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تمثلات الاشكال الواقعية في الخزف العراقي المعاصر

Author name: عباس حمدي بكتاش
Supervisor name: فاروق نواف سرحان العيساوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: من خلال تتبع التجارب المتنوعة في مجال الفن التشكيلي العراقي المعاصر بين المحاكات التقليدية والموضوعية والتجريب في عوالم لا المرئية من خلال الاستعارة والتوظيف التعبيري عن مضامين الكامنة وراء الاشكال للخروج بعمل فني فرادي الرؤية تحقق متطلبات التجربة الذاتية | By tracking different experiences in the field of contemporary Iraqi art between simulations and traditional objectivity and experimentation in invisible worlds through metaphor and expressive employment for the overlaid of the underlying shapes to deliver an art with an individual vision that meets the requirements of a subjective experience,from which emerged forms and methods based on significantly open suspicions with realistic resultes which are surrounded by a lot of mystery assignored those shapes to a mythological paths , which launched the research problem. in this study , the first chapter dialed with the problem and its significance by adding introductory approach about realism and its new directions in the contemporary Iraqi porcelin art and highlight the trends that have emerged and had taken wider area in the framework of realism to the goal to be achieved by the research.The second chapter of the research,in the first part dealt with the sensible and un sensibl in art and establish the link between the human and the presence with concepts of material by the spiritual from the other side , and between them and the aesthetic expression and artistic for that link , through philosophical compititions and the vagaries of social reflected on this dialectical Booze founding spirit concepts reality in general, and addressed in the second part, and at length , addressing the concept of reality and realism. giving difinition of material reality and objective reality and knowledge , a departure for a clear vision of reality after the presentation of views and debates in which , creeping to the foundations of realism then to the cultural phenomenon and art through the depiction of the realities of existence and melodious received from those facts it portrays life in all of its differences and balances.After that the third section started by the presentation of realism and trends in the art of contemporary exhibitors to approach realism in art that has taken place and the range of between curriculum afterlife through association with life and the capacity of the artist from the jaws of blades actually rebuilt and installation and turn it to ideas according to the processes of analysis an synthesis , and new ideas which resulted in actually studeing the reality deeper and more contemporary that gave the trends varying in their concepts of realism of the most important neo - realism and socialist realism and magical realism , otherwise expressionistic and surreal and excessive abstraction and other trends that are generated Retracted this concept spaces wide range of concepts , from here , we find that the Iraqi artist in dealing with realism which we can see in his works, that was dealt with in the fourth section ,The contemporary Iraqi porcelen , in terms of realistic or not, and the use of icons and realistic shapes. The measures included in the Chapter III of the research for the descriptive analysis of the work and that has been selected (11)sample of from whitch results and the conclusions reached by the researcher. lastly there were the recommendations and proposal summary.

بـــنية الاشــكال المنــفذة على الخـزف الاسلامي (الصيني والعثماني) : دراسة مقارنة == Shapes Structure Executing On Porcelain The Islamic Chinese And Ottoman : A Comparative Study

