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التوليف التقني في النحت العراقي المعاصر == Technical Matching In Contemporary Iraqi Sculpture

Author name: حسين علي محسن
Supervisor name: علي حسين علوان جمعة الاسدي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تواصلا مع الفن العالمي كان الفن العراقي ومنذ خمسينات القرن العشرين ينحو باتجاه الفكر التجريبي باستخدام المادة والتقنية والخروج بتوليفات مادية وتقنية تؤكد الجانب الابداعي في الفن العراقي المعاصر، ولذلك فقد جاءت هذه الدراسة لتسلط الضوء على التوليف التقني ف | Since the late years of 19th century, development has turned to be but an integral part of man's life. All fields of life have been developing and this progress has affected the view of life on the part of the human being in general and the artist in particular. As a result of this machine revolution and the rapid industrial progress, the artists could not help making their art cope with the new era. In response to the twentieth century technology, certain changes took pace in the new world of art especially in the artist's performance. On the whole, art turned to be a world of experimentation including both the raw material and technicality through matching to the extent that new concepts came into being : the artist departed the restrictions of specialization and moved into the free multiple and comprehensive plastic art. Since the early 1950's, the Iraqi artists have been creatively. aware of the world - wide tendency of experimentation. This study is an attempt to shed some light on the technical matching in contemporary Iraqi sculpture. It is concerned with the expressive and aesthetic values that stem from the technical matching. It also attempts at showing the stylistic features of contemporary Iraqi sculpture works under investigation. This thesis falls into five chapters as follows : Chapter One is entitled as 'preliminaries'. It divides into the following sections. 1.1 The Problem of the study. 1.2 Significance of the study 1.3 Aims of the study 1.4 imits of the study and 1.5 Definition of terms. Chapter Two is on the theoretical background and review of literature. It falls into three sections : 2.1 The artistic application of technical matching 2.2 Styles of technical matching in contemporary sculpture and. 2.3 Aesthetic philosophy (approach) of technical matching. Chapter Three is on the procedures. It can be outlined as follows : 3.1 The population of the study ( 250 sculpture works by 36 artists along the years 1980 - 2008) 3.2 The sample.3.3 The method ( a descriptive approach to content analysis) and. 3.4 Tools of data collection (observation, interview, and survey). Chapter Four includes the analysis of the samples and display of results. The following are of the results : 1. Matching has been proved through of the application of more than one technique in each piece of work. 2. Matching has enabled the artist to go beyond the limit of the material. 3. Matching has paved the way for the artist to make all possible use of the sense and structure plastic and expressive potentials to achieve a variety of relative values such as the plastic, expressive, and aesthetic ones. 4. Matching has taken place among a number of resources : a. Works of contemporary world. b. Works of (the heritage of) Mesopotamia. c. Popular culture and d. Realities of contemporary Iraq. Chapter Five is concerned with the Conclusions, Recommendations and Suggestions. The following are five conclusions. a. A large number of contemporary Iraqi artists have applied technical matching to their sculpture masterpieces. b. Sculpture has developed a lot through using newly factory products and rubbish. c. Sculpture has turned to be given new dimensions and concepts by contemporary Iraqi artists within the realm of postmodern plastic arts. d. It has been found out that there are new aesthetic dimensions of sculpture work arrived at by the plastic artist through matching. These novel dimensions are in connection with attracting the receiver and stimulating his thinking and. e. The motives of going beyond the limits of the raw material through matching are inherited and deeply rooted in ancient ages. Still these motives are going on nowadays.

تحولات الشكل النحتي الانكليزي بعد الحرب العالمية الثانية == The Transformations of The English Sculpture Form In The Post - War II

Author name: جعفر صادق عايد الربيعي
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The theme of the study "Transformations of the English Sculpture Form in the Post - War" is conducted through tackling the most important variables and changes in the sculpture form during the last fifty years of the twentieth century and the renewal of ideas and concepts for the new generation of British sculptors. That was reflected in their works. The esis includes four chapters : Chapter One includes the problem of study which can be summed up in the following question : what is the secret of the great transformation which effected the English Sculpture Form in the Post - War?. In addition to the importance and the need for the study. The research is limited to the study of the work of the English Sculpture in all form and the various raw and techniques during the period extending from 1950 to 2000. It also includes the specification of the main terms used.Chapter Two includes the main inquiries; first inquiry is a historical brief to the English Sculpture from sixteenth to the nineteenth century. It tackles the roots of the English Sculpture through the period with the influences and tendencies. The second inquiry was subdivided into two axis the first is about the Modern English Sculpture in the 20th century until the World War II, while the second is about the methods and techniques and forms that have prevailed for almost fifty years from 1900 up to 1950. The second inquiry is based on the contemporary English Sculpture from the WWII until the end of the century. It includes a study of the most important postwar sculptors. The third inquiry includes the effective influences in the transformation of the contemporary English Sculpture form. It is subsided into four axes : the first is about the liberation of the artists and art from the domination of the authority which focuses on the artists' freedom of expressionaway from the domination of authority of the society like the royal and church. The second focuses on the effect of WWII on the conception and ideas for the sculptors, while the third is concerned with the influences of the modern contemporary European and American sculpture on the form of English sculpture. The inquiry concentrates on the most important European and American sculptors investors of the new artistic schools on the British sculpture. The last inquiry has concentrated on the effect of economy and technological progress and the consumption culture in the British society on the form of English sculpture.The third chapter includes the procedure of study which is the research community and sample and what are the reasons for choosing the sample that attained 21 sculpture models as well as the justification for selecting the research community in addition to the procedure of the study which is the descriptive analytical followed in the analysis of the works. Chapter four includes a the results and the conclusions of the study the most important are : 1 - the British sculpture of the postwar period did not abide to a certain criteria, a style or trend or artistic school, but it varied in form from one sculptor to another as the sample show.2 - Most of the works of sculptors were from modern raw materials which appeared in the postwar period. The War was a reason for the appearance for such raw materials and shaped them and then refined them in sculpture, taking them as a source of expression.3 - The cases which interacted with the artist's self and manifested in their sculpture works for the new generation of British sculpture of the postwar period creating atmosphere of (conception, absurdism, spontaneity, freedom, probability, questioning, fear and anxiety and horror of a Third World War). All that was reflected in strange forms and was adopted according to the concept and the mechanism of expression for each sculptor

تحولات تقنيات الاظهار في النحت العراقي المعاصر == The Technical Transferring In Showing Off The Contemporary Iraqi Sculpture

