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الثنائيات الضدية فــي شعر المتنبي : دراسة في الموضوع والفن == Binary Oppositions In Poetry Al - Mutanabbi

Author name: مهدي مخيلف كاغد الصبيحاوي
Supervisor name: فالح حمد احمد الحمداني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This Thesis Comes to attempt to describe some of the manifestations : ( Binary oppositions in poetry Al - Mutanabbi).Showing in itself Contradiction between the two cases each of them about the other stands the opposite of the case of the antibody.But which cares about the plan followed, It appeared in the preface, three chapters and a conclusion. The preface in three axis the 1st concept of binary oppositions language &idiomatically But the second preface axis imported studies in Consciousness and ancient eloquence and third axis in field of binary oppositions Modern Monetary Studies and contemporary. Interested in the first Chapter study some Binary oppositions in poetry Al - Mutanabbi and it contains five topics ( ego/poet, other (life /death,young/old age , dream/ impertinent / glory/humiliation The second chapter interested for study forms binary oppositions the level of language ,and consist in content three forms , the first binary oppositions the level of direct verbal antagonism , second for binary oppositions the level of Exile and proof. And comes third under title binary oppositions for the level of Paradox.And the third chapter consist of binary oppositions for the level of Image for two axis ,the first about the image antithesis constrictive. Second studied texts application in poetry Al - Mutanabbi. Then the research ended with conclusion with the most important which resulted in the study.

البنية الايقاعية في شعر احمد مطر == The Rhythmic Structure In Ahmed Mater'S Poetry

Author name: زهراء عبد الكاظم محمد المظفر
Supervisor name: عبد الواحد زيارة اسكندر المنصوري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Ahmed Matar is known for his own peculiar style, in particular his Lafitat, i.e. ‘Banners’, that has made him a well - known poet in the Arab world filled with anger against their political systems and governments. His poems are characterized by a sarcastic style. Therefore, some like to call him ‘the king of poets’. His poems have studies from different perspectives by a number of researchers. While some researchers, such Ahmed Ghuneim who has dealt with the elements of creation in his poetry and Abulkareem Al - Saeedi who has focused on the poetic narration in his poetry, some others, such as Khalid Jaffal Lafta and Tahsin Hasan Jasim have studied the stylistic aspects of his poetry concentrated and the techniques of the poetic formation in his poetry respectively. However, none of them has spell out the rhythm in his poetry. After having consulted my supervisor, I have come up with this title : THE RHYTHMIC STRUCTURE IN AHMED MATER’S POETRY This study adopts two approaches, viz. historical and descriptive; it is divided into three main chapters preceded by a foreword and an introduction and followed by a conclusion. Chapter one which is titled ‘The Structure of the Prosodic Rhythm’ spells out the poetic meters along with their contexts and the types of rhymes in Ahmed Matar’s poems.Chapter two, for its turn, which is titled ‘The Structure of the Phonic Rhythm’ confines itself to different types of rhyme, such as that of lexical items, lines, texts, rhyme.As for the third chapter titled ‘The Structure of Musical Rhythm’, it focuses on the most important factors that contribute to enriching his poems’ rhythm, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and so forth.The rhythmic structure in Ahmed Mater’s poetry has been studied by means of identifying the most important elements of such a structure and the main factors that influences and enriches the rhythm in Ahmed Mater’s full collocations of poems. Having carefully examined the poems, I have discovered that the Ramal Meter is the most dominant one in his poems, followed by the Rajis Meter, and then the rest of meters.In his poems, the rhyme has played a significant role in enriching the rhythmic structure of his text. The study shows that the poet, Ahmed Matar, banking on his linguistic and stylistic ability, has utilized a great number of stylistic features, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and the like in an attempt to add artistic touches to his poems. To sum up, this study has focused on one of the most famous poets in the Arab world filled with anger against their political systems and governments. I hope that this study could provide the reader with an explanation to the most important elements of the rhythmic structure utilized successfully by the poet.

ثورات العلويين ومواليهم في شعر العصر الاموي : دراسة في الموضوع والفن

Author name: كريم حميد منشد سحيب الخلف
Supervisor name: احمد حياوي السعد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:

مفهوم الشعر في الموروث الادبي القديم == The Concept Of Poetry In The Old Literary Heritage

Author name: بتول نعمة علي الموسوي
Supervisor name: فالح حمد احمد الحمداني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The concept of poetry is considered the centre point around which all issues of the old criticism move. most of literary views and critical theories are connected to this concept. This is why our research is devoted to show the features of Arab poetry in critical and rhetorical heritage. The title of this paper is "The concept of poetry in The Old Literary heritage". We do that to know the essence of this aesthetic structure and creative art by which Arabs doted all over ages. This paper consists of four chapters preceded by an introduction and ended with a conclusionIn the introduction , we explained the function and importance of poetry in heritage to show its position which is above all arts because it has a great importance in Arab social , cultural and life. The first chapter is about "The factors which effect the crystallization of poetry concept". These factors were psychological factors which move poets to say poetry and the comfort which poetry makes. There are also environmental factors (social , natural, political and cultural). We also show religious factors and moral ideals and their effect on poet's verse. The second chapter is about the study of poetry concept and its rhetoric. It also shows development and changes that took place. It also focuses on the poet's concept of poetry since pre - Islam age until the Abbasid age. The third chapter is about critics' concept of poetry through the issues of old criticism such as articulation , meaning , meter , rhyme scheme , and plagiarism. We also explained their critical views and things they agree or disagree with. The fourth chapter is about the study of poetic image because it is means which gives beauty, vitality and motion to poetr. The poetic image has an effect on the receiver. It also has relation with imagination and rhetoric styles through which different patterns of image are generated. The conclusion has the results made by a tour among criticism books.

ايات الاصحاب في القران الكريم - دراسة دلالية == The Verses Of "As - Haab / Companions" In The Holy Quraan : A Semantic Study

Author name: صفاء حميد ضيوف
Supervisor name: مرتضى عباس فالح السلمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The present thesis aims at studying the verses that explicitly use the term "As - haab/ companions" and its derivatives within the specified context and the context of other verses related to it so as to show its semantic value , know its deep details, show the contents of its expressive ways , show the hiddens and psychological impulses in every type of companionship which reveal the true nature of their deeds , actions and behaviours. It also aims at portraying their present and future circumstances. This study depends on describing the linguistic phenomenon in the Quranic usage and analyzing it through pursuing the Quranic verses related to the subject. The nature of the subject has necessitated that the study of its verses be divided into three chapters starting with an introduction and preface and rounded up with the main conclusions followed by a list of the sources and references cited in the study and used by the researcher.The preface deals with the concept of "as - haab" by studying both the linguistic and idiomatic meanings and its expression in the Quranic usage. The first chapter is devoted to studying the companions of the earthly place. The researcher is interested in studying the place to which the term "as - haab" was attributed in accordance with the partnership of the general meaning to which theses places refer. This part was studied in two sections : The first is about the companions of the place enjoying heavenly care.The second is about companions of the place enjoying heavenly punishment. Chapter Two is about the afterlife companions and falls into two sections : The first involves companions of symbolic place.The second is about companions of the other life.Chapter Three is dedicated to studying the other meanings of companionship mentioned by the Holy Quraan; the words attributed or added to "as - haab" or one of its derivatives. The attempt has been to give a complete picture of the verses of "as - haab" in the Quraan to show the semantic features of the various companions and to what they lead in the context they come in and the meaning they came up with in the light of studying meanings of the linguistic styles of the verses. The chapter is in two sections : The first is studying man to man companionshipThe second is about studying other attributed companionships

