Search — Iraqi Digital Repository

Search results: 25 out of 411

بلاغة الجمهور المفهوم المنهج الاجراء == Rhetoric" of Audience The Concept, the Approach, theProcedure

Author name: علي حسين علي درويش الحساني

Supervisor name: صلاح حسن حاوي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

خطاب الوعظ في نهج البلاغة : دراسة في لسانيات النص == Preaching Discourse in Nahaj Al - Balagha : An Analytical Study from the perspective of Text Grammar

Author name: علاوي ريسان كاطع العسكري

Supervisor name: نوري حساني علوان الكاظمي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: The latest appearance of methods of researches associated with text grammar and analysis of discourse in 1960c caused an important change in the way of linguistic studies represented by a transfer from text to discourse as a complete unit. This direction attracts the attention of many researchers, some of them tried to find its origin and other tried to apply the foundation of this method on texts.As attempt to mix the heritage with modernity and to search heritage by new methods, we found the importance of applying this method on texts from heritage. Since Imam Ali' speech is described as lower than Allah' speech and higher than creatures' speech, I found that there are many reasons that attract me to have such a travel. Discourse has different forms and purposes, this thing led us to choose ''Preaching Discourse in Nahaj Al - Balagh : An Analytical study from the Perspective of Text Grammar''. Discourse is both spoken and written. Since discourse exists in letters and trusteeships, we decided that the title of the dissertation should be about discourse. This study consists of an introduction, four chapters and a conclusion. The introduction is divided into three parts, the first part is an illustration of text and discourse, the second part includes an explanation of method of text grammar, its history and its well - known theorists and the third part is devoted to show types of discourse in Nahaj Al - Balagh, definitions of preaching discourse, the nature of discourse and its subjects according to Imam Ali. The four chapters are : Chapter One is divided into two parts, the first part describes lexical alloying and the second part illustrates grammatical alloying. Chapter Two is also divided into two parts, the first part is about denotative relationships, the structure of a text and the arrangement of the actions of discourse. Chapter Three is divided into three parts, the first part is about purposeful criterions which is associated with the producer of the text, the second part is about the acceptability of text which is connected with the recipient of the text and the third part medially. Chapter Four shows the criterions which are outside of the text. At the end of this study, some conclusions are arrived at. This study is descriptive and analytical. I begin with describing phenomena and then analyze these phenomena by using scientific ways and means

الجواز النحوي في كتاب المقاصد الشافية لابي اسحاق الشاطبي (790 هـ) == Gift Grammatical in the Al - Mughasid Al - shafiah Book for the Abi Eshaq Al - Shatebi (790H

Author name: سرور علي جبار

Supervisor name: عبد الجبار عبد الامير هاني

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: فقد حظيت ظاهرة الجواز في النحو العربي باهتمام النحاة القدماء واولوها العناية التامة في مصنفاتهم النحوية ، ولكن اذا ما تتبعنا الكتب المصنفة في النحو لم نجد من خصها بمصنف مستقل ، وانما جاءت مبثوثة في ابواب النحو ومسائله في كتب النحاة ، والكتب التي وضعت في الخلاف النحوي ، وكتب معاني القران والتفسير وغيرها ، غير انها حظيت باهتمام بعض الباحثين المعاصرين فخصوها بدراسات مستقلة منها ( الجواز في الفكر النحوي ) للاستاذ الدكتور محمود حسن الجاسم ، و( الجواز النحوي ودلالة الاعراب على المعنى ) لمراجع عبد القادر بالقاسم الطلحي و( الجواز وعدمه في احكام النحويين من سيبويه حتى منتصف القرن الرابع الهجري ) لحمدة عبد الله صالح ابو شهاب وغيرها من الدراسات . واعتمدت في هذه الدراسة على اهم المصادر النحوية المهمة منها كتاب سيبويه والاصول لابن السراج وشرح التسهيل وغيرها فضلا عن دراسات سابقة عنيت بدراسة الجواز النحوي منها ( ظاهرة الجواز في النحو العربي كتاب سيبويه نموذجا ) للدكتور محمد عبد كاظم الخفاجي ، و(الجواز النحوي في العلامة الاعرابية عند الفراء وسيبويه دراسة في كتابي معاني القران والكتاب ) للباحث خليفة محمد خليل الصمادي . اما منهجية العمل فقمت على استقراء نماذج ثم تصنيفها على فصول بالارتكاز الى المناظرة بينهما ، ثم تناقش الجواز النحوي الوارد في المسائل المدروسة وعرض الحجج والادلة التي تؤيد ذلك الجواز وبناء على ما سبق فقد جاءت الرسالة في تمهيد ، وثلاثة فصول وخاتمة ، وانتظم تحت كل فصل ثلاثة مباحث كما مبين في ادناه : التمهيد وقد ضم فقرتين : الاولى في تعريف الشاطبي وبيان اهمية (كتاب المقاصد الشافية ) عبر شرحه لالفية ابن مالك ، والثانية : في بيان مفهوم الجواز لغة واصطلاحا ونشاة الجواز وادلته ، واسبابه ، وفوائده في النحو العربي . وجاء الفصل الاول في دراسة الجواز النحوي في العلامة الاعرابية في ثلاثة مباحث، تناول الاول : الجواز من الرفع الى النصب ، وتناول الثاني : الجواز من النصب الى الرفع ، وتناول المبحث الثالث : الجواز من النصب الى الجر . اما الفصل الثاني : فجاء لدراسة الجواز في قواعد النحو التوجيهية وسمي بقواعد التوجيه لانها لا تخص بابا معينا ، وانما تتعلق باسس التحليل النحوي عامة اذ قد يحتاج اليها النحوي في اي باب ، ليتوصل بها الى الحكم السليم ، وضم هذا الفصل ثلاثة مباحث : الاول في الجواز في الرتبة النحوية ، والثاني : الجواز في الوظيفة النحوية ، والمبحث الثالث : في الجواز في متممات الجملة . اما الفصل الثالث : فتناولت فيه الجواز في الباب النحوي ، وجاء في ثلاثة مباحث ايضا ، المبحث الاول : الجواز في الحروف والادوات ، والثاني : الجواز في الوظيفة النحوية ، والمبحث الثالث : الجواز في الضمائر . ويطيب لي ويسعدني ان انسب الفضل الى اهله وذويه عملا بقول الرسول محمد ــــــ صلى الله عليه واله ــــــ : «لا يشكر الله من لا يشكر الناس » فاتقدم بجزيل الشكر والامتنان اعضاء لجنة ال الى مشرفي الفاضل الدكتور : عبد الجبار عبد الامير هاني ، على جهوده العلمية التي اضافت للبحث معلومات قيمة ، جزاه الله خير الجزاء ، واشكر كل من مد لي يد العون في طريق انجاز هذا البحث ، ولاسيما والدي العزيز اطال الله في عمره ، واساتذتي في قسم اللغة العربية واخوتي وزملائي . وبعد فما كان في هذا البحث من جهد طيب فبفضل الله ومنه ، وما كان فيه من هفوات وعثرات فهي من قصور نفسي ، وحسبي اني بشر يخطئ ويصيب ، اسال الله سبحانه ان يجعله خالصا لوجهه يوم لا ينفع مال ولا بنون . | This study deals with (Grammatical permission in AL - Makaased Al - Shafia) book by Al - Shatibi).My study is an inductive and descriptive study depends on some grammatical subjects and some grammarians opinions. This study shows grammarians proofs that they alleged in the permission of some grammatical matters.Also it mentions Shatibi's role. They study consists of the following : - 1 - Introduction ; 2 - Preliminary chapter ; 3 - Three chapters and 4 - conclusion The preliminary study has three topics . The first topic defines Al - Shatibi 1 - 2 - The second topics states the importance of the book in explaining (Alfiat Ibn Malik). ) 3 - The third topic studys the permissibility in language and idioms . expressions and stated its beginning in Arab grammar , advantages , divisions and justifications . The first chapter deals with grammatical permissibility in parsing . it divided into three surveys according to original signal . The second chapter deals with study of permissibility in the instructive grammar , grammatical functions. The integrators of grammatical sentence The third chapter entitled permissibility in grammatical section which divided into three surveys : the permissibility in determiners and letters ,omit and assumption in grammatical sentence and pronounsThe conclusion contain the results.