Author name: اياد حامد ماجد
Supervisor name: جبار محمود حسين العبيدي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول بحثنا هذا موضوع التحولات التقنية التي تحدث في اظهار واخراج المنجز النحتي العراقي، اذ يرصد هذا البحث التحولات التقنية من نحات الى اخر كما يرصد التحول التقني في تقنيات النحات نفسه وعلى صعيد استعمال المواد الخام المختلفة وبوسائل عدة وما تشكله هذه التق | Our research talks about the technical transferring that occurs on the Iraqi sculpture piece of work. It observes the technical transferring happens from sculptor to another as it also follows the technical transferring in the sculpturing techniques of the sculptor himself, like different types of raw materials and the verity of methods in technique and its elements to show off the alternative pressures of the sculpture piece of work and fix its influence on each other. In the first chapter, research plot is revealed which is represented in the definition of the technical transferring used in showing off the Iraqi sculpture works and the role of the technical pressures on the final shape of the project according to the used materials as they act as an inter - medium to show its physical characteristics in the aesthetic form. Also the first chapter included the importance of the research and the definition of the research through discussing how far is the influence of the transferring techniques on the sculpture art. This research is one of the primary researches about the Iraqi sculpture between the period 1940 - 2007 and exposes the contemporary Iraqi sculpture generation and their changeable and verity of techniques to accomplish their sculpture works. In the second chapter - first section, the researcher discussed the definition of the transferring in the general definition and how it is defined in different philosophical schools such as : perfection, existence, physics, Pragmatics; also its definition in the contemporary critics programs like structure and expression. Additionally, it talked about changes of techniques of the sculpture piece of work that the researcher called "Transferring in the Contemporary Plastic Art" starting from the Romantic and impressionist school to he most recent Art Schools and how this technical transferring happen to reach the final shape of the painting and sculpture piece of work accompanied with artistic examples. In the second section, the researcher discusses the definition of the technique and how the philosophies and thinkers express their ideas about the subject. Moreover, in the very section ,the researcher mentions the definition of the showing off in the Contemporary Plastic Art and the relation between the shape and material ,and the consistency of this relation of alternative technical pressures in choosing each other also accompanied with opinions of some philosophies about shape and material and their importance to the showing off techniques, and how they form the important basics in the continuous transferring in these techniques along with some examples of painting and sculpture which emphasize this definition. In the third section, the researcher talked about the distinguished technical transferring that occurred in the contemporary sculpture and how they happened and their techniques in showing off the sculpture piece of work. Also the researcher discussed the noticeable sculpture accomplishments which considered as important transformational points in the contemporary technical sculptures and whatever of materials used like raw materials and techniques and this mentioned also in the signs of the methodical section in the end of this chapter, where the researcher talked about the importance of the verity of the raw materials to make the technical transferring on the sculpture work and so on. Moreover, in the second chapter, the researcher goes through the previous studies concerning this subject and he reveals the distinguished points in these studies and the results and conclusions they have reached. In the third chapter, the researcher fixed the measures of the research which are : the title of the research population, fixing the samples, the research tools and the limitation of the research tools then he moved to the applications of eleven Iraqi sculptor works from different generations. Such verity of techniques had an obvious crucial influence on showing off many different sculpture accomplishments that formed a technique transferring could be fixed and studied in those sculptures works and considering them as important cause in choosing the number of examples of each sculpture then leading to the aimed results and conclusions and recommendations in the forth chapter, and they are : 1. The technical transferrings of the showing off in the contemporary Iraqi Sculpture came through reshaping of the formation and foundation systems of sculpture accomplished.2. The technical transferrings of the showing off in the contemporary Iraqi Sculpture achieved through the simplification and abbreviation processes in the piece of sculpture accomplished.3. The Contemporary Iraqi Sculpture Art emphasized the technical transferrings of the showing off through considering and supremacy of some plastic work elements of other elements.4. The raw material had a principal influence in achieving the technical transferrings of the showing off in the contemporary Iraqi Sculpture Art.

المتخيل النحتي في الواقع الافتراضي : دراسة تطبيقية == Sculptural Imaginary In Virtual Reality Experimental Study

Author name: ماهر حسين علي الحبوبي
Supervisor name: سعد علي يوسف البصري
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتلخص البحث في محاولة اثبات امكانية الحاسوب الالكتروني كاداة تطبيقية في تجسيم وانشاء مخططات لاعمال نحتية في الواقع الافتراضي كمشروع متخيل لدى النحات لعمل نحتي ينوي تنفيذه. فقد تراءت مشكلة البحث امام عيني الباحث لدى ملاحظته وجود برامج حاسوب قريبة او متخصص | Boils down to search in an attempt to prove the possibility of the computer as a tool applied in materializing and the creation of sculptural works in virtual reality imagined as a sculptor to work with sculptural intends to implement. Perceived research problem has appointed researcher at the front of the note the existence of computer software or near specializes in sculpture and composition can benefit from the development of the traditional methods in the output of sculptural works such as dispensing planning paperwork (Sketch) or scale models (thumbnail) commonly used in recording and output sculptural works created and that cannot give the impression of a real sculptural work , especially in terms of the real size and blending with the specified space for display the goal of the work environment sculptured saving money , time and effort , add to edit the image with the sculptor imagined to broader horizons during organizing formal ties to these programs from a high potential to change and modification of shapes, which cannot be carried out only through the injunction by the user (sculptor). The researcher in the first chapter and the goals of identifying the problem and the importance and limits of the search, where the objectives were as follows : Statement of the possibility of a computer in the development of the initial steps of the finished sculpture. The research identifies ways that show the diverse sculptural works using the techniques of computer programs (3DsMax, Maya, Photoshop, Z Brush, Cinema 4D) and with modern versions only because of their potential novel lacks its older versions. In the second quarter it was the duty of the researcher to explain in detail what the term means and imagined sculptural statement types and divided it from the vocabulary of. Then been identified as exemplified by the image imagined when the artist generally and then sculptor especially during the discussion of the mental processes that contribute to the formation of a mental picture and then discussed with the sculptor in the output stages of the sculpture has been in this first section of the second chapter. As for the second part, in which the researcher has shown what it means to the term virtual reality with an attempt to identify the potential of computer and duties in addition to the work of the system as a whole, especially in the process of Manifesting. The researcher also reviewed the most important programs currently available to the user sculptor and specialized forming and modeling operations with an indication of the most important characteristics of positively and negatively, and this was in the third section. To illustrate these capabilities are available in the software selection researcher felt sculptural work is physically present in the true reality and its application to these programs in virtual reality was the selection of the ancient monument Kahramana of the late sculptor Mohammed Ghani Hikmat.The first stages of such a solution to the problem that led to the indicators determine the logical relationship between the imagined image and the computer as a tool to help implement the executive sculptural work in virtual reality, which can be summarized as follows : 1 - The need to develop analytical side with the sculptor to be able to analyze the shape to its basic components and these components to the re - engineering of its assets.2 - Develop a plan for the implementation of sequential commands for the program.3 - Study variables that can occur in the form during the installation process and modeling. On the basis of the indicators that emerged at the end of the second quarter felt researcher adoption of the experimental method and the request to determine what supplies the basic application and reached through the theoretical aspect of the study sample. He chose researcher all Aanalat formations of sculpture, which gradually in complexity formal between simple and complex as a research and adoption programs modeling two - dimensional and three - dimensional (which have been selected on the basis of its development and the possibility of their use and reliance on the production level) has been applied to these works to demonstrate the possibility of a computer in the application forms from the imagination of the sculptor with an explanation of the application process for the purpose of confirmation of the results, this has been in Chapter III. Has resulted in the actions carried out by the researcher to the emergence of a number of findings and conclusions, the results proved the possibility of the computer as a tool to record initial perceptions of the sculptor and an embodiment of these perceptions to a three - dimensional image can be saved and add amendments to it, and the comparison between the photos and choose the situation appropriately expressive and aesthetically pleasing, including. In order to confirm these findings, the researcher within the expertise to provide a draft proposal for the establishment of sculptures (Polyphonic and memorable, realistic and abstract) in three different locations (Square intersection tunnel police - Baghdad, the interface is complex catalog Mansour Mall - Baghdad, an exhibition hall artistic closed) represents the business environment of sculpture (monuments or exhibitions) and with the help of computer programs for the entire application modeling with each proposal and to develop a sham and video recordings for the purpose of comparison. The researcher in this videotapes put odds change the shape of the monument, the environment or materials with comparable on the basis of natural lighting or artificial with the change of viewing angles in all the time he registered for the purpose of giving more space to compare the shapes and set changes that can be entered on the block sculpture or presentation of the proposed space. As a result of group comparisons have concluded search as a result of the application the possibility of using the computer as a tool documentaries initial sculpture instead of the traditional methods of registration and of drawings paper (Sketch) and scale model (thumbnail) which cannot give the right impression on the bloc proposed when zooming in addition to the open ranges wider in front of the sculptor to diversify and edit pictures imagined starting from the idea and the end of the registration process of the display

