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المستخلص: The cultural level of any nation is measured by the prevalence of philosophising proper there, where indicates promoted Nations and its development on promoted thinking and philosophical evolution at their sons, while leading the deterioration of culture and dystrophy in any community to dissolution of philosophical thinking and rigidity where, from here stemmed the importance of the philosophy of being a the effectiveness of a purely intellectual trying to understand the world as a whole.What characterizes the philosophy of inclusiveness and stripping them of a humanitarian nature pushes the boundaries of nations and nationalities, and making it one of the most important means of understanding, cooperation and brotherhoodbetween ideological human beings on the earth. Therefore, the philosophy supports the self - consciousness of the human being and his understanding of the role of scientific discoveries in the overall development of human culture, and thenprovide a standard for appreciation and linking the separate episodes in one comprehensive theory. There is no doubt that the critical spirit characteristic of philosophy contribute liberation of the human mind from the power of tradition and transport and calls for the development of ideas and beliefs established under discussion and revision and modification, , Through those lines philosophical and stripping logic creative meanings of self - expression and nature, we can say that the design simply means approach the expression of certain ideas using visual aids, this process is more like a translation of the interior feelings with the person through the use of abstract shapes derived from nature within certain relationships such as Unity , balance, and rhythm. Design is emulates a vision or in other words "vision", Valmsamm is fully aware that the idea that wants to communicate to people through a particular design must be seen by the people, then design is to deal with the eye directly, and then made up a sense of aesthetics shapes insidedesign at receiver, where represents Chapter the first, which contained the research problem that came on as two questions, namely : - Is it possible to identify and study the philosophical theories and technical schools and experiences of the designers personal contemporary been affected by the art of graphic design as a concept and what are the ranges to take advantage ofthis philosophical theories and personal experiences in contemporary work of design typographical that appeared during the twentieth century in chronological order in a period of contemporary? - Does the sequence historical art graphic design, referring to deepen the philosophical and artistic vision through schools and concepts that have been affected by political considerations, social and environmental? As well as the statement of the importance of the concepts of contemporary thought effect active in the detection of environmental sources of inspiration, The set a goal to search according to the following : 1 - detection the schools of intellectual, artistic and monetary contemporary designs and their impact on print Through the study and analysis of advertising posters for movies.2 - axes identify theory and cognitive processes The their implications in Applied print designs.The boundaries of research have included the reduction objective study which defines the philosophy of the art of graphic design in contemporary thought theory and practice, and the study identifies Alhaddalmkane posters (movie poster) Qsidia selected from the United States, has been the adoption of the length of time from 1980 to 2000 _. As well as to determine the terms of the philosophy of art, contemporary thought, theory, application. And included the second chapter Anwanat including : Firstresearch About the History of Philosophy Abralkaron, the concept of philosophy at the school of contemporary thought, the concept of philosophy at the school of contemporary art, the concept of philosophy at schools cash in contemporary second topic : the axes of the design philosophy, in the third topic : the philosophy of the art of graphic design , in the fourth section : theory and practice, and then seal indicators theoretical framework, and included Chapter III : action research to identify the research method, the method of selecting the sample, the instrument sample analysis, and then allocated the subsequent pages to analyze and critique the models that included posters movies by (20) Sample , and then search out theresults, including : - The styles expressive and aesthetic design requirements also, as a counterpart to realize the inherent requirements of the three is the perceived value of the sensory and subject value formalism and Altobeiragayma connectivity. - Used the colors as symbols to indicate certain connotations and different, then we can say that the language of expressive colors and symbolic tag representing different feelings and aesthetic goals in humans according to the joy, wonder, fascination. - The latest conceptual art shifts in the quality of the concept of art which relies on technical skill, and aims to produce a beautiful thing, and in the concept of consumer artwork, and means of artistic expression, as well as the role of the artist.Then he went out research conclusions, including : - That all the foregoing philosophy are not facts ready nor knowledge acquired but is the idea of research free and permanent dialogue and the ongoing debate of ideas and opinions, theories and approaches, in order to availability on a clearerunderstanding and skill of the mentality of an enlightened and visionary educator, as the function of philosophy is to learn critical thinking in a different way. Then identified recommendations including : - The addition of the philosophy of art to the curriculum for the branches of the design department of the preliminary study of the effectiveness in the development of creative thinking. Then identified the subsequent pages of sources andsupplements, and display the summary in English