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تاثير الاختزال على زجاج الخزف المؤكسد العالي الحرارة (Stoneware) : دراسة تجريبية مقارنة == The Effect of Reduction On The Oxidized High Temperature Pottery Glaze (Stoneware) : Comparative Experimental Study

Author name: زيد لقمان محمد علي الهلالي
Supervisor name: احمد هاشم عبد الكريم الهنداوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناول البحث تاثير الاختزال على الزجاج المؤكسد العالي الحرارة, اذ ان مشكلة البحث, معرفة التاثير على النتائج اللونية ونسيج السطح بالياته المختلفة بالمقارنة مع نتائجه بالحرق في الجو المؤكسد, وقد هدف البحث وضع قاعدة بيانات لتلك النتائج باختلاف الاجواء.تناول | This research dealt with the effect of reduction on the high temperature glaze, as the problem of the research is to know the effect on the color obtained and the effect on the surface texture in comparison with the results obtained in oxidized environment. The goal of the research was to establish a database for those results obtained in different environment.The second chapter dealt with the historical roots for the reduction technique used in the old civilization where different methods and techniques used.The research also studied the types of kilns and the methods used in both reduction and oxidization using fuel burn kilns. The research studied the most effective oxides used in reduction kiln especially Iron and Copper oxides in different ratios as well as different burning program.Three different glazing mixes was prepared, added to each one of them seven different quantities of the following : Three different glass mix been chosen after several experiments, then different percentage of oxide added was determined, red Iron oxide (Fe2O3) in percentages, 0.5, 1, 2, 4, 8, 16, and 32, Copper Carbonate (CuCO3) in percentages of 0.25, 0.5, 1, 2, 4, 8, and 16, the third mix was exactly the same second mix added to it 2 percent of Tin oxide (SnO2).A serious of firing program made in a Gas fired kiln with a firm downdraft controlled for both reduction and oxidation firing. Mean time all experiments done according to specific program through controlling the rate of temperature rise and timing the firing environment, the glass maturity temperature was set to be 1250 C°.Chemical and physical tests applied on the result of above which unveil a wide variation depending on the firing environments and the type of mix, all results shown in a comparison tables.Glaze mix was calculated according to glaze master program which shows the relation between the three oxide mix used (RO, R2O - R2O3 - RO2) accordingly the temperature and the property of glaze surface determined using Seger’s rule and Matrix dimensions system.Results were evaluated according to approved standards and scientific resources, as well as on the theoretical knowledge and previous studies.results were studied to find out the reason behind the color changes and the changes in surface texture in different firing environments.Most important conclusions are : • Reduction achieved good results for the high temperature glaze through increasing the activation of the material.• Celadon and Copper red colors obtained by adding low percent of coloring materials.• The desired copper red color was obtained by adding Stannic oxide (SnO2) which is quadratic ion (Sn+4 ) in oxidized environment to transform it to Stannous oxide (SnO) which is divalent ( Sn+2 ), in turn it will deoxidized during cool down process.• There was more shining and more even surfaces obtained in reduction process due to weakness in its structure for losing its binding Oxygen. The researcher recommended and suggested the following; • Studying the effect of reduction of high temperature glaze on porcelain clay.• Studying the variety results achieved by adding Copper and Iron oxides on high temperature glaze.• Studying the production of crystalline high temperature glaze in reduction environment.

مظاهر العنف في الرسم العراقي المعاصر == Phenomenology of Violence In Contemporary Art

Author name: زهراء اياد محمد صادق
Supervisor name: سلام جبار جياد السوداني
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The phenomenology of violence has formed a notable mark in the modern Iraqi plastic art specially in the stage ( 1980_2012) , the political events and the social changes has Contributed to the production of a lot of art works which are depends expression and symbolic at work to Represent the surrounding environment by performances and the mental purport which that products marked by, the research had four chapters, the first chapter contented the Problematic of the research which had the most important question : did the presenting of violence in Iraqi art marked as a phenomenon? And the The importance of research was detection the mental significance of the Iraqi works in the time (1980_2012), and the research goals was discovering the violence in the contemporary Iraqi pains about terms of form , content and performance, and that had to recognition of some of the terminology that the title of this research contains , in chapter two represents the a complete study of the subject of the research which it was divided through three sections the first one had a full definition for the concept violence and it up growth and developed in humanity, and the second section contend representations of violence in paint starting from the cave paintings and in the appearance in the ancient civilizations down the contemporary art, third section had the representations of violence in Iraqi art through Recognition the general scene of the realty of Iraqi plastic art as a historical preamble to study the art experience that belong to the research subject, and recognition of ingredient that effects in drafting art works that belongs to paint and the changes that happened on it include the research lines, the theoretical chapter marked signal points : 1 - the phenomenology of violence ranged and developed with the humanity development till these days.2 - Violence is a social phenomenon and in the same tine it’s a culture land mark Spreads with a several ways media and modern technology, and violence appears as a result of ingredients cant be limited by one or tow ingredients, and through the Interaction between these ingredients, the violence actions motivated by dissimilar force from society to other and from person to other.3 - the phenomenology of violence linked with collectivism and individual memory so it Is expressed by image, marks and symbols which has icon power Not otherwise historical or critical on it as well as link blood with violence or viewer of broken and destroying with violence.4 - the Scientists and the Philosophers had differed about expressing the violence some of them think that the actually Components is a contrast Conflict and the conflict between the peace and violence are the natural, social, Psychological incentive, and the other think the deep reason of violence is inherent in the psychological Structure.The third chapter (research procedures) limited the research community and counted distributor on the period of time that represents the limits of research and summarized by drawing the sample was selected in meant which includes (12) samples analyzed in accordance with the descriptive analytical approach.researcher reviewed in Chapter Four findings are : 1 - personify the scenes which had deepness and mental content that carried in side look down on the violence behaviors and the penetration which are done by the extremes and that was showed in the sample (8) in the Mosque.2 - sadness, pain and fear were Overshadowed on Person's Features which was notable in the subjects that the samples (12),(8)and(2) review.3 - artest used Loans forms represents phenomenology of violence by performance methods that appears the artist's skill in direct and treatment of subjects and that was broadcasted through marks , Significance and holes that the bullets left and the turns, blood remnant that violence act caused it and that was clear in samples (12),(11) and(7)4 - Artists referred the forms elements in to violence phenomenology which was notable by crafts performance that changes in to an Article aesthetic , so the violence was one of the aesthetic materials and that was showed in the samples (6),(1) and(5).Results have been identified, including the following : 1 - the inspiration of violence has developed as a authority phenomenon for Iraqi paint with development of this phenomenon.2 - the violence has a clear share in the Iraqi contemporary paint which formed as a result of excretions living realty which was full with many difficulties , cresses , wars terrorism and blockade through its different periods.3 - Iraqi paint benefit from modern technical treatment to produce visual product and present fine art phenomenon the artist employed to support his paint surface.4 - iraqi contemporary paints hard and difficult throe made it have its own tragedy mark which represent violence as a special sign in the national plastic art.Later the identified and proposals been recommendations.

المعالجات الاخراجية للمتغير الاجتماعي في الدراما التلفزيونية العراقية ما بعد عام 2003 == Treatment Directorial of Social Variable In The Iraqi TV Drama After 2003

Author name: رعد نعمة عزيز
Supervisor name: متي عبو بولص
General topic: Fine Arts
Specific topic: TV Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: لقد استحوذت الدراما التلفزيونية على ذهن المتلقي بصورة كبيرة لما لها من تاثير على افراد المجتمع وكونها تمثل جزءا من واقع المجتمع وبالاخص الدراما التلفزيونية الاجتماعية التي تعرض بعض القضايا الاجتماعية والافكار والاتجاهات التي يتميز بها كل مجتمع.وهنا ي | We have acquired a TV drama on the mind of the receiver dramatically because of the impact of Li members of the community and because it is part of the reality of society and especially social TV drama that displays some of the social issues, ideas and trends that characterize each community. And here comes the role of the Iraqi television drama in the process of changing society through the values and the topics raised in this drama, and change here includes several aspects, it is not social change but a cultural change, intellectual, and economic and political. Que To The importance of the subject of the changing social TV drama Iraq after 2003 comes this research work scientific modest seeks researcher from which to processors directorial which is based upon the drama television through treatment literary text (scenario) and the development of solutions directorial the scenes video in order to configure a new reality. And has divided researcher of this research into four chapters have contained the first chapter methodological framework on the research problem formulated in the form of the question follows : What are the treatments directorial the variable social TV drama Iraq beyond 2003 and importance and goals aimed at detecting the changing social and make way in the style of put and processed Akharajia in Iraqi TV drama, and the limits of the search, which included the period of 2003 - 2012 to the Iraqi drama and determine the terms, and has the second chapter contains a theoretical framework and included three major Detectives are : 1 - notion of directorial processors.2 - social variables of the Iraqi society after 2003.3 - Iraqi TV drama after 2003.Researcher and I came out of the theoretical framework of indicators that have adopted it as a tool for the analysis of the sample, either studies Bah has not been mentioned three studies approached next to or part of our current and other aspects were divided.Chapter III research and action may be contained on the research methodology chosen researcher Qaida for suitability nature of the research is descriptive method, which involves the analysis, and ratified the tool.The fourth chapter analysis of selected samples - the results and the conclusions of the researcher to several findings and conclusions, including : 1 - was able to Iraqi TV drama after the social variable that reflect the new values (kidnapping, murder, bribery, corruption and displacement).2 - The TV drama after the variable Iraqi social addressed to recipients and calls in their orientation to be a carrier of the correct values, positive and aimed at education, education, cooperation and social solidarity.The conclusions1 - requires the drama director and writer extraordinary efforts in the selection of the changing social issues and his handling of the television drama through investigation and research, and examination of the topics covered in order to highlight the social variables.2 - Construction work requires the use of television drama moot all the elements and sound that make up the technical construction of the work of television drama.This chapter also included also recommendations, which deemed necessary by the researcher and researcher concluded the list of sources and references, and some supplements and 987, as well as abstract in English.

خصائص السينوغرافيا في عروض المسرح الاحتفالي العربي == Characterastics In Cenographic Peresentation of Festival Arabian Theater

Author name: باسم محمد احمد حسن الجبوري
Supervisor name: محمد عبد الرحمن الجبوري
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: بعد انقطاع وغفلة يعود من جديد البحث في ما هيات المسرح الاحتفالي العربي وعناصره السينوغرافية التي يتشكل منها، بوصفها فنا يعكس انماطا شديدة الخصوصية، وعلى تماس مباشر باحاسيس ومشاعر المتفرجين، مع محاولات اللحاق بركب العصر الحديث والاستفادة القصوى من كل ما | After the interruption and inattention back from New research into what Hiatt theater festive and elements Alcinograveh that make up as an art reflects the patterns very special , and in direct contact feelings and the feelings of the spectators , with attempts to catch up with modern times and make the most of everything that will lift the format presentation for display theatrical techniques and technology , ranging from architectural buildings play to their equipment , technical and professional to the possibilities available in the project sound and follow the movement of Representative above the stage and keep up with the spirit of the times to create a scene of theatrical and methods of implementation and formulation of places of different widths and advanced capabilities of the types of theatrical lighting and the use of historical costumes and contemporary and develop plans integrated to form a celebratory spectacle in the form of the final presentation.In this study addresses the researcher in the first quarter represented the methodological framework of the research problem and the need for him by asking about the properties of Alcinogravea in theater ceremonial and its ability to influence the final wording of the composition of the image visual display and audio , as well as the importance of research in the theme of scenography and its relationship with the theater festive addition to research objectives and limits of temporal and spatial and objectivity, in an attempt to extrapolate the reality of the Arab theater and the vital festive spirit of the times in providing theatrical performances and then determine the terms contained in the title as well as operational definitions for the researcher.In the second chapter of this study , a theoretical framework which is divided into three sections , the first section for the celebration in the Arab and global concept and who are advocates of ceremonial and who are the pioneers and founders. The second section focuses on the tributaries and the main pillars of the festive scene. The third section included Achtgalat Alcinogravea elements in the festive display.And Of space theater and its many forms and theorist playwright ( decoration) and the aesthetics of lighting, costumes , makeup and accessories play various music and sound effects and actor , as active agents in the composition and formation of the system visual and auditory display of theatrical festive , and then dealt with previous studies and the resulting theoretical framework of indicators to contribute to the formulation search results.The third chapter objective measures search by selecting the research community and the samples and the method selected in addition to the research methodology , tools and methods and then analyzing samples for five presentations of the Arab theater festive chosen by Qsidia to get to the search results and discussed in the fourth quarter to reach final conclusions of the research and recommendations and proposals Hutea this study, sources and references that have been approved in addition to the research summary in English.The researcher reached several conclusions , including : 1 - data Alcinogravea and employment within the space of the play one of the methods adopted to create a pluralistic vision directorial heritage dramatic text to read more from Arab filmmaker 2 - rely festive theatrical presentation on the potential of the image of plastic and visual effects and audio generated by Alcinogravea in an attempt to give the ceremonial spectacle , and in a harmonious unit within the theater space 3 - reinforced Alcinogravea attract spectator to the theater after the festive mobilized all available means and that was difficult to achieve in the past aesthetically in theater 4 - become the dominant elements Alcinogravea authority in theater ceremonial speech to achieve intellectual and emotional values desired by the theater in various experiments to highlight the diverse aesthetics at all levels dramas

الخصائص اللحنية والايقاعية للاغنية الشعبية في مسرح الطفل == The Melodic And Rhythmic Characteristics of The Follk Song In The Childrens Theater

Author name: محمد كاظم محمد
Supervisor name: ناصر هاشم
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: I've been using music and other images humanitarian or literary forms of the rumor respect and reverence and enhance human existence sensations representative and spirituality. That music is an icon of existential its importance in the entire universe of music that was used in many aspects of life , including work or worship or to deliver live images expressive. Therefore, the music used in the whole theater , including children's theater to reach the scenes of the whole picture With this in mind the researcher took it upon himself to description and analysis of popular songs in the Children's Theatre has come from search Mtkona five seasons with a list of sources and supplements 0 The first chapter discusses the methodological framework of the research , presented the research problem , which shed light on the folk songs in the Children's Theatre , which is associated with the contents and her music lives of the community in the city of Basra, and they were inspired by the heritage of song and music in Basra , and therefore there is a need to conduct a study on the characteristics of melodic and rhythmic songs People at the scene of the child in Basra 0 Then Pena important research topic , the aim of the research exposesproperties melodic and rhythmic construction of the songs in the popular children's theater in Basra 0 The second chapter guarantees the theoretical framework and previous studies , and be one of the three sections , came in First research study characteristics melodic folk song , and in the second part, we dealt with characteristics of rhythmic folk song , while the third section has included the study of the functioning of the song popular in children's theater and how it was utilized and what song popular and composition , but on previous studies did not find any scientific study and academic folk songs dealt with in the Children's Theatre , which is the focus of our search. The chapter contains the third research procedures , as we have identified the research community and then selected a sample search where taking Researcher All specimens were analyzed , and then we talked about research tools , explaining the standard analytical 've prepared in order to achieve the goal of the search, depending on what the Word of standards in research and theses the former , then we dealt with the research methodology and research requirements and criterion validity and reliability. The fourth chapter has included analysis of music for all the samplesthat belong to the popular song, and only subject to analysis musician 0 In the fifth chapter we went out the results of a group of investigators that the goal of the research, and then we came to the conclusions , and then we put some of the recommendations and proposals , and was followed by a list of sources and supplements and summary Search in English.

الاستيفاء الوظيفي في بنية الفضاءات الداخلية للمراكز الصحية == The Functional Interpolation In The Structure of The Internal Spaces of The Health Centers

Author name: وسام صالح حمد الموسوي
Supervisor name: فاتن عباس لفتة الاسدي
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: For as long as the job is the purpose of the foundation design and due to the nature of the functional characteristic of the structure of the internal spaces of the health centers, has been put forward the following question : How can the structure of the internal spaces of the health centers that meet the functional nature? , And that was the question, but out of weakness career structure which witnessed those spaces, and through that constitute the objective of the research study the problem under the title (interpolation career in the structure of the internal spaces of the health centers).Hence research aims to develop a knowledge based cares to reveal the variables that affect the functional components of the structure of the internal spaces of the health centers, which is where we hope to achieve the following goals : 1. detect functional nature of the internal spaces of the health centers and the development of design considerations to meet the career structure.2. to develop a proposal for a design interior spaces to health centers where interpolation is embodied in the career structure.The importance of research by approaching the subject is interested in preserving the structure of the interior spaces to meet the functional aspects.The theoretical framework to ensure the two sections, the first dealing with it the concept of function and kinds and considerations and variables in the internal spaces, in addition to addressing the concept of functional interpolation and classifications.The second section has been dealt with the elements of the interior spaces to health centers, and the characteristics of its structure, in addition to a comprehensive study of the functional systems affecting the internal spaces are met.As has resulted thereafter theoretical framework for a set of indicators which have been used to build a form for analysis comprised two main pillars : 1. characteristics of the internal space and functional systems.1. 2.functional relationships in the structure of the internal spaces.In doing so it has adopted a descriptive approach in the process of analyzing the three models were chosen is my intention from the research community.It resulted in the analysis process on a number of conclusions, including : 1. represents a form of interior spaces, one of the main factors and actors in the formation of an internal structure to meet the functional aspect to be responsive to the activities and requirements of different users.2. thought the design objective in the design of interior spaces actually translates design meets function through the formation of a structure according to user requirements and technical and technological evolution.3. structure formed interior spaces of the elements of design are the design and production fulfills its function within the pattern of relations in the structural functional unit of interconnected parts to achieve the design goal.