الرؤى الجمالية لنصب فنية مقترحة في مدينة بغداد : دراسة تحليلية تطبيقية == The Aesthetic Visions of Proposed Artistic Monuments In Baghdad City An Analytical Applied Study

Author name: وليد عبد الله نوري البدري
Supervisor name: جبار محمود حسين العبيدي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتبنى البحث فكرة اقتراح نماذج نصب فنية نحتية في مدينة بغداد لغرض تطويرها ونشر الذائقية الجمالية اذ تعد هذه الدراسة التطبيقية من الدراسات البكر والمتفردة والرائدة في هذا المجال. فضلا عن ذلك احتواء هذه الدراسة لرؤى جمالية يقوم بها الباحث عن هذه النماذج | The research adopts the idea of proposing examples of artistic sculptural monuments in Baghdad City for the purpose of developing them and spread the aesthetic taste for this applied school is considered as one of the early, individual and leading studies in this domain, as well as this study contains aesthetic visions for the researcher about these proposed monument examples, giving them an academic merit in method and application. The study consists of four chapters. The first chapter includes the methodological aspect represented by the research problem, its significance, its necessity, its aims and the definition of terms. While the second chapter includes the theoretical framework consisting of the following sections : 1 - The artistic monuments in the world, the attitudes and styles. 2 - Beauty and its vision in the contemporary formation. The third chapter came dedicated to the research procedures and the analysis of its sample, while the fourth chapter is concerned with the research results, the most important of which are : 1. The aesthetic visions of the suggested monuments in Baghdad City were unconventional visions and characterized with contemporary, innovation and individualism. 2. The examples of the research sample bear an Iraqi cultural contemporary identity with contemporary aesthetic visions in terms of new sculptural formation as cited in all sample examples. 3. The suggested sample examples as artistic monuments in Baghdad City came mostly inspiring the Iraqi cultural heritage. 4. The research sample examples as artistic monuments in Baghdad City reflected the sculptor researcher's ability and his high technical and performing skills as cited in all sample examples.

تحضير القشرة الخزفية (Ceramic Shell) باستعمال خامات محمية لصب المنحوتات == Preparation of Ceramic Shell Using Local Raw Materials For Casting Sculptures

Author name: هيثم صباح حميد
Supervisor name: هادي مشهدي عجيل | احمد هاشم عبد الكريم
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The study deals with one of the modern techniques used in the formation of the metal casting, which include using of local materials in the preparation of typical mixtures without needing for imported ready - made mixtures, which are monopoly of technical secrets to those companies. The first chapter discusses the research problem, which were represented in (to reach a mechanism for the use of ceramic shell technology with standard specifications helps for not to loosing a lot of sculptural details and delicate task during the casting process through the traditional techniques). The importance and objectives of the research are : (1. Obtaining of precise details for works of art that perform the ceramic shell technology, 2. Reach for a scientific data base for technical functioning of these mechanisms and capabilities of local materials) as well as the limits of the search. The second chapter (theoretical framework) includes the first section : a brief history for the using of metals, the second section deals with the metals used in the research (as brunze and aluminum) as well as their types and properties the third section deals with the History of the mechanisms of metal casting in ancient civilizations, which are Mesopotamia, the Nile Valley, the Levant, the Greeks, the Romans, the Islamic civilization and then the Renaissance, after this, asection deals with the metal casting techniques, which divided into two types according to the type of templates : permanent, which include centrifugal plumbing and plumbing by electrical clicking and sedimentation. while non - permanent include the plumbing by sand and lost wax which includes two methods, the first one is the normal thermal template (traditional) and the second method of ceramic shell which is the subject of our research. It was taking four previous studies,two of them were Iraqi and two foreign studies. At the end of this chapter we reach to a theoretical framework indicators. The third chapter deals with the research measures which included the identification of research methodology, the research community, samples. And then the selection of local materials that will be included in research trials which are zircon and silica silicate (sand Erdma), Kaolan (Duekhlh), Filnt Klay, sodium silicate water and Sodium carbonate andresin (c.m.c).After preparation, crushing and screening of the materials according to the granular gradients and chemical analysis to determine their characteristics and components then calcination. Dry materials were calcinied at (600°) to lose its chemical water. After preparation of series of preliminary mixtures in some of them depending on local materials as alternatives to foreign ready mixes and through access to sources, references and the Internet, as well as local experiences. Eight mixtures were succeeded through the stuccoing process of the waxy model ,during the process of drying and burning there is problems such as crucking in the surface of ceramic shell as a result of internal tension and external pressure, as well as the reduction in the hardness of ceramic schell after burning due to the weakness in the linking between the components of materials during high temperature causing their destruction after burning, so that it is necessary to raising calcination temperature to 1000 ? to ensure the disposal of the transformations that will get during the burning process. In addition to the getting rid of plasticity to ensure that no shrinking in the ceramic shell after burning. All failed mixtures were excluded,while the other four mixtures were remained which were : Mixture of silicate zircon, silica (crushed Erdma sand), clay Filnt,caolin with silica (Ardma sand), because of the high coast silicate zircon and not providing in large quantities, as well as to the difficulty of obtaining of Filnt clay despite its presence in abundance in Iraq, it has not been extracted and provided in abundance as a consumer material, as there have been some problems in the use alone, so the researcher find two mixtures from (zircon silicate with silica) and ( Calcinied caolin with calcinied silica).The four mixtures considered the sample of research which include (zircon silicate), (silica), (zircon silicate and silica) and (silica and caolin).Which has been conducting laboratory tests on them. The fourth chapter contained the results of the chemical analysis and the results of physical and mechanical tests and their discussion. Also included the conclusions which reached by the researcher. The results showed the success of the four mixtures in the casting of bronze and aluminum models with maintaining the accuracy of the details and achieve the goals of the research. The mixture (A) preferably used in the casting of mineral sculpture with temperature top of the (1200 ?) due to the cost of silicate zirconium, while the mixture (C) is the better becauseof its potential in metal casting and low coast ratio compared with mixture (A). The mixtures (B, D) preferably used in the casting sculpture as alolminium and lower heat metals. Then the recommendations and suggestions as well as a list of Arabic, english references and web sites for information

