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التناص في شعر دعبل بن علي الخزاعي (148 - 246هــ) : دراسة تحليلية == Intertextuality In The Poetry Daabl Bin Ali Al - Khuzai

اسم المؤلف: خالد حمد لفتة
اسم المشرف: ثائر عبد الزهرة لازم البصير
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This research on the study of intertextuality in poetry Daabl bin Ali al - Khuzai based on descriptive analytical method for monitoring the phenomenon of intertextuality and stand at the roots of the present text by describing the phenomenon and attempt to interpret within the poetic text and the productivity of intertextuality, which represent in two forms : intertextuality direct and indirect and smelting its mechanism and imbibe it by the analysis of poetic texts. The nature of the search warrant to be an introduction and preface,three chapters and a conclusion.The preface consists of two sections , the first included the poet's life and his poetry , the second, is the concept of intertextuality lingual and the terminologically , the views of Western critics, its Arabic roots and display visions Arab critics, old and modern.The first chapter deals with the religious intertextuality through two sections , the first is the intertextuality with the Holy Koran ,the second section focusing on intertextuality with the Hadith and sayings of Ahl al - Bayt. The second chapter was to study the literary intertextuality through two sections, the first intertextuality with poetry and the second intertextuality with prose. The third chapter is considering the historical intertextuality of the three aspects , intertextuality with area and time and intertextuality with historical events.The researcher has approved at the end of the study conclusion explained the summary of research and its findings and a list of sources and references

شعر منصور النمري : دراسة موضوعية فنية == Mansour Al - Nimrys Poertry : A The Matic Artistic Study

اسم المؤلف: وسن علي كاصد
اسم المشرف: نضال ابراهيم ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The Abbasid era had witnessed the emergence of an inspiring poet who represented a unique phenomenon in its vagueness and clarity towards the conflicting poetic streams at that time. Taking this as a standpoint, we found that the thrill to discover the secrets of this vagueness in this poet would make his poetry closer to the hearer to understand his meanings, references and causes. Our study which is entitled as (The Poetry of Mansour Al - Nimry : A Thematic Artistic Study) shed lights on the hidden and revealed attitudes in his poetry. He is a distinctively problematic poet who perplexed old and modern researchers to reach the depths of the essence of his poetry. Vagueness had accompanied him all the period he spent in the palace of Haroun Al - Rasheed. The study fell into two chapters preceded by an introduction and preliminary and followed by a conclusion : The preliminary is entitled (Mansour Al - Nimry and the trends of the Abbasid poetry), in which we dealt with the trends poetry in the Abbasid era and the poet's position towards them. We highlighted Al - Nimry's poetic status and critics and researchers' opinions in his poetry. Chapter one is entitled (Thematic Structures in Mansour Al - Nimry's Poetry). It included a prelude followed by the most important themes of poetry that in his poems collection like; political praise that the poet devoted to praise the Caliph Haroun Al - Rasheed and the ruling personnel of the Abbasid State; shiism for the progeny of prophet Mohammed (Peace be Upon his and his progeny); elegizing and old age complain; description and pride; in addition to other themes like; flirtation; satire and wisdom. Chapter two is entitled as (Artistic Structures in Mansour Al - Nimry's Poetry), it consists of three sections : section one is devoted to study poetic language and poetic lexicon. It also deals with the stylistic patterns like; interrogation, vocation, command and inhibition. Then, we talked about the linguistic patterns that occupied a space in Al - Nimry's poetry. Section two studied the poetic music in its two axes; the inner and outer. Section three is devoted to the study of the poetic image and the styles of artistic imagery that the poet followed like; the figurative image and the declarative one. Depending on what was previously stated, we see the poet's employment of a variety of poetic themes, his high ability to compose the words, in addition to the wideness of his poetic lexicon, rhythmic variety, strength of artistic imagery. All these indicate the poet's culture and his openness on the cultural demands of the Abbasid era. Finally, I pray to Almighty Allah to guide me to what He loves and satisfies with. He listens and responds to the call of whoever calls unto Him.

تجليات البداوة والحضارة في شعر ابن خاتمة الانصاري وموشحاته (700هـ - 770هـ) == Manifestations Of Nomadic Civilization In The Poetry Of Ibn Al - Ansari Conclusion

اسم المؤلف: نرجس سالم كاظم الصيمري
اسم المشرف: علي مطشر نعيمة الشريفي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to Allah, prayer and peace envoy mercy to the worlds and The God of the good and virtuousAfterThe reading of the Court of Ibn al - Ansari finale attracted by the nostalgic poet to nomadism sticking out even though he lives a reality culturally vibrant, hence rushed researcher behind the monitor to the reasons for the return of the poet and the extent of nomadism represents civilization in his hairThe study (manifestations of nomadic civilization in poetry bin finale Ansari addressed) to give a clear picture Anhoudor nomadic civilization in the poetry of Ibn al - Ansari finale and the extent of overlap and conflict between themHas teamed message in a preface, three chapters preceded the introduction and caused a conclusion, addressed a researcher at the boot concepts of nomadic civilization in the language and the term as well as shed light on the life of poet son finale and talk about his poetry and writings.The first chapter titled : manifestations of nomadism as manifestations dealt with in the hair son finale in four axes : specialize first axis Baltall Bedouin studied second axis flags Bedouin on the various types and their presence in his hair, and touched the third axis to the statement of beauty standards, which was favored by the Bedouin appeared with son finale, either a fourth axis which has touched a statement nomadism poet that has emerged through the meanings of modesty, chastity and complaining of AlamalIn the second chapter researcher touched upon the statement of the manifestations of civilization in three axes dealt with in the first such manifestations of civilization in spinning, which was as important, and in the second axis manifestations of civilization dealt with in nature, and the third axis has it studied the manifestations of cultural life Ka such as ethics and congratulations and others.The third chapter specialize study overlap and conflict in the hair son finale Ansari stood at the poetic texts which forms overlap between nomadic civilization and sacrificed in the first axis and in a second axis revealed forms of conflict between nomadic civilization in the hair son conclusionThe study adopted a descriptive analytical approach in dealing with the poetic texts by Ibn al - Badawi finale nature and civilization, revealing where the most important technical features without a single out a special chapter.The study found a range of results, highlighted byNomadism has manifested itself in the hair son finale in the presence Tll Badawi in his poetry indicative of longing to the fount and origin of Arabism and Islam, and the presence of flags Bedouin women as names, places and animals constitute Lexicon those flagsThe beauty scale Bedouin witness to the presence of nomadism in the hair son finale represented fuller buttocks black hair and black eyesAnd civilization manifested itself in the hair son Conclusion In describing the manifestations of nature in Andalusia as a description of Riyadh, gardens and birds appeared a glossary of terms that a civilized civilization represented by such (Alglail, and Almqana)Technically civilization was embodied in the poetry of Ibn finale employed in science to arts Budaiya Todava exaggerated Kganas and counterpoint and Budget and otherokan There is considerable overlap in the hair son finale has appeared in poems Kin spinning stanzas and was less present in other sectionsI've reversed the conflict between nomadic civilization in the hair son finale contradictory figures : Personal son finale realism is sedate and FakihPersonal and son in the finale spun sensuous

شعر مصطفى جمال الدين : دراسة ايقاعية == Mustaffa Jamal Aldeen'S Poetry : A Rhythmic Study

اسم المؤلف: حسين عبد النبي خير الله نجم السوادي
اسم المشرف: علي عبد رمضان
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Rhythm is one of the important pillars upon which the poetic text depends, for it justifies part of the emotional impacts which relates - by nature - tightly to the ideas and expresses them phonetically. Rhythm is a basic axis in the poetic aesthetic; it gives it the power to affect vitally. It involves a special artistic and expressive value by means of resemblance, parallelism, contradiction and differences between the different levels of the text.The effectiveness of rhythm is not confined to the two elements of meter and rhyme, but it depends on the musical rhythm of the words. Rhythm is the spirit of music and its beating heart which expresses feelings and it is a realistic translation of the poet's feelings, passions and wishes. This thesis tries to uncover the inner and outer rhythms in the poetry of Mustaffa Jamal Aldeen in terms of phonetic balances and eloquence arts which involves resemblance, parallelism, contradiction and differences. It also uncovers the extent to which the music of his poems was activated to create special rhythmic atmosphere that harmonizes with the topics of the poems. The poet, Mustaffa Jamal Aldeen, has a profound and conscious vision of the reality that he lives in, and the community to which he belongs. He rejects humiliation and submission that the nation reached at. He urges the nation to change this reality by employing all his artistic and poetic tools. He believes in the inspiring role of art in life. While forming his poetic text, he creates a poetic melody springs from the depths of his passion and feelings towards crucial issues. For that reason the poetic word has borne expressive powers and phonetic values that showed the inner feelings and passions of the poet.