تداخل الواقع والخيال في تشكيل الرؤية الدرامية للنص المسرحي العراقي المعاصر == Overlapping of Reality And Fantasy In The Formation of The Dramatic Vision of The Text of The Iraqi Modern Theater

Author name: كفاح حسن محمد الشمري
Supervisor name: رياض موسى سكران
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد النصوص المسرحية الصور المعرفية والفكرية والفلسفية في المجتمع الانساني وخاصة وان كتابها شملوا ما هو ذاتي وموضوعي في حياة الانسان وتجاربه المتوالدة. فلرايب ان نجد تداخل الواقع والخيال في تشكيل رؤية دراميه جديده للنص المسرحي الصورة الكاملة للتعدد والت | Theatrical texts are images of cognitive, intellectual and philosophical in human society and especially since her book comprised the self and what is the objective in human life and experiences proliferating. There is no doubt that we find the reality and fiction overlapping of in shaping the vision of a dramatic new text theatrical complete picture of the multiplicity and uniqueness it reveals the desire of our writers in innovation and experimentation, through the search for methods and modern techniques in playwriting So About Me research studying the play in terms of Overlapping of reality and fantasy, with texts the research includes four chapters on the first chapter discusses the research methodology, starting from the research problem identified in the following questions : - What reality and fantasy? And their importance in the Iraqi theater text? Does imagination play an important role in the drafting of the Iraqi modern theatrical text? The importance of research in art as a means to achieve the objective goals and other aesthetic and psychological vary depending on the objectives of the literary trends in artistic expression. And clear objectives of the research to identify the way graphical mature way of upgrading the reader's mind as well (detection aesthetic features of the equation of reality and fantasy interact and ranges employed in the formation of seeing playwright in the contemporary theatrical text Iraqi chapter included on the borders of research identified chronologically texts theater consisting of a period of 1990 - 2013) and spatially in the play texts composed and stomach in Iraq came the search terms used by the researcher identified in the theoretical framework and analysis of samples terminology. The second chapter, it is the theoretical framework and previous studies, which included a Ila?h Investigation, : About Me first identifying the concept of philosophical and psychological reality and fantasy, where branching into two parts, the first concept of reality and the second concept of the imagination, and the second section under the modes of reality and fiction Overlapping of in the theatrical text and section title third aesthetics of reality and fantasy in a theatrical text Overlapping of, and cared chapter created by including the theoretical framework of indicators. The third chapter : - it has the procedural framework, which included the research community, as it included the plays that bear overlapping of fact and fiction.In the theatrical text and identified (100) theatrical text within the temporal and spatial.Chapter also included a sample consisting of three texts play a play (time) to Yusuf al - Ani, and play Sidra to Khaz'al Majidi and memory cage to Ali Terminal selected deliberate manner consistent with the research community and the reasons Sogtha researcher to achieve the objectives of the research were research what emerged from the indicators in the theoretical framework tool and then the samples for specific data analysis, as was the research methodology (analytical).The Chapter Four was a presentation of the most important findings of the researcher through the disclosure of intellectual, philosophical, and technical infrastructure to Overlapping of reality and fiction in modern theatrical text Iraq, as conclusions emerged based on what emerged from the results have been concluded with a list of sources and references, which contributed to the incorporation theoretical research and subsequent analysis of the samples research.

تقنيات اداء الممثل المسرحي في عروض الفضاء المفتوح

Author name: اكرم عبد الكريم عبد المجيد سلمان
Supervisor name: راسل كاظم عودة
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: ان الفضاء المفتوح واعتماده على تقنيات الممثل الجسدية والصوتية شكلت علامة فارقة واساسية في نشاة وتطور المسرح منذ نشاته الاولى.ومن اجل توظيف تلك التقنيات لدى الممثل بصورة تمكن المتلقي (غاية العرض) من انشاء علاقة حميمية مع الممثل خرج معظم المشتغلين في الفنو

التمثلات الفلسفية للحداثة في خطاب السينماتوغراف == Representations Philosophy of Modernity In The Structure of Assets Cinematograph Speech

Author name: ماجد عبود الربيعي
Supervisor name: محمود اكباشي خلف الزبيدي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: Form engaging in philosophical modernist structure speech Alcinmaturav phenomenon articulated it and the latest irregularities unprecedented make it produces or generates a logic of its own and in order to examine this Alachtgalat This study tagged ( representations of philosophical modernity in a speech Alcinmaturav ) which are arranged through the chapters four came first in which the title frame systematic and included a research problem and its importance and its goals and limits of the most prominent and the terms contained in its title as well as the paragraph previous studies. While the second quarter and marked the theoretical framework on four key sections as follows : First research \ entrance to process philosophy historically , functioning Alcinmatugrave.The second topic \ philosophical trends and strategy in assimilation.The third topic \ modernity ( the project and assimilation Alcinmatugrave.The fourth topic \ representations philosophy of modernity in the structure of assets Alcinmaturav speech.The researcher reviewed the first section of the panorama of historical experienced by the philosophy through the ages , pointing to the most prominent names of the task and milestones witnessed by philosophical thought , while touched second section of the most important trends philosophical shining four trends are ( pragmatism and existentialism and Marxism and idealism ) and noting some of the Achtgaladtha and Tmtheladtha Alcinmaturav in the structure of speech , and singled out the third section of the contest in the term and concept of modernity and its most prominent thinkers of the Enlightenment and in the film Achtgaladtha Alcinmatugrave money while the fourth section to the practical applications of philosophical representations of modernity in the structure of the elements of audio and visual components of speech Alcinmatugrave.Through review of the most prominent theoretical perspectives and institutions Alalstamologih constituents thought the philosophies of modernity researcher unearthed a number of indicators conclusion theory for the second semester and adopted as one of the research tools and a standard measure by the elected Qsidia research specimens.The third chapter , entitled action research has consisted of research methodology used and the research community , and specimens marked by models film following ( The Last Samurai , The Devil's Advocate , Mr. Nobody , Homes in that alley, an avatar ), which cited a researcher some justification for some reason selected , and also contained this chapter the search tool and the unit of analysis as well as samples paragraph film , which relied on what Achtgah researcher of the standard indicators of research theoretical framework after obtaining the approval of the Committee of Experts and Mahknyn it.The fourth and final chapter has been included on most final results derived from the analysis of the samples of the five film and that was the most prominent : 1 - The statements and perceptions problem of philosophical thought Batjahath four ( pragmatism , existentialism , Marxism , idealism ) and Tmtheladtha in the structure of speech Alcinmaturav remain in character and descriptive abstract , and remain within this space even linked to the content is appointed in life or art , and then reflected across assets or elements pampering filming to produce a concept or connotation.2 - show that modernity has Mthaana irregularities within the drift has specific knowledge of their requirements and the logical and technical reflected in the building and the Metn Gaii speech Alcinmaturav unconditionally college , but his being in positions Mtaana it ( footage , scenes , parts, chapters.... etc. ).3 - to remain philosophical representations that the receiver always seek effective and positive for the acquisition of meaning and understanding of the significance , and that the psychological needs of the recipients constantly intervene to read or identify those representations , and Lighting essence through the structure of the assets of the synthetic speech Alcinmaturav.It also included a chapter on conclusions Achtgaha researcher of search results and recommendations as it deems necessary , as well as suggestions for future studies of the suffix with the thrust of this study In conclusion cited researcher list of sources and scientific references adopted in consideration and some supplements and abstract in English.

تعددية الوظيفية وانعكاساتها التعبيرية في تصميم الاقمشة المعاصرة == Plurality of Function And Its Implications In The Design of Expressive Contemporary Fabrics

Author name: رسل خليل ابراهيم مصطفى
Supervisor name: ناصر حسين الربيعي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This study deals with pluralism functional designs for fabrics that are dual function in do performative and its implications expressive designs in fabrics contemporary, Job Role and aesthetic symbols and connotations and Mathmlh reflections expressionistic as study includes four chapters , the first chapter of the research problem and identified by asking the following : Do you check pluralism functional reflections expressive designs in contemporary fabrics ? The objectives of the research is the detection of multi - functional and study the values expressive designs in fabrics and contemporary numbers designs proposed , may determine search objectively study the multiplicity Alozivuoal_khasa?s expressive designs for fabrics contemporary, spatially study designs fabrics , home furnishings ( mattresses _ curtains ) and available in the local markets of the city of Baghdad , and identifies research temporally studied in models ( 2012_2013.The second chapter identifies several sections dealt with the first section , including multi - functional fabrics and designs in the second section dealt with the expressive characteristics and implications in the design of fabrics and finally the third on reflection expressive designs in contemporary fabrics. Followed previous studies and then the most important indicators that resulted from the theoretical framework.The third chapter dealt with research procedures , which included research methodology a descriptive analytical and research community , which amounted to (44 ), a special model designs upholstery fabrics and curtains Eliminated from him (33) model design parameter as a result they are so different on the level of formal , organizational and color models in the community was the remaining (11) model and it has been selected sample are intentional , but the search tool has been represented in the Form of analysis thathad been prepared by the researcher have included several axes , endorsed by the experts were on the basis of the analysis of samples and then get stability as samples were analyzed in the same chapter based on axes form.The fourth chapter has included the most important models of the study are as follows : 1 - The use of vocabulary in the most natural plant design models because of the sense of the vocabulary and semantics of aesthetic expression and suitability for use functional designs of curtain fabrics and furnishings , and employ at least geometric shapes and written.2 - achieved multi - functional design vocabulary in all models where a single design can perform two or more.3 - reversal is achieved through expressive design methods where the use of the methods varies between the real and the abstract and the hub of reality - decorative while not achieved a reversal in the expressionist style geometric models Almananvzh.The most important conclusions : 1 - Diversity of raw materialsled to the emergence of refletions expressive functional and aesthetic. The raw material and suitable for the job the stomach for it.2 - Vocabulary been employed in the most natural designs led to the occurrence of reflection expressionistic serve the function and less use of animal vocabulary and writing vocabulary.3 - Check multifunctionality in all forms of design , which is reflected through the design methods and vocabulary of symbolic and expressive connotations.As well as to ensure the same chapter conclusions, recommendations and proposed designs included as the last designs prepared by the researcher and presented to a group of experts has got approval.

التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية == Conceptual Transformation In The Structure of The Ornamentation Islamic Architecture

Author name: وسام كامل عبد الامير
Supervisor name: جواد عبد الكاظم فرحان الزيدي
General topic: Fine Arts
Specific topic: Calligraphy and Decoration
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناول الفصل الاول مشكلة البحث التي طرحت التساؤل الاتي ( ما هو التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية ؟)، ويهدف البحث الى كشف وتحديد التحول المفاهيمي للبنية الزخرفية في العمارة الاسلامية على الصعيد الشكلي والوظيفي والتعبيري في ضوء حدود تمثلت | First Chapter deals with the problem of the research which presents the following question(What is the conceptual transformation in the structure of the ornament Islamic architecture ?) The research aims to disclose and specify the conceptual transformation in the structure of the ornament Islamic architecture at the phases of formal, functional and expressive in light of the limits of ornament components in all its kinds in Islamic architecture within Iraq , Turkey, and Iran for the duration of 1563 AD to 2009 AD. Second chapter discusses the theoretical frame of the following subjects : The meaning of converting and its philosophy in Islamic art at the phases of self and subject , the philosophy of concepts in Islamic ornament as perfection and order and repetition and decoration and unity and variety and movement and rotation and accuracy and workmanship, and the styles of formulation of decorative shape represented in modulation style and style of abstraction , and the structure of the decorative in Islamic architecture at the phases of decorative components and spatial organization and processors colorimetric. Third chapter includes the research's procedures which includes the follow of descriptive approach in the light of research's sample which includes 375 shapes non - recurring. 20 shapes were selected embodied the research's sample according to the method of intentional selection. The tool of the research was designed ( analyses form) and shown to experts in order to obtain their reliability and validity and then analyses of the samples. The fourth chapter includes the results including : 1 - to pursue the conceptual transformation of the ornament structure in Islamic architecture within several axes such as formal, functional and expressive. formal phase includes the following ; 1 - 1 style of shape's formation in terms of the type and quality. It is represented in some methods such as (offloading , replacement , integration ( formal slurring) , substitution , magnification and reduction). 2 - Conceptual transformation of ornament structure at the level of functional side embodied in transmission from the ornament role to openness of the performance of the dual role (decorative - communicative) reflected by designed components through dual superficial structure by two different ornament sorts ( calligrapher - plant ). Transmission from ornament function to the representation of narrative phase presented by details of decorative structure which reflect realistic scenes of life include various expressive subjects. 3 - Conceptual transmission of the ornament structure on the expressive level which is embodied by transmission from imitation of images of the natural existence world ( plant - animal - clouds) , cognitive existence world ( geometrical ) postural (calligrapher) which depends on the metaphor , comparison , and equivocation between the real shape and ( true ) and decorative transmission ( metaphor) via visual signifier and its attribution which is involving the concepts can be understood through phenotypic approach to the ornament icons which state subjects such as ( fighting scenes with fabled creature , hunting scenes , beyond being of the world as a man has two wings ).4 - concept of perfect ness embodied through presenting several comprehensive image to the details of ornament structure which reflects the side of realistic existence elements with shapes that represent this vision in terms of quantity (creation of unilateral and bilateral and multi ornament sorts ) and the quality ( symmetrical , non - symmetrical , round , sidelong , frontal , compound , start of emergence , medial site , final site , small size , large size ) and the type ( plant , geometrical , animal , calligrapher , astronomical elements , supernatural). Transformation of the concepts of the integrated form ornament sort ( bilateral , tripartite , quaternary) depends on the integration with other via combination and replacement between the different parts.The study recommends providing care for the accumulated ornament heritage throughout centuries when maintenance and renewal given the contents of innovative treatments in formulating the shape and concepts within it , which reflects the growth of thought and its appearance applications through a formal shifts represent addition of quality different from the prevailing in the achievement side , and the possibility of opening up its functions to cover the fields of design carpets and paintings. The study suggests references of shape and its representations in the structure of ornament Islamic Architecture.

سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية == The Promotion And The Marketing Politic of The Industrial Product And Its Activity In The Consumptive Culture

Author name: عبد الخالق سمين فتاح
Supervisor name: نوال محسن علي
General topic: Fine Arts
Specific topic: Industrial Design
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تمثلت مشكلة البحث الموسوم بـ ( سياسة الترويج والتسويق للمنتج الصناعي وفاعليتها في الثقافة الاستهلاكية ) من خلال التساؤل حول الكيفية التي يمكن لسياسات ترويج وتسويق المنتج الصناعي ان تؤثر وبشكل فاعل في ثقافة المستهلك.اما اهداف البحث فتمثلت بالاتي : بيان ت | The problem of the study entitled ( The Promotion and The Marketing Politic of the Industrial product and its activity in the consumptive culture ) was presented of how can the politics of promotion and marketing of the industrial product effect in consumer culture. The basic research aims represented as the following : Detecting the effect of promoting and marketing politics of the industrial product in consumer culture through : a - Acquaintance the cooperative conscious of Baghdad University professors according to the type ( Males , Females ).b - Acquaintance the meaning difference of Baghdad University professors according to the type ( Males , Females ).c - Definition designing context for the industrial design and its effect in promotion and marketing and cooperative conscious.Research limits included the industrial product users group of Baghdad University professors of the study year ( 2013 - 2014 ) of various types of electrical and electronic home appliances available in local markets of Baghdad city for the period ( 2009 - 2013 ).The second chapter consisted of four sections. The first section addressed politic topic of the industrial product promotion and the communication process. The second section contains marketing politics and strategies topic of the industrial product and its relationship with consumer and appearing the social and economic marketing importance.The third section consisted products design topic and the designer skills.The fourth section singled to study consumer behavior and the consumptive culture.Chapter three addressed research procedures which was depended on the research society presented by industrial product users group of Baghdad University professors , The research tool was depended on both theoretical and applied or field , by depending on the questionnaire.Chapter four comprised results and conclusions that have been reached and the most important of these results include : 1 - 91% of the research sample members rejects the idea of buying electronic appliances with high price to proud of in front the others , while 9% of the rest of sample members agree this idea.2 - 96% of the research sample members primarily interest the job offered by electrical or electronic appearance , and then their interest comes in its forms or appearance , while 4% of the rest of the research sample members does not pay these things any importance.3 - 93% of the research sample consumers members trust of foreign product which is characterized by all the factors of quality and safety , which lacks local or Arab product, while only 7% of the rest of research sample members didn't trust in foreign product as much as their trust in local or Arab product.The most important conclusions that have been reached are : 1 - Spatial channels form for the Iraqi people who imports all of he needs from overseas important sources for building voracious consumerism through its orientation advertisements and ideologies which promote it and burlesque it in Arab consumer mind.2 - The television commercials extraneous to change the Iraqi individual behavior , and imposing another new behaviors to develop inside him alienated feeling from his surroundings , as well as changing his society values and principles.3 - The research members of Baghdad University professors have consumptive perception to buy electrical and electronic home appliances , and this perception is not different between males and females.After that , the recommendations and suggestions were presented to the directions and side related to the research topic , and then the research finale has been providing.

تصميم تعليمي تعلمي لتنمية التفضيل الجمالي لدى طلبة قسم التربية الفنية كلية الفنون الجميلة == Instructional Design For Development The Aesthetic Preference To Students In The Department of Art Education - College of Fine Arts

Author name: سهاد جواد فرج الساكاني
Supervisor name: صالح احمد الفهداوي
General topic: Fine Arts
Specific topic: Art Education
Degree: Doctorate
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The world of today is facing a number of rapid and sequential changes represented in the great technological and scientific advancement in all the fields of life.In addition to the revolution of telecommunication and information which causes the duplication of human knowledge. Therefore, education is not living in the age and its changes, it remains static, retarded and does not help to live in this age, and develop their different knowledge fields. This includes the preference of aesthetic aspect and everything that surrounds the age of communication, satellite and electronic technologies, and remote sensing.In the light of these transformations, the need for developing the human mental capabilities for tasting the features of aesthetic phenomenon which regarded one of phenomena difficult to measure. The question that is repeated frequently is how humanconscious can receive the aesthetic value and forming it in the light of its relation to the surrounding? And what will emerge on the trip of his\her responding to the various phase when enjoying the artistic work (plastic tableau) which increases the vision in more complexity of the life of man as a receiver. All these questions objectively formed down the important sense a of this study which is based on a survey study that the researcher had conducted through which she wanted to know the level of aesthetic preference level for the receivers in the Department of Art Education towards the plastic painting in modern painting. The results indicate a low level in the cognitive field (cognitive dimension) and artistic field (artistic dimension).Thus, the researcher saw a need to conduct an experimental treatment through the study on the modern methods of teaching. The objective she wanted has been achieved, therefore, she preferred to found a theme through the problem which she called thefollowing title (A Instructional Design to Develop the aesthetic preference to Students in the department of Art Education - college of Fine Arts ). On that basis, the researcher adopted the general model in the design called (ADDIE) model with strategic orientation of mind maps in the A pedagogical - instructional Design made up of four pedagogical - instructional units of 16 instructional lessons and provided with a group of pedagogic alternatives displayed on CD according to Power Point and Microsoft programs as activities that deepen and enrich the content. Along that, the community of the study is the Department of Art Education\ Third year in the college of Fine Arts - Baghdad University and the College of Basic Education in Al - Mustansrya University consisit of 116 students. of those a sample of 60 male and female students were chosen and they were distributed into two groups one is experimental of 30 students college of Fine Arts - Baghdad University and the other is from the students of College of Basic Education In Al - Mustansrya University. The two samples were matched in terms of variables of (age, sex, teaching, intelligence, pervious knowledge, the level of aesthetic preference). The procedures of the study also requires a design of prior unit for the mechanism of using the mind maps inside the pedagogical - instructional Design and the pedagogical program in the present study. In order to measure the effectiveness of the program, the researcher built two tests to measure the cognitive aspect made up of (24) items to measure the patterns of cognitive preference (recalling, critical, principle, application), while the other text measures the artistic dimension of the students' preferences towards the painting in modern art. It is made up of (10) test items depend on the realization of the aesthetic organization for forty impressionist paintings by the learner. These tests were applied after the verification of their validity and constancy in treating the different statistical processes (before and after). The experiment lasted for two months. The researcher used the T - test for two independent samples and Eta square to find out the effectives in showing the results of this study, she also used Ch - square to find the validity and reliability of the test items as well as the difficulty equation and theeffectiveness of the alternatives. In addition to that, she used Pearson Correlative coefficient to find the internal consistency of the testing items through the equivalence. She applied Kudor - Richardson (20) and alpha - Cronbach equations.The most important finding of the study is the excel of the experimental group over the experimental group in dimensional and observational application represented in the test of cognitive preference in (recalling, critical, principle, application), and thetest of artistic preference. Also, the pattern of application assumed the first position among the other patterns which indicates the clear effect which it has on the application of the program on the experimental group in comparison to the control group. Bothdimensions (cognitive and artistic) refer to the high level of artistic preference for the targeted category in the present study. That is attributed to the effectiveness of the using of the mind maps in the light of (ADDIE) model in the program designed in this study ininstructional the pedagogical skills. The most important finding of the study was the effectiveness of using the general model in the instructional design with strategic orientations in the mind maps and in the acquisition of expertise of development and the amendment of patterns through the artistic - cognitive dimensions that stimulated the process of multiple thinking for the learners.The researcher recommended that the researcher should generalize the necessity of using the pedagogical - instructional designed in this study to teach the subjects related to the development of the aesthetic for the learners within the items of the Arteducation and depending on the pedagogical - instructional Design and (ADDIE) model in the developing of the field for aesthetics if the plastic arts and other arts for the effectiveness of these programs in facilitate the instructional in the different fields.The researcher also proposes a number of suggestions the most important of which was the application of the pedagogical - instructional design and (ADDIE) to develop the psychophysical and ecological variables on the various fields within thespecialty of the college of fine arts as future academic study

مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية == Sources of Designing Figure And Its Creative And Functional Production Fields

Author name: سند فؤاد محمد
Supervisor name: خليل ابراهيم حسن الواسطي
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعنى البحث الحالي بدراسة : (مصادر الشكل التصميمي ومجالات انتاجه الوظيفية والابداعية.)، على وفق بناء معرفي محدد بالوظيفة والابداع، والهدف الاساس في تفسير حقيقة الاشكال ومصادرها المتنوعة وجوهرها وما تحمله من معان وعلاقات شكلية وجمالية وافكار تصميمية تحق | The recent research concerning with ( sources of designed figure and its creative & functional production fields ) , according to cognitive construction determined by function and creation and the main goal in explaining figures and its various and what holding of meanings and aesthetic and format relations and designed ideas achieving for the illustrated goal as a printing achievement.Most creative results related in joint divider representing by depending on intellectual constructions or certain philosophy , namely, each creative production has its intellectual or philosophical circle or field that launch from it to the world of creation.The designing figure in its general meaning , includes an idea creating from the internal mental expectation of designer to product figures from self feelings making his prior imaginations far from these figures with his feelings and converting it into creative forms producing the designing figure from mind depending on various functions symbolic , psychological and social and ways of production , norms and traditions, therefore, the desi8gned figure representing a reflection for this social and economic reality.This study considers a sign able to enrich the designing work by many of giving that exciting taste in receiver through its specify in varying symbols and meanings and its fluency for its active importance that combining the designer as a creative man for the designing figure and between society that save in its memory many of designed and figurative styles. Whatever varying theories of figure and its styles and figure related by function and the creative contain, also language of figure related by the visionlanguage to analyzing the aesthetic oratorical to processes of understanding, explanation and conviction.The researcher found that the importance of this subject and inquiry on : What are sources of the designing figure as a problem for research and an goal put for studying determined by : definition of designing figure and its creative and functional production fields.The researcher writes all what has a relation with the designing figure within its theoretical frame , through Arabic & foreign and libraries concerning with specialization for obtaining on indicators useful for measuring field that related with determining approach of research and its method and determining research society that represented by (40) printed designing figures and various goals , from it 10 samples have been chosen intentionally with rate ( 25%) from the original society , and characterized by some features to give scientific results after analyzing, describing and explaining them and then reported according to these results : 1 - There are theories focused on basis that sources of the designing figure lie outside mind of designer in his square , namely they are figures for designing figures derived from nature. There are other theories adopted basis that sources of designing figure lie on mind of designer within it contain namely, external designing productions figures on what is familiar in the nature.2 - It can be create figure depending on various functions (symbolic, psychological , social ) and figure may be in special givings need to requirements of function , environmental condition and the social values.3 - Figure generates from idea originate from the internal mental expectations of designer , the latter drawing his figures from self feelings converting his priorimaginations on these figures with his feelings to creative forms, then figure resulting from mind.4 - Creative peoples in all times producing some ideas in their works depended on requirements of age and its vital and there are many activities that creative man choose from them his figures.5 - The designing figure influenced by many social and economic limitations , ways of production , norms and traditions , then figure became a representation of reflection for this social and economic reality.6 - One of the main factors that effecting on the designing figure is the intellectual factor with its mental imaginations , designing here is an intellectual production between individuals & groups appears through long experience made by special classes of society

سمات الشكل في الخزف العراقي المعاصر : الخزافات العراقيات انموذجا == Figure Attributes of The Ceramics In The Contemporary Iraqi (Iraqi Potters) Pattern

Author name: هديل سلمان سعيد الموسوي
Supervisor name: انغام سعدون طه العذاري
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يعد فن الخزف من الفنون التي تعكس المهارة والابداع وتعد بمثابة سجلا تسجل فيه ابداعات الخزاف طوال مسيرته الفنية، ويبحث عن الذاتية والتفرد في العمل الخزفي ومايميز الشخصية الفنية من تقنية واسلوب كظاهرتين اساسيتين متميزتين للشخصية الفنية، وكان للخزافات العراقي | Is a ceramic artist and art that reflect the skill and creativity and serves as keep a record of the potter's creations throughout his career, looking for self - uniqueness in the work characteristic of ceramic and artistic character of the technique and style phenomenon two basic distinct personality of art.The Iraqi presence of potters and a key role player in the field of ceramic art and the posts it as a great space and reflect their ability to reveal the ideas and philosophical and aesthetic vision that has characterized the specificity of each Potter distinctive. This study is in five chapters, which included the first chapter of the research problem and then the importance of research, objectives, and limitations, has been determined by research into three Borders, which included the substantive attributes of the product in the contemporary the potters during the period between (1960 to 2003). The second chapter, the annexation of the theoretical framework and previous studies in which structure the three detectives, namely : The first topic : which was divided into two parts, I talked about 1 - Introduction to the concept of shape and definition and what it is, levels, shape and form an independent phenomenon and the meanings of the shape. 2 - Construction of the form formative and any which is consisting of himself, which dealt with (a) structural relations of the form, features and specifications. (B) elements and form the basis of composition, which included a number of elements intertwined and overlapping elements make up and nature. (C) The intermediary material (raw materials) and its impact in the shape of the characteristics of investment through to arrange the elements of form material. 3 - Effect of metaphor in characterizing the shape and types of these metaphors and their applications in the art form. The second part was a 1 - systems installation in the shape of a ceramic system and the law of any structure in the shape of a ceramic. 2 - modulation methods and techniques in ceramics, which included work on the modalities for the implementation of the clay and ceramic body. The second topic : the address of the historical foundation of the system form, which included 1 - Characteristics of the art form in ancient times human knowledge at the start and at the age of the caves. 2 - The characteristics of the art form in the old Iraq has covered developments in the study of form in the historical stages in the old Iraq stages. 3 - The characteristics of the art form in the Islamic era, and how different form in the Middle Ages and made his own mark, Art Islamic era, and then 4 - styles and trends affecting the restructuring has been accompanied by contemporary ceramic art pottery modren Iraq artistic schools and trends that have crystallized within the global art movement.The study singled out the third part, references influential in the formation of ceramic output in Iraq and monitor the most important these references, and then shifts the cultural and social co - founder of attributes to form when potters in Iraq, and previous studies that showed the two studies was the points of convergence and divergence, and the indicators gleaned from the context theory. The third chapter represents the proceedings of research and analysis and monitoring of the research community, which consists of a set of ceramic works accomplished by the Iraqi potters for the duration of (1960 - 2003) The number of potters research community (33) Potter, and produced a sample according to the willful manner a number of controls that were produced by depend upon personal and professional has been selected (9) potters research sample, has been chosen for each of five forms of ceramic Potter then analyzed within the framework of criteria and indicators of the theoretical approach to the method of survey and descriptive analysis of the ceramics curriculum description and extrapolation of research and reliance on scientific studies and research dealing with analysis of content of porcelain in Iraq, has been divided into two generations of potters , the first generation represented by the period of time (the sixties, seventies, eighties) and second - generation (eighties, nineties, two thousand). The fourth chapter singled out the findings and conclusions, the results have been divided according to potters attributes of the inventory at each Potter.The conclusions were : 1. The topics of life that represent human forms, especially the man or woman and animal shapes like birds, fish and horses, the main topics selected by the potters and worked within them.2. Social relations have emerged, particularly the relationship of men and women in much of the potters. 3. Any forms characterized by the double is often the representation of the relationship of men and women a diagnosis or by implication, mother and son relationship in the frequency and therefore a clear and readable. 4. Characterized by geometric shapes circle formations - the box - the cube - the rectangle - the ball - the cylinder in the starting line - or internal design. 5. potters adopted the first generation of breeding color and showiness in it, while the second generation relied potters Unification color or the number of colors, sometimes dark, harmonious and blurry at times. 6. Spraying techniques followed potters combriser or sometimes a brush, one of the traditional techniques.7. potters also expanded on the themes and wall sculpture, pottery and construction manual and a little bit to work wheel electric or platelets.8. potters affected by references, heritage and historical art references old Iraqi or Islamic art. 9. The metaphors of a single environmental roses and twigs and metaphors of color Islamic heritage and metaphors such as lines, shapes and decorative designs. 10. Multiplied potters the tendency to realistic representation and abstraction and the abstract expressionist style, sometimes cubical in the representation of shapes. And we ended the search bibliographic sources in Arabic, English and supplements.

الاشتراطات التصميمية في اضاءة قاعات مدرسة الموسيقى والبالية == Design Pre - Requisites For Lighting The Halls of The Music And Ballet Schools : A Focus Study On Display Spaces At The Ballet Schools In Iraq

Author name: سماء فاضل خليل البياتي
Supervisor name: هدى محمود عمر
General topic: Fine Arts
Specific topic: Interior Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الاضاءة في الفضاءات الداخلية على اختلافها ومنها عروض الباليه، من الوسائل المهمة والمؤثرة التي يتوجب مراعاتها عند التصميم، وتصميم قاعات البالية بالخصوص، وذلك لما للاضاءة من قدرة على توصيل الصورة الدرامية بيسر للمتلقي وسهولة ووضوح تام، ومن هذا المنط | Lighting of various theatrical performances, including ballet, is considered as a significant and an effective means which are to be taken into consideration when designing their dedicated halls, due to the Lighting ability to deliver dramatic image to the recipient with perfect ease and clarity. Hence, the researcher has considered deriving her study from the ballet halls in Iraq, which have considerably declined in recent years and lacked ultimate specifications in their most essential terms, in an attempt to identify an approach to promote them owing to their significance at civilisational, cultural, and technical levels, following the neglect they have been subjected to, especially in recent years, because of the unsettled circumstances which prevailed in Iraq.As creativity puts us always face to face with sensory and psychological perceptions through a set of pre - requisites which are integrated into the design process of the Interior spaces, perhaps the most important of which is the lighting and plurality of its natural and artificial sources, which imply the nature and implications on realistic time and place, which, in turn, helps delivering the visual vision in creating the psychological and dramatic atmosphere and design configurations of Scenography. Thus, lighting is regarded as one of the important elements to enrich the artistic performance and design, and its effective presence is reflected on the integrated artistic accomplishment of a ballet performance. This integration we seek can only be achieved through the intensification of the function of lighting which should attain its significance through the conscious and well considered handling of its optimal functioning in the performance, and in its diversity, such as to allocate a specifically designed lighting for every performance on the basis of its theme requirements in terms of content and appearance and their pre - requisites according to the methodology and style they involve. Lighting is, then, an artistic language which lends indicative representation to the dramatic situations in their various varieties, which necessitated that technologies have to evolve over the time in a centrifugal dynamic multi - process in the commonality between art and scientific techniques implied by the Social Laws Evolution Theory. This, in turn, has compelled the deployment of lighting within the spaces as a design tool directly related to the realisation of the phenomena which have the greatest and most vital role in shaping the reality of those spaces through the act of illusion and achieving sensual and visual amusement which promote a sense of reality and its implications in terms of magnificence in the art of ballet in particular and other visual arts in general. In light of the above, the study has taken into consideration offering part of the knowledge quantum of design requirements in lighting ballet and music school halls, despite their previously noted permittivity as they were not specifically dedicated to displaying the art of ballet, so as to facilitate the designer's task and function in the formation of their own performance Scenography in order to achieve the vigorous design environment which facilitates practicality in dealing with the requirements of achieving the realistic image required for artistic performances, and what they could accomplish of semantic and aesthetic effects. Other than that they will benefit all parties interested and involved in visual performance arts, audio and visual. Therefore, the objective of this research stems from the need to determine the design requirements for lighting in the halls in line with modern lighting techniques, with a hope of attaining to the ultimate objectives of the research. The search has consisted of three main chapters : Chapter I / The research problem, the need for it, its significance, and the objectives it seeks to reach, in addition to the temporal and spatial boundaries, as well as term definitions.Chapter II / is devoted to displaying the cognitive and theoretical quantum, which included three Investigations. The First : dealt with the concept of "pre - requisite", its original inception and association with the interior design. The Second : dealt with light, its concept, beginnings of its usage, its varieties, and methods of its employment within the interior spaces. The Third : dealt with internal spaces in general / and then focused on the explanation on spaces specifically devoted to artistic performances of the art of Ballet, in addition to a brief on the history and evolution of the art of ballet. We, then, identified the indicators which we arrived at and which served as axes for the analysis.Chapter III / included the research procedures and methodology as the research has adopted a descriptive approach in the analysis of the samples represented by two samples related to the research community, namely (the two Music and Ballet Schools in Baghdad and Sulaimaniya) as they were distinguished for being the only two such schools in Iraq despite the difference in their foundation as the first was established in Baghdad in the year 1969, while the second emerging school was established in Sulaimaniya in 2008 through individual efforts. The research tool was represented by the (Analysis Axes Form), based on the theoretical framework of the indicators which emerged, as well as description and analysis. The researcher then reached results of different matching rates between the two samples leading to drawing conclusions which can be taken into consideration when embarking on the design and lighting of performance halls which are shown in : Chapter IV / which included : recommendations, proposals and future studies, in addition to designing proposals that were applied using computer programs which has helped clarifying the proposed design in a closer form to reality.It is reconciled to God.

الممثل بين منزلة الشخصية واختلاف الاداء في العرض المسرحي العراقي == The Actor Between Personal Status And Performance Differences In The Iraqi Theatrical Presentation

Author name: سلمان مزهر ديوان
Supervisor name: عبد الكريم عبود كريم المالكي
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: في هذا البحث استعان الباحث بالعلوم المجاورة لفن المسرح، فقد استعار من علم الاجتماع مصطلح (المنزلة الاجتماعية) واختلاف الدور لياخذ هذا المصطلح مديات واسعة على مستوى الشخصية المسرحية والاداء التمثيلي وفق المتغيرات السلوكية التي يوفرها متغير المنزلة، وقد جاء | The researcher has been used similar science for the Performing Arts in this research, it has borrowed from sociology term (social status) and the different role to take this term ranges and wide to play the personal level and performance analog according to behavioral variables provided by the status variable that has been said about this research (actor between personal status and differences in performance in the Iraqi theater performances) to get to know the reality of performance variables when the Iraqi theater actor through discovery of core of behavioral act for personal between its status and its role differences.The research is contains four chapters : the first of which included a systematic framework of the research problem and the need to Research based on the following question : How can recognize the different between the personal status and role? What are the ways to diagnose and performance, and how to be submitted by the Iraqi theater actor? Then the importance of research and its goal, which is determined to identify the difference between the status of the personal actor the performance and role in the Iraqi theater performances.The limits of Research spatial confined in the presentations of the capital Baghdad, theater, and temporal, which is determined in the eighties of the twentieth century, the objective limits, it focuses on the study of performance variables representative of status and personal role in the Iraqi theater, and then determine the terms, namely, (status and personal).The second chapter (theoretical framework) it contains three sections : Section I : (personal status between concept and engaging) and touched the researcher to clarify the concept of social status in sociology and then how he quit in human life. The second topic : (play between personal status and the different role), in which the researcher deliberately to dive into the world of the scripts, trying to investigate and demonstrate the different roles across arent social status of the character drama. And the third section : (performative method in personal status), which was addressed to the main performing methods in the art of representation variables (Stanislavski and Brecht and Mirjuld), as well as some other recent performance tests, to demonstrate the performance variables have changed as a result of Representative status.The third chapter (action research) has included the research community and to identify the sample felt that the researcher to be intentional selective, then search tool, and the research methodology and method.Finally, the sample was focused on analog performance for a number of Iraqi representatives in the following theater performances analysis : 1. His Excellency campus.2. good human.3. between the owner and owned Leaver lost and forsaken.4. Black and white.While the fourth quarter results included and discussed on the basis of what has been reached in the sample analysis, including : 1. Combining analog presentation performance to reach the performance difference according to the requirements of personal status and the different role change, as in the performance of actress (Salima Khudair) in the theater (wife of His Excellency). 2. Adoption of Representative on the idea of hiring a mask full membership (physical and moral) as a principle of behavior to reflect on and jurisprudence change their personal status, which moves in the performance of the personal to the other to enhance the difference in performance, as in the performance of the actor (Mahmoud Abu Abbas) in the theater (between the owner and owned lost Leaver and discarded).Then the conclusions that are related to the objective, recommendations, proposals and then a list of sources and references, and appendices.Finally, Abstract this research in English.