Author name: كريم شاكر كريم عباس الحمزاوي
Supervisor name: صفا لطفي عبد الامير
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
Abstract: تمتلك الاعمال الفنية الخزفية الاسلامية تنوعا كبيرا في بنيتها الشكلية , وهو ما قد يرجع لاتساع رقعة العالم الاسلامي وتعدد الاقاليم والمجتمعات وما تملكه من مورث حضاري فكري او ثقافي , امتزج وتجانس مع فكر العقيدة الاسلامية ليصبح فنا جديدا يسمى بالفن الاس | Islamic decorative artwork has a great diversity in its formalism, which may be due to the expansion of the Islamic world and the multiplicity of regions and communities and owned by Gene civilized intellectual or cultural, mixed and homogeneity with the thought of the Islamic faith to become a new art called Islamic art, and here the case of diversity and differences arise in artistic patterns and styles between those regions and communities, but that has not spared in the formulation of the unity of Islamic thought, and most important of these are Chinese - style Islamic and Ottoman.Muslim artist sought and attained creative in dealing with the vocabulary of nature and technically processed through modification and innovation, to be able to highlight the structure of the new show formal aesthetic and functional role to her, and to suit the spirit of the Islamic faith. Hence this research to study (the shapes executed on Chinese porcelain and Islamic Ottoman architecture), which included four chapters : The first chapter discusses a presentation of the research problem, which summarized by asking the following : (What is the structure of the forms executed on the Chinese Islamic ceramics and Ottoman? What are the Elite Astgalhma in both technocracy?), As this chapter included a presentation of the importance of research and the need for him while outlining the purpose of search (b detect executing shapes on Islamic ceramic structure), and confined limits Fin temporal the period (from the Horn of M / E to the period M / E) The spatial were (China - Turkey).The second chapter of the section has three sections, namely : First topic : the Chinese and the Islamic Ottoman porcelain (historical impact) brought together several themes : Islamic art - what it is - its properties.Islamic pottery in the Umayyad and Abbasid era.Chinese porcelain included : Introduction historical - Islam and China - the Muslim Chinese porcelain.Porcelain Ottoman included : Introduction historical - Islamic Ottoman ceramics.While came second topic : constructivism art form in Islamic art. He incorporated several themes : The concept of structure - characteristics - traits.Concept form - perception - the structural elements of the form.The third topic : the Islamic Decoration (Chinese and Ottoman) brought together a number of themes : The concept of decoration - relations and methods of structural form - Types of Islamic motifs.Islamic ceramic types.Style Islamic Chinese decorative.Style Islamic Ottoman decorative Then followed by a theoretical framework indicators. The previous studies did not find the limits of science researcher previous studies converge with the current study. So this study to be a virgin. The third chapter procedures Find where annexation to the research community and of number is (98) of different types and measurements Khozvia act (dishes - dishes - tractor - vases), has identified a researcher sample purposely and number (16) sample, (8) made of porcelain and ( 8) of the Ottoman ceramics. This chapter also included a search tool, and the methodology of research and researcher adopted the method of structural analysis in line with the nature of the research and its requirements.The fourth chapter set of results, most notably : 1. Chinese porcelain and Islamic Ottoman numerous transfers in terms of form and content, it varied forms (between vegetation shape, engineering, and animal and written) and his travel at different points in time.2. Both the Chinese potters and Ottoman forms Implementing treated on the surface of the ceramic form realistic approach through simple modification in order to Zaarha in decorative art adorns its products.3 - owning Chinese motifs formats characterized by authenticity and whether the quote from the ancient Chinese heritage or the environment surrounding the artist, as these colors or shapes appeared in the Ottoman motifs as forms borrowed or imitated is what I mean by Ottoman artist.4. Adoption of the Chinese and Ottoman artist on two girls two colors to highlight different shapes and Show aesthetic and functional role of color, namely : A. tonal structure composed of blue and white colors of between figure and ground.B. Structure color adopted the diversity chromatography shapes on a white ground.The conclusions was among them : 1 - potter recognized not only eat a certain form but varied forms executed in the ceramic surface.2 - possibility and the ability of the Muslim artist on the perception of space available and consistently exploited in the distribution of decorative vocabulary and included within the divisions adopted on subdivision surfaces.3 - Islamic art of having the spirit of coexistence and harmony with other arts and the possibility of including the quote and organized according to the vision of Islamic and drafting.This is followed by a set of recommendations and proposals that the researcher finds that it may be complementary to the current study.This was followed by a list of sources and Arab and foreign references, and then followed by appendices and abstract and English title.

عينات المجتمع الاصلي للبحث الموسوم بـ الشكل ودلالاته في الفخاريات والخزفيات البابلية والاغريقية : دراسة مقارنة == The Form And Its Significance In The Babylonian And Greek The Pottery And Ceramic