صورة البطل في كتب المقاتل الحسينية : دراسة في ضوء النقد الثقافي == Image Of The Hero In The Books Of The Fighter.. Hosseinieh Study In Light Of Cultural Criticism

Author name: علي محمد عبد الرضا
Supervisor name: ضياء راضي محمد الثامري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This message has sought to highlight the perfect picture of the Arab Muslim hero, as drawn by the Arab cultural patterns, represented by Imam Hussein (AS) and his family and his companions in Karbala finest representation, and my studies came in three chapters preceded by a preface, followed by a conclusion. The boot has dealt with the concept of the language and idiomatically hero, the hero image in heritage, then proceeded to kill off the definition of the language and idiomatically, then the definition of books fighter, and the statement of significance between those of the other books of literature, The first chapter was entitled (the image of the hero through the other) in two sections, the first image : ( hero through the other equitable), while the second : ( hero image through the other peer), Chapter II Anonth : ( hero image through dialogue), was visits with human elements, including (sidekick placebo, and real), and the other with elements of non - human, and includes (age, animals and dialogue Gin), to come third chapter titled (Picture hero in hair fighter) and includes poetic purpose (pride praise Lament), to come Conclusion to show what I could stand it results from the praise of God and the virtues of acceptance pleading with him, he responds to pray

مناهـج المسـتشرقين في دراسـة اصـوات اللغـة العربيـة في ضـوء الكتب المترجمـة == Orientalists'' Approaches In Studying Arabic Sounds

Author name: سهير كاظم حسن العصفور
Supervisor name: حامد ناصر عبود الظالمي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Science of sounds is regarded as one of those sciences that the study of which is significantly developed after is witnessed a long period of stagnation. This science has become to represent the developed manifestation of Modern Linguistics more than any other branch thereof. This development is reflected through it various methodologies of research, different devices and advanced equipment's that assisted in the field of linguistic sounds. Orientalist's endeavors have been directed to study Arabic language at all phonetic, morphological, grammatical and denotative levels. Using Arabic language by orientalists as a means to understand the Hebrew of Torah in the 16th century and the beginning of 17th century helped to elevate Arabic language to move ahead. In the 17th and 18th centuries, European Linguists were concerned with the language international structure hierarchically and this in fact influenced their orientations to study Arabic and some other Semitic languages such as Hebrew. They focused on the study of those two languages which belong to the ancient centuries. There was a drastic development in the field of linguistic studies in Europe in the 17th century, specifically in the field of Indo - European languages when Franz Bob made a comparison among the morphological systems of verbs in Sanskrit, Persian, Germanic and Greek languages. Accordingly ,this has made its own influence in the context of Semitic Languages Study by Orientalists especially after the discovery of many Assyrian.Aramaic and old Southern Arabic transcripts.This discovery widened the historical depth of comparison. Researchers concerned with the study of standard language by itself and they considered accents branching from the standard language as erroneous types but in the 19th century, after scientists discovered that rural accents contain the forms of structure in the standard language. Orientalists spent massive efforts to record the various accents of Arabic language. The initiative of studying Arabic sounds appeared in 19th century by some of the Western and Orientalists.Research has been widely developed in the respect alongside with the development of life and various types of science. Orientalists ,researches of Arabic sounds were brought up varied in compliance with the variation of both ,their studies on one hand and methodologies of research adopted by them in these studies on the other. Science of sounds is a branch of linguistic, and it is divided into two branches.First, Phonetics which deals with the linguistic sounds in isolation of the context. Second, Phonology which deals with sounds when forming speech sequence, phonetic rules governing such context and various linguistic phenomena such substitution , Diphthong , Al Emalah (pending) , Kl Tafkheem (Amplification ), Glotallization and other phonological issues. In the light of translated books , the research sought to introduce the methodologies adopted by Orientalists in studying the sounds of Arabic language. They involved Modern Linguistic Approaches in their study : - Historical approach - Comparative Historical Approach - Descriptive Approach - The Approach of linguistic Geography which is regarded as one of the applied linguistic approaches. The researcher noticed that Orientalists disagree over the number of the places of articulation.Brokelman arranged them into five places of articulations while Kanito did so into nine ones, flish in six ones.Billa , into eleven ones and he joined the features with the articulations. Moskati did so into seven places of articulation. Furthermore, Orientalists disagree over the arrangement of some places of sounds articulation that some of the arrange such places of articulation initially while others delay them compared to that arrangement adopted by Arabs such as(? ), and (?).Some Orientalists state that these articulations of( Arabic Kaf), that is , they are velar but others regard them as being pharyngeal articulated from(?) , and (?). Moreover, Orientalists disagree over the description of some places of articulation such as the articulation of (Arabic lam sound) that some of them regarded it as being lingual.Others regarded it as a palatal sound , others regarded it side - dental. Orientalists conducted deep researchers to study the sounds of Arabic Language and they read the books of early grammarians and the books of readings. They promoted wide range research concerning phonetic phenomena. Despite their being significantly accurate in describing the phonetic phenomenon, yet they wouldn't pay enough attention to some phenomena that they didn't explain thereof clearly enough nor they analyze such phenomenon sufficiently such as Emalat (bending) of (Ha'a), Al waqf and glottalization phenomenon. They mentioned only specific sides of such phenomena. Some Orientalists such as Kanito and Brajbishrasar cited Quran verses during their research to substitute some of language sounds or make them diphthong. Kantino was not precise in translating some of verses or the numbers thereof. Irrespective of the reason that motivate Orientalists to study Arabic language so their studies were highly helpful and even though the phonetic research was emerged out of the works of the works of Arabic linguists long ago yet, its development is accomplished at present by Orientalists.

جهود اللغويين العراقيين المعاصرين في الدراسات الصوتية

Author name: فراس حسن علي الكناني
Supervisor name: عدنان عبد الكريم جمعة السالم
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

بلاغة الاقناع في مقالات غازي القصيبي في ضوء مبادئ ارسطو الاقناعية == Rhetoric Of Persuation In The Essays Of Ghazi Al - Qusaibi In Light Of Aristotilian Principles Of Persuation

Author name: شيماء عثمان محمد
Supervisor name: فالح كامل اسكندر المنصوري
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Modern studies of rhetorics are interested in persuasion as one of the objectives in realistic prosodic discourse that involves displaying personal thoughts and ideas by employing certain technique to contribute to persuading the addressee of the discourse directed to him.Aristotle was the first who talked about persuasion and described in details the techniques and stages in prosodic discourse in his book ‘Oratory ’. Thus, the researcher preferred this book to be the main source and guide in our study of the techniques of persuasion in essays of Ghazi Abd Al - Rahman Al - Qusaibi, which were gathered from newspaper a journals and edited in a book.A question might be raised about the validity of studying such essays that belong to an independent genre with its own characteristics and aims. The answer is that the two genres ( essay and oratory) are similar in type. Both of them are realistic prosodic discourses and thus can be built by the same tools of persuasion. On the other hand, Aristotle began his work in this book by classifying oratory into three types : argumentative, consultative and proving. He assigned specific characteristics for each type as we will mention in details later. The researcher found an artistic and objective similarity between consultative oratory and essay specially in the aims behind using them.Additionally, Greek oratory at that time, in addition to drama, was a well - known and common tool of communication with people to convey thoughts, ideas, suggestions, and reforms. With time, techniques of communication developed and the press emerged and thus essay becomes one of the genres that can achieve the same aim intended by oratory. Furthermore, topics and subjects of ancient and modern Arabic and western rhetorics were influenced by the Greek rhetorics and ideas of Aristotle. Those subjects and ideas were not assigned to be conveyed in a certain specific genre. Rather, they were conveyed both as prose or poetry and not in a specific genre. All the reasons mentioned above led us to study rhetorics of persuasion and the techniques it utilizes in essay writing in light of the techniques that were set as bases for oratory.Our main source in this study is Aristotle’s ‘Oratory’, translated from Greek and introduced by Dr. Abd Al - Rahman Badawi and published by the House of Public Cultural Affairs in the Journal of Afaq Arabbia, Baghdad, **edition.The researcher adhered to Aristotlian principles in persuasion. Accordingly, the study is divided into an introduction and three chapters. The introduction highlights three points. The first point is abaut rhelorics in language and terminology and its status and development for the Greeks and its relation to persuation. The secand is persuasion in language and terminology, persuasion in verbal communication, introducing the idea of persuasion by Aristotle and stages and participants of persuasion. The third point tackles the essay and its types.Chapter one ‘ Source of the Proofs’ starts with preliminaries in which we show what it is meant by the source of the proofs and Aristotle’s opinion of them. The chapter includes three sections; a section for each source. The first section is about the speaker ( the orator) and his impact on persuasion and his scientificity and ethics that help him achieve persuasion. Section two sheds light on the speech of the orator and what participants and proofs it should contain to contribute to achieving persuasion. Section three talks about the listener (the addressee) and what should be the effect on him so as to persuade him of what is said.Chapter two ‘ The Style’ starts with a long section of preliminaries because of the much details about Aristotle’s style. The chapter includes three sections. Section one is about the linguistic style that contribute to achieving persuasion whereas section two is about the rhetorical styles as represented in the rhetorical images. Section three tackles the other styles including those mentioned by Aristotle i.e. narration, saracism and rhyme as techniques that support towards persuasion.In the preliminaries of chapter three ‘Sequence of the Discours’, the researcher talks about the parts of speech of Aristotle and the method that should be followed to classify them. In section one of the chapter, the researcher discusses the introduction and its types in essays of Ghazi Al - Qusaibi : section two discusses the intext and section three is about the conclusions.The Study arrived at some conclusions concerning the most important techniques that Ghazi Al - Qusaibi used to persuade his readers about the thoughts, ideas that he wrote to them and that might developed the society culturally, politically, and economically. Definitely, the researcher faced some difficulties; the most complicated of them is that the text of the book of oratory itself is translated and not the origin. The style is sophisticated and some of the expressions are ambigious; its terms are different from those known in books of Arabic rhetorics and in modern rhetorical studies. This difference can be obviously seen in the illustrative examples put by Aristotle for every term. The expressions were very abbreviated and shortened especially those when Aristotle talked about ethics of the speaker and how they could be reflected in his speech. Consequently, the researcher depended on books of modern linguistic and rhetorical studies that are concerned with rhetorics of discourse and pragmatics in language

الادب الاندلسي بين محاولات القمع وهاجس الابداع من عهد الامارة الى نهاية عهد الموحدين (138هـ - 635هـ) == Andalusian Literature Between Suppresaive Attempts And Creativity Premonition From Era Of Emarate Till The End Of Monothesists Era (138 A.H - 635 A.H)

Author name: نوران جمعة ابراهيم الحجاج
Supervisor name: علي مطشر نعيمة الشريفي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The creativity is deed the utmost aim for which the literary inspirits to trough it, facing its consequences and problems to adjunct the group of eminent of his pairs ; poets and authors thus we found that he attempts hardly to eternize his name and to document his creative work with all literary brogue and ability enhancing him to complete his way of brightness in the field of art. Thus, we accredited in this research on finding creativity aspects of this Andalusian and what he exposed to the intrigue and conspiracy of the Prince's high structure scarifying on their interests and objectives,plan of study we applied is consisted of three chapters were preceded by introduction, preface and finally a conclusion. preface arguedthe linguistic and terminology concepts for the terms of repression and obsession of creative and the most important constituents exciting literary to be creative and to realize his aim and then detect the obstacles and problems prevent achieving this purpose which occupied the mind of creative AndalusianLiterary. First chapter argues the forms of repression the Andalusian Literary exposed to in the high structure from the slanderers enemies who dedicated their efforts to monitor literates and making traps to repressive them by poetry removing them from high structure. And also express the attitude of some rulers and princes in Andalusia towards poets and literary and their creativity.Second chapter was to show the attitude of registering authority from the Andalusian Creativity individually such as exposure to the poets themselves or massively representing by repression some literary sorts which the Andalusians their unique insight and talents.Third chapter including the Andalusian Art achievement which is the outcome of their mind and creativity to promote the Andalusian Art proving the Andalusian identity forwarding a message including that Andalusians are eligible to reach the summit and be like their pairs if they get opportunity exciting them to render poems and assisting them to present their activity.At conclusion which is deemed the summary of research, we show most important results we concluded.

التماسك النصي في السور السبع الطوال == Cohesion In The Seven Long Chapters Of Quran

Author name: خليل عبد المعطي عثمان
Supervisor name: صيوان خضير خلف المياحي | سالم يعقوب يوسف
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: In Iinguistics , a new branch has recentIy emerged , i.e. ' Text Linguistics ' which gives fuII consideration to texts and the way in which these texts hang together as cohesive texts , performing various purposes in different ways. As such , the topic of text Iinguistics in generaI and grammaticaI cohesino in particuIar has become an area of interest of many Iinguists. One of the many reasons for seIecting this topic is to obtain more KnowIedge in this area , i.e. ' grammaticaI cohesion ' aIong with its different schooIs of thought , hoping to appIy it to Quranic texts in an attempt to anaIyze it textuaIIy. The significance of this study Iies in : 1)studying Quranic texts by adopting a text Iinguistics - based approach focusing on cohesion in generaI and grammaticaI cohesion in particuIar. 2) utiIizing both modern Iinguistic terminoIogy and traditionaI terminoIogy.3) focusing on ' cohesion ' as an approach to studying and anaIyzing the seven Iong chapters of Quran as sampIe of the study. The study fuIIs in to five chapters ( two chapters deaI with the defining matters and the theoreticaI part of the study and three chapters deaI with the practicaI part of the study )preceded by an introduction and foIIowed by concIusions and Iist of references. In the introduction , issues such as the reasons behind seIecting the topic , its significance and methodoIogy adopted are introduced. Chapter one, for its part , deaIs with the text and its grammar , and the difference between the sentence grammar and text grammar. Chapter two titIed ' Text Iinguistics and Cohesion ' focuses on the different opinions proposed by various schoIars ( be they oId or modern ) , cohesion and its types as weII as the schoIars ' views on cohesion and its importance in discourse anaIysis. WhiIe chapters three deaIs with grammaticaI cohesion ,such as reference , eIIipsis, substitution and conjunction and chapter four focuses on IexicaI cohesion , such as reiteration , coIIocation and its types , chapter five , for its part , deaIs with the infIuence of context.text recipient and occasion on text cohesion. Chapter six , for its part, speIIs out the main concIusions that the researcher has drawn : 1)AIthough it is not easy to define what " text" exactIy mean, any text shouId be cohesive.2) Cohesion is the main eIement in anaIyzing any text and thus distinguishing a text from just a group of Iinguistic eIements.3) Some schoIars , such as HaIIiday and Hasan did not mention 'reIative pronouns ' as cohesive devices , but the researcher and some other schoIars have identify them as cohesive devices.4) There is no harm to use modern Iinguistic ideas to study Quarnic texts as Iong as there is no contradiction them and our reIigion

المرجعيات الثقافية في شعر اديب كمال الدين == Cultural References In Adeep Kamaladeen'S Poetry

Author name: ياس عوض رشيد البصري
Supervisor name: علي مجيد داود البديري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The cultural references in the poetry of the Iraqi poet "Adeeb Kamaladeen" has formed a significant presence through their abundant frequency. Such references are various in their frequency and difficult in their source. Some of them have had obvious presence while the others are less frequent in his poetic texts. The diversity of cultural references have made the research consisted of four chapters based on six references, Quranic reference is one of them that featured by the most prominent presence in the experience of "Kamaladeen". Such experience has varied in its role into two kinds. One of them has inspired its presence from Quranic story, while the other has derived it from Quranic verse. The second reference is the mystic one, by which the poet has derived the mystic heritage from mystic conditions and stages. He has also employed the prominent figures, such as "Annefery, Alhallaj, and Altawheedi" in his poetry. Whereas the other references are historic and mythological ones which have been included in one chapter, because they are less frequent than the previous two references. Regarding the historic reference, the poet has manipulated "Karbala incident" and "Imam Hussain", who is the the most important person in that incident, Iraq¬¬ - Iran war in 1980 and other wars, which followed. In connection with the mythological reference, the poet has employed several myths, one of them is "Gilgamish myth" which has formed a striking presence in "Kamaladeen's poetry" In addition, the poet has used the artistic and literary reference, that has been combined in one chapter, through which the poet has employed the most famous Iraqi and Arabic singers. He has also used Iraqi and Arabic poets and novelists, as well as foreigners through the literary reference. Hence, all these references have signified variety of the poet's education and his continuous acquaintance with multiculturalism that has consequently served his poetic experience.

حداثة ابي تمام في ضوء النقد العربي القديم حتى نهاية القرن السابع الهجري == Abu Tammam'S Modernism From The Perpective Of Classical Arabic Criticism Till The End Of The Seventh Hijri Century

Author name: رنين ناظم يوسف
Supervisor name: مسلم حسب حسين
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This research studies modernism of Abu Tammam on the basis of the theory of classical Arabic criticism which consisted of rules and conditions put by the Arab critics and applied by the poets to make their poetry eloquent and solid with clear and vivid meanings.But Abu Tammam was keen to deviate from all these rules and principles in his poetry. Al - Amidi considered him as a rebel against the common foot of poetry because he played on words in his poems and became fond of rhetorics and figures of speech which he used extremely. Consequently,his poetry was corrupted by the heavy use of antithesis and paronomasia. Thus, he became the target of a strong movement of criticism that represented the conflict between the old and the new.Classical Arabic poetry was a summary of the experiences of the old poets. It directly expressed the social, cultural and intellectual aspects of their life. It was characterized by features of clarity of expression, agility and simplicity of language because it was natural and not superfacial. That was the case in the Arab poetry during the pre - Islamic time, beginning of lslam and the Ummaid era in addition to the majority of the poetry of the Abbasid era during which the way of living of the Arabs changed from nomadism to urbanism. Thus, there appeared a type of new Arab poets who had special knowledge and high education like Bashar Bin Burd, Muslim Bin Al - waleed and the most prominent of them was Abu Tammam.Modernism of Abu Tammam went far beyond the familiar in his illogical and unreasonable similies and metaphors. There was no appropriateness in his metaphor and no approximation in his similies. Besides, he played on words and used too much antithsis and paronomasia. He was good in some of them but not so in the others. That caused the Arab critics to attack him and refused his poetry which they said it deviated from the common foot of the Arabic poetry that was defined by Al - Marzooqi to have seven categories. any studies of criticism were conducted about Abu Tammam and his poetic school. This study is made up of an introduction,three chapters and conclusions. Chapters one and two consist of three sections each. Chapter three contains two sections.The introduction highlights modernism of poetry as viewed by the classical Arabic criticism both literally and as a term. It also reviews the concept of modernism since its appearance till the time of Abu Tammam. Chapter one is interested in the questions of imitation and nnovationin that Arabic criticism. Section one of the chapter shows the attitude of the linguists and narrators of the modern poetry, the position of khalef AL - Ahmar and his experience in criticism and the position of the critics of the classical poetry which they considered as the highest model that Arab poets should imitate and create in their poetry as a product of the individual liking. Section two is devoted to discuss modernism in relation to the theory of the foot of poetry that was represented in the seven categories as introduced by ALMarzooqi in the introduction of his book Commentary on Diwan of Ardor of Abu Tammam. The section also explains the principles of the poetic imagery in similie and metaphor and the role of poetic imagination to bring about new images and novel meanings that reflect beauty and psychological effect.Section one of chapter two discusses modernism in the poetry of Abu Tammam and the rules of the poetic language in the theory of Arabic criticism. The section also shows what was accepted and what was not in his language. The section shows how Abu Tammam, very heavily, used the rhetorical patterns especially antithesis and paronomasia where he was unsuccessful in some of them and good in others. Section three tackles the poetic meaning and the logical and mental characteristics that should be available in these meanings to be correct so that the poetry be undertood. This was agreed upon by the old Arab critics such as Qudama Bin Jaafar, Abi Helal Al - Askari, Abd Al - Qadir Al - Jirjani, Hazim Al - Qirtajinni and others. The section includes description of the meanings and their relation to the levels of description as far as exaggeration and excessiveness are concerned in that Qudama Bin Jaafar considered excessiveness as the best of the two schools of description.Finally, the section discusses ambiguity and complexity as products of corrupted poetic composition. Chapter three deals with modernism in the rhetorical image, modernism and the changes modern poets add to poetry in this concern. Modern poets paid more attertion to the form rather than to the meaning in their poetry. That led to the appearance of a new poem with specific features particulavly concerning the rhetorical image that depended on similie and metaphor. The poets started using these styles in new ways that were unfamiliar to the Arabic liking and taste. The first section of this chapter deals with similie and description and the rules put by the Arab critics to achieve approximation between the two sides of the similie; otherwise the similie would be exotic and not allowed. It was conditioned that the description contained most of the cases being described. The section mentions some samples of the similie and description in the traditional poem which the critics considered as better in comparison to the modern similies and description that deviated from the artistic critera and the common poetic taste. Section two talked about the metaphor and its definition by the Arab critics and availability of the conditions of approximation between the metaphoric expression and what it stood for. However, modern poets, particulary Abu Tammam, did not adhere to these conditions. Thus, Some of their metaphors were controversial. The conclusion presents the results of the study; the most important of which are that the classical Arab critics had a theory of criticism reflected in the opinins they stated in their books and set by Al - Marzooqi in the 5 Hijri century in a systematic approach that was finally shaped in what was later known as the foot of poetry that included seven categories and each of these categories represented a critical measurement of a certain question in poetry.

اسرار التعبير القراني في تفسير تسنيم للعلامة الشيخ عبد الله الجوادي الاملي دام ظله

Author name: ميثم عزيز جبر
Supervisor name: احمد رسن صحن
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This study starts with a preface discussing four points : AlAamily translation, the reason behind calling his book (Tasneem), and his method in Tafsir, the meaning of Secrets according to Al - Aamily, and the meaning of expressions in linguistics and terminology. In the first chapter (the secrets of words in Koran) the researcher discussed the linguistic meaning of the word in three sections : firstly the reason behind choosing a word in particular, secondly the secret of morphological form, thirdly the secret of definiteness and indefiniteness. The second chapter (the secrets of sentence in Koran) studies the meanings of the sentence and it is of two section : the first one is the secret of declarative sentence and its processes as deletion, backward and forward, and restriction. The second section is the secrets of the construction of the sentence as the imperative, negative, interrogative, and proclamation sentences. The third chapter (the secrets of the text and Koran) discusses the meanings and linguistic structures and rhetorical themes in more than a phrase as being intervented and the text title. It is of three sections : the first one is the secret of apostrophe. The second is about conjunction and disjunction. The third is about the secret of agreement in which the researcher mentioned the meanings of agreement and holy Koran. It is of three sections : agreement among Ayat in one Surah, agreement of the title of the Surah with its contents, and the agreement of the beginning and the end of Surah. Research methodology : The researcher’s method in this study is choosing the subject followed by a general overview about it. Then mentioning the most important samples mentioned by A - Aamily in the title and discussing each one respectively after viewing the opinions of the interpreters. After that the study shows the opinion of AlAamily to see what is the new addition. Results : The researcher has ended with recognizing the meaning of the secret according to Al - Aamily in linguistics and the reason behind it. Also the researcher detected the secrets of the word, sentence, and the text and what purposes and meanings they have and connecting all these things with external facts because the interpreter sees that all of these recording words of Koran express universal facts in existence because it is an inspiration from the Almighty Allah. The researcher also tried to expose several rhetorical themes such as clarifying forms of the text like apostrophe, conjunction, and agreement among Ayat by applying the modern textual norms of sentential multiplicity, cohesion and coherence. Then identifying the notion of text and modern linguistics and applying it to rhetorical Arabic heritage.

افعال الحركة للطبيعة في التعبير القراني == Verbs Of Movement For Natural In Qurans Expression

Author name: عبد الحي عبد النبي زيبك العبادي
Supervisor name: فاخر هاشم سعد الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise be to Allah, Bari creatures wholes, and Mustafa Muhammad, may Allah bless him and his family, and Adam between water and mud, and prayers and peace be upon him and his family a granite blessed, and his companions Almentajabin.After : throughout the ages was a field ground for study and a field plenty of Tnkir in its goals, thanks to its cognitive and aesthetic depth, starting with his own language, which disable all?Koran the book of God immortal, and search of the noblest blessings that can fade researcher and adds to the old his years ago because the word of Allah a statement, and his style flowing senses static move in every place and time, and imagination semantic in the words of the Koran, including an astounding bright minds, with great likeness and beautifully woven and depth of sense, and which of the miracles and the statement allows multiple study which can be added to other Quranic Studies.Among the most prominent reasons that stood behind the choice of subject, because of the reaction of two characteristic distinguish it from is from the words, the two time event, in addition to the importance of the verb in the language, making it the centerpiece of significance, his work in the compositions Whatever his rank, moreover how it connotations sensory and moral , field of study was in the vicinity of the actions of the movement, which radiate out the implications of the central acts and grow in the context of the features of aesthetic and suggestive.Came this study feed into a tributary of the Quranic joists dealing with words, has been classified researcher study into three chapters, the first chapter singled study (the actions of the movement related to living with nature), has been ranked on five sections, according to the living creatures that have been associated with the movement acts, animals and birds, and fish, insects, reptiles, and certainly human does not enter into these categories, as well as the plant.The second chapter under the title (the actions of the movement of nature are silent), has been ranked on five Investigation Also, four of which are classified according to the elements it includes the perceived universe of heaven earth, sun, and the moon, and the fifth section was under other acts title included elements shooting stars and mountains , natural phenomena associated with the elements of Silent nature like a deluge and wind.The third chapter titled (artistic expression of some acts of nature movement in the Koran), this chapter enrolled, according to totals dictated by movement acts related to nature, live and silent and in both, and these acts studied dependent manner artistic taste in the actions of the movement and characteristics expressive in Quranic context links analysis and came five sections, too, and the study followed the conclusion of the most important findings of the researcher, and then followed by a proven sources and references

وسائل الاقناع في كتاب منة المنان في الدفاع عن القران للسيد محمد محمد صادق الصدر == Persuasion Means In Minat Al - Minan Book For Defending Al - Quran

Author name: فرقد جاسم محينة
Supervisor name: فالح حمد احمد الحمداني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Definitely the persuasion is a theory which has been taken deep roots in the western tradition, as Aristotle had written his famous book (Eloquence art) unveiling in it the most distinguished means of persuasion in the persuasion theory such as the eloquent morals (ITOS), and(BATOS), the receiver emotions and (logos) the arguments and evidences. In the Arab tradition, the persuasion theory is appeared clearly and openly, in the rhetoric with Hazim al - Qurtajni as he intermixed between what is poetic (imaginable) and what eloquence (persuadable) according to the varieties in the rates between them, pursuant to the eloquence nature and its purpose. During the twentieth century some western studies has focused light upon this theory. The most important studies of are the book titled (fresh eloquence) which has been written by (Chaim Perelman) with (Olbricht Tetka) as Chaim has given life to the persuasion theory in eloquence in his book, bringing a persuasive function to the rhetoric, plus the aesthetic function.Under the light of what has been mentioned of the summary clarification on the persuasion theory, our study to the book (Minat al - Minan) has been given within the framework of this theory, due to the presenting of the persuasion theory clearly in the book purpose. Therefore, this study has been written in three chapters preceded with introduction and followed by an ending. in the introduction the persuasion concept I have researched the language and the term and the persuasion activity components in its practical dimension and the persuasion rooting in the western and Arab traditions.This study has three chapters; in the first chapter I have researched about the persuasive nature in Minat al - Minan book. In the first research I have studied the initial dimension for the persuasion through its features which have been formed of such as (title suggestive, introduction revelation, withdrawal method). Therefore, its features have been shaped as defined as persuaded means driven for attracting the receiver and push him argumentatively for entering inside the text subject. In the first research, also, I have studied the conversational dimension as defined ad persuasive way, presented the persuasive mode which has been committed by Sayyid al - Sader (God may sanctify his soul) and continued in his book. In the second research I have studied the persuasive method (passages of the persuasion operation) which has been clarified how the persuasion operation may become in the Minat al - Minan book)In the second chapter, I have studied the persuasion communicated means, in the first research I have been researched the continuation in the persuasive eloquence, focusing under its light the speech variety method and the speech conversation and the speech arrangement and the psychology impact in the speech as defined as the most distinguished persuasive means of al - Sader. In the second research I have research the persuasive communication with the receiver. As these levels which are personified with the receiver by the direct model and upon the receiver of the undirected model and the special (assuming) receiver and the (mind) imaginable receiver. In the third chapter, I have studied, the most important language and mind means for the persuasion. I have studied in the research of the language way in argumentatively style and the test effect, and the eloquence in the rhetoric. And I have researched in the mind means of persuasion in the induction conclusion, and the persuasive in the standard conclusion, finally I have ended up the research in the finale, including the most important results which I have researched.In this study the research I have depended on analytic descriptive method done terms as defined as the argument way enlighten in the book (Minat al - Minan) for defending the Quran, then analysing it according to the persuasive dimension in it.