منامات الوهراني ومقاماته ورسائله : دراسة سيميائية

Author name: زينب عذافة طعمة المالكي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

اثر توالي حروف الجر في بناء النص القراني

Author name: منتهى جنديل محسن

Supervisor name: ازهار علي ياسين

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

الاثر الثقافي في شـعـر لـبـيـد بن ابي ربيعة العامري == EFFECT OF LABID PEOTRY

Author name: رباب قاسم كاوش

Supervisor name: جنان محمد عبد الجليل

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: وامجادها نهل من مناهله شعراء العصور التالية ولايزال يمنح الكثير.من هنا اتجه العزم وتملكتني الرغبة في الوقوف وقفة متانية عند نتاج شعر شاعر من شعراء المعلقات الا وهو لبيد بن ربيعة العامري، الشاعر الفارس الجاهلي الاسلامي فلا غرابة ان يحمل شعره من الكنوز ما حمل من (الاثر الثقافي) مما امكننا من استنطاقه وعدم اغفاله رغم كثرة الدراسات التي انصبت على شعره سواء كانت دراسات لغوية ام ادبية، الا انها لم تتناول هذا الجانب (الاثر الثقافي) تناولا جادا وافيا بل ربما وردت اشارات عابرة هنا هناك.ومن الدراسات التي اضاءت السبيل امامي اذ اعتمدت اساسا على الديوان الذي حققه الدكتور احسان عباس وقدم له بمقدمة عن الشاعر فقد افدت منها الكثير فضلا عن نسخة اخرى من ديوانه.وقد افادت الباحثة من كتاب يحيى الجبوري الموسوم (لبيد بن ربيعة العامري) ودراسة اسلوبية للباحث عبدالله محمود الموسومة ب((لبيد بن ابي ربيعة العامري وشعره الاسلامي))، ودراسة الباحث حسن سعد الموسومة ((تجربة الشعر والصراع النفسي عند الشاعر المخضرم لبيد) للباحث م. م. حسن سعد، وهناك دراسات اكاديمية تناولت بالدراسة والبحث توظيف الاثر الثقافي مثل توظيف الموروث الثقافي في شعر النابغة للباحث عيسى هشام، وتوظيف الموروث في شعر الاعشى للباحث وسام عبدالسلام توظيف والموروث في شعر عدي بن زيد العبادي وامية بن ابي الصلت للباحثة سناء احمد سليم، وهذه الدراسات كلها جرت تحت اشراف الدكتور احسان الديك وغيرها من الدراسات التي اطلعت عليها لاتجاوزها باحثة وفق ما يمليه علي شعر لبيد.فضلا عن المصادر القديمة كالشعر والشعراء، والحيوان، والبيان والتبيين، ومروج الذهب، وبلوغ الارب في معرفة احوال العرب، والمفصل في تاريخ العرب قبل الاسلام.فقد كانت هذه الكتب وغيرها روافد امدت البحث بمعلومات قيمة.اما ما يخص منهج البحث فهو منهج تحليلي ينطلق من النص الشعري مستقرئا مستنطقا الاثار الثقافية التي تلقي بظلالها على الصور الشعرية وتلونها وتؤطرها. وان كان البحث لا يقف عند حدود هذا المنهج بل افاد كثيرا من معطيات المنهج الاجتماعي والتاريخي الذي اضاء الجوانب المحيطة بالنص.هذا وقد توزع البحث على ثلاثة فصول يتقدمها تمهيد يكشف عن مفهوم الاثر لغة واصطلاحا وكذلك الكشف عن الثقافة وعلاقتها بالشعر.اذ جاء الفصل الاول بعنوان (الاثر الديني) الذي تناولت فيه اثر الدين الاسلامي في شعر الشاعر وتوظيفه لشخصيات واحداث اسلامية وردت في القران الكريم ثم تتبعت الاثر الديني المشترك فضلا عن الصور التي تظهر بعضا من مظاهر الديانة اليهودية والنصرانية.اما الفصل الثاني (الاثر التاريخي والاسطوري) وتناولت فيه توظيف الشاعر للشخصيات التاريخية الوقائع والاحداث التي عاصرت الشاعر والاحداث والوقائع التي سبقت عصره فقد مزجت الفصل التاريخي بالاسطوري لكون الاسطورة تعد جزءا من التاريخ فنرى لبيد قد وظف بعض الاساطير العربية القديمة في خطابه الشعري .وكان الفصل الثالث بعنوان ((الاثر الاجتماعي)) فقد تناولت فيه اثار المجتمع والعادات والتقاليد في شعر لبيد وكيف وظفها واستلهمها في شعره.ثم اعقبت ذلك بخاتمة تضمنت خلاصة ما توصل اليه البحث من نتائج وهنا لابد من التنويه على ان جهد الباحثة انصب حول استقراء الاثار الثقافية ولم يفرد للدراسة الفنية مباحث خاصة وان جاءت ضمن التحليل وذلك لاسباب منها ان هذه الجوانب قد اشبعت دراسة وتحليلا قديما فضلا عن حرصنا على عدم الوقوع في تكرار الشواهد فيما لو افردت بفصل خاص والتزاما منا بعنوان الرسالة (الاثر الثقافي في شعر لبيد).وفي هذا المقام اتقدم بالشكر الجزيل لاستاذتي الدكتورة جنان محمد عبد جليل التي اقترحت الموضوع فاشكرها لحسن ظنها بي.