الخطاب الجمالي في تلوين النحت المعاصر == Aesthetic Speech To Coloring Contemporary Sculpture

Author name: علي رسن منصور
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد اخذ النحت حيزا كبيرا في المنجز الفني الحضاري لدى الانسان منذ العهود المبكرة, وقد اظهرت المنحوتات المتنوعة ان محاكاة الانسان للطبيعة كانت متمثلة في اعماله التي جبل بها الانسان الاول بفطرته لينتقي من نفسه ومن الاشكال الطبيعية من حوله الكثير من المفردات

التعالقات الوجودية مع نحت الحداثة : دراسة في التحول الاسلوبي == The Existentialist Relatedness With Modernism Sculpture (A Study In Style Conversion

Author name: عبد الله فوزي خورشيد
Supervisor name: مامون سلمان فارس
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: انبثقت الوجودية من الواقع الانساني وحياته الماساوية التي يعيشها بعد حروب وصراعات وفوضى ودمار وخراب في المجتمعات الغربية ولاسيما اوروبا , حيث اصبح الانسان يعيش حالات من قلق وخوف ورعب بسبب الازمات التي مرت بها تلك المجتمعات , فضلا عما يجتاح الانسان من ا | The existentialism has been ensued from the human reality and deteriorated miserable life definitely after wars , struggles , chaos , destruction and sabotages in the western societies especially Europe. The human under such down - to - earth circumstances lives in worry, fear and awe owing to crises these societies passed through; besides, the human beings have been swept by self - narrowness and life - disdain that would be ended with inevitable death. The existentialism has interacted with these conditions and situations as to fulfill freedom of a human; the existentialism became prevailing over in the societies ,definitely in Europe and western world and even in Arab Home Land where we find it very effective and interactive in its arts ,literatures and its philosophers including (Abdul Rahman Badawi) who declares his existentialism , while he was proud of that. The existentialist thought embodied in disdaining the existentialism completely and nothingness of human, besides ,worry embedded deeply into the selfness begets fears and absolute freedoms for human - self as well. Owing to what have been mentioned above , it has been appeared triviality and rejection all laws and holies that rule the human and confirming segregation ensued from Alienation and self - separation where human lives. Thus the research sets off as to search for the necessity of digging deeply into effects implanted by existentialism unto plastic modernized architected productions. The present paper includes four chapters , the chapter one includes general frame of research and that includes problem of research to know causes and motifs that being relied on the existentialist thought and after that , accomplishing existentialist sculptured works concerning with the disdain of existentialism , nothingness and worry in addition to the freedom selection, alienation and segregation in a modernized period. Then it comes the importance and goal of research owing to rarity of studies and scientific researches about existentialism into sculpturing modernism and trying unfold intellectual concerns along with its method conversion effecting hugely on the modernized artistic movement ,especially the sculpture. The chapter one ends with specifying some terms concerning with the title of the thesis. The chapter two incudes theoretic framework for the research , it includes four parts , the 1st part comes under the title (( Phenomenology thought) AND ITS ( Existentialist Thought) , it means searching for references of existentialist thought inn the ancient philosophy, then going to conception of outward appearance since its first establishment for knowing bases of this controversial term. After that uncovering the existentialist thought concern and its methodology quoted from outward appearance. The 2nd part includes the existentialist thought ( institutions )by knowing the prominent philosophers who have been considered as founders for this thought. Then moving to the bases as to achieve its goals and such bases are ( nothingness , worry, freedom ,selection and alienation). The 3rd part includes intellectual and technical reflection of existentialism into forming modernism; this part deals with the modernized movement passing through plastic works expressing about the existentialist thought via bases the existentialism depends upon. The chapter two ends with the four parts including ( style conversion into forming the modernism concerned with existentialism). This part deals with the method and artistic conversions occurred within the artists of modernized period by analyzing most prominent works concerning with the existentialism. The chapter third represents procedures of research including analyzing descriptive method and research sample consisting of 20 modernized sculptured works arranged chronically , then tools of analysis the researcher has depended on are as follows : 1. When the modernized sculptured text expresses about the human's internal life starting from his body to small parts ;the text is consistent to the existentialist thought. 2. When nothingness and sensing the inevitable end ( death) in any text ,that means this text is existentialist thought.3. Alienation and segregation calls depended on by the text means merely transparent calls of existentialism declaring alienation.Then ,the research has got data and accurate and correct information from books , magazines and artistic works. The research has moved to analyze the samples by describing them superficially and analyzing them existentially based on results of existentialist thought in sculptured text selected by the researcher accurately. The chapter four includes results of the research and they are very expressive about the goals of the research : 1. Existentialist intertextuakity centered the modernized sculpture represented into the human body in respect to its individuality generally and its deteriorated existentialism specifically. 2. The creative results of existentialist have been described as to be liberated from( what is holy and subject to law); the creative existentialist text is considered a liberated text depending on the always - rejection method and being liberated from all shackles.3. Cry gestures into face ensued from human selfness are no more than a vision declaring existentialism between the sculpture and thought. Then, the research moves to a set of conclusions : 1. The existentialism is a human philosophy since it is basically depended on individuality of human along with his sense of his pains and self - deterioration. Thus it is focused on selfness of human as an individual to perform and form a meaning for his life. 2. The existentialism with modernism sculpture together with its existentialist analyses has been considered as an important factor into works of modernized periods via aspects represented in existentialist bases. By end , the researcher has submitted a set of recommendations and suggestions ; he has presented supplement including a set of artists together with their artistic biography as getting scientific and academic benefit for the students and researchers in future, then a list of references and abstract in English.