Author name: كريمة هاشم محمد البيضاني
Supervisor name: زينب كاظم صالح البياتي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: في البدء لابد لنا، ونحن نخوض في مضمار بحثنا الحالي من تحديد موضوع الشكل والدلالة وتعيين موضوعها المقصود في الفنون بصوره عامة والفنون التشكيلية والفخار والخزف منها على نحو خاص، ولابد من تحديد مفهوم الدلالة ومعرفتها لارتباطها بالاشكال ومضامينها من خلال التا | In the beginning, we should delve in the determination of the form, and the significance of our research and determining what is meant by arts in general and plastic arts, including ceramic, in particular. We should also determine the concept of significance and its correlation with form and content through the exchanging effect between the signifier and the signifies. This connection can be explained through the visual discourse, especially what is implicit in the metaphorical pressures and what they pressures produce like religious dictorine, mythological, social and political which the natural and civilized environment has produced for Babylon and Greek. The study tackles in this field the form and its significances in the Babylonian and Greek ceramic and pottery works. The study was limited to the Babylonian and Greek ceramic and pottery works of art, specifically the Babylonian ceramic and pottery of the two old periods (1595 - 2004 BC) and the Hittite period (627 - 601 BC) and the Greek ceramic and pottery in the century (1800 - 500 BC). The study includes four chapters which cover the determined objectives. It includes : Chapter One : the methodology frame of the study which is based on the problem of study that is represented in the achievement of the Babylonian and Greek ceramic and pottery artistes how the internal and external pressures has affected the understanding of the significance of meaning of the form system in the Babylonian and Greek civilization and the external pressures like the culture and regions and politics which contributed to the foundation of indicators that satisfy the form and its significances in the Babylonian and Greek ceramic and pottery works through the period of the study. In addition to that, the chapter includes the importance of the study and the need for it according to the direct items in nature. It is important to point out that the study includes previous studies because there is none. Chapter two includes the exposition of the theoretical frame in three inquiries : The first inquiry tackles the concept and meaning of the general concept of significance and then defining the significance philosophically and then describe then according to the formal concept (iconic, symbolic, referential). Then, the significance and its reading were applied. The second includes the referential and intellectual pressures in the plastic arts of Babylonia. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Babylonian pressures are also illustrated. The third inquiry tackles the referential and intellectual pressures in Plastic arts in Greece. It includes the historical root and the intellectual pressures represented in the environmental mythological, political and social pressures. The forms of Greek pressures are also illustrated.In Chapter Three which illustrated the procedures of the study represented in how to detect the society and choose the sample, and the methods and tools for data collecting and analysis. In addition to that, the researcher prepared diagrams in which some of the significancs have been form and matching them. Finally, the community of the study through the sample of the study which includes 12 samples varied between the Babylonian and Greek ceramic and pottery works out of 180 Babylonian and Greek earthworks. They were purposefully chosen using the assistant specialized professors in the field of ancient pottery like Prof. Dr. Zuhair Sahib in addition to the assistance of Prof. Dr. Majid Na’fa Al - Kinani. In chapter four the study comes up the following findings of the study which can be summarized as following : * The significance of the forms in Babylonian and Greek ceramic and pottery works are clearly reflected through the realistic forms and the organizations which represented in iconic and symbolic forms. Also, we found some unrealistic forms like the compound and abstract forms to represent some forms with significance the ceramic and pottery works. * Some significance has come with purposes of completing the level of the colorful functions on the level of Babylonian and Greek forms. * Ceramic and pottery works revealed the inspiration of natural themes and effects on pressures through which can artistic tendencies. The analysis sample analysis of ceramic and pottery works resulted in approaches in the significances.Finally, the most important conclusions of the study are tackled and based on that the researcher put some of the recommendations and suggestions. Then, the study ended with a list of references and resources.

استخدام تقنية العجينة المصرية (Egyptian Paste) في انتاج اجسام خزفية مزججة == The Using of Egyptian Paste Technique To Product Glazing Bodies