تبقى هذه الدراسة مجرد لبنة في صرح تراث خير امة اخرجت للناس فان وفقت فمن الله والا فما انا الا طالبة علم ومن الله التوفيق. | The pre - Islamic poetry will remain a source of creativity and a truly translation and honestly of the nation's influence and its glories achievements of the nobility of the poets of the following ages and still giving a lot amount . From, here, I determined and possessed the desire to stand a careful pause when producing poetry of the pendants poets of Labid Ben Rabya Al - Amiry, the knight of the pre - Islamic poet .It is not surprising that his poetry carrying from the treasures that no one carries from the ( Cultural impact ), which cannot be overlooked of his poetry despite the many studies that focused on his poetry that range from language studies or literary studies, but it did not take care of the cultural side (Cultural impact ) very seriously, and perhaps there have been signals not essential here and there .There is no doubt that these studies lit the way in my frontthat I mainly based on the Poets Collection, which was published by Dr. Ehsan Abbas on date 22 / / and gave an introduction about the poet that benefits a lot of others as well as the other copy of the Poet Collection . Also , the book Publisher by YahyaAl - Juboury in the titleof ( Labid bin AbiRabiaAl - Amiry).The Master degree study of the student Abdullah Mahmood in the title of (Labid bin Abi Rabia Al - Amiry and his Islamic Poetry).And the study in the title of (The Experience of thePsychological Conflict ofThe Poet veteran Labid ) by the researcher M. M . Hassan Saad.As well as,the ancient references sources such as (Al - Haywan ), (Al - BaianWalTabyeen ) and ( Mouroj Al - Thahab) , ( Belough Al - Erabfor The Knowing of TheConditionof The Arab ) and ( The clarification of The history of Islamic Arabs ) . These books and others tributaries provided valuable knowledge and information .But for the method of the research it was theanalyses method beginning from the original poetic text then carrying on then questioning the cultural effects that cast its shadow over the poetic pictures and couloredthem and framed them as well . Although, the research does not stand stillat the limits of the boarders of this analyses approach, but reported about many of the data of the Social approach and the Historical approach that lit the atmosphere around the text .The research has been divided into three chapters preceded by a study that reveals the concept of the linguistics and the terminology, as well as the reveals of the culture and its relationship with the poetry .The first chapter in the titled of ( The Religious effect ), which deals with the impact of the pre - Islamic Religion in the poetry of the poet of Labidand the research to workup totheVerse wisdom in his textsWhile,Chapter two in title of ( The Historical and the Legendary Effect ) that deal with the workup of the poet of the historical figures and personals and the facts and the realityof events that preceded the era of the poet . Then he had mixed the historical chapter with the legendary chapter due to the legend is part of history.Then we see that Labid has employed and worked up some of the ancient Arabic legends .The third chapter in the title of ( The Social Impact and effect ) which deals with the effects of the Society, customs and traditions in the poetry of Labid and how heemployed in his poetryThen, followed by a conclusion that included the results that the Researcher have reached and finds out from the research

الاحتجاج الصرفي عند شراح الشافية في القرن الثامن الهجري == Morphological Evidence According To Al - Shafiya's Interpreters In The Eighth Hijri Century

Author name: باسم محمد عيادة الحلفي

Supervisor name: ليث داود سلمان

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: The researcher may be tired and aware of his transfer from a chapter or a subject to another or from a science to another, but all this disappears when he gets the results of the study. When the result is the fruit of his labor and long efforts, his transition is nothing but comfort and pleasure. Of the most important findings of the study are as follows : - The evidence is a mental behavior to which a person is entitled in matters that deprive him of proving or denying it by means of various mental evidence based on general principles and rules that cannot be proven or denied. - The study proves that the evidence proves the speech of the author of his honesty, such as the Book of Allah and the Sunnah of His Prophet (peace be upon him) and the words of the Arabs before his mission, in his time, and beyond. - It confirms that the witness and citation are no different from the evidence in terms of concept, both are linguistic evidence used by the grammarians to either confirm or deny. Therefore, between the evidence and the citation in general and specific due to the fact that they are equal in meaning and use, both are equal in that they prove the validity of the rule and opinion. However, the study proves that this general referred to as not being launched, there is another view is that the evidence is more than the citation because it is mind and transport either citation is only by transformation. - What has been proven in the study is that there are some terms that are very close to the two terms of evidence and citation : representation, ideals and examples. - What the study confirms is the use of large - scale the term evidence by the ancient scientists, but they expressed it in different words like cited, proving citation, and argument, and many more. - The study shows that there are many bases that are supported in the evidence by scientists that can be referred to as sources of evidence, which are generally transient and mental. The first, such as the Quran, Hadith of the prophet, and his evidence, and poetry and prose of the Arabs, proverbs and dialects. The second deals with analogy and morphology. There is a third type that does not include them, and this is what we call the other evidence. - What we have reached in our results is that the interpreters did not get out of the circles of the temporal and spatial evidence. They cited with the rules established and ruled by the grammarians in which they may be invoked, and the tribes did not depart from the tribes in which the eloquence and the statement from which the evidence is taken.

الدعاء في نهج البلاغة : دراسة تحليلية في انماط التركيب ودلالات الصوت والبناء الصرفي

Author name: امجد جيجان يوسف محيي الحلفي

Supervisor name: خليل خلف بشير

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: لاشك في ان البحث في علوم اهل بيت النبوة (عليهم السلام) هو شرف لكل باحث وطالب علم يامل ان يغترف من معين اسفار ال محمد لا سيما امير البلغاء والمتكلمين في سفره الخالد (نهج البلاغة), اذ يعد هذا الكتاب من حيث المكانة الدينية والموضوعات التي حواها بعد كلام الخالق عز وجل وكلام النبي (صلى الله عليه واله وسلم), فكان ذلك دافعا للبحث في احد موضوعاته بما شكله من نص ديني ابداعي, وقد اقترح الاستاذ المشرف موضوع الدعاء فيه, فقبلت الفكرة كون موضوع الدعاء يعد من الموضوعات الزاخرة بالعطاء الروحي والبيان اللغوي, فقد شكل الدعاء عند امير المؤمنين (عليه السلام) بابا من ابواب بلاغته؛ ليرفدنا بنص لغوي حتوى معاني لغوية متعددة, وجاءت الدراسة تحت عنوان(الدعاء في نهج البلاغة دراسة في انماط التركيب ودلالات الصوت والبناء الصرفي)؛ لنتعرف على اهم الميزات اللغوية والدلالات التي شكلت هذا الدعاء, وجاء البحث على تمهيد وثلاثة فصول ثم خاتمة بينت النتائج التي توصل اليها الباحث, تضمن التمهيد : الدعاء لغة واصطلاحا, وفضيلة الدعاء عند امير المؤمنين (عليه السلام), ثم جاء الكلام عن اداب الدعاء عنده (عليه السلام), وكان الفصل الاول بعنوان (انماط التركيب الخبري) وفيه قسمان التركيب الاسمي في جزئيها المبتدا والخبر، وكذا في التركيب الفعلي التي وزعت بحسب الفعل على قسمين تركيب الفعل الماضي ووتركيب المضارع, اما الفصل الثاني فكان بعنوان انماط التركيب الانشائي, وقد كان على ثلاثة اقسام الاول تركيب النداء, والثاني تركيب الامر, اما الثالث تركيب النهي, واما الفصل الثالث فحمل عنوان (دلالات الصوت والبناء الصرفي الادعية في نهج البلاغة) وجاء على قسمين من اقسام الدلالة الاولى الدلالة الصوتية والثانية الدلالة الصرفية، ولم اتعرض للدلالة النحوية؛ لان ما تقدم في الفصل الاول يدل عليها، وضم البحث خاتمة عرضنا فيها اهم ما توصل اليه البحث.اما المصادر فقد استعنت في الاصل على خمسة شروح للنهج كان اهمها, شرح ابن ابي الحديد, ونفحات الولاية للشيخ ناصر مكارم الشيرازي, , ومنهاج البراعة في شرح نهج البلاغة لحبيب الخوئي, وفي ظلال نهج البلاغة لمحمد جواد مغنية, وشرح نهج البلاغة لابن ميثم البحراني, وغيرها من المصادر التي توزعت بين القديم والحديث, ولعل اهم ما واجه الباحث من صعوبات هو عدم وجود شرح لغوي واف لنهج البلاغة يمكن الاعتماد عليه, فالشروح المتداولة والمعتمدة في البحث تطغى عليها الجوانب العقائدية والتاريخية, ومن الصعوبات كذلك المساحة الضيقة للنص الدعائي فلم يكن النص كبيرا ليعطي للباحث حرية البحث والتقصي والاستشهاد. في النهاية اسال الله تعالى توفيقه فهو خير ناصر وخير معين والحمد لله تعالى اولا واخرا | The current study sheds light on the linguistic structure of the text of prayer in Imam Ali's Nahj Albalagha (Peak of Eloquence) and on its semantic level in many respects : investigating the sentence of prayer in terms of its nominal and verb phrases; developing the patterns of prayer, which is represented by the vocative case, command, and prohibition and their semantic aspects, as well as highlighting the syntactic and phonological significance of the text.Additionally, the study expresses the deep meaning implied by the text and its association with the originator of the text, the most knowledgeable of the secrets of language and its implications. The study also explicates the relation of prayer as a linguistic unit and as a spiritual connection between the worshipper and the worshipped tailored in a highly elegant style of politeness, formed by Imam Ali (P.B.U.H.)