تقنيات النحت العراقي فـي المهجر == Iraqi Sculpting Techniques In The Diaspora

Author name: بسام عباس كشاش الحسيني
Supervisor name: عامر خليل ناصر الشجيري
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: الفن ظاهره او شكل من اشكال النشاط الاجتماعي رافق الانسان منذ بداياته الاولى في صراعه الوجودي, فالفن ضرورة انسانيه , اذ لا يوجد مجتمع واحد او حتى فرد واحد استطاع ان يستغني عن الفن بكل شكل من اشكاله , فقد كان الفن بديلا للحياة ووسيله لايجاد التوازن بين ال | Art phenomenon or a form of social activity of human accompanied since its early beginnings in his struggle existential, Art is the need for humanitarian, as there is no one community or even a single individual was able to dispense with art in all of its forms, the art was a substitute for life and a way to find a balance between human and the world in which they live, have a prominent impact on the advancement and progress of humanity through history.Therefore, the Diaspora them impact and attendance in the arena of Fine Arab and European art and in the establishment of an Iraqi document to the ancient artistic heritage and the language of contemporary able to communicate with the West and the world of modern art. It boils down to current research in the study of (Iraqi sculpture techniques in the Diaspora).Search of four chapters consisted eating a researcher at the side of the first chapter was presented the problem of systematic research, which summarized the following question : 1. Is there an impact of migration on the Iraqi sculpture in the Diaspora?The first quarter also included its importance and the need for him and the goal of the research and the limits of research and identify and define the terms and represents the aim of the research : Ptaraf.... Iraqi sculpture techniques in the Diaspora.Its boundaries marked by temporally years also included the period between (1980 - 2010) m and spatially Vaguetsrt on the Iraqi sculptural works, which was completed by sculptors expatriate Iraqis outside Iraq's borders, while the second chapter dealt with the theoretical framework, which contains three sections : First topic : the researcher eating Alazaarah and technical aspects and their relationship to the art of sculpture, divided into several areas : • technical aspects and their relationship to the elements of sculpture.• sculpture and art.The second section dealt with immigration causes and motives, divided into several areas : • Immigration• Diaspora• political factor• economic factor• social workerWhile the third section of technical development in the art of eating postmodern divided into two axes : • pave the idea of evolution.• The most important technical proposals in the arts of postmodernism.The third chapter majored in research procedures, a research community and the research sample and methodology of the research and analysis of the sample, which included sixteen analysis in accordance with sculpture by two works Nhtin each sculptor's eight sculptors.Chapter IV has included the search results. And a number of findings of the researcher : 1. Use Nhato Diaspora traditional raw materials in the implementation of most of their carvings.2. Odv some Nhato Diaspora assembly and installation technology through the use of different materials (iron, wood, Bras, Plex Klaas, cloth, leaves, silver) as one of the contemporary techniques through which they could sculptor to produce works of art with aesthetic and expressive value.3. Deliberately sculptor Ali Al Jabri to the use of modern technologies and make them as light penalty complement the work of art.4. Baptized some Nhato Diaspora to use light reflections technique as a result of the surface of the artwork refine refined model.5. Deliberately sculptor Iyad Qaraghouli technique (laser) in the completion of works of art from being a recent sculpture techniques to teaching them high precision and vitality.Find also included a set of conclusions as well as the list of sources and supplements..... and summary in English.

مرجعيات التشكيل النحتي للعمارة المعاصرة == References of Sculptural Forming For The Contemporary Architectural

Author name: علي جبر حسين
Supervisor name: جبار محمود حسين العبيدي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تبنى البحث فكرة التشكيل النحتي لمنجزات العمارة المعاصرة في العالم اذ ان التحول الجذري في البنى التصميمية المعمارية وواجهاتها واقترابها او استثمارها لهيئات عضوية بشرية او حيوانية او اجزائها وهي بذلك تحقق تشكيلات نحتية في واجهاتها او عموم كتلها المعمارية اذ | The present study dealt with the idea of, sculptural forming achievements of contemporary architectural in the modern world, which is basically holding transforming in the architectural designs and the fronts to be nearest to human or animal forms with its features, to achieve artistic shapes as architectural works. The study consist of many chapters, one of them is the importance of the study , the main issue and the goals, the second chapter consist the following subjects : 1 - The reference , the vision and the concept.2 - Sculptural movements in the contemporary arts.3 - Sculpture and architectural.4 - The modernism concepts and post - modernism in the contemporary arts.While the third chapter contains, the research procedures and the analysis of the samples, the fourth chapter contains the results of the study, which is : First - The sculptural forming and architectural designs and the fronts seems to be out of the authority of the known tradition.Second - to a sure the necessity of sculptural forming in the architectural works and to give better results.Third - the wide presence of the most weird shapes sculptural forming.Fourth - some of those achievements imitate the shapes of human being and the animal shapes like the heads of some animals. Fifth - using new techniques and new materials in the sculptural forming.

التكوين ثنائي الشكل في النحت العراقي المعاصر : دراسة تحليلية == Formation of Duet Shape In The Contemporary Iraqi Sculpture : Analytical Study