انماط تركيبية في الحوار القراني : قصة موسى انموذجا == Structural Samples Inthe Qur’an Dialogue : Moses Story Asa Sample

اسم المؤلف: مقداد عبد العظيم فاضل
اسم المشرف: عبد الجبار عبد الامير هاني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: تتناول هذه الدراسة الانماط التركيبية للجمل الواردة في خطاب المحاورة في قصة النبي موسى، فقد كان الحوار في القصة ميدانا تطبيقيا لهذه الدراسة، ولابد من الاشارة الى ان المقصود بالانماط التركيبية للجمل، هي تلك التراكيب المستقلة التي ترد بعد فعل ( القول ) | This research deal with types of sentences structures for sentences that occurred in the dialogue of Moses story. Moses tory got great deal of different teachers in different studies like( literature ,Artistic, metaphorical, linguistic ,and negotiation )But the dialogue structure in the story I can't find any synonym for it ,so the Researches Title (Structural Samples In AL - Quraan Dialogue( Moses Story as Sample).Structural Samples In AL - Quraan Dialogue( Moses Story as Sample )This subject suggested by my teacher supervisor Ph. AbdualjabarAbdualamir Hani, and I was interested to know about AL Quran Secrets.This subject relay on verses in Quran and this give priority among other studies.I have to explain that this study doesn’t cover all structure types occurred ,for its multi numbers and short time for writing in one year.so the researcher study just common dialogue structures.The study included in three chapters preceded by preface ended by the conclusion including the result of the research so the preface referred to the two terms (Dialogue and structure) in language and in term and also structural sample ,and the verb of saying because dialogue depends on verb of saying.In the first chapter is (Simple structure and compound structure ) It was taught : un restricted simple structure ,restricted, confirmed, ,negative (verbal and nominal)and also referred to conditional structure which is the condition and swear that compose of two parts the original and the branch.While in the second chapter it occur under the title (Enlarged structures) we studied the enlarge (large compound sentence) enlarge by number, enlarge by articles and some enlarged structure by dialogue.And the third chapter under the title (Omitted Structures)and it deals with reduce vocabulary or sentence.This study depends on the Arab grammarians(the old and modern)and the explicit people says, and these says and opinions that issued from them can be consider as solution for analysis.The analysis weight between the two factions semantic and pragmatic ,the first one concerns with grammar and its explanation while the second function focus on the functions of these structure and the partial points of these in general. In all these I depend on deceptive analysis for structures and its types that I use to study and I got big benefit from group of books like(AlTanweer, AlKashaf ,Albaher ,AlmohidandAlmizan) and other booksand also some scientific books of Al Quran and Metaphor ,in adittions to some books of modern like ph. Mohammed Hamasa,Ph.SaeedHsaanBahiry,ph.FadilSalihAlsamaraei and others.My study results some conclusions : Dialogues is cooperative operation going between different parts ,and can't be found unless there is differences in research ways and spoken languages comes occur after the saying verb because after he says a speech and this verb always refers to past simple picture and mostly occur masculine and it clear why it occur like that. Because the confirmation is on Moses character ,and some verbs occurred like (inspired and call).It is cleared that the dialogue of the prophet Moses be considered the longest and the largest as his dialogues with the lord (Allah) may that belong to the nature of context of prophetic message that require explanation andpersuasion.Dialogue Structures expressed significant these structures like the following : 1.Simple structure : that compose from predicable and predicative. 2.Compound structure : that compose two predicative that includes condition and conclusion and swear.3.Enlarged structures : which occurs in different shapes and different pictures, the enlargement achieved by in simple sentence by the big sentence ,numerical and other articles.4.Omitted sentences : that compos all deleted from articles ,nouns ,sentences, says,.Finally this research paper is just humble work that I did all my best from energy and effort for AlQuran Language and for Arabic language and its immortal structures ,I ask my God (Allah)to guide me to the knowledge and prevent me from mistakes ,No one will be neighboring to me more than (Allah),and Finally My great thanks to (Allah )

تداولية الخطاب التفسيري في كشاف الزمخشري (ت538هـ) : السور المكية انموذجا == Pragmatics Of The Explicatory Discourse In Al - Zamakhshri?S Kashaaf : The Example Of Mecca?S Verses

اسم المؤلف: سارة عودة جابر
اسم المشرف: عامر عبد محسن السعد
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to Allah, who has been humiliated for his ability and caused merciful(kindness) reasons. The prayer on the messenger of the best religions. The honourable of the whole creation of God. Mohammed and his virtuous household family and companions. The pragmatics is accounted as one of linguistics branches. It appeared recently for the purpose of studying the semantic (meaning) and makes it more accurate in usage. And in its methodical described the whole complete and comprehensive curriculum in the studied language for teaching the speech in its positions and its different forms according to the intention of the speaker and the conditions of the audience who receive it. If the linguistics has focused(concentrated) on internal performance and levels in studying language and interested in both issues structural and traditional, so that the pragmatics is more accurate because it is interested in the poles of the communicative process to ensure communication. The importance of the topic dealt with the significance of the speech within the light of the context and the surrounding positions. Since the prospector(Alkashaaf) is an interpretation oration (speech). So that the curriculum pragmatics approach will allow that speech to track the language properties of interpretation at all levels especially the indication that is necessary to interact with the oration language thus the interpretation concentrate on semantic (meaning) since the meaning is the core of the communicative process in the pragmatics, so there are bridges between interpretation curriculum represented in (Alkashaaf) and the lingual approach represented in the pragmatics and this issue gives the research a great significance because it will end to a definite result that in our heritage (tradition) aspects (remarks) or theory of pragmatics.The researcher tries to answer on the following questions;1 - Why did Al - zamakhshri write his interpretation ?2 - Who is the beneficiary from the interpretation?3 - How could he influence the recipients?4 - How was the language of interpretation with him? The aim of the research is studying the interpretation completely ( comprehensively) far away from the silence of the text connecting it with the different positions and searching for both goals productive and untold (silent) with stating (expressing) the influence which happened on recipient himself. All this through approaching the traditional text with modern linguistics analysis to find common denominators between deliberative linguistics and our linguistics heritage especially the rhetorical lesson. In the nature of the research divided into preface and three chapters followed by a conclusion with the most important result.The preface includes determination the deliberative term and its relation with the religious oration (speech) especially interpretation.Chapter one applies (speech Acts in interpretation oration for Al - zamakhshri) and divided into two topics : The first in the direct speech Acts. And the second in the indirect speech Acts. Chapter two applies (Argumentation in interpretation speech for Al - zamakhshri) and divided into three topics : 1 - The concept of Argumentation 2 - The features of Argumentation curriculum.3 - The Argumentation scale and its devices.Chapter three is about Deixis and divided into three topics after an introduction about the concept of Deixis and their topics as the followings : 1 - Personal deictics.2 - Timeporal deictics.3 - spatial deictics. And finally we ask praise be to Allah, Lord of the world