الدلالة السياقية عند اللغويين

Author name: عواطف كنوش مصطفى عيسى

Supervisor name: خليل ابراهيم العطية

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature

Language: Arabic

University location: Basrah

First pages:

الرواية السيرية في الادب العراقي الحديث == The Autobiographical Novel in Modern Iraqi Literature

Author name: ميثم هاشم طاهر هارون الموسوي

Supervisor name: مشتاق فالح عبيد الفضلي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: Autobiographical Novel has its remarkable presence in the modern Arabic art especially in Iraq due to its abundance capabilities which have assisted novelists to formulate identity of the world. It is common that they sacrifice their life which is full of miseries to serve fictions. Novelists believe that such lives deserve to narrate. The importance of this study comes from rarity of studies that dealt with Autobiographical Novel in Iraq. In order to enrich an Arabic narrative library in general, and the Iraqi one in particular, we endeavor to cover this rare part of the critical studies through this thesis entitled ( Autobiographical Novel in the Iraqi Modern Art).This these has come in three chapters preceded by an introduction and followed by a conclusion.As to the theoretical preliminary chapter, the researcher intends to shed light on a briefed historical account about presence and decline of identity in the Iraqi art. Then, researcher focuses on the problematic concept of an Autobiographical Novel including its limits, its idiom and its conceptual construction through which we are up to answer the question : "What's it? Following that, we go to answer the problem of justification, "why?".Researcher, at the end of the preliminary chapter, set methodology on which "coincidence of horizons" will be guided. This concept is consisted from : composer, narrator and character. This, definitely, could shape a quality identity, narrative construction and story implications. This opens doors wide to practical part of study which is of three chapters. The first chapter is entitled " a qualitative horizon : author - reader". In this chapter, the researcher is after answering question of "a qualitative identity infused in Autobiographical Novel and its evidence" through solidarity between an author - reader, on one hand, and investigation and imagination, on the other hand to approach identity infused in Autobiographical Novel . However, ambiguity is not within the topic of novel/biography, but within the topic of imagination/investigation, disclosing illusion that links novel to imagination and investigation to Autobiographical Novel . Also, there is no objection to entry of imagination in non - literary works, and no objection as well to inclusion of investigation in novels. This chapter section are considered as evidence of the hypothesis of infused identity.In the second chapter "constructive horizon : author/narrator", the researcher answers the question about characteristics of Autobiographical Novel and its superiority as far as possible internally from other types of fiction. It is composed within the question "how?" after bringing "author - narrator - narrated to - reader" together in the narrative scheme. The answer will be determined through " author - narrator" of their relation to the story "text - the constructed" and narration, base on the two narrators : Tzvitan Todorov and Gerard Genet.The last chapter, third one, entitled "semantic horizon : author - hero", a semantic question in Autobiographical Novel . This would not be recognized through searching for a set of topics form semantics for fear of the subject might be drawn to defects weaken this study. However, this could be achieved through on the topic dominating an Autobiographical Novel of the hero - author which is deemed to be a semantic requirement specifically in the Iraqi Autobiographical Novel . "Melancholic Autobiographical Novel " is eventually the study focus which is created by the hero. Following sorting of its characteristics in the Autobiographical Novel , it's time to mention formation of melancholic Autobiographical Novel , causes of its formation, shedding light on dimensions of a melancholic hero and a model recitation for melancholic Autobiographical Novel .

الرؤية الفلسفية في شعر المعري : قراءة تاويلية == The Representation of Philosophical concept In Al - Ma’arri,s Poetry Interpretational study

Author name: سالم عبد النبي جابر العقابي

Supervisor name: سلم حسب حسين

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

البنية الاسلوبية للجنة والنار في القران الكريم == The Stylistic Structure Of Paradise And Hell In Holy Quran

Author name: Ahmad G. Naif Alsaadoon

Supervisor name: عبد الواحد زيارة اسكندر المنصوري

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

الهجاء والسخرية في شعر الجزار السرقسطي الاندلسي : دراسة في البنية الموضوعية والفنية == Spelling And Irony In The Andalusian Poetry Gazzar Alsergsti : A Study Of The Structure Of The Substantive And Technical

Author name: صفى صبيح كريم

Supervisor name: خالد لفتة باقر

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: The Arabic literature has the Spelling and irony , and the Arabic writers gave the importance to the Spelling and irony to take their whole share of literature.The reason behind is that the Spelling and irony are close to the human soul, and are loveable to it, where the humor and irony are matters the create a space amid poetic narrowness. In reality, the poetry is a way that a poet uses to express what he or she feels inside, such as pain or happiness.The introduction showed in its pages that poet lived in the fifth century AH. Even though , it did not mention date of birth neither death.However , that the first chapter of the research has discussed. he looked for motives to create humorous poetry in his poems.These motives could be internal or external motives. The poorness and poverty were internal factors in himself. The external factors were pinted to his opponent Al - Borji, which take much space of his poetry due to a conflict happened between them ,Therefore , he leaned towards humor. He ridiculed his career and his mind by striipping it for science and perfection, it carry a sample in its lingual composition in a text. Then, it is responsible for exciting the reader in one side, and create a poetic picture that can express about the poet,s psychic subconscious mind in other side,making the poetic picture to have the ability to be absorbed by the erceiver and convenient to his ironic expressions.The compositional tendency was important to provide the poem beauty by giving the sayings inspirational measure fits to their lingual position. This allocation was to bound the humorous topics fir his opponent Al - BorJi not another. whereas , he deleted sentences which were their deletion for reasons like embarrass in mentioning some cursing vocabularies.The Stylistic tendency moved up in command , call and question to ensure the activity of directing the critism to a person who he wants to criticize in his poems.then,he come up with metaphorical meanings pointed to his opponent directly emerging a poetic due to these methods which are sharing the texts dy utilizing them physical means realized by senses like vision (color).The color had a dig share in most of his texts such as black , white,and yellow.The color dominated implicitly inside his ironic poems by using vocabularies imply to the color factor,which he appeared directly in other poems.The diagnose based on the age and it had the major part.where he added physical components like a hand and so on.with reference to incarnations, the poet had revive the morale inside bodies moving inside a text to give beauty to the ironic texts,which a reader see when he reads them.The poetic image based satirical in poetry jazzer attribute quotes from the Koran and Hadith, to confirm that poet was abeliever end uncertainty for gloss and include in the xocabulary of koraic of his vereses. Researcher

