عرض: 25 50 75 100 النتائج

نتائج البحث: 25 من أصل 3,014

الحوار في المقامات الحريـرية واللزومية : دراسة موازنـة

اسم المؤلف: امينة ثعبان يوسف نجد الاسدي
اسم المشرف: عدنان محمد ال طعمة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

جمالية المفردة والتركيب في مكاتيب الامامين جعفر الصادق وموسى الكاظم عليهما السلام == Aesthetics Of The Word And Expression In The Two Imams' Correspondence, Ja'Afer Al Sadiq And Musa Al Kadhim ( P.B.U.T)

اسم المؤلف: حسين فاضل عيسى الحلو
اسم المشرف: جنان منصور كاظم الجبوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: تداخل مفهوم الجمال مع النقد والفلسفة والفن والبلاغة، ولكنه كسب استقلاله في الدراسات الحديثة فهذه الدراسات قد اعطت ابعاده النهائية حتى بات للجمال مذاهب ومدارس، وتحول الاهتمام بالجمال من الجوانب الفلسفية الى المذاهب الادبية والنقدية.يحاول البحث الكشف عن جم | Aesthetics concept interfered with criticism, philosophy, arts, and eloquence. But it gained its independence in the modern studies, for these studies gave its ultimate dimension, to the extent that it has own ideologies and schools. The interest in aesthetics transferred from the philosophical sides to the literary and critical ideologies. The study tries to discover the word aesthetics and its manifestation hints in the construction by selecting a traditional text and still keeping with a lot of aesthetic and virtual elements. The study tries, in addition to its induction and observation for aesthetic elements in the text, to understand the aesthetic philosophy in content from the function and goal sides, whether it is psychological, social, and so on. Nature of the subject demanded that the study is divided into an introduction, preface, three chapters, conclusion, and a list of references. Concerning the preface, it was entitled ' an introduction to aestheticism with a definition of correspondence'. It was divided into two branches. The first was entitled ' an introduction to aestheticism : roots and concepts'. It tackles some topics such as emergence and definition of the concept in the Old Greek and Arab studies. Then, it stated the concept - aestheticism - in the modern studies. The second part of the preface had an idea about the author of Imams' correspondence book, and definition of Imams' correspondence with clarifying their importance. First chapter which was entitled ' aestheticism of the musical level' was divided into three sections. The first which was entitled 'aestheticism of repetition' dealt with the extent of musical activity that can be achieved by repetition in the correspondence with taking into account of non - separation between this function and other functions of repetition. The second section which was entitled ' aesthetics of rhyme' came to uncover discovering functions of this musical style in the correspondence. The most prominent of these are rhythm and caring of listener's psychological aspect; whereas, the third section was devoted to ' aesthetics of alliteration' that had its influence on the text in the form and content levels. Second chapter was entitled 'aesthetics of structural level'. It has two sections. The first is composition styles. It included interrogative, imperative, and vocative; as well as efficiency of each style and its influence in achieving aestheticism in the text, in addition to efficiency to implement other functions. The second section dealt with the conditional style with clarifying its means and use of every one concerning structure and text coherence. Third chapter was about ' aesthetics of semantic level'. It has three sections. The first is concerned with aesthetics of simile. The study showed other functions that simile implied such as psychological or social functions : the second section tackled aesthetics of metaphor. The study also showed what is the benefit of metaphor. Finally, the third section discussed aesthetics of metonymy.

شعر ابن حماد العدوي : دراسة في الموضوع والفن == Ibin Hemmad Al Adewi's Verse : A Study In The Subject And Art

اسم المؤلف: سالم محمد ناصر
اسم المشرف: حربي نعيم محمد الشبلي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Ibin Hemmad Al Adewi is one of the great figures of the fourth Hegira century and one of Basrah scientists. He is considered one of poetry publisher. His verse is loyal to the family of the prophet (p.b.u.t.). the current thesis dealt with his verse under the title (Ibin Hemmad Al Adewi's Verse : A Study in the Subject and Art).The thesis consisted of six chapters preceded by introduction and preface, and followed by conclusion. Concerning the preface, it consisted of two parts. The first tackled a general idea about the situation in Iraq during the fourth hegira century while the second part dealt with aspects of the poet's life and culture. The objective study was divided into two sections. The first comprised eulogy and what relates to the family of the prophet's (p.b.u.t.) laudation and elegiac which includes lamentation of the family of the prophet's (p.b.u.t.).The second chapter was devoted to other poetic purposes, that is pride, satire, complaint, and wisdom. The artistic study was distributed as follows and according to the chapters series in the study. So, third chapter concerned with the artistic construction, that is, constructing the traditional dialogue poem ( poems with introduction) and the ideological which concerns his ideological tendencies towards the family of the prophet's (p.b.u.t.). other introductions comprise complaint, wisdom, and a single erotic introduction of an elegiac poem. The poet expresses his sufferings, pains, feelings, and emotions by these introductions as well as his abilities to attract the listener's attention and to prepare him to receive the main topic, in addition to the conclusion, thus, conclusions were in harmony with the subject nature. Fourth chapter came to discuss poetic language; it was of two sections. The first comprises vocabularies. They are vocabularies of doctrine, proper nouns, sadness, time, place, war, and peace.Constructing was taught in the second section such as interrogative with all its categories, imperative, vocative, negation, and emphasis that refer to attractive meanings in his poetic text. These increase rhythm with fascinating music. Fifth chapter was about the artistic image. It has two sections. The first comprises means of image formation particularly the rhetoric image ( simile with all its types, metaphor with its two types : implicit and explicit, metonymy with all its types : attributed, described, and relative). These images add shining colors of the beautiful music that evoke inspiration and urge the listener to listen and enjoy the poet's verse. Second section had two subsections. The first was the sensory image ( optical, acoustic, tactile, and gustatory, whereas the researcher could not find the olfactory image in the divan). The second comprises the single and compound image.Six chapter discussed rhythm.it was divided into two sections. The first was the external rhythm that contains meters, measures : perfect, long, simple, abundant, absolute, restricted, and rhyme faults. The second section, internal rhythm included repetition, inlaying, rotating, turning second hemistich to the first hemistich, and alliteration that increase musical harmony.Concerning the end was about the conclusion. The researcher depended on a long list of references and resources to complete the study. Some of them were literary, critical, linguistic, historical, philosophical, dictionaries, and university theses and dissertations.

اثر الاسلام في شعر النقائض == Influence Of Isalam In Paradoxical Poetry

اسم المؤلف: ميادة محمد عبد اللطيف المشهداني
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: I handle in my thesis : preface of culture of Arab Islamic Society and how this culture influenced on art level for poetry specially correspondence of poets because it is a source from culture sources, paradox started from this society and was a mean from means that used to make people laugh through humor which its essence was political most of time and declared among people as daily journals to get the component and call him names on sight and hear of ruling authority or by order from it, paradox reach its op and developed in Amawi age on hand of three poets (jarir, Al - Farazdiq, Al - Akhtal) and how Islam influenced in poetry of those poets and Islam influenced in poetry of those poets and how they influenced by it. In the first chapter ,handled influenced of Islam in meanings and how these meanings influenced in poetry of three Amawi poets, we study that they have colors of immaterial influenced which depend on adding properties of faith and good and Justice and mercy and wellness and belief and erasing the Injustice from complement persons of paradox poetry and most of its Islamic meanings were derived from holy Koran.In the second chapter I handled influence of Islam in terms and styles ,or terms and styles of three poets influenced by Islam, where they invested most of their terns from holy Koran ,also their ways influenced in way or another by Islam from style which reflect personality of poet where (style is a man).While third chapter handled poetical image for those three poets from their influence in poetical image by Islam and being derived from holy Koran and how reflect this image the experiences of poet where image connected with experience of poet and some specific emotional thought and related with feelings and control on poem and become apart from it and cooperate with rest parts by this complete experiences transfer and it is exactly structure of Arab poetry and from the most distinguish means which Koran depend upon it imaging meanings to apply feelings of material issues this wade it look like it is live image in movement ,poets used Koran image and refer to tern and Koran idiom and it is aesthetic mean in directing art consequence.

وظيفة الشعر في التراث البلاغي النقدي عند العرب من الـجاحظ (ت255هـ) الى حازم القرطاجني (ت684هـ) == The Function Of Poetry In The Arab Rhetorical Heritage Of Criticism From Al - Jahiz (D.255H) To Hazim Al - Qirtajni (D. 684H)

اسم المؤلف: وســـن عبد المنعم ياسين ال فليح الزبيدي
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2004
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The present study, “The Function of Poetry in the Arab Rhetorical Heritage of Criticism from Al - Jahiz (d.255H.) to Hazim Al - Qirtajni (d.684H.)” Falls into an introduction four chapters and a conclusion A list of references and an abstract in English are also provided. The Introduction pinpoints the concept of function as well as showing the importance of poetry in the Arab rhetorical heritage of criticim and the role of the Arab poet. Chapter One presents a study of aesthtics as a coneept and science related to poetry within the sensational and descriptive frame, as well as the cognitive and semantic frame. Chapter Two shows the poetic benefit (al - nafii al - shiiri)as a term which is not found in the Arab heritage. So, it was the task of the researcher to look for the origins of this term by studying it in formationully and historically Chapter Three studies the concept of ethics linguistically and terminologically. It also includes a study of the poetic ethics beginning with pre - Islamic era. Chapter Four investigates the educational function of poetry which can be classified into general and specific functions. The study ends with the conclusion that shows the results concluded

الطيف في شعر البحتري == Phantom In Al - Bohtri's Poetry

اسم المؤلف: ياسر محمود حسن عواد الحديدي
اسم المشرف: نوار عبد النافع الدباغ
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: This Phantom covered a wide aspect of the Abbasi's poetry in general and Al - Bohtri's poetry in Particular. Al - Bohtri's phantom is restricted in the introductions of his Praises which draws attention to the fact that it is not concerned with a real woman but it was a symbol for what is beautiful and lovable to the poet himself.The facts that contributed to the use of phantom , Social and psychological ones. The poet suffered a lot when he was a way from the Caliph and the minister who loved them and had real friendship and admiration relation ships with them. The happy and nice time , had spent with them , made his life bored and not pleasant when the two characters got killed. These two characters were the central pillar in the phantom of Al - Bohtri's Poetry. The poet was Calliy for thers his old happy and nice days in the Abbasi Calphate Palace. Also , their phantoms were Called whenever he wanted to praise a Caliph or a stateman. The faculty of his poetic imagination helped his link vision with reality and real world with dream. The poet goes back to his memory to get the power from the old happy days. when hard times stand against the poet. He faces the painful present time with the old times.

المصطلح البلاغي في كتاب الكليات للكفوي (1094 هـ) == Rhetorical Term In Al - Kulliyat Book For Al - Kafawi (1094 A.H.)

اسم المؤلف: لمياء حسين حسن حميد الهاشمي
اسم المشرف: محمد سالم سعد الله الشيخ علي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: The terms, being practical and epistemological keys in any area of study, have become an effective tool that helps researchers in a certain discipline to understand them and to trace their true sense. The work on terms has busied a number of scholars in various areas. They exerted great efforts in the cause of illuminating concepts, and defining senses. They compiled dictionaries and encyclopedias which encompassed these terms. One of these books is Abi Al - Baqa Ul - Kafawi's (1094 A.H.) entitled Al - Kulliyat, a dictionary of linguistic differences, which contains a great number of terms that entered different scientific fields. We opted for studying this book for its highlighting of the rhetoric terms. The present thesis comprises four chapters. Chapter One studies the rhetorical term, which had undergone no changes. Chapter Two deals with the overlapping terms. The overlapping terms are those rhetorical terms that were presented by Al - Kafawi as overlapping with such disciplines as grammar, jurisprudence, logic, etc. Chapter Three is devoted to the rhetorical terms that were presented in a rather abridged manner to which we gave the label “condensed rhetorical term”. Chapter Four is dedicated to the rhetorical terms treated by Al - Kafawi away from their rhetorical arena. They were dealt with within grammatical, logical or fundamental frames - or other frames. The findings of the present study are : 1. Al - Kafawi depended on very subtle senses to show the differences among terms.2. Al - Kafawi has deviated from rhetoricians in his coning of some terms especially the term “ tandheem”.3. The obscurity of some terms of Al - Kafawi stems from his adoption of some rhetoricians’ limitations before having matured.4. Al - Kafawi has sometimes cited some concepts in an inaccurate way such as the term “altajnees”5. Al - Kafawi's style was coloured by a philosophical and logical colure, which became one of his distinctive features

الخطاب الشعري في لافتات احمد مطر

اسم المؤلف: محمد وليد محمد
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

قصيدة الحياة اليومية في شعر عدنان الصائغ == Every - Day Life Poem In Adnan Al - Sa'Igh Poetry

اسم المؤلف: احمد محمد علي حمو الطائي
اسم المشرف: احمد جار الله ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: حظيت الحياة بتفاصيلها اليومية باهتمام في الشعر الحديث، اقتناعا من الشعراء بما تحمله الحياة من مناطق شعرية غنية مضمرة في اعماقها قادرة على منافسة هيمنة الموضوعات التقليدية، عبر المراهنة على جاذبية اليومي البسيط في خلق الشعرية الحديثة، وذلك ياتي استجابة | Life with its minor details captures the attention of modern poetry. It is, as modern poets think, so rich with inherent poetic fields that it can get rid of the grip of traditional themes. Modern poets stress the ability of the simple daily life attraction to dominate modern poetry. They develop this conviction to follow the up - to - date progress and express the concerns of wide walks of life used to be neglected by traditional poetry. The study consists of an introduction and four chapters. The introduction deals with the concept of daily life poem linguistically and idiomatically. It discusses as well the numerous terms used to refer to this concept. It presents a critical historical overview discussing some modern and traditional poems in the light of Arabic and western critical views.The first chapter of the study tackles the patterns of daily life poem structuring. It falls into two sections. The first studies the simple patterns (represented in stanzas, imagery poems and thoughts). The second, however, deals with compound patterns (i.e. narrative structures and dramatic structures). The second chapter studies the techniques of daily life poem. It is also of two sections. The first is concerned with the linguistic techniques of daily life poem. It is tackled at three levels : the dictionary of daily life poetry, unusual collocations and prose performance. The second, however, is concerned with imagery techniques. It concentrates on the techniques of intertextuality, informativity and production.The third chapter is dedicated, however, in its two sections to the themes of daily life poem. The first tackles individualistic themes like woman, family and fear; while the second studies social themes like war, daily affairs and class conflict.Finally, the fourth chapter is concerned with the musical structure of daily life poem. It studies in its first section the cadence of rhymed poem and some of the prominent rhyming features like rhythmic shift, rounding, and rhyming. The second section is concerned, however, with the rhythm of blank verse. It tries to highlight some rhythmic feature through studying the phenomena of repetition, parallelism and sight rhythm. The study ends up with a list of the most important conclusions it comes up with.

خصائص الاسلوب في كتاب نسيم الصبا لابن حبيب الحلبي ت779هـ == Style Characteristics In Nesimu El - Saba Book For Ibn Hebib Al - Helebi (779 AH)

اسم المؤلف: منتهى حسون زيدان الجبوري
اسم المشرف: كريمة نوماس محمد المدني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study is based on examining and analyzing the aesthetic features that are appeared in one of the traditional books and such books shows us the reality of literature that belongs to an era that is described as an age of retardation and darkness so much. In spite of this, relentless pursuit uncovered literary products with high level of poeticism and in such case; these products are on the contrary to melancholic perspective towards the products of this era and its pioneers.IbnNesimu El - Seba book comes as a sample with which we can touch what can appear as distinctive stylistic feature as well as reflexiveto state of literature at such era which is charactized by publicity of ornament, novel and decoration with different manifestations and forms in all these products. The stylistic approach as a mechanism to deal with what looks like as phonetic ,structural or semantic ecarts and violations in texts of the book whether they are poetic or prosaic. The plan of the study involve Preface with which the researcher introduces IbnHebib Al - Helebi, Nesimu El - Seba and the stylistic feature for the literature of eighth century A.D. Three chapters of the study are specified to deal with stylistic feature within Phonetic level, which include assonance, phonetic paronomasia,repetition, parallelism, rhymes, rhythms and duality. Chapter two deals with stylisticfeatures within structural level that include negation , condition , interrogation , call,anastrophe,asyndeton , polysyndeton , brachylogyand circumlocution. Chapter Three is specified to deal with stylistic feature within semantic level, which include cultural referents, simile, metaphor, allusion, and antithesis. The study comes up with conclusionand with some results of the study.

لغة الشعر في ديوان حروب الردة == The Language Of Poetry In Divan Of Apostasy Wars

اسم المؤلف: زينب حميد عبد الامير عبود النصراوي
اسم المشرف: عبد الامير كاظم السعيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Language of the pillar of a poetic text, it is marked by different characteristics which distinguish it from the tools and means of other arts. The research surveyed the essentials of the language of poetry and extensively studied them so as to see their components as to the levels of rhythm, wording, structure and image. Accordingly, the study fell into four chapters preceded by an introduction and followed by a conclusion. The introduction was based on three topics : the first was a viewpoint in the concept of the language of poetry, which depended on the viewpoints of the critics in presenting the concept of the language of poetry and also its function as a semiotic and an emotional language together with how the language of poetry presented as a connecting point between the pre - Islamic and Islamic poetry in addition to the characteristics it had at the early Islamic period in particular. It was followed by reading of the divan of the apostasy wars setting it right through presenting the criteria followed in arranging and ordering the posts' poems in the divan. Little was said about the historical side connected with the poetry of the poets of the apostasy wars regarding the political motives as what was related to such motives was relatively far from the technical sides and they were also studied by others. Then came chapter one with the title ( The Rhythmic Level ) containing the rhythm with the sound it included set by the measure. As the sound is considered the smallest unit of speech and that the rhythm is itself is considered sound in addition to the dependence of poetry in the Islamic period on the system of reciting, therefore it has had superiority in the system of the language of poetry. Chapter on showed the measure, the rhyme and the rhyming letter; it was considered an external music keeping the internal symmetry. Chapter one showed the common characteristics among poets keeping the sound system, such as repetition, setting and rhetorical beautifiers such as alliteration and other aspects which help keep parallelism inside the text such as parallelism and necessitating what was required. The text then started to express itself through utterances and according the ( utterance level ) was set showing what the poetic text was characterized by such as clarity, strangeness, eloquence and suggestion. The lexicon was then presented with the linguistic synonyms it has had presenting the words connected with war, scholars, Islamic doctrine, time place and nature. It showed how the poets employed the vocabularies during the emotional experience the experienced. Utterances ( words ) combine to constitute the text setting the structure and accordingly, came the ( construction level ) starting with showing the most prominent expressionistic styles which contributed to making language of poets. It was of two sections starting with showing the sentence and its styles the "nominative and verbal sentence" swinging in the poetic tissue between the constant and the changeable according to the situation. The narrative ( written) sentence came next including what the poets employed such as the interrogative, the vocative, the imperative, the negation, the supplication and the swearing. This was followed by the states of the sentence with all that it had of fronting, delaying and parenthesis ( objection). Following structuring ( construction) came picturing ( figuration) in setting imagination and emotion under the title ( The Figuration Level ) containing the source of the picture ( figure) such as the psychological motives with its function in drawing the picture, the cultural motive and the environment. And then came the second section to include the most important picturing styles such as the narrative, the mysterious and the communicative which stamped the poetic text with beauty in addition to adding the feature of determination of displaying. The research tried to show the structure of the language of poetry within the poetic text in the divan of the apostasy wars by using a descriptive and analytic method. The thesis ended with a conclusion which included the most important results the researcher came out with before giving the sources and references used in the study.

مستويات التلقي وانماطه في القران الكريم

اسم المؤلف: ضحى عبد الستار جبار العيسى
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2005
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Thus, the receivers of Quran were on different degrees and above them all was the prophet, so he is the ideal receiver and the true receiver for the Quran because he is the target of it and those who came after him of pure Imams, then followed by believers and hen Muslims. The disbelievers class, their chiefs like Walid bin Ottba and Ottba bin Abi Rabee'a and Abu Jabil etc... received the holly text and the Call of the prophet and effected and admired it, more were effected in the frame of the Quran and most were effected by its charm and style and few effected by the Quranic stories and the tales of absence yet, they never be believers and never responded because the Quran never met their lusty deeds and their temporal benefits or it may the abilities of the receiver so weak tounderstand this miracle text. At last we said : The Holly Quran is the speech for both man and Jens and for all the nations Arab or otherwise of Books followers and otherwise and despite the creativeness of this text but it left different effects inside who received it all according to his understanding and knowledge of the text beside the lusty deeds and the benefits which were the reasons for the acceptance or refusal of that Quranic text.where showing the Paradise scenes and the hell and the torture. This was because to rise the en\motions of the receiver, also the mentioning of the dialogue between the paradise dwelt and the hell people leaves its effects in the soul of the receiver and to realize that being never received at the lower life and not responding for the messenger Mohammed (peace be upon him) will face not receiving by God the only Dear at the Account day.Part two includes (the receiver out side the Quran text) : it includes the process of announcing and receiving outside the Quranic spelt, it lies intwo chapters : Chapter one : the included (assumed) receiver : this will be achieved at every receiver automatically, positively and deeply, and it can be explained for both hidden and apparent meanings. He is the assumed receiver who has the ideals features in solving the codes of the text and he is unlimited receiver who fills in his circle all of those who receive the text automatically and positively Chapter two : the real receiver : it divided into two parts : 1. The receiver at the time of descending of the Holly Quran.2. The receiver after the death of Prophet Mohammed (peace be upon him), that is after ending of the aspirator and accomplish of the text (this is out of our research extend). The receiver at the time of the descending of the Holly Quran coulddistributed into : 1. The Deep in Knowledge : they are the prophet Mohammed (peace be upon him) and the pure Imams (peace be upon them).2. The believers.3. The Muslims.4. The maneuvers.pon him) invitation, the messengers and prophets had receiving the divine speech either by way of aspirator or without any device, or by speech from behind abstract. All the prophets had received the divine speech with acceptance and obeying because they had special nature which is recalling and reacting with the speech. What about the receiving level of the people for their prophets, all people were divided into two parts : 1. Positive receiving.2. the negative receiving.Because the Holly Quran consists of direction towards the receiver, it has to make full use of the reaction of the people towards their prophets when they invited them their messages. The positive receiving leads to saving of this class. The second class was destroyed and had tortured because their receiving was negative.Chapter two : the receiving at the time of Message : it includes the Quranic verses which referred to Qoraish receiving and otherwise of the Call to the believing and how was the reaction. We got the idea that the level of receiving in Holly Quran divided into : belief people and other disbelief and other class maneuver. The belief people were positively receive the Call this what the Quranic verses referred to. The disbelief people had received the Call negatively and we reach the reasons which led to this negativity one of which running behind the wrong inheritance and heir denied for God sending man to be messenger. Also Islam and Quran never agree with their benefits which temporal and their lusty.aspects. Finally the people who were maneuvering, this class heard and received Quran from Prophet Mohammed (peace be upon him) but their minds never reacted with the speech because they made the process of the receiving failed to keep their benefits of removal. Chapter Three : the receiving at future : it concentrates on what is mentioned in Quran about announcing and receiving and the Account day he research is studying the theory of receiving and the relation Tbetween the reader, the receiver and the literary text. Holly Quran is the highest and the most creative literary text. The speech of Allah (be highest) is not normal speech, since it enforces the receiver to listen to it and react with. There is strong relation between the reader, the receiver and the literary text. Each of them has the authority. upon the reader because the text has the highest degree of effectiveness, the mature and integrated text can surround the receiver and the later has no way but to stoop to its authority. One of these texts is the Holly Quran and came next the poetic verses which were created by the biggest poets. Thus, any text carries the features of creativeness the receiver has no power to resist but to stoop to it since it launches from the satisfaction of that text. The reader in other side can practice his authority upon the text by hisability on creativeness in understanding the text.The thesis has been organized in preface, two parts and a conclusion.The preface deals with the mention of the linguistic aspect and the pronunciation idiom (for the receiver) and talks about the growth of receiving theory beside the aspects which form it, and mention the levels of the receiver too about the most prominent establishers of it.Part One : it includes (the receiving inside the Holly Quran text). It includes the process of '!.nnouncing and receiving at the Quranic spelt elf, it consist o~~apt' Chapter ~~· thi!"rec~t : " "g before Quran descending : it includes the Quran verses ""~£.~lk about receiving before descending of Quran like what happened to Adams (peace be upon him) at paradise and the earth, and the prophets who were prior to inspiration and Mohammed (peace be

الصورة الفنية في شعر القروي

اسم المؤلف: حامد مردان شروان الشاعر
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 1995
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

ادب يعرب السعيدي القصصي : دراسة في البنية السردية

اسم المؤلف: نجوى محمد جمعة البياتي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2001
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

اتجاهات نقد النص الشعري في مجلة الاقلام 1990 - 2010 == Trends Of Criticizing Poetic Context In “ Al - Aqlam Magazine “ 1990 - 2010

اسم المؤلف: منتظر عبد الخضر ساجت
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise is to Allah, Lord of all creatures, and blessing joined with peace of God be upon the seal of the Prophets and messengers (Mohammad) as well as his faithful Companions. Amen This research deals with literary criticism efforts which have been previously published on an Iraqi magazine "Al - Aqlam" extending to the period 1990 - 2010. It is titled as "The Trends of Poetic text Criticism ", as no unanimous approach deals with the literary criticism; moreover, there are several approaches contribute in one literary trend. Psychological Trend; for instance, has variant approaches : Freud - method, Lacan method, and Yong method. Each approach has its unique view and it somehow differs from another approach even if all approaches contribute on comprehensive view which it is the - psychological view. These fore mentioned methods are achieved on the level of theorization, and they are based on the same environmental rules. What is about the researchers who received the trends through translation?. The critical application in tackling literary texts ensures us that there is no specific enclosed approach can be applied on constant procedures and is applicable on all its details, but the overlap is obvious between all the different approaches. Therefore, it is impossible to depend on a constant inevitable approach because the criticism process is an interaction process between the creative text, the critic and his own literary and critical taste. For these reasons the critical trend is acceptable further than the depending approach. The period , which covers the articles within the research, is between 1990 - 2010, i.e. it extends for about 20 years and the concentration stage of the study was achieved on the last of this period ; in order that the study will be contemporary to the modern - literary criticism movement or to the literary criticism movements which have recently seen the light. This study presently shows unprecedented trends, since it includes for the first time studies about trends of literary criticism never established in the Arabic region; for instance, it includes the Cultural Criticism. For this reason, we'd rather the study be practiced on the recent years of the mentioned period since the Arabic region has witnessed relative stability.This research is established to deal with selective poetical texts, because it is impossible to deal with all the poetical texts published within the specific mentioned period. The plan has been put by researchers into choosing some agreeable poetical poems samples , the selective process had come according a certain view since the research obliged itself not to repeat the critic's name more than once , in order to be obtainable for more additional critics' names contribute on one study. The plan is made not to confine the critic's study to be subjected for unique circumstances whether the critic himself is one the followers of a certain trend or vice versa. These studies published in "Al - Aqlam Magazine" are by no means the best studies; however, the magazine includes between its pages many studies that differ between high significance and low - significance in order to let the reader read the magazine objectively. The research does not display the good studies only but also displays studies under the hopefulness level and the purpose beyond that is to disclose about the defects and to determine its places in order to overcome upon the defects. The research tries to achievean elaborate discussion and an analytic criticism to the under discussion critical context through active imposed dialogue in order to be capable of stopping at each point worthy of discussion , and lastly can classify each discussed point to be ordered and organized to its principal reference depending on the available critical - publications. On the other hand, the research can assay each text, and discloses its contents or stops nearer in order to thrill noticeable questions. The study is distributed among three chapters : the first chapter, "The Contextual Trends ", is related to the critics who made their deep comprehending understandable semantics meanings depending on the external environment i.e. the trends related to the factors are out of the text itself to understand the included meaning of the text. The second chapter, titled as "The Textual Trends", is concentrated on the critical achievements that depend on the text itself i.e. the efforts, which try to isolate the text, from the external factors in their approach. The third chapter, titled as " Other Trends " , includes critical efforts , which can not be ordered under neither the textual nor the contextual relation. Eventually the conclusion comes to conclude what is most significant on this study; moreover, the study has been initiated with preface to shortly introduce the reader to "Al - Aqlam Magazine ". Conclusions : Criticism movements have witnessed many continued turnings and many transformations; each trend may be utilized from the previous - mistaken trends, but after stages of its evolutionism, some of its adopters turn to be exaggerative then the defects occur once more which lead to emerge another trend as a result. The critical approaches, "Al - Aqlam Magzine" displays, are variant and different knowledge wise and type wise. Some of approaches are on the top of skillfulness and technique; while some of them are less significant.In addition, the approaches are variants according to the techniques they follow, so they come as (contextual, textual approaches and others). There is not a perfect application to any trend entirely, but in many - times the procedures violate the application limitedness, or maybe the researcher help himself, by a different approach, which his study adopts , because the creative doing is an art has its own property on estheticism and structure.Moreover, the creative doing is the outcome product of special essence lives on specific society which it has its own traditions and habits passes through specific history of special events and incidents This creative discourse or the creative dialogue is targeted to educated receiver of a good quality on culture and language, etc… Knowing these effecting factors is necessary to the critic of creativity, and it has an active consequence into directing the critical doing; therefore, there is not any critical approach that has the stability and the strictness or may refuse the borrowing from other trends. In addition, any critical doing has its own way in order to achieve its understandable point into the creative doing or to reveal and discover its nature, its esthetic secret, and its specific structure. The literary text has significant relation on the establishing process of the critical discourse and its procedures; because the literary text is the main substance of the criticism essence from which the critical process is formulated ; on the other hand , the discourse is not rooted out from the literary text and its procedures. Finally, praise is to Allah and peace and blessings be upon His honest Prophet. Amen.

الاداء البياني في خطب الحرب في نهج البلاغة == The Clarification Performance In Warfare Orations In Nahj Al - Balagha

اسم المؤلف: نجلاء عبد الحسين عليوي الغزالي
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2002
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: The Islamic oration was affected by rhetoric which was enlightened by the Holy Quran and the Prophet's Pure Talks to promote the art mode of the Arabic literature to such a remarkable level that couldn’t be noticed in the pre - Islamic period. Thus, it reached the peak. Oration is the only means of spreading and establishing new thoughts and concepts.At that time the orator became more comparable than the poet because oration was badly needed by people for establishing the principles of Islam and spreading its authority through preaching and directing them in the right way, and finally allow them to win what would enlighten their life on earth and after death. This also helped in uniting society, evoking determination and making enemies fear Islam.“Nahj Al - Balagha” represents a remarkable feature in the Islamic literature, being a unique mode and principle for all. It is a historical literal document second to the Holy Quran and the Pure Prophet's Talks in gaining rhetorical accuracy and magnificent mode.The Communder of the believers, Al - Imam Ali Bin Abi Talib, the henchman of Islam and the Prophet's son - in - law, was a caliph, a leader and a orator. He was the most revered and deliberate in manner; the knight who never hesitated to sacrifice for Islam and establish the good and right. He left behind unforgettable most effective literal inheritance for everyone and as our President Saddam Hussein (Allah may save and guard) said with regard of the evil forces “We are fighting them with the sword of Al - Imam Ali(peace be on him) to protect principles”. Indeed it is the sword of the right and good. And when one looks deeply into his words, he recognizes his rhetoric orations emerging from the bottom of his heart that was not free from pain These features appear in his oral and written orations. The warfare orations of Al - Imam make us feel that we are in front of a perfect magnificent rhetoric wording emerging from the bottom of a heart with some pain, so you find it stressed wording. He included in it what expresses God fearing and God worshipping and good deed. Oration was one of the Imam's weapons in his fights. He used it, owing to its being rhetorical, to evoke his men and encourage them and arousing their feelings and making them reach the aim he wanted them tounderstand and be aware of. I have chosen particularly the warfare orations in Nahj Al - Balagha to be aware of what they have from clarification. This is because those orations were often oral and none - officious, and free from any features of art. They are pure, so they represent the mode of the rhetorics. Some recent investigators have dealt with “The Nahj Al - Balagha” in general, and the orations in particular, but they were in grammatical and linguistic and artistry limitations. “The Clarification Performance in Warfare Orations” has not investigated the altogether content, but there are some bright images I utilized and some others I talked about.The references regard books of rhetoric, criticism and indication; and interpretation books of the Holy Quran and the Prophet's Talks sciences, and the proverbs as well as the Arabic literature cultural inheritance. I depended on Nahj Al - Balagha (Mohammed Abda Explanation) in determining the texts regarding warfare orations; and I also made use of Ibn Abi Hadeed Explanation.My research is arranged in three chapters proceeded by an a relusion and ended by a conclusion and as follows : Chapter one deals with the clarification performance aspects in warfare orations in Nahj Al - Balagha and includes four researches : assimilation, similitude, personification and association. Chapter two deals with the resources of the clarification performance of these orations - warfare orations - . The investigations are about The Holy Quran and the Pure Prophet's Talks and the Arabic poetry and then the Arabic proverbs.Chapter three deals with the functions of the clarification performance which comes in sequence as : the mental function, the psychological function, and the religious function.The conclusion includes : what the results that the research has arrived at. Then comes my whole tool in investigation, analysis, justification, and conclusion. These are the old and the new references. I have done my best and thanks to Allah I ended this research aided by Allah first, and by my supervisor Dr. Hakem Habeeb Al - Guraity who helped me much like a guiding torch in direction and reform. My thanks and respect to all those who never hesitated to offer help.

البحث اللغوي في كتاب التعليقات والنوادر لابي علي الهجري

اسم المؤلف: مديحه خضير كاظم
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

ادب الشهيدة بنت الهدى القصصي : دراسة في الفن == The Fictional Literature Of The Martyr Bint Al - Huda (Study In Art)

اسم المؤلف: قاسم نجم عبد الربيعي
اسم المشرف: علي كاطع خلف المحمداوي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Al - Alwyaa , the martyr , Bint Al - Huda had many novls and short stories.In the Field of novels , she wrote " The Virtue Wins " , " Two women and aman " , " That who looks for the truth " and " A meeting in the hospital ". In the field of short stories , she had three groups " I wish i knew " , The lost aunt " , and " a struggle from real life ".The experience of the Martyrs narrator had a difference in the artistic level , sometimes , in the simplicity of froms inspite of good themes as in her novel " two women and a man " or in her short story " The lost aunt " but in some texts , we find a high artistic work written by a professional writer who knows how to write as in her novel " The virtue wins " and in her short story " The voice of conscience ".Althongh the experience of the writer had a growth in quantity , it witnessed agrowth in quality also. The Martyr narrator and through her understanding for the philosophy of writing stories works to define all the differences in life , its opposites and its basic unities through the credence on many elements , so we find in her stories many historical texts , verses , proverbs and wisdomsThrough the use of those implements , she was able to understand what is found in life and used it in her stories. The story for Bint A - Huda had enumeration directed by an artistic hand and sometimes , we find dialogues, and dramatic scenes and description and the credence on the Poetic language in many of her stories especially the short ones.It is a kind of contrast , the writer used it to reveal and discover the false ideology of the other discourse as adiscourse that produces the loss and poverty.These are some of the artistic features which we noticed through the study and research , but what is important to us is that which is related to the " martyr narrator " herself and her position in the world of literature and art especially in the field of novls and short stories.The martyr narrator has a clear understanding of the circumstances in which she lived. she knew the historical , ideological and social structures in her society and she worked to absorb and re - build them in her stories. This shows us that the writer interacts with those complex circumstances and work with a clear thinking that gives her the chance to destroy the negative aspects and disclose them in her stories and made the reader takes the side of the positive - voices and ideas that the writer wants to explain in her stories.The martyr writer, in all of her stories was interested in the struggle between the good and the evil and she did her best to make the voice of the good , the highest , and make it the basic way in human communication. In her rich experience which contained , what is artistic , scientific and what is political , she was abl to disclose the depths of the humanitic soul in all its kinds which she had known well. we are in front of awriter who watched and understood her socity , so the story for her , is that which looks for the meaning , principles and the virtue in aworld in which the principles had confused. In her novel " The virtue wins ". we find ourselves infront of a trial of the humanstic decay in one of the Moslems houses and in her novel " That who looks for the truth " we find ourselves sympathize with that girl and look together for away that leads us to the bright truth which is represented by Islam.

اثر التراث في شعر عبد الله البردوني == The Influence Of Inheritance On Abdullah Al - Bardouni's Poetry

اسم المؤلف: فاطمة عبد الله محمد عبد الحبيب العمري
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:

شعر كشاجم : دراسة اسلوبـية == Poetry Kashajim ? Stylististic Study

اسم المؤلف: سارة محمد حمزة
اسم المشرف: ياسر علي عبد سلمان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: The object of this study is to determine the style aspects in the poetry of Abu AL - Fath Kashajim Al - Ramly Muhammad ibn Al - Hussain. It appears in the from of preface and three chapter. In the preface I mentioned something about the poet personal life , his poems and his position among his contemporaries simply , then I Tackett with the stylistics and its concepts , types and its relations with other literary concepts and sainces like language , rhetoric , critisim. Also I tackled with the subject of (style changing) in western studies which was known in Arabic studies as ( Al - Inziyah Al - udnl). The first chapter was to the right matic level and some subjects under lined it. The first the outer thematic level of poems which divided into two parts ( meter , why me scheme ). the second contains the sequence technique with all its types (voice , derivational and introduction ) Also I took alliteration of word ) types ( completed , non - completed ) derivational and other types. the third chapter concerning as pacts found , in the poetical collection of kashajim. Who second chapter is a study of construction level of poetry , and its divided in to three papers. the first is about the styles of poetic discourse (Nida style vocative partich (A - ya) ) , Is tifham (interrogative Amrw , Alnahi , the article "Aya" pat at the first position more than the others used in his poems. The third chapter tackled with semantic level in kashajim poetry , and it has three divisions. The first about similarity level , it contain similarity style and rhetorical borrowing. the second one is about Alknuya wara style ( the nearest meaning not the direct , I talked about (Alkinaya metonymy ) the third paper is about textual derivation intersexuality and this divided in to religions and literal.Religions textual derivation has two divisions , one related with Holy Quran and other with propend Muhammad traditions (Al - Hadeeth). The literal contextual derivation took two types poetic and proverbial , the I condnde my research study with bricf conclusion contained the most important results , with a full bibliography of references I benefited from them

الاشتغال الفضائي في شعر ناصر مؤنس : دراسة سيميائية == Space Engage In Nasser Sociable Hair Semiotic Study

اسم المؤلف: الاء عبد الامير عيسى السعدي
اسم المشرف: هيام عبد زيد عطية
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: This study was to trace the precursors first to work on the possibilities of stylistic and aesthetic that is added to the space the paper layout, is another element of interpretation and semantics down to actual experiences of mature, and these possibilities are (charts, paintings, punctuation, whiteness and blackness, reducing bullet shapes iconic and Ready), was being naughty and stand on it to engage in : 1 - Space script, which is in turn directed the read - only represented in the following elements (linear structure, the optical Naber, whiteness and blackness, colors and punctuation). 2 - Space picture, which is in turn directed to read and consider together represented in the following elements (shapes of the vehicle and the vehicle is naked and represented in triangles and squares and circles). This alert to the space (paper layout) and make another element is added to the elements of interpretive and dimensional semantic language, and conscious of the receiver to read and meditate and focus on the poetic text more starting thresholds and appearances the first constituent that space transformed from being spatially environmentally verbally acoustically, to being a hardcopy Tabaaaa Visually, passing a written brief and signs Coding and images accompanying the end of the language and format of linguistic Based on the foregoing became engage in space, addressing the eye, not the ear, and on the basis of that took a slap poetic attention from the presence of poets and became part mainly from the structure of the poetic text.

الزمن في الشعر العراقي المعاصر 1990 - 2010 == Time In Modern Iraqi Poetry 1990 - 2010

اسم المؤلف: علي هادي محمد الخفاجي
اسم المشرف: سلام كاظم الاوسي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: Time of more issues that preoccupied the mind of man , past and present , so Anjad aware of Sciences ago its subjects of time, and time gained importance from its association with human existence , man has tried since ancient interpretation of time trying to answer the questions that insisted on his mind. Where did we come from ? Where are we? Where do we go ? What is past is it really exists or is the accumulation of ideas? What the future you will come quickly or slowly Does it mean death and the yard or is it the beginning of a new phase did not realize it yet , and is currently just a moment meeting past and the future , all of these questions tried monotheistic religions interpreted as exhausted these questions philosophers, ancient and modern ( Aristotle, Plato and Plotinus , and Augustine , and Newton , and Einstein , and Cant , and Herbart Spencer , and Abdel - Rahman Badawi (. Poet and more people Achtgala in time because he shared his feelings and emotions with the recipients is mediated by hair trying to everyone involved in the existential his main concern about the time and trying to find answers in the eyes of the recipient. And the importance of the subject of time studied through hair Iraqi poets from 1990 to 2010, and dealt with the dimensions of time various psychological and existential , social and moved away from the meaning physicist of time in my studies , and began to study boot showed a single time in the philosophy and science , and the importance of time for literature , and in the first chapter dealt with remembering which represents the poet 's past and future as a utopia and a dream world , and the second chapter dealt with time as alienation psychologically , socially and intellectually , and the third chapter dealt with the symbol as a milestone schedule.

المفارقة في الادب المسرحي العراقي المعاصر == The Paradox In The Dramatic Literature Contemporary Iraqi

اسم المؤلف: اثير محسن غافل الهاشمي
اسم المشرف: باسم عبد الامير الاعسم
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: The paradoxical is an important technique , main mechanism in the literature in general and theater in particular, in spite of the breadth of the term within the literary movement and the modern critic , but it has not been emphasized in studying the text's theater, whether Arab or Iraqi, so that we directed in studying mechanism paradoxical in some in contemporary Iraqi accomplished playwright, due to be a fertile ground for what are enriched by the value of the objective and technical. We focused in our study of the paradox in the Iraq theater text in some way explain the dimensions and significance, patterns, and their impact through enriching the structure of the theater text , usefulness of symbols and meanings that came in the cases of verbal or positional context , in the light that formed the paradox types, multiple in literature, theater Iraqi in its sections (theater prose, theater poetry and children's theater), where we dealt with irony and types in each section of this stage, and was dominant in clear, with a diagnosis method of each writer in the presentation and content, as varied method of construction and function literary drawn by the irony with its details under each section of the structure theatrical text, and on this basis, we find that our study draw a line chart and clear, monitor the ironic structure of the text in the theater of Iraq through : 1 - chronology of the text of the Iraqi theater, where we studied the play texts time serial since the fifties of the last century to the present day.2 - Studying the irony and types according to the three divisions of the theater (the theater prose, theater, poetry, and children's theater).3 - It is said that the study included the method of construction and function of literary irony.4 - Focusing on methods of irony used in the theatrical text, stopping the pattern predicted by the shock and surprise; any broken the horizon waiting for the recipient, by moving away from direct language, or the use of irony, paradox, or leading to the anomaly

الوثيقة والتخيل التاريخي في روايات علي بدر == The Document & The Historical Imaginary At Ali Badran's Novels

اسم المؤلف: رنا فرمان محمد الربيعي
اسم المشرف: ناهضة ستار عبيد
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: We are trying in this study to reveal of two types of relationships between the historical documents and the text in Ali Badran novels after the change that the relationship witnesses between the history and the novel in the light of the data and visions of postmodernism , the research undertakes the process of narrator Ali Badran with the historical novel , merging within the novel texts , if we could to percept on the interpretation dimensions that he wanted to employ for these documents , as well as shed the light on the techniques that he used to merge the document within the text , the most techniques historigraphic metafication that enable by which repeal the facts after dealing with the event and left it , using parody technique to irony the event and the historical events that the mastery mechanisms , using many documents trying to refer to the narrative text , or subject its signs I order to serve the notation path , his aim was to create a universe able to push the documents , events and historical documents to reveal the unknown in the documents or through them , or in the events that form the framework of the text in general , all that according to novel drafting enable to open imagine more on human universes that history neglect.

الذات والاخر في شعر عبد الوهاب البياتي == Self And The Other In The Poetry Of Abdul Wahab Al - Bayati

اسم المؤلف: رشا عبد الحسن عبد العظيم
اسم المشرف: هيام عبد زيد عطية
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: Not without poem that presents itself scout for itself and visions from the others so desires nilly and keeps hair Iraqi ample room induces cases self - consciousness poetry and see the other, which is a mosaic is intertwined with the details and Taataalq movement filled openness and isolation at the same time, so it received placedself and the other great interest in psychological studies, and literary.... And under consideration to them as part of Aetjze of this integration and integration can not be aware of the individual itself only through knowledge of the other to him as a mirror of the self Therefore , any rupture or separation from the other works to break down the ego and threatened loss and marginalization losing its place among the community. Word when Bayati is part of the same charge the semantics of certain signals and gestures, he wanted Bayati to express his feelings toward the other of which became self - mergers with other one permeate to inside to see his thoughts and behaviors found vary sometimes differ at other times to open up possibilities for different cultural which have an impact onachieve a distinct form of hair.
1 ... 61 62 63 64 65 ... 121