الخطاب الحجاجي لاهل البيت (عليهم السلام) في كتاب الاحتجاج : دراسة تداولية == Argumentation Discourse Of Ahlulbait (Peace Be Upon Them) In The Book Of Al - Ihtijaj A Pragnaticus Study

اسم المؤلف: عبد الحسـن علي حبيب شبيب الناصر
اسم المشرف: محمد عبد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Argumentation discourse is a central focus to delivery of ideas and prove purposes in the mind of the listener. As it involves on active role in persuade others. Being a conscious attempt by the speaker to influence the recipient through the means of excitement and influence. There fore ,the study seeks to uncover the mechanisms persuasive in blog intellectual heritage employing some of the findings of the research deliberative of concepts and laws as a principle of the cooperation and the theory of speech acts and the total investment made by the theories of concepts and tools in the analysis and it came study entitled (Argumentation Discourse of Ahlulbait (peace be upon them) in the Book of Al - Ihtijaj A Pragnaticus Study). and but we chose this blog without the others because of it's privacy supportive of this argumentation theory it is the nearest congnitive texts that represent Argumentation theory to posses mechanisms and from and tools. And it was a field of study, research and following the descriptive method of analysis in the description of Argumentation phenomena in the Argumentation discourse and its role in persuasion

الفكر الاستعاري العربي في ضوء المنهج الحجاجي == Arabic Metaphoric Thought In The Light Of Argument A Pproach

اسم المؤلف: يوسف رسول حسين
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to God and tow years after of research and study ,we finished this research that named ( The metaphoric thought in light of curriculum AL Hijaji) through follow up with administrators I adopted in my study on the Arabic resources and its represent in workbooks was the most important one (the important theories of AL - Hijaj from Aristotle to today) with administrators special team in Manoba university in Tunisia ,and AL Hijaj in AL Koran of most important style characteristics Abdullah revolution and ( AL Hijah in contemporary rhetoric) for Mohamed SlemAmeen and(Al Hijaj in Arabic poetry) for Samia Al Doraidi and ( Al HIjaj and the truth and afaq and interpretations )for Ali Al Shaban and dialogue require in circulation lingual and another of Arabic old and new resources This research divided into three chapters and at the beginning of these chapters an introduction and pave and the researcher took in pave the metaphor in Arabic thought , metaphor in western thought and the metaphor in Al Hijaji’stheories and was under this last title another titles , it was talking about definition of Al Hijaj , Al Hijaj’s theories , Al Hijaj in Berleman and Al Hijaj’s metaphor. In the first chapter there are three parts ; the first part was talking about the mechanisms of Al Hijaj in critics and Al Hijaj in poetry and the conversation include Al HIjaji’s pronunciation resource. In the second part is talking about the research of Al Hijaj in Al Amadi and Abulkahir Al Jerjani and itAl Basrah UniversityCollege of literatureArabic departmenttook the delay’s styles and division and rhetorical styles that put by Al Amadi also the researcher in this part talked about Al Hijaj in Abduikahir Al jerjani. In the third part of the first chapter the researcher talking about the circulation dimension in the Arabic critical speech , He was talking about interesting principle and principle of purpose or the meaning and how to employed from the old Arabic criticsIn chapter tow the researcher talked about Al Hijaj for the old Arabic commentators and he took birth of the term explanation for the Arabic and under this title the speech was about definition of the explanation is language, Al Koran Al Kareem and the ignorant poetry and explanation the poetry that owned by Arabs. after that I’m began reading the books of Al Hijaj and its resources. at the end of the closing I extend my thanks and appreciation for Dr.FalehKamelEscandar who was more than teacher and brother to me and I also thanks all my teachers in Arabic department and all thanks for the members of committee discussion.

لغة الشعر عند عارف الساعدي == Poetic Language To Arif Al Saidi

اسم المؤلف: عباس عبد الحميد عدنان الموسوي
اسم المشرف: عبد الامير مطر فيلي الساعدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Due to the poetic tendency formed by modern currents towards new poetic horizons that lead to appearing individual creations; poetic prints started the spoiled Iraqi poetic scene limiting its identity as a new style in the achieved text image. Arif Al Saidi was one of the famous experiments that took part in supplying the literary climate in general and the poetic one in specific for what was achieved by this poet of texts with modern and contemporary spirit. Out of this complexity, it is necessary for the poetic language to witness a case of transforming responding for the stimuli of the modern expansion and emergence for it is described as the incubator of more comprehensive for whatever the underlying poetic textual structures imply. This formed a motif which drew me to engage in poetic language. It is one of the Iraqi poetic experiment with its uniqueness of form and content. This is what recognizes it or makes it very close to the nation's experiment. Nature of the study demanded the thesis to contain four chapters preceded by a preface and followed by conclusion included the most important results. The preface has two sections. The first included the poetic language concept and its turn in the poem constructing. The second tackled Arif Al Saidi's experiment and his poetic achievement. That's why it was entitled Arif Al Saidi : the experiment and affiliation. Concerning first chapter which is entitled poetic rhythmical constructing, the researcher talked about rhythm in his poetic texts. Second chapter which is entitled constructing poetic vocabulary, the researcher dealt with studying the poetic vocabulary that is described as basic foundations that the poet built his linguistic building. Third chapter which is entitled structure of poetic construction, the researcher showed the prominent expressive harmonies that participated in the poetic language construction. Fourth chapter that came under the title constructing the poetic image. Here, the most important image devices were mentioned that the poet resorts to incarnate creative experiment. The current study followed the analytical descriptive approach which depends on interrogating the poetic texts and exploration the prominent stylistic phenomena and their analysis to reach the poet's interests and his artistic ability. In brief the real value of Arif Al Saidi's poetry lies in their deviation of the familiar linguistic, ready - made, and repeated forms especially that the Iraqi poet's sensation in particular and of Arif Al Saidi's in specific belonging to a new limited poetic generation or to a particular group ( for example stanza poetry). It was a pushing power towards more privacy and to be distant isolated of rumination, repetition, and fluctuation in the first position of the particular poetic experiment. That was in spite of its privacy and depth. It is the matter that has deep penetration in the daily, marginal, neglected, and the ignored in the Iraqi real movement

التناص الحجاجي في خطب عصر صدر الاسلام والعصر الاموي == Argumentative Intertextuality In The Speech Of The First Islamic Period And The Umayyad Period

اسم المؤلف: امل عبد الرحيم جمعة القره لوسي
اسم المشرف: حسن حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: يجترح هذا البحث مصطحا مهما من المصطلحات الحجاجية الا وهو(التناص الحجاجي) الذي يعنى بالخطاب والتعالقات النصية في خطب عصر صدر الاسلام والعصر الاموي، واثر هذه التعالقات النصية في حجية هذا الخطاب، فالعلاقات النصية التي تقيمها الخطابات تمتد الى ثقافة مختزن | The current research suggests a significant term which is one of the argumental terms that is the arguemental style. It tackles speech act and relative texts in the speeches of beginning of Islam and the Umayyad era and the effect of these relative texts in the argument of this speech act. The relative texts that are evaluated by orations extend to a stored culture in the collective memory which are inflected in departures and changes that are covered always with a modern garnet. This linguistic event is revived through precipitated procedures in the new oration. The text here is a web of linguistic, constructional, and ideological data, all cooperate to form speech acts. After completion, it practiced a great influence so as to produce other texts, so, the text depends on renewal according to its readability and on quantity according to its supplying privacy.The incoming text comes loaded with argumental references charges with pragmatic productive features to penetrate with the current text and melt in its essence, so the incoming text appears in various levels : the explicit and the implicit. This pragmatic fertilization results in new text with a directed argumental dimension. The pragmatic interaction which is established between the incoming text and the current text cannot be of a single path instead it goes towards the giving and taking reference; it grants the incoming a new reference as it grants an argument power to the current text with all its pragmatic referential roots within its environment. So, the coming text may grants old text new interpretation or show them with a new garment that was hidden before. They could not be seen before so long as the style process, that achieves great deeds that practice argumental power which guide the path of speech act.The research results in several argumental style that the orator adopted in the beginning of Islam and the Umayyad era. These speeches were coloured with different stylistic feature that carried the tendencies orientations and how to form the speech and presenting it to the listener as well as their dependence on the textual loadings that differentiate in their argumental guidance.The research plan included an introductory chapter, followed by three chapters, and conclusion included the most important results of this research in which all this term interpretations and details were discussed in addition to its influence on speeches of the beginning of Islam and the Umayyad era.

الحوار في المقامات الحريـرية واللزومية : دراسة موازنـة

اسم المؤلف: امينة ثعبان يوسف نجد الاسدي
اسم المشرف: عدنان محمد ال طعمة
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

المنهج في الخطاب النقدي العراقي المعاصر : تجربة رحمن غركان اختيارا 2003 - 2016م == The Method In Iraqi Contemporary Critic Attempt Of Rahman Gharkan Selectively 2003 - 2016 A.D.

اسم المؤلف: صالح مجيد علي الخزرجي
اسم المشرف: خضير عباس درويش
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study has concluded to a group of results briefly mention as follows : The critical method represents a main element which the critical literature based to reach through to goal from reading that work art of this , the method has been distributed in Iraqi Contemporary Critic two paths : firstly the research method that take the critical literature data at its subjective and art possibilities , this become widespread in academic thesis especially when the researcher or the study deals with literature or literature phenomena or critical case, the dissertations and thesis represent that studies specific cases (subjective art) a model in functioning the literature curriculum, secondly the critical methods that based on dialogue between a particular work art and critical mind in the light of specified critical method , there are four methods used widely that the contemporary Iraqi critic impacted of western methods. so that , known : stylistic critic on multi methods and constructional critic on also multi methods , cinematography critic on vary theories then literature critic on differential set forth. The poesy critic dominates on other prose arts in the contemporary Iraqi critic due to domination the poesy literature on the awareness critic from a part and abundance poesy production , quantitatively and qualitatively from other side. besides the richness of old Arabic critic record by deal with critic poesy. The Iraqi critic beware also researcher and studying to the importance of the critic term conducting with all doctrine apart and connecting with each arts a part , the term in poesy language different from tale or story , thus in other arts and terms in constructional different in stylistic and as in other doctrines. The critical studies are similar in academic critic particularly those using as methods : stylistic , constructional , cinematography or rhetorical , ways to reading works art then similar studies that read : poetry image or poetry language or constructing presentation personality or arguments. this due to little number of diligent critics , large number of studying or familiar researchers which making create new rarely , spreading the familiar or repetitions as familiar. Rahman Gharkan's critic mostly deal with other arts critic, between twenty two books as sample of this study on the poetry as subject for twenty books some of them for other arts and second rank which the tale , story , the play , the sculpture , music and art construction , for the critic art distributed on four books. The stylistic doctrine presented in critical speech of Rahman Gharkan through four books which are the stylistic as being method as describe doctrine and method of Arabic eloquence , the standard of rhetorical method and the components of the stylistics the poetry column for the rhetorical method represents three books which are : Arabic rhetorical theory , the rhetorical critic method and lectures of the rhetorical teaching , most the rhetorical books have the known teaching method in Arabic rhetoric. He was remarked by the new critic method theorization and applied in books (constructive method in view of procedures / towards suggested method in reading the text and receive the meaning ) whereas this method present five forms of application is constrictive structural readings in five arts which are poetry at the second chapter , story art in the third chapter, tale art at the fourth chapter , theater art in fifth chapter , narrative art in sixth chapter , to concluded to possibility to apply6 in other arts. The application prevail on theorizing at the critic speech for Rahman Gharkan so that he was caring with application data of critic method by making critic procedure at his work art mostly attend the literature's methods. His language characterizes with the critical term level also on descriptive and analysis to affiliate to the method so that the method's language was rhetoric : term and analysis other than stylistic method language. His traditional reference composes of his critic mind attended impact and deep impact on imported reference and his using the Arabic tradition most effective of the modern western critic. The method represents a significant sign of his work that produced six books : the tools of curriculum readings and stylistic as being a doctrine, doctrine's language , talk's doctrine and its standards of methodology , the critic rhetoric, and composition's doctrine from view to procedure. At Rahman Gharkan's critic speech in his written in 2017 another field for study other than its specialization in this study : The critic term in critic speech for Rahman Gharkan's and the text materials at speech critic and written language for him.

شعر موفق محمد : دراسة في البنية الفنية == Mowafaq Mohammed's Poetry : A Study Of Artistic Structure

اسم المؤلف: محمد حاكم مسير جاسم
اسم المشرف: سوادي فرج مكلف
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: فان الشاعر موفق محمد من شعرائنا المعاصرين الذين حملوا هموم الحياة واكتووا بنارها وكان الشعر سلاحهم الذي يخفف عنهم الام الحياة واحزانها . وقد وجدت ان هذا الشاعر له حضور فاعل في الحياة الثقافية لمشاركته في المحافل الادبية بصوته المؤثر وقدرته على تحريك المشاعر وجذب المستمعين واستمالة عواطفهم ولما اصدره من مجاميع شعرية لها وقع متميز لدى المتلقين من هنا وقع اختياري عليه لدراسة ( البنية الفنية في شعره ) لمعرفة مدى ما وصل اليه من المهارة والحذق في صياغة الشعر وتلوين خيوط نسيجه وعندما شرعت في البحث عن المصادر التي عنيت بدراسته عجبت لندرتها وانصرافها الى حد كبير عن دراسة ما يتمخض عنه شعره من جوانب فنية فالشاعر موفق محمد على الرغم من مكانته المتميزة بين شعراء عصره لم يحظ بدراسة علمية تعنى بما يشتمل عليه شعره من عناصر الابداع ، فشمرت عن ساعد الجد وجعلت هذه الغاية هدفا اسعى الى تحقيقه . لقد اعتمدت في دراستي هذه مصادر كثيرة منها ما كتبت عن الشاعر نفسه ومنها مصادر نقدية وادبية متنوعة ، كما اعتمدت في تحليل النصوص على مجاميعه الشعرية التي اصدرها ، هادفا الى ابراز اهمية دور الشاعر ومكانته في اوساط المجتمع وجمالية لغته الشعرية وصوره وايقاع الشعر الذي اتخذه منهجا يعبر من خلاله عما يختلج في خاطره من قضايا الوطن والمجتمع والقضايا الانسانية والسياسية بشكل عام . قامت هذه الدراسة على خطة سعيت من خلالها الى الاحاطة بعناصر الفن الشعري عند هذا الشاعر ومهارته في استمالة القلوب اليه ، وكانت الخطة على النحو الاتي ، مقدمة وتمهيد وثلاثة فصول وخاتمة ، تلتها قائمة بالمصادر وملخص باللغة الانكليزية . اختص التمهيد بالتعريف بالشاعر وحياته واعماله الشعرية ومكانته المتميزة بين الشعراء الاخرين ودور الشاعر في الحراك الثقافي والادبي فضلا عن عرض اراء من عاصره من النقاد والادباء فيه . وفي الفصل الاول درست اللغة الشعرية على ثلاثة مباحث تناولت في المبحث الاول : معجمه الشعري . وفي المبحث الثاني : مصادر معجمه الشعري وضم المبحث الثالث : اساليب الطلب عند الشاعر . وخصصت الفصل الثاني لدراسة الصورة الشعرية مبتدئا الفصل بمقدمة عن الصورة ودور الخيال في تشكيلها . وانتظم الفصل الثاني بمبحثين تناولت في المبحث الاول : اساليب بناء الصورة الشعرية . وفي المبحث الثاني : درست انماط الصور ومصادرها . اما الفصل الثالث فقد اهتم بالبنية الايقاعية وقد جاء على ثلاثة مباحث ، الاول : دراسة الايقاع الخارجي . والثاني : الايقاع الداخلي . والثالث : دراسة القافية ، وانهيت دراستي بالخاتمة ذاكرا اهم ما ورد فيها من نتائج وملاحظات توصلت اليها . وفي الختام اتقدم بالشكر الى استاذي المشرف الاستاذ الدكتور ( سوادي فرج مكلف ) لرعايته الابوية وتوجيهاته وملاحظاته التي لم تخل منها صفحة من صفحات هذه الرسالة . ولا ادعي لعملي الكمال فالكمال لله وحده عليه توكلت واليه انيب ومنه التوفيق والسداد . | Mowafaq Mohammed is a contemporary Iraqi poet, who uses poetry as a means to detect the manifestations of infertility in the society and to criticize political situations which led to abuse and bad treatment of people. His poetry came as a loud scream against tyrant rulers and an expression of sadness, depression and hopelessness. The study uncovered the artistic aspects that he employed to achieve the goals and ends he is aiming to. The study critically and analytically tackled the poet's language and his artistic images and poetic rhythm. The poet's language is characterized by; easiness and simplicity, free of complexity and sophistication and diversity of words in his poetic lexicon which varied into words of grief, nature, proper nouns, colloquial words, foreign words, words of love, war, arms and wine. His request styles vary into : interrogation, vocation, command and inhibition which mostly have many metaphoric themes. The holy Qur'an is one of the most important resources that he used to form his poetic imagery. He tends to form his imageries in new different ways to express his positions. Foot poetry is the most dominant type of his poetry, in addition to prose poem. Vertical poetry is a very rare phenomenon in his poetry. He mostly composed his poetry on Alrajaz, ALkamel and Almutadarak meters. He deliberated mixing between the meters within the same poem in many of his poetic texts. The poet employed the phenomenon of alternation between the artistic forms. Once we find his mixing between foot poetry and prose poem, other times he mixes between vertical poetry and foot poetry. He composed his poetry in different poetic themes; however, the most important of them are; elegy, description and satiric political poetry. Elegizing represents the greatest part of his poetry. Elegized persons in his poetry include Imam Hussein (Peace be Upon Him), his family, relatives and friends, especially his lost son. As for description, he is very well known of describing the city of Hilla; its people, allies, bridges and other natural aspects, living and silent ones. In terms of his political poetry, it can be considered as a document that recorded many of the events in Iraq.