مطالع الموشحات الاندلسية : دراسة تحليلية فنية == Andulsian Terza Rimas Technical Analysis

Author name: وفاء عبد الحسين فليح

Supervisor name: خالد لفتة باقر

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

ايات التوحيد والقدرة في السور المكية : دراسة دلالية بلاغية == Verses Of Monotheism In The Meccan Suras Of The Holy Quran : A Semantic Rhetorical Study

Author name: محســن طاهــر اســكندر

Supervisor name: عبد الحسين المبارك

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

خطاب التكليف في القران الكريم : دراسة دلالية == Commitment Speech In The Holy Quran

Author name: سجى محمد حنون محمد

Supervisor name: ازهار علي ياسين

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: Grace be upon Allah, the Lord of the Worlds, and Allah’s blessings and peace be upon Mohammed and his holy household…The holy Quran was sent down to our Prophet with its marvelous abundances of sacredness, eloquence, rhetoric, regulations and rules in a remarkable rhetoric stylistics that would amaze recipients. With this great values, Quran is full of various discourses; one of those being the “Assignment Discourse” that occurs with different forms and manners following the kind of recipients and contexts. The title of this study is “Commitment speech in the Holy Quran : Denotative Study”. What forces the researcher to choose this topic is the fact that it combines two sciences; Glottogony and Linguistics, which are important sciences in human life. Among difficulties faced the researcher is the vastness of the subject matter compared to the time limits of the study.As for accredited references, they can be shown as follows : 1 - Linguistic glossaries, like Al - Ain Glossary and the Arab’s Linguistics.2 - Linguistic sources, like Al - Kitab for Sibawayh, and Al - Muqtadhab for Al - Mubarad.3 - Denotative references, like Grammar Meaning for Prof. Dr. Fadhil Salih Al - Sameraee.4 - Interpretation references, like the Al - Bahr Al - Muheet and Fatih Al - Qadeer The academic theses accredited by the researcher include “The denotation of linguistic persuasion and intimidation in the Holy Quran”, as well as “Rules verses of the Holy Quran”.Research outline is formed by a preface and three chapters : - The preface is entitled “The assignment concept in Language, the Holy Quran, and Glottogony” - The first chapter is entitled “Denotative influence for the command and prohibition styles in assignment discourses”. This chapter is made of two sections; the command concept and assignment denotation, and the prohibition concept and assignment denotation. - The second chapter is entitled “the explicit assignment discourse, which includes four sections : * Section 1 : Assignment discourse by explicit command style.* Section 2 : Assignment discourse by explicit prohibition style.* Section 3 : The denotation of combining both command and prohibition styles in a same text.* Section 4 : Influence of some linguistic contexts in the direction of discourse denotation of explicit assignment discourse. - The third chapter deals with “Implicit assignment discourse”. It includes three sections : * Section 1 : Detecting assignment by the reporting style.* Section 2 : Detecting assignment by the structural style.* Section 3 : Detecting assignment by the linguistic and adverbial style.The study ends up with a conclusion showing all results obtained through the study.Hoping Almighty Allah to accept this simple effort. Praise be to Allah, the Lord of the Worlds

القراءات المنسوبة لائمة اهل البيت : دراسة لغوية == Quranic Reading Accredited To Ahlualbait : A Linguitic Study

Author name: زكي سعدون عبد الصبيح

Supervisor name: نوري حساني علوان الكاظمي

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: Quranic Readings are considered of holy rank as it illustrates how to perform the pronunciation of Quranics wordings which convey the meaning of the divine message in order to deliver it to the people so they will have no plea against Allah after the Messengers. This thesis (Readings of Ahl Albait, The Infallible, Semantics Study) contributes towards the investigation and research process of the reading that represents an extension to the reading of the prophet pbuhap in performance and manner to become effective factors in delivering the divine message successfully.To meet this target, this thesis adopted the following methodInductive method; this will be through inducing the wording that the infallible Ahl Albeit used in their reading. Then working on objectively classifying this wording based on the semantics of the pronunciation that was delivered. This thesis is studied from three aspectsFirstly : the theoretical side. This is will be via the explanation of the infallible’s character and his reading features. In addition, what this thesis has revealed about the unique nature of this reading that segregate it from all other public readings; that is its focus on the illustration side in reading, and in particular, the illustration at the ideological level which represents the essence of religion and the divine message.Secondly : researching derivative and spiritual approaches of the references of the reading, considering the first lexical, reading, as a reference to explain the wording, and the second lexical as a reference to explain jurisprudential rule. All that by leveraging of : the common points and the joint connector which refers to the linguistic lexical. That is in addition to, the effort of the researcher to establish a “Semantics approach” between the reading, as a performance, and the Quran, as the theater of this performance. This thesis revealed the meeting of the pronunciation, lexical, reading and Quran on a common Indication that links them all to the deriving’s origin from that tripartite term.Thirdly : The analytical side. Wordings that Ahl Albait expressed its readings will be analysed and classified into two indicative levels, the morphological level and the grammarian level. This paper will not deal with pronunciation and lexical semantics due to the fact that Ahl Albait reading is not preoccupied with sound resources like “Alemala”, “Alaalal” or substitution or any other audio study resources. The focus of Ahl Albait is directed towards the explanation of the meaning and enlightening the receiver with guidance that Quran has come with. Their reading has not bothered with pronunciation performance but made pronunciation as mean of contact and communications between spokesperson and the receivers. As of the lexical level, their reading did not come up with wordings that are sufficient to establish a chapter on this subject. However, it may be noticed that this subject is slightly referred to in the study of morphological and grammarian levels.This paper has been presented in an introduction, three chapters and a conclusion as per the following : The Introduction, where the reason behind selecting this subject is explained. As well as highlighting the importance of the subject and its intended goals. Then winding up with a plan of study of this paper.Chapter one, is a research study on the characteristics of Ahl Albait reading at the reader’s level and at reading materials’ level. Adding a research study to explain the relation between the lexical material, the reading and Quran due to their common lexical and semantics material. This chapter is wind up with a semantic approach between Quran and the narrations to illustrate the explanatory reading.Chapter two : presents a research study on the morphological level in Ahl Albait reading within three aspects. The first is on the morphological level and its relation with the explanatory reading. The second on conjugation morphology in Ahl Albait’s (pbut) reading. The third on the derivative morphology in their reading (pbut).Chapter three : a research study on grammarian level of the reading of ahl Albair (pbut). This chapter contains foreword and two case studies. The first case study addresses (increase and decrease) in ahl Albait’s reading and its effect on the structural indication. The second case study addresses the changes in structural wording and its effect on the semantics.Conclusion : summerises the output that this paper has reached, which represent the outcome of the research path of this thesis in a subject that may be looked at as unpresented in the academic research field.Praise be to Allah alone and peace be upon Mohammed and his progeny.