Author name: علي عاشور سلمان
Supervisor name: ازهر داخل محسن
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: فن النحت من الفنون الاكثر تماسا بالحضارات الانسانية لانه فن يمكن ان يطلق عليه الباحث انه فن بيئي المادة والموضوع، بمعنى ان الخامة المستخدمة في النحت متوافرة لاتحتاج الى عناء لاحضارها كالطين والخشب والحجر، فضلا عن استقصائه في متابعة مضامين اجتماعية، ه | Sculpture is of the most fine arts ad hoc with the human civilization as it is the art may the researcher called environmental arty in regards to the subject and material; i.e., the raw material used in sculpture is available getting easily such as clay, wood and stone, in addition to his search for social implications from a side and that fine arts in general and plastic arts in particular are constructive arts depending upon beautification constructive elements ( artistic formation) and one of such that elements is the presence of the man or animal shape so that the sculptor may form singular, duet or more shapes in one artistic work for beautification and ideological aims. The researchers studied one of such this types ( Duet Shape formation) in the contemporary Iraqi Sculpture detecting the building relation within the constructive subject as its importance is merged by attributing it with technical and ideological implications embodied by the ancient man in his artistic work making a substantiation for his persuasion and ceremonies through many raw materials and situations they lived with. Modern sculpture attempts to memorize his ideas , ego and vision through sculpture formations including that of duet forms as outlined as well as that some of which represented dramatically the activity of the scene filled with movement, embodied by divergent modes and ideas having traits and semantics of formative relations reflecting the concepts and ideas of the sculptor towards his environment while it is varied in its formative treatment in spite of the presence of common relations among its elements and then realizing new forms for these relations by which duet shape is formed. It is necessitated to identify this relation analyzing it scientifically within study empiric focusing on the constructive relations realized from shape distribution for the elements, thus the researcher studied and analyzed these elements through its relations of developed formative within the reaction of formative elements. The researchers divided his study into four chapters. The first chapter ( mainframe of the research) concerned with explanation the problem of the research , its importance and the need for which , aiming to outline by analytical study the duet formation of the shape in the contemporary Iraqi sculpture and argued the limits of the research determining the ideological terms through which the researcher derivate a procedural in compliance with the seclusion of the matter and to realize the objective. Second chapter ( Theoretical Study) consisted of three section the first one argued the duet formation in the ancient sculpture ( Iraq, Egypt, Greece and Rome) while the second section argued the due formation of the sculpture shape in the reviviscence era while third one is dedicated to study duet formations of the shape for the international contemporary sculpture. Third chapter ( Methods and Materials) includes the mechanisms of research community , electing its pattern in addition to diagnose the methodology of the analysis , tools of the researches making analytical study for this pattern. Fourth chapter is dedicated for results , discussion, conclusions and recommendations. The most important results are : 1) The Iraqi Contemporary Sculptor insists on the ideological aspect of duet relations never insisted on the shape appearance so that most duet formations appeared with shapes needs for diagnostic traits due to the exorbitance in simplification and reduction.2) It is shown the difficulty of distinguishing between the shape of woman and the shape of man as a constructive relations for duet shape but in some formations through which the femininity traits are appeared for example the conglomerate of the chest by outgoing outshoot resulted from the conglomeration in abstraction and reduction in the formation structure. 3) Creating gaps inside bodies of the formations of the similar relations for both shapes within the formation embodied by the Iraqi contemporary sculptor by areas may take half of formation evidencing the effects of European art in general and Henri Moor ;the English Sculptor in particular. 4) Number of Iraqi Contemporary sculptors used to abstracted man body from arms in addition elongation of the shapes and its meager reduction the skull making it just outgoing merge free from formation traits of the man face so that these formations are referred to the works of Swiss sculptor Alberto Chiakomitti. 5) Stylistic divergence of the Iraqi contemporary sculptor through tracing international works considering the contemporary international empiric and to benefit from in using his elements within self Singularity of real; effects detecting the continuous and developed looking at new styles of formative relations enrichment the artistic movement and the rendezvous culture.6) Sign through its derivatives in the symbol and icon appeared intensively in all samples ( pattern of the research) especially iconic sign representing the real situation but symbolic signs appeared lesser than it relatively while the denotation sign is disappeared slightly. Which confirms that samples of the research are expressive and reductive artistic achievements approaching to the abstraction.7) As the art is deemed the supreme community value in conveying the behaviors of the community trustfully in addition to that the surrounding and the community are the source effecting on the artistic achieved work , thus, their ad hoc with the behavioral values of the community is the truth imagination for these behaviors and the achieved work and the circumstance are related deeply in embodying the folklore surrounding the artistic achieved work especially the sculpture.

مفهوم الذاتي في اعمال النحات الفطري منعم فرات : دراسة تحليلية == Features Experimentation In Theater Iraqi Academic

Author name: حسنين صادق عايد علي
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: اصبح ( التجريب) اليوم مقياسا للنضج العقلي والتحررالفكري من كل اشكال التقيد، كما وسعى الى ترك الباب مفتوحا للابتكاروالاضافة، حتى اصبح مدخلا مهما في تطويروبناء العمل الفني.وجاء هذا البحث لدراسة ملامح (التجريب)، واهم الاضافات التجريبية التي تتضح عن ط | Experimentation became a milestone from tradition work into creative art, conceptual work, based on breaking Perceptions and familiar artist formula into new version, now a day, its consider as indicator to maturity and Intellectual freedom from all restriction & deadlock; it also sought to leave the door open to innovation and addition till its became important iterance to develop and sustain the artwork.This research is to study the sign of "Experimentation", The most important experimental add - ons that emerges through the completed creative artwork (Iraqiacademic'sdirector), and trying marking the most important additions to the pilot on which it runs, has been marking this research under the title (The Features of Experimentation in academic theater in Iraq), where taken researcher took the additions Experimental subject with the director of academic material to be examined, which came from the four chapters : 1. Chapter I (systematic framework) which includes : the research problem and the importance of the research, the need for it, the goals of the research, the temporal &spatial boundaries, determine the terms and defined procedurally.2. Chapter II - the theoretical framework : It consists of three sections are : • The first topic : - the concept of references and experimentation in the theater. this section divided into three paragraphs where the researcher presented the concept of experimentation and the most important definitions, then the emergence of factors experimentation in the theater and then on the characteristics of experimentation. • The second topic : - the movement of experimentation in contemporary" modern" world stage. This included the topic, followed by an introduction and first two paragraphs concerned the most important schools and currents of contemporary experimental and the second where the researcher talked about experimental filmmakers in contemporary theater.• The third topic : - the director of academic and experimentation in Iraq. Two paragraphs in this section came after the introduction, in first paragraph to talk about the Iraqi theater academic and experimentation, and in the second paragraph the researcher spoke about the academic director of the Iraqi and experimentation. Then the researcher put the most important indicators that came out of the theoretical framework, dividing into as follows : indicators of theatrical text, directing specific indicators, performance indicators, technologies indicators. The researcher also connected (previous studies) which arranged by date as shown : ? Dhiyaa Kareem Riziyakh, Experimentation and its impact on the Iraqi theater, 1989.? BahaaZuhairKadihom, Features performance analog in experimental theater in the College of Fine Arts Offers, 2012.? MudaferKadihomMuhamed, Techniques experimental theater and the development of performances, 2012.3. Chapter III - Actions - the research community : - the method of selecting samples : Adoption of the way (intentional) in the selection of specimens. Research Methodology : - The researcher adopt historical method in tracking the movement of relay experimentation in the theater through the three topics, descriptive approach adopted in the study and analysis of samples. Search Tools : - has included : (what resulted in the theoretical framework of indicators, including documents, books, magazines, periodicals, documents CDs, photographs, observation that adopted by the researcher as an important tool in tracking the features of experimentation and additions campaign theatrical approved samples to search ). Find samples : - Play : "Ali Al Wardi& his Opponent" directed by Akil MahdiPlay : "Shadows" directed by Haitham Abdul RazakPlay : "Romeo and Juliet in Baghdad," directed by MunathilDawood4. Chapter IV - Results and conclusions : - (results, conclusions, proposals, recommendations, list of sources and references, appendices, abstract in English).