الاليات النظرية لتحليل الخطاب في ضوء التداولية == The Theoretical Mechanisms Used For Analysing Discourse In The Light Of Pragmatics

اسم المؤلف: حليم موسى كاظم
اسم المشرف: محمد عبد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: In the seventies of the previous century, linguistics of discourse emerged in reaction to Ferdinand de Saussure's linguistic theories, especially his dichotomies, which studied the internal core of language and neglected “speaking,” i.e. the use of language. De Saussure considered “speaking” as an outsider from the domain of language and this is why he was considered as the father of formalism. Then, linguists shifted their attention to studying the practical facet of ordinary language; i.e. language used in social, historical, cultural, ceremonial, and doctrinal contexts. Accordingly, pragmatics appeared in the second half of the twentieth century.Pragmatics is a philosophical theory that focuses on the principle of use, advantage, and materialism. Though it was theorized by philosophers of different orientations, it is established due to the theories of the philosopher Charles Sanders Peirce and the additions of Charles Morris. However, it becomes clearer in the studies of ordinary language philosophers who are labeled as the Philosophers of Oxford; a group of philosophers who were influenced by Ludwig Josef Johann Wittgenstein's Analytic Philosophy. Wittgenstein also influenced John Austin who attempted to refute the logical binary of saying truth and lying in judging things. Ordinary language philosophers considered language as a means to describe, amend, and change reality. Then, they regarded it as a tool that does linguistic performances. This tendency was adopted by some philosophers after Austen. Paul Grice presented his theory of conversation and interaction rules in addition to cooperative principle among speakers. John Searle, then, completed Austin's theory and developed Speech Act Theory, i.e. how to perform deeds via language using performative verbs.In this study, the researcher has chosen this area of study for its importance in analyzing discourses since analysis previously focused on exploring and deconstructing the internal core of language. This study, being a contemporary one, serves as a link with modern linguistic thoughts and products which open the door for studying Arabic, especially in old sources, because studying the books of old Arabs would show that they had used pragmatic mechanisms theoretically and practically in notion but not in term. This appears in their devotion to the context in which the Holy Quran was descended and the speaker's intentions when they spoke about the difference between utterance and concept. Besides, their studies encompass other epistemological fields such as eloquence, philosophy … etc. This study aims at exploring the mechanisms used for analyzing a pragmatic discourse. In other words, it aims at studying language in context and use.To achieve this aim, the study is divided into four chapters and a conclusion. In Chapter One, a definition is given to the main terms of the title; i.e. discourse, discourse analysis, and pragmatics. Also, an opinion of some researchers about the term “discourse” is presented. Defining “discourse analysis” says much about the concept of analysis and the shift from analyzing the linguistic structure into analyzing the circumstances in which it is said; i.e. speaker, listener, time, place, channel of commutation, context … etc. Similarly, defining pragmatics says much about its different analyzing mechanisms, its diverse theories, and the influence of other areas of knowledge upon it. In Chapter Two, Speech Act Theory is explained. Also, verbs are received a classification and a study is conducted about analyzing the pragmatic meaning. In Chapter Three, the mechanisms used to analyze meaning in the light of Paul Grice's Theory of Conversation are detailed. Also, an explanation is given about levels of discourse, its intentions, presupposition, and conversational implicature. Finally, in Chapter Four, the basic functions of pragmatic discourse, among them are communicative function, contextual function, argumentational function, are discussed. It is worth mentioning that argumentation is a pragmatic theory that has nothing to do with Aristotle's logical argumentation which is related to old eloquence in addition to speeches, and entered into the domain of linguistic study thanks to Oswald Ducrot's researchers.Finally, the conclusion sums up the following conclusions : - The pragmatic mechanisms in analyzing a discourse are an extended pattern which aims at exploring the performative meanings and intentions depending upon shared knowledge among speakers and social contexts. They also aim at exploring customs, doctrines, and ceremonies. - Language cannot perform actions by itself. In other words, it does not have the performative ability because the matter is related to man and his personal action. Hence, language is just a means for performance

الاخر في الشعر المهجري : دراسة في ضوء النقد الثقافي == The Other In The Immigration Poetry : A Study In The Light Of Cultural Criticism

اسم المؤلف: احمد طعمة حرب
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This Dissertation , entitled ( The Other in Immigration Poetry : A Study in the Light of Cultural Criticism ) , deals with the theme of " The types , Ways of its construction , how far do culture , religious and literary authorities impact its construction. It tries to discover the cultural patterns involved in the aesthetic aspects that contributed in the deterioration of the image of " The Other " , and made the poetic discourse suffer from contradiction , where it shows all that is beautiful and human , but it conceals too much ugliness and non - human intentions.This dissertation uncovers that immigration poets are interested in the aesthetic aspects rather than human aspects. Moreover , it shows how critics contributed in justifying and beautifying this discourse in such an exaggerate way.It falls into three chapters preceded by an introduction and followed by conclusions. Chapter one falls into three sections ;section one deals with the term of " The Other " linguistically and terminologically as well as the impact of the Arabic and Western cultures and religion on its formation ; section two dealt with the image of cultural criticism , its nature , its relation with other approaches and its merits and demerits ; section three was about the cultural authorities of immigration poetry and their role in forming the image of " The Other ".Chapter two is entitled The Recombinant Other. It falls into five sections , the first of which dealt with The National other , the second dealt with The Divine Other , the third introduced The Woman as being considered The Other , the fourth tackled Nature , the fifth is devoted to the transformations of The Recombinant.Chapter Three is entitled " The Different Other ". It is divided into five sections , section one dealt with The National other , section two talked about The Different other in color and religion , section three sheds light on The Invisible other , section four is devoted to The Defiled Other , the fifth section studied the transformations of The Different.In the conclusion we stated the most important results that we reached at. Finally the researcher does not claim having done a thorough study that deals with everything about the topic ; it's a mere try to study the topic.

شعر الفرسان في العصر الجاهلي : دراسة صوتية، صرفية، تركيبية == The Poetry Of The Pre - Islamic Era Knights A Phonological , Morphological And Structural Study

اسم المؤلف: اسامة مهدي صالح الكعبي
اسم المشرف: عبد الواحد زيارة اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The present study is a linguistic investigation of the pre - Islamic knights’ poetry. It tackles twenty - five knight poets from the pre - Islamic era by studying their poetry linguistically within three levels; the phonological level, the morphological level, and the structural level. The fourth level i.e., the semantic level is not neglected in the present study as each of the three aforementioned levels requires semantic interpretation in the analysis of poetic texts. As such the semantic level is considered as a prerequisite in the phonological, morphological, and structural analysis of poetic texts. Throughout the study, it is found that the analytic descriptive approach is the best approach in the linguistic investigation of the pre - Islamic knights’ poetry. Accordingly, this approach has been taken as an analytical device to trace the linguistic phenomena phonologically, morphologically, and structurally. The present study falls into three chapters preceded by an introduction and a preliminary chapter and ends up with a conclusion. The introduction of the study includes identifying the reasons behind choosing the study subject, the criteria on which twenty - five knight poets from the pre - Islamic era are chosen, the approach followed in this study, the different names that this linguistic study might have and finally the study chapters with their contents are identified. The preliminary chapter defines the word “knighthood” terminologically and linguistically then a brief biographical information about each one of the twenty - five knight poets is given. The first chapter of the present study is concerned with the phonological level by studying the accumulation of sounds, the semantic interpretation of sounds and the poetry rhymes, each of which is dealt with in a separate section. In the second chapter, which deals with the morphological level, the first section is devoted to investigate nouns, verb derivations, and broken plurals. Another section is specified to verbs.The third chapter tackles the construction of the Arabic sentence in one section and the grammatical styles are examined in another one. Finally, the present study arrived at a number of conclusions. It is concluded that there is an accumulation of some sounds which reinforce the intended purpose of the poet. In addition there are some sounds that occur less frequently in the whole poem but they might recur and accumulate in one stanza. One of these sounds is the /z/ sound which is repeated in one stanza but is rarely found in the preceding twenty stanzas of the same poem. Moreover, there is a section in the third chapter that is devoted to reinforce the semantic interpretation of sounds as sounds refer to specific meaning or simulate the meaning in a context of speech. On the morphological level, the study concluded that there is a tendency to use the subject noun and the exaggerated forms by the knight poets justifying that these forms represent the actions that those poets liked to do which also reflect the moral values that they are characterised with like bravery, generosity, liberality, and pride. The study also drew a number of conclusions as far as the structural level is concerned. It concluded that the use of some grammatical styles by the knight poets was for showing their characters. One of these styles is assertion. Furthermore, it is found that there is another type of assertion which is not mentioned with other assertion types. For this type of assertion a poetic example from Hatem Al - Taa’ei on page 197 is given and analysed provided with some example sentences.

الادوات في شروح حماسة ابي تمام : دراسة نحوية == The Articles In Abi Temmam's Enthusiasm Explanations : A Syntactic Study

اسم المؤلف: داود سلمان حسين الربيعي
اسم المشرف: سلام موجد خلخال الزبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: The syntactic articles are considered a basic element among others that help in Arabic sentence construction. It's singular is an article. It is similar to the one that used by any handcraft in his job. Thus, the worker needs his article to fulfill his task, the grammarian also does. For the last is also considered as a craft owner since he needs his own article to construct his speech. He has to perform it perfectly with best articles that give the best sentence meaning in particular and the best speech meaning in general. The researcher in syntax, surely that this study has tackled a wide part of the article subject that is simply due to their high number of their relation to other syntax topics. This was followed by the old and contemporary grammarians up to our modern time. Concerning enthusiasm explanations, they are regarded as the Arabic heritage. Many Arabic sciences highly exaggerated in its discussion for it is the more famous Arabic options. It was called enthusiasm for its first subject or meaning that these explanations start with is bravery, literature, erotic poetry, praise, and other poetic purposes that Arabs were showing off such verses were said by great poets. The current topic that I chose with the help of the supervisor assistant professor ( Dr. Selam Mujid) deals with what these explanations include of grammatical articles whether these are nominal, prepositional, or verbal. Some of these articles fell in more than one explanation. That led the researcher to adopt those scholars in particular article taking into accounts others opinions specially when they have other senses. They were studied grammatically according to its movements, position, and in particular function which is considered the base in limiting what comes after : noun or verb; and even limiting type of the item, as well as the article meaning. Similarly to what the interpreters said, the said that the article has more than one meaning according to the Quranic verse. This is applicable to the article in enthusiasm explanation for it has more than one meaning in the same or other poetic lines. The study was divided into three chapters preceded by an introduction and preface implying explanation of the article meaning literally and figuratively in addition to the grammarians' thoughts in this concern mentioning whether it was adopted by the old grammarians or it is a contemporary term. Some differences between the Basris and Kufians were also mentioned. First chapter dealt with singular articles. I divided into it on the chapter alphabetically similar to some Arabic dictionaries. The article distribution in this chapter and others was not according to the function, rather that each article is singular due to the function or structure or simplicity of enthusiasm explanation. Second chapter followed by the first in order. It has the great part of article in comparison with the first. This maybe belongs to the large number of dual article. Finally, third chapter dealt with triple article and the extra ones. The additions on the base were mentioned such as ( rubemah) and (inemah), etc. the following results have been drawn : 1.the most important figures who explained the enthusiasm were Ibin Gini in his book ( Al tenbeah), Al Merzoughi in his book (Sherh Diwan Al Hemaseh), and Al Tebrizi in his book (Sherh Diwan Al Hemaseh of Abi Temmam). We find them following Al Basris in their explanation. 2.Sebewaih does not allow addition ( Min) in the duty while other explanation owners do, since they follow Al Ikhfesh and the Arab saying ( It was of rain).

الابنية الصرفية في ديوان ابي المحاسن الكربلائي (ت 1344هـ) == The Syntactic Constructions In Abi Al Mehasin's Al Kerbelaee Verse

اسم المؤلف: نورس عزيز كاظم نايــف
اسم المشرف: عادل نذير بيري الحساني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: The current master thesis which is entitled (The Syntactic constructions in Abi Al Mehasin's Al Kerbelaee Poetry ) tackles the syntactic constructions in this poet's divan. It clarifies how these syntactic constructions are mentioned depending on the old and modern grammar books. The study starts with an introduction, a preface, three chapters, conclusion and results, and finally the references that helped the thesis to have this shape. The current thesis lies in three chapters. The first chapter is about constructing derivatives. The second chapter deals with constructing nouns, it is divided into two sections with adequate results for each requirement. The third chapter tackles constructing verbs. It is divided into three sections with a satisfactory results for each requirements.Results of the study can be summarized in ten points. This indicates that chapter one that is constructing derivatives was the widest among other chapters. Present participle took the biggest part of chapter one for its frequent repetition while the 'm' infinitive which was only mentioned six times. Concerning the nouns constructing, then constructing noun of three letter verbs occupied a part of the nouns constructed in the divan. The less mentioning part of the added three letter verbs in the position rather than the additional letters and what was mentioned of the three letter verb constructing is the largest among the constructions. Present participle a syntactic study in Abi Al Mehasin's Al kerbekaee poetry The study entitles Present participle a syntactic study in Abi Al Mehasin's Al kerbekaee poetry is in this poet's divan. It clarifies repetition of present participle depending on the old and modern grammar books. It starts with an introduction, a preface two sections, ending with conclusion and the research results, margins, and the references that helped the thesis to have this final shape. Concerning the study results, the poet Abu Al Mehasin does not use audio forms referring to the present participle of the additional three letter verb without mentioning the special form of present participle of the additional four letter verbs. The forms that Abu Al Mehasin does not mention in his divan are : 'feil', 'fea'l', 'fuel', 'feiel', 'mufaal', 'mufuail', 'mufawel', 'mufalel', these were not mentioned by other grammarians. The reason behind frequent mentioning present participle in 'fail' form in Abi Al Mehasin's divan is due to the poet's life that was partly in the twentieth century and he was affected by the ninetieth century atmosphere and the Ottoman state which he considers as the development leader and carrying its flag. The most important attribute of the author is his maintenance. His stability on his stand and insistence to bear people's suffering led him to use the present participle in a form of ' fa'il'.

مباحث علم المعاني في تفسير (من هدى القران) للـسيد محمد تقي المدرسي

اسم المؤلف: خالد عبد النبي عيدان الاسدي
اسم المشرف: حازم علاوي عبيد الغانمي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This research highlights the rhetorical effort to the world of Shiite contemporary of the holy city of Karbala, Mr. (Mohammad Taqi al - mudaresi ) in his book (the interpretation of Huda al - Quran) and this effort also taught a branch of rhetoric which (semantics) flag which connects the rhetoric and science as such, it is a link between them, and did not lose sight of the interpreter of this science in its interpretation (of Huda Quran), where mention all his joints and his things and leaving for appropriate if the face of it, we looked at the most prominent patterns this renewed science, which studies the aesthetics of the Quranic text of the installation of the quality of the wholesale (newsworthy or construction ) or the study of the conditions of sentence of fluctuations in their structures (such as the introduction delays) and (palace style) and (Chapter interfaces) and (definition and saying that the indefinite) and (pay attention), on the other hand, considering the length of sentence and confined in the (brief) and (redundancy) and (above), we found that the interpreter was not closed to the sect or doctrine, but he would take out all the communities multiplicity of backgrounds and patterns of thinking, and it was his opinion present leading in most cases, and often starts from where the others ended, and this demonstrates that the interpreter was a informed most of the commentaries, this does not prevent its approval for them in some of the texts that it deems correct After this attempt in this study to publicly we will have contributed to the Arab Arpad library service of the Qoran, the guide us thank God otherwise nothing else we tried, God of the intent behind

خصائص الاسلوب في كتاب نسيم الصبا لابن حبيب الحلبي ت779هـ == Style Characteristics In Nesimu El - Saba Book For Ibn Hebib Al - Helebi (779 AH)

اسم المؤلف: منتهى حسون زيدان الجبوري
اسم المشرف: كريمة نوماس محمد المدني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study is based on examining and analyzing the aesthetic features that are appeared in one of the traditional books and such books shows us the reality of literature that belongs to an era that is described as an age of retardation and darkness so much. In spite of this, relentless pursuit uncovered literary products with high level of poeticism and in such case; these products are on the contrary to melancholic perspective towards the products of this era and its pioneers.IbnNesimu El - Seba book comes as a sample with which we can touch what can appear as distinctive stylistic feature as well as reflexiveto state of literature at such era which is charactized by publicity of ornament, novel and decoration with different manifestations and forms in all these products. The stylistic approach as a mechanism to deal with what looks like as phonetic ,structural or semantic ecarts and violations in texts of the book whether they are poetic or prosaic. The plan of the study involve Preface with which the researcher introduces IbnHebib Al - Helebi, Nesimu El - Seba and the stylistic feature for the literature of eighth century A.D. Three chapters of the study are specified to deal with stylistic feature within Phonetic level, which include assonance, phonetic paronomasia,repetition, parallelism, rhymes, rhythms and duality. Chapter two deals with stylisticfeatures within structural level that include negation , condition , interrogation , call,anastrophe,asyndeton , polysyndeton , brachylogyand circumlocution. Chapter Three is specified to deal with stylistic feature within semantic level, which include cultural referents, simile, metaphor, allusion, and antithesis. The study comes up with conclusionand with some results of the study.

القرائن النحوية بين الاصوليين والنحويين : دراسة موازنة

اسم المؤلف: نور فاضل بنيان محمد
اسم المشرف: لمى فائق جميل العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اراء سيبويه في (البحر المحيط) : دراسة نحوية == Sibawayh's Syntactic Views In Al - Bahr Al - Muhit : An Analytic Study

اسم المؤلف: محمد منير اسماعيل علوان
اسم المشرف: حميد عبد الحمزة عبيد الفتلي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The present paper discusses the syntactic views concerning one of the most eminent scholars of Arabic language who lived in the second Hegira century; Ab? Bishr ?Amr ibn ?Uthm?n ibn Qanbar known as Sibawayh (Died in 180 A.H). The views are those found in al - Bahr al - Muhit (The Encompassing Ocean) of the commentator Abu Hayyan al - Nahwi (Died in 745 A.H). Al - Nahwi was an eminent scholar in Arabic language and Quran sciences. He wrote many classifications, among which is al - Bahr al - Muhit, which is adopted by commentators and grammarians from that period till present days. It contained many syntactic issues that were not tackled in classifications of such interest. It included the views of many former grammarians. Hence, this study is a record of the development of some syntactic views and continuity of the other views. The study discussed more than seventy syntactic views of Sibawayh which were mentioned by Abi Hayyan in his book. This paper could be the first step in the studying the views of grammarians who followed Sibawayh and who influenced this commentary. Therefore, the study is important for researchers who are interested in this field. The paper includes an introduction and four chapters. The introduction discusses the significance of the study which discusses the methodology adopted by ibn Hayyan in his commentary and former researches in this field. Chapter one, which is entitled Nominative Nouns and Converters, is of two sections. Section one includes nominative nouns; 1 - subject and predicate and 2 - subject of a verbal sentence. The second section discusses convertors; 1 - Kana and sisters and 2 - Inna and sisters. Chapter two is entitled (Inflected and Uninflected Nouns and Verbs). It also is comprised of two sections, section one discusses inflected verbs and the second discusses uninflected nouns and verbs. Chapter three discusses objects and appositives. It is comprised of two sections; the first discusses objects and semi objects, the second discusses appositives.Chapter four is entitled (Genitives and particles). It is composed of two sections; the first is about genitives and the second is about particles. The study ends up with a conclusion included the outcomes of the study, followed by the resources list and an abstract in English

التصوير الموسيقي في الشعر الاندلسي عصر ملوك الطوائف والمرابطين == The Imagery Musical In The Al - Andalusian Poetry : Era Of Al - Tawaif And Al - Moravid Kings