كتاب اخبار الزجاجي : دراسة لغوية == Al - Zijaji Akhbaar : A Linguistic Study

Author name: عمر عبد الهادي مطر الزهير

Supervisor name: محمد عبد كاظم

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

دلالات لفظ النور ومراتبه في احاديث ائمة اهل البيت (عليهم السلام) في كتاب بحار الانوار للعلامة المجلسي (ت 1110هـ) == Meaning Of The Word ''Noor'' (Light) And Categories In The Traditions Of The Imams (Peace Be Up On Them) In The Book 'Behar Al Anwar' of Al - Alaama Al - Majlisi

Author name: خنـساء مـهدي حمود

Supervisor name: احمد رسن صحن

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

النقائض في الدرس النقدي العربي الحديث == Al NAQA 'ID In The Modern Arabic Criticism Studies

Author name: كامل عبد المحسن جاسم الحسن

Supervisor name: احمد حياوي السعد

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: This study deals with contemporary critics and scholars ' opinions for one of the poetic arts that strongly emerged in the literature of the Amawi era , namely , ( Al NAQA'ID ). The Study aims to discover the way through which the Arabic critical blog of the modern age treats such type of heritage texts as well as reveal the shifts which hit the Modern Arabic Critical system in the first place , so - called the Age of (Revival) , the time when contextual methodologies widely prevailed and were concerned mainly with outer contexts of the social , historical and psychological conditions surrounding the text and its cultural and social medium through (textual criticism) in the age of Modernism up to Reading & construe methodologies in the Post - Modernism age. The study is based on two concepts. The first one is based on the concept of discourse as a group of texts directed into a specific critical scope. The second is stemming from the constructive concept of Arabic Poetry in the Arabic Criticism system since long ago , which is based on the fact that the lyric poem is a linguistic structure includes ( form and content). Form is meant to include the issues of language , rhythm and Poetic Imageries. On the other hand , Content represents the meanings and thoughts included in the form. Hence , the researcher went ahead in dismantling this discourse into two sides. The first one contained the thematic issues and phenomena. The other side is the artistic issues and phenomena. In terms of Arabic critical methodologies , they represented the central crystal with which the discourse was concerned. It is indeed a methodological discourse based on methodical bases as specified by Modern Western methodologies , taking in consideration cultural Arabic particularity. The most important outcome of this research is the confirmation that The Modern Arabic Critical Discourse compared with Al NAQA'ID was coinciding with critical shifts that touched the modern Arabic discourse structure in general and they furthermore approved the dominance of thematic sides in the heritage text at the expense of artistic ones. Moreover , they manifested the strong presence of the historical and social methodology with a relative absence of the psychological one in terms of themes. Concerning artistic sides , the researcher noticed the intensive care that Arabic critics and scholars lavished so as to disclose the recognized artistic structure of Al NAQA'ID text through their works of disclosing the linguistic nature therein and the denotation of metaphor element in its structure. I also disclosed their endeavors in studying the rhythmical level , poetic imagery , as well as the critics ' interest in studying the involvement of the thematic phenomena such as Irony phenomenon , meaning exploration , expatriation , cultural involvement. Moreover , involving artistic phenomena such as bi - antagonism , argumentation and repetition. Furthermore , The research showed the critics ' agreement over the emptiness of such art from organic unity which was replaced by line unity on the poets part thereof equal to the heritage texts in Old Arabic Poetry.

الجملة في ديوان المعبد الغريق للسياب البناء والدلالة == The Sentence In Collection (Temple Drowning ) For Sayyab Syntax And Semantics

Author name: مهند احمد ابراهيم

Supervisor name: عدنان عبد الكريم جمعة السالم

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: The study is a wholesale basis in the understanding of the text , You may enter the world of the poet and reveal the meaning and connotations Thus, it opens the doors of the textTelly can be important in this letter the following : 1 - Sayyab did not come out too much about grammar originally syntax LittleThe impact of poetic weight in the formation of wholesale sometimes.2 - Linguistic context and the impact on the feelings of the poet syntax Since carrying a poet of conditions inside the poem.3 - Sayyab used two types of sentences which do not depart from the actual nominal and it is characterized by the palace and height. 4 - Find among the reasons for being in the Palace Wholesale literary position summary. 5 - Find between the delete of the sentence and the reasons for it. 6 - Find among the reasons for sentence length and the elements that led to the complete length in the poetic image. 7 - Sayyab ties linking his sentences moral and verbal. 8 - The most important contextual relations in linguistic cohesion sentence in the poetry collection. 9 - The temple is drowning ( customization , situational , ratio, dependency ). 10 - Sayyab adopted wholesale methods clearly , namely : A - It came a private Alastvhambesaagh style , in charge of your feet and often the last tool Interrogative. B - Call style came in and out of some compositions from the original for the purposes of rhetorical. C - This style came in different formats and different connotations. D - Exclamation style came in different formats , exclamation Balastvham , and the appeal , and so on.E - Came wishful thinking style (Leigh , though ).F - Apply condition method and delay came , and overlapping methods with him , as occurred Answer condition.G - Diversity among temporary exile and life imprisonment , according to entering the tool on the nominal and actual sentence.

البنية الايقاعية في شعر احمد مطر == The Rhythmic Structure In Ahmed Mater'S Poetry

Author name: زهراء عبد الكاظم محمد المظفر

Supervisor name: عبد الواحد زيارة اسكندر المنصوري

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: Ahmed Matar is known for his own peculiar style, in particular his Lafitat, i.e. ‘Banners’, that has made him a well - known poet in the Arab world filled with anger against their political systems and governments. His poems are characterized by a sarcastic style. Therefore, some like to call him ‘the king of poets’. His poems have studies from different perspectives by a number of researchers. While some researchers, such Ahmed Ghuneim who has dealt with the elements of creation in his poetry and Abulkareem Al - Saeedi who has focused on the poetic narration in his poetry, some others, such as Khalid Jaffal Lafta and Tahsin Hasan Jasim have studied the stylistic aspects of his poetry concentrated and the techniques of the poetic formation in his poetry respectively. However, none of them has spell out the rhythm in his poetry. After having consulted my supervisor, I have come up with this title : THE RHYTHMIC STRUCTURE IN AHMED MATER’S POETRY This study adopts two approaches, viz. historical and descriptive; it is divided into three main chapters preceded by a foreword and an introduction and followed by a conclusion. Chapter one which is titled ‘The Structure of the Prosodic Rhythm’ spells out the poetic meters along with their contexts and the types of rhymes in Ahmed Matar’s poems.Chapter two, for its turn, which is titled ‘The Structure of the Phonic Rhythm’ confines itself to different types of rhyme, such as that of lexical items, lines, texts, rhyme.As for the third chapter titled ‘The Structure of Musical Rhythm’, it focuses on the most important factors that contribute to enriching his poems’ rhythm, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and so forth.The rhythmic structure in Ahmed Mater’s poetry has been studied by means of identifying the most important elements of such a structure and the main factors that influences and enriches the rhythm in Ahmed Mater’s full collocations of poems. Having carefully examined the poems, I have discovered that the Ramal Meter is the most dominant one in his poems, followed by the Rajis Meter, and then the rest of meters.In his poems, the rhyme has played a significant role in enriching the rhythmic structure of his text. The study shows that the poet, Ahmed Matar, banking on his linguistic and stylistic ability, has utilized a great number of stylistic features, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and the like in an attempt to add artistic touches to his poems. To sum up, this study has focused on one of the most famous poets in the Arab world filled with anger against their political systems and governments. I hope that this study could provide the reader with an explanation to the most important elements of the rhythmic structure utilized successfully by the poet.

ثورات العلويين ومواليهم في شعر العصر الاموي : دراسة في الموضوع والفن

Author name: كريم حميد منشد سحيب الخلف

Supervisor name: احمد حياوي السعد

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

جهود اللغويين العراقيين المعاصرين في الدراسات الصوتية

Author name: فراس حسن علي الكناني

Supervisor name: عدنان عبد الكريم جمعة السالم

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Doctorate

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

المرجعيات الثقافية في شعر اديب كمال الدين == Cultural References In Adeep Kamaladeen'S Poetry

Author name: ياس عوض رشيد البصري

Supervisor name: علي مجيد داود البديري

General topic: Arabic Language and Literature

Specific topic: Language

Degree: Master

University: University Of Basrah - College Of Literature - Department Of Arabic Language

Language: Arabic

University location: Basrah

First pages:

Abstract: The cultural references in the poetry of the Iraqi poet "Adeeb Kamaladeen" has formed a significant presence through their abundant frequency. Such references are various in their frequency and difficult in their source. Some of them have had obvious presence while the others are less frequent in his poetic texts. The diversity of cultural references have made the research consisted of four chapters based on six references, Quranic reference is one of them that featured by the most prominent presence in the experience of "Kamaladeen". Such experience has varied in its role into two kinds. One of them has inspired its presence from Quranic story, while the other has derived it from Quranic verse. The second reference is the mystic one, by which the poet has derived the mystic heritage from mystic conditions and stages. He has also employed the prominent figures, such as "Annefery, Alhallaj, and Altawheedi" in his poetry. Whereas the other references are historic and mythological ones which have been included in one chapter, because they are less frequent than the previous two references. Regarding the historic reference, the poet has manipulated "Karbala incident" and "Imam Hussain", who is the the most important person in that incident, Iraq¬¬ - Iran war in 1980 and other wars, which followed. In connection with the mythological reference, the poet has employed several myths, one of them is "Gilgamish myth" which has formed a striking presence in "Kamaladeen's poetry" In addition, the poet has used the artistic and literary reference, that has been combined in one chapter, through which the poet has employed the most famous Iraqi and Arabic singers. He has also used Iraqi and Arabic poets and novelists, as well as foreigners through the literary reference. Hence, all these references have signified variety of the poet's education and his continuous acquaintance with multiculturalism that has consequently served his poetic experience.