اثر وسائل الاتصال في الرواية العراقية المعاصرة (من 2000 - 2015)

Author name: غسان نجم عبد الله
Supervisor name: مشتاق فالح عبيد الفضلي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Often critical studies have proven in the field to talk to the old narrative and modern literary criticism and many are interested in theorizing to the beginnings of writing fiction in Iraq, Fna cash in history more than the present moment the Iraqi novel, and because the desire researcher was paid long ago to try to fight in the new Iraqi novelist experience and an update of the project, which began studying the master narrative, it has been proposed to subject the supervisor Prof. Dr. Luay Hamza Abbas, who crystallized the idea of the project is scientifically formulated entitled academic form in which it now.Counted researcher different samples through monitoring and followed the Iraqi novel from 2001 until 2015 have been addressed in the reading and analysis of the many novels that dealt with theme of communication and treated him, however, he selected a number of novels that thinks it meets the nature of the new clerical experience and grant writing feature distinctive new featuresIt would have been confronted by the researcher of the difficulties is the novelty of the topic you say who wrote it and the desire of the researcher also using modern sources cover the size of the creative space that dealt with samples of this research, but surmounted many difficulties in this area after traveling to Cairo and friction with the sources of digital literature.Researcher has not been adopted in this thesis on a specific approach vented stringent monetary approaches that may restrict the study and not to unnamed flexibility that may make or prematurely truncated work, so relied on the open reading theories on more than one approach as imposed by the nature of the study for each chapter. As for the use of the sources it relied on modern sources, including the World Wide Web Taking no sense to study communication and we are trying to emphasize its impact on writing fiction without that create an impact on the search noting that the sources of the World Wide Web were few compared to other confiscation, and so presented the study also comes : Track researcher concept of communication in an abbreviated pave on according to what has been written by specialists by relying on written communication and identify concepts own and then select the definition of modern means of communication, which included everything that can generate communicative relationship between man and his environment, then focused researcher on the transformation of communication theories as Try to track their transformations to the extent that he found useful and enriching research, and neglected them what he believes he does not own thing or benefit him, right down to the theory of Marshall McLuhan who represented the central point adopted the philosophy of research, a theory (Alanm technological), and then try to monitor shifts Iraqi novel since origination Even before 2001 brief in these transformations, focusing on the task of samples in the history of the Iraqi novel, justifiable reason for the delay awareness novelist in Iraq compared with the awareness of the hair.The first chapter was at the entrance of theoretical and four topics are : The theoretical entrance who tried to monitor the work and the nature of the novelist its flexibility, which gives him the ability to take advantage of all science, particularly modern means of communication.The Study of Technology (window or osmosis) a written proposal made search features and its impact in the novel Virgwalah Saad Said and novel under the sky Copenhagen to hawra al - nadawi, and the novel The Curse of Marquise Zia Aljbaili, and zero and one Morteza Kzar, black box for Klizar Anwar, as samples sought to fight in writing digital and computer techniques emotion.The second topic was about the vulnerability of Iraqi cinema novel techniques are issued this work novel City images as they are influenced by the scenario imaging, and novel black box as influenced by technology montage.The third section was about the vulnerability of the Iraqi novel techniques Press Fteraht three narrative models are (novel jogging behind Wolves Ali Badr) and (grandson of the BBC to Maysaloon Hadi) and (wonders of Baghdad Ward Badr) and tried to research that explores the press techniques within novelist field.The fourth section was in Photography camera technique was alone novel (city pictures Luay Hamza Abbas) with this technology.Prescribed for the second quarter in an attempt space study was divided into three sections are : The entrance of my brief is trying to justify the separation and movement of search procedures.Digital space structure, a space on the computer display, and the resulting new technologies, and how the Iraqi novelist plans to take advantage of this technology in their respective fields novelist.While the second section concerned with space - written script, a space that includes quotes, starting with the title of the outer shell and even entry in the body of the novel.The third topic dealt with as a perspective on the space as proposed by Julia Christivia and addressed the researcher point of view in space when the space As a producer of death or misery and tear through the deadly identities.The last chapter of the dissertation tries to address intellectual transformations in the Iraqi novel screening Tmzaradtha was in the form of the entrance to a theoretical respond and justify the movement of ideological transformation in the framework of the Arab novel and briefly, then divide the class into four sections the first was about the speech Acharri researcher dealt with the Covers novels as a producer for Continental not as a producer demonstrates what in the novel.Eat your language and their vulnerability in the means of communication and how this means provided liquidity written to reflect the language for more than one purpose.Then I dealt with in the third section of identity shifts that have emerged fragmented and fragmented confronted with the reality of a torn reflected back on the identity Assembly and the other on the individual identity that suffer repression and rejection.The last topic was about hybridization narrative as hinting intellectually novelist in thought and how the Iraqi novelist said of the means of communication in providing narratives Jdido insurgency and trying to break the traditional form novelist.She concluded Find Bkhamth summarizes the findings of the researcher of the findings and proposals in writing. Researcher

الحكم العطائية لابن عطاء السكندري (ت709هـ) : دراسة اسلوبية == Al - Hakame Al - Attaiah To The Son Of Ataa Alscandary (D. 709 AH) : Stylistic Study

Author name: علي عبد الحسن جاسم ال جليهم
Supervisor name: خالد نعيم الشناوي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Sufi literature is still tender fecund for study and research, because of its aesthetic attributes and expressed for the cognitive values, was (Al - hakame Al - Attaiah) by Ibn Ataa Allah Alscandary texts the value that was quite popular among the commentators, but it has not received from researchers proper attention, and described these texts as a brief and intense significance of the rule,described strongly foundries and beauty method, and the number is ( 264 ) text , so we chose the stylistic study to enter into their world of knowledge and aesthetic.The stylistic one of extrovert studies, which made its way in a statement properties up. The stylistic set of performance measures that practiced modalities structures linguistic statement relationship analysis and detection of functional and aesthetic characteristic values of the text itself, and it revealed the modalities of speech and description it includes aspects aesthetic, so it was the text of the son of a tender of Alexandria, the focus of the study, as the study came across three chapters, the first we dealt with the vocal stylistics in sections three, the first of the stylistic impressionism, and the second stylistic expressive, to be the end of the chapter by vocal suggestive, where he emerged as sound as an influential element in giving the impressionist aesthetic dimension effect actor in a dynamic text with the time, was the interlocking Semantic present at all levels.The second chapter titled ( stylistic Almorvo synthetic) , divided into four sections , we discussed in the first of the major structures , consisting of the text, and came detective others to look at ( the accumulation junctional parallel , formats nominal and actual sentence, and then formats the methods), respectively , has emerged as a standard text as a selection of suits and cognitive capabilities so as to create the recipient to retrieve assets and roots that provided the text of cognitive his visions , and had the thrill element prominent role in creating the necessary excitement in most word.The last chapter titled ( stylistic textural and contextual ) in two sections , the first of the stylistic formative brought together several themes : ( stylistic title, axis words , stylistic pilgrims and reasoning , brevity , partitioning , text unit) while we checked stylistic contextual in subjects ( simile , metaphor , metonymy , intertextuality , irony ).The study concluded that the most prominent stylistic features in Ibn Ataa text lies in weaving standard formats intense significance interconnected knowledge , taking to each other , it has emerged as vocal stylistics , including added aesthetic aspects that will improve the text, giving dimension impressionist great importance in most word.The isomorphism derived from the similarity and contrast linguistic structures an actor and a distinctive to the Ibn Atta text , as prevailed most of the texts balance, and attended other features indicate the stylistic creative and Albasimologih foundations from which , as evidenced by his choice of title or his penchant for pilgrims and reasoning and other.

الفصــول والغايات لابـي العلاء المعــري : دراسـة اسلوبيـة

Author name: سعد عزيز القطراني
Supervisor name: عبد الواحد زيارة اسكندر المنصوري
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:

التمثيل السردي في روايات عالية ممدوح == The Narrative Representation In Alia Mamdouh’S Novels

Author name: امجد محمد رضا عودة
Supervisor name: عقيل عبد الحسين خلف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The first chapter explored how actions are represented in Alia Mamdouh’s novels and consists of three sections. The first section examined transferring of real action (non - fiction) into words by containing real dates and events. The second sections explored biographies which is an account of someone’s life. The third section explores fiction which is nonrealistic events and actions.The second chapter investigates description. This chapter is divided into three sections. The first section studies description of reality. It focuses on the external (physical) description of people and places. The second section looks at character (person) description. The final section explores the description of imaginary characters and events which do not exist in the real world. The third chapter focuses on focalization. The first section of this chapter is internal focalization which is based the narrator. While the second section discuses external focalization which is divided into Palpable and abstract.This thesis is accompanied with a conclusion that summarizes the results of the research. As well as, an appendix which gives an introduction of the novelist (Alia Mamdouh) including her biography and major works that are used in this thesis. It also contains a table listing all the actions, description and focalization within these works. The narrative representation in its different shapes, forms, and patterns is widely present in people’s lives. Thus, it is open to the different requirements of writing and rhetoric through which thoughts and beliefs are conveyed to the reader. It highlights the diverse concepts which shape the way a narrative is written. One of the most prominent concepts that is taken into consideration is The Narrative Representation and how to embody it in novels. Since it is contains the problem, similarity, visualization, conversation, impersonation and embodiment of what is present in the human mind into a narrative format. In other words, how to transform what can be imagined into live words in the form of narrative. This thesis will discuss the narrative in Alia Mamdouh’s novels and is divided into an introduction, three different chapters and an appendix. Each of the first and second chapter contains three sections while the third chapter contains two only. The introduction discusses what representation is in terms of definition and its different concepts. Then it moves on to reveal its origin starting with Plato then Aristotle and ending with the Arab philosophers such as Ibn Rushd, Ibn Sina and al - Farabi. Representation is then discussed by the view of scholars of Arab Rhetoric such as al - Jurani, Al - sakkaki and Hazim Al - Qartajanni. Then it is investigated in the Orientalism study. There is a discussion of the relationship between representation and narrative and finally the development of the narrative representation.

محمود الظاهر : دراسة في فنه القصصي == Mahmood Al - Dhahir : A Study Of His Fiction

Author name: ياسمين كريم عبد الرضا
Supervisor name: جبار عودة بدن الشحماني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This study deals with narration and the elements of narration in Mahmood AL - Dhahir's stories. This work falls into a preliminary, three chapters and a conclusion following the analytical procedure. Chapter one, which is entitled "Narration and the Structure of Events in Al Dhahir's Stories", starts with a theoretical introduction explaining the importance of narration and events in the story and the between them. It consists of two sections. Section one is about narration divided into patterns such as objective, subjective and interrelated. The second one is devoted to ways narration such as description and dialogue. Section three is mainly about the patterns of structuring the events such as sequences, overlapping, cycling, composing, reiteration,, and paralleling. Chapter two is entitled "Characters in Al Dhahir's Stories". It starts with an introduction showing the importance of the characters. It includes two sections. The first one is about introducing the characters (telling and showing). Section two is about character types according to traits. Chapter three is entitled " Narrative Space in Al Dhahir's Fiction". It also starts with an introduction and two sections. Section one shows time and its levels (order, duration, and frequency). Section two is devoted to the explanation of place and its relations with the characters, situations, events falls into types such realistic, imaginary, main vs. secondary. The conclusion comes finally to show the most important results.

المحسنات المعنوية في ادعية الصحيفة السجادية == Embellishments In The Prayers Of Alsahifah Alsajjadiyah

Author name: اسعد جساب مغامس محيي
Supervisor name: مرتضى عباس فالح السلمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Undoubtedly, the texts of Alsahifah Alsajjadiyah belong to the creative texts whose features are very distinguished. They need to be discovered and stand at, researchers have raced to gain the honor of researching their structures and discovering the secrets of their rhetoric. This study (Figures of Speech in the Prayers of Alsahifah Alsajjadiyah) was a trial to gain this great honor. The study is interested in the semantics of the figures of speech in Alsahifah Alsajjadiyah by Imam Ali Bin AlHussein (Peace be upon him). This depended on the activity of the semantics of the figures of speech in the structures of its texts. Good employment of the figures of speech and the Imam's knowledge of the value of the creativity in literary texts enhanced the vitality of the figures of speech. I believe that he tried to uncover the latent expressive power of these arts that help contribute in enhancing the texts, showing their references, and highlighting their artistic features. The study consists of three chapters preceded by an introduction and a prelude and followed by the conclusion, which summed up the topic and the results, and the list of references. The prelude includes a theoretical preface about the concepts, emergence, and function. It deals with the importance of Alsahifah Alsajjadiyah and its rhetoric, a summary about the emergence of rhetoric, its development stages and its function. Chapter one deals with the (Arts of Harmony) in four sections : (antithesis, analogy, congeries), it is followed by an appendix that tackles (arts of fusion). Chapter two is about (arts of delusion). It contains three sections : (pun, feigning ignorance by the learned, resemblance). It is followed by the art of (abstraction, praising in blame like style, good justification). Chapter three deals with the arts of elaboration and summarization. It includes three sections (epanodos, plurality and division). I added an appendix that deals with the art of (Combining and differentiating, Combining with differentiation and division). I looked at each section from two perspectives : the theoretical perspective and the practical one. Then I draw the conclusion which is the gist of the topic and the results of the study.The most important thing that the study reached at is that the arts of embellishments gain an extra importance for studying them in such creative texts, because their being well employed in the texts gave them a vitality that greatly impacted the text, which met the requirements of coherence and continuity and harmony. The study has also hinted that the use of these embellishments in the text of Alsahifah Alsajjadiyah cannot be considered as rhetorical embellishments only that complete the references, but the Imam had employed them to structure his texts as an expressive and vital tool which has a great impact on the two levels of rhetoric and semantics

التداخل المنهجي في طرائق تحليل النص الشعري - السيميائية انموذجا == Curricular Interference In Poetic Text Analysis Modalities - Semiotics As A Model

Author name: سراج محمد يعقوب
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: This study entitled “Curricular Interference in Poetic Text Analysis Modalities - Semiotics as a model” examines one of the most controversial and problematic contemporary criticism curricula amongst modern criticism studies. Semiotics at its theoretical form is an old existing science which was emerged from the womb of knowledge theory; hence it contributed to philosophy, logic, mathematics, human and social sciences. Its critical importance lies by the fact that it stands at the border between human and social sciences; as well as its integration of the direction that accredited linguistic aspect (linguistics) and the direction of philosophical aspect that accredited the new phenomenology. The value of this critical study rises as it monitors the shifts of knowledge and intellect arguments of this approach, their transfer into the field of applied methodology, the way Arabic critical studies dealt with such shifts, the nature of receiving such mechanisms by Arab critics, and the methods of applying and representing them in Arabic poetic texts. This thesis is composed of an introduction, three chapters and a conclusion. The first chapter - made of two sections - deals with the intellectual and philosophical fundamentals of semiotics, and examines their origins and approaches as presented by semiotics pioneers; American Philosopher Charles Sanders Peirce and Swiss Linguist Ferdinand de Saussure. In the first section of the chapter, we focus on the image of semiotics in ancient Greek philosophy, as well as different other philosophies followed. In addition, we examine deeply the way Arab and western critics had dealt with the nature of that image. In the second section of the first chapter, we review in details the hypotheses of Peirce’s and Saussure’s theories analyzing their philosophical and intellectual arguments; as well as explaining relevant attitudes of Arab and western critics.The first section of the second chapter examines semiotics in terms of its developed theoretical boundaries and its applied methodological image. Also, we detail the period that followed the foundation stage, and account for modern semiotics approaches that we present by the approaches of semantics, communication and culture. Then we scope the light on literature semiotics as being the theoretical and applied image of general semiotics. In the second section of this chapter, we review the mechanisms of applied semiotics, the ways of Arab and western critics’ interaction with that mechanisms, how they were put into application, and the reasons that lead to curricular interference amongst applied models. As for the third chapter, it deals with Arabic applied models as we examine the phenomenon of curricular interference within those models following the criticism - of - criticism mechanism. In conclusion, the study was culminated with a series of findings reached through our research

الاساليب البلاغية في شعر السيد جعفر الحلي (ت1315هـ) == Rhetorical Devices In The Poetry Of Said Jafar Al - Hilli

Author name: امنـة احمـد عباس المطـوري
Supervisor name: فالح حمد احمد الحمداني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Said Jaafar Al - Hilly is considered as one of the alawis Iraqi poets whose poetry is characterized by its richness at the artistic and semantic levels. His poems also shed light on the political and social reality with a dominant alawian sense. Thus, it is essential to investigate about these aspects with close inspection. This poet was not paid any considerable attention concerning his verse only in scattered articles and papers. Even in modern literary works, there are little references to his art, further, these references do not contribute in showing his artistic and aesthetic writings in verse that may put him in competition with other great poets of his time. This study mainly focuses on the rhetorical perspectives in his poems in an attempt to show the deep meaning of his lexical and syntactic choices in addition to his manipulation of cadence and poetic structure as well as imagery. The current study consists of a preliminary, three chapters and a conclusion. In the preliminary, rhetorical branches are introduced and explained and how these branches are shown to have a role in exposing the poet's artistic writings. This chapter also includes the poet's biography and the themes that he addressed in his verse. Chapter one is attributed to inspecting the cadence level in his poetry. It comprises three sections. Section one is concerned with alliteration. Section two is devoted to explaining repetition and its types and effects in relation to cadence. Section three comes under the title " Other Rhetorical Aspects" that contribute to make rhythmical patterns prominent. Chapter two is essentially devoted to the structural level of his poetry. It comprises three sections. The first one, which is entitled "Recantation in Structure", deals with things such as foregrounding and back - grounding, ellipsis. Section two is entitled "Recantation in the reporting style", whereas, the third section is concerned with the recantation of requesting style such as questions and command. Chapter three deals with the descriptive level of his poetry and it is compose of two sections. The first one is concerned with the study of images according to their artistic frame. Section two pays attention to the size of these images in that it focused on the single and simple images as well as the compound and the total images. This classification comes as a result of what is found in his poems in an endeavor to simplify their study. Finally, I would like to express my gratitude for the dean of the college of Education for Human science, Dr Hussein and for the two assistants as well as for the head of the Arabic department. Also, I would thank my supervisor for his great efforts in showing me the right way of how to accomplish this work.

مناهج تحقيق النصوص الادبية في مجلة المورد عقد السبعينيات : دراسة تحليلية == Approaches Of Investigating Literary Texts In The Journal Of Al - Mawrid In The Seventies : An Analytical Study

Author name: بسام علي حسين العميري
Supervisor name: قاسم خلف مشاري السكيني
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Basrah
First pages:
Abstract: Actually, researchers give a great concern to the field of Text Investigation. Therefore, numerous articles and books come into existence about this considerable field of study. Such contributions identify its characteristics as well as initiate its rules and roots by which investigators attempt to set a remarkable touch that can take role in the characterization of ancient Arabic heritage. However, text investigators should have a great amount of knowledge about approaches of scientific investigation. Their task demands to be patient via working with manuscripts, to be professional about collecting lost poetry of a certain poet. This is so because the ultimate end of investigation is to follow accuracy and objectivity to reflect the poet's book or collection of poems as the poet intends.Concerning this area of investigation, a variety of researchers do their best to study old - fashioned texts. Throughout their investigations, they introduce their attempts as well as sufferings in this field. Their efforts reveal different capacities and distinctive scientific abilities. As a result of this serious work in the field, an apparent role has been observed upon the difference among their approaches of investigation although they agree on introducing texts in the correct way according to the scientific rules with a high degree of correctness and documentation. Their work follows a number of acceptable scientific and procedural bases.As a practical area of these investigations is those periodicals whose specialization is to re - exist the Arabic heritage such as the journal of Al - Mawrid. This journal is a quarterly old - fashioned and it is one of the most important periodicals in Iraq particularly and in the Arabic homeland in general. It is published by the ministry of Culture and Arts - Dar Al - Jahdh. The 1970s and its subsequent years represent its heyday since this period witnesses a great concern of investigations and literary manuscripts. All these achievements led to its publication in 1971. Due to the availability of the textual data of literary investigations in this decade, this dissertation comes entitled "The Approaches of Investigating Literary Texts in the Journal of Al - Mawrid in the decade of Seventies : an Analytical Study".This work involves an introduction, three chapters and conclusions. Accordingly, the introduction gives a preliminary overview about the journal under study including its foundation and historical development in the 1970s. As regards the chapters, the first two deal with the approaches of literary investigations of books and collections of poems which are investigated depending on handwriting manuscripts or printed manuscripts (the second novel). Chapter Three concerns the approaches of criticizing literary investigation in the journal of Al - Mawrid in the 1970s. The study has come with some conclusions. It reveals the amount of the investigated literary heritage including books and collections of poems in the 1970s by this journal. In additions, it shows the difference among investigators' approaches. One group follows the methodological rules of scientific investigation whereas another one ignores such rules through their investigations. Such ignorance is represented by lacking the premises of investigation, neglecting the set - up of the investigated text, the author's name, the title of the book, the identification of the book, documenting well - known scholars, quranic verses, poetic quotations, formatting lists of references and printing reproduction.Finally, the researcher does not claim perfection of this study which is indeed the result of hard work. Thus, in case it reaches the desired end, it is that duty to which Allah conducts me. Therefore, I have no superiority. On the other hand, wherever there is some weaknesses throughout this work, it is of course because of human beings' imperfection. What I do not regret on is that I have followed thinking, purified my intent, looked for truth and reliability. Hence, I hope to obtain retribution as a reward ofthese efforts. Almighty Allah I request to accept my good deeds since he is the Omnipotent.
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