السمات النحتية في العمارة التفكيكية == Sculptural Features In Deconstructionist Architecture

Author name: عقيل حسين جاسم حمزة
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Affected by the nature of the fine arts in general, structures its neighboring affected seem like the product of logical, through contact with these arts influences thought compressor socially and religiously and scientifically and psychologically, and this is what makes sure functionally according to the relationship art evolution year which occurs in the human communities throughout history. I have contacted art, including sculpture composition data of the intellectual and aesthetic transformation that has occurred in the structure of the art in a different historical era from arts of ancient civilizations in Iraq, Egypt and Greece, through the art of the Middle Ages and the Renaissance, and ending, including the outcome of the modern arts and beyond.It was the emergence of currents modernist impact evident in the development of coordinated Achtgala a clear distinction between art painting, sculpture, and took the products of contemporary architecture, influenced by and influence, with the result of the achievements of artistic creativity, and it was for the development of the great in the field of technology have a positive impact of the relationship of sculpture, architecture, in terms of employment and similar and metaphor and embedding, and but relativism rise and fall, the vision of the architect or sculptor alike.Hence, the evolution of architecture in the period of modernism connects the idea of switching from level realistic to the level of abstract or symbolic, and it was for this, a role in showing the properties of architectural most relevant features art talk, specifically sculpture, and this similarity or overlap strengthened through the system aesthetics of modern art all related references poignant and mutant methods.The researcher found important to know the most important of these characteristics. So Me Find studying (sculptural attributes in deconstructionist architecture).This research included four chapters : Chapter One : ensure that the research problem and its importance and the need for objective research and its boundaries, and define the

التناص في النحت العراقي المعاصر : دراسة تحليلية

Author name: حيدر علي عاتي
Supervisor name: مامون سلمان فارس
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الاسطورة في النحت العراقي المعاصر == Myth In Contemporary Iraqi Sculpture

Author name: طالب محسن رهيف
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: استهدفت الدراسة الكشف عن مضامين الاساطير العراقية والدلالات الرمزية الاسطورية التي استلهمت في النحت العراقي المعاصر. وهي في اربعة فصول خصص الاول منها الى الاطار المنهجي، الذي شمل مشكلة البحث واهميته وحدوده واهدافه، ثم تحديد لاهم المصطلحات فيه. والفصل الث | This study aimed to know and learn about the contemporary Iraqi sculpture Which inspired by Iraqi legends. and to study these sculptural pieces of art.The study contains four chapters : First chapter explains the importance and need for the study and also it's objectives and scope. The researcher define some important expressions and term used in the study. Second chapter consists four sections : Section one studies the concept of the legend and it's causes of emergence and discusses the relation between and superstitions. Section two study Iraqi legend according to historical periods. The researcher here divides it into tow groups : 1 - Ancient legends.2 - Legends before and after Islam.Section three discusses the relation between legend and sculpture, some examples of sculptural pieces of art relating to some important ancient cultures were also mentioned with a brief presentation of the history of Iraqi sculpture and the effect of legend on it. Section four about the contemporary Iraqi sculpture Chapter three begins in collecting information and photographs about Iraqi sculptural pieces of art which are basically inspired by legends after this scanning of the materialistic evidence of the research was done starting with first work finished in 1950 until the end of 1992. The total number of works was 63 pieces created by 12 Iraqi contemporary sculptures. The researcher selected 20 works out of the whole as specimen for study, and the conclusion he reached resemble direct answers to the objectives of the study, and was introduced together with suggestions and recommendations in chapter four. About the first aimed , there are 63 sculpture works inspired by legends, done by 12 Iraqi sculpture. The number of sculpture works inspired by legend of the first group (ancient Iraqi legend) is 48 sculpture works. And there are 13 pieces sculpture works taken from Iraqi legends of the second group most of them taken from the tales of (thousand nights and night). The remainder is two pieces of sculpture works taken from both groups, and they are

سينوغرافيا التشكيل النحتي لما بعد الحداثة : دراسة تحليلية == Scenography of The Sculpture Formation For Post - Modernism (Analytical Studies)

Author name: قاسم مرشد ذرب
Supervisor name: نجم عبد حيدر الجنديل
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد السينوغرافيا ظاهرة فنية حداثوية تالقت على نحو واسع بعد الحرب العالمية الثانية وانتسبت الى ما بعد الحداثة حتى ان الكثير من الباحثين في فنون ما بعد الحداثة يعدون هذه الفنون فنونا سينوغرافية تعتمد مركبات متفاعلة متداخلة في الية الاظهار وفي نظم التاويل ال | Scenography is a modern phenomena which has been remarkable after WWII and is attributed to post - modernism, that many post - modernism researchers regard this art as a scenographic art which depend on interrelated in the mechanism of showing and in the systems of interpretation which move opening between the artists, as the producer and the first reader and the masses of receivers as readers effecting the level of intervention. Scenography is a system of aesthetic to itself to the action of performance in manifesting in its techniques even if its interlinked with the system of its connection to the artistic work as the idea and the concept and emitting of meaning and the mechanism of connection. When the researcher was aware of the scenography in sculpting and looked for it. He found that subject is worth studying for master degree in addition to the increasing of the problem. The researcher tried hard to end that or at least to reduce. Thus, the researcher preferred with all effort to investigate and excavate the prospect in the formal structure for the shape in the post - modernism.This study did not aim at employing post - modernism scenography as a mechanism of description and analysis of the sculpting art only. It also confides it into narrow limits and applications realized and or supposed on the display and applied levels.The researcher managed to shed light through the basis and point of the scientific research and mechanism in its theoretical frame. In the second Chapter his study, the researcher shed light on searching for the concept of scenography and the origin and the hisotricla background for it and the environment as one of the milestones and elements of the scenographic structure in the first theme, and to reveal the history of scenography in the academic and critical references and the points of occupation and the points of agreement and disagreement in language and the application. And to reveal the historical root of the concept and the history of its development and mechanisms in addition to investigating the relationship between it and the other plastic arts and the art of sculpting specifically. In the second theme of studying the basic concept and the philosophical of post - modernism art and the connecting relationship the idea of post - modernism as a philosophy and post - modernism as an application that requires scenography and its reaction in that artistic performance on the level of analysis in the scenography thinking in addition to its stylistic references.The third theme is to reveal the bases and point and trends of post - modernism and its references and the relationship connecting it with the scenography as a mechanism and structure and the showing and display. Then the fourth theme the researcher reveals the institutions of analysis. He introduced a summary of what resulted in the First and second chapters which would achieve to the researcher of the samples which would achieve the result, objectives and the requirements of the scientific research.After completing the procedural, cognitive and intellectual requirements, the researcher then moves to the third chapter represented in procedure as the description and choosing a purpose sample out of the community of study according to the models.Finally, the results and conclusions which the researcher has arrived to and recommendations in the fourth chapter of the study

الابعاد الفنية للنحت المعاصر في بلاد الشام == Technical Dimensions of Contemporary Sculpture In The Levant

