including the ideologies that contribute to the change of the situation. In these three strategies, the concept of "power" is created. This concept can only be achieved if the parties to the communicative process (the speaker and the communicator) share the common information and knowledge, The eloquence of (epistemological) references should be well - known for (the speaker and the communicator), so that they don’t fall into the illusion.This research (Abu Tamam’s and Al - Bahtari’s events by Abu Bakr Al - Suli,335 AH. A pragmatics study) consists of three chapters : • Chapter One : (argument) and it includes (intention of argument, the relations of argument and witnesses of argument)• Chapter Two : (the conversational implicatures, cooperative principles the principle and its relation to politeness - Presupposition and intention - Signs.)• Chapter Three : (the research as a literary genre, Speech acts, linguistic methods).

اثر شعر عنترة بن شداد في شعر المتنبي : دراسة تاريخية في الرؤية والتشكيل == The effect of the poetry of Antara bin Shaddad in the poetry of Mutanabi A study of consistency in vision and formation

Author name: سعدون خلف عزر
Supervisor name: عبد الحسن علي مهلهل
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Mutanabb's poetry in vision and composition , the research came out with the following points : 1) Some of the text that influenced by Al - Mutanabbi invested them in more than a position as a foucs illuminated because of their effect on the part , to another one , so as to install them in mind due to the twin of his anticipation and wished on updating them.These updating texts are a try to achieve the goals through which .2) Al - Mutanabbi had deepen his vision in amplifying The Egoism (Al - Ana),whether the poetior the praised's Egoism(Al - Ana) influenced by Antra Ben shaddad's Egoism.This Egoism tra can be transcended the cuttent reality through the legendary as it was not a mirror to reflect the reality and transfer only ,but suggests another reality.As it wasn't easy to great and propose a new reality, he had amplified (Al - Ana) the Egoism for a legendary or semi - legendary hero to fit his goals and means of achieving them .3)Death and acknowledgment of its inevitability come as objectively equivalent to victory and challenge ,as death is one in battle or on the bed . Hence, the poet started defying , drawing the features of the hero who iskilled in a battle and gives all the values of masculinity in it. His speech in this regard is provocative in order to fight in order to fight injustice and his rejection of submission in all its forms , especially since the Abbasid state weakened till its weakness appeared in its division into states .4) Al - Mutanabbi believes that the belonging to the family or to the tribe doesn't get up to the sword and spear , so as to be clearly similar to Antra in this field .Stressing that weapons of fighting is the true descent of man and be has invested Antra's hybrid vision.The essence of man is his actions not his figure. And then he deepened the belonging to the Arabs to face the foreign invasion to be a comprehensive speech in the incitement to fight.5) The similarity of Al - Mutanabbi with Antra appears in the formation poetic where, I studied the text for both of two poets separately without paying attention or reference which relate the two poets according to mix the vocabularies of love and spinning which made the rhythm of everyone not stable , then to form a legendary picture to face a fact that can't be got rid of unless by the picture , in which Al - Mutanabbi had shown such a picture of a fighter's ethical and features. That hero who smils in spite of the death which surrounds him and it is a replica of the influential picture .6) The similarity of Al - Mutanabbi with Antra Ben shaddad in in pithiness filed can be come in two observation, first for supporting his text objectively through protesting to emphasize his vision and second Artistically according to eudden technics to arouse the studier , and thestudier's arousing might be in investing vocabularies and styles of amazing beauty. So Al - Mutanabbi renews the effective text to suit his anticipations in that field.7) The similarity of Antra's with Al - Mutanabbi's text's one more wrathful them general ones. He tended to intensive his text or a poem or a comprehensive vision from Antra's , and summarized it in one or two verses . This comes from his ability of creative from one side and to secret from other side , because he lived a criticized moments which regarded the similarity as a theft at the time. The process of short hand helps him to make the secret.What in indicates to the successful of the poet is that the ancient studies which is countoured with thefts and the modern that is contoured with similarity , didn't see his similarity with Antra Ben shaddad either in one or two verse which took from the postdated to the previous .8) It seems that Al - Mutanabbi has a criticism vision with profile deliberative. He chose the effective text to show for the reader that Al - Mutanabbi is the effective himself and Antra is the influenced. He realized that the content of the text is preexisted in language and meaning .

اثار في التيسير النحوي عند هادي نهر == Manifistations Of Hadi Nahr's grammaticall Facilitation

Author name: افراح ميدان حسين
Supervisor name: سعد كريم خشيف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Grammatical facilitation has gained a great deal of interest among scholars to make it easy for learners. Many books were written about this topic The present study elaborates the efforts of Hadi Nah in this field.The Theises came in a ccordauce with the plan consist of an introduction conclusion and there cgapters.The first chaupter is tihed (Hady Nahar) self and sciemtific Biography, and the concept of Facilitation and dialogue.It includes two sections I chapher one ltady Naher Brography has been presented and in chapter two the concept of Facilitation and dialogue was showen as well by the ancients and modernists, It causes and objectives and its inter locutors : cancel the expression effect, Depend on colloquial Languaye, and Facilitate the curriculum. Chapter two is devoted to Hadi Nahr's theoretical facilitation. It involves three sections; Section one is devoted to Hadi Nahr's theoretical manifistations of facilitation.Section two is devoted to Hadi Nahr's suggestions for facilitating a number of grammatical issues and balancing between his and other scholars's views. Section three is devoted to the Quranic examples.Chapter three is divided into three sections; Section one is devoted to facilitating the Arabic language for media. Section two is devoted to elaborating the relationship between the grammatical rules and writing. Section three elaborates the effects of practical applications on grammatical facilitation.The methodology of the present study is sometimes a balance between Hadi Nahr's and other scholars' views, critical, and descriptive other times.

صورة الكواكب والنجوم في الشعر الاندلسي عهدي الطوائف والمرابطين == The image of planets and stars in the Andalusian literature Trendy sects and Almoraben

Author name: عبير حسن مكحول العبادي
Supervisor name: حسين مجيد رستم الحصونة
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

صورة المراة الجنوبية في روايات شوقي كريم حسن == Image of Southern Woman In The novels of Shawki Karim Hassan

Author name: كفاح حسين عبد الله
Supervisor name: مصطفى لطيف عارف الحسيني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

شعر رعد مطشر مسلم : دراسة في البنية والتشكيل == Raad Mutashar Muslim's Poetry Study in the structure and composition

Author name: سهام جواد كاظم القطراني
Supervisor name: كاظم فاخر حاجم الخفاجي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: This study has been launched tagged ( Raad Mutashar Muslims's poetry - a study in structure and composition) to trace the structure of the poem and how it is formed to the poet, trying to enlight some of its aspects and manifestations. As the modern poem is awealthy genre that retractable to absorb all possibilities available, from the language and the rhythm and image building, and interacted highly positive with the other arts and employed appropriate legibility and Relationship with stylistics in modeling and expression at various levels, without any reservation, as they do not affect the safety of the genre but enriched and deepened the aesthetic characteristics, and doubles the capacity in its performance.The thesis has included three chapters proceeded by an introduction , and followed by a conclusion, the introduction was on the first two points, allocated is to talk about the structure and composition, The second point is to talk about the poet and features of the poetry of the generation to which it belongs. While The first chapter includes the preparation and three sections, it has been the subject structure of the poem is the dominant theme of which has been touched on in the first topic to talk about the construction of modern poem patterns which are found in the poet's experience, and thenIn the second section, we talked about the dialogue and talkers which is one of the ways in which check the dramatic narrative iframe of modern poem, and then the third section talks about the parallel structure that is one of the ways through which the poet was able to achieve theBrhythm of his poems is also a prominent way in the formation of the text and make it coherent and consistent and harmonious building.The second chapter included - is other - an introduction and three sections, devoted his preface to talk about the usefulness of modern poem of the other arts that it is borrowed some of its techniques and methods from, as in the cinema arts, and employed in the construction of the text, to promote the text capability technically , Constrnctly and expressively, making them susceptible more to fascinate. in the first section we talk about the scenario technique and how it contributed to the structure of the poem and composition, then the second section talk about camera technique and using them within the poetic texts, then in the third section, we explore the montage technique and its role in the construction of the text.As well as in the third there is an introduction and three sections, In the introduction, we talk about the title as one of the tools that determine the overall structure of the text, and then we discussed in the first section to talk about the title as a key Tagged text, and was followed by talk in the second section of the poetic title and aesthetics , then in the third section the extent of benefit poet of cultural, religious and mythological stocks in the wording of some texts titles.In the conclusion, at the end of my search, I explained the major themes that the study came up for. In which I mention important conclusions that emerged from the study with its introduction and three chapters and some of the shortcut and condensation.