Author name: نبيل مصطفى محمد الركابي
Supervisor name: احمد هاشم عبد الكريم الهنداوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث استعمال تقنية العجينة المصرية ( Egyptian Paste ) وخلطاتها ذات اللدونة المنخفضة في تشكيل بنى باحجام وابعاد واساليب مختلفة باستعمال خامات محلية وانتاج رائب زجاجي يطبق على الجسم الفخاري ضمن مدى حراري تتراوح بين ( 850 - 950مه).تم استعمال سبعة | This research deal with the technique of Egyptian Past and it's mixtures which have low viscosity in forming built in a different sizes ,dimension and styles by using local raws and produce slip glaze stack on the pottery body through temperatures between ( 950 - 850c ). We use seven local material included sand (Arzama) ,Cawolen (Dwelka),Calcium carbonate(AL - Jabha)Bentonite and unlocal material included Sodium carbonate ,Sodium bicarbonate, feldspar soda added in different ratio after sieving and grating and chemical analysis to determined the properties and the continent of materials added to five mixture managed from references and internet adjusted according to researches s' aims.We evaluated the results and select the sample of researches from the whole models depend on researches s' aims and we made several tests on the sample s' models such as plasticity test, efflorescence salt test, porosity,absorption , density , linear shrinkage ,hardness, scratch hardness of surface,the analysis chromatic , glaze surface topography , formula units.From tests we know that the rise of clay ratio to (30% - 45% ) increasing Plasticity and produce body in a different dimension and the rise of water percentage to a specific level produce slip glaze stuck on pottery body beside using of alternative feldspar made suitable results and the rise of Fusing material ratio led to reduce porosity , absorption , density increasing and forming bound body.and the mixtures s' glaze appear so opaque in spite of ratio of (R2O3 - RO2 ) produce transparency glaze. The reason of darkness is the adding of colored oxides (RO ) group to earthenware glaze beside silica percentage (Higher than the equilibrating ) and gasses resulting from reaction. The slip stationary on pottery body depended on paste texture and body pores ability to absorb liquid and salts which work after firing to fix slip on the body , and the appearance of glaze on surface depended on self glazing of mixtures s' contents and ratio of efflorescence salt weight which reach to surface , beside the heat s' effect on surface

البعد التعبيري لبورتريه الخزف الاوربي المعاصر == Dimension Expressionist Portrait of Contemporary European Ceramic

Author name: مياده حسن مرهج الكعبي
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: دراسه قائمه على التنقيب عن المفاهيم والاصول في قيام العوامل التكوينيه والعليا والوظائفيه بهدف تاطير الانظمه التعبيريه للخزف الاوربي المعاصر. فالتعبيرية الى جانب بواعثها الفطرية لدى الفنانين بما تحمل من دلالات الابداع الشخصي, تنقلنا ايضا الى الحاضن الخارج | Based study exploration concepts and assets in the textural factors and upper and functionality in order to framing regulations expressive of European contemporary ceramicsExpressive motivation along with artists including fungal afford connotations of personal creativity, also Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureake uArtist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitures outside the custodial culturally, and culturally.Artist and heir to those influences, including in respect to the values of psychological and intellectual relations behavioral concerning its product material, has contributed to ceramic art through the ages the social function of culture was the source induce in its forms and manifestations in artistic expression and is complementary to the ideas in his creations based on various subjects as the theme of portraitureNow that seen in the art of portraiture European porcelain contemporary offsets Azha and implications in the context of technical and stylistic and aesthetic implications revealed thought Alheiomana which still governs taste new milestones keep pace with progress.from here it seemed the emergence of diversity Graphic showing expressive portrait rights of the reality of cross - fertilization between the past and the goal thought Alheiomana and between the paths of renewal in the framework of modernity and onwards to praise the subject of portraiture new formulas dimension expressionist despite control of quantitative models of the products of different kinds, but the employers doctrine clastic had reached a dimension expressionist the legitimacy of the chaos emerged a clear relationsformalism the most profitable products in portraiture to find this topic rationale for the present study to decode meaning boarder behind diversity in crafting dimension expressionist for portrait porcelain European contemporary in light of the sensitivity of the artist and the expression and contain the aesthetic as well as read the shifts shapes depending on the subject matter of his face and the services of hand in a time of as the body of contemporary portraiture relationship dimensions syntheticAllow to be exploited for artistic expression through various technical treatments in addition to the presence of attributes and Graphic sculptural portraiture of contemporary ceramics from functional integration and aesthetic and associate with everyday life.ln light of the foregoing researcher assumed possession of European porcelain portrait of contemporary characteristics and dimensions of new creative expressive phenomenon influenced the art of modernity and its aftermath a lot of artistic and aesthetic concepts.and offers a researcher fragile study in four chapter included the first chapter the importance of research problem in dimension expressionist porcelain portraiture European comtemporary, have been identified in this chapter bending search time period 2014 - 2000this addition to identifying procedural came in this chapter for the most important termsbasic searchthe chapter has two within the theoretical framework, which included three sections pertalning to contemporary European ceramic portraiture.first research : expressive elements in the art of portraiture and supplements the body. section twante : first concept art of potraiture in formation section third topic of prtraiture contemporary ceramics. the fourth topic : methods of forming ceramic portraiture and techniques. As the third quarter came from search procedures for the busy professionalcontrolled by research community and appointed the fourth chapter select to discuss the results derived from the analysis of samples of research and including checks of this research and included from this study, which ended in a pri acy statement ceramic portraiture European contemporary in terms of its distinguished presance as the value of art and aesthetic affecting the various arts era and in accordance with the regulations , which relied on businessman and big goals in the history of art and ask him pictures of the body.