اسم المؤلف: محمد عادل جاسم حمادي
اسم المشرف: نصيرة احمد حمزة الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تضمنت تلك الدراسة مجموعة الدواوين الشعرية المحققة في عصر ملوك الطوائف والمرابطين , والتي حظيت باهتمام الباحثين في جميع المجالات الادبية والنقدية , ما اعطانا حافزا لدراسة الجوانب الموسيقية التي لم يسلط الضوء عليها سابقا. الفصل الاول : درسنا فيه التصوير | Chapter one discusses musical imagery.In this chapter there are three sections : Section one : assimilation imagerySection two : metaphorical imagerySection three : metonymy imagery The researcher in this chapter discusses the relation between rhetorical imagery and music : was the poet successful in relating rhetorical imagery to music ? Are there discrepancies among poets in the extent of drawing such a relation or not ? ln chapter two , the researcher studies poetic and musical structure. This chapter is of two sections : section one is about poetic functions ,which are eulogy , elegy , love , wine , description , pride , and lampoon. Taking into consideration the different views of critics and prosody specialists , the relationship between meter and poetic functions , verification of authenticity of such views within analysis , and was the poet successful in relating meter and poetic function with musical imagery structure or not , were also discussed in this section. Section two is about the structure of Andalusian terza rima. the functions here were ; eulogy ,elegy , wine ,nature , and love. ln this section the relation between meter and poetic functions , within the structure of poetic imagery concerning Andalusian terza rima was discussed. Chapter three discusses the features of prosodic structure. lt is comprised of two sections. Section one studies external music , including two functions ; meter and rhythm. Section two is about internal music. ln this section , the researcher deals with repetition , paronomasia , relating second hemistich to the first , concord , inlay ,and rotation. these arts have vital prosodic importance in the contribution of the structure of the musical imagery. The conclusion included the outcomes of the study followed by references

الخلاف اللغوي في ضوء دراسة لهجات شبه الجزيرة العربية == Liguistic Diversity In The Study Dialects Of The Arabian Peninsula

اسم المؤلف: ليلى علي فرج
اسم المشرف: ولاء صادق محسن الاسدي | منذر علي عبد المالك
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The most important results obtained in the thesis it is that the dispute linguistic fertile subject of the Arabic language subjects, said in a boot importance of studying accents suspicion of the Arabian Peninsula in the study of differences of language, and looked at the first chapter voice dispute in the light of the study of the Arabian Peninsula accents Among the most important findings : - 1. The dialects participated in twelve way out of the exits of the votes.2. The origin of the voice (GEEM) to be whispered, described the ancient voice of DH description is true, and the origin of the sound (TAA) Speak out, and voice (QAAF) whispered.3. The Arabian Peninsula accents is consistent in speaking out recipes and whisper amplification and instability in their voices.4. The origin of the movements is long movements, and that the referral is a secondary development of ALLF and YAA and originated from opening a branch of it.5. The (focal point) does not exist in the Arabian Peninsula accents, their movement is not transmitted, and the phenomenon of insults facilitate a common phenomenon in the Arabian Peninsula accents.6. The voice is not a Noon rather than movement, and supports Noon with other letters.7. The scholars differed in some voices which (O Allah)8. Where Meem where the amplification and veneration, and the origin of (even) the eye and is not HAA, and (garlic) in which the original Althae dialects and got rid of it and replaced it in the SEEN and the SHIN.And discussed in the second chapter in the light of the controversy morphological study of the Arabian Peninsula dialects and found : - 1. The doors of the act, which counted abnormal scientists are the origins of these dialects in the present tense, although breaking the old linguistic phenomenon of a character, and share these dialects in Waw deleted from the present tense.2. The opening, which will be the second and third annular feature in the Arabian Peninsula accents characters, and the formula (FAAIL) is origin of the name - acting formulations, though Quartet words derived from bilateral substance in these dialects.3. The weights of the six names of mono and bi assets in these dialects.4. These dialects has not adhered to when combining and Deuteronomy markings to distinguish between masculine and feminine, and there were to Fezta (both, and both) Mtnah in these dialects gathered Aloagamah collection of evocative names in Salem.5. The Hamza appear on the image in these dialects.6. I found (Alta) in all the Arabian Peninsula accents to denote the feminization albeit thousand feminization is only the evolution of Alta which turned out to E and then to a thousand.7. Verb matches actor in the recall and feminine in the Arabian Peninsula accents.8. Rehabilitation of some of the terms that scholars have differed in, and these words of the word (name) in which the original is (Shin and Almim), but the word (human) origin on Flan weight, but the word (Emmen God) is derived from Yemen, but the word (devil) Noon the original, and others of the terms that reported assets in light of the study of the Arabian Peninsula, including accents (rIBA, flood, values, and how much) and others.9. Altmiam subsequent voice in Akkadian corresponds Tanween in Arabic, did not mention to distinguish between the outgoing and unspent, or between the name and the verb, or between singular and added.10. The basic meaning of the Decrease in the Arabian Peninsula accents is belittling.11. AZ catch the six names in the addendum in Hebrew and Arabic condition.Discussed in Chapter III : Grammar dispute in the light of the study of the Arabian Peninsula accents and revealed that : - 1. The syntax is the origin of the nouns and verbs, and that assertion is not in the syntax it is a linguistic phenomenon occur in the language, syntax, and it came to ease on the tongue, and that the collection Almant Salem riveted slot in all the Arabian Peninsula accents.2. The present tense parsed not being similar to the names, but for being a kind of act, and raised in Akkadian despite the entry of the monument factors and boots him, but the word (even) preposition and monument of the verb tense in the Arabian Peninsula accents.3. The Alljhat is barely differentiate conjunctions (but Waw) did not respond to the present tense erected after him, and that the origin of conditional sentence to be a reaction condition past and Answer condition Mdharaa brought.4. The verb is in the Arabian Peninsula dialects derived from the tenses.5. The distraction in the management definition in the Arabian Peninsula accents met Hamza in Arabic, and that the pronouns in which the original conscience as a whole, and (Ia) are the basis for Mufaolah mark originally in the conscience of the separate (you) word as a whole, the common root of the name of the signal (ZAA) in accents the Arabian Peninsula, and the use of reference name instead of conjunctive name out in these dialects, and waw in the word (those) out and not overloaded.6. Complex numbers Mdghamh with each other in Akkadian do not know the number of the boat in. In Hebrew intervention definition on complex number deficit tool.7. Agree accents the Arabian Peninsula in the feminization of the masculine number (3 - 10).8. The ground in the word (one hundred) original and not overloaded.9. Described accents the Arabian Peninsula being the actual accents, which are divided into actions past and PRESENT permanent and done, and cause non emphasis acts Almdharah them.10. Share these dialects in many of the characters, including the character (to) benefit reasoning, and (lam) in which the meaning of consensus (in order), and that the original etymological's (not) and (not) one, and (Seine) part deductible from (you will), responded (Ba) for Tbaad in these dialects, and (lam) in the sense (in a) and (a) indicate the different meanings.11. The scholars differed in some words of them (now) origin in the light of the study of the Arabian Peninsula accents expressing but not built, and (so) did the name, (not) a vehicle of exile character (not) and verb (ACE) in the sense (none), and ( Latt) to Alta which is not for the feminization of it is the origin of the word.

الذات في الشعر الجاهلي : شعر السليك بن السلكــة وعروة بن الورد انموذجا : دراسة موازنة == The Self In Pre - Idlamic Poetry Al - Silik Ibn Al - Salkah And Arwa Bin Al - Ward Are A Model

اسم المؤلف: لقاء رضا نفل مهدي الوائلي
اسم المشرف: رعد احمد علي الزبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This thesis is an attempt to study The Self in Pre - Idlamic Poetry Al - Silik ibn Al - Salkah and Arwa Bin Al - Ward are a model. It has com with four main sections in addition to in troduction, conclusion and results. The introduction part is dedicated to stady parallelism, properties of pre - Islamic poetry and biography of the two poets. The first section is titled "Movement of the Ego phenomenon" and devided two parts" Essence of Ego and part two is growing of Ego in Al - Salika. The second section explains manifest tations of Ego's alination by studying Breaking the Collective aGreement and Ego between coexis tence and coutrariness. In section three which titelal "Image functionsngs in creative Ego". Is included two parts the first one is stages of Image formation in creative Ego, and the second one is image functioning's in pre - Islamic poetry finally, chapter four is named" poetical creativity phenomenon" has two parts, poetical creativity of Al - Sulaik Ibn Al - Swaka and poetical creativity of urwa. Ibn Al - ward. The thesis has comeup to aconclusion wich. Summarizing the fina a cademic results
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