سيمياء سرد المنامات في الموروث الحكائي العربي == Semiotics Dreams Narration In The Arabic Heritage Gaii

Author name: احمد عباس كامل الازرقي
Supervisor name: عواد كاظم لفتة الغزي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: Human has been known since ancient dreams, and can then first activity expressive and creative practiced before he knew the creative and communicative other activities, and the language codon and charged Dimension Alalamata rich first language of understanding human has ever known with the other, who was not determined features after having exceeded its presence ritual of belonging and reference actually ease the viewer into a fantasy landscape and a rupture of belonging, and not to celebrate the reality of it was dormitories treated as divine messages represent the people of God care and control of their own destinies. It was inevitable for a person to then marched reality of a dream, to enjoy the prospect of the Annunciation obtained or warns, which could afford the alarm or warning and this is not only converts a dream into a verbal version of lean manufacturing techniques to the language, which is the only medium to represent the dreams, here to be the regulator of to pass candidate through the narrative, and techniques, and laws, and abandon Tfeltat Almnamah language that is not subject to the terms of fact and rulings. I've been to Mnamat significant impact on the cultural and Islamic knowledge and the Arab scene and although human ignorant celebrate and sanctify her but that did not detract from its status in Islam that were not increased them after the clarity of its position in Islamic law, as mentioned in some of the Holy Quran He promised the mode of media reporting of the divine prophets, peace be upon them and in the Hadith promised dreams degree of prophecy, and in the Islamic intellectual perspective is the mode of inspiration and dignity to the good of the people of this nation. And cared Arab Entries Mounamat in their own, such as books interpreting dreams book interpretation of the great dreams of Ibn Sirin, and dreams of Ibn Abi Dunya or narrative works of the most famous works of the most comprehensive stems writer in the narrative another type, such as biography or built or the message or story and then ensure his texts dreams that employs the service of the narrative and enhance the intellectual and aesthetic formulation. The Mounamat Care albeit a large and noticeable, but did not come out for the field of special scientific and psychological studies when Freud and Jung, and Lacan in the system of Islamic thought studied dreams in some detail, but he stopped to describe a literary text stands on a par with other literary genres, or approached as a creative activity and is filed narrative reflects the narrative techniques and laws.As the narrative activity active humanly subject to the mechanism of the arrangement and a network of laws designed to bring about the kind of influence the recipient, it has been the darling that thrives signs and signals that hint at more than authorized, and this is the language that is based on a dream - mediated symbols charged give indications, it was appropriate to approach a sample semiotic research, which takes care of the mark, and the significance and reference spectrum. And by the multiplicity of semiotics curriculum and diversity depending on the material studied and privacy, the choice to approach semiotics narrative close to Taalgah textured dreams occurred as a narrative and as a bus signs and symbols, has provided the incentive to choose the title of this study, which is (Semiotics dreams are listed in the heritage of the Arab Gaii) and distributed this study Babin and the introduction and pave took care of the first section Baltoesel epistemological for Mnamat as proactive cognitive humanly rippling with human since the human dawn and to the present times, and is still a field of research and study, and were investigated as a dream of a centralized unilateral / seer, the prevalence deliberative / collective.In the first chapter the study shed light on the concept of dreams when ancient nations such as Greece, and the Egyptians and the Sumerians, Indians and Arabs as the ancient intellectual sediments that reflects many of the phenomena and beliefs. In the second chapter study addressed A_kaah Almnama text and how it can Incorporation to Nsusith as a written text and text as an innovative, The third chapter got the task of elucidation in this text and the emergence of the narrative techniques of Rao landmarks, and Roy, and quenched it.He specialized in Part II Applied study, as he got up the first chapter in which the characterization of the level of jobs, determined in accordance with the method of semiotic narrative in the texts of dreams can be described by this chapter that the focus of monetary characterization meeting in the first section and analysis narrative in Part II mediated by luring shifts to the forms of textual analysis of Mnamat.While the second chapter examines Alsemiae landmarks in space and time in Almnamah texts so that these texts tend deliberately to invest more than a place to invest the time and the place to look reflects the changes and temporal aspects require study in what has been termed space.The text can be described as a personal text Almnama par excellence enjoined this study in the third and final part of the study. The field of study Mtozaaa in the books of the Arab Gaii heritage of major news works such as songs, and the representation of the lecture, and contract unique is classified books in the interpretation of dreams and the other because it represents the container hosts for the texts of those dreams in addition to the diversity of topics such works, which led to a diversity of topics dreams, and I've the study considered that excludes dreams attributed to the prophets and imams peace what is known about it divine messages and methods of ways of revelation for the prophets, and the means of the means of inspiration, and payment when imams and this is often beyond the usual human dreams for them, and with the apparent diversity in dreams but we glimpse the thread of coherence the similarity between them is the tendency extreme to approach system of Islamic thought Bchkhos, and Hawwadth, and beliefs, and Gbeath making a lot of dreams seem similar extent of matching in terms of jobs, and connotations, and the emergence of personal Vdhaeadtha so, prompting the researcher to the classification of shifts in every race, including the sufficiency sample that check the adequacy of research and referral to replicate them.

سيمياء الشخصية في روايات حسين عبد الخضر == Personal Semiotics in the novels of Hussein Abd Al - Khuder