امكانية تطويع دعائم لخامة البولي استر (Poly ester) المستخدم في المنجز النحتي (تقنيا وفنيا) == The Possibility of Plasticizing Processes of (Poly Ester) Raw Material Used In The Sculpture Work (Technically And Artfully)

General topic: Fine Arts
Specific topic: Sculpture
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: احتلت اللدائن الصناعية وخامة البولي استر مكانة متميزة في الانجازات المعاصرة على المستويين الفني والعلمي , وهذا البحث هو محاولة لتطوير مساحيق مضافة ودعائم لراتنج البولي استر غير المشبع للحصول على خواص تلائم متطلبات المنجز النحتي , وتتلخص مشكلة البحث في

المتغيرات الاخراجية في العرض المسرحي العراقي ما بعد 2003 == The Direction Variables In The Iraqi Theatrical Show Post 2003 - Period

Author name: سعد عزيز عبد الصاحب
Supervisor name: عقيل مهدي يوسف
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعتمد المتغيرات الحضارية والانسانية على عدد من المحددات في ضوء حاجة الانسان في تغير معطيات حياته من شكل لاخر، لذا تبعت هذه المتغيرات اشكال الحياة الاخرى ومنها المجال الفني بصورة عامة والفن المسرحي بصورة خاصة، والذي انبثقت منه صيرورات جديدة، حاولت ان تغير | Civilization and human variables depends on many determinants through the need of man for variables through the man need to variable his life from one form to another. Therefore, these variables have followed other forms of life including art in general and theater in particular. That has flowed from new issues which tried to variable the traditional issues in to new ones, which the receiver has not been familiar in their essence. But these are not common among us through intellectual and aesthetic components as well as new techniques that continued to present many reading and perspective (dialectic) for the social, economic and political events within the context of artistic show and with the style and attitudes of directors, as wee as their dramatic and directive attitudes. That is with a direct effect of the political variable on the theatrical structure and discourse.The research contains, in its structure framework - the problem of study - the following question.Has the artistic (directive) variables founded new theatrical traditions on mechanisms of theatrical directive, that we can talk about variation of direction style and vision after opening of new horizons of expression?The impotence of the study lurks in dealing and detecting transitional period from the date of modern Iraqi theatre - i.e post - 2003 according to the artistic direction that happened.The objective of the study lurks in treating and detecting the variables, terms mechanism and styles of the Iraq direction in the post - variable shows.The theoretical frameworks were confined in two inquiries, the first shows the directive perspective and the ideological transformation of the modern European theater IN Germany, England, Ireland, Russia, and playwright and their theatrical perceptions and readings of the social, economical, and political realities as well as the uprisings and coupes and the consequential effects.The second inquiry deals with the directive attitudes and variables in style in the Arab Theater post - 1967 war in Egypt, Morocco, Syria and Lebanon in openness on the directive forms, scripts and the scenegraphical techniques that were invented in the post war era.The comes an inquiry about the finings of these two inquiries until we tackle the previous studies and their relation to the title, and inquiries of the thesis, the Direction variables in the Iraqi Theatrical show post - 2003 period.The third chapter is procedure of the thesis. the inquiry stars with directive tendencies before the change 1992 - 2002 which unfolds the directive tendencies and attitudes in relation the delaing with patterns of performance and the stenographic forms before change.The sample of the study was chosen randomly out of the research community for having resource, reference, photographs, CDs, and the printed texts and the shown scenes of the live shows.The samples were : 1. the play of this life triumphs.2. the play Ali Al - Wardi and Hi Rival.3. the play Death and the Virgin.4. the play curfew.5. the play pawns.6. the play hatchback of new terdam.7. the play dream in Baghdad.In the descriptive approach in analyzing then above sample, in the fourth chapter, the research what he finds out in the conclusion as well as an index of the recourse and references an abstract in English

الاشتغال الدلالي للتشفير في التعبير الفيلمي == Semantic Work For Coding In Film Expression

Author name: سعد ناظم عيسى الزبيدي
Supervisor name: رعد عبد الجبار ثامر الشاطي
General topic: Fine Arts
Specific topic: Cinematic Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: اخذت السينما تشق طريقها لتنحت لنفسها مكانا بارزا بين الفنون الاخرى. ليبدا هذا الطريق بدراسة السينما سيميائيا، وكانت اولى الخطوات في هذه الدراسة هي محاولة اثبات امتلاك السينما للغتها الخاصة، وذلك من خلال مقارنتها باللغة من حيث الوظيفة والوحدات والتنظي | Cinema started to make its own way to build special place among other kinds of art. The first steps on this study were a try to prove that the cinema has its own language; this was done by comparing it by the language from many angles, such as function, units, organizing and shape.Many results were appeared from this comparison; the most important one was the similarity between the film and the language in functionality. Also, the ability of implementing most of the linguistic aspects on cinema like coding, messaging, system, building, …, etc.As these aspects are common in all communication systems, any system has its own signs and symbolic meanings which are organized in the form of rules that permit to understand the messages built on similarity and difference relationships, which shows multiple kinds code.In addition to the codes in the film structure, as a part of semantic systems, depending on the aim of delivering messages with deep meanings, using all of its elements. For studying this process in details, and for analyzing the terms it contain, like sign, code, communication, meaning, culture, and for establishing scientific research basis, so this study represents an attempt to read the semantic work for codes which are included in the film texts. This study; named (Semantic work for code in film expression); contained four chapters as follow : Chapter One : Includes research problem which is represented by the study of the film code by explaining how they work, and explaining the role of the film expression elements in showing the film code. This chapter also contained the goals, the limits, the importance of this research and a definition for all of the used terms.Chapter Two : Theoretical frame and past studies, was divided into six parts, as follow : 1. Cima Part : Here we mentioned the Cima science and the founders of it, some important classifications for it and some important points for studying this science.2. Communication Part : The communication theory was discussed here (using Jackson diagram with the six levels), the importance of each level and some other important information about these levels.3. Codes Part : Explaining what is the code generally, then what is the cinematic code.4. Sign, Symbol and Code : The three aspects are discussed together as a one part and as different parts.5. Semantic Science Part : This science was discussed in details in this part.6. Film Expression Part : What is the film expression? How can we distinguish between the similar aspects in this field? The answers were mentioned here.Then, a quick show of the past studies was done.Chapter Three : Research procedure, includes the research process and the sample explaining. The samples were two films (Devil's Advocate, and Da Vinci Code).Chapter Four : This chapter contains the conclusions and the recommendations we get from this study, the most important one was the ability to form the complex indirect semantic for the cinematic code, by using the icon - pointer or the icon - symbol, as the iconize is a method (code) to recognize the direct and the indirect semantic, while pointer and symbol are tools to reach to the deep messages of the film. Last, the research contained suggestions and resources list and the English abstract.

توظيف الانماط الكتابية وعلاقتها بالدلالة في تصاميم الملصقات السياسية == Employig The Writing Patterns And Its Relation With The Connotaion In The Political Posters Design

Author name: سحر علي سرحان السوداني
Supervisor name: انتصار رسمي موسى
General topic: Fine Arts
Specific topic: Typographic Design
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تعد الملصقات السياسية من بين اهم الوسائل الاتصالية التي تؤدي هدفا فكريا وعقائديا وسياسيا فضلا عن الارشاد والتوجيه، وغيرها، ويراد من وراء فكرته التركيز على المعاني والدلالات الموجهة والمتجسدة من توظيف الانماط الكتابية، فالملصقات هي رسائل فنية وتؤدي و| The political posters are one of the most important means of communication that fulfill an intellectual, ideological and political target as well as guidance and counseling and others.The idea behind these posters is to focus on the meanings and the addressed connotations which are embodied from employing the writing patterns, so the posters are art messages which sometimes may have been aesthetic, but aesthetic is relative and is performing a function which is delivering idea to the recipient.The writing patterns is one of the important element in creating design, which is meant the delivery of advertising or information messages through it, and also has an importance in determining the fundamentals that underlie the clarity of letters’ forms which leads to the design of letters that have the efficiency to fulfill most requirements and one of the most important of those requirements is the literal function and the operational technique.The research problem has been summarized with some questions : 1 - What is the problem of employing the writing patterns and its relation with the connotation in the political posters designs. 2 - What are the methods that can be used in employing the writing patterns in the political posters and its relation with the connotationAs for the objectives of the research it has been determined into two axes : - 1 - Detection the mechanisms of employing the writing patterns and its relation with the connotation in the political poster 2 - Develop designing proposals for the design of the writing patterns, and its relation with the connotation in the political posters.As for the limits of the research, it were substantive limits in employing the writing patterns and its relation with the connotation in the political posters designs in Iraq, and the spatial and temporal limits were the political posters in Iraq for the years 2007 2009 as well as the identification of terms contained in the title of the study. The second chapter covers the theoretical framework and the last studies, the research has contained four chapters, the first one included the research methodology and the second included several topics, the first topic (the writing patterns in the political posters),the second (variables of space management of the writing patterns), the third (the structural system of the writing patterns), the fourth topic (the writing patterns and its semantic relationship), followed by the previous studies and its discussion and came after that the indicators resulting from the theoretical framework on which the researcher is based on in the preparation of analysis form , then the researcher addressed the research procedures in the third chapter, which included research community contained the advertising political posters, the research tools that the researcher used are form of analysis axes to examine and analysis the results, the researcher has designed the form and presented it to a group of experts and specialists, as the sample research has been analyzed through this form. Chapter IV includes the results of the analysis, conclusions, recommendations and suggestions.The most important results of the research : - 1 - Weakness of volumetric activations for the writing patterns, as it emerged with small sizes and unreadable, which affected adversely in the process of the optical attraction of the reader, and receiving the idea, as the size of the letter is important to achieve clarity and readability as in the samples (1, 2, 4, 5, 7, 8, 9, 11, and 16). 2 - Weakness of semantic relations and interdependence between signifier and signified, and this led to weakness in the meanings received, which resulted from lack of attention to the importance of the writing patterns which appeared secondary and small scale, whereas the meanings correlation between the writing patterns and images related to a significant impact for the recipient, as in the samples (1, 5, 7, 9, 10, 17). 3 - Weakness of aesthetics activations in the writing patterns that increase the optical attraction of the reader as this weakness will reduce this attraction as in the samples (1, 2, 3, 4, 5, 7, 9, 12, 13, 16, and 17). 4 - Most of the political posters have not used the symbols and its writing shorthand in the writing patterns and what they are carrying of depth in meanings and connotations as in the samples (2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, and 20). 5 - Employment the color of writing patterns in accordance with intellectual references and semantic relations, for instance the connotation of red color to confirm the excitement, terror and blood and the black color as a sign to the mystery and fear, as in the samples (1, 3, 5,15,16,17, 19, 20).The study has reached the following important conclusions : 1 - Designers have not used the voluntary letters design effectively, so the letters appeared easy because they have not been used as a design. 2 - The relationship between writing style and photos have been established so that we can find it an objective link through a basic use of writing patterns specifically associated with the activity of the social culture of our people. 3 - The use of typographic vocabulary has come in an intensive and busy form which causes confusion to some designs of political posters. The most important research recommendations are : - 1 - Employment the design principles and studying the formal space relationships that promote the organization of typographic vocabulary because of their role in attracting the attention of the recipient and that is because of the expressive connotations that the media message is containing. 2 - Activating the study of writing patterns that peoples of different patterns are characterized by and try to understand its meaning and translate it through presenting of designs contributing to the development of humanitarian contacts between our society and other societies.3 - Trying to provide design ideas that have meanings and connotations reflect the reality and concerns of Iraqi society with methods far from complex and exaggeration.

البنائية للخزف النحتي الهولندي المعاصر : دراسة تحليلية

Author name: سجى رسول نفل
Supervisor name: نبراس احمد جاسم الربيعي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: تناولت الدراسة الحالية اعمال النحت الخزفي البنائي الهولندي للفترة الممتدة بين (1970 ـ 2008) في ضوء تطورها ودلالاتها الفكرية، وقيمها الجمالية، ومرجعياتها، فضلا عن ان الباحثة لم تعثر على دراسة اكاديمية سابقة مباشرة تقترب من موضوع الرسالة الحالية الموسومة

الاشكال والانواع الغنائية في الموسيقى العراقية == Forms And Types of Singing In The Iraqi Music

Author name: زينب صبحي عبد حسين البياتي
Supervisor name: طارق حسون فريد
General topic: Fine Arts
Specific topic: Musical Arts
Degree: Doctorate
Language: Arabic
University location: Baghdad
First pages:
Abstract: تنوعت الاشكال والانواع الموسيقية والغنائية واختلفت وفقا لمعطيات مكانية وزمانية، ومن ثم فهي تبلورت بوصفها محصلة للعلاقة بين العناصر التي تكونت منها : اللحن والايقاع والتعدد الصوتي والطابع الصوتي والنص. وتضم الموسيقى الاشكال والانواع الغنائية بجانبيه | Musical and vocal forms are varied and differed according to spatial and temporal criteria. Forms have been crystallized because of the relationship between constituent elements such as melody, rhythm, harmony, tone colour and text. Music includes forms and types of systematic and popular folk singing. These forms have been changed and developed by time, and new forms were generated according to different cultural, social and artistic influences. Iraqi music is replete with many forms of singing; systematic, popular, secular and sacred. These forms can be divided geographically or in terms of demography. In addition, the overall circumstances and events, through the history of Iraq, have played a role in the crystallization of new and modern forms and types. Moreover, some forms are evolved from older forms that became richer and more complicated than the older version. Furthermore, there are different factors that affect the structure of musical forms and singing types, such as the cultural, social and economic factors. In fact, all that was innovated of singing forms is a true reflection of the reality of the Iraqi daily life and simulation of this life’s different conditions.Forms and types of singing had increased and developed faster than the musical instrumental forms, because the Iraqi musical culture preferred to practice singing forms in their ceremonies. However, unfortunately, these forms and types have never been collected, preserved, documented, archived or studied. Therefore, I have decided to study this topic. This research is important as it presents an academic study of the forms and types of singing in Iraq. In addition, it participates in preserving these valuable forms and types. Moreover, this thesis is the first study of such topic in the academic and musical field. Furthermore, this study will fill the gap in the Arabic musical library and will assist the researchers in this field of study. However, the purpose of this study is to define the structure of the singing forms and types in the Iraqi music. This study will cover the period from 1921 to 1941 in the city of Baghdad; it focuses on the Iraqi mundane forms and types of singing in the Arabic language.The second chapter includes the theoretical framework and the previous studies. The theoretical framework consists of four topics; the first is “the structure of the musical forms and types”, the second is “singing forms before and during the Islamic period”, the third is “music and singing in Baghdad from 1921 to 1941” and the fourth topic is “the analytical standards of the musical and vocal forms”. In the end of this chapter, the results of the theoretical framework were presented. The researcher did not find a previous study that dealt with the topic of this research.The research’s procedures are presented in the third chapter, where the researcher defines the methodology and the samples of the study. The entire sample consists of 112 songs and the randomly chosen samples are 24 songs, which are divided into a specific category according to its types or form. The main tool of collecting the required information was the “Interview technique”. The main tool of the analysis was a specific analytical standard, which was created, tested and applied on the selected samples by the researcher.The results, conclusions, recommendations, suggestions, list of resources, appendices and abstract of this study are presented in the fourth chapter.

خصائص الحوار في نصوص يوسف الصائغ المسرحية

Author name: زياد حلو جاد الله محمد
Supervisor name: يوسف رشيد جبر
General topic: Fine Arts
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: الحوار المسرحي هو المكون الاساسي للمسرحية باعتباره المسرحي يحمل الاحداث والشخصيات والجو العام والذي يكشف في نفس الوقت عن الزمان والمكان وعن وقوع الاحداث وصراع الشخصيات بما فيها الشخصيات الحاضرة في الحدث والمختفية والتي لا تظهر الا بشكل ملاحظات يتبناها الم

الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر == Ideological Discourse of The Image of Women In Contemporary Iraqi Drawing

Author name: زهراء موسى مهدي
Supervisor name: عياض عبد الرحمن امين محمود الدوري
General topic: Fine Arts
Specific topic: Drawing
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: يتناول البحث الخطاب الايديولوجي لصورة المراة في الرسم العراقي المعاصر تبلورت مشكلة البحث بالاسئلة الثلاثة التالية اولا هل تبدلت القيمة الجمالية لمظهر المراة في الرسم العراقي المعاصر؟ ثانيا هل للمرجع الايديولوجي حضور في صياغة اسلوب العرض؟ وثالثا هل للمرجع | This research Addresses with the ideological discourse of the image of women in contemporary Iraqi drawing Crystallized research problem the following three questions first Are changed the aesthetic value of the appearance Iraqi women in contemporary painting? Second, does the presence of ideological reference in the formulation Style of presentation? Third Is the local and global impact of the references Summons Metaphoric image of women? The importance of the research was the result of the fact that research is Unfrequented previously as well as detect stealthy ideological image of women in Iraqi drawing The objective contemporary research is detected ideological discourse of the image of women in Iraqi contemporary drawingas well as the the limits of research and definition of terms that were with him The chapter concludes with the first and start the second chapter (the theoretical framework), which contains four The first sections of the concept of discourse and ideology put forward by the researcher through hypotheses And definitions of philosophical concepts with philosophers and philosophical books The second section includes Historical root image of a woman who shows how it has changed the image of women through the ages And how it changed the look of the artist put forward a woman through to the image of women in the work of art either The third section display of modern technologies in the drawing, which shows the extent of the development Technology, and how, in turn, the impact of women in the form of artwork inside and tha four deal with amage women in drawing iraqi art, Access to Chapter IIIwhich addresses research procedures of the research community, the research sample, justifications Sample selection, the search tool as well as the use of researcher applied descriptive analysis To analyze the sample and then finally the sample represented in the analysis of eighteen sample to achieve the aim of the research Confined Ben1990 - 2012, and the researcher in chapter IV to a number Results of the most important is that there is a self and social ideology in addition to the use of material Folklore dramatically in the work of artists, as well as the absence of men in some Works and appearing beside women in other works of art as well as the use of artists In display technologies often oily colors without the intensity or add new material To the optical surface in the nineties, while we find the diversity of methods of presentation in the work Artists in the period the new millennium, the following findings and conclusions suggestions and recommendations Developed by the researcher to concludes with this search a list of sources Developed by the researcher to concludes with this search a list of sources.
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