امكانية استخدام الاطيان النهرية لانتاج انواع من زجاج الخزف عالي الحرارة == Possibility Usage of Clays Rivers To Produce Kinds of High Temperature Ceramic Glaze

Author name: طه حنش سلمان الربيعي
Supervisor name: محمد عبد الحسين العريبي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث امكانية استخدام الاطيان النهرية المحلية في انتاج انواع من الزجاج عالي الحرارة، وقد حددت طينة خان بني سعد النهرية الحمراء، اذ اخذت كمية من الطينة وتم غسلها وتنقيتها من الشوائب والرمال الخشنة بطريقة الترسيب، وحرقت بدرجة حرارة (700) ( كلسنة ) | The research the possibility of using arable land river local produce kinds of glass, high temperature, have been identified Tine Khan Bani Saad, the river red, where it has a quantity of this clay has been washed and cleaned of impurities and coarse sand in a deposition, and burned at a temperature (700) (calcinations) to get rid plasticity of clay and organic matter after what appeared a problem secede from the body layer of glaze pottery at the application stage of drought (before Firing). Were evaluated the results of initial trials by relying on chemical analysis has been attributed Tina to (Unity Formula) to find out the percentage of vehicles and determine the type of treatment, addition, and make up the shortfall, with a number of processors through the addition of materials used in the composition of glass as material modified the sand silicosis (Erdma ) and Kaalin Duejlh and feldspar Iraqi and feldspar Mxidized which was added in different proportions to the clay, and burned models with varying temperature of the three (1230 m - 1260 m - 1290 m), where the effect of oxides of coloring in the installation of clay and a clear transparent glass, and seemed colors green olive to the honey - colored and dark brown.Was conducted several tests on laboratory models of glass, the most important examination of hardness, abrasion resistance and testing, resistance to chemicals, metal detector. Found during the tests and experiments that the most important factors to form glass cooked at high temperatures of the clay used in the research was to balance the rates of oxides falling within the composition according to the law of the unity of the formula (Unity Formula), and found by experience that there is a difference in the fusion of materials and lack of homogeneity and their interaction enough at certain temperatures there is more than a glass phase in the liquid molten glass, and increased rates of added silica and alumina caused the increase of degrees of maturity and fusion, as well as high hardness of glass and its resistance to scratching and acids. As the examination (X.R.D) crystallization of new minerals after all components of the glass melting temperature specified in the search except the temperature of 1290 AD as any metal did not materialize because of a new high - temperature melting and destroying the Shabak and the full crystal glass.

تناسق التقنية والوعي الجمالي في اظهارات الشكل الخزفي == Systematic Between Technique And Aesthetic Awareness In Ceramics Art Works Presentations

Author name: فاروق عبد الكاظم غانم
Supervisor name: سلام جبار جياد السوداني | احمد هاشم عبد الكريم الهنداوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Baghdad - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Baghdad
First pages:

زجاج الخزف الحجري المطفئ وتطبيقاته على الاطيان العراقية == Matt Stonware Glaze And Its Applicatins On The Iraqi Clay

Author name: جمانة محمد خليل النيار
Supervisor name: سامر احمد الكرادي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

التعدد التقني في اعمال الخزاف ميتشيل كرافتون == Multi - techniques in the works of the potte Mitchell Crafton

Author name: ايات عبد الستار عباس
Supervisor name: احمد عباس سعيد
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

الاسطورة ومقارباتها في الفخار العراقي واليوناني القديمين : دراسة مقارنة == Myth and Its Models in old Iraqi and Greek Pottery (Contrastive Study)

Author name: نسرين سمير غدير
Supervisor name: محمود عجمي جاسم الكلابي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University Of Basrah - College Of Fine Arts
Language: Arabic
University location: Basrah
First pages:

المقاربات المضامينية في موضوعات الفخار الرافديني والفارسي == Similarities Content Mesopotamian And Persian pottery

Author name: عمار عبد الكاظم مهدي الكريطي
Supervisor name: محمود عجمي جاسم الكلابي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

جمالية الاعمال الفخارية النحتية في حضارتي العراق ومصر القديمتين : دراسة مقارنة == AESTHETIC OF THE SCULPTURE POTTERY WORKS IN THE ANCIENT IRAQ AND EGYPT CIVILIZATIONS comparative study

Author name: حازم عبودي كريم السعيدي
Supervisor name: محمود عجمي جاسم الكلابي | عبد الهادي محمد علي العزام
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

المتغاير البنائي وتحولات المعنى في الخزف العراقي المعاصر : دراسة تحليلية == Structural Variable And The Transforms Of The Meaning In The Contemporary Ceramic Of Iraq

Author name: علاء جبار زبون العنزي
Supervisor name: عدنان عبد سلمان
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University Of Basrah - College Of Fine Arts
Language: Arabic
University location: Basrah
First pages:

امكانية استخدام مادة النفتالين في اختزال زجاج الخزف == POSSIBILITY OF USING NAPHTHALENE IN REDUCTION OF CERAMIC GLASS

Author name: وسام عبد الكريم جاسم
Supervisor name: عباس عبد الحسين كويش
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

الحركة وفاعلية النسق البنائي للتكوين في الخزف الاسلامي الفاطمي == Motion and effectiveness of layout structural constitution in Islamic Fattimid ceramics

Author name: ميساء سليم عبد الواحد الخفاجي
Supervisor name: جبار حنون مهاوي | محمود عجمي الكلابي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

امكانية استخدام مادة الاسمنت في انتاج زجاج الخزف == The Possibility to use cement material in producing Pottery Glase

Author name: محمد شاكر علي الركابي
Supervisor name: انغام سعدون طه العذاري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

فاعلية اللون في الخزف العربي المعاصر

Author name: فراس حسن حليم العبيدي
Supervisor name: سلوى محسن حميد الطائي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

تمثلات المشاهد الطقوسية على فخار العراق القديم == Representations ritual scenes on pottery the old Iraq

Author name: غفران رزاق كاظم
Supervisor name: عامر خليل ناصر الشجيري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

المفردات الدينية وتمثلاتها في الخزف العراقي المعاصر == Religious vocabulary and Tmtheladtha in contemporary Iraqi faience

Author name: علي غضبان سكر علي الحسناوي
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

استخدام تقنيات حرق متنوعة ومتغيراتها على السطح الخزفي == Using diverse firing techniques and variables on ceramic surface

Author name: علي صلاح فلاح السلطاني
Supervisor name: انغام سعدون طه العذاري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

قواعد موضوعات فن السلطة المنفذة على فخاريات العراق القديم == The Bases of the Topics of the Art of executants Authority On Ancient Iraq Pottery

Author name: علي جرد كاظم الحميري
Supervisor name: حامد عباس مخيف المعموري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

جماليات اللون في الخزف العراقي المعاصر : دراسة تحليلية == The beauties color in the Iraqi contemporary ceramics Analytic study

Author name: عادل صبري نصار التميمي
Supervisor name: صباح احمد حسين الشايع
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University Of Basrah - College Of Fine Arts
Language: Arabic
University location: Basrah
First pages:

دلالات الحركة للمشاهد التصويرية في فخار العراق القديم == Semantics Movement of Scenes Pictorial in Pottery Ancient Iraq

Author name: زيد عباس ديكان
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

نظام التباين في تشكيل الخزف المصري المعاصر == CONTRAST SYSTEM IN FORMING CONTEMPORARY EGYPTIAN CERAMIC

Author name: زيد عامر مكلف الذرب
Supervisor name: محمد علي اجحالي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:

المعالجات النحتية في اعمال الخزافات الايرانيات == Treatment in the sculptural work of Iranian khazafat

Author name: زهراء قاسم جابر الربيعي
Supervisor name: محمود عجمي جاسم الكلابي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
University: University of Babylon - College Of Fine Arts - Fine Arts Department
Language: Arabic
University location: Babylon
First pages:
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