Author name: محمد جباري مطر
Supervisor name: هيثم عباس سالم الصويلي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: لقيت الشخصية اهتمام الدراسات النقدية الحديثة، التي اهتمت بتحليل الاعمال السردية خاصة، ولهذا كانت دراسة الشخصية وعلاقتها بعناصر البناء الاخرى، وسيلة للوقوف على اهم القضايا الانسانية، بوصفها احد الدعائم الاساس للعمل الروائي، اذ انها تمثل عنصرا محوريا في كل سرد، ومن هذا المنطلق لاقت اهتمام الدارسين في التحليل السيميائي بدءا من (فلاديمير بروب) وصولا الى (فيليب هامون)، لما اتسمت به الشخصية من غلو في الاهتمام بها في نهاية القرن التاسع عشر ورغبة اخرين في بداية القرن العشرين في اهمالها وتقليص مدى نفوذها على العمل الادبي، وايضا لما وقع بين النقاد من فصل الشخصية عن الحدث، واهمال ماهيتها، في حين ركز بعض النقاد على افعالها. من هنا جاءت رغبة الباحث في دخول هذا المضمار، فكان (سيمياء الشخصية في روايات حسين عبد الخضر) موضوعا لدراسته، كون الشخصية اداة تثري عالم الرواية وترسم المعالم الانسانية في ذاكرة المتلقي على مدى بعيد، كما انها تعبر عن شيء من طموحات الانسان. اما الاسباب التي دفعتني الى هذه الدراسة فتكمن في اهمية الموضوع والرغبة في التعرف على احد العناصر المهمة والاساسية في اي عمل سردي، فضلا عن رغبتي في دراسة الشخصية سيميائيا، وكذلك محاولة تطبيق اراء الناقد فيليب هامون بوصفه من اهم النقاد المحدثين. ومن منطلق ان النص هو الذي يفرض منهج قراءته وزاوية مقروئيته، اعتمدت المنهج السيميائي بوصفه المنهج المناسب لهذه الدراسة، لما يتميز به من قدرة وصفية، وتاويلية تسمح للدارس والقارئ بالولوج الى عالم النص السردي. اما خطة البحث فقد اتبعت خطة اثرت تقسيمها الى تمهيد وثلاثة فصول تسبقها مقدمة، ومقفاة بخاتمة ، تطرقت في التمهيد الى تحديد الشخصية بين المفهوم اللغوي والمفهوم الاصطلاحي، ثم رصدت لمحة تاريخية لمفهوم الشخصية بدءا من التصور الفلسفي وصولا الى النقد الادبي، فضلا عن عرض التصنيفات للشخصية التي تعرض لها النقاد السميائيين. اما الفصل الاول الذي كان بعنوان(الشخصيات الثقافية للمرجعيات السيميائية من منظور فيليبب هامون) فجاء مقسما على ثلاثة مباحث، تناول الاول منها(شخصيات ذات مرجعية تاريخية)وكرس الثاني (شخصيات ذات مرجعية مجازية)،وتعرض الثالث(شخصيات ذات مرجعية اجتماعية). اما الفصل الثاني فقد انطوى تحت عنوان(سيمياء اسم العلم الشخصي وعلاقته بمسماه) وقد ورد هذا الفصل على ثلاثة مباجث، اذ جاء المبحث الاول تحت عنوان(دلالة المطابقة)، اما المبحث الثاني فجاء تحت عنوان(دلالة المفارقة)، في حين اختص المبحث الثالث بـ (دلالة الاعتباطية). واما الفصل الثالث فقد كان بعنوان(سيمياء بنية الشخصية الروائية وتقديمها)، فاستوى على مبحثين، اولهما (سيمياء الوصف الخارجي، وثانيهما (سيمياء الوصف الداخلي)، ومن ثم ذيل البحث بخاتمة تضمنت النتائج التي توصلت اليها الدراسة. وفي الختام لا يسعني الا ان اقدم شكري وامتناني العميقين الى الاستاذ الدكتور هيثم الصويلي لقبوله الاشراف على هذه الرسالة ورعايته العلمية والتربوية وتوجيهاته السديدة وعطائه الثر في توجيه البحث الوجهة العلمية واخراجه بهذا الشكل. كما اقدم شكري وتقديري الى قسم اللغة العربية في كلية الاداب رئيسا واساتذة، لاسيما الاستاذ الدكتور هادي شعلان، والدكتور حازم هاشم لما بذلوه من جهد في توفير المصادر وتقديم المشورة العلمية.كما اتقدم بالشكر الى الاديب الروائي(حسين عبد الخضر) لجهوده في انارة بعض الاشياء الغامضة في الروايات، ولا انسى بالشكر صديقي الحميم القريب الى القلب الاستاذ محمد كاظم كتوب لما قدمه لي من مساعدة سائلا الله له السداد والتوفيق. وحسبي ان التمس العذر لما يشوب هذا الجهد المتواضع من نقائص، فان اصبت فذلك المبتغى وان اخطات فحسبي اني حاولت، ولله الحمد من قبل ومن بعد. | The personal interest in modern monetary studies, especially the studies that focused on the analysis of narrative work, was therefore a study of personality and its relation to the other elements of construction, a way to identify the most important humanitarian issues, as one of the pillars of the novel work, as it is a central element in every narrative. The interest of scholars in the semantic analysis, from Vladimir Probe to Philip Hamon, was characterized by the over - interest of the personality at the end of the nineteenth century and the desire of others at the beginning of the 20th century to neglect it and reduce its influence on literary work, Signed Critics have separated the character from the event, neglecting it, while some critics have focused on its actions.Hence the researcher's desire to enter this field. He was a personal subject in the novels of Hussein Abdul - Khuder. The character is a tool that enriches the world of narration and draws human features in the recipient's memory for a long time. The research plan followed a plan that was divided into three chapters, preceded by an introduction, and a final introduction. It focused on the definition of personality between the linguistic concept and the conventional concept, and then the historical profile of the concept of personality ranging from philosophical to literary criticism, Which is presented to critics of the Semites. The first chapter, entitled "Reference Characters", was divided into three sections, the first of which dealt with historical reference figures, the second devoted the reference figures, and the third presented the social references. The second chapter is entitled "Simia the name of personal science." This chapter is presented in three sections. The first section is entitled "The Significance of Conformity." The second topic is entitled " Arbitrary indication). As for the third chapter was entitled (Simia external and internal features), came on two topics, the first (external features), and the second specialty (internal features), and then ended the research concluded that included the findings of the study

رسائل الامام علي (عليه السلام) في نهج البلاغة جماليات الاتصال وتحولات القراء

Author name: خالدة علي فليح حسن الكـــــعبي
Supervisor name: حامد علي غيلان
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

الانواء في القران الكريم : دراسة دلالية == Forecasters in the Quran Study Semantic

Author name: مشتاق كاظم فهد
Supervisor name: جابر محيسن عليوي الركابي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The research has taken the pronunciation of the holy Quran for cast for its importance . So , it framed a remark able phenomenon in it. There fore the holy Quran mentioned the pronunciation for casts telling about the ability of God and his favourits upon about creatures , remembering those who is prudent . The holy Quran is the greatest source use to discover about it and make it clear . The presentation extended in details . This research studied the holy Quran for cast and presented the utterance of the language specialist and indicated it according to the modern science , citing the Arab saying and their poetry for it . The plan of the research include an introduction and four section and ending a list of sources and references . The preface included a study to the for cast of the language , the idiom mentioned it in the speech of the prophet and Arab poetry . The first section studied those for casts lexical study . This section also include two study , the first took linguistic indication for the pronunciation aerial for cast . The first lesson is the sequence but the second lesson studied the mutual in linguistics for this pronunciations Quran . The third lesson studied the actual semantic and the metaphorical pronunciation's hers in the holy Quran . It is two studies too . The first studied the meta phorical verse for casts . The fourth section which is the last studied the synthetic connotation for these pronunciations are it includes two studies . The first lesson study the added to the pronunciations for cast . and the classify in if mean while the other studied grammatical methods and selected from it the presentation the delay and the swear by pronunciations foe casts . Finally this research included a list of important results that I reached with this study .

خطاب اهل البيت (عليهم السلام) في اصول الكافي : دراسة تحليلية

Author name: عبد الله حسين خليف الكعبي
Supervisor name: كاظم فاخر حاجم الخفاجي | قاسم محمد كامل
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:

خطاب اهل الكتاب في القران الكريم : دراسة حجاجية == My Reaserch Title is Biblical People Address in the Holy Qur'an Argumentational Study

Author name: ارجوان حسن علي الوائلي
Supervisor name: هادي شندوخ حميد السعيدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The pilgrims modern theory of Western, I got out of both sides deliberative appeared Dkro work in 7714 are linguistic theory, accomplish mediated natural ,language, and this theory seeks to show that the language bear in self - core function orbital indicator in the words themselves structure.And along with rhetorical with Perlman these tow worlds have put the basis orbital theory, despite different drove note that the search Ohadjama has ancient roots stretching to Greece and specifically Aristotle who laid the lesson Ohadjama his landmarks and the Arabs alerted to this Hajaji pattern also through their works, were taking it under the name controversy the statement can be seen this strategy when bigeye in his book (Signifying statement),Which makes it necessary in the words of al - Khatib,co - opt the recipient thought also addressed all of the son of the donation and Alqirtagni as important way to establish the argument, and the destination essential to carry the souls on one thing, believe or do somethingTherefore benefited the lesson of modern Greek and Arab heritage Ohadjama old tried to resurrect in a new dress, but a orbital theoryAbstractCWe've won the Koran fortunate range of study because of its strong presence and various legislative and linguistic fields, not surprising because it is the biggest event in the history of humanity. God has made Him Almighty and His Messenger major miracle, the Standing argument on the creation, for being a book of reform, designed to change the situation and what the thought that’s what made him a speech Haggagaa the first place. The Quranic discourse and being a speech Haggagaa some recipients prompt him an important and a fundamental pillar in bringing the ideas and achieve the purposes of the speakers when contained in a means of splash and persuasive. what aims though his speech to change his beliefs and persuade him and influence his views receiver and pushed him to his point of view or belief in change for the truth or invalidity objector opinion We saw that the adoption of the pilgrims in a speech people of the book is not aimed at receiving news and information only, but hired her speech to influence and persuasion, rhetoric is trying to achieve the purposes of the orbital order to reach the orbital destination they went etc.