Author name: علي رضا عبيد المعموري
Supervisor name: عامر خليل ناصر الشجيري
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تكون البحث الحالي والموسوم (الابعاد الفنية للنحت المعاصر في بلاد الشام) من اربعة فصول. اختص الفصل الاول بالاطار المنهجي للبحث الذي تناول مشكلة البحث وحدوده وهدفه وتحديد مصطلحاته وتلخصت مشكلة البحث، بالتساؤلات الاتية : هل هناك ابعاد فنية في النحت المعاصر ف | The current research and be marked (technical dimensions of contemporary sculpture in the Levant) of four chapters. Chapter singled out the first systematic framework for the search, which dealt with the problem of research and its borders and its target and determine the terminology and summarized the research problem, the following of questions : Is there a technical dimensions in the contemporary sculpture in the Levant? Is there any effect of these technical dimensions of public taste in the Levant?The first chapter also discussed the importance of research and the need for it, and also contained a goal of current research, (you know.... the technical dimensions of contemporary sculpture in the Levant), either limits Find the period between (1972 - 2014), as well as determine the terms contained in the Title of the study.The second chapter of the theoretical framework and indicators and previous studies, it has dealt : first topic : the technical references in the Levant which is on two axes : the first axis : About civilizations (Phoenician, Canaanite, Aramaic). The second axis : technical references.The second topic dealt with form and content, while the third section of contemporary sculpture has been addressed in the Levant, and Chapter III (research procedures), the research community and a sample search and search tool, as well as research methodology and analysis of the amount of the sample (16) model.The fourth chapter (results) include : results and discussion, conclusions, recommendations and proposals.The most important findings of the researcher : 1. sculptural diversity of subjects in the Levant from realism to abstraction than Sort artistic dimensions with a variety of aesthetic values.2. we find that the self - carving in the Levant resorted to rapid performance in the completion of work after what has been in the search for the essence of things is no longer an interest in simulations actually aspired to as much as in all his research sample models.3. affected Nhato Levant experiences postmodernism, which fell into under Rdaoualpop Art through the execution of the sculptures inspired by the popular tradition.4. invested Nhato Levant worried about the budget as a means Azaarah produced a valuable aesthetic and expressive high.But the conclusions1. the severity of the dimension aesthetically influential in the overall shape of the artwork.2. The adoption of the Levant cutters on a variety of methods contributed to the technical dimensions of diversity through the typical manner in the implementation of the outcomes of sculpture.Search and included the list of sources and supplements and summary in English

الخامات غير التقليدية في تركيب الشكل النحتي المعاصر : دراسة تحليلية == Traditional Materials At Structure of Contemporary Sculpture : Analysis Study

Author name: ALA'A MUHSIN KUBAYSH AL - BEKRI
Supervisor name: مرتضى عبود شهاب حداد
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: In the beginning of twentieth century the sculpture have leaved the 'classic instruments that was joined with its structure and contents. The period between second war occurred notice change at' the form structure, and with technique of show and performance , and this can not keep up the usual notions. This artistic change was pave by replace of items and derivation many recent raw as a result of the technology and industrial advance that synchronized with this period , and the artist entered the test operation that leaded him to know the new non - classic items m and study its descriptions and referendum from it , and investment it at the plastic arts, and for what submitted the chance for performance methods have over to the scrutiny and the discovery by his supervision this items. The using of iron, aluminum, plastic, and another various items have leaded to contrary showing at structure of the contemporary sculpture.. Therefore this study (Traditionalism materials at structure of contemporary sculpture ) aimed to knowledge of the effects of the non - classic ore upon the structure of sculpture form, as well as to knowledge of new materials that was used for the contemporary sculpture. This study included four chapter : first chapter was specialized for methodical frame.such as problem of research.that it was abstracted by question about the reason that lead the sculptor to search from new raw to carry out his sculpture works. Are the classic sculpture materials do not respond for technical problem, and new notions? As well as the important ofresearch and its limits was that define between year 1950 up to 2000 , and its aims, then limit the idioms. The second chapter included the theoretical field and previous studies, that formed from three researches, such as the fist about the materials, as it was considered master element at the sculpture formal.the it included study about the widespread classic materials in the sculpture , such as ( clay , bronze, stones, and wood) and showing its effect and its formal and expression ability. The second research included the affects of non - classic raw at the formal system in the historical studies that included stylistic change during the twentieth century , and the third research included the study of the structural relations systems at the sculpture formation.The third chapter included the procedures of the research that its contents the research society such as European and American contemporary sculpture, and sample of research that was formed from (20) samples. It was choose according to the aim of this research. As well as performance of research based upon the analysis form, and this chapter included the following method at sample study as the analytic descriptive method in order to reach to the results, and conclusion that fixed in forth chapter, as below : 1 - The contemporary sculpture have became an achievement direct to the faraway imagination from the classic by using the non - classic item's. Sometime the sculpture structure to be same the building construction, or industrial tools, or scrap heaps.2 - Freedom that was granted by the raw to the sculptor to make him Carry out the sculpture's structure by improvisatory and Spontaneously that indentical with his disposition and his creation.3 - The using of the non - classic materials have produced big structures, specially works of art of ground, that fit with the environment, and it go out this work from gallery.4 - The using of the electronic devices as senser of movement, Transistors, an another in the sculpture ,has changed the classic Structure sculpture exactly, and created a new style of reactive relation between the artistic work with the watcher.

الدلالات التعبيرية في النحت الخزفي العراقي المعاصر == Expressionistic Denotations in the Iraqi Contemporary Ceramic Sculpture

Author name: نور هاني جزر الشمري
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Babylon
First pages:

المقدس في منحوتات العراق القديم == The Holy Sculptures in the old Iraq

Author name: محمد علوان كاظم العتبي
Supervisor name: عبد الحميد فاضل البياتي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Babylon
First pages:

سمات الابداع في منحوتات مارينو ماريني == Caracterstics creativity in the Marino Marini sculptures

Author name: لهيب جميل ابراهيم الكبيسي
Supervisor name: عامر خليل ناصر الشجيري
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الابعاد الفكرية للكلي والجزئي في نحت ما بعد الحداثة == INTELLECTUAL DIMENSIONS OF THE TOTAL AND PARTIAL IN THE POSTMODERN SCULPTURE

Author name: لمياء وهاب رزاق البيرماني
Supervisor name: عبد الحميد فاضل البياتي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Babylon
First pages:

البنية الشكلية في اعمال نحاتي البصرة : دراسة تحليلية == Formal Structure of Basrah Sculptors Works Analyses Study

Author name: قحطان عدنان كامل
Supervisor name: محسن علي حسين
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Basrah
First pages:

تمثلات الفن البدائي في النحت الحديث == Resemblance of the Primitive Arts in Modern Sculpture

Author name: علي حسين كاظم الجنابي
Supervisor name: مكي عمران راجي الخفاجي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Babylon
First pages:

الفضاء ومعالجات الكتلة في النحت العراقي المعاصر == Space and processors bloc in the Contemporary Iraqi sculpture

Author name: عبد الكاظم سعيد سيلاوي
Supervisor name: محسن علي حسين
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Basrah
First pages:
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