First pages:

المعالجة الاخراجية للمفارقة الكوميدية في عروض المسرح العراقي == The Directorial Processors To Comedy Irony In Show Iraqi Theater

Author name: صاحب جياد اسماعيل

Supervisor name: حسين علي كاظم التكمه جي

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: تعد المفارقة من ابرز الوسائل الفنية التي يستخدمها كتاب المسرح ان لم تكن ابرزها جميعا في الواقع، بل ان بعض النقاد والمتخصصين بتسمية عناصر الدراما يرون ان الاثر الكلي للعمل المسرحي باكمله هو المحصلة الناتجة عن تجميع عدد كبير من المفارقات الكوميدية.ان الك | Is the Irony of the leading technical means used by the playwrights were not the most important of all, in fact, even some critics and specialists nominated elements of the drama they see that the overall impact of the work of the entire theater is the net resulting from the compilation of a large number of dramatic irony.The comedy Greek crowded patterns of characters that meet the irony was called on these characters (Irony) and mean hypocrite deception demonstrators which is contrary to the hide, and soon that popularized the concept of paradox in the ancient philosophies and then the modern and was tapped in the various fields of literature and the arts as a form of forms to say is it inappropriate for the necessary degree, it covers a small area in the installation and construction of the events in the text we call the paradox of building or in the door of metaphor used by the speaker call it ironic verbal and other, wider dimensions dramatic covers an area of the play as parts of other types of paradox we call paradoxes of the events, attitudes or personalities.The development has been caused to the structure of concept for a logical Irony that was not in time, as has happened is the inevitable result of the interaction of philosophical and aesthetic reflections are also seen Kirkiqor way of dialogue and the management and style of modern life, to prove existenceI've tried researcher during his research that tracks the time of the emergence of the paradox and the movement of its evolution through the philosophies and artistic movements, as well as identified in the contest drama (Comedy) for the purpose of access to Art's technical framework of the world stage, Arab, and then identify them in the place of inspection, which assumes the limits Find a theater Iraqi To achieve these goals department researcher his research into four chapters are as follows : Chapter I : A methodological framework within which to search, as a researcher discussed the problem and the need to and importance of research need to secure research and then the limits of research and scientific terminology.Chapter II : a theoretical framework within which to discuss research as head of the Detectives of three as follows : First topic : the concept of irony Section II : Comedy origin and evolution Third topic : drama and directorial processors in the comedy and four topic The directorial processors To comedy Irony.Chapter III : a procedural framework in the search as within the researcher identify the community of his research in a table placed in the supplements research also pointed to the samples that have been selected and also explained the reasons choose it as well as between us Researcher tools and approach considered, and then proceeded to the analysis of specimens bearing the following headings : First, play this evening our friend Second, play the string and the bird Third : Play King of his time Chapter IV : The results of the researcher within the research and its findings also revealed the sources of his research, as well as within this chapter supplements the research and summary in English.Is the paradox of the leading technical Means Used by the Playwrights Were Not The Most important of all, In Fact, Even Critics and Specialists Some elements of the drama Nominated They See That the Overall Impact of the work of the theater is the net Entire RESULTING from the compilation of a large number of dramatic irony. The Greek comedy crowded patterns of characters meet the irony That WAS CALLED ON These characters (Irony) and mean hypocrite deception Which is Contrary to Demonstrators the hide, and soon popularized the concept of That paradox in the ancient Philosophies and Then the modern and tapped WAS Various fields in the literature and the arts of as a form of forms to say is it NECESSARY Inappropriate for the degree, it covers a small area in the installation and construction of the events in the text we call the paradox of building or in the door Used by the metaphor of speaker call it ironic verbal and other, WIDER covers an area dramatic dimensions of the play as parts of other types of paradox we call paradoxes of the events, or Personalities Attitudes. The Development Has Been Caused to the structure of concept for a logical paradox That Was not in time, as is the unavoidable Has Happened result of the interaction of Philosophical and aesthetic reflections are seen Kirkiqor Also dialogue and the way of management and style of modern life , To Prove existence. I've tried researcher DURING That tracks the historical research of the Emergence time of the paradox and the movement of ITS evolution artistic Through the Philosophies and Movements, as well as Identified in the consist drama (Comedy) for the purpose of access to technical arts framework of the world stage, Arab, and Then Identify Them in the place of inspection, Which limits assumes the Iraqi theater Find a goals To Achieve These historical research department researcher Into four chapters are as FOLLOWS : Chapter I : A Methodological Framework Within Which to search, as a researcher Discussed the problem and the need - to Importance of research and need - to secure research and Then the limits of scientific research and Terminology. Chapter II : Theoretical framework to discuss research Within Which as head of the Detectives of three as FOLLOWS : First topic : the concept of irony Section II : origin and evolution Comedy Third topic : drama and comedy directorial processors in the Chapter III : a procedural framework in the search as the researcher Identify Within the community of historical research in a table Place in the research supplements to the samples Also Pointed That Have Been Selected And Also The Reasons Explained as well as Okhiarha Between Us and Research Tools Considered approach, and Then proceeded to the analysis of specimens bearing the Following headings : First, play this evening our friendSecond, play the string and the bird Third : Play King of His Time Chapter IV : The results of the researcher Within the research and Its Findings Revealed Also the sources of historical research, as well as supplements Within this chapter the research and Abstract

معالجات الاعمال الخطية باستخدام برامج التصميم الرقمية == Treatments of Calligraphic Acts By Digital Design Programs

Author name: صادق جعفر جابر طرخان الشكاكي

Supervisor name: نصيف جاسم محمد عباس

General topic: Fine Arts

Specific topic: Calligraphy and Decoration

Degree: Master

University: University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section

Language: Arabic

University location: Baghdad

First pages:

Abstract: تعتمد فكرة الاعمال الخطية الرقمية ومعالجاتها وظيفيا وجماليا بجميع مراحل انجازها, على مبادئ فنية تعالج وفقها، وهي مجموعة من ادوات تتصل بطبيعة البرنامج، والتي تؤثر بشكل او باخر على الناتج النهائي للمنتج، وما سيكون عليه، او ما سيحمله من تعزيز واثراء بصري | The idea of Calligraphic digital works based and processed functionally and aesthetically pleasing at all stages of completion, based on the technical principles addressed accordingly, a set of tools related to the nature of the program, which affect more or less the final output of the product, and what it would be like, or what will carry enhance the visual aesthetic and enrich, We have taken the concept of digital processing a wide area of research, in particular, is related to a two - pronged actors, arabic calligraphy, which is reflected formations creative spaces that have spread widely Graphic texture and design that is consistent in oprations with Calligraphy works, which represents, in essence, an integrated design structure processing mechanism, and from this sense ,calligrapher found a new space for the dissemination of creative experiences are the result of my contact between Calligraphy and modern a digital technology in all its technical additions. - The current research takes the mission of research and investigation of what relates to processors of Calligraphic works Through organizing it according into four chapters. - The first chapter included the research problem, which touched by the researcher, and related to field of Calligraphic works processed in digital designs, proposing the following assumption as a problem for his research : Digital processors written work contributed to the development of linear : done and identified the importance of research in the ability to benefit in developing the practical skills of the workers in this field. - The research delimited by the following limits : - Substantive limit : Business processing calligraphic works by digital programs - spatial limit : contemporary calligraphic samples digitally treated, according to the following : Program : (PHOTOSHOP), (Art Rage 2.5). The most popular in this type of achievements in calligraphy (Iran, Iraq) being witness a great operations in this kind of modern art. - Temporal limit : calligraphic works processed digitally to a group of calligraphers of the year (2013 - 2014). Period witnesses diverse and versatile in providing digitally treated works according to new methods. The researcher defined the following terms : which are : (processors), (Design), (digital calligrapher), because they relate to operations of the current research, and the second chapter specialized to the theoretical framework, and previous studies ,at which his three chapters carried headlines including : - Digital art. beginnings and evolution. - Digital Art and Design. - The concept of digital processing. - Digital Design programs. - Digital art & calligraphy art. - Methods of processing calligraphic works - color. The third chapter is devoted to research procedures, by stating methodology of the research which depended on the descriptive method (content analysis) to samples that were available to him. Then, the researcher analyzed (15) samples according to themes identified formerly. The research community : the community research reached 150 samples for digital prominent calligraphers in Iran and Iraq. The researcher organized a table for it. (review page - 172. "(Appendix 4) Research samples : reached samples reached (15) sample has been chosen according to the selective method infliction of the total community. review "(Appendix 4). researcher established conditions identified through them intentional choice of samples, including : A. Selection of samples within the temporal limits of the search. B. The appropriateness of the samples to the general research purpose and it's representation to the whole community research. Research tool : appeared what researcher focused on it in the research's literature and indicators. Sources and methods of collecting information : pointed from which the researcher to the approved methods of gathering information. Then he stopped on : honesty of analysis tool by adopting the way superficial honesty was done through distribution hubs analysis form on a number of experts and specialists and display to them Stability of analysis : and through researcher hired a group of outside analyzers and work according to the principle of pluralism of analysis within a table featuring analyzers degrees and the average stability coefficient (review page 170 ).Then, the researcher broached to statistical methods which carried out by the researcher through consistency over time, between his analysis and the analysis of a group of experts and determined the fourth chapter to mention the results and discuss them, including : A. workers processed calligraphic works focused on activate the digital design principles, whether they were at the level of structural elements or foundations.. or relations system and outputs.. This included most of the analysis samples. B. The adoption of digital design principles comes from understanding and expertise by calligraphers evidence of prior awareness of the basics of the structural process that considered important in the treatment of calligraphic painting. Then the researcher concluded some conclusions, included : awareness and understanding resulting from the calligrapher experience, greatly contributed to the strengthening of the visions and goals envisaged in the calligraphic works processing. It is the awareness among traditional direction in the industry of digital painting the Digital technology represented a wide field in front of the calligrapher to the quality of extras added on calligraphic painting new properties were unavailable in traditional styles : Then the researcher recommended some relative recommendations, including : 1. modernization of developments in digital technology, and updates provided by The world's largest producer of programs companies related to the treatment of the calligraphic work.2. Searching stylistic methods enrich works by the calligrapher and what adds the quality and beauty to his work.He then proposed to study the following : - Digital programs and their reflections on the formation of the structure of the Arabic letter.Then the researcher sited a list of sources and related indexes.

ذات المستخدم وانعكاساته التفاعلية في تصميم المنتج الصناعي المعاصر == Self User Interactive Reflections In Product Design And Contemporary Industrial

Author name: ظبية محمد عبد الاخوة الفحام

Supervisor name: صلاح نوري محمود

General topic: Fine Arts

Specific topic: Industrial Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: Suspended research study (with user interactive and its implications in the contemporary industrial design of the product) a lot of new concepts and ideas that gave way to know the human self, which is for the user, as the self in humans involves an ongoing series of interactions between him and the producer and the aim of this interaction is to reach compatibility between his personal, social and nature of the product qualities affect it, according aware her circumstances are here. This has raised the question : what are self - relationship and interactive implications with the user contemporary industrial product, and hence the problem Find an answer to this question, and the aim of this research to identify the self - concept and the impact of interactive her reflections with the industrial product in contemporary design..The main importance of this study looks at an important aspect of personal, a self - concept and try to detect the interactive relationship with the industrial product, study of self - concept and its relationship to the industrial product is one of the psychological needs of the job and needed to be provided to the user, and included the limits of the study objectively industrial products smart and interactive relationship with the same user spatially in the local markets of the city of Baghdad to 2015, the study consisted of four chapters included first chapter of the research problem and its importance, objectives and limits and define the terminology, The second chapter, which was the theoretical framework and previous studies and included three sections first one came under the title (the relationship between self user and design industrial) while the second section was dealing with (functional and aesthetic considerations in the industrial product and its relationship to the same user), while the third section dealt placed (interactive user in the industrial design of the product)The third chapter included research procedures and methodology, as descriptive approach adopted in the process of describing and analyzing the samples, which accounted for 25% of the research community which has been classified by the researcher into two categories, determine the first products company (Samsung ) and the number (5) models The second products of(LG) company in numbers (15) a model of the available commercial sales centers main in the city of Baghdad, has been a researcher of indicators adopted was the outcome of sources and Arab and foreign references that seen by the researcher as well as field visits to shops selling smart electrical appliances, The survey carried out by theresearcher to specialists, this chapter was including describe and analyze the five samples with proportions similar guarantees axes according to the analysis developed by the researcher form..The search results and conclusions have it contained the fourth chapter runs the one of the main outcomes of the study as she was phenotypic traits that dealt with the sample analysis axes unrealized positive and format match with principled possibilities that her person search through the theoretical framework through (shape, color, and raw) and in in relation to the aesthetic level models number (1,2,3,4,5) and to reflect the aesthetic values of the body as the product that suits the conditions of the functional use, while the other side was marked by models (2,4,5) being part of the quality check and durability to the content of the ability to achieve the side of the efficiency of the operating hand and carry the functional use conditions, at a time when not include (1,3) on adequate specifications that can be considered in which unrealized side quality and durability same efficiency that characterized the remaining models, It has strengthened the results of the questionnaire this result where the participants agree on the questionnaire that forms number (2,4,5) unrealized side quality and durability efficiently within the general framework that care about research priorities, and the most important conclusions have proved the performing values and role of the marketing of the product through its durability and quality of performing as user to performing value inferred in this aspect when you confirm that the model is based on performing the idea have come to expect the user and results in a feeling of satisfaction and persuasion, which in turn are psychological factors user gives all types of functional performance optimization, and product concept interactive self - reflection is achieved within the Layout Social and resulting in a consumer coordinated through the correlation between the product and the self user according to psychological controls check the individual conditional qualities and features of formality and performance today and distillation of the product identity, and the Final research was the recommendations and proposals and then supplements and references in arabic and english language.

التناسبات الشكلية للوحدات التصميمية وفضاءات اقمشة المفروشات == Physical Proportions of The Design Units And The Spaces of Upholstery Fabrics

Author name: عباس حسين عليوي

Supervisor name: هند محمد سحاب العاني

General topic: Fine Arts

Specific topic: Industrial Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: لقد اهتمت الكثير من شعوب العالم ومنذ القدم بصناعة الاقمشة وتطويرها كونها تجسد هويتها واصالتها، ووجها حضاريا مشرقا وشكلا مميزا من اشكال التعبير عن الكيان والشخصية لاسيما بعد التطور الكبير الذي شهده الجانبين التقني والتصميمي في مجال صناعة الاقمشة وخصوصا اق | Many peoples of the world realised the importance of textile industry and its development since the dawn of time, owing to the fact that it embodies their identity and antiquity and it also reflects a distinguished form of expressing their entity and character, especially after the significant evolution the industry had witnessed in terms of technique and design, particularly in the area of upholstery fabrics industry. These fabrics are no longer a mere special raw material used for a specific function, yet it is the product of an artistic apparatus derived from a variety of design elements and foundations and in a way it gives an aesthetic and functional action equally. And due to the importance of the theme of proportion which is to be held as the pivot of the current research and due to the scarcity of researchers on the theme of proportion as well as its being an inspiring and essential work for the maturity of the aesthetical and functional scopes in the design operations. And in terms of application, for it contributes to the visual comfort. In the light of what has been mentioned earlier, the researcher has reacted to put this theme under his studious magnifier through this thesis whose title is ‘Physical proportions of the Design Units and the Spaces of Upholstery Fabrics ‘ via four chapters. The researcher has endeavoured in the first chapter to explain the problem of the thesis which is focused on the importance of the aspect proportion in the spaces of upholstery fabrics since it’s considered one of the most important foundations for the artistic and design fulfilment. It includes in a later stage, the thesis’ targets represented in the identification of the aspect of proportion. The second chapter consists of the theoretical framework of the thesis which contains two sections : the first of which is focused on the aspect of proportion; a phenomenon already exists in nature and man was born to see, live with and get affected by as well. The second section comes to take into study, various themes, including types of the design units and the styles of their artistic application as well as the artistic techniques including the raw material, its various types and features and its printing techniques using manual, mechanical and modern ( digital printing).The theoretical framework has come up with several indications : - The shape is considered a theme seen by the designer as the principal aspect for the interpretation of the required sense; for the shape and the sense are inseparable. - The construction of patterns in the designs of upholstery fabrics aims at identifying the methods through which the design units are to be distributed. The third chapter included research procedures adopted the descriptive approach to clear reality design of upholstery fabrics in the collection of information and data for the part of the theoretical and then interpreted and analyzed with a view to the results achieved to the goals of the research, was able researcher to get a range of models for upholstery fabrics in a deliberate and travel (200) model were excluded (152) of the like - and third - party models and clear that do not meet the goals of research was the remaining (48) model represented the net the research community has been research sample selection wildly (25%), and consisted search tool Bastmarat analysis. Balaatmadaly theoretical framework and indicators, as counted researcher with the help of the supervisor and approved by a number of experts have been on the basis of which the sample analysis models and then get their persistence, as the research sample analysis models in the same chapter, based on the form axes. The fourth quarter has included the results of the study and conclusions, most notably : - That fabric design depends primarily on the quality of raw materials used because of their functional and aesthetic role in highlighting the character Alachtgala units design was mostly carried out using a mixed cotton fabric with polyester being characterized by lightweight, durability and resistance to wrinkle and comfort when to use and cheapen relative to the use of natural materials such as Cotton, either the raw material made of industrial polyester has less use for non - Mulla Imtha climate Iraq in general. C - Designs and effectively printing techniques were adopted to achieve technical wizards vocabulary design of upholstery fabrics mother - majority of the sample forms printing technology screens and the rest of the models implemented digital technology printing, which gave high definition sham forms and quality easily recognized by the receiver being reflect a true picture of the picture perfect nature. - Emerged aesthetic design value through the adoption of phenotypic characteristics of the elements of constructivism in achieving proportional relationships to create a variety of configurations away from raising boredom the recipient, taking into account not conflict with the unity of form and substance, and this is what the universe rhythm accepted through fit the shape and space, shape, direction and fit the colors and values optical with texture and appeared less gradient descent, although it was investigating several tasks in the design process, including the division of space and the representation of multiple levels within the configuration. Same chapter also includes recommendations and proposals as well as Arab and foreign sources and supplements and summary and the interface in English.

تمثلات الاشكال الواقعية في الخزف العراقي المعاصر

Author name: عباس حمدي بكتاش

Supervisor name: فاروق نواف سرحان العيساوي

General topic: Fine Arts

Specific topic: Porcelain

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: من خلال تتبع التجارب المتنوعة في مجال الفن التشكيلي العراقي المعاصر بين المحاكات التقليدية والموضوعية والتجريب في عوالم لا المرئية من خلال الاستعارة والتوظيف التعبيري عن مضامين الكامنة وراء الاشكال للخروج بعمل فني فرادي الرؤية تحقق متطلبات التجربة الذاتية | By tracking different experiences in the field of contemporary Iraqi art between simulations and traditional objectivity and experimentation in invisible worlds through metaphor and expressive employment for the overlaid of the underlying shapes to deliver an art with an individual vision that meets the requirements of a subjective experience,from which emerged forms and methods based on significantly open suspicions with realistic resultes which are surrounded by a lot of mystery assignored those shapes to a mythological paths , which launched the research problem. in this study , the first chapter dialed with the problem and its significance by adding introductory approach about realism and its new directions in the contemporary Iraqi porcelin art and highlight the trends that have emerged and had taken wider area in the framework of realism to the goal to be achieved by the research.The second chapter of the research,in the first part dealt with the sensible and un sensibl in art and establish the link between the human and the presence with concepts of material by the spiritual from the other side , and between them and the aesthetic expression and artistic for that link , through philosophical compititions and the vagaries of social reflected on this dialectical Booze founding spirit concepts reality in general, and addressed in the second part, and at length , addressing the concept of reality and realism. giving difinition of material reality and objective reality and knowledge , a departure for a clear vision of reality after the presentation of views and debates in which , creeping to the foundations of realism then to the cultural phenomenon and art through the depiction of the realities of existence and melodious received from those facts it portrays life in all of its differences and balances.After that the third section started by the presentation of realism and trends in the art of contemporary exhibitors to approach realism in art that has taken place and the range of between curriculum afterlife through association with life and the capacity of the artist from the jaws of blades actually rebuilt and installation and turn it to ideas according to the processes of analysis an synthesis , and new ideas which resulted in actually studeing the reality deeper and more contemporary that gave the trends varying in their concepts of realism of the most important neo - realism and socialist realism and magical realism , otherwise expressionistic and surreal and excessive abstraction and other trends that are generated Retracted this concept spaces wide range of concepts , from here , we find that the Iraqi artist in dealing with realism which we can see in his works, that was dealt with in the fourth section ,The contemporary Iraqi porcelen , in terms of realistic or not, and the use of icons and realistic shapes. The measures included in the Chapter III of the research for the descriptive analysis of the work and that has been selected (11)sample of from whitch results and the conclusions reached by the researcher. lastly there were the recommendations and proposal summary.

استحداث معالجات ربط جديدة لتصميم وحدات الاثاث المكتبي الجاهز == Modernizing New Connection Treatments For Designing A Ready Made Office Furniture Units

Author name: عبد الخالق سمين فتاح

Supervisor name: نوال محسن علي

General topic: Fine Arts

Specific topic: Industrial Design

Degree: Master

University: University of Baghdad - College Of Fine Arts - Design Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: تناولت الدراسة الموسومة بـ(استحداث معالجات ربط جديدة لتصميم وحدات الاثاث المكتبي الجاهز) موضوع ربط اجزاء الاثاث الجاهز وعلاقته بمتانة وحدات الاثاث المكتبي.احتوى الفصل الاول مشكلة البحث المتمثلة بمدى امكانية ايجاد معالجات لربط اجزاء الاثاث الجاهز في تصميم | The study entitled (Modernizing New Connection Treatments For Designing a Ready Made Office Furniture Units) addressed connecting the ready made furniture parts and its relation with consistency of office furniture units. The first chapter contained the research problem represented by the capability range of finding treatments to connect the ready made furniture parts in designing office furniture. As to research significance, it lies in the trial of applying new connection treatments in designing ready made office furniture. The basic research aims are represented as the following : creating new connection methods to connect ready made office furniture as well as providing a proposed design for an office furniture unit basing on new treatments. Research limits included the study of various models of ready made office furniture of industrial wood available in local markets for the period (2005 - 2009). The second chapter consisted of three sections. The first section addressed the topic of ready made furniture, through which we identified most ready made office furniture units. It also included studying the topic of woods with their two types : natural and industrial, identifying the types and specifications of each, illustrating the role of modern technology in manufacturing woods which was represented by two attitudes; the first was concerned with modernizing the methods of manufacturing and the most important methods of modern manufacturing, whereas the second was concerned with producing modern products using modern methods of manufacturing. The second section dealt with the topic of connecting the woods which contained studying different types and specifications of connection techniques. While the third section covered the study of design, the appearance of ready made furniture, the formal unit of furniture design with its multiple elements and phenomena as well as the role of appearance in designing furniture and studying its functional and usage dimensions and manifesting its relation with aesthetic values. Chapter three addressed research procedures where the descriptive method was followed in analyzing the research sample so as to arrive at achieving the research goals, and relying on the research population represented by everything related to ready made office furniture units and the techniques of connecting its parts. The research sample comprised different models of ready made office furniture units chosen purposely to meet research requirements and aims. Chapter four dealt with analyzing the research sample according to analysis axes defined by the researcher through the indications revealed in the theoretical frame. Chapter five embraced the results arrived at by analyzing the research sample, the most important of which were : 1 - Employing the arc lines (streamlines) to break a part of vertical and horizontal lines entering in the formation of formal formations and their directions of the product configuration. 2 - Using one color degree for coating the shapes of some examples which made them lose their color and touch contrast and weakened their elements of attracting and exciting the receptor. 3 - The adhering cortex (paper, plastic) covering the industrial wood ore carried color, appearance and expression characteristics to the natural wood ore, but it came with weak resistant to environmental factors. 4 - The accurate treatments and superficial finishing of all examples configurations with technical styles through employing modern manufacturing techniques which contributed in achieving the appropriate appearance output to them as well as promoting the safety and security aspects. 5 - Lacking some connection methods (employed for connecting the parts of product design units) for their effectiveness as a result of consistency weakness of used connecting tools (because they were designed basically for usage with natural wood ore), causing over time distortions in the appearance of the forms of ready made office furniture units. As to the most important conclusions arrived at by the researcher, they were : 1 - Color and touch contrast achieved a kind of excitement and attraction as well as the kinetic dimension for the appearance of office furniture unit. 2 - Lacking the configurations designs of some products of sensual, aesthetic and expressive effects due to weak employment of their colors and touch of ors or their connection styles and methods. 3 - Good employment of the methods of connecting the parts of office furniture unit contributed in adding an effective appearance to them as well as promoting the aesthetic aspect allover their configuration. 4 - The weakness of functional effectiveness of the methods of connecting designing parts and the spoilage of connection tools distorted the appearance of the forms of ready made office furniture units. 5 - The necessity of fulfilling both aims the aesthetic and functional in designing office furniture unit without the dominance of one of them on the account of the other through good employing of the proper ore and the color and touch contract…. etc. to achieve the excitement and bring attention to them. Chapter five also included the presentation of design treatments enhanced with practical experiments according to the initial results sorted by the researcher to achieve the research aim in suggesting the design of office furniture unit by regarding it an applied example to study and by using some treatments the researcher arrived at in his research results. The recommendations and suggestions were presented to the directions and sides related to the research topic.

التوظيف الميثولوجي في الخزف العراقي المعاصر == The Employment Mythology of Ceramic In Contemporary Iraq

Author name: عبير مجيد عبد النبي صالح

Supervisor name: فاروق نواف سرحان العيساوي

General topic: Fine Arts

Specific topic: Plastic Arts

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: تعد الميثولوجيا مؤسسة الذاكرة تتشكل منها شخصية كل امة اومجتمع وتمثل بنيتها المركبة، وتتميز باستمرارية فعلها وتاثيرها على النتاجات الحضارية وتشكل بالنتيجة ملامح الحضارة المعاصرة، التي تفتخر بها امة او شعب، والنتاجات الحضارية الميثولوجية تختلف من امة ال | Mythology consider as memorize association were energize every nation personality or society that represented in their a compound construction , it's distinguish with their active action and continuity and influence on civilized production and consider in their resultant the specification of modern civilization , that nation and people will be proud of it and the mythological civilized products in people more that other people , upon their ruling of civilized history governor , that specialize of peoples enjoyed with. Iraqi people possess extended civilization in deep of history about eight thousands years represented with groups of countries and empires that held on their land. and what offered to humanity huge quantity of Variables mythological production that we could discloser on their Varity s by the mean of the wide historical production civilized mythology.From natural the forming Iraqi's artist inspired and ceramist specifically s for such huge of mythological production for creativity level that showed clearly in the staid scientific research level for construction so the precise employment of Iraqi mythology in Iraqi contemporary ceramic.So the chapter that researcher working with start : First chapter : Represented the research method frame the emerged from research problem s and the importance identification and the need of it s then the goals , their boundaries , it 's problem , finally limit of terminationsSecond chapter : researcher got of theoretical conceptual frame and previous studies that represented in first subject : Unction and the employment in different mythology and their theories and divisions and legends functions. second subject : Legend as expression for universal mythological construction.Third subject : Iraqi mythology and their environmental transmission means.Fourth subject : Products of Middle mythology for Islamic and Arabic interval. Fifth subject : Nearest mythology ((the first fifth decades from century))After the finished of second chapter , researcher work to accomplished his research lab that represented in theoretical conceptual research and limited the research means that he use in his research procedures.Upon the Second chapter represented in research procedures as fallow : Research society and their sample s then the research curriculum and research method and their justifications and tools s to test the sample s and finished with third chapter in applications that represented the selective samples analysis that in meant.And after the analysis of samples the researcher accomplishment the fourth chapter that represented the results and conclusions and recommendations and suggestions.And then list of Arabic and foreign references and summary in Arabic and English language

تقويم النتاجات النحتية لطلبة قسم التربية الفنية على وفق الاتجاه البنائي == Evaluating The Sculpture Produces of The Artistic Education Department Students According To The Constructivism Attitude

Author name: عدي علي حماد الجغيفي

Supervisor name: صلاح لازم حسن

General topic: Fine Arts

Specific topic: Art Education

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: تعد التربية الفنية بمفهومها الواسع احدى الادوات الفاعلة في بناء شخصية الطالب وتاهيله لاكتساب الخبرات التي تساعده في اداء وظائفه في المجتمع اذ ان ممارسة الفن وتذوقه تنميان مختلف جوانب شخصيته. والتربية الفنية لن تتمكن من تحقيق اهدافها دون ادوات ووسائل تقوي | The concept of the Artistical Education, is one of the active tools to construct the personality of the student & qualify him to get the experiences, which help him to do his job in the society, because exercising Art & appreciating it, develop all sides of his personality. Artisticsl Education can not reach to its Aims without Evaluating devices, making the teachers able to notice the weak & strong points in their student's produces, therefore this research has started. The problem of the research is : 1 - Guessing the weak & strong points in sculpture produces of students according to artistical theories of post - modernity (constructivism attitude). 2 - Employing the constructivism attitude as one of the post - modernity curriculums arts, to construct a criterion to evaluate the sculpture produces of Artistical Education students.The Aims of the research is : 1 - Construct a criterion to evaluate the sculpture produces of Artistical Education students according to constructivism attitude.2 - Discovering the range of Employing the composition esthetics' of post - modernity (constructivism attitude) arts in Artistical Education students' sculpture produces by analyzing their produces. The research reached to the 1st aim by constructing an evaluating form for the research sample which contain 24 items, & show it to a group of experts in plastic arts & Artistical Education to get the Face validity of the form, & reached to the 2nd aim by applying the form items & analyzing the sample. According to data The results was : resolution (2.75 - 2,38) , & the Weight percentage was (0.92 - 0.79), that means that the form have got high results & it was successful to measure what it constructed for. After showing the results of the research & discussing it the researcher reach to the following conclusions : 1 - The evaluation form can be appreciated as one of the effective evaluation forms in evaluating Artistical Education students produces according constructivism attitude.2 - There is a chance to employ constructivism attitude to develop the Art appreciating of the students.3 - Constructivism attitude near from the students idea about post - modernity because it involves read the produces from interiorly.

تنوع الرؤية الفنية في تجربة الفنان عبد المرسل الزيدي المسرحية == The Variety Artistic Perception of Abd Almursal Al Zaidi Dramatics Experience

Author name: علاء عبد الله راضي

Supervisor name: سافرة ناجي جاسم

General topic: Fine Arts

Specific topic: Theatrical Arts - Literature and Criticism

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: ان دراسة تجارب الفنانيين، والادباء، والمفكرين، والعلماء تسهم بشكل فعال في تطور المجتمع، والاهم تطبيقها علميا وعمليا.فضلا عن التلاقح بالمعرفة والانفتاح على ثقافة الاخر، تساعد على النهوض بالواقع المعرفي بالتخصصات الدقيقة والثقافة العامة، وكان للبعثات | The study of the artist, Literates, thinkers and the scientists experiences contribute in a active way to develop the society and the most important applying them a academically and practically.The interference of different knowledge and to open to other culture help to raise up the real knowledge by specialization and common culture.The scholar - delegations have great role in Providing Arab Societies by curriculum and the Specialist methods in dramatics by the legates who work as teachers in the academy of beauty arts, We mention as instance the lading group like (Haqi AL - shib;I ,Jaapher Al - saadi,Asad Abd Alrazaq,Jasim Al - Abudi,and sami AbdAl hameed).Moreover they work as directors and actors they have presented their works in educational institutions in the bands of show applying in such works varying directing schools based on their own styles and senses.Abd Al mursel Alzaidi one of the Iraqi artists has different artistry scopes by the variety of their experiences and talents, He studies theater in academy of beauty arts In Iraq and completed his higher education (masters and doctorate degree) specialization of literature and dramatic criticism in Romania (Bokharist university ).He used to teach the students after his reoccurrence from the study in dramatics department , in addition to his practical experience by his variant participation in many dramatics work either as director or actor or styler ,in increase to his participation of variant artistry in radio ,Television and in the field of plastic art. According to that the scholar gets the title of his research : - (The variety Artistic vision in dramatics experience of the artist Abd Almursal Al Zaidi ) and for reaching to the aims of this study is described by for chapters taking this from : - This consist of (The problem of the research and the need for it, the research confines ,and the definition of the terms ) , The problem of the research included this question : - (Is there any role to the variety of the technicality scope for Alzaidi in the field of radio ,T.V, and plastic art on his dramatics experince).The importace of the research is considered as one of the studies that are about the demonstration and the development of Iraqi theater by its : - Observation to the enlightenment and crystallization of the artistry scopy in the mind and the senses of one of its pioneers who is the artist Abd Almursal Alzaidi and so it is the study that focuses on the aids that use the universal script feasibilities in handling Arabic or native cases.And to put in to use the plastical scopy that Alzaidi has in designing the items of the dramatics show space and this is by the way is considered as a knowledge that serve the workers who work and study in the theatre and the establishments that are in relation with it.The aims of the research consist of three points that are : - 1 - To know the originator of the ideological, and the artistic of the artist Abd Almursal Alzaidi and how this originator influence his own artistry experience.2 - To know the origins of the artistry that are about Alzaidi by following the demonstration of his history his artistry , educational, and social life.3 - To know the nature of the moment that was lived by Alzaidi and knowing its contradiction on the conflict level that the origin artistry methods have witnessed or by the ones that coming by his traveling around the world or by his study in Romania.The limits of the research are restricted according to such ones : - The temporal margin - the locative - The topical , the temporal margin was limited for about (2010 - 1940) concerning his own technical experience focusing on his dramatistic experience, The locative margin (Iraq) but the topical margin is concerning the study of the cultural and creative originators of Al - mursal Al zaidi chapter two Academic field.In this chapter the scholar tries to constitute theoretical domain for the Variety of the technical surveying about the dramatics experience of the artist Abd - Almursal Alzaidi in three main subjects : - The first subject : - The meaning of the technical scopy, the scholar sees in this chapter that the artistry scopy is formed by two important formatives they are in origin from the parts that are connected to the voluptuousness physiological parts of human being and to his social and psychological cultural that are sight and conception.The second subject : - the materials that malte the dramatics artistry scopy come true, the scholar considered such mediums as akind of sciential coherence between the thought and the art for the coordination of the voluptuousness , and the audio - visnal for the theatre show the scholar has distinguished between two kinds of the material that achieved the dramatics Artistry scopy the script and synography.The third subject - The resources of the technical scopy variety about Al - zaidi experience in spite of that these resources are long, imbricate and intricate in different arts however, the point of initiating it was in his dramatics experience (acting and mechanisms , and dramatics there the plastic, T.V,and his radio experience).And the scholar make ratiocination in the end of chapter two that contain the most important of the signs the academic field.In chapter three : - the scholar did his research procedures by limiting (so ciety , sample, the method ,the research mediums) and then he did explication the sample of the research that include the drama shows that was directed by him,1 - (Macbeth)by William shakespear.2 - (lovers not Failed) by farhan Bulbul.3 - (Abu Hamdans dream) by Jamal Abu Hamdan.4 - (Good Human) by Auny caromy.The scholar take the persuasive way in choosing the research sample depending on the analytic descriptive method in analysing the research sample.Chapter Four : - consist of the following : - (the research findings and its arguments, and the ratiocination) the scholar make many recommendation , suggestion the list of index and appendix moreover the digest of the paper in English Language.

تكييف القص القراني للدراما التلفزيونية : مسلسل يوسف الصديق انموذجا

Author name: علاء فاضل حمود

Supervisor name: محمود اكباشي خلف الزبيدي

General topic: Fine Arts

Specific topic: TV Arts

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: ان الامكانات الهائلة التي يقدمها التلفزيون في ميدان صناعة الراي من الناحية الاعلامية، وبما يمتلكه من قدرة كبيرة على التاثير في المتلقي، بحيث اصبح من الميادين المهمة التي تستقطب اهتمام الدول والمؤسسات والمنظمات وحتى الافراد، وقد تعددت اساليب استثمار هذه ال | Within huge capacities introduce by television in the field of manufacturing the opinion from information direction and its large ability to effect on the listener, then it became from the important fields which take the attentions of states, institutions and organizations even the individuals.The means of investment for this active communication device multiplied in order to preserve the cultures of nations ,and many establishments engaged in the work for the sake putting the values and cultures connect peoples with its values and its cultural, faith heritage in order to a achieve kind of sovereignty and at the end it for identification shape ,then kind of influences multiplied with multiplying of these shapes introduced by this mean.From many of practices face tangible development in the act of production ,the dram works come to describe the Quranic stories and it looks as a new kind and localized itself as a kind among television drama kind, and that needed acts of adaptation in order to implementing convenience with television mediator.The described research ( the adaptation for Quranic stories for television drama, true Yousif series) come as an examples as an efforts aim to reveal the machineries where act of adaptation done through it ,and it divided as follows;Chapter one ;methodical frame than contain research problem which it crystallized with the following question ;what the description of adaptation machineries of Quranic stories for television drama.The first chapter contain the research aim which concentrated on the act of revelation for machinery which process of adaptation done related with prophet Yousif story for television drama.Basing on research aim, the importance of research came and that as additions for scientific movement in cinema television arts department and college of fine arts generally.This chapter identify the idioms mentioned in the title of research.This chapter ended with research boundaries which include the selected sample which is selected to arrive to research aim.Chapter two; theoretical frame ,research divided in this chapter into three topics contribute to arrive to research aims as follow;The first topic ,came as a title of narrative structure for Quranic stories ,and research deal with narrative from linguistic and idiom aspect then narrative in Quranic stories.Then dual of ego and objectivity has been discussed and teqnique of narrative then expose for point of view and size of teller and narrative sites then dealing with speaking text in Quranic stories ,personality, time and place of Quranic story besides to investigate for these elements in television drama.The second topic; it came with the title of, adaptation machineries of Quranic stories for television drama ,in this topic it is identified and study adaptation machineries of Quranic stories for television drama and identified with explanation ,quotation and supporting by historic references ,and these machineries identified in the light of response the television mediator for it and with exactness and trust needed by work relate with holy text for its importance and sensitivities.The third topic; it came with the title of ,the elements of pictorial construction for Quranic stories and this topic dealing with elements of pictorial construction that concentrated around the pictorial narrative and imaging ,optical influences ,decoration ,fashions ,accessories and voice duct.Chapter three; research procedures, and that include the followed methodology in the research where there are analytical descriptive manner because of it is more convenient manner for research subject ,and mean of research which it was as an indications for theoretical frame , Chapter three include analysis unit and this unit fitted with sample nature ,and sample has been analyzed on the base of shot ,scene and series ,chapter included the selected sample with aim, then analyzing the selected research sample intentionally is true Yousif series according to the indication adopted by researcher after consulting the opinions of committee of experts and injuries.Chapter four ,the results, in this chapter we write down the results of analyzing process and researcher arrived to;The adaptation works to produce television drama text erected on the holy text through means of different expressive of mediator, and explanation, quotation and dealing with historic references and that machineries and that it is possible to adapt the Quranic stories for television drama.For the technical elements of language has ability to employ more than one level to send information and the meanings of Quranic text.This chapter include the results of researcher as generally mentioned in the research ,and recommendation of researcher and the important suggestions that pour in the service of scientific movement in cinema, television arts departments especially in dealing with such kind of scientific researches.The chapter include the list of scientific references where researcher depending upon it and annex relating with research ا subject and research concluded with abstract in English language.

المغايرة الاخراجية في تجارب مسرح الشباب

Author name: علاء قحطان زغير

Supervisor name: وليد شامل حسين

General topic: Fine Arts

Specific topic: Theatrical Arts - Directing and Acting

Degree: Master

University: University of Baghdad

Language: Arabic

University location: Baghdad

First pages:

Abstract: ان كل المتغيرات والتحولات في انتاج مستجدات المغايرة الاخراجية في مضمون العرض المسرحي القائمة من الواقع المعيش على المسرح الذي لم تكن يوما ولن يكون بعيدا عن هذه التحولات والتطورات الحديثة لذا يتجسد مفهوم المغايره الاخراجية في مضامين العرض المسرحي في زمان و| All the changes and transition in the production of directorial contrary development in The content of the play based on the reality of the Living Theater and all these changes and the recent development wasn’t far away and it will not be that’s why the concept of the contrary directorial is embodied in the content of the play and the time and place of it and the text structure and the functioned mechanism in the concept of the directorial contrary. The contrary transitions in the theater is not the result of today, but accompanied him since the days of the Greeks to the present day , the development of the act and the theatrical event through contrary starting with Stanislavski and Duke Sachs Mngen and Brecht and Arto and Brooke and ending with the current of modernity and its concepts of modernity and post - modernist that established the concept of contrary in the theatre so …….this entitled research ( the contrary directorial experiences in the youth theatre consist four chapters , The researcher divided it in to chapters and sub chapters , the first chapter includes the methodological framework and the research problem and the need for it ,then the researcher shows the importance and the objectivity and the temporal and spatial limits of the search and identify the terms and find the procedural term that educed through the reading of the sources and the modern references and opinions that he reached for. as for the second chapter (the theoretical framework and the previous studies ) the researcher has divided the chapter it on to seven sub chapters that titles under the following diagram : The first chapter : the contrary directorial in the experience of the global theater The second chapter : the contrary directorial in the Scinography configuration structureThe third chapter : the contrary directorial in the experience of the Iraqi directors In the third chapter the researcher deals with the research community, research tools - samples Seat - method of selecting samples chosen by the researcher then - Analysis of samples - according to the mechanics of the operation of the play aesthetically and intellectually according to the premises directorial concepts contrary to the theatrical presentation. In the fourth chapter the researcher has reached to the results and select the conclusion that he reached to by taking the suggestions that it deems necessary for the development of the Iraqi theatre movement in general and the youth theater in particular and then he puts the recommendations that he reached to through his research and theoretical and field study and installed the sources and references with the abstract in English and appendices at the end search

Author name: علي عاشور سلمان

Supervisor name: ازهر داخل محسن

General topic: Fine Arts

Specific topic: Sculpture

Degree: Master

University: University of Baghdad - College Of Fine Arts - Fine Arts Department

Language: Arabic

University location: Baghdad

First pages:

Abstract: فن النحت من الفنون الاكثر تماسا بالحضارات الانسانية لانه فن يمكن ان يطلق عليه الباحث انه فن بيئي المادة والموضوع، بمعنى ان الخامة المستخدمة في النحت متوافرة لاتحتاج الى عناء لاحضارها كالطين والخشب والحجر، فضلا عن استقصائه في متابعة مضامين اجتماعية، ه | Sculpture is of the most fine arts ad hoc with the human civilization as it is the art may the researcher called environmental arty in regards to the subject and material; i.e., the raw material used in sculpture is available getting easily such as clay, wood and stone, in addition to his search for social implications from a side and that fine arts in general and plastic arts in particular are constructive arts depending upon beautification constructive elements ( artistic formation) and one of such that elements is the presence of the man or animal shape so that the sculptor may form singular, duet or more shapes in one artistic work for beautification and ideological aims. The researchers studied one of such this types ( Duet Shape formation) in the contemporary Iraqi Sculpture detecting the building relation within the constructive subject as its importance is merged by attributing it with technical and ideological implications embodied by the ancient man in his artistic work making a substantiation for his persuasion and ceremonies through many raw materials and situations they lived with. Modern sculpture attempts to memorize his ideas , ego and vision through sculpture formations including that of duet forms as outlined as well as that some of which represented dramatically the activity of the scene filled with movement, embodied by divergent modes and ideas having traits and semantics of formative relations reflecting the concepts and ideas of the sculptor towards his environment while it is varied in its formative treatment in spite of the presence of common relations among its elements and then realizing new forms for these relations by which duet shape is formed. It is necessitated to identify this relation analyzing it scientifically within study empiric focusing on the constructive relations realized from shape distribution for the elements, thus the researcher studied and analyzed these elements through its relations of developed formative within the reaction of formative elements. The researchers divided his study into four chapters. The first chapter ( mainframe of the research) concerned with explanation the problem of the research , its importance and the need for which , aiming to outline by analytical study the duet formation of the shape in the contemporary Iraqi sculpture and argued the limits of the research determining the ideological terms through which the researcher derivate a procedural in compliance with the seclusion of the matter and to realize the objective. Second chapter ( Theoretical Study) consisted of three section the first one argued the duet formation in the ancient sculpture ( Iraq, Egypt, Greece and Rome) while the second section argued the due formation of the sculpture shape in the reviviscence era while third one is dedicated to study duet formations of the shape for the international contemporary sculpture. Third chapter ( Methods and Materials) includes the mechanisms of research community , electing its pattern in addition to diagnose the methodology of the analysis , tools of the researches making analytical study for this pattern. Fourth chapter is dedicated for results , discussion, conclusions and recommendations. The most important results are : 1) The Iraqi Contemporary Sculptor insists on the ideological aspect of duet relations never insisted on the shape appearance so that most duet formations appeared with shapes needs for diagnostic traits due to the exorbitance in simplification and reduction.2) It is shown the difficulty of distinguishing between the shape of woman and the shape of man as a constructive relations for duet shape but in some formations through which the femininity traits are appeared for example the conglomerate of the chest by outgoing outshoot resulted from the conglomeration in abstraction and reduction in the formation structure. 3) Creating gaps inside bodies of the formations of the similar relations for both shapes within the formation embodied by the Iraqi contemporary sculptor by areas may take half of formation evidencing the effects of European art in general and Henri Moor ;the English Sculptor in particular. 4) Number of Iraqi Contemporary sculptors used to abstracted man body from arms in addition elongation of the shapes and its meager reduction the skull making it just outgoing merge free from formation traits of the man face so that these formations are referred to the works of Swiss sculptor Alberto Chiakomitti. 5) Stylistic divergence of the Iraqi contemporary sculptor through tracing international works considering the contemporary international empiric and to benefit from in using his elements within self Singularity of real; effects detecting the continuous and developed looking at new styles of formative relations enrichment the artistic movement and the rendezvous culture.6) Sign through its derivatives in the symbol and icon appeared intensively in all samples ( pattern of the research) especially iconic sign representing the real situation but symbolic signs appeared lesser than it relatively while the denotation sign is disappeared slightly. Which confirms that samples of the research are expressive and reductive artistic achievements approaching to the abstraction.7) As the art is deemed the supreme community value in conveying the behaviors of the community trustfully in addition to that the surrounding and the community are the source effecting on the artistic achieved work , thus, their ad hoc with the behavioral values of the community is the truth imagination for these behaviors and the achieved work and the circumstance are related deeply in embodying the folklore surrounding the artistic achieved work especially the sculpture.