خطاب الامام الرضا (عليه السلام) : دراسة في الاقناع == Al - Imam Al - Ridha's Speech : A Study in Persuasion

Author name: حسين جويد منخي
Supervisor name: حامد علي غيلان
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:

حجاجية الخطاب القراني في موضوع الكافرين == Protesting the Qur'anic Discourse on the Subject of Disbelievers

Author name: الاء محمد كاطع الغالبي
Supervisor name: عبد الحسن علي مهلهل
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The Qur'anic discourse is distinctly a speech in the argument way because it is a speech between two conflicting parties on a fundamental issue which is the unification of the Almighty God and the performance of his orders and avoid what is forbidden to him . The purpose of the speech is to influence and persuade the recipient . For this reason, the Qur'anic expression used different means of persuasion in order to convince him , so the subject of the research entitled ( Addressing the Disbelievers in the Holy Quran - Study in the Argument - ) . I discussed the speech directed by the Almighty God or the apostles (Peace be upon them) or believers to the unbelievers , as well as, the speech of the unbelievers among themselves ( between masters and followers ) . I mean disbelievers : - anyone who does not recognize the existence of God or associate with him or who does not follow the teachings or deny the messages of the apostles (Peace be upon them). I address the verses that addressed the unbelievers sometimes the term(kafir ) is referred to and sometimes the term ( kafir ) is not mentioned or one of its derivatives , instead the term ''polytheist'' or ''oppressor'' or ''corrupted '' or other term is used . The nature of the search required that it be divided in to (a foreword) and (three chapters) and (a conclusion) . The (foreword)was divided in to two sections : - the first section was summarized as saying in the concept of (protest) in terms of definition of language and style . And mentioned the concept of (protest) at the most important poles of the school of protest in modern times . The second section was to define the concept of (kufr) language and terminology and then asked to mention the types of disbelievers who were included in the research , sometimes there is no mention of the (kafir) in particular , but there are words that differ from the root of the language of the (kafir) , but in the content enters the circle of (kufr) . I focused on ( polytheists and devils ) and studied the semantic differences between them and (kufr) . The first chapter was entitled ( Mechanisms of Arguing in Addressing the Unbelievers ) and included two topics ,the first entitled( Mechanisms of Language ) and examined : 1 - the impact of the links protests in addressing the infidels . And : 2 - the impact of protest methods in addressing the infidels , the second topic included (Rhetorical Mechanisms )and examined the effect of rhetorical mechanisms of analogy , metaphor and metonymy in directing the protest which is directed against the unbelievers . I would also like to note that I have listed chapter one with ( Mechanisms), but I mentioned only two mechanisms ( linguistics & rhetorical ) .This is because each mechanism falls under the concept of many mechanisms ,and this is why the designation chapter(Mechanisms). The second chapter , which was entitled ( The Relations of Protest in Addressing the Unbelievers in the Holy Quran ). This chapter has subheadings , namely , five relationships : - ( relationship of necessity , relationship of sequence , casual relationship , relationship of conclusion and relationship of non - agreement ). The third chapter was entitled ( Patterns of Protest in Addressing the Disbelievers in the Holy Quran ). It included three topics , the first section entitled '' Mental Argumentation '' and included quasi - logical arguments and rational arguments , the second topic was entitled ''Steering Argument '' which included : - 1 - guidance of preaching . 2 - guidance by induction. 3 - guidance on mentioning the consequences of things ( intimidation) . The third topic was entitled ''Impossible Argument '' and included the ''miracles'' that were used for the arguments of the unbelievers and the infidelity of them upon the truthfulness of the law of the Lord of the world . And included the miracle of the Quran and the sensual miracles . Finally the conclusion and I summarized the main findings of the research

تمثلات العنف في مدح الحاكم الاموي == Viiollence represntatiions In Praiise of the Umayyad ruller

Author name: بيداء محسن والي الابراهيمي
Supervisor name: علي عبد الامام مهلهل الاسدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The presen study deues into the phenomenom of vroIence inUmayyad praise - poetry written by Umayad poets . This kind ofpoetry has vioent patterns that contribute in one way or another tocensuring recipients and spreading banu - umayya's ideas and plantingthem in the recipiemt's mind.This research focuses on the praisespeech of the Umayyad poets who supported the unjust umayyadauthority .They stood beside it in its violent policy.and they weremedia channels that spread the ideas of the Umayyad .they broadcastthese ideas in the mind of the recipient.In order to integrate datasurvival and hegemony of the ruler and weaken the other.oppositionand obeyed by force and coercion.The present study falls into three chapters preceded by anintroduction and followed by a conclusion .In the introduction ,theconcept g violence ,its root and its manifestatron in the poetry havebeen tackled .As for the first chapter,violence at an intellectual leuelhas been inuestigated and it involues two sectrons.The first section isabout falsifying the truth and the secord section is concerned withrepression and incitement policy. .As regard the second chater,violenc at an image Ieud has beenhanded and it also includes two sectrons.The first section deals withthe image of the authoritarian rulev and the second section isconered with the imoge of submissiue nationals.Coneerring the thirdchapder ,violence at a poetic language levd is handled and itcomprises two setions . the first section deals with the structures andvocabulary and the second one is about. .The poetry of the praising of the Umayyad rulers as written by Umayya palace poets like Alfarazdiq ,Jareer ,Alakhtal,Uday Ibn Alaraqqa …otc. .Most of the praise poems are exaggerated and invowe negatiue violen patterns. .Many kinds of sources are included in this study like old and modern critrcism books,eloquence books,history books,So ciology books,psychology books and poetic works.

جماليات البناء اللغوي في الخطاب الشعري عند لميعة عباس عمارة == The Aesthetic Of Linguistic Structure in Poetic Discourse Of the Poetess LAMEAA ABBAS EMARAH

Author name: ختام سالم علي العكيلي
Supervisor name: مجيد مطشر العامر
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: الحمد لله الواحد الاحد الفرد الصمد الذي لم يلد ولم يولد ولم يكن له كفوا احد ، وافضل الصلاة واتم التسليم على حبيب اله العالمين ابي القاسم محمد واله الطيبين الطاهرين اجمعين ، وبعد ...عرف الخطاب الشعري باتساع افاقه وحريته في التعبير ، وقد انماز بجماليته المتاتية من انتظام مستوياته ، عبر قوالب وجاهية متمثلة بالصوت والتركيب والمعنى والبنية الصورية ، وان هذا التداخل المعرفي بين هذه المجالات يدعونا الى التاكيد على ان اللسانيات انما هي اعادة تركيب للثقافة في اطار الابداع من جانب وصياغة اللغة داخل الخطاب ، ووظيفتها في جذب انتباه المتلقي من جانب اخر.وبتوجيه من استاذي عن هذا الموضوع اصبحت لدي رغبة في دراسته دراسة لغوية تحمل في طياتها مظاهر الابداع والجمال ، على الرغم من الرواج الكبير في حركة الشعر لم يحظ شعر لميعة عباس عمارة بالعناية والبحث الكبيرين ، فقد ظلت حبيسة الكتابات التي لا تطولها الدراسات النقدية البناءة ، فلم تاخذ كفايتها من الدرس النقدي اللساني ، على الرغم من مواكبتها للانتاج الشعري ، فهي تمثل ضرورة حقيقية للحداثة الشعرية ، وقد رافقت الجيل الحداثي الاول المتمثل بالسياب ونازك والبياتي ، الا ان التماعاتها الشعرية باتت هشة في النتاج النقدي مع ان وعاءها الشعري لم ينضب بعد ، ومثل لميعة ، البريكان ، وكمال سبتي ، وبلقيس حميد ، ووفاء الربيعي ، وهذه الدراسة انمازت بكونها خصصت لدراسة شعر لميعة دراسة لغوية تتجلى فيها تقنيات متنوعة ومتعددة ، وهذا العمل البحثي قد افاد من مقتربات كثيرة تجمعت عند نقطة مركزية تعمل اللغة على تحريكها بحثا عن مظاهر الابداع والجمال ، وباستثناء هذه الدراسة لم اجد دراسة تتعلق بالجانب اللغوي في شعر لميعة عباس عمارة ، اما الجانب الادبي فوجدت دراسات قليلة تمثلت بالاتي : 1. شعر لميعة عباس عمارة دراسة موضوعية فنية ، رجاء سالم الهيمص ( رسالة ماجستير ).2. شعر لميعة عباس عمارة دراسة فنية ، اياد يوسف يعقوب ( رسالة ماجستير ).3. الانا والاخر في شعر لميعة عباس عمارة ، سليم عارف ياسر ( رسالة ماجستير ).4. الموروث في شعر لميعة عباس عمارة ، ( احلام عامل هزاع ) ( رسالة ماجستير ).وهذه المحاولات لدراسة شعر لميعة هي محاولات محدودة اذا ما قيست بغيرها من الشعراء ، فهي شاعرة تمتلك قدرة عقلية وثروة لغوية استقتها من ميادين التراث الادبي ، ففي الشعر سر لا يعلم كنهه حتى الشعراء.واتبعت الدراسة المنهج الوصفي التحليلي بغية التوصل الى مكامن الجمال والابداع في الخطاب الشعري ، وقد اقتضت طبيعة الدراسة ان يكون البحث على ثلاثة فصول ، الفصل الاول بعنوان جماليات البناء الصوتي وقد قسم على مبحثين الاول بعنوان ( جماليات البناء الصوتي الداخلي ) ويتضمن : التكرار والجناس والتوازي والتراكم ودورها في تحديد البنية الصوتية واثرها في تحديد الدلالة. اما المبحث الثاني فيحمل عنوان البناء الصوتي الخارجي المتمثل بالوزن والقافية واشرت فيه الى مسالة الازدواج الموسيقي.اما الفصل الثاني فقد عقد بعنوان ( جماليات البناء التركيبي ) وجاء على مبحثين ، الاول بعنوان ( جماليات البناء الصرفي ) ويضم ابنية الافعال والمصادر والمشتقات ، اما المبحث الثاني جاء بعنوان ( جماليات البناء النحوي ) ويضم اساليب تركيب الكلام كاسلوب النفي ، والشرط والاستفهام ، والتقديم والتاخير ، والحذف ، ودورها في تحديد البناء اللغوي وابراز العمل الادبي.اما الفصل الثالث فكان بعنوان ( جماليات البناء الدلالي ) ويضم اربعة مباحث ، الاول يتعلق بالتوليد الدلالي واستحداث معان جديدة من عبارات ومعان قديمة.وكرس المبحث الثاني لدراسة ( عناصر العمل اللغوي ) او ما يسمى بالعلاقات الدلالية الا ان الباحثة اثرت التسمية الاولى على الثانية لكونها من المسميات المستحدثة في اللسانيات ، وتناول هذا المبحث قضايا التضاد والمشترك وبيان اهمية السياق في تحديد معانيها.وخصص المبحث الثالث الذي يحمل عنوان ( الحقول الدلالية ) لدراسة الموجودات ، الاحداث الاماكن ، والاشخاص وتحديد اثرها البين في الدلالة وانبناء المعنى ، وتناول المبحث الرابع التناص وانواعه وجذور التناص التي تعود الى فكرة السرقات ، وما النص المتناص الا دليل قدرة الشاعر اللغوية الواعية ، وانتهى البحث بجملة من النتائج التي توصل اليها الباحث.وفي خضم هذا المطاف الجمالي في الخطاب الشعري اود ان اذكر ان كل صواب في الرسالة هو توفيق من الله ومن توجيهات استاذي المشرف ، وكل ثغرة او هنه من نفسي ، فاني لا ادعي لعملي الكمال ؛ فالكمال لله وحده صاحب الفضل والمنة ، فله الحمد والشكر على ما وفق ، وهذه الدراسة ما هي الا محاولة اقدمها تباعا لمن سبقني في البحث العلمي ، فان اصبت فهي حسبي ، وان اخطات فهو من نفسي، اسال الله العلي القدير ان يوفق كل من قدم لي يد العون والمساعدة ولو بكلمة طيبة ودعاء ، ويجزيهم عما قدموه خيرا وثوابا والحمد لله رب العالمين اولا واخرا ومنه التوفيق | The research tackles the aesthetic of linguistic structure in the poetic discourse Of the poetess LAMEAA ABBAS EMARAH . She is a pioneer of Free poetry ,an importance sign of modernist poetic movement, starting in the 195th of the 20th century. Where she had played remarkable role, with Badir Shaker Al - Siyyab, Nazik Al - Malaaeka, Abdul Wihab Al - Biyati and other, in this movement. She has written seven books of poetry : The vacuum corner - 1960, Spring return - 1963,Ishitar songs - 1969,They names it LOVE - 1972,If the seer informed me - 1980, the last dimension - 1980, The Iraqi.The research aims to study the aesthetic of the linguistic structure, and the bases of its different levels . The poetess builds its location between two styles : of Al - Siyyab and Nazik Al - Malaaeka, of strong newest structures. She does not come close to their styles, but at the same time does not go far from their styles .Where she endeavors to concentrate on the goodness of meaning.The research is of three chapters : The first chapter is of two sections : The first section is on : The aesthetic of internal phonological structure ; repetition, alliteration ,parallelism , accumulation .The second section is on : The aesthetic of outer phonological structure; rime, rhyme, copula , and music.The second chapter is of two sections : The first section is on : The aesthetic of morphological structure; verb structure, derivation structure, infinitive structure.The second section is on : The aesthetic of grammatical structure ; it is on parts of speech , negative , condition , advance and delay , deletion and implication.The third chapter focuses on : The aesthetic of semantic structure.It is of four sections : The first section is generative semantic.The second section is semantic relations; the elements of linguistic work : contradiction, sequence and common The third section is the semantic fields , and their role in determining the significance and guiding the meaning.The fourth section tackles the intertextuality, its multi - types, its relation with the idea of stealing , its importance in guiding significance across a long poetical experience. The research ends with the studying results

تمثلات المراة في الرواية العراقية والايرانية : دراسة مقارنة == Incarnations of women in the Iraqi and Iranian novel A comparative study

Author name: محمد مهدي ياسين الخفاجي
Supervisor name: ضياء غني لفتة العبودي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: This project focuses on the Iraqi and Iranian societies and the situation of women (half of the society) in them, and whether women took their role in them.This project focuses on the literary and critical comparative studies point of view. A set of novels was chosen and not other type of art, due to its novel of the breadth and comprehensiveness in the analysis and interpretation in order to clarify the representations of women in the Iraqi and Iranian literatures, and thus in their communities, and as they say literature is a mirror of life.The reason of choose novels not the other type of art was the novel is socially closest to the recipient trends, and impact it, this study deal with a literary theme purely social natureTwenty Iraqi novels and twenty Iranian novels was chosen in this study, the Iranian novels were distributed into two parts : the first ten novels Persian published inside Iran, and the other ten novels published outside of Iran, for multiple reasons due to the fact the political ban by Iranian authorities, Or by publish part of it and cut the other by the Iranians authorities make the authors of those book prefer publish it out side Iran, or due to immigration of the authors themselves which they called “Iranian Diaspora”, and they publish their novels to other languages which we could not got the original Parisian text. This study contain introduction and four chapters and Conclusion, the introduction contain identify the main items used in this study under title “the study the language of the origins and definition of comparative studies”.The first chapter of this study was the beginning of Iraqi and Iranian novels and women representative. These were in four parts : the women between the novel and society, women and novels, the beginning of Iraqi novels and women and the Iranian novels and women. This chapter was general booting of this study. In the second chapter is devoted to the environmental impact statement in the formation of the woman's personality. These were in four chapters : Preserve the environment, modern environment, the city environment and finally the country environment. The third chapter is devoted to a statement the women's movement between rebellion and submission. In two parts : The formal appearance of the woman's personality and its interaction with the novelist event which contain woman's personality belle / seductress, Scorpio / female / bachelorette, women in love/ lover, raped women/ women abuse sexually, cultured personal / educated, crazy personal, powerful women/ Stakeholder, bride personal / married women, and personal fearful of spinsterhood / researcher for a couple.Perhaps one of the most important difficulties have been faced in this research was the difficulty in obtaining samples novelist, Iranian trading prohibited inside Iran, and we had to search for them in countries other than Iran, And also involve in the translate Persian texts, which was a new experience in a world that has not seen before by the researcher. We were n’t aware of the mysteries and the meaning rather than translate the txt literary translation, which required a frequently travel to Iran. And ask lot of professors which were specialist in translation which give us text far a way from meaning verbal or virtual meaning, as is the comparative studies of the most important studies on the academic level,This importance comes from it focuses on the different views and contrasting schools converged enrich the content and expand the circle research. As well as the subject of women is one of the most busiest topics for scholars and researchers in the various modern scientific and humanitarian fields, and all this concern is the inevitable result of ill - treatment that I received of women in all parts of the globe. Due to the general view that women are less than a man (incomplete human) therefore she was less rights, so lot of referrals came for fairness and benefit from mental abilities and mental wasted. Every society draws a picture prior mental women circulate them match with the conservative societies on the individual behaviour is consistent with the general behaviour of the rest of the community, which draw a shadow directly on women to be the first victim. The customs and habits very similar between the Iraqi and Iranian communities, both of the societies neighbour geographically and socially, and even tribal, in addition to religious and sectarian symmetry. The Iraqi society tends to tribal rule more than the Iranian society which tends more civil, And that Iranian women more power and less compliant to the man from a group of Iraqi women to the reasons and causes (albeit in different proportions). The women took part in persecution her gender and this was not just on men which any one can notice that in both Iraqi and Iranian societies. This makes the men in both of societies a trustee on women watching and judges her. The blocking women from the most prominent in Iraqi communities and Iranian, this was one of hypothesis in both of the societies since both of the societies expect women fare hopeless even if any men scare they give him women name. The conservative societies puritanical have made it an icon of women's fear and weakness and despair being distinguish between them and is bordered by the institution of social and attack and traditions

تحولات الخطاب في شعر عقيل علي == Conversions speech At Aqeel Ali poetry

Author name: مسار حميد عبد
Supervisor name: عبد الحسين عبد الرضا العمري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: تمثل سلطة الخطاب الشعري قوة بالغة التاثير في مجتمع التلقي، بما تمتلكه من ارث في الذاكرة الانسانية، وبما تحظى من احتفاء فطري لدى الانسان اينما كان وفي اي عصر؛ لذا يسعى كل شاعر ويشقى حتى يتمكن من تاليف خطابه, وحين ينجح في مسعاه يكون لخطابه تقاليده وحدوده ومزاجه ومناخه الخاص, وكلما تجلى الخطاب ودخل في فضاء التشكيل تنازل عن حظوظ كبيرة من فطرته, وتوغل في الفني والجمالي والثقافي, منتقلا الى مرحلة تمثيل رؤية الانسان والانفتاح على المفاجات الشعرية التي تدخل الخطاب في قلب التخفي والمواربة وابتكار ما من شانه ان يعمق روح المتعة والمتابعة ووهم الوصول.بحثنا الموسوم بـ" تحولات الخطاب في شعر عقيل علي " هو بحث تاملي,رؤيوي, نقدي واجرائي في ان واحد, يجمع بين دفتيه شبكة متضافرة من الافكار والقراءات، والفضاءات الرؤيوية التي تنهض على تفاعلية نصية مكتنزة وحيوية وناشطة قائمة على الدربة والتجربة والتامل الثري والحساسية المثقفة وتعكس قراءاتها بالمجمل تجلي مرايا الخطاب, اذ تكمن الحرية والهوية ويتجلى الامل والانكسار، ويتسع حجم الصورة ويتداخل الانا بالاخر في ستراتيجية تمثيل مشتركة , تتشابك فيها سبل العمل وادوات التشكيل وخصوصيات الرؤية من اجل بلوغ مرتبة عليا وقصية من مناطق التجربة الثرية الغنية الخصبة, وصولا الى تحقق مرحلة الخطاب الحر، وهو يجوب بلذة وتطلع غابات الفكر وبحار المعنى, ليقول في النهاية كلمته الجوهرة بلا قيود.فانك حين تنتهي من قراءة شاعر ما وتصيبك دهشة الابداع وتقفز الى ذهنك اسئلة عن عبقرية المعاني او سحر الايقاع وتلح عليك هذه الاسئلة طالبة الاجابة حينها تدرك انك امام شاعر يمتاح من موهبة خصبة صادقة، ومن هذا المنطلق وبعد قراءتي لشعر عقيل علي الحت علي اسئلة حاولت ان اجد اجابتها في خطابه ومضامينه الشعرية. وقد استهوتني دراسة هذا النتاج الادبي, واستيعاب كثيرا من جوانبه فوجدت في نفسي رغبة لتتبع ظواهره ومظاهر الاستمرارية والاختلاف فيه، والبحث في مضانه المختلفة, فهو ما زال ميدانا خصبا ورحبا للدارسين, وما زال بحاجة الى التقصي والدراسة والعناية. من يتامل نتاج عقيل علي الشعري وخطابه يلمس يقينا حركته المتصاعدة ابدا, والتحولات التي طرات عليه لا تتيح للبدايات ان تناقض النهايات، وانما لترسيخ الصنيع الشعري في الزمن الماساوي المتنامي.فاضطلعت بدراسة منهجية اتخذت من مفهوم الخطاب منطلقا اساسا لها في دراسة النص الشعري، وكان شعر عقيل علي في سياق تمظهرات نوعية للتشكل الخطابي ماهو الا تجربة قرائية وتامل رؤيوي ينفتح فيها مفهوم الرؤية ومفهوم المنهج الى اقصى حد بقدرة متميزة على توليد اعراف قرائية تنتصر للنزعة الانسانية الحرة في حلم التلقي.وقد عولت الدراسة في منهجها على الخطاب الشعري بوصفه كلا مكونا من علاقات متشابكة ومتداخلة، فوقفت عند اسراره التعبيرية وجعلت من الخطاب المنتج اساسا في النظر والتحليل, ومحلا في البحث والتشخيص، وقد اعتمدت الدراسة في تقديم رؤيتها على منهج فني تحليلي نقدي يحاول الابتعاد عن الوهم والظن،ويستنطق الرؤية الشعرية بكل موضوعية بعيدا عن التحيز ما امكن لذلك سبيلا. اطلعت الدراسة لانجاز مهمتها بعد تصور ابعاد موضوعها في مقدمة وتمهيد يتناول ( الخطاب الشعري المعاصر والخروج من عباءة اللغة، ومن ثم عقيل علي ناقوس الاوقات المنحنية ) وثلاثة فصول وخاتمة، وثبت بالمصادر والمراجع ومحتوى عام بمكونات البحث.اما فصول الرسالة فقد كان الفصل الاول عن (تحولات الذات السيوسيوثقافية واثبات الهوية ) وقد ضم ثلاثة مباحث وتقديم خاص بـ ( جدلية الذات والاخر ومفهوم الهوية ), وولج المبحث الاول في ( الذات بوصفها مركزا ) واختص المبحث الثاني بـ(الاخر في مراة الذات ) ، وتناول المبحث الثالث (الاخر بوصفه بنية ثقافية ).وعالج الفصل الثاني ( تحولات الذات السيوسيولوجية ) في مبحثين وقف الاول منهما عند (الصعلكة وتمرد الذات الشاعرة) وانطلق المبحث الثاني في دراسة (الاغتراب وتجليات التحول السيوسيولوجي).واختص الفصل الثالث من هذا المشروع البحثي بالخصائص الفنية والكشف عن ( تحولات بنية الخطاب وضرورات المغايرة ) متكونا من ثلاثة مباحث تفرد الاول منها بدراسة (التعددية البنائية وتكامل الشكل ) واخذ المبحث الثاني على عاتقه دراسة ( التشكل الصوري المتخيل وانماط الصورة الشعرية )، واختار المبحث الثالث منها دراسة ( دينامية الايقاع في الفراغ المزدحم ) .وختمت الدراسة منهجها البحثي بخاتمة اعقبت فصولها دونت فيها اهم النتائج والاستنتاجات التي استطاعت الدراسة ان تصل اليها في مسيرتها البحثية ، ثم ثبت باهم مصادر البحث ومراجعه . وقد افادت الدراسة فائدة كبيرة من بعض المصادر والمراجع يقع في مقدمتها كتاب ( الشعر العراقي المعاصر, الرؤية وانساق التشكيل, دراسة نقدية في شعر جيل السبعينيات للدكتور علي متعب جاسم)،وكتاب ( خطاب الاخر في الشعر العراقي السبعيني للدكتور علي هاشم طلاب)، فضلا عن كثير من الدراسات والرسائل والدوريات المثبتة في تثبيت المراجع والمصادر التي قدمت للباحثة خلاصتها العلمية الفكرية والمعرفية.واذا كان من كمال الفضل شكر ذويه، فانني اتقدم بالشكر والامتنان لاستاذي المشرف على البحث الدكتور عبد الحسين عبد الرضا العمري، واشكر فيه ثقته التي اودعها في عندما اناط بي تبني هذا الموضوع، فقد منحني ثقة كبيرة اطمح ان اكون بهذا العمل قد نلت حسن ظنه بي. الشكر كله قد لا يجزيك حقك, ولكنه لا يفي كذلك بكل ما تريد المشاعر ان تبوح به, فلك الشكر الجزيل والامنيات الطيبة .وفي الختام لا ادعي لهذه الدراسة التمام والكمال والاحاطة، فهي لا تخلو من الحاجة الى ملاحظات الدارسين والاساتذة الافاضل المختصين في تقويم مواطن خللها والنهوض بهفواتها, ومن يدعي لنفسه الكمال فقد بدا نقصه, وحسبي اني لم ادخر جهدا في سبيل اخراجها بصورتها النهائية لتكون اضافة معرفية الى حقول الدراسات الرصينة. اتمنى ان اكون قد وفقت في سعيي، وان ينال البحث الرضا والقبول عند اساتذتي الافاضل بعامة، والمناقشين بخاصة، وادعو الله بما جاء في كتابه العزيز : | Aqeel Ali was born in 1949 in Nasiriyah - Iraq, died homeless in the open, in Baghdad on March 15/5/2005, He did many manual labor, in Nasiriyah and Baghdad. Translated some of his poems into German, French and released him (Adam gardens) poetry, Casablanca, 1990, and (another bird hide) Poetry, Paris - Cologne in 1992 and the two groups includes folder, poems published for the first time and released his newly another folder includes previous collections in other poems under the title (another bird hide, and other poems anthology of poetry, Uruk institution of cultural production, Alsame Press, Baghdad, 2015). A poet looking for freedom and identity, owned by a sense of alienation led to isolation and surrender his poems show criticism for the political view and he wrote his Rebellion and noisiness against the language and layout and generations. Has clung with clear and concentrated language Out of the image is the essence of the poetic experience therefor, Aqeel Ali took care of image and gave it from his personality and the entity to have an impact in the mind of the recivers. Anyone who thinks about his accomplishments and his poetic touch certainly never his rising, and the changes that have occurred it does not allow the beginnings to contrast with endings, but to enforce the deed poetic in growing of tragic time. It briefed the study to accomplish its mission after depicting the theme of the dimensions of the introduction, the boot and three chapters the first chapter was about the (self Alsaosio culture and proof of identity) it has included three sections and special provision for (self - dialectic and the other concept of identity), has penetrated the first section in the (self as a center) and singled the second topic (the other in self - mirror) and the third section was about (other describes as culture essential) . Chapter II (Self Alsaosiologih conversion) within the first two sections which stops at (Alssalkh rebelled self poet) and launched the second topic in study the (alienation and manifestations of the Alsaosiology transformation) The third chapter of this research was specialized with Artistic characteristics and the disclosure of (conversions discourse structure and the necessities of differences) consist of three sections the first one studied (pluralism Constructivism and the unity of the figure) and second section took upon itself study (conformation imaginary and patterns of poetic image) and the third section choose to study (sensitivity rhythm and change the level of performance) In conclusion, the study followed the methodology of the research with conclusion after chapters which recorded the most important findings and conclusions of the study, which was able to reach it throughout search and then proved by the most important sources of research and views

بنية القصيدة في شعر قيس لفتة مراد : دراسة تحليلية == The structure of poem in Qais lefta Murads Poetry Analytical study

Author name: رياض ماجد مفتن
Supervisor name: علي حسين جلود الزيدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: The poetry entered into the lives of most people and dominated their various aspects. Anis became their unity and obsession that they could not tolerate or abandon under any circumstances and throughout the generations in the history of human civilization. Poetry was the world of the soul, the teacher of inspiration and the focus of human groups. Poetry poetry and the poet to be the best messenger to perform his mission. From here the building of the poem was the most prominent window to raise the awareness of the apparent and the inner and to get the emotion by discovering the texts, which in turn reveal the worlds of the poet and stand on the degree of poetical, as it is - the construction of the poem - a cornerstone of the pillars of poetic work, and through this construction closes the curtain to reveal the secrets of beauty with Every attempt to probe the texts of these texts and their content of emotional or symbolic language, the parts through which the text, including the intertwined and continue to achieve the unity of the poem and named them to the top, along with poetic poetic work. The study uses the analytical method, as well as the use of many procedural tools, to detect the poetry of the text or effectiveness, depending on different approaches in order to integrate the image of monetary research. Our study of the poet does not seek to advance procedural laws, that is, to confront the literary text with preconceived notions or to formulate it within the limits of a narrow theory, as we made the text a start or a specific pathway, which is a mechanism for studying with it. The researcher has faced many problems, the most serious of which is the absence of specialized studies on the production of the ***************************************************** C poet. We have only observed some articles that do not exceed two articles on the Internet. The authors of these two articles were not presented in systematic form or rather these studies were not in the process of monetary equivalent, The most important of his poetic texts were in a raging conflict with the neglect, exclusion and absence that the poet faced throughout his life. This letter is the first of its kind in terms of the poetry of Qais Left Murad and his study Ademia, as well as the difficulty of obtaining Diwan (songs Hallaj) only after great suffering and effort upright, the fact that this Court represents an important turning point in the life of the hair measured gesture Murad mystic and philosophical. The basic sources adopted by the research are the writings of the poet Qais Lefta Murad, and the book of aesthetics of contemporary poetry. Taha Wadi, and the levels of poetic construction at the time of Muhammad Ibrahim Abu - Sunnah d. Shukri al - Tawansi, and the construction of the poem in the ancient Arab criticism (in the light of modern criticism) d. As well as the letters and explanations that dealt with the subject of the structure before, as well as rely on many of the sources called by the research to add to the texts of halo of beauty and to be the starting point of the researcher along the research and its various paths, and citing the views of adults academic critics and others to fill the gaps in research , And to move the other messages after these sources of priorities of researchers, Vtnh as factors to support the results of the conclusions of this study and the formulation of the c Introduction : The importance of the subject and the significance behind the study of the poet, the methodology used, and the sources that were helpful for the views expressed by the researcher supported, as well as the problems presented to the research.omprehensive language of the word. The preface includes the translation of the poet Qais Lefta Murad and his life and literary beginnings and highlighting the migration from his city to Baghdad reinforced by the statements of those close ***************************************************** D to him and these words found scattered between the sources of resources that dealt with Nasiriyah from a historical point of view rather than literature on the one hand, on the other hand, (Structure) and we knew in the language and terminology. The first chapter deals with the external construction in the poetry of Qais Lefta Murad divided into three sections. The first topic dealt with the title : The title we took from it is a new structural landmark that joins the series of features that constitute the external construction of each poetry text. And the poet has the obligation to be a solid text subject to the beauty of the texts and the delinquency to the heart of the reader and what is accustomed to ears and eyes, and sensing in a manner appropriate to the size of the hair and its high position, the third topic : it came to include (cut poetry) Every aspect of the hair in the hair Qais gesture Murad. In the second chapter, the internal structure consists of three sections dealing with the first topic (drama structure) as it expresses the universal character of the poet and his integration into the society and addressing his issues and attention to them as an integral part of the universe. Here is the integration between self - awareness and collective awareness. The symbol is a phenomenon that abounds in the poetry of Qais Lefta Murad despite the directness that prevails in most of his texts, but he refers to it and tries to prove to the reader that there are things that he can not reveal and the reader to examine these texts and find out what is behind them. Arusah briefing, as well as the definition of the personalities referred to or directly, including the texts of poetry. The fourth chapter is the rhythmic structure. It consists of two sections dealing with the first subject : the outer rhythm and weight guarantee. We presented the percentage of the weights according to their use by the poet and we adopted the percentages in the statement of the poet's use of these weights starting with the most common ***************************************************** E weight and ending with the least common in his poetry. And the effect of this on the psyche's psyche. We have found the rhyme with the most common rhymes in his poems based on the percentages as well. The second section is devoted to the internal music (Repetition, rotation, response of miracles on the breasts) supported by the poetic evidence that attests to its presence and intensity in the poetry of Qais Left Murad, and carried out by these musical phenomena in the performance of meaning, but there is manipulation in the process of study "Repetition" classical style of the usual (character, or word or sentence), as we studied in accordance with an updated method linked directly to the meaning of the study will show more when reaching it. We can not note that the researcher in some of the citizens of the letter was not parallel between the chapters and the length of the study, because the study does not depend on some things on the length or short, there may be a wide topic for many pages or requires the researcher to lengthen to show his goals, Few pages are sufficient to be in the final form, and then they do not have to be extended and divergent in matters far from the field of study. The researcher also repeated some texts in different places of the letter, to the clarity of the position of the witness more than others. This study coincides with what can be accompanied by each study of shortness, and bear what can be borne by each study of objections, especially in the first way, we follow the previous studies with extreme caution stand in the most important, we make it a lighthouse to guide him in public to finally reach something we think of this Nima from God, and if we sin, we are human beings and infallibility are always disobedient to the human soul, especially in this field, the literature accepts all the possibilities and the text imbued with multiple readings, but I tried and saved my best in it.

