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التعالقات الوجودية مع نحت الحداثة : دراسة في التحول الاسلوبي The Existentialist Relatedness With Modernism Sculpture (A Study In Style Conversion

اسم المؤلف: عبد الله فوزي خورشيد
اسم المشرف: مامون سلمان فارس
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: انبثقت الوجودية من الواقع الانساني وحياته الماساوية التي يعيشها بعد حروب وصراعات وفوضى ودمار وخراب في المجتمعات الغربية ولاسيما اوروبا , حيث اصبح الانسان يعيش حالات من قلق وخوف ورعب بسبب الازمات التي مرت بها تلك المجتمعات , فضلا عما يجتاح الانسان من ا | The existentialism has been ensued from the human reality and deteriorated miserable life definitely after wars , struggles , chaos , destruction and sabotages in the western societies especially Europe. The human under such down - to - earth circumstances lives in worry, fear and awe owing to crises these societies passed through; besides, the human beings have been swept by self - narrowness and life - disdain that would be ended with inevitable death. The existentialism has interacted with these conditions and situations as to fulfill freedom of a human; the existentialism became prevailing over in the societies ,definitely in Europe and western world and even in Arab Home Land where we find it very effective and interactive in its arts ,literatures and its philosophers including (Abdul Rahman Badawi) who declares his existentialism , while he was proud of that. The existentialist thought embodied in disdaining the existentialism completely and nothingness of human, besides ,worry embedded deeply into the selfness begets fears and absolute freedoms for human - self as well. Owing to what have been mentioned above , it has been appeared triviality and rejection all laws and holies that rule the human and confirming segregation ensued from Alienation and self - separation where human lives. Thus the research sets off as to search for the necessity of digging deeply into effects implanted by existentialism unto plastic modernized architected productions. The present paper includes four chapters , the chapter one includes general frame of research and that includes problem of research to know causes and motifs that being relied on the existentialist thought and after that , accomplishing existentialist sculptured works concerning with the disdain of existentialism , nothingness and worry in addition to the freedom selection, alienation and segregation in a modernized period. Then it comes the importance and goal of research owing to rarity of studies and scientific researches about existentialism into sculpturing modernism and trying unfold intellectual concerns along with its method conversion effecting hugely on the modernized artistic movement ,especially the sculpture. The chapter one ends with specifying some terms concerning with the title of the thesis. The chapter two incudes theoretic framework for the research , it includes four parts , the 1st part comes under the title (( Phenomenology thought) AND ITS ( Existentialist Thought) , it means searching for references of existentialist thought inn the ancient philosophy, then going to conception of outward appearance since its first establishment for knowing bases of this controversial term. After that uncovering the existentialist thought concern and its methodology quoted from outward appearance. The 2nd part includes the existentialist thought ( institutions )by knowing the prominent philosophers who have been considered as founders for this thought. Then moving to the bases as to achieve its goals and such bases are ( nothingness , worry, freedom ,selection and alienation). The 3rd part includes intellectual and technical reflection of existentialism into forming modernism; this part deals with the modernized movement passing through plastic works expressing about the existentialist thought via bases the existentialism depends upon. The chapter two ends with the four parts including ( style conversion into forming the modernism concerned with existentialism). This part deals with the method and artistic conversions occurred within the artists of modernized period by analyzing most prominent works concerning with the existentialism. The chapter third represents procedures of research including analyzing descriptive method and research sample consisting of 20 modernized sculptured works arranged chronically , then tools of analysis the researcher has depended on are as follows : 1. When the modernized sculptured text expresses about the human's internal life starting from his body to small parts ;the text is consistent to the existentialist thought. 2. When nothingness and sensing the inevitable end ( death) in any text ,that means this text is existentialist thought.3. Alienation and segregation calls depended on by the text means merely transparent calls of existentialism declaring alienation.Then ,the research has got data and accurate and correct information from books , magazines and artistic works. The research has moved to analyze the samples by describing them superficially and analyzing them existentially based on results of existentialist thought in sculptured text selected by the researcher accurately. The chapter four includes results of the research and they are very expressive about the goals of the research : 1. Existentialist intertextuakity centered the modernized sculpture represented into the human body in respect to its individuality generally and its deteriorated existentialism specifically. 2. The creative results of existentialist have been described as to be liberated from( what is holy and subject to law); the creative existentialist text is considered a liberated text depending on the always - rejection method and being liberated from all shackles.3. Cry gestures into face ensued from human selfness are no more than a vision declaring existentialism between the sculpture and thought. Then, the research moves to a set of conclusions : 1. The existentialism is a human philosophy since it is basically depended on individuality of human along with his sense of his pains and self - deterioration. Thus it is focused on selfness of human as an individual to perform and form a meaning for his life. 2. The existentialism with modernism sculpture together with its existentialist analyses has been considered as an important factor into works of modernized periods via aspects represented in existentialist bases. By end , the researcher has submitted a set of recommendations and suggestions ; he has presented supplement including a set of artists together with their artistic biography as getting scientific and academic benefit for the students and researchers in future, then a list of references and abstract in English.
الصفحات الاولى:

اشكالية التشكيل البصري في النحت المعاصر Problematic of Visual Objectifying In The Contemporary Sculpture

اسم المؤلف: علي جبر حسين
اسم المشرف: جبار محمود حسين العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: In the midst of the rapid evolution of the movement of the contemporary aesthetic discourse and through the growing aesthetic visions of the image selection, became the offspring creative enjoy a wide range of awarded to the same benefit from the built scientific and technical development, which was made available trading's optical which adopted Beauty speech, and by following to create a plastic identity contemporary, granted new horizons of knowledge structure. It led to enormous shifts in the structure of the speech communicative with the other.So Find eat problematic visual composition in built a sculpture as one of the most important contemporary art became art selection products of overlapping adopted the mechanics of the display to give the same visual profile identity came up most often far from contexts aesthetic familiar products of the art of sculpture and techniques and the performance implications.his ideas and outputs as well as received in the sense that it outputs a creative a visual formations because of overlapping races to announce the birth of a new identity in the visual composition of the carving world and this means that we are facing a big problem lies in our reading of this new production by receiving that coexistence with it for a long time as well as problematic intellectual institutions variation in general through systems Technical and Digital role default and so on, so the classroom was an attempt to bring understanding of the technical achievements and learn about it and itsinstitutions intellectual and technical nature was the first chapter is the structural system to searchThe second chapter attached studying problematic visions and concept of the system of art were three discussing it that dealt with the first of problematic visions and concepts of art, whether philosophical, aesthetic applied, while the second part, grabbed the structures and relationships of visual form a third section on the styles and trends and modern technologies to embody the visual composition in Contemporary sculpture.The third chapter concerned with the descriptive analysis of the phenomenon of visual composition in contemporary composition has been focused on different artistic experiences in aesthetic discourse in contemporary sculpture.The fourth chapter of the results and discussed. The researcher reached a number of conclusions that have achieved the goals of the research was the most important : 1 - Visual composition in contemporary composition and function of simulated exercises, a form aesthetically accomplished so far from the values of tradition.2 - emergence of attempts tend to find a philosophical framework formative dialogue, as an attempt to link music sculpture, to make music with a visual recipe.3 - fading border between sculpture, drawing and design and the rest of the Fine Arts, as it has done has become technical attributes many of the common elements between the fine arts, such as color, font and technical and influence in the place. To achieve technically accomplishing qualitatively we can call it (formation), it is not sculpture or a not determined. It included any of these arts and elements in its structure.4 - The optical modulation in the contemporary sculpture is far from uncommon in traditional sculpture.5 - The development of new materials and innovative invented, and this is giving the artist recipe experimentation and discovery investigators constituted an exceptional, through the use of these raw materials.6 - break down the necessities of meaning and idea and artistic achievements of the trail system in the optical configuration.
الصفحات الاولى:

تقنيات النحت العراقي فـي المهجر Iraqi Sculpting Techniques In The Diaspora

اسم المؤلف: بسام عباس كشاش الحسيني
اسم المشرف: عامر خليل ناصر الشجيري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بابل
المستخلص: الفن ظاهره او شكل من اشكال النشاط الاجتماعي رافق الانسان منذ بداياته الاولى في صراعه الوجودي, فالفن ضرورة انسانيه , اذ لا يوجد مجتمع واحد او حتى فرد واحد استطاع ان يستغني عن الفن بكل شكل من اشكاله , فقد كان الفن بديلا للحياة ووسيله لايجاد التوازن بين ال | Art phenomenon or a form of social activity of human accompanied since its early beginnings in his struggle existential, Art is the need for humanitarian, as there is no one community or even a single individual was able to dispense with art in all of its forms, the art was a substitute for life and a way to find a balance between human and the world in which they live, have a prominent impact on the advancement and progress of humanity through history.Therefore, the Diaspora them impact and attendance in the arena of Fine Arab and European art and in the establishment of an Iraqi document to the ancient artistic heritage and the language of contemporary able to communicate with the West and the world of modern art. It boils down to current research in the study of (Iraqi sculpture techniques in the Diaspora).Search of four chapters consisted eating a researcher at the side of the first chapter was presented the problem of systematic research, which summarized the following question : 1. Is there an impact of migration on the Iraqi sculpture in the Diaspora?The first quarter also included its importance and the need for him and the goal of the research and the limits of research and identify and define the terms and represents the aim of the research : Ptaraf.... Iraqi sculpture techniques in the Diaspora.Its boundaries marked by temporally years also included the period between (1980 - 2010) m and spatially Vaguetsrt on the Iraqi sculptural works, which was completed by sculptors expatriate Iraqis outside Iraq's borders, while the second chapter dealt with the theoretical framework, which contains three sections : First topic : the researcher eating Alazaarah and technical aspects and their relationship to the art of sculpture, divided into several areas : • technical aspects and their relationship to the elements of sculpture.• sculpture and art.The second section dealt with immigration causes and motives, divided into several areas : • Immigration• Diaspora• political factor• economic factor• social workerWhile the third section of technical development in the art of eating postmodern divided into two axes : • pave the idea of evolution.• The most important technical proposals in the arts of postmodernism.The third chapter majored in research procedures, a research community and the research sample and methodology of the research and analysis of the sample, which included sixteen analysis in accordance with sculpture by two works Nhtin each sculptor's eight sculptors.Chapter IV has included the search results. And a number of findings of the researcher : 1. Use Nhato Diaspora traditional raw materials in the implementation of most of their carvings.2. Odv some Nhato Diaspora assembly and installation technology through the use of different materials (iron, wood, Bras, Plex Klaas, cloth, leaves, silver) as one of the contemporary techniques through which they could sculptor to produce works of art with aesthetic and expressive value.3. Deliberately sculptor Ali Al Jabri to the use of modern technologies and make them as light penalty complement the work of art.4. Baptized some Nhato Diaspora to use light reflections technique as a result of the surface of the artwork refine refined model.5. Deliberately sculptor Iyad Qaraghouli technique (laser) in the completion of works of art from being a recent sculpture techniques to teaching them high precision and vitality.Find also included a set of conclusions as well as the list of sources and supplements..... and summary in English.
الصفحات الاولى:

الخطاب النحتي وتمثلاته في الخزف الامريكي المعاصر Sculptural Discourse And Its Representations In The Contemporary American Ceramics

اسم المؤلف: ايناس مالك عبد الله البشارة
اسم المشرف: عبد الحميد فاضل البياتي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: بابل
المستخلص: تناول البحث الحالي " الخطاب النحتي وتمثلاته في الخزف الامريكي المعاصر " اذ تم دراسة الخطاب في الفكر الفلسفي والجمالي ودوره في فنون مابعد الحداثة ومراافقه من تطور ظروف المجتمع الصناعي الراسمالي وازماته , فضلا عن الشعور المتزايد بدور الفنان / الخزاف في خلق | The research studied “sculpture discourse and its representations in the contemporary American ceramics”. Sculpture in the fine and philosophical contemplates, and its role in the postmodernism arts and the evolution and crises of the industrial, capitalist society conditions that accompanied it, in addition, the increasing sense of the artist/ ceramist in creating fine artistic sculptural discourse had contributed in the replacement of the fine artistic view of the ceramics art in general, and the American ceramics in particular, by its openness to the neighboring artistic types, especially the art of sculpture.The research consists of four chapters,The first chapter : the general frame, which include the problem, significance, and the object of the research which is : - Knowing the representations of the sculptural discourse in the contemporary American ceramics.The research ambits was : 1. The objective ambits : studying the ceramic works made in America that carries a sculptural discourse.2. The spatial ambits : the United States of America.3. Time ambits : from 2000 to 2014, because of the large quantities of the ceramics that carries a sculpture theme.The second chapter : theoretical frame, former studies, and the indications made by the theoretical frame, the second chapter included four essays discussed the most important intellectual, philosophical, artistic, and fine contemporary foundations and origins, and what concerns the American ceramic art and its sculptural discourse. The first essay discussed (the knowledge discourse in the postmodernism thinking), the second essay discussed (the fine discourse in the postmodernism arts), the third essay discussed (the sculptural discourse in the American art), while the forth essay discussed (the ceramic discourse in the American art).The third chapