عرض: 25 50 75 100 النتائج

نتائج البحث: 25 من أصل 200

الزخارف الاجرية في القصر العباسي وامكانية توظيفها في اعمال الطلبة : النحت على الحجر انموذجا == The Stony Ornaments In Al - Abbasi Mansion And The Way of Using It In Student'S Workers Sample : Sculpture On Stone

اسم المؤلف: منذر عبد المنعم محمد الطائي
اسم المشرف: هاني محي الدين محمد النعيمي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The first chapter deals with studying the problem, the aims, the search limits and idioms and the production of the problem as follows : In general, the Islamic Art is special in its ornamental aspect. In this way the ornaments in all its kinds (Engendering, Vegetarian, Script and animal) becomes main part used a lot in most Artistic products in Moslems especially when in began to appear in Islamic building such as mansions, mosques, schools, all worship houses and holy places during the life of the Islamic city.The ornament with all its forms and shapes is one of the human aspects in Islamic Arab Art. Whether, it is important formed in ornamental lines or various ornamental shapes.One of the historical building that has still been in the city of Baghdad is "Al - Abbasi Mansion on the bank of Tigris which expresses the fabulous building in achievements and the high use of the stone ornament that decorated the walls from the outside and inside.To keep attractive value and the whole heritage of this mansion which expresses that technique and the way of pressing on stone by the ancient Iraqi sculpture all over the famous civilization of pesopetiemia that is used nowadays as a basic way of building the new ornament.And through the researcher's study in Sculpture's hall in the department and meeting a number of students and noticing their works, he finds that the students have no intellectual and practical skills about sculpture on stones because they don’t have enough knowledge about the way of direct achievement, they don’t know how to practice this kind of technique before.So the researcher wants to use the ornamental units in the students products in Collage of Art / Sculpture department in order to investigate about the answer of the following question of this study which is : Is it possible to use the ornaments from AL - Abbasi Mansion in sculpture works for Fine Art students / Plastic department/ sculpture part.The importance of answering the question in brief is that : - 1 - It is useful to the specialist sculpture in designing field , Arabic script , ornamental.2 - Supporting the calculums about designing the ornamental forms and the way of achieving them by using hellan stone or, gypsum marble in decorating the walls of buildings.The aim of this research is to be able to know the ornamental units of A L - Abbasi mansion and the ability to use it in the products of students in fine art college / plastic Department / sculpture part through : A - Making a training program to make students of Fine Art / sculpture part to know designing skills and achieving the ornamental units on stones.The researcher puts two supposals as follows : - 1 - There is no difference that has mathematical way on 0.05 between the students medium marks ( experimental group) who have been trained on sculpture on stone and practicing it through the works of third year students sculpture part according to program about their answers for items of intellectual total test before and after.2 - There is no difference that has mathematical way on the level of 0.05 between the students medium marks (experimental group) who have been trained on sculpture on Ahillan stone and practicing it through the work of third year students / Sculpture part according to the program about their answers for the items of practical total before and after and limits the research in : - The ornamental units that has been in AL - Abbasi mansion in Baghdad, the students of third year plastic sculpture part / Fine Art College / University of Mosul 2013/2014.The second chapter includes the visual aspects and the previous studies and the sources that are put in writing to get benefit from and the study of the researcher.To some points to make use of whenever he needs that through his paper some parts are united to be easy to study such as : a brief look on the history of AL - Abbasi mansion ornament , stony ornaments in AL - Abbasi : mansion.A historical summary about the appearance of Islamic Arab ornaments , the philosophy building the ornamental design. In structional design. The third chapter involves the research equivalents and the experimental.It limits the study experimentally and making a training program according to the scientific calculums for the scientific research. In this way the limits the community of the research and the experiment. It deals with community which the experimental about ten(girls and boys students) in the third year /sculpture / department / University of Mosul.The tools of the research include two tests the intellectual and the skillful before and after. The researcher used the scientific steps in finding the honest use of tools.Farther more , the research designs a form to evaluate the skillful performance , lastly , the researcher puts keys for answering , then he gets a help from two scoring who are specialist in the field of sculpture.The fourth chapter includes the most important results , it is obvious that there is a good achievement in the intellectual and skillful comprehension through the success in the studentsknowledgeable and skillful performance after training the students to practice sculpture on stone , they do very well. This shows the activate way in using this suggested program for this study.The researcher concludes that there is weakness in the knowledgeable part of the level of the 3rd year students/Fine Arts - College - University of Mosel.Probably the reason is that the academic calculums lack the students specialty because their training on clay materials only makes them lose the achieving skill of sculpture on stone in all its different kinds such as : stone marble and etc..1 - the lack of using work techniques (Sculpture tools) because of the lack getting the exact skill to Plastic Art students that leads to weakness in the students learning.2 - The lack of training students on sculpture to use different thing such as : stone, gypsum, marble and etc. makes them lose their skillful experiences.3 - Most of the teachers are old artists lack the practical experience for the new methods of teaching and technique of using the machines and the lack of using visual aids in front of the students.The researcher advised through his conclusions the followings : - 1 - Increasing the practical and the special part of both teacher and the students , through the continuous evaluation of the calculums and modernize them continuously.2 - Using this programed in this study to teach sculpture on stone for sculpture part and all other departments.3 - Opening complete modal workshop containing different materials and the useful tools in sculpture on stone, marble gypsum , wood ,etc……The research ends with some suggestions , then the scientific resources that can be used by the researcher

نظرية الحل الابتكاري TRIZ وانعكاساتها في التصميم الصناعي == Theory of Inventive Solution (TRIZ) And Their Repercussions In Industrial Design

اسم المؤلف: محمد علي حسين القيسي
اسم المشرف: قدوري عراك صكر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The importance of the research is the importance of the theory of (TRIZ), which are based on the scientific method resulting from the analysis of the content of more than two million patents, founder of (TRIZ) was Genrich Altshuller, it assumed that the principles of general creative form the basis of the output of creative and that these principles can be identified and transferred to others to make the innovation process more amenable to learn. It recognize as the most important theory of the task, as adopted in more than (50) major international companies, including Company (Boeing for the aircraft industry and Toyota Motor).To summarize the research's problem, there is no publication of TRIZ theory concerning industrial design, the goal of the research is to characterize and employ a matrix of contradictions for the purpose of contradictions matrix Created especially to industrial design. The search Limit to traditional TRIZ theory (1973), which includes a matrix of contradictions, which contain in its composition, the forty principles and the 39 engineering standards as objectives limits, the research contain its theoretical framework of four sections, the first section dealt with the creativity and its theatrical concepts. This has been confirmed that the creativity and innovation cannot be taught or trained or acquisition, as well as the concept of creativity after the first quarter of the last century which showed that creativity could be educated and transformed.The second part of the research explain TRIZ theory and nine of their instruments, The tool matrix contradictions have been allotted for the Study of particular axis as the basis for the study.The third section has dealt with the contradictions and i matrix Included on the study of the concept of contradictions besides reviewed the (39) engineering standards and forty principles, the fourth section studied eight previous TRIZ's studies.The most important findings of the study was achieved the contradictions matrix model of industrial design, which Includes on (20) engineering standards and (40) principle. These principles characterized of the examples used to explain them was new which is taken from the field of industrial design and pro

تاثير الاختزال على زجاج الخزف المؤكسد العالي الحرارة (Stoneware) : دراسة تجريبية مقارنة == The Effect of Reduction On The Oxidized High Temperature Pottery Glaze (Stoneware) : Comparative Experimental Study

اسم المؤلف: زيد لقمان محمد علي الهلالي
اسم المشرف: احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول البحث تاثير الاختزال على الزجاج المؤكسد العالي الحرارة, اذ ان مشكلة البحث, معرفة التاثير على النتائج اللونية ونسيج السطح بالياته المختلفة بالمقارنة مع نتائجه بالحرق في الجو المؤكسد, وقد هدف البحث وضع قاعدة بيانات لتلك النتائج باختلاف الاجواء.تناول | This research dealt with the effect of reduction on the high temperature glaze, as the problem of the research is to know the effect on the color obtained and the effect on the surface texture in comparison with the results obtained in oxidized environment. The goal of the research was to establish a database for those results obtained in different environment.The second chapter dealt with the historical roots for the reduction technique used in the old civilization where different methods and techniques used.The research also studied the types of kilns and the methods used in both reduction and oxidization using fuel burn kilns. The research studied the most effective oxides used in reduction kiln especially Iron and Copper oxides in different ratios as well as different burning program.Three different glazing mixes was prepared, added to each one of them seven different quantities of the following : Three different glass mix been chosen after several experiments, then different percentage of oxide added was determined, red Iron oxide (Fe2O3) in percentages, 0.5, 1, 2, 4, 8, 16, and 32, Copper Carbonate (CuCO3) in percentages of 0.25, 0.5, 1, 2, 4, 8, and 16, the third mix was exactly the same second mix added to it 2 percent of Tin oxide (SnO2).A serious of firing program made in a Gas fired kiln with a firm downdraft controlled for both reduction and oxidation firing. Mean time all experiments done according to specific program through controlling the rate of temperature rise and timing the firing environment, the glass maturity temperature was set to be 1250 C°.Chemical and physical tests applied on the result of above which unveil a wide variation depending on the firing environments and the type of mix, all results shown in a comparison tables.Glaze mix was calculated according to glaze master program which shows the relation between the three oxide mix used (RO, R2O - R2O3 - RO2) accordingly the temperature and the property of glaze surface determined using Seger’s rule and Matrix dimensions system.Results were evaluated according to approved standards and scientific resources, as well as on the theoretical knowledge and previous studies.results were studied to find out the reason behind the color changes and the changes in surface texture in different firing environments.Most important conclusions are : • Reduction achieved good results for the high temperature glaze through increasing the activation of the material.• Celadon and Copper red colors obtained by adding low percent of coloring materials.• The desired copper red color was obtained by adding Stannic oxide (SnO2) which is quadratic ion (Sn+4 ) in oxidized environment to transform it to Stannous oxide (SnO) which is divalent ( Sn+2 ), in turn it will deoxidized during cool down process.• There was more shining and more even surfaces obtained in reduction process due to weakness in its structure for losing its binding Oxygen. The researcher recommended and suggested the following; • Studying the effect of reduction of high temperature glaze on porcelain clay.• Studying the variety results achieved by adding Copper and Iron oxides on high temperature glaze.• Studying the production of crystalline high temperature glaze in reduction environment.

مظاهر العنف في الرسم العراقي المعاصر == Phenomenology of Violence In Contemporary Art

اسم المؤلف: زهراء اياد محمد صادق
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The phenomenology of violence has formed a notable mark in the modern Iraqi plastic art specially in the stage ( 1980_2012) , the political events and the social changes has Contributed to the production of a lot of art works which are depends expression and symbolic at work to Represent the surrounding environment by performances and the mental purport which that products marked by, the research had four chapters, the first chapter contented the Problematic of the research which had the most important question : did the presenting of violence in Iraqi art marked as a phenomenon? And the The importance of research was detection the mental significance of the Iraqi works in the time (1980_2012), and the research goals was discovering the violence in the contemporary Iraqi pains about terms of form , content and performance, and that had to recognition of some of the terminology that the title of this research contains , in chapter two represents the a complete study of the subject of the research which it was divided through three sections the first one had a full definition for the concept violence and it up growth and developed in humanity, and the second section contend representations of violence in paint starting from the cave paintings and in the appearance in the ancient civilizations down the contemporary art, third section had the representations of violence in Iraqi art through Recognition the general scene of the realty of Iraqi plastic art as a historical preamble to study the art experience that belong to the research subject, and recognition of ingredient that effects in drafting art works that belongs to paint and the changes that happened on it include the research lines, the theoretical chapter marked signal points : 1 - the phenomenology of violence ranged and developed with the humanity development till these days.2 - Violence is a social phenomenon and in the same tine it’s a culture land mark Spreads with a several ways media and modern technology, and violence appears as a result of ingredients cant be limited by one or tow ingredients, and through the Interaction between these ingredients, the violence actions motivated by dissimilar force from society to other and from person to other.3 - the phenomenology of violence linked with collectivism and individual memory so it Is expressed by image, marks and symbols which has icon power Not otherwise historical or critical on it as well as link blood with violence or viewer of broken and destroying with violence.4 - the Scientists and the Philosophers had differed about expressing the violence some of them think that the actually Components is a contrast Conflict and the conflict between the peace and violence are the natural, social, Psychological incentive, and the other think the deep reason of violence is inherent in the psychological Structure.The third chapter (research procedures) limited the research community and counted distributor on the period of time that represents the limits of research and summarized by drawing the sample was selected in meant which includes (12) samples analyzed in accordance with the descriptive analytical approach.researcher reviewed in Chapter Four findings are : 1 - personify the scenes which had deepness and mental content that carried in side look down on the violence behaviors and the penetration which are done by the extremes and that was showed in the sample (8) in the Mosque.2 - sadness, pain and fear were Overshadowed on Person's Features which was notable in the subjects that the samples (12),(8)and(2) review.3 - artest used Loans forms represents phenomenology of violence by performance methods that appears the artist's skill in direct and treatment of subjects and that was broadcasted through marks , Significance and holes that the bullets left and the turns, blood remnant that violence act caused it and that was clear in samples (12),(11) and(7)4 - Artists referred the forms elements in to violence phenomenology which was notable by crafts performance that changes in to an Article aesthetic , so the violence was one of the aesthetic materials and that was showed in the samples (6),(1) and(5).Results have been identified, including the following : 1 - the inspiration of violence has developed as a authority phenomenon for Iraqi paint with development of this phenomenon.2 - the violence has a clear share in the Iraqi contemporary paint which formed as a result of excretions living realty which was full with many difficulties , cresses , wars terrorism and blockade through its different periods.3 - Iraqi paint benefit from modern technical treatment to produce visual product and present fine art phenomenon the artist employed to support his paint surface.4 - iraqi contemporary paints hard and difficult throe made it have its own tragedy mark which represent violence as a special sign in the national plastic art.Later the identified and proposals been recommendations.

المعالجات الاخراجية للمتغير الاجتماعي في الدراما التلفزيونية العراقية ما بعد عام 2003 == Treatment Directorial of Social Variable In The Iraqi TV Drama After 2003

اسم المؤلف: رعد نعمة عزيز
اسم المشرف: متي عبو بولص
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد استحوذت الدراما التلفزيونية على ذهن المتلقي بصورة كبيرة لما لها من تاثير على افراد المجتمع وكونها تمثل جزءا من واقع المجتمع وبالاخص الدراما التلفزيونية الاجتماعية التي تعرض بعض القضايا الاجتماعية والافكار والاتجاهات التي يتميز بها كل مجتمع.وهنا ي | We have acquired a TV drama on the mind of the receiver dramatically because of the impact of Li members of the community and because it is part of the reality of society and especially social TV drama that displays some of the social issues, ideas and trends that characterize each community. And here comes the role of the Iraqi television drama in the process of changing society through the values and the topics raised in this drama, and change here includes several aspects, it is not social change but a cultural change, intellectual, and economic and political. Que To The importance of the subject of the changing social TV drama Iraq after 2003 comes this research work scientific modest seeks researcher from which to processors directorial which is based upon the drama television through treatment literary text (scenario) and the development of solutions directorial the scenes video in order to configure a new reality. And has divided researcher of this research into four chapters have contained the first chapter methodological framework on the research problem formulated in the form of the question follows : What are the treatments directorial the variable social TV drama Iraq beyond 2003 and importance and goals aimed at detecting the changing social and make way in the style of put and processed Akharajia in Iraqi TV drama, and the limits of the search, which included the period of 2003 - 2012 to the Iraqi drama and determine the terms, and has the second chapter contains a theoretical framework and included three major Detectives are : 1 - notion of directorial processors.2 - social variables of the Iraqi society after 2003.3 - Iraqi TV drama after 2003.Researcher and I came out of the theoretical framework of indicators that have adopted it as a tool for the analysis of the sample, either studies Bah has not been mentioned three studies approached next to or part of our current and other aspects were divided.Chapter III research and action may be contained on the research methodology chosen researcher Qaida for suitability nature of the research is descriptive method, which involves the analysis, and ratified the tool.The fourth chapter analysis of selected samples - the results and the conclusions of the researcher to several findings and conclusions, including : 1 - was able to Iraqi TV drama after the social variable that reflect the new values (kidnapping, murder, bribery, corruption and displacement).2 - The TV drama after the variable Iraqi social addressed to recipients and calls in their orientation to be a carrier of the correct values, positive and aimed at education, education, cooperation and social solidarity.The conclusions1 - requires the drama director and writer extraordinary efforts in the selection of the changing social issues and his handling of the television drama through investigation and research, and examination of the topics covered in order to highlight the social variables.2 - Construction work requires the use of television drama moot all the elements and sound that make up the technical construction of the work of television drama.This chapter also included also recommendations, which deemed necessary by the researcher and researcher concluded the list of sources and references, and some supplements and 987, as well as abstract in English.

الاصول الرمزية في رسوم پول كوكان == Symbolic Orgins In Art Works of Paul Gauguin

اسم المؤلف: حيدر صاحب جبار
اسم المشرف: كاظم نوير كاظم الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول البحث : (الاصول الرمزية في رسوم پول كوكان) اربعة فصول، عرض في الفصل الاول الاطار المنهجي، من حيث مشكلة البحث التي حددت بالسؤال الاتي : (ما الاصول الرمزية في رسوم پول كوكان ؟)، مع بيان هدف البحث الذي كان (كشف الاصول الرمزية في رسوم پول كوكان) واهمي | This research : (Avatar Symbolic in Art work’s of Paul Gauguin) Vahtoy Find the four seasons meant the first chapter the methodological framework for the search evolved to includeboth research problem identified by asking the following : ( what assets Symbolic in Art work’s of Paul Gauguin ?) , As well as chapter contains the goal of research who was detected assets Disclosure of assets symbolic in Art work’s of Paul Gauguin) ) This research as well as chapter containsAnd identifies current research study ( Avatar Symbolic in Art work’s of Paul Gauguin) oily implemented in the years from 1881 to (1903 ), produced in France , and the islands of Tahiti.The second quarter included four topics in turn divided into several axes. Guarantees thefirst section (the icon in the human thought ) while taking second topic ( symbolism in thearts ) The third topic was interested in studying ( assets symbolism in modern painting ) withincludedSection four ( the life of Paul Gauguin ) The fifth topic handled (attributes of cash ,and the aesthetic in fees Gauguin ) , has concluded the second quarter review of thetheoretical framework of indicators to take advantage of them in the construction of the search tool and analyze appointed.The chapter contains a third search procedures , which included the research community and which consisted of ( 180 ), a work of art ( for (Paul Gauguin ) oil on Alcanvas , and sample amount (20 ), a work of art then search tool that has been built on the light of the indicators of the theoretical framework , where included tool axes assets Avatar which assets : (Mesopotamian , Pharaonic , Greek, Chinese , Japanese, Tahitian , religious , Jewish , classical , romantic ) , has been placed on the horizontal axis in the form of analysis , and then placed shapes Avatar Other, and configuration items , and after that offered the tool on a number of experts and specialists in the field of art education , and fine arts , to express their views in their validity , it has been modified form is deleted , and added some paragraphs of them and having gained the tool honesty ; became ready for application , the researcher : (conducted a stability of the tool through) (agreement between analysts external) Pthalilhma individually the content itself , on the basis of his followers the same steps , and analysis rules , and ( the agreement over time ) : Ptousel researcher to the same results after the decomposition of thesame content again after a certain period of time , and to follow the same rules and procedures in doing and the analysis.After the application of statistical methods by which included both (equation Cooper) to calculate the sincerity of the tool, and the percentage of agreement among the experts (83%) to acquire sincerity content after it gained honesty virtual, and equation (Scott) to calculate the stability of the tool, since the rate of stability in which the proportion(82.5%).The fourth chapter, has included the search results, and conclusions, and contained the search results, and conclusions as well as recommendations and suggestions, the researcher has reached to remember the basic results, including : 1. Formed religious symbols and their meanings obsession deep into the artist orientations of Sufism , and the Catholic associated with church , likening constant in Jesus Christ as , and pain and suffering , which made the orientations religious ecclesiastical , Christianity , Buddhism , and other religions constitute reference inherent in his paintings.2. Use ( Paul Gauguin ) Jewish symbols , and so out of Jewish influence on Europe in general and France in all special.3. Borrowed artist ( Paul Gauguin ) Some symbols mechanisms narrative Novelist , and the stories the old classic with inherited European necessitating thus symbols through flashbacks classic based on the laws stringent technical , but he borrowed , and added them a lot of symbolic nature , and expressive in order to give her a symbolic dimension somewhat different what brought him classical movement.The main findings were : 1. That influenced the artist ( Paul Gauguin ) arts ancient and primitive as it is found in European civilization which the grapes source of threat , and the destruction of self and fled , including searching for primitive life in places not reached European civilization , and to escape from the community who felt secession , and alienation with him because the community did not appreciate his talent.2. Arad, artist ( Paul Gauguin ) in his drawings Liberation Art of limitations generally accepted that left schools that preceded it , and the schools that the grapes try to find new ways , and symbols alternative inspired by the ancient civilizations of the flows into their art , and to convey movement Avatar horizons another that would make him , and his art immortality.As well as research has included : proven sources , and supplements , and a summary of research in English.

خصائص السينوغرافيا في عروض المسرح الاحتفالي العربي == Characterastics In Cenographic Peresentation of Festival Arabian Theater

اسم المؤلف: باسم محمد احمد حسن الجبوري
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بعد انقطاع وغفلة يعود من جديد البحث في ما هيات المسرح الاحتفالي العربي وعناصره السينوغرافية التي يتشكل منها، بوصفها فنا يعكس انماطا شديدة الخصوصية، وعلى تماس مباشر باحاسيس ومشاعر المتفرجين، مع محاولات اللحاق بركب العصر الحديث والاستفادة القصوى من كل ما | After the interruption and inattention back from New research into what Hiatt theater festive and elements Alcinograveh that make up as an art reflects the patterns very special , and in direct contact feelings and the feelings of the spectators , with attempts to catch up with modern times and make the most of everything that will lift the format presentation for display theatrical techniques and technology , ranging from architectural buildings play to their equipment , technical and professional to the possibilities available in the project sound and follow the movement of Representative above the stage and keep up with the spirit of the times to create a scene of theatrical and methods of implementation and formulation of places of different widths and advanced capabilities of the types of theatrical lighting and the use of historical costumes and contemporary and develop plans integrated to form a celebratory spectacle in the form of the final presentation.In this study addresses the researcher in the first quarter represented the methodological framework of the research problem and the need for him by asking about the properties of Alcinogravea in theater ceremonial and its ability to influence the final wording of the composition of the image visual display and audio , as well as the importance of research in the theme of scenography and its relationship with the theater festive addition to research objectives and limits of temporal and spatial and objectivity, in an attempt to extrapolate the reality of the Arab theater and the vital festive spirit of the times in providing theatrical performances and then determine the terms contained in the title as well as operational definitions for the researcher.In the second chapter of this study , a theoretical framework which is divided into three sections , the first section for the celebration in the Arab and global concept and who are advocates of ceremonial and who are the pioneers and founders. The second section focuses on the tributaries and the main pillars of the festive scene. The third section included Achtgalat Alcinogravea elements in the festive display.And Of space theater and its many forms and theorist playwright ( decoration) and the aesthetics of lighting, costumes , makeup and accessories play various music and sound effects and actor , as active agents in the composition and formation of the system visual and auditory display of theatrical festive , and then dealt with previous studies and the resulting theoretical framework of indicators to contribute to the formulation search results.The third chapter objective measures search by selecting the research community and the samples and the method selected in addition to the research methodology , tools and methods and then analyzing samples for five presentations of the Arab theater festive chosen by Qsidia to get to the search results and discussed in the fourth quarter to reach final conclusions of the research and recommendations and proposals Hutea this study, sources and references that have been approved in addition to the research summary in English.The researcher reached several conclusions , including : 1 - data Alcinogravea and employment within the space of the play one of the methods adopted to create a pluralistic vision directorial heritage dramatic text to read more from Arab filmmaker 2 - rely festive theatrical presentation on the potential of the image of plastic and visual effects and audio generated by Alcinogravea in an attempt to give the ceremonial spectacle , and in a harmonious unit within the theater space 3 - reinforced Alcinogravea attract spectator to the theater after the festive mobilized all available means and that was difficult to achieve in the past aesthetically in theater 4 - become the dominant elements Alcinogravea authority in theater ceremonial speech to achieve intellectual and emotional values desired by the theater in various experiments to highlight the diverse aesthetics at all levels dramas

توظيف الاشكال الفنية الشعبية للتمائم والاحجبة في الفن التشكيلي العراقي المعاصر == Employment of Public Artistic Forms For Amulets And Puzzles In The Iraqi Contemporary Plastic Art

اسم المؤلف: نادية عباس عبد الله نجم الخفاجي
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The current research (EMPLOYMENT of PUBLIC ARTISTIC FORMS FOR AMULETS AND PUZZLES IN THE IRAQI CONTEMPORARY PLASTIC ART) aimed to knowing the methods of how to employ the popular artistic shapes of amulets and puzzles in the contemporary Iraqi plastic art , the research includes four chapters, first chapter dealt with showing the problem of the research represented by the question : Do amulets and puzzles pose a cognitive, cultural and religious space in the consensus memory for communities and Iraqi community specifically is one of them andto what extent do the popular artistic shapes represent an aesthetic phenomena has its presence and effect as it needed to be employed in the contemporary plastic arts?In addition to that included also importance and need of the research, the goal of the research was represented by knowing the methods of employing popular artistic shapes for amulets and puzzles in the Iraqi contemporary plastic art. The limits of the research were about studying the works of Iraqi plastic art such as painting , sculpture andceramic in the period ( 1952 - 2010) , then the researcher defined the most important term came into this research.Second chapter concerned about theoretical frame and previous studies, theoretical frame included two sections, the first one is about : investigating historical, cognitive and aesthetic dimensions of amulets and puzzles , while the second section was about : Quotes of employing the folk heritage in the Iraqi contemporary plastic art, then ended the theoretical frame with a punch of indications by showing previous studies and discuss them.Third chapter pertains with procedures of the research included the following : Population of the research included (82) plastic art works (painting, sculpture and ceramics) within the limits of the research, it is been choosing (18) patterns and analyzing them in the shed of imitation of tool pivots.Research's tool : Through the theoretical frame and its indications, the researcher created a content analyzing form to analyze the artistic works through sample of the current research, in the shed of stipulations of pivots of research tool, this form was showed to some experts, the she modified the form after entitling the external truth according to Coper equation, then she created the consistency of the tool using Scott equation.Fourth chapter : included the results, conclusions, recommendations and suggestions, the researcher had come up with some results, most important ones are : - 1 - The public artistic aspects for amulets and puzzle featured with general characteristics of the public heritage like spontaneity, flattening, abstraction, reduction simplicity and differentiation that makes them more closer to modernity and contemporary arts, push the contemporary plastic art Iraqi artist to employ them in his artistic deeds with the features and characteristics and facilitate the employment tools like what we see in the most of the samples of the research's population.2 - The public artistic aspects for amulets and puzzle take constructional employing tools of a formative direction via volunteering in the contemporary Iraqi plastic works in the arts of painting, sculpture, ceramic through its adjacent , abstraction , logic of achieving artistic and organic in the artistic deed and its matching with treatment and techniques that featured with contemporary in the deed like what appears clear in most of techniques of employing these aspects in samples of the research population.3 - The employment's techniques of the artistic public aspects of amulets and puzzle matched with the artistic contemporary Iraqi deed as it described vital expression about the Iraqi environment within color and line units and animal geometric aspects as describing these aspect as products produced from the Iraqi environment itself with its all modifications and variety.. and showed up in most of the samples of research.4 - The employment's techniques of the artistic public aspects of amulets and puzzle are characterized with its designative compositions , unity and adherence of its artistic construction from the shape side, its abstract conductivity and elaboration ability that is able to express.Then the researcher submitted some conclusions as the following : 1 - The public artistic forms of amulets and puzzle are considered as designative constructions able to modify m formation, analyzing, construction, creation, reduction and interaction with other modern conceptive frames and employ them in the contemporary plastic deed.2 - The arts of cultural and public ancient Iraqi heritage (included arts of amulets and puzzle) , their shapes, units and symbols have featured with rude non - reality depictive and then its enrichment that require from the viewer to have the skills of interpretation and explanation.3 - The plastic contemporary attempts that inspire symbols, aspects of cultural and public heritage included amulets and puzzle may lead to let the public identity to international project.4 - What inspires the artistic public for amulets and puzzle that they are considered as results collect between what is subjective and objective, the first one appears clearly through tweaks, treatments and attempts of the artist to show the objective of additive public references for amulets and puzzle.The research was finalized with a list for sources, references, appendixes and an English abstract.

الخصائص اللحنية والايقاعية للاغنية الشعبية في مسرح الطفل == The Melodic And Rhythmic Characteristics of The Follk Song In The Childrens Theater

اسم المؤلف: محمد كاظم محمد
اسم المشرف: ناصر هاشم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: I've been using music and other images humanitarian or literary forms of the rumor respect and reverence and enhance human existence sensations representative and spirituality. That music is an icon of existential its importance in the entire universe of music that was used in many aspects of life , including work or worship or to deliver live images expressive. Therefore, the music used in the whole theater , including children's theater to reach the scenes of the whole picture With this in mind the researcher took it upon himself to description and analysis of popular songs in the Children's Theatre has come from search Mtkona five seasons with a list of sources and supplements 0 The first chapter discusses the methodological framework of the research , presented the research problem , which shed light on the folk songs in the Children's Theatre , which is associated with the contents and her music lives of the community in the city of Basra, and they were inspired by the heritage of song and music in Basra , and therefore there is a need to conduct a study on the characteristics of melodic and rhythmic songs People at the scene of the child in Basra 0 Then Pena important research topic , the aim of the research exposesproperties melodic and rhythmic construction of the songs in the popular children's theater in Basra 0 The second chapter guarantees the theoretical framework and previous studies , and be one of the three sections , came in First research study characteristics melodic folk song , and in the second part, we dealt with characteristics of rhythmic folk song , while the third section has included the study of the functioning of the song popular in children's theater and how it was utilized and what song popular and composition , but on previous studies did not find any scientific study and academic folk songs dealt with in the Children's Theatre , which is the focus of our search. The chapter contains the third research procedures , as we have identified the research community and then selected a sample search where taking Researcher All specimens were analyzed , and then we talked about research tools , explaining the standard analytical 've prepared in order to achieve the goal of the search, depending on what the Word of standards in research and theses the former , then we dealt with the research methodology and research requirements and criterion validity and reliability. The fourth chapter has included analysis of music for all the samplesthat belong to the popular song, and only subject to analysis musician 0 In the fifth chapter we went out the results of a group of investigators that the goal of the research, and then we came to the conclusions , and then we put some of the recommendations and proposals , and was followed by a list of sources and supplements and summary Search in English.

الاستيفاء الوظيفي في بنية الفضاءات الداخلية للمراكز الصحية == The Functional Interpolation In The Structure of The Internal Spaces of The Health Centers

اسم المؤلف: وسام صالح حمد الموسوي
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: For as long as the job is the purpose of the foundation design and due to the nature of the functional characteristic of the structure of the internal spaces of the health centers, has been put forward the following question : How can the structure of the internal spaces of the health centers that meet the functional nature? , And that was the question, but out of weakness career structure which witnessed those spaces, and through that constitute the objective of the research study the problem under the title (interpolation career in the structure of the internal spaces of the health centers).Hence research aims to develop a knowledge based cares to reveal the variables that affect the functional components of the structure of the internal spaces of the health centers, which is where we hope to achieve the following goals : 1. detect functional nature of the internal spaces of the health centers and the development of design considerations to meet the career structure.2. to develop a proposal for a design interior spaces to health centers where interpolation is embodied in the career structure.The importance of research by approaching the subject is interested in preserving the structure of the interior spaces to meet the functional aspects.The theoretical framework to ensure the two sections, the first dealing with it the concept of function and kinds and considerations and variables in the internal spaces, in addition to addressing the concept of functional interpolation and classifications.The second section has been dealt with the elements of the interior spaces to health centers, and the characteristics of its structure, in addition to a comprehensive study of the functional systems affecting the internal spaces are met.As has resulted thereafter theoretical framework for a set of indicators which have been used to build a form for analysis comprised two main pillars : 1. characteristics of the internal space and functional systems.1. 2.functional relationships in the structure of the internal spaces.In doing so it has adopted a descriptive approach in the process of analyzing the three models were chosen is my intention from the research community.It resulted in the analysis process on a number of conclusions, including : 1. represents a form of interior spaces, one of the main factors and actors in the formation of an internal structure to meet the functional aspect to be responsive to the activities and requirements of different users.2. thought the design objective in the design of interior spaces actually translates design meets function through the formation of a structure according to user requirements and technical and technological evolution.3. structure formed interior spaces of the elements of design are the design and production fulfills its function within the pattern of relations in the structural functional unit of interconnected parts to achieve the design goal.

تداخل الواقع والخيال في تشكيل الرؤية الدرامية للنص المسرحي العراقي المعاصر == Overlapping of Reality And Fantasy In The Formation of The Dramatic Vision of The Text of The Iraqi Modern Theater

اسم المؤلف: كفاح حسن محمد الشمري
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد النصوص المسرحية الصور المعرفية والفكرية والفلسفية في المجتمع الانساني وخاصة وان كتابها شملوا ما هو ذاتي وموضوعي في حياة الانسان وتجاربه المتوالدة. فلرايب ان نجد تداخل الواقع والخيال في تشكيل رؤية دراميه جديده للنص المسرحي الصورة الكاملة للتعدد والت | Theatrical texts are images of cognitive, intellectual and philosophical in human society and especially since her book comprised the self and what is the objective in human life and experiences proliferating. There is no doubt that we find the reality and fiction overlapping of in shaping the vision of a dramatic new text theatrical complete picture of the multiplicity and uniqueness it reveals the desire of our writers in innovation and experimentation, through the search for methods and modern techniques in playwriting So About Me research studying the play in terms of Overlapping of reality and fantasy, with texts the research includes four chapters on the first chapter discusses the research methodology, starting from the research problem identified in the following questions : - What reality and fantasy? And their importance in the Iraqi theater text? Does imagination play an important role in the drafting of the Iraqi modern theatrical text? The importance of research in art as a means to achieve the objective goals and other aesthetic and psychological vary depending on the objectives of the literary trends in artistic expression. And clear objectives of the research to identify the way graphical mature way of upgrading the reader's mind as well (detection aesthetic features of the equation of reality and fantasy interact and ranges employed in the formation of seeing playwright in the contemporary theatrical text Iraqi chapter included on the borders of research identified chronologically texts theater consisting of a period of 1990 - 2013) and spatially in the play texts composed and stomach in Iraq came the search terms used by the researcher identified in the theoretical framework and analysis of samples terminology. The second chapter, it is the theoretical framework and previous studies, which included a Ila?h Investigation, : About Me first identifying the concept of philosophical and psychological reality and fantasy, where branching into two parts, the first concept of reality and the second concept of the imagination, and the second section under the modes of reality and fiction Overlapping of in the theatrical text and section title third aesthetics of reality and fantasy in a theatrical text Overlapping of, and cared chapter created by including the theoretical framework of indicators. The third chapter : - it has the procedural framework, which included the research community, as it included the plays that bear overlapping of fact and fiction.In the theatrical text and identified (100) theatrical text within the temporal and spatial.Chapter also included a sample consisting of three texts play a play (time) to Yusuf al - Ani, and play Sidra to Khaz'al Majidi and memory cage to Ali Terminal selected deliberate manner consistent with the research community and the reasons Sogtha researcher to achieve the objectives of the research were research what emerged from the indicators in the theoretical framework tool and then the samples for specific data analysis, as was the research methodology (analytical).The Chapter Four was a presentation of the most important findings of the researcher through the disclosure of intellectual, philosophical, and technical infrastructure to Overlapping of reality and fiction in modern theatrical text Iraq, as conclusions emerged based on what emerged from the results have been concluded with a list of sources and references, which contributed to the incorporation theoretical research and subsequent analysis of the samples research.

تقنيات اداء الممثل المسرحي في عروض الفضاء المفتوح

اسم المؤلف: اكرم عبد الكريم عبد المجيد سلمان
اسم المشرف: راسل كاظم عودة
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان الفضاء المفتوح واعتماده على تقنيات الممثل الجسدية والصوتية شكلت علامة فارقة واساسية في نشاة وتطور المسرح منذ نشاته الاولى.ومن اجل توظيف تلك التقنيات لدى الممثل بصورة تمكن المتلقي (غاية العرض) من انشاء علاقة حميمية مع الممثل خرج معظم المشتغلين في الفنو

التمثلات الفلسفية للحداثة في خطاب السينماتوغراف == Representations Philosophy of Modernity In The Structure of Assets Cinematograph Speech

اسم المؤلف: ماجد عبود الربيعي
اسم المشرف: محمود اكباشي خلف الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Form engaging in philosophical modernist structure speech Alcinmaturav phenomenon articulated it and the latest irregularities unprecedented make it produces or generates a logic of its own and in order to examine this Alachtgalat This study tagged ( representations of philosophical modernity in a speech Alcinmaturav ) which are arranged through the chapters four came first in which the title frame systematic and included a research problem and its importance and its goals and limits of the most prominent and the terms contained in its title as well as the paragraph previous studies. While the second quarter and marked the theoretical framework on four key sections as follows : First research \ entrance to process philosophy historically , functioning Alcinmatugrave.The second topic \ philosophical trends and strategy in assimilation.The third topic \ modernity ( the project and assimilation Alcinmatugrave.The fourth topic \ representations philosophy of modernity in the structure of assets Alcinmaturav speech.The researcher reviewed the first section of the panorama of historical experienced by the philosophy through the ages , pointing to the most prominent names of the task and milestones witnessed by philosophical thought , while touched second section of the most important trends philosophical shining four trends are ( pragmatism and existentialism and Marxism and idealism ) and noting some of the Achtgaladtha and Tmtheladtha Alcinmaturav in the structure of speech , and singled out the third section of the contest in the term and concept of modernity and its most prominent thinkers of the Enlightenment and in the film Achtgaladtha Alcinmatugrave money while the fourth section to the practical applications of philosophical representations of modernity in the structure of the elements of audio and visual components of speech Alcinmatugrave.Through review of the most prominent theoretical perspectives and institutions Alalstamologih constituents thought the philosophies of modernity researcher unearthed a number of indicators conclusion theory for the second semester and adopted as one of the research tools and a standard measure by the elected Qsidia research specimens.The third chapter , entitled action research has consisted of research methodology used and the research community , and specimens marked by models film following ( The Last Samurai , The Devil's Advocate , Mr. Nobody , Homes in that alley, an avatar ), which cited a researcher some justification for some reason selected , and also contained this chapter the search tool and the unit of analysis as well as samples paragraph film , which relied on what Achtgah researcher of the standard indicators of research theoretical framework after obtaining the approval of the Committee of Experts and Mahknyn it.The fourth and final chapter has been included on most final results derived from the analysis of the samples of the five film and that was the most prominent : 1 - The statements and perceptions problem of philosophical thought Batjahath four ( pragmatism , existentialism , Marxism , idealism ) and Tmtheladtha in the structure of speech Alcinmaturav remain in character and descriptive abstract , and remain within this space even linked to the content is appointed in life or art , and then reflected across assets or elements pampering filming to produce a concept or connotation.2 - show that modernity has Mthaana irregularities within the drift has specific knowledge of their requirements and the logical and technical reflected in the building and the Metn Gaii speech Alcinmaturav unconditionally college , but his being in positions Mtaana it ( footage , scenes , parts, chapters.... etc. ).3 - to remain philosophical representations that the receiver always seek effective and positive for the acquisition of meaning and understanding of the significance , and that the psychological needs of the recipients constantly intervene to read or identify those representations , and Lighting essence through the structure of the assets of the synthetic speech Alcinmaturav.It also included a chapter on conclusions Achtgaha researcher of search results and recommendations as it deems necessary , as well as suggestions for future studies of the suffix with the thrust of this study In conclusion cited researcher list of sources and scientific references adopted in consideration and some supplements and abstract in English.

تعددية الوظيفية وانعكاساتها التعبيرية في تصميم الاقمشة المعاصرة == Plurality of Function And Its Implications In The Design of Expressive Contemporary Fabrics

اسم المؤلف: رسل خليل ابراهيم مصطفى
اسم المشرف: ناصر حسين الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study deals with pluralism functional designs for fabrics that are dual function in do performative and its implications expressive designs in fabrics contemporary, Job Role and aesthetic symbols and connotations and Mathmlh reflections expressionistic as study includes four chapters , the first chapter of the research problem and identified by asking the following : Do you check pluralism functional reflections expressive designs in contemporary fabrics ? The objectives of the research is the detection of multi - functional and study the values expressive designs in fabrics and contemporary numbers designs proposed , may determine search objectively study the multiplicity Alozivuoal_khasa?s expressive designs for fabrics contemporary, spatially study designs fabrics , home furnishings ( mattresses _ curtains ) and available in the local markets of the city of Baghdad , and identifies research temporally studied in models ( 2012_2013.The second chapter identifies several sections dealt with the first section , including multi - functional fabrics and designs in the second section dealt with the expressive characteristics and implications in the design of fabrics and finally the third on reflection expressive designs in contemporary fabrics. Followed previous studies and then the most important indicators that resulted from the theoretical framework.The third chapter dealt with research procedures , which included research methodology a descriptive analytical and research community , which amounted to (44 ), a special model designs upholstery fabrics and curtains Eliminated from him (33) model design parameter as a result they are so different on the level of formal , organizational and color models in the community was the remaining (11) model and it has been selected sample are intentional , but the search tool has been represented in the Form of analysis thathad been prepared by the researcher have included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter based on axes form.The fourth chapter has included the most important models of the study are as follows : 1 - The use of vocabulary in the most natural plant design models because of the sense of the vocabulary and semantics of aesthetic expression and suitability for use functional designs of curtain fabrics and furnishings , and employ at least geometric shapes and written.2 - achieved multi - functional design vocabulary in all models where a single design can perform two or more.3 - reversal is achieved through expressive design methods where the use of the methods varies between the real and the abstract and the hub of reality - decorative while not achieved a reversal in the expressionist style geometric models Almananvzh.The most important conclusions : 1 - Diversity of raw materialsled to the emergence of refletions expressive functional and aesthetic. The raw material and suitable for the job the stomach for it.2 - Vocabulary been employed in the most natural designs led to the occurrence of reflection expressionistic serve the function and less use of animal vocabulary and writing vocabulary.3 - Check multifunctionality in all forms of design , which is reflected through the design methods and vocabulary of symbolic and expressive connotations.As well as to ensure the same chapter conclusions, recommendations and proposed designs included as the last designs prepared by the researcher and presented to a group of experts has got approval.

التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية == Conceptual Transformation In The Structure of The Ornamentation Islamic Architecture

اسم المؤلف: وسام كامل عبد الامير
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخط والزخرفة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناول الفصل الاول مشكلة البحث التي طرحت التساؤل الاتي ( ما هو التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية ؟)، ويهدف البحث الى كشف وتحديد التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية على الصعيد الشكلي والوظيفي والتعبيري في ضوء حدود تمثلت | First Chapter deals with the problem of the research which presents the following question(What is the conceptual transformation in the structure of the ornament Islamic architecture ?) The research aims to disclose and specify the conceptual transformation in the structure of the ornament Islamic architecture at the phases of formal, functional and expressive in light of the limits of ornament components in all its kinds in Islamic architecture within Iraq , Turkey, and Iran for the duration of 1563 AD to 2009 AD. Second chapter discusses the theoretical frame of the following subjects : The meaning of converting and its philosophy in Islamic art at the phases of self and subject , the philosophy of concepts in Islamic ornament as perfection and order and repetition and decoration and unity and variety and movement and rotation and accuracy and workmanship, and the styles of formulation of decorative shape represented in modulation style and style of abstraction , and the structure of the decorative in Islamic architecture at the phases of decorative components and spatial organization and processors colorimetric. Third chapter includes the research's procedures which includes the follow of descriptive approach in the light of research's sample which includes 375 shapes non - recurring. 20 shapes were selected embodied the research's sample according to the method of intentional selection. The tool of the research was designed ( analyses form) and shown to experts in order to obtain their reliability and validity and then analyses of the samples. The fourth chapter includes the results including : 1 - to pursue the conceptual transformation of the ornament structure in Islamic architecture within several axes such as formal, functional and expressive. formal phase includes the following ; 1 - 1 style of shape's formation in terms of the type and quality. It is represented in some methods such as (offloading , replacement , integration ( formal slurring) , substitution , magnification and reduction). 2 - Conceptual transformation of ornament structure at the level of functional side embodied in transmission from the ornament role to openness of the performance of the dual role (decorative - communicative) reflected by designed components through dual superficial structure by two different ornament sorts ( calligrapher - plant ). Transmission from ornament function to the representation of narrative phase presented by details of decorative structure which reflect realistic scenes of life include various expressive subjects. 3 - Conceptual transmission of the ornament structure on the expressive level which is embodied by transmission from imitation of images of the natural existence world ( plant - animal - clouds) , cognitive existence world ( geometrical ) postural (calligrapher) which depends on the metaphor , comparison , and equivocation between the real shape and ( true ) and decorative transmission ( metaphor) via visual signifier and its attribution which is involving the concepts can be understood through phenotypic approach to the ornament icons which state subjects such as ( fighting scenes with fabled creature , hunting scenes , beyond being of the world as a man has two wings ).4 - concept of perfect ness embodied through presenting several comprehensive image to the details of ornament structure which reflects the side of realistic existence elements with shapes that represent this vision in terms of quantity (creation of unilateral and bilateral and multi ornament sorts ) and the quality ( symmetrical , non - symmetrical , round , sidelong , frontal , compound , start of emergence , medial site , final site , small size , large size ) and the type ( plant , geometrical , animal , calligrapher , astronomical elements , supernatural). Transformation of the concepts of the integrated form ornament sort ( bilateral , tripartite , quaternary) depends on the integration with other via combination and replacement between the different parts.The study recommends providing care for the accumulated ornament heritage throughout centuries when maintenance and renewal given the contents of innovative treatments in formulating the shape and concepts within it , which reflects the growth of thought and its appearance applications through a formal shifts represent addition of quality different from the prevailing in the achievement side , and the possibility of opening up its functions to cover the fields of design carpets and paintings. The study suggests references of shape and its representations in the structure of ornament Islamic Architecture.

سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية == The Promotion And The Marketing Politic of The Industrial Product And Its Activity In The Consumptive Culture

اسم المؤلف: عبد الخالق سمين فتاح
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثلت مشكلة البحث الموسوم بـ ( سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية ) من خلال التساؤل حول الكيفية التي يمكن لسياسات ترويج وتسويق المنتج الصناعي ان تؤثر وبشكل فاعل في ثقافة المستهلك.اما اهداف البحث فتمثلت بالاتي : بيان ت | The problem of the study entitled ( The Promotion and The Marketing Politic of the Industrial product and its activity in the consumptive culture ) was presented of how can the politics of promotion and marketing of the industrial product effect in consumer culture. The basic research aims represented as the following : Detecting the effect of promoting and marketing politics of the industrial product in consumer culture through : a - Acquaintance the cooperative conscious of Baghdad University professors according to the type ( Males , Females ).b - Acquaintance the meaning difference of Baghdad University professors according to the type ( Males , Females ).c - Definition designing context for the industrial design and its effect in promotion and marketing and cooperative conscious.Research limits included the industrial product users group of Baghdad University professors of the study year ( 2013 - 2014 ) of various types of electrical and electronic home appliances available in local markets of Baghdad city for the period ( 2009 - 2013 ).The second chapter consisted of four sections. The first section addressed politic topic of the industrial product promotion and the communication process. The second section contains marketing politics and strategies topic of the industrial product and its relationship with consumer and appearing the social and economic marketing importance.The third section consisted products design topic and the designer skills.The fourth section singled to study consumer behavior and the consumptive culture.Chapter three addressed research procedures which was depended on the research society presented by industrial product users group of Baghdad University professors , The research tool was depended on both theoretical and applied or field , by depending on the questionnaire.Chapter four comprised results and conclusions that have been reached and the most important of these results include : 1 - 91% of the research sample members rejects the idea of buying electronic appliances with high price to proud of in front the others , while 9% of the rest of sample members agree this idea.2 - 96% of the research sample members primarily interest the job offered by electrical or electronic appearance , and then their interest comes in its forms or appearance , while 4% of the rest of the research sample members does not pay these things any importance.3 - 93% of the research sample consumers members trust of foreign product which is characterized by all the factors of quality and safety , which lacks local or Arab product, while only 7% of the rest of research sample members didn't trust in foreign product as much as their trust in local or Arab product.The most important conclusions that have been reached are : 1 - Spatial channels form for the Iraqi people who imports all of he needs from overseas important sources for building voracious consumerism through its orientation advertisements and ideologies which promote it and burlesque it in Arab consumer mind.2 - The television commercials extraneous to change the Iraqi individual behavior , and imposing another new behaviors to develop inside him alienated feeling from his surroundings , as well as changing his society values and principles.3 - The research members of Baghdad University professors have consumptive perception to buy electrical and electronic home appliances , and this perception is not different between males and females.After that , the recommendations and suggestions were presented to the directions and side related to the research topic , and then the research finale has been providing.

مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية == Sources of Designing Figure And Its Creative And Functional Production Fields

اسم المؤلف: سند فؤاد محمد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعنى البحث الحالي بدراسة : (مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية.)، على وفق بناء معرفي محدد بالوظيفة والابداع، والهدف الاساس في تفسير حقيقة الاشكال ومصادرها المتنوعة وجوهرها وما تحمله من معان وعلاقات شكلية وجمالية وافكار تصميمية تحق | The recent research concerning with ( sources of designed figure and its creative & functional production fields ) , according to cognitive construction determined by function and creation and the main goal in explaining figures and its various and what holding of meanings and aesthetic and format relations and designed ideas achieving for the illustrated goal as a printing achievement.Most creative results related in joint divider representing by depending on intellectual constructions or certain philosophy , namely, each creative production has its intellectual or philosophical circle or field that launch from it to the world of creation.The designing figure in its general meaning , includes an idea creating from the internal mental expectation of designer to product figures from self feelings making his prior imaginations far from these figures with his feelings and converting it into creative forms producing the designing figure from mind depending on various functions symbolic , psychological and social and ways of production , norms and traditions, therefore, the desi8gned figure representing a reflection for this social and economic reality.This study considers a sign able to enrich the designing work by many of giving that exciting taste in receiver through its specify in varying symbols and meanings and its fluency for its active importance that combining the designer as a creative man for the designing figure and between society that save in its memory many of designed and figurative styles. Whatever varying theories of figure and its styles and figure related by function and the creative contain, also language of figure related by the visionlanguage to analyzing the aesthetic oratorical to processes of understanding, explanation and conviction.The researcher found that the importance of this subject and inquiry on : What are sources of the designing figure as a problem for research and an goal put for studying determined by : definition of designing figure and its creative and functional production fields.The researcher writes all what has a relation with the designing figure within its theoretical frame , through Arabic & foreign and libraries concerning with specialization for obtaining on indicators useful for measuring field that related with determining approach of research and its method and determining research society that represented by (40) printed designing figures and various goals , from it 10 samples have been chosen intentionally with rate ( 25%) from the original society , and characterized by some features to give scientific results after analyzing, describing and explaining them and then reported according to these results : 1 - There are theories focused on basis that sources of the designing figure lie outside mind of designer in his square , namely they are figures for designing figures derived from nature. There are other theories adopted basis that sources of designing figure lie on mind of designer within it contain namely, external designing productions figures on what is familiar in the nature.2 - It can be create figure depending on various functions (symbolic, psychological , social ) and figure may be in special givings need to requirements of function , environmental condition and the social values.3 - Figure generates from idea originate from the internal mental expectations of designer , the latter drawing his figures from self feelings converting his priorimaginations on these figures with his feelings to creative forms, then figure resulting from mind.4 - Creative peoples in all times producing some ideas in their works depended on requirements of age and its vital and there are many activities that creative man choose from them his figures.5 - The designing figure influenced by many social and economic limitations , ways of production , norms and traditions , then figure became a representation of reflection for this social and economic reality.6 - One of the main factors that effecting on the designing figure is the intellectual factor with its mental imaginations , designing here is an intellectual production between individuals & groups appears through long experience made by special classes of society

الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر == Ideological Discourse of The Image of Women In Contemporary Iraqi Drawing

اسم المؤلف: زهراء موسى مهدي
اسم المشرف: عياض عبد الرحمن امين محمود الدوري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر تبلورت مشكلة البحث بالاسئلة الثلاثة التالية اولا هل تبدلت القيمة الجمالية لمظهر المراة في الرسم العراقي المعاصر؟ ثانيا هل للمرجع الايديولوجي حضور في صياغة اسلوب العرض؟ وثالثا هل للمرجع | This research Addresses with the ideological discourse of the image of women in contemporary Iraqi drawing Crystallized research problem the following three questions first Are changed the aesthetic value of the appearance Iraqi women in contemporary painting? Second, does the presence of ideological reference in the formulation Style of presentation? Third Is the local and global impact of the references Summons Metaphoric image of women? The importance of the research was the result of the fact that research is Unfrequented previously as well as detect stealthy ideological image of women in Iraqi drawing The objective contemporary research is detected ideological discourse of the image of women in Iraqi contemporary drawingas well as the the limits of research and definition of terms that were with him The chapter concludes with the first and start the second chapter (the theoretical framework), which contains four The first sections of the concept of discourse and ideology put forward by the researcher through hypotheses And definitions of philosophical concepts with philosophers and philosophical books The second section includes Historical root image of a woman who shows how it has changed the image of women through the ages And how it changed the look of the artist put forward a woman through to the image of women in the work of art either The third section display of modern technologies in the drawing, which shows the extent of the development Technology, and how, in turn, the impact of women in the form of artwork inside and tha four deal with amage women in drawing iraqi art, Access to Chapter IIIwhich addresses research procedures of the research community, the research sample, justifications Sample selection, the search tool as well as the use of researcher applied descriptive analysis To analyze the sample and then finally the sample represented in the analysis of eighteen sample to achieve the aim of the research Confined Ben1990 - 2012, and the researcher in chapter IV to a number Results of the most important is that there is a self and social ideology in addition to the use of material Folklore dramatically in the work of artists, as well as the absence of men in some Works and appearing beside women in other works of art as well as the use of artists In display technologies often oily colors without the intensity or add new material To the optical surface in the nineties, while we find the diversity of methods of presentation in the work Artists in the period the new millennium, the following findings and conclusions suggestions and recommendations Developed by the researcher to concludes with this search a list of sources Developed by the researcher to concludes with this search a list of sources.

الدلالات التعبيرية لرسوم التلاميذ بطيئي التعلم وعلاقتها بسماتهم الشخصية == The Expression Indicators of The Drawings of Slow Learning Pupils And Their Relationship To Their Personal Features

اسم المؤلف: نهى سالم جبار العجيلي
اسم المشرف: رعد عزيز عبد الله
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Drawing and its worlds and colors and significances and the indications it hides make the researcher probe into its world with its various deceptions and expression significance. The category of slow learning pupils is one of those who express their ideas and depictions through linear and colors on papers.The present research study sheds the light on the expression indicators of drawing of slow learning pupils and its relationship to their personal features, specifically the two features introversion and extroversion, in addition to determine the feature that is prevalent in these pupils, and whether there are any statically significant indicators between males and females.The study aims at the following : 1 - Knowing the expression indicators of drawing of slow learning pupils.2 - Comparing the expression indicators of drawing of slow learning pupils according to gender.3 - Knowing the features of introversion and extroversion for pupils according to gender.4 - Comparing the features introversion and extroversion, pupils according to gender.5 - Finding the relationship between expression indicators for pupils drawing and features introversion and extroversion.The researcher prepared an instrument to analysis the drawings made up of (16) fields and (44) items, and she adoptedan instrument to measure features introversion and extroversion, prepared by Al - Kubaisy (1994) after making the revisions for the suitability with the sample of (111) slow learning pupils within the schools of Directorate of Education in Al - Kharakh II. The researcher applied the two instruments of the study and comes up to the following : The Results : 1 - The research found that there are (9) items not statistically significant and (4) which are significant in the drawings of pupils.2 - The feature of introversion is the prevalent in this category and the male respondents are not different form females in this feature.3 - There is no relationship between expression indicators and the features introversion and extroversion for slow learning pupils. It is very weak or none.Therefore, the researcher recommends the following : 1 - Supplying the schools of special education with training and heuristic programs to develop their mental capabilities and their personal features which would lead to stable life.2 - Making the media - audible and read - aware the parents of the special needs of their children by fulfilling their material and psychological needs.3 - Making the responsible for the special education to benefit from the two instruments adopted in this study in the field of instruction and guidance.The researcher suggests the following : 1 - Making a subsequent study that tackles the effect of the training programs in developing the capabilities of the pupils.2 - Making another study that tackles other classes in special education or normal schools.3 - Making a similar study that tackles the effect of art education programs in treating problems of special education pupils

البعد الثالث للاشكال التصميمية وتطبيقاتها في اقمشة الالبسة الجاهزة == The Third Dimension of Designing Forms And Their Applications In Ready - Made Clothes

اسم المؤلف: نسرين محمود محمد الجاف
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The design of readymade clothes is regarded as one of the arts which man is involved in functionally and aesthetically. Research in the design aspects is regarded as an important objective after the technical developments began to emerge which covert many of the aspects and search in the aesthetic aspects required from the designer to possess and taste and the ability of imagination and employing the imagination the units forming the general shape in coordinating an integrated image. This is because the designer in general and the textile designer in particular is in need for special features and innovative interventions to enrich and give more of new means to take that lies in his ability to effect the sensual receptors through organizing the expressive meaning in new contexts.The researcher preferred to make use of the third dimension which is regarded as one of the techniques in the setting off of the artistic and designing through the methods and the techniques. The proposes of defining the third dimension which require the investigation and research of its concept as an effective dimension in the design of textile so that the designer could make use of it in his or her designs. In order to arrive at that thing, the researcher found the necessity of understanding the third dimension and tackling third dimension in her research entitled (The Third Dimension of Designing Forms and Their Applications in Ready Clothes Textiles).In this starting point, the researcher posed the following questions as follows : 1 - Can we make use of the methods of achieving the third dimension in the designing forms?2 - Are there possibility of applying these designing forms in the textile of the readymade clothes that would promote the aesthetic and functional value for the receptor?The present study aims at revealing the third dimension of the designing form and putting suggestions for the use of third dimension and applying them on the readymade clothes. The researcher tackled the readymade designs and the printed firs of multiple origins the period 2013 - 2014, after that three concepts were posed to define each term.That what was discussed in Chapter One of the study consistent in the four chapters.Chapter Two contains the theoretical framework and the previous studies. It includes three inquiries; the first inquiry includes the features and methods of third dimension in design, the second includes the three - dimensions deigning figures and their showing applications, while the third inquiry includes the artistic techniques of third dimension for readymade women apparel. Then, the researcher tackled the most important indicators on which the theoretical framework was based and the previous studies.Chapter Three includes the procedures; the researcher followed the descriptive approach in analysis and the experimental approach in the presentation of the suggested designs. The research community included (60) various samples of the printed readymade women textile of which (12) samples chosen by the use of the random selection in rate 20% out of the total samples. The tool of this study is represented in the analysis form according to the scientific approach. It was displayed on experts concerned with textile design to acquire the apparent validity. After that the samples were discussed.Then, Chapter Four tackled the findings and conclusions of the study, the important findings are the following : 1 - The showing techniques has a role in revealing the illusive and real third dimension in the readymade textile in which the digital printed material played a main role. That helped to attract the attention.2 - The style of design represent the significance of the expressive forms, between what of real, abstract or geometric, from which the design is set.3 - The achieved third dimension as geometric form is related to the effectiveness of the luminal values which reflect the transformation of forms on the surfaces from two - dimensional to three dimensions, through the high contrast between the forms and their functions.4 - More than one methods were combined in showing third dimension inside the textile space which has become effective in the functional and aesthetic aspects.5 - The use of third dimension revelation methods in various forms and ideas.6 - The contribution of the digital processing in the treating of two - dimensional and transforming them into three dimensional is a more inevitable matter to arrive at achieving the form to achieve the formative manifestation.Chapter Four includes the suggestions and the recommendations : 1 - The stress on the role of digital technology in the field of textile design, and keeping up with the up - to - date software and employing them in the art of design of textile.2 - Caring for the deduction of the abstract forms and briefing the parts and using the uniform for male and female.3 - Taking into consideration the factor of technical the choice of forms to suit.4 - Taking interest in the chromatic values and he shade grades to deepen the conceptual aspect in the materialization.The researcher suggested : 1 - Making a comparative study between the three dimensional designing and he two - dimensional.2 - Studying symbolic designs of the national traditions in the formation of the cultural dimension.This chapter includes the suggested designed carried by the computer of (14) suggestions which are adopted for readymade clothes textile

رموز الموروث بين الاصالة والابتكار في تصاميم اقمشة معمل نسيج الحلة == Symbol of Heritage Between Originality And Innovation In Designs Fabric Plants Tissue Babylon

اسم المؤلف: مالك جاسم حمزة الدليمي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The symbol inherited from the influential aesthetic factors in the process of fabrics designs where the unfolding reality and the ways emitted form new innovations mimic impress the receiver. While references related designs on my own fabrics and innovation Babylon civilization codes are representing bosses procedural fertile for those designs.Researcher have tried to stand at the sources of designs and factors affecting it considering that symbols of Babylonian civilization represents the essence in the process of forming the designs by answering the questions that was raised in the research problem which pearls that extent can take advantage of the symbols of heritage in the Babylonian civilization to creat new designs for textile product, Laboratory Babylon tissue with preserving the authenticity of it.All these interventions among texfile and symbols inherited are problems, the current research wants to solve and access to detect target symbols in the Babylonian civilization heritage to produce new designs.And on the Basis lies the importance of research in the face in the privacy of inherited Babylonian the extent of benefit from it the lab fabric of Babylon, it started to make it in the search for the values, traditions and habits between originality and innovation and work to decode and semantics civilization of Babylon and period and specific place.For these and for the systematic division research divided into four sections, the first chapter determine the features included in the detection methodology for the research problem and its significance its goals and limits which required that a definition of some important terms up on which the theoretical research.The second chapter contains the definition of some important terms of the theoretical framework which included the first study of identifying symbols in the civilization heritage up on which the fabrics industry technically and tagged, the second topic was interested in my own innovation and the relationship between them and its contextual reference designs in fabrics.The third topic was complementary to the framework of the oretical in the second quarter was interested in designs fabrics and technologies in term of understanding of the dialectical relationship between authenticity symbols inherited in the Babylonian civilization and new innovations in technology plant tissue Babylon and units design and textile that make those employment for design unified also included chapter two studies which search by approaching in some variables and seal the chapter with basises which will be one of the indicators from building tools for analysis of samples search, and held third chapter on research procedures adopted by the descriptive analytical approach applied the respective fields plant tissue Babylon, which contributes to the textile industry were interviewed people of competence and preparation of forms analysis applied to samples of research have reached your search results and that resalts are : - 1 - Heritage Symbols and desigen draft with impressions caused by his originality and innovation with in a cognitive vision emphasizes the nature of the design and construction diversity of realism , abstractor imaginary or symbolic.2 - The nature of the relation ship between originality and innovation in the design of research sample catd generated with the results of perceived mental visual which crystallized through different emergence of symbolism propensity for inherited as well as the effectiveness of expressive format for innovative design alone.have been discussed systematically and went researcher with group of conclusions Such as : - 1 - The most process adelmatmayor the designs in either natural or animal or geometric because it gave dimensions semantics extends to the root of the historic taken from the nature of the symbol to express style design out put data for fabrics.2 - Dominated the seen symbols used in designs according to the nature of the diversity and revealed the need for aesthetic and functional gave.and then the researcher atotal of design proposal has grown to employ symbols Babylonians in texture Laboratory products researcher Babel the came out with alist of sources and put some of the recommendations and proposals and finally supplements and abstract in English

التوظيف الجمالي والدرامي للماكياج في افلام الرعب == Recruitment Aesthetic And Dramatic Makeup In Horror Movies

اسم المؤلف: اسيا علي محمود
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يحظى فن الماكياج بدراسات غنية في مجال الفنون المسرحية , كونه يشكل عنصرا مهما في تعبيرية البناء الشكلي الطبيعي لشخصية الممثل , وتطور هذا الفن اليوم بفضل التقنيات الحديثة التي اخذت طريقها الى السينما والتلفزيون , وبات يشكل ايضا احد العناصر المهمة في رسم | The art of make - up enjoys rich studies in the field of performing arts, being an important element in the expressionistic formal and natural building of the character actor. This art has evolved today, thanks to modern techniques, which took its way into film and television; in addition it became one of the important factors in shaping dramatic character and its expressive performance, whether in the reality or fiction movies, but especially in horror films, and film Fantasia. Hence, the art of make - up has emerged into horror movies, as well as its importance in the formation of the natural dimension of character where it became a narrative element that is closely related to the emotional and psychological dimension of characters. We should refer to the role of modern technologies and its addition to the industry of the art of make - up in terms of the accurate possibilities, and the ability to embodiment of (realistic and nonrealistic) of the characters in horror movies, eventually become the magnet of interest to the recipient incorporating all patterns filming characters and a variety of forms between personalities which are (familiar and unfamiliar). These patterns possess the ability of persuasion and have emotional and reactive presence within the receiver. On the basis of this perception, came this study to cover part of the large role played by the art of make - up in the design and construction of the dramatic character, especially in the (horror movies) in the light of which the researcher identified the title as : (Employment of aesthetic and dramatic makeup in horror movies), and the research included five chapters as follows : Chapter I (methodological framework), which included the following : 1. Research problem : which centered in the following question : How can makeup represent aesthetic and dramatic dimension to a character in the movie?2. Research objective : to identify aesthetic and dramatic employment of makeup in horror movies.3. Research Importance : the researcher finds that the art of make - up in the field of cinema did not take enough share of the study, particularly in the importance of its employment in the (horror movies); however theater studies have found addressing make - up, especially at the level of the plays exclusively.4. Research limits : Objective limits : study of (make - up in horror movies).Time boundaries : within the limits of horror movies produced (2007 - 2013).Place boundaries : (films that have been produced in American cinema) The chapter is finalized with identifying the most important terms.Chapter II, include (the theoretical framework and previous studies), the theoretical framework is comprised of 3 sections as follows : • The first section : a historical overview of the evolution of the art of make - up and its relationship to cinema.In this section, we studied the beginning of the evolution of the (make - up - mask) art and tracked down its development from the beginning of its inception in civilizations to being important element in drama and under the requirements of the drama its was taken as an essential element in the film, especially in the fantasia movies of which (thrillers, science fiction movies, and legendary film).• The second section : Aesthetic and dramatic dimensions of cinematic makeup.In this section we stressed the importance of the make - up and the level of its use in terms of natural dimension of the aesthetic and expressive sides, as well as the its aesthetic and drama importance in horror movies, both in the functioning of the colored pigments with a light element on the dramatic characters.• The third section : The role of make - up in drawing dramatic character in horror movies.In this section, we focused on the importance of the role of make - up and its impact in the creation of characters somewhat between the (realistic and unrealistic) characters, as well as the importance of employing the art of make - up tricks in its variant types ( normal , plastic , mechanical , and digital ) in the construction of the characters in horror movies.Previous studies : : No study on the research topic or problem or the importance of research in the field of the cinematic arts.The third Section included (research procedures) : Includes research methodology and the research communityThe researcher relied on the on the descriptive analytical method in the analysis of samples, based on the theoretical framework indicators as a tool for analysis, after being shown to a group of experts and arbitrators. Then a sample was selected deliberately for search due to reasons including : 1. Includes functions of make - up art on the level of building characters to respond to the requirements of the objectives of the research.2. They are movies that attracted a wide range of views by audience, because of its element of suspense and fear.The fourth section included an analysis of the three samples as follows : 1. The Underworld / Part 4. 20132. Resident Evil / part 3. 20073. Wolf man. 2010The fifth section included (the findings, conclusions, recommendations and proposals) : The main findings of the researcher after analyzing the sample are : 1. The techniques of the art of make - up in its varied types (natural, plastic, mechanical, digital) of the characters in horror movies were able to embody unfamiliar forms and far from reality. The main conclusions reached by the researcher : 1. The horror movies are based on the presence of abnormal characters, through transformation and change of their external appearance, because characters need in the in case of transition to (monsters, wolverines, zombies, vampires... etc.) to several techniques of make - up art that are merged with actor features to create creatures that far from reality.

مهارات العزف على الة العود عبر الانترنيت == The Skills of Playing The Oud Via The Internet

اسم المؤلف: علي حسن حمود
اسم المشرف: محمد سعدي لفتة | هيثم شعوبي ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التغيرات السريعة في الميادين العلمية والتكنولوجية جعل الانسان في حركة دؤوبة للبحث عن افكار واساليب جديدة تحل محل الانظمة التقليدية السائدة في مجالات الحياة وبخاصة في التربية والتعليم، لذا ان التطوير في التقنيات الحديثة يؤثر على العملية التعليمية من خل | The rapid changes in scientific and technological fields have made human movement determined to search for new ideas and approaches to replace conventional systems prevailing in the areas of life, especially in education, so the development of new technologies impact on the educational process through the comprehensive development of the learner and increase the expertise of educationally terms of knowledge and skill.This has led to the development of instructional design which is based on the foundations of philosophical, psychological, intellectual, and social , and that stability depends primarily on the basis of their suitability to the nature of the material and scientific skills and how to achieve the goals and meet the specific educational needs of learners.It given scientific and technological developments enormous variety of opportunities in the transfer of the experiences of teaching and learning in an easy and clear enable new educational system in the delivery of skills to the farthest point of the world , and has become a matter of urgency that the benefits of this field of scientific progress by making use of tools, equipment, technology and modern means of communication.depends on this progress has emerged learning and using the means of communication on the Internet as a form of solitary confinement as a learning provides the learner multiple educational alternatives rather than relying on the book of systematic or regular manner and teach them the skills of playing the oud in specialized educational institutions.The necessity for expansion in the field of scientific research The research , which aims to prepare an education program via the Internet which can access the learner to the high performance and accurate skills in playing the oud.The goal of current research to achieve the following : 1. Design of an educational program to give the skills to play the oud via the Internet.2. Measure the effectiveness of a tutorial designed in knowledge and skills through applied to a group of learners.For the purpose of verification of goals, put null hypothesis researcher to show results and verified. It took the research community to determine which of the eight learners from users of the Internet.To achieve the goals of research for the purpose of access to the results has been building two types of tests , he was the first to collect the knowledge and the second to measure performance skills , which has been on the forms according for this purpose were verified sincerity and persistence. To show the results depended researcher equation and Caucasians (Wilcoxon) to validate the null hypothesis and equation coefficient of difficulty and discrimination paragraphs achievement test knowledge and skills and to find agreement between the coefficients of observers.The researcher found the results to the following : 1. Higher average scores of learners in the achievement test and posttest cognitive aspect which relates to cognitive guaranteed by the content of the tutorial.2. Higher average test scores of learners in skills who have been trained according to the tutorial.It are the skills of playing oud across the Internet.The recommendations were as follows : 1. The adoption of the program of skills to play oud designer on the website in the curricula of colleges and institutes specialized proven effective in give learners the skills to play oud.2. Working to create the potential supplies of material and human resources to follow the strategy of the site designer on the Internet, such as providing space and time and the creation of equipment and the provision of training aids developed technically and artistically as well as the provision of computers, advanced communications that are basic material for teaching the skills of playing oud via the Internet.3. Attention to the necessity of knowledge in the education of playing oud and linked side skills in a logical sequence depending on the construction of an extended start of the year to the private and the rules associated with each other in order to contribute to student learning.To develop of the current research suggests the researcher conducting the following studies : 1. Designing and testing programs in the skills of playing the other musical tools via the Internet.2. Comparative study between the learners to use the skills of playing oud via the Internet and other musical skills.

الاساطير الاغريقية وتمثلاتها في الرسم الاوربي == Greek Mythology And Their Representations In European Painting

اسم المؤلف: عبد الرحيم مجيد اسماعيل السامرائي
اسم المشرف: عباس نوري خضير الفتلاوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The art as a creative lasting power since legend raising as a literary text , the plastic art was working as a creative alternate for literary texts. With many years , this art has lasted to present human memory , they found the conflict within spiritual , psychological and worldly life with form and styles that are updated frequently. From this permanent desire to inspire the legend especially the Greek legends in European art especially drawing during renaissance to be described as an extension for that Greek cultural root which represents the structure of western artist. The current research interested in studying of Greek legends and their representations with European drawing from the period ( 1400 - 1800 A.D.).The research has included four chapters. The first chapter dealt with the research problem , its importance and aims , moreover ; limitations of specifying the important expressions in it. The second chapter has included the theoretical frame with three topics. The first is the concept of legend , the second included the situation of legend and art in Greek community. The third topic discussed the subject of legend and art in European society. The researcher concluded this chapter by showing previous studies and discuss them bedsides the indications of theoretical frame.Chapter three has discussed the whole research which is ( 71 ) artistic works related to renaissance Barook and Rococo. The sample of the research is ( 15 ) artistic works that have been chosen with intended method taking in consideration that these artistic works have given the researcher a chance to cover the Greek legends representations in European drawing , besides a consultation of a group of experts who have an experience in plastic arts and fine arts education. The chapter has also included the research device ( a form of analyzing a content ) and the stages of its structure besides its authentication and confirmation which was used in analyzing the research sample.Chapter four has included the most important results that the researcher has reached.1 - Greek civilization has basically established on ideological and metaphysical which stands on the idea of existence of holy divine community that behaves the human beings life. So the Greek artist has found formal representations groups for these imaginary gods which gather between their power and the thinking of Greek society where they raised in , reflected by effective artistic remains and the narrationswith imagination through appearing the nature power in shape of gods or extraordinary creatures which are common in use in Greek popular heritage. For this reason , a group of legendry shapes have appeared , divided in its shape structure into telling the realistic shape especially in human legend shapes that represent the god as ( Venus god ) ( Zeus god ) ( Hades god ) ( Apollo god ) ( Athena god ).2 - The revival artist has depended in his artistic drawings of choosing symbol words for Greek legends especially widely spread legends stories such as ( Zeus ) , ( Ifrodeit ) ( Harkel ) ( Bakhoos ) ( kidnapping Zeus god for princess Europe ) ( Apollo rides a sun vehicle )and ( Lida and pelican bird ) assuring their interests in their ancient heritage due to ideological and sociological vision carried their artistic existence an active aesthetic power with pictorial surface in the effects of anxiety and emotions.The conclusions were : ? The Greek legends through their indications , structural elements and indicative displacement in Europe drawing across its stages ( renaissance , Barook and Rococo ) have represented an obvious representation in shape and content and that what the researcher has reached to when analyzing the sample of the research.The researcher finished with a number of recommendations some of them are : 1 - The necessity of taking care from artistic and educational associations such as colleges of fine arts to deepen the artistic and cultural awareness for Greek inheritance and what it has of legends and epics because it represents a human inheritance in general by including studying materials that concern with history of ancient art and philosophy of art and aesthetics with large interest for Greek legends and epics for being an effective and affected cultural ratio with oriental civilizations specifically the civilization of Mesopotamia and Neel land.2 - Directing the students of fourth stages in plastic arts and fine education of necessity of including their artistic projects for legendary topics whether Greek or Babylonian or Egyptian since they represent an global cultural legacy that touches all humanity without exception.

التوظيف الجمالي لمنحوتات النافورات في اوربا == Employment Aesthetic of Fountain S Sculptures In Europe

اسم المؤلف: حيدر صبيح عبد الله
اسم المشرف: هادي مشهدي عجيل
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: When sculpting overpasses the temples I the beginning, a kind of interactive paring has happened with its advance that acquired it development and diverse effect. The most important pairing is the combining of sculpting monuments with the aesethic and the effect of fountains, water has acquired water a structural transformation from mere monuments into self - existing as a center of inspiration into the group of activities : ? The aesthetic : employing the water towards an merger with the sculpting to be complimentary.? Psychological : for what water present of the psychological data the basis of life and prosperity.Because the thing accepts merits from the sculpting form when it is combination with water, history of sculpture has passed about forty centuries starting from Mesopotamian, Romans reaching not modernism and postmodern.Since water is regarded one of the pillars of life and the mark of existence and a peculiarly of prosperity, richness and happiness, with all that connotations unrestricted additions to literature and art , specially sculpturing. These are the periods which reveal the points and setting and the results of the aesetithic for the waterfountains as a result of a combination that is not free of interaction on the level.The research needs investigation and digging the interaction in addition to a systematic interpretation with all the calls for investment in that employment with aesetithic developed dynamitic data.The researcher in the cognitive field presents the performance combination between the sculpturing as art that depends on the block with its three dimensions and the interactive movement of water with the text to be a stylistic structural part which is combined with a mechanism that is producing the final form with an interpretation implementation which adds a lively interactive.Besides these ideas, the research depends the ideological implementation which achieve success.Chapter One represent the theoretical of the study, by finding the problem, the aim, the limits and the need for the study as well as defining the terminology.Chapter Two is the theoretical and cognitive framework so that the researcher could achieve the intellectual bases of the aim and the indicator equation analysis depend on the first inquiry : thepsychological dimension of water in the human self and the aesetithic employment.The researcher shed light on what could be achieved by water as a vital element in effect of building the psychology of man. The artist can invest in these information with scientific validity, the second inquiry is the theoretical framework is about the sculpting of fountains and its stylistic development. It is an investigatory inquiry which evaluate the most important findings.The researcher ends the theoretical framework with the third inquiry that shows the aesthetic employment of water in these fountains and that form the sculpting art. These indicators which are produced by the theoretical framework which can proved its analysis of the aesetithic employment. The samples of the research form the site of revealing the results which is achieved the aim of the study which lead to the achievement of the conclusion and recommendations. This researcher in that achievement realizes that the area of her research is regarded new in the Iraqi and the Arabic level. This reveals the importance and the movement of the fountain sculpting in Europe as an important source in the Arab East. This can characterize the thesis of originality in that field
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