بنية الخبر في كتاب (عيون اخبار الرضا) للشيخ الصدوق (ت : 381هـ) == Structure of news in the book "Euyun Ahkbar AL - Ridha" by Sheikh AL - Sadooq(381 A.H.)

Author name: اسيل سالم كاظم
Supervisor name: عبد الحسين عبد الرضا العمري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Dhi Qar
First pages:
Abstract: بعد، تتحدد ماهية البحث في سعيه لدراسة كتاب (عيون اخبار الرضا)، الذي وضعه ابو جعفر محمد الصدوق، وهو من علماء الشيعة في القرن الرابع الهجري، ويمثل كتابه هذا من كتب الاخبار الاساسية لدى الشيعة، وتاتي اهمية البحث من رغبة الباحثة في معرفة بناء الاخبار في هذا الكتاب، وطبيعة موضوعاته، وقد كانت تقف وراء هذه الرغبة اسباب اخرى، في الكشف عن مكونات بنائه، والمنطق الداخلي لنصوصه السردية، والقبليات المتحكمة في توجيهها، وثاني الاسباب ان اخبار الكتاب تجمع ما بين الاخبار الدينية والتاريخية وقد قيلت باللغة الفنية في اغلبها، فكانت ذات صياغة بلاغية؛ وذلك انها استعارت التخييل والمجاز في الكتابة، وهذا احد المسوغات المهمة .وفي حدود علم الباحثة لا توجد دراسة او بحث خصص لدراسة الكتاب سرديا، او بحث مكونات البنية السردية فيه، ولان البنية السردية تبحث في المكونات الثلاثة : الراوي، المروي، المروي له، وما يلحق بهذه المكونات الاساسية، فان المنهج الذي اعتمد عليه البحث هو منهج يهتدي الى ما قدمته الدراسات السردية الحديثة من ابحاث مهمة، ان الابحاث التي قدمها تزفيطان تودوروف وجيرار جينيت وجيرالد برانس هي المرتكز الاساس في البحث، وكذلك ما قدمه عبد الله ابراهيم في دراسة السرد العربي.يتكون البحث من تمهيد ومقدمة وثلاثة فصول وخاتمة، اما التمهيد فقد عرضنا فيه لعدد من المفاهيم الاساسية التي يعتمد عليها البحث مثل المتن الحكائي والمبنى الحكائي .اما الفصول فقد تكون كل فصل من ثلاثة مباحث استوعبت موضوعاتها ، ففي الفصل الاول تكلمت على التفاعلات النصية واثرها في كشف بنية النص، وفهم ما غمض منه، وما احتاج الى تاويل، مثل العنوانات والتداخل النصي بين نصوص الكتاب والنصوص السابقة عليه مثل القران الكريم والشعر.وفي الفصل الثاني درست الراوي والمروي له، وبدات بالسند بوصفه مجموعة من الرواة والمروي لهم في الوقت نفسه، والطريق الذي اوصل الينا هذه الاخبار، ثم جاء الكلام عن الراوي ووظائفه في المبحث الثاني، وفي المبحث الثالث وقفت عند المروي له ووظائفه.وفي الفصل الثالث افردت له (بناء الحدث)؛ لاهميته واتساعه، وقد خصصنا المبحث الاول للشخصية بوصفها عنصرا حيويا داخل البنية السردية، ولا يستغني عنها السرد، ثم خصصنا المبحث الثاني لـ (بنية الخبر)، الذي قسمناه على (بنية الخبر البسيطة)، و(بنية الخبر المركبة) فهناك اخبار ذات بنية بسيطة في احداثها، وشخصياتها، وهناك بنية تنشا على الجمع بين هذه البنيات البسيطة او التضمين فتكون لدينا بنية مركبة، ثم المبحث الاخير من هذا الفصل جاء للفصل بين الخبر الواقعي والخبر التخييلي بوصفهما انماط الخبر في عملية ارسال المروي، وعملية التلقي وما يصحبها من توقعات وافاق الفهم. واخيرا لابد من تقديم كل الشكر والعرفان الى المشرف الاستاذ الدكتور عبد الحسين عبد الرضا العمري، فله الفضل في اقتراح الموضوع، ثم له الفضل مرة اخرى، فقد وقف بجانبي طوال ايام البحث، وكان يقوي من همتي وتفكيري، ويوسع من افاقي نحو الافضل، كذلك اقدم شكري لاساتذة قسم اللغة العربية, كلية الاداب / جامعة ذي قار، وشكري لكل من وقف بجانبي، مع وفائي لاساتذتي وكليتي التي فتحت ابوابها لكل ما ابحث عنه في المعرفة والحمد لله اولا | The thesis looks for in the study the book ''Euyun Akhbar AL - Ridha''.The writer of book is ''Abu Jaafer Sadooq''who is the one from scientists of AL - shayehe in the fourth century (A.H.).The book represents the basic news of AL - shayehe. The importance of research is the researcher's desire to know the structure of news and the subject of book. There are many reasons to study this book : the researchers don't care about the contents of book. The news of book collect between the religious news and the historical news that described in technical way. The thesis includes of introduction , preface, three chapters and conclusion. Also, every chapter includes of three sections. The first chapter includes the reaction of texts, their effect in the structure of text and understanding the text. Everything needs to interpretation between the texts of book and previous texts like the Holy Quran and poetry. The second chapter comprises the narrator and the listener. So, it explains ''AL - ssund'' which means the groups of narrators and the listeners. Also, it includes the functions of the narrator and the listener. At the end, the third chapter comprises the constructing of event of news and the personality of news . It includes the types of structure news. They are divided into the simple structure of news and the complex structure of news
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