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اساليب الطلب في شعر القرن التاسع عشر في العراق : الشعر المهدوي انموذجا == Request Function In Nineteenth Century Poetry in Iraq Mahdiwi poetry as a sample

Author name: دريد عبد الله يوسف
Supervisor name: فالح حمد احمد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:

تاويل النص القراني عند الجماعات المتطرفة في العصر الحديث == The Interpretation of the Religious text among the modern extremist groups

Author name: حازم عبد اللطيف عبد الرضا
Supervisor name: عبد الواحد زيارة اسكندر المنصوري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:

منهج الشيخ محمد بن الحسن الشيباني الامامي (ت : 642هـ) في كتابه : (نهج البيان عن كشف معاني القران == SHIEKH MOHAMMAD BIN AL - HASSAN AL CHIBANI'S APPROACH IN HIS BOOK "AL BAYAN APPROACH FOR EXPOSING QURANIC MEANINGS

Author name: مرتضى صباح صيوان الحسون
Supervisor name: حامد ناصر عبود الظالمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: فان التدبر بمعاني القران الكريم، والتمعن في جميل مقاصد تعبيره، والوقوف على معرفة مناهج تفسيره من اجل غايات الدارسين، وسنام مطامح الباحثين، وكانت دراسة الحرف القراني حلما يراود الباحث منذ صباه، وشرفا تليدا طالما تمناه، وقد تهيات له فرصة المحاولة لنيل ذلك الشرف، باسناد مهمة البحث في منهج احد مفسري القران الكريم، الا وهو الشيخ الجليل : (محمد بن الحسن الشيباني الامامي)، صاحب (نهج البيان عن كشف معاني القران)، الذي عاش في النصف الثاني من القرن السادس الهجري وردحا من النصف الاول من القرن الذي يليه، وكان قد اهدى تفسيره هذا الى خزانة المستنصر العباسي، وكان كتابه واحدا من الكتب القلائل التي نجت من التلف والحرق الذي نال المستنصرية وخزانتها - انذاك - ابان غزو المغول لبغداد سنة 656ه. الذي كشف للباحث عن وجود هذا التفسير المبارك، وحثه على دراسته، وارهق عزمه على التنقير والتنقيب والبحث في طياته ، ووفر له نسخة منه هو استاذنا المفضال الاستاذ الدكتور حامد ناصر الظالمي، الذي يعود اليه الفضل كل الفضل في اختيار موضوع هذه الدراسة، فوجد الباحث ان هذا السفر الكريم حقيق بان يجهد الطالب فيه نفسه، ويسهر لاجله ليله ، ليكشف ملامح نهجه، وكوامن درره، ويعرف ويعرف بالمنهج الذي اتبعه المصنف في عرضه لاي القران الكريم وتفسيرها، ثم ان هذا الموضوع فيه من الثواب الجزيل والذكر الجميل ما فيه، ولولم يكن للباحث مبتغى في دراسته سوى ثواب النظر الى حروف القران الكريم لكان ذلك غاية المنى، كيف وقد جاء موضوع البحث متلائما مع هدف الباحث ومبتغاه في ان يسجل لاسمه ذكرا في سجل من حاول وسعى لخدمة القران الكريم وعلومه؟! سار الباحث متوكلا على الله تعالى في انجاز مهمته، ومحاولا تقديم رسالته الموسومة بـ(( منهج الشيخ الشيباني الامامي في كتابه نهج البيان عن كشف معاني القران)) كجزء من متطلبات نيل شهادة الماجستير الى مجلس كلية التربية للعلوم الانسانية في جامعة البصرة، وساعيا الى ان تكون هذه المحاولة خطوة جادة لان ياخذ هذا البحث بحبوحة في رفوف المكتبة العربية، ويزعم الباحث ان هذه الدراسة هي الاولى من نوعها التي تطرقت الى البحث في منهج الشيباني في تفسيره - مار الذكر - فلم يسبقه احد في البحث عن حياة المصنف ومنهجه ، ولا ينكر الباحث ان هناك دراسات عديدة تناولت موضوعات مشابهة في استعراض مناهج المفسرين وعلماء معاني القران الكريم، لكنه لم يجد - على حد اطلاعه احدا تعرض الى منهج الامامي سوى الشيخ محمد هادي معرفة، في (التفسير والمفسرون في ثوبه القشيب) ، الذي تطرق الى استعراض سريع للمنهج لا يتجاوز صفحة واحدة زعم فيه انه تابع للتفسير بالماثور، غير ان للباحث رؤية اخرى مفادها ان موضوعه في معاني القران الكريم .( )وقد واجهت الطالب صعوبات وعوائق اثناء بحثه وتفتيشه، كان ابرزها ندرة المصادر ولا سيما تلك التي تتكلم عن حياة المصنف وعصره، فضلا عن كون الموضوع بكرا لم يتطرق احد قبلي وانعدام النصوص التاريخية التي تنص على ولادة المصنف ونشاته ووفاته، ويضاف الى ذلك ان النسخة المطبوعة والوحيدة لم تحقق بشكل جيد ولذلك حاولت الحصول على النسخة المخطوطة حتى تهيا لي ذلك بالعثور على نسخة مودعة في خزانة مجلس الشورى الايرانية ، فكانت ملاذا امنا للبحث في اغلب الاحيان التي يجد الباحث فيها هفوات تحقيقية لا يمكن للنص ان يتسق في ظلها.ومها يكن من امر فقد نهج الباحث في دراسته هذه المنهج الوصفي، وتارة تحول الى المنهج الوصفي التحليلي، وجعل رسالته في مقدمة وتمهيد سلط الضوء فيه على حياة المفسر وعصره، وبيان ملامح شخصيته، وثلاثة فصول مرتبة على النحو الاتي : الفصل الاول : تضمن نظرة عامة في الكتاب وتطرق الى الموراد والمصادر التي اعتمد عليها المصنف في تفسيره، فبدا بذكر الموارد المعتمدة عند الشيباني(قدس سره) وسلط الضوء على موضوع التفسير ونمطه وتوصل الى انه في معاني القران لا تفسيرا بالماثور كما تصوره بعضهم، ثم شرع بسرد المصادر التي اعتمد عليها وكانت نوعين : (الاعلام الذين اخذ عنهم فبدا الباحث بذكر المعصومين عليهم السلام، ثم باقي الاعلام مرتبا ذكرهم على اساس سنوات وفياتهم، ملمحا في الهوامش الى تراجم بعض منهم ممن ذكر بكنيته او لقبه واعرض عن تراجم من اشتهر منهم وعرف القاصي والداني خبرهم وسيرتهم مراعاة للاختصار وتجنبا للاطالة والاكثار، والنوع الثاني (الكتب التي اخذ عنها ) ، وهي قليلة لم تتجاوز عد اصابع يد واحدة، وذيل الباحث هذا الفصل بمبحث ذكر فيه بعض الوقفات مع المحقق الاستاذ حسين دركاهي ، وعمله في تحقيق هذا التفسير، واشار الى بعض من موارد الخلل وزلات القلم في التحقيق ، وما انتاب هذه النسخة المطبوعة اليتيمة من تصحيف وتحريف واخطاء املائية من شانها ان تغيب الوجه الناصع لهذا الموروث التفسيري القيم.الفصل الثاني : تناول فيه الباحث منهج المصنف في عرضه للمباحث اللغوية، وجعله في مباحث اربعة على وفق للمستويات اللغوية الاربعة ، المبحث الاول : تضمن المستوى الصوتي ، ذكر فيه اهم اشارات المصنف الى المسائل الصوتية كالابدال ، وتحقيق الهمزة وتخفيفها وضبط بنية الكلمة وغير ذلك من المباحث الصوتية، والثاني : المستوى الصرفي تطرق فيه الى ابنية المصادر، والاشتقاق والتغيير الصرفي للصيغ الصرفية وختمه بذكر ما يتعلق بتصريف الافعال، والثالث : المستوى التركيبي (النحوي والبلاغي)، فشرع بذكر اهم مسائل النحو الواردة في التفسير على الرغم من قلتها - نتيجة لاختيار المصنف الاقلال من ذكرها - وعرج بعد ذلك على ذكر المسائل البلاغية والاشارات البيانية التي تضمنها التفسير، وختم هذا الفصل بمبحث رابع ، شمل ذلك بعضا من المباحث اللغوية كالاضداد والمشترك اللفظي والفروق اللغوية والمعرب والدخيل.اما الفصل الثالث : فخصصه الباحث لتناول منهج الامامي في علوم القران وكان مقسما الى اربعة مباحث، الاول : في ذكر الناسخ والمنسوخ وبيان معناه عند المصنف وذكر تطبيقاته وامثلته، واما الثاني : فجعله في ذكر القراءات القرانية الواردة في نهج البيان، وبيان دلالاتها المختلفة وتخريج تلك القراءات وعزوها الى القراء الذين قراوا بها ، واما الثالث : فتطرق فيه الى اسباب النزول ومنهجه في استعراض ذلك ، وجعل المبحث الرابع والاخير في ذكر مسائل متفرقة من علوم القران وهي : منهجه في ذكر المكي والمدني والمحكم والمتشابه وموقفه من تحريف القران الكريم واثبات راي المصنف في صيانة القران الكريم من التحريف وسلامته منه.وهذه بضاعتي مزجاة لا ازعم لها الكمال، ولا السلامة من العثرات والعيوب، ولكنني ازعم انها تمثل جهدا ساهرت في سبيل تحصيله الليالي ، وقد حاولت ان اجعل حروفها مضبوطة بالشكل - قدر الامكان - ليسهل على قارئها فهم معانيها، ويروق له رسم مبانيها، وهذا اقصى ما لدي وان كان فيها زلل او خلل فاني لارجو الا يبخل علي الافاضل بالعفو عنه - والعفو عند كرام الناس مقبول - وبالارشاد والتوجيه لسد مكامن الخلل، واصلاح مواطن الزلل ، ومن الله التوفيق والسداد | The present study is concerned with the exposition of Sheikh Mohammad bin Al Hassan Al Shibani in his book "Al Bayan Approach for Exposing Quran meaning. This is considered as one of the rare sources that has survived, among several other sources, the devouring burning made by the Mongol invasion after the collapse of Baghdad in 656 A H. Al Shibani is seen as one of the Imamia scientists lived during the last Abbasid era. His book is a valuable one that comprises meanings included in Quran such as aspects of science and Ahl Al Beit's sayings beside other valuable sayings of others. The researcher has attempted to approach this book from the descriptive lattice, and sometimes following the analytical descriptive view. This work is, thus, composed of an introduction, preliminaries and three chapters. The introduction and the preliminaries are about the political, social, economical and cultural atmospheres during which this figure was living. The first chapter is concerned with the sources that Al Shibani had followed and also a comprehensive outlook for the number of times that his work has been passed and investigated by other scientists. The second chapter is about the linguistic sections this book includes. This chapter is divided into four sections which are phonetic, morphological, syntactic and rhetorical devices. The third chapter is specialized for his approach in explaining and discussing the problems in Quran. This is divided into four sections, namely : abrogater and abrogated, Quranic readings, reasons of verse descending and the last section is devoted to some Quranic problems.The last component of the work is the conclusion that summarizes the basic findings when the researcher inferred that Al Shibani had given the book as a gift to Al Abbasside caliph, Al Mustansar, not to the Fatimid. Also, the topic of discussion in the book of Quran meanings is not an explanation of the aphorism as others believe. Further, this book has embraced several linguistic, Quranic and literary sciences, besides other things. Moreover, the book can be considered as an important source for the explainers. The researcher has closed the work with a concluding remark that this figure has a unique vision in explaining Quran depending on Quran itself and also depending on Ahl Al Beits' sayings and following their views in explaining Quran. The researcher also concludes that this figure sees Quranic abolishing is something factual and this could be done through Al Sunnah Al Nabawiya and Ahl Al Beits' sayings. The researcher also depends on this book though it is not big, it can be seen comprehensive for a lot of religious problems that the researcher had passed in a condensed way.

جعفر الحسيني ومنهجه في دراسة البلاغة العربية == JAFAAR AL - HUSSAINI HIS APPROACH IN STUDYING QURAN RHETORIC

Author name: صباح شهاب راهي
Supervisor name: مرتضى عباس فالح السلمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: فان السيد جعفر باقر الحسيني من الشخصيات العلمية التي عنت بدراسة البلاغة في القران بشكل خاص وفي النصوص الادبية الاخرى بشكل عام، وعلى الرغم من ان المحاولات السابقة في هذا المجال كانت حثيثة الاقتراب من اعتاب بلاغة القران واعجازه، الا ان المجال واسع المدى في استيعاب جميع المحاولات والدراسات، اذ ان القران الكريم في بلاغته، افق لا يدرك مداه، وبحر لا ينقطع مداده، وجميع من درس البلاغة في النصوص الادبية، وجد فيها المتعة والاثارة والجمال والابداع، ولكن البلاغة في القران - فضلا عما ذكر - فيها عامل الاعجاز والسلامة من الخلط والشطط، فالنص القراني - ومما لاشك فيه - من ارفع النصوص الادبية شانا، واجلها شرفا، واكثرها تاثيرا في النفوس؛ لما فيه من السبك والحبك والدقة في التعبير، والبراعة في التصوير. وقد تنوعت الدراسات في القران واعجازه وبلاغته وتلونت في شتى المجالات، ضمن منهجيات متعددة ومتباينة وبما ان بحثنا هذا يتعرض الى دراسة منهج السيد جعفر الحسيني في دراسته بلاغة القران مستنيرا بالنصوص الادبية الاخرى، كان لابد من الاشارة الى بعض الدراسات التي تناولت منهجية بعض العلماء والكتاب في القران، نحو رسالة (الدكتور محمود البستاني ومنهجه في تحليل النص القراني) للباحث هادي خلف رسن، و(الاعجاز البلاغي عند السيوطي في كتابيه الاتقان ومعترك الاقران) للباحثة نادية عبد الرضا علي الموسوي، و( جهود الفراء البلاغية في كتابه معاني القران ) للباحث قيس خلف ابراهيم البياتي، و( الدرس البلاغي في كتاب فتح الباري للعسقلاني ) للباحثة رنا زهير خيري. وكان لاختيار الموضوع يد من الاستاذ الدكتور الفاضل حامد الظالمي - مشكورا - مع الاستاذ المشرف، الاستاذ الدكتور مرتضى عباس فالح حيث اقترح ان يكون موضوع البحث على منهجية جعفر الحسيني في دراسته البلاغة العربية ضمن كتبه الثلاثة : اساليب المعاني في القران، اساليب البيان في القران، اساليب البديع في القران، التي تمت طباعتها في مؤسسة بوستان كتاب في قم - ايران، ضمن عنوان وسم بـ ( جعفر الحسيني ومنهجه في دراسة البلاغة العربية )، وقد بارك كل منهما العنوان، ثم افاض علي استاذي المشرف بخطة البحث ومصادره وبكتب الحسيني الثلاثة انفة الذكر وكل ما يتعلق بالاحاطة الشامله لمقتضيات البحث. وقد اختصت الدراسة بهذه الكتب الثلاثة لانها جسدت علوم البلاغة المعروفة، وتناولتها في ضوء اساليب القران، الامر الذي دعا السيد الحسيني الى اغداق هذه الاساليب بالشواهد القرانية الكثيرة، التي عززت بالشواهد البلاغية الاخرى المتمثلة باحاديث الرسول (صلى الله عليه واله) ، وكلام امير المؤمنين علي بن ابي طالب (عليه السلام) ، واشعار العرب. وقد اعتمدت هذه الدراسة في اغلب نواحيها على امات المصادر البلاغية الاولى التي نتجت عن فيوضات علماء البلاغة الاوائل مثل مفتاح العلوم للسكاكي(626ه)، والمصباح لابن الناظم(686ه)، والتلخيص والايضاح للقزويني(739ه)، والطراز للعلوي(749ه)، وشروح التلخيص. اما من الدارسين المحدثين والمعاصرين، فقد اعتمد البحث مؤلفات بعض المهتمين بالبلاغة العربية وفي مقدمتهم د. احمد مطلوب في مؤلفاته القيمة مثل : اساليب بلاغية، البلاغة والتطبيق، معجم المصطلحات البلاغية وغيرها. وكتاب بغية الايضاح على تلخيص المفتاح للاستاذ عبد المتعال الصعيدي ومؤلفات كل من د. عبد الفتاح لاشين ود. بسيوني عبد الفتاح فيود، ود. عبد العزيز عتيق في علوم البلاغة العربية الثلاثة. وعلى الرغم من بعض الصعوبات التي واجهت البحث، التي منها عدم الحصول الى بعض المصادر التي اعتمدها السيد الحسيني في كتبه الثلاثة، ومنها التاخر في الوصول الى عنوان السيد الحسيني، اذ انه كان مستقرا في ايران طوال فترة كتابة البحث، فلم استطع التواصل معه الا متاخرا، وما كان ذلك الا عن طريق الهاتف النقال وما فيه من برامج للتواصل الاجتماعي. فلم يتسن لي اللقاء به والحديث معه. الا ان الله سبحانه وتعالى لا يخذل من يتوكل عليه وينيب اليه. فقد من علي بسداده وتوفيقه؛ ليبرز هذا العمل ويبصر النور بعد عناء ومشقة. فله الحمد والشكر على عظيم نعمه والائه. فكانت الخطة المنهجية الموضوعة لترتيب سياقات البحث، التي اقترحها علي الاستاذ المشرف - مشكورا - ان يلي هذه المقدمة تمهيد وثلاثة فصول وخاتمة باهم النتائج التي توصل لها البحث. اما التمهيد فقد تناول حياة السيد جعفر الحسيني ونشاته ودراسته البلاغة العربية، ثم اهم مؤلفاته من الكتب والبحوث المطبوعة في موقع كلية الاصول في قم، وتوضيح اجمالي تناول اهم ما في هذه البحوث وماله صلة بالبلاغة العربية. اما الفصول، فقد جاء الفصل الاول موسوما بـ(منهجه في علم المعاني)، وقد قسم الى خمسة مباحث يسبقها تقديم عن تطور علم المعاني عبر تاريخ البلاغة العربية على يد اربابها الاوائل، وما ذكره الحسيني في هذا المورد، ثم تناولت في المبحث الاول مسائل الخبر والانشاء، وفي الثاني مسائل اسلوب القصر، وفي الثالث مسائل الفصل والوصل، وفي الرابع مسائل احوال الجملة، وفي الخامس مسائل المساواة والايجاز والاطناب. اما الفصل الثاني فقد ضم خمسة مباحث ايضا، وقد وسم بـ (منهجه في علم البيان)، وقد تضمن المبحث الاول مسائل الفصاحة والبلاغة، وقبل بداية المبحث الثاني تناولت تطور علم البيان على يد البلاغيين الاوائل بشكل موجز ثم مسائل التشبيه، وفي المبحث الثالث تناولت مسائل الحقيقة والمجاز، وفي الرابع فيما يخص الاستعارة والخامس ما يخص الكناية وعلم الاساليب والدراسات البلاغية. اما الفصل الثالث فقد وسم بـ (منهجه في علم البديع) وتناولت في بدايته تطور علم البديع تاريخيا عند علماء البلاغة الاوائل، ثم قسم على مبحثين، تناول المبحث الاول المحسنات المعنوية والثاني المحسنات اللفظية. وبالحديث عن المنهجية المتبعة في هذه الدراسة فقد اعتمدت عدة مناهج، اهمها المنهج الوصفي، والوصفي التحليلي، فالبحث بصورة عامة يصف منهجية السيد جعفر الحسيني كما جاءت في كتبه الثلاثة، مع التحليل والتوضيح والاستشهاد، ثم المنهج التاريخي الذي يتناول التطور التاريخي لعلوم البلاغة على ايدي البلاغيين عبر التاريخ. ثم المنهج المقارن الذي من خلاله نقارن بين الاراء والافكار من حيث المصطلحات والتقسيم والاستشهاد بين منهجية السيد الحسيني ومنهجية غيره من البلاغيين قدماء ومحدثين. ومن الجدير بالذكر ان البحث قد نهج في ترتيبه للموضوعات، ترتيب السيد جعفر الحسيني في تقسيمه لها مع تغيير تسمية الابواب الى فصول والفصول الى مباحث وهكذا . وفي نهاية المطاف لا ندعي الكمال لهذا الجهد، ولكن ندعي انه محاولة لبيان المنهجية المتبعة لبعض من علماء البلاغة في تناول البلاغة العربية وابرازها للقارئ والمتلقي بشكل ميسر | Quran has rhetorical orientations that are difficult to be comprehended, and it also has deep levels of meaning that are renewed in their interpretations. Those who study literary texts from the rhetorical viewpoints find them interesting and aesthetic, but the matter is different when one comes to investigate the same trend in Quran in that, though having the same features of interest as in literature, there is the inimitability of the Quran in which there is the highest elevated style and these in turn affect those who approach Quran from this lattice. Jafaar Al - Hussaini made a good attempt in his rhetorical approach in Quran. He provided a lot of examples from Quran that support the rhetoric and artistic styles when inspecting the three branches of science : meaning, explanation and Al - badea. He, further, employed other examples from Al - Hadith and Arabic poetry on behalf of those Quranic instances following the approach of Al - Sakaki (626 A H) in his book (The Key of Sciences) and Al - Quzweeni (739 A H) in explaining and summarizing it. This study focuses on explaining Al - Hussain's approach in inspecting Quran rhetoric according to three branches mentioned above. Al - Hussaini added to Al - Maani style the prospect of sentence patterns with two titles including in these several divisions and supporting them with a lot of Quranic instances, besides other non - Quranic instances. Concerning Al - Bayan styles, he implies sections in eloquence rhetoric, simile and metaphor. At the level of Al - Badee style, Al - Sakaki divided this field of knowledge into meaningful and verbal enhances, whereas, Al - Hussaini did not mention these without classification or divisions, even without stating the naming of "enhances", instead, he called these as "arts". He added a lot of arts besides what was stated by Al - Sakaki. H eput these in two separate sections in accordance with what Al - Sakaki and other followers had done. The styles stated by Al - Hussaini are sixty nine. Forty nine are meaningful and twenty ones are verbal. Then the study focuses on the abundance of the divisions of titles and subtitles as produced by Al - Hussaini. Also it pays attention to the exactness of examples provided and the density of Quranic instances concerning every topic. These instances, in some of these topic, are thirty

الانا والاخر في شعر الابيوردي == THE EGO AND THE OTHER IN AL - ABEORDY'S POE

Author name: الاء جهاد فاضل المالكي
Supervisor name: علي عبـد رمضان
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: يعد موضوع ثنائية الانا والاخر موضوعا نقديا معاصرا مهما تناولته الدراسات الحديثة المعاصرة. لما يحمله من جمالية واهمية؛ لذا عمد البحث الى ان يدرس هذا الثنائي ـــ الانا والاخر في شعر الابيوردي ـــ اذ لا يمكن ان ندرس الانا بمعزل عن الاخر والعكس صحيح ؛ لان الاخر يؤدي دورا حاسما ومؤثرا في معرفة هوية الانا كذلك هو دور الانا في معرفة هوية الاخر، فوجود احدهما دون الاخر لا يمكن ان نلحظه داخل النص الادبي، فهما مكملان لبعضهما بعضا.وكان لاستاذي المشرف الفضل في اقتراح الموضوع وعرضه على اللجنة العلمية الموقرة في القسم، وبعد ان نال الموافقة بصلاحيته للدراسة شرعت في جمع مادته وتتبع كل ما يتعلق به بدءا من اقتناء ديوان الشاعر الابيوردي وانتهاء بما امكنني بلوغه من المصادر والمراجع التي تتعلق بهذا الموضوع وترفد فصوله ومباحثه. وعليه فقد اقتضت خطة البحث ان يدرس هذا الموضوع في ثلاثة فصول سبقت بتمهيد والحقت بخاتمة تبرز اهم ما توصلت اليه الدراسة من نتائج ومن ثم المصادر والمراجع. اختص التمهيد بتقديم نبذة في المفهوم اللغوي والاصطلاحي والنفسي والفلسفي لكل من الانا والاخر. اما الفصل الاول : فقد تناول تمثيلات الانا / الذات . وكان ذلك في ثلاثة مباحث، المبحث الاول : الانا الفردية / الذاتية ومظاهر اعلائها، وتناول المبحث الثاني : تجليات الانا الجمعية، في حين درس المبحث الثالث : الذات / الانا الشاكية. اما الفصل الثاني : فقد خصص لدراسة الاخر في شعر الابيوردي، وكان ذلك في ثلاثة مباحث. تناول المبحث الاول : الاخر السياسي، وتناول المبحث الثاني : الاخر الانثوي، وتناول المبحث الثالث : الاخر الاجتماعي. اما الفصل الثالث فجاء دراسة فنية في مبحثين : شمل المبحث الاول منهما اللغة الشعرية ، وتناول المبحث الثاني : الصورة الشعرية . اما مصادر الدراسة ومراجعها فمتعددة كان في مقدمتها ديوان الشاعر الابيوردي بتحقيق الدكتور عمر الاسعد، والعديد من المصادر والمراجع التي تخص الذات / الانا والاخر، فضلاعن الدراسات النقدية والادبية والنفسية التي افدت منها كثيرا. اما المنهج الذي سار عليه البحث فقد اعتمدت فيه على الاسلوب التحليلي الوصفي كمنهج للدراسة. وقد كان دافعي للقيام بهذه الدراسة اعجابي بهذا الموضوع وبما يحمله من جمالية واهمية، ومما دفعني لتطبيق هذا الموضوع ــ الانا والاخرــ على شعر الابيوردي العباسي، لما يمتلكه من حس مرهف وصدق تجربة الذي حمل بين طيات شعره انا متعالية متفاخرة، وبالمقابل حمل كثيرا من الاسى والمعاناة الذاتية بسبب الاضطراب الذي ساد في عصره . ويعود الفضل في ذلك الى استاذي ومشرفي الاستاذ المساعد الدكتور علي عبد رمضان فهو الذي اقترح هذا الموضوع القيم كما اسلفت فمن واجبي الاعتراف بفضله الكبير، فاتوجه بجزيل الشكر والامتنان اليه اذ لم يبخل علي بتوجيهاته ونصائحه القيمة التي كانت لي عونا في اتمام هذا البحث. وفي الختام ارجو من الله ان يجعل اعمالنا خالصة لوجهه الكريم وان يشمل قصورنا بالعفو والغفران ... | The topic of "The Other " and " Self" is considered a critical and contemporary subject handled by modern studies. Since this topic is of high importance, the current work focuses on analyzing Al Abeordy's poetry from this perspective. The other is always compared , from the analytical point of view, with the self for the former plays a considerable role in understanding the latter. The "other" notion is seen as a reflection of the "self" and also regarded as a point of conceptualizing "the self". Thus, both of them can be seen together in a literary work. They complete each other. The work consists of three chapters besides an introduction and a conclusion. The preliminary is concerned with introducing the poet's life and explanation about the linguistic, philosophical and psychological views of the two concepts : "the other" and "self". Chapter one is specified to the representations of these two concepts, comprising three sections, the first one is about the single self (I), the second studies the plural self (we), and the third one is skeptical self. Chapter two investigates the notion of "the other" in Al Abeordy's poems including also three sections. The first is the political other, the second is about feminist other, and the third is the social other. Chapter three is concerned with the study of the other and the associated discourse in his poetry. It consists of two sections, the first one is about poetic language and the second is poetic images

السياق واثره الدلالي في دراسات الاصوليين

Author name: انجيرس طعمة يوسف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Context' is an issue which the Jurisprudents studied andto which they referred in their rules and categorizations.The Jurisprudents' studies are no less important than thestudies done by linguists, exegetists and rhetoricians,different though their purposes are. Jurisprudents holdcontext as indication of meaning of legislative rulings. Soboth external and internal contexts are topics for study byJurisprudents and religious scholars in the analysis of thelegislative rulings of the Holy Quran and Prophet'stradition (Sunnah). External context or 'co - text' indicatesall the circumstances surrounding the text and whichwould influence the meaning of the text, issues tackledby the Jurisprudents and practiced by doctrinists..The internal context comprises the meanings of thesame text or other texts related to it, whether proving ordisproving it, according to certain methods of collection.My study is based on the researches done so far bythe Jurisprudents and is classified into external andinternal contexts. The first is fallen under three types : circumstantial context, context of situation, and actualcontext. These three kinds of context were addressed bythe Jurisprudents who, however, did not categorize themthis way. But it is appropriate to show them to prove thatthe Jurisprudents were the first to pay attention to theexternal context. The same has been done with regard tothe internal context, which is also classified into threetypes : the objective context, the counter - objectiveharmonious context (in assertion and denial), and thecounter - objective disharmonious context. The crucial١٩٣difference between the second and the third kind is that,while the second means the multi texts that deal with thesame topic, with one clarifying the others, the thirdmeans the multi texts that deal with the same topic,differing in assertion or denial, or in some other sense.The Jurisprudents worked out principles to harmonizethese meanings in a scientific way.I have prepared for the study of the context and itsrelation with some semantic and contextualconsiderations. Also, context and its functions arehighlighted to the Jurisprudents and the difference oftheir treatment to that of the linguists and exegetists.

جهود الدكتور محمد احمد الدالي في اللغة والنحو وتحقيق التراث اللغوي == Efforts Of Dr.Mohammed Ahmed Al - Dali In Language, Grammar, And Achieving The Linguistic Heritage

Author name: ضياء جخير كاظم اللامي
Supervisor name: سامي علي جبار المنصوري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The study tackles the life of one of the outstanding figures in modern period and his Efforts of Dr.Mohammed Ahmed Al - Dali in language, grammar, and achieving the linguistic heritage, since he was well known for his verification. He was a great verifier without doubts. Also, he was a linguistic critic of Arabic language. Therefore, he had a lot of achievements in verification reached to fifteen books. Also has a lot of research papers and articles reached to forty - five various magazines in Arabic homeland. The study falls into introduction, three chapters and a conclusion. The introduction surveys Mohammed Ahmed Al - Dali's life and his works. Chapter one "Al - Dali's linguistic efforts" consists of three sections. The first section tackles morphological phenomena, linguistic aspects studied by Al - Dali. The section shows his opinion of syntax of the language. The third section reveals his linguistics criticism and his opinion of vernacular and dictionaries. Chapter two "His study of syntax" is divided into three sections. The first section is devoted to studying his scientific character. The second section discusses Al - Dali's syntactic representation. The third section is about syntactic criticism. Chapter three analyze verification and its criticism. The study ends with a conclusion, which reveals the findings of the study, reveals his scientific character distinguished his effort, in Arabic language and culture. Dr. Al - Dali is known for his interest in linguistics, syntax, and verification due to his position as a professor at Damascus University and a member in Syrian Arabic academy. His contributions were (varied between linguistics, syntax, text verification and criticism. His studies and research were published in academic scientific magazines. He also had a prominent presence in scientific conferences and seminars.

التفكير الدلالي عند ابن هشام الانصاري

Author name: مخلد جبار سلطان
Supervisor name: حسين عودة هاشم
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The Semantic subject can be consider as one of the most important subjects in linguistics. With it, grammar earns value. Ibn Husham is one of the famous linguistics. According to Ibn Husham, semantic was a clear and wide subject and it is one of those subjects that I liked a lot during my preliminary studying period. I consulted the specialist and discussed it with my supervisor who encouraged me so I decided and trusted in God to go ahead with this subject. The research comes with three chapters proceeded by a preface and followed by a conclusion. In preface, I meant with the semantic thinking and I simply pointed to the life of Ibn Husham Al - Ansary and then mentioned something about the Arab heritage. Then I discussed the semantic studies of Ibn Husham that can't be inserted in the chapters that followed the preface. The first chapter was of three studies proceeded by foreword that dealt with his criticism spirit, his style and how widely he was in criticism. I specialized the first study to the explainers' criticism, the second to the grammarians' and the third to the jurists'. The second chapter was about semantic interpretation of Ibn Husham and it was - like the first chapter - of three studies. The first study was meant with the inclusion, the second with the deletion and the third with reverse morphology. The third chapter was about the semantic guidance. In the preface of this chapter, I mentioned something about the meaning of the expression in language and terminology and also mentioned something about the its benefit. In the first study - of the third chapter - I specialized it to the guidance of what has a relation to the expression. The second study to the guidance of what doesn't have a relation to expression in which I discussed the resumption and links. After I have finished the the three chapters, I concluded the research with the conclusion that I have got through my inspection and looking for. Then - after the conclusion - I have written down the sources and the references that I used to complete the research. At the end, I have to say that this research is a humanitarian effort done by the researcher with scientific and material potentials that he has got. If what has come through this research deserves praise so thank for God for that and if not, the researcher did his best. I said what I have already said, if my work was right so it is from God and if its not that is because of me and the devil.

منهج التستري في شرح الالفاظ في كتابه بهج الصباغة في شرح نهج البلاغة == Al - Tustery’S Approach Of Utterances’ Explanation In His Book (Bahj Al - Sebagheh At The Explanation Of Nahj Al - Balagheh

Author name: بتول طالب كاظم الحسين
Supervisor name: مرتضى عباس فالح السلمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This study deals with the approach of Tustery concerning the explanation of utterances in his book (Bahj Al - Sebaghedat the Explanation of Nahj Al - Balagheh).The current study aims at showing and revealing the approach used by the commentator at his explanation and processing of utterances.The study consists of an introduction stating the general frame of the subject matter in details.Then, the first chapter that consists of two sections, the first section includes the author’s life, his name, descent, birth, scientific development, brought up, scholars, immigration, scientific and religious activities, death, and his printed and hand - written works.The second section deals with the book (Bahj Al - Sebagheh at the Explanation of Nahj Al - Balagheh) in terms of the reason of using such title, reason of authorship, divisions and arrangements, way of explanation, as well as citation of texts from Nahj Al - Balagheh. The second chapter consists of two sections, the first section is dedicated to deal with the Tustery’s Approach concerning the display of utterances, methods of utterances ‘explanation, reasoning meanings and arrangements of utterances, as well as references relied upon. The second section deals with the evidences of Tustery Quranic evidences, Prose evidences, and Poetic evidences, respectively.Finally, Chapter 3 consists of two sections. The first of which is entitled “denotational connections” being dedicated for four issues; verbal common joints, oppositeness, synonymy, and the Arabized. The second section is entitled “denotational change of utterances”. It deals with the change and development of utterances’ denotations in terms of three cases; denotation generalization, denotational specification, and denotational transfer. Having passing through all that account, the conclusion comes last. It displays the most important results of the study. The current study ends with the list of references befitting the researcher during the course of study.Researcher

البنية الفنية في الشعر البصــري المعاصــر 2003 - 2012

Author name: اسماء حسين علاوي
Supervisor name: جبار عودة بدن الشحماني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Prise to Allah, the lord of the worids and prayers and peace be upon our prophet Muhammad (Allah bless him ) the Basris poem has seen a drastic change after the political and Cultural marginalization,cultural and Alamranjo Baathist wars Experienced Basri,s write AD if it came before this message tagged(potic scene in Basra in ( 2003 - 2012 before studying in the artistry constructon ) In order to give a general idea of the poetic scen in basra after the year 2003 AD especially after the availability of media freedom and cultural obtained by the literary community after this year, And note the most important aspects of aesthetic values in the values in the poem,and how to keep pace with the renewal movement which won contemporary Arabic poetry lately. The research planrequired to be distributedon the fornt and three chapters a conclusion arrange and include the most important findinges of the research. Followed by a list of sources and references Regularity of the first quarter - which it dealt with poetic langug - in two section aftermy mulch in , the language of poetry As discutioned in the first section Lexicon Basri,s poetry with reference to the most important terms that they are received has adopted a study wordy …..this study wordy as density and spread the noodles aggregtes, despite the fact that the visual poem water poem as it is rich in water and verbally ,…and belongings, so they have enriched the visual lexicon of words nature , and with it , the duration Harbingees of ideological , economic, security, and social , religious and many , so they,influenced the visual lexicon wording of his belongings. The second part, which hasstood at two axes dealtwith in the first axis of linguistic performance methodsand may join this axis And has included this axis performance heritage( religious and literary )and performance languge (daily communication ( spoken words ) And it should be noted that in this topic ( spoken words ), which meant research is not necessarily words, slag words, it may be relevant. Cassical roots, because of the large numberof Shiites and circulated among people………… become words circulating. The methods Alonmhau,ah where some style of order( such as the question and appeal and order) as well as denials that much receipt in the visual poetry and tried to highlight the impact upon the visual poet by citing models lattice supports Manchu him , and the second chapter, entitled to have come (lmage has addressed poetic) in tw section after mulch in the image of poetry, addressed in the first part , the most important means to form the poetic image when visual poet, such as the exchange of perceptions, including the ( diagnosis, and embodiment, and stripping ), and dealt with freelancing senses and their impact on the image of poetry , as well as and the relative contrast, this study has reinforced models of visual poetry to illustrate thess methods. The second topic dealt with sensual image patterns after the presentation of the most important types of poetic image when scholars and critics , boot the subject of overlapping picture and after , addressed the study and analysis of image sensory different Bonamtha( optical image including mobile and fixed , and color , and audio image , and gustatory ,and tactile ,and olfactory )and allocated chapter III of the study( rhythm), In order to be more specific search and influential in this section you have an inventory of poetic texts weighted sample in orderto be applied to research in this area , I have indicated in the first pillar of this research to the most important weight. Thesecond axis has studied the Rhyme The second axis has studied the consolidated Rhyme (statistics),and Rhyme vehicle (diverse) with lattice models citation describes these two types And return the prose poem in the second setion of the recorded presence in the movement of the internal rhythm after that was eliminated in the first section , as the second section devoted to the study of the internal rhythm,with three methods often overlap and intersect with each other ……. Or assist each other with other ways to escalate the internal rhythm movement, as addressed (rhythm sound, repetition, alliteration ) with a range of martyrdom poetic texts on each style and statement analysis and the effectiveness of these techniques to the enrichment of the internal rhythm.

سعيد الغانمي دراسة في جهده النقدي == Saeed Al - Ghaanimy Astudy In His Critical Effort

Author name: كوثر عبد الغني نايف التميمي
Supervisor name: حسين عبود حميد الهلالي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This study (saeed AL - Ghanimy - Astudy in his critical effort) tries to shed light on the product of one of the Iraqi critics,and to be acquamted with his works and opinions in the critical field who is saeed AL - Ghanimy. AL - Ghanimy has been known as a critic,a translator, alingwst a philosopher, and a scholar in Archaeology and different cultures, but his critical works did not gain the deserved fame in critical studies. So, this study, to our knowledge, is the first study specialized in the critical effort of saeed AL - Ghanimy. We have found that his critical outcomes are classified according to three domains : Theoretical and practical criticism of poetical texts,Theoretical and practical criticism of arrative texts,and general criticisms.so, it was necessary to form the plan of the study according to these three domains.so, the study falls into three chapters preceded by an introduction then a preamble and coneluded by the final resnlts. It is clarified in the following The preamble which is classified accoreding to three points : The autobiography of saeed AL - Ghanimy,his culture components, and his works list. Chapter one : Reading poetry in saeed AL - Ghanimy criticism it deals with AL - Ghanimy's reading of the poetical texts in both the theoretical and the practical levels. Conerning the theoretical level, it deals with both modernism and poetry as it was presented by AL - Ghanimy. On the practical level, poetical sample are studied after being analysed by the critic. Chapter two : Reading Narratives in saeed AL - Ghanimy's criticism. This chapter falls into two sections. The first one deals with the critic's theory throughout the imagination and identity topics.The second section deals with studying AL - Ghanimy's implementations in narrative texts. Chapter Three : Theoretical Issues. It consists of two setions. The first one discusses AL - Ghanimy's opinions in Modern Iraqi criticism. The second seetion deals with the critic's opinions in extinct heritage literature and its relationship with the pre - Islamic literature. The study is coneluded with the results the researcher found followed by alist of the resources adopted in this study

فنون البديع في الشعر الاندلسي : بنو الاحمر انموذجا == Arts Of Rhetoric In Andalusian Poetry Banu - Al - Ahmer As A Sample

Author name: اسامة عبد العباس عبد اليمة حمود
Supervisor name: قصي سالم علوان الجلبي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Andalusian Literature represented a shining page in the History of the Arab Literature for its creativity and enrichment of the literature; and the Poetry of Banu - al - Ahmer was only one part of that literature for its real enrichment.As the Age of Banu - al - Ahmer was the last of the Andalusian literary age,I decided to study an artistic angle no researcher has ever tackled ,i.,e., (The Arts of Rhetoric of the Andalusian Poetry - Banu - al - Ahmer as a sample).This does not mean that there were no such studies that proceded this one. There were many studies in the field that tackled the poetry of the Age, which we referred to i9n the Introduction of the research. I decided to make my study to the poetry of this age in following way : a forward and three chapters precede by an introduction, followed by a conclusion and results. The forward is a kind of entry to the study, which came into two subjects : the first is a bird's eye - view about rhetoric and our point of view and the other is a general view about the Poetry of Banu - al - Ahmer.In Chapter One we study (the Musical Arts) represented by : alliteration, studding, reversing the first part of the line with the second, all types of repetition, division, recreation, reverse and replacement and "the necessity of what is not possible".Chapter Two deals with (The Arts of Playing) - these arts are given this name "playing" ,as we mentioned and explained in the Introduction - we gave it a short definition - represented by puns and emphasizing praise to resemble slander, and good reasoning an ignoring the knower.In Chapter Three we studied the (Moral Arts) ,which include : counterpoint, synonymy, peer account, citation, embedding and exaggeration. There is a point I would like to draw attention to ,viz., the inequality in their dealing with the arts of rhetoric and ours in talking about them. The conclusion illustrated the most important resulted the researcher got to followed by the resources we made use of in competing our research. I traced, in my study, the poetry of the Age from the books and poetry books I could get and from the books that studied the poets along with their poetry.Finally, this humble effort is nothing but a fruit of continuous hard work.For what suffices is that I did my best ; so if I made something good ,then thank Allah. But If wronged ,then it is my own weakness

الدلالة الصوتية في دراسة البيان القراني عند المحدثين == The Acoustic Significance Of The Qur'anic Elucidation Books Of : Modernist Study

Author name: دعاء جواد كاظم
Supervisor name: صيوان خضير خلف المياحي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The aim of this study entitled " The acoustic significance of the Qur'anic elucidation books of : modernist study" to show one side of the elucidation study of the Qur'anic study which is the acoustic side and its significance. The study consists of three chapters proceeded by an introduction that showed the reason behind choosing this research and the outline of the study then a preface explained the definition of the Qur'anic elucidation, its roots, and its main scientist. Chapter one explained in details of the acoustic consonance utterance. It contains three sections entitled; consonance suffusion, consonance deletion, and consonance of acoustic simulation. Chapter two studies the structural acoustic consonance and it also consists of three sections; structural repetition, parallelism, and alliteration. the third chapter deals with the significance of ultra structural acoustic consonance and its three section tackled; the syllable, intonation, and the Qur'anic bar.finally the conclusion showed the main results of this research and ended with the references.

دلالة البنية الصرفية في السور القرانية القصار == The Semantics Of The Morphological Structure In The Short Qur 'Anic Suras

Author name: جلال الدين يوسف فيصل العيداني
Supervisor name: فاخر هاشم سعد الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: hanks to 1hc 11/mighty God vvhu enabled me to deaf whit the.sp1rzt f the Quranic atmosphere , which is the language that is ·1 honuo ·ed by God i11 being the language of the Holy Quran. Though the Oi ··anic text is a literary text and every text has its own featuresand a ns. still ir is very peculiar in its sounds. The Qur·anic longua e is a supers me model in its use of different forms and sounds.S , God allo1red me to have a share in this blessed route by means of conducting a semantic - morphological Qur,anic study entitle : The Semantics of the Morphological structure in the short Qur.an c Suras. There are many factors that interact in displayingthe motpho!ogica! semantics of the Qur,anic text , such as : the texical j contextud. functional and social ones ; in addition to the cause b~hind the issuing of the Sura or verse , its atmosphere , its locatio , its type and its sounds. Concerning my reliance on theshort Q 1r, anic 1·erses , this is because of their intensified sen1antic.features, H'hich are considered as acharacteristic of almost all short texts. s for the scale of measurement upon which this study is based. ·t is adigitalone. So that , the Sura whose verses are nomore th n twenty is considered as being short, and that wich ranges between lH'enty and eighty is an average one , and the Sura whose verses a e more than eighty is along one. Th study is organized in to three chapters. The first chapter( Jn the Circunference of the Infinitive' Al - Masdar , and the Derived' l - !vfushtaq) treats tow subjects. The first subject is : the i11finitive • al - ,\fasdar , and its t;pes , al - masdar al - mimi , masdar l - marra , masdar al - hay 'a , and ismul - Masdar. Thesecond sz bject is : the derived• al - mushtoq' which includes : the subject - moun. forms of exaggeration , the object - noun , adjective the comparetive - noun , time and place - noun , and the instrumen - 1101111. This chapter is a semantic - morphologicalstudy oft e short Suras , which shows the possibility of replacing fhrms by heir morphological alternatives. he second chapter (In the Circumference of Duality and plural ty) contains tow subject also. The first subject deals with the morpf ological semantics of duality in short Suras ; the second one hand! s rhe morphological semantics of plurality , 1vhich includesall typ s of plural such as : the regular maswline plural. the regular femini e plural. and all types of irregular plurals , especially noun of the lured and noun of the plural gender.he third chapter (In the Circumference of Verbs) comprises fours bject. The first is : the time semantics of verbs (past, present. and. ulure) in short Suras. The second one is : the semantics of additi n and other mise in verbs. The thierd is : its relation withthe s bject and object. As for the fourth subject. it is about emph sizing those verbs occurring in short Suras. A1oreover , I have arried out astatistical study of each of the above mentioned topics.he study ends with some conclusions that are stated in detail, and t nks to the Almighty good.

مفهوم الشعر في الموروث الادبي القديم == The Concept Of Poetry In The Old Literary Heritage

Author name: بتول نعمة علي الموسوي
Supervisor name: فالح حمد احمد الحمداني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The concept of poetry is considered the centre point around which all issues of the old criticism move. most of literary views and critical theories are connected to this concept. This is why our research is devoted to show the features of Arab poetry in critical and rhetorical heritage. The title of this paper is "The concept of poetry in The Old Literary heritage". We do that to know the essence of this aesthetic structure and creative art by which Arabs doted all over ages. This paper consists of four chapters preceded by an introduction and ended with a conclusionIn the introduction , we explained the function and importance of poetry in heritage to show its position which is above all arts because it has a great importance in Arab social , cultural and life. The first chapter is about "The factors which effect the crystallization of poetry concept". These factors were psychological factors which move poets to say poetry and the comfort which poetry makes. There are also environmental factors (social , natural, political and cultural). We also show religious factors and moral ideals and their effect on poet's verse. The second chapter is about the study of poetry concept and its rhetoric. It also shows development and changes that took place. It also focuses on the poet's concept of poetry since pre - Islam age until the Abbasid age. The third chapter is about critics' concept of poetry through the issues of old criticism such as articulation , meaning , meter , rhyme scheme , and plagiarism. We also explained their critical views and things they agree or disagree with. The fourth chapter is about the study of poetic image because it is means which gives beauty, vitality and motion to poetr. The poetic image has an effect on the receiver. It also has relation with imagination and rhetoric styles through which different patterns of image are generated. The conclusion has the results made by a tour among criticism books.

ايات الاصحاب في القران الكريم - دراسة دلالية == The Verses Of "As - Haab / Companions" In The Holy Quraan : A Semantic Study

Author name: صفاء حميد ضيوف
Supervisor name: مرتضى عباس فالح السلمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The present thesis aims at studying the verses that explicitly use the term "As - haab/ companions" and its derivatives within the specified context and the context of other verses related to it so as to show its semantic value , know its deep details, show the contents of its expressive ways , show the hiddens and psychological impulses in every type of companionship which reveal the true nature of their deeds , actions and behaviours. It also aims at portraying their present and future circumstances. This study depends on describing the linguistic phenomenon in the Quranic usage and analyzing it through pursuing the Quranic verses related to the subject. The nature of the subject has necessitated that the study of its verses be divided into three chapters starting with an introduction and preface and rounded up with the main conclusions followed by a list of the sources and references cited in the study and used by the researcher.The preface deals with the concept of "as - haab" by studying both the linguistic and idiomatic meanings and its expression in the Quranic usage. The first chapter is devoted to studying the companions of the earthly place. The researcher is interested in studying the place to which the term "as - haab" was attributed in accordance with the partnership of the general meaning to which theses places refer. This part was studied in two sections : The first is about the companions of the place enjoying heavenly care.The second is about companions of the place enjoying heavenly punishment. Chapter Two is about the afterlife companions and falls into two sections : The first involves companions of symbolic place.The second is about companions of the other life.Chapter Three is dedicated to studying the other meanings of companionship mentioned by the Holy Quraan; the words attributed or added to "as - haab" or one of its derivatives. The attempt has been to give a complete picture of the verses of "as - haab" in the Quraan to show the semantic features of the various companions and to what they lead in the context they come in and the meaning they came up with in the light of studying meanings of the linguistic styles of the verses. The chapter is in two sections : The first is studying man to man companionshipThe second is about studying other attributed companionships

الادب الاندلسي بين محاولات القمع وهاجس الابداع من عهد الامارة الى نهاية عهد الموحدين (138هـ - 635هـ) == Andalusian Literature Between Suppresaive Attempts And Creativity Premonition From Era Of Emarate Till The End Of Monothesists Era (138 A.H - 635 A.H)

Author name: نوران جمعة ابراهيم الحجاج
Supervisor name: علي مطشر نعيمة الشريفي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The creativity is deed the utmost aim for which the literary inspirits to trough it, facing its consequences and problems to adjunct the group of eminent of his pairs ; poets and authors thus we found that he attempts hardly to eternize his name and to document his creative work with all literary brogue and ability enhancing him to complete his way of brightness in the field of art. Thus, we accredited in this research on finding creativity aspects of this Andalusian and what he exposed to the intrigue and conspiracy of the Prince's high structure scarifying on their interests and objectives,plan of study we applied is consisted of three chapters were preceded by introduction, preface and finally a conclusion. preface arguedthe linguistic and terminology concepts for the terms of repression and obsession of creative and the most important constituents exciting literary to be creative and to realize his aim and then detect the obstacles and problems prevent achieving this purpose which occupied the mind of creative AndalusianLiterary. First chapter argues the forms of repression the Andalusian Literary exposed to in the high structure from the slanderers enemies who dedicated their efforts to monitor literates and making traps to repressive them by poetry removing them from high structure. And also express the attitude of some rulers and princes in Andalusia towards poets and literary and their creativity.Second chapter was to show the attitude of registering authority from the Andalusian Creativity individually such as exposure to the poets themselves or massively representing by repression some literary sorts which the Andalusians their unique insight and talents.Third chapter including the Andalusian Art achievement which is the outcome of their mind and creativity to promote the Andalusian Art proving the Andalusian identity forwarding a message including that Andalusians are eligible to reach the summit and be like their pairs if they get opportunity exciting them to render poems and assisting them to present their activity.At conclusion which is deemed the summary of research, we show most important results we concluded.

افعال الحركة للطبيعة في التعبير القراني == Verbs Of Movement For Natural In Qurans Expression

Author name: عبد الحي عبد النبي زيبك العبادي
Supervisor name: فاخر هاشم سعد الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise be to Allah, Bari creatures wholes, and Mustafa Muhammad, may Allah bless him and his family, and Adam between water and mud, and prayers and peace be upon him and his family a granite blessed, and his companions Almentajabin.After : throughout the ages was a field ground for study and a field plenty of Tnkir in its goals, thanks to its cognitive and aesthetic depth, starting with his own language, which disable all?Koran the book of God immortal, and search of the noblest blessings that can fade researcher and adds to the old his years ago because the word of Allah a statement, and his style flowing senses static move in every place and time, and imagination semantic in the words of the Koran, including an astounding bright minds, with great likeness and beautifully woven and depth of sense, and which of the miracles and the statement allows multiple study which can be added to other Quranic Studies.Among the most prominent reasons that stood behind the choice of subject, because of the reaction of two characteristic distinguish it from is from the words, the two time event, in addition to the importance of the verb in the language, making it the centerpiece of significance, his work in the compositions Whatever his rank, moreover how it connotations sensory and moral , field of study was in the vicinity of the actions of the movement, which radiate out the implications of the central acts and grow in the context of the features of aesthetic and suggestive.Came this study feed into a tributary of the Quranic joists dealing with words, has been classified researcher study into three chapters, the first chapter singled study (the actions of the movement related to living with nature), has been ranked on five sections, according to the living creatures that have been associated with the movement acts, animals and birds, and fish, insects, reptiles, and certainly human does not enter into these categories, as well as the plant.The second chapter under the title (the actions of the movement of nature are silent), has been ranked on five Investigation Also, four of which are classified according to the elements it includes the perceived universe of heaven earth, sun, and the moon, and the fifth section was under other acts title included elements shooting stars and mountains , natural phenomena associated with the elements of Silent nature like a deluge and wind.The third chapter titled (artistic expression of some acts of nature movement in the Koran), this chapter enrolled, according to totals dictated by movement acts related to nature, live and silent and in both, and these acts studied dependent manner artistic taste in the actions of the movement and characteristics expressive in Quranic context links analysis and came five sections, too, and the study followed the conclusion of the most important findings of the researcher, and then followed by a proven sources and references

وسائل الاقناع في كتاب منة المنان في الدفاع عن القران للسيد محمد محمد صادق الصدر == Persuasion Means In Minat Al - Minan Book For Defending Al - Quran

Author name: فرقد جاسم محينة
Supervisor name: فالح حمد احمد الحمداني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Definitely the persuasion is a theory which has been taken deep roots in the western tradition, as Aristotle had written his famous book (Eloquence art) unveiling in it the most distinguished means of persuasion in the persuasion theory such as the eloquent morals (ITOS), and(BATOS), the receiver emotions and (logos) the arguments and evidences. In the Arab tradition, the persuasion theory is appeared clearly and openly, in the rhetoric with Hazim al - Qurtajni as he intermixed between what is poetic (imaginable) and what eloquence (persuadable) according to the varieties in the rates between them, pursuant to the eloquence nature and its purpose. During the twentieth century some western studies has focused light upon this theory. The most important studies of are the book titled (fresh eloquence) which has been written by (Chaim Perelman) with (Olbricht Tetka) as Chaim has given life to the persuasion theory in eloquence in his book, bringing a persuasive function to the rhetoric, plus the aesthetic function.Under the light of what has been mentioned of the summary clarification on the persuasion theory, our study to the book (Minat al - Minan) has been given within the framework of this theory, due to the presenting of the persuasion theory clearly in the book purpose. Therefore, this study has been written in three chapters preceded with introduction and followed by an ending. in the introduction the persuasion concept I have researched the language and the term and the persuasion activity components in its practical dimension and the persuasion rooting in the western and Arab traditions.This study has three chapters; in the first chapter I have researched about the persuasive nature in Minat al - Minan book. In the first research I have studied the initial dimension for the persuasion through its features which have been formed of such as (title suggestive, introduction revelation, withdrawal method). Therefore, its features have been shaped as defined as persuaded means driven for attracting the receiver and push him argumentatively for entering inside the text subject. In the first research, also, I have studied the conversational dimension as defined ad persuasive way, presented the persuasive mode which has been committed by Sayyid al - Sader (God may sanctify his soul) and continued in his book. In the second research I have studied the persuasive method (passages of the persuasion operation) which has been clarified how the persuasion operation may become in the Minat al - Minan book)In the second chapter, I have studied the persuasion communicated means, in the first research I have been researched the continuation in the persuasive eloquence, focusing under its light the speech variety method and the speech conversation and the speech arrangement and the psychology impact in the speech as defined as the most distinguished persuasive means of al - Sader. In the second research I have research the persuasive communication with the receiver. As these levels which are personified with the receiver by the direct model and upon the receiver of the undirected model and the special (assuming) receiver and the (mind) imaginable receiver. In the third chapter, I have studied, the most important language and mind means for the persuasion. I have studied in the research of the language way in argumentatively style and the test effect, and the eloquence in the rhetoric. And I have researched in the mind means of persuasion in the induction conclusion, and the persuasive in the standard conclusion, finally I have ended up the research in the finale, including the most important results which I have researched.In this study the research I have depended on analytic descriptive method done terms as defined as the argument way enlighten in the book (Minat al - Minan) for defending the Quran, then analysing it according to the persuasive dimension in it.

محمود الظاهر : دراسة في فنه القصصي == Mahmood Al - Dhahir : A Study Of His Fiction

Author name: ياسمين كريم عبد الرضا
Supervisor name: جبار عودة بدن الشحماني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This study deals with narration and the elements of narration in Mahmood AL - Dhahir's stories. This work falls into a preliminary, three chapters and a conclusion following the analytical procedure. Chapter one, which is entitled "Narration and the Structure of Events in Al Dhahir's Stories", starts with a theoretical introduction explaining the importance of narration and events in the story and the between them. It consists of two sections. Section one is about narration divided into patterns such as objective, subjective and interrelated. The second one is devoted to ways narration such as description and dialogue. Section three is mainly about the patterns of structuring the events such as sequences, overlapping, cycling, composing, reiteration,, and paralleling. Chapter two is entitled "Characters in Al Dhahir's Stories". It starts with an introduction showing the importance of the characters. It includes two sections. The first one is about introducing the characters (telling and showing). Section two is about character types according to traits. Chapter three is entitled " Narrative Space in Al Dhahir's Fiction". It also starts with an introduction and two sections. Section one shows time and its levels (order, duration, and frequency). Section two is devoted to the explanation of place and its relations with the characters, situations, events falls into types such realistic, imaginary, main vs. secondary. The conclusion comes finally to show the most important results.

المحسنات المعنوية في ادعية الصحيفة السجادية == Embellishments In The Prayers Of Alsahifah Alsajjadiyah

Author name: اسعد جساب مغامس محيي
Supervisor name: مرتضى عباس فالح السلمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Undoubtedly, the texts of Alsahifah Alsajjadiyah belong to the creative texts whose features are very distinguished. They need to be discovered and stand at, researchers have raced to gain the honor of researching their structures and discovering the secrets of their rhetoric. This study (Figures of Speech in the Prayers of Alsahifah Alsajjadiyah) was a trial to gain this great honor. The study is interested in the semantics of the figures of speech in Alsahifah Alsajjadiyah by Imam Ali Bin AlHussein (Peace be upon him). This depended on the activity of the semantics of the figures of speech in the structures of its texts. Good employment of the figures of speech and the Imam's knowledge of the value of the creativity in literary texts enhanced the vitality of the figures of speech. I believe that he tried to uncover the latent expressive power of these arts that help contribute in enhancing the texts, showing their references, and highlighting their artistic features. The study consists of three chapters preceded by an introduction and a prelude and followed by the conclusion, which summed up the topic and the results, and the list of references. The prelude includes a theoretical preface about the concepts, emergence, and function. It deals with the importance of Alsahifah Alsajjadiyah and its rhetoric, a summary about the emergence of rhetoric, its development stages and its function. Chapter one deals with the (Arts of Harmony) in four sections : (antithesis, analogy, congeries), it is followed by an appendix that tackles (arts of fusion). Chapter two is about (arts of delusion). It contains three sections : (pun, feigning ignorance by the learned, resemblance). It is followed by the art of (abstraction, praising in blame like style, good justification). Chapter three deals with the arts of elaboration and summarization. It includes three sections (epanodos, plurality and division). I added an appendix that deals with the art of (Combining and differentiating, Combining with differentiation and division). I looked at each section from two perspectives : the theoretical perspective and the practical one. Then I draw the conclusion which is the gist of the topic and the results of the study.The most important thing that the study reached at is that the arts of embellishments gain an extra importance for studying them in such creative texts, because their being well employed in the texts gave them a vitality that greatly impacted the text, which met the requirements of coherence and continuity and harmony. The study has also hinted that the use of these embellishments in the text of Alsahifah Alsajjadiyah cannot be considered as rhetorical embellishments only that complete the references, but the Imam had employed them to structure his texts as an expressive and vital tool which has a great impact on the two levels of rhetoric and semantics

منهج ابي البقاء العكبري (ت616هـ) في شرح الالفاظ == Abi Albakka' Ala'Kbari'S (Died 616 A.H) Approach For Studying Lexes

Author name: شيماء شاكر غالي محمد
Supervisor name: سليمة جبار غانم
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The study of lexes is the means for every study and every language of the world's languages to reach at the end which is meaning. Lexes, in this study, are our means to reach at the intended end which is standing at this encyclopedic scientist's approach who mastered different fields of knowledge; philology, linguistics, syntax, prosody, arithmetic, and knowledge of sects. He was one of the distinguished Arab linguists in the seventh Hijri century who gained a wide fame. This study aims at investigating his approach for studying lexes which was recognized of its multiplicity of procedures. The study falls into three chapters preceded by an introduction, explaining the motives of this study and other issues, and a prelude that included two sections; the first of which deals with the concept of approach linguistically and idiomatically, the second sections dealt with Abi Albakka' Ala'kbari's biography, his writings, and his impact on the studies of old and contemporary scholars. Chapter one, which is entitled (Lexes : their morphology and meanings). It consists of three sections; section on deals with the morphological structure, here we explained Abi Albakka' Ala'kbari's approach in the study of lexes according to their derivations, meter and rhythm. Section two is devoted to the lexicon meaning. Section three deals with the metaphoric reference.Chapter two is entitled (Semantic development). In this chapter, we explained Abi Albakka' Ala'kbari's references to the development of lexes from different perspectives. It includes two sections; the first of which deals with the concept of semantic development, while the second deals with the aspects of semantic development which go in line with what contemporary linguists believe. Chapter three is entitled (Means of semantic development). We dealt with some of them and neglected some others; either because they were mentioned somewhere else as in the case of (derivation) which was mentioned in first chapter, or because they weren’t considered prominent phenomenon as in the case of Acronymy. Chapter four falls into four sections. The first three of which have dealt with the semantic relations of synonymy, hyponymy and antonymy respectively. Section four was about loan lexes and arabicized ones. The study ends with the results and conclusions then list of references

تجليات البداوة والحضارة في شعر ابن خاتمة الانصاري وموشحاته (700هـ - 770هـ) == Manifestations Of Nomadic Civilization In The Poetry Of Ibn Al - Ansari Conclusion

Author name: نرجس سالم كاظم الصيمري
Supervisor name: علي مطشر نعيمة الشريفي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise be to Allah, prayer and peace envoy mercy to the worlds and The God of the good and virtuousAfterThe reading of the Court of Ibn al - Ansari finale attracted by the nostalgic poet to nomadism sticking out even though he lives a reality culturally vibrant, hence rushed researcher behind the monitor to the reasons for the return of the poet and the extent of nomadism represents civilization in his hairThe study (manifestations of nomadic civilization in poetry bin finale Ansari addressed) to give a clear picture Anhoudor nomadic civilization in the poetry of Ibn al - Ansari finale and the extent of overlap and conflict between themHas teamed message in a preface, three chapters preceded the introduction and caused a conclusion, addressed a researcher at the boot concepts of nomadic civilization in the language and the term as well as shed light on the life of poet son finale and talk about his poetry and writings.The first chapter titled : manifestations of nomadism as manifestations dealt with in the hair son finale in four axes : specialize first axis Baltall Bedouin studied second axis flags Bedouin on the various types and their presence in his hair, and touched the third axis to the statement of beauty standards, which was favored by the Bedouin appeared with son finale, either a fourth axis which has touched a statement nomadism poet that has emerged through the meanings of modesty, chastity and complaining of AlamalIn the second chapter researcher touched upon the statement of the manifestations of civilization in three axes dealt with in the first such manifestations of civilization in spinning, which was as important, and in the second axis manifestations of civilization dealt with in nature, and the third axis has it studied the manifestations of cultural life Ka such as ethics and congratulations and others.The third chapter specialize study overlap and conflict in the hair son finale Ansari stood at the poetic texts which forms overlap between nomadic civilization and sacrificed in the first axis and in a second axis revealed forms of conflict between nomadic civilization in the hair son conclusionThe study adopted a descriptive analytical approach in dealing with the poetic texts by Ibn al - Badawi finale nature and civilization, revealing where the most important technical features without a single out a special chapter.The study found a range of results, highlighted byNomadism has manifested itself in the hair son finale in the presence Tll Badawi in his poetry indicative of longing to the fount and origin of Arabism and Islam, and the presence of flags Bedouin women as names, places and animals constitute Lexicon those flagsThe beauty scale Bedouin witness to the presence of nomadism in the hair son finale represented fuller buttocks black hair and black eyesAnd civilization manifested itself in the hair son Conclusion In describing the manifestations of nature in Andalusia as a description of Riyadh, gardens and birds appeared a glossary of terms that a civilized civilization represented by such (Alglail, and Almqana)Technically civilization was embodied in the poetry of Ibn finale employed in science to arts Budaiya Todava exaggerated Kganas and counterpoint and Budget and otherokan There is considerable overlap in the hair son finale has appeared in poems Kin spinning stanzas and was less present in other sectionsI've reversed the conflict between nomadic civilization in the hair son finale contradictory figures : Personal son finale realism is sedate and FakihPersonal and son in the finale spun sensuous

شعر مصطفى جمال الدين : دراسة ايقاعية == Mustaffa Jamal Aldeen'S Poetry : A Rhythmic Study

Author name: حسين عبد النبي خير الله نجم السوادي
Supervisor name: علي عبد رمضان
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Rhythm is one of the important pillars upon which the poetic text depends, for it justifies part of the emotional impacts which relates - by nature - tightly to the ideas and expresses them phonetically. Rhythm is a basic axis in the poetic aesthetic; it gives it the power to affect vitally. It involves a special artistic and expressive value by means of resemblance, parallelism, contradiction and differences between the different levels of the text.The effectiveness of rhythm is not confined to the two elements of meter and rhyme, but it depends on the musical rhythm of the words. Rhythm is the spirit of music and its beating heart which expresses feelings and it is a realistic translation of the poet's feelings, passions and wishes. This thesis tries to uncover the inner and outer rhythms in the poetry of Mustaffa Jamal Aldeen in terms of phonetic balances and eloquence arts which involves resemblance, parallelism, contradiction and differences. It also uncovers the extent to which the music of his poems was activated to create special rhythmic atmosphere that harmonizes with the topics of the poems. The poet, Mustaffa Jamal Aldeen, has a profound and conscious vision of the reality that he lives in, and the community to which he belongs. He rejects humiliation and submission that the nation reached at. He urges the nation to change this reality by employing all his artistic and poetic tools. He believes in the inspiring role of art in life. While forming his poetic text, he creates a poetic melody springs from the depths of his passion and feelings towards crucial issues. For that reason the poetic word has borne expressive powers and phonetic values that showed the inner feelings and passions of the poet.

الدكتور كامل حسن ا لبصير ودراساته البلاغيـة والقرانيـة == Dr. Kamil Hassan Al Baseer And Has Rhetorical And Critical Studies

Author name: محمد رحيم غريب
Supervisor name: حامد ناصر عبود الظالمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: It is my pleasure that my studying of master's stage deals with one of the Iraqi scientists of Arabic language ,he is the Prof. Dr Kamil Hassan AlBaseer who suggested by Prof. Dr Hamid AlDalimi to the subject of my studying. the reason behind his suggestion is that most of the Iraqi scientists are far away from the eye in spite of their good views in the sciences of Arabic language. Dr. kamil AlBaseer is one of the prominent Iraqi scientists who enriched the circle of rhetorical and critical researches with his great ideas and views. He also has a significant role in the defense of the authenticity of the Arab heritage on the rhetorical and critical level.As well as a lot of opinions who criticize and refute the opinions of the Arab researchers and orientalists that believe the effect of the Arabic rhetoric in foreigner.He adopted in his criticism in a lot of cases on the verses of the holy Quran thoroughbreds text.From hence the tittle is”Dr Kamil Hasan LBaseer and his rhetorical and critical studies. The aim behind this studying is that to appear the importance of his Quranic rhetorical studies. According to nature of this research ,we divided it into three chapters. Every one include many searches.this preceded by an introduction then a conclusion escorted which include the key finding of the research results.This follow by a list of references and sources that the research took its article from.The first chapter contains six sections ,the first include his autobiography and his scientific.the second topic handled his views on the development of Arabic language in the autonomous region (Kurdistan now). The third is on his contribution to the solution of the Kurdish problem with most important statement dialects of their language. The forth topic includes the opinions of the Ray Academy linguistic issues as what AlBaseer believe. the fifth topic is about the issues of technical interdependence between Arabs and Kurds in the cases of brotherhood and peace. The last one deals with the call of commitment in the contemporary felt between the views of Plato and Quranic standards. The second chapter include three sections ,first one is about the authenticity of Arab statement and his criticism to those who denied the authenticity of Arab statement and its influenced with foreigners especially Greek. The second part focuses on the concepts of technical image and its divisions.The third section is on his criticism Dr.Nusrat Abdel Rahman and Dr. Ali AlBatalon the subject of technical image. The third chapter has three sections ,the first is on his studies for the development of the wordy indication in the use of Quranic words according to four methodology and technical foundations : psychological foundation, sensory foundation, environmental foundation, vital foundation. The study of the second topic is to root method of the scientific researches in the light of the verses of holy Quran. The third section include his study of artistic Quranic metaphor in two of social issues.first is the technical Quranic metaphor in the verses of family and the second is the technical Quranic metaphor in the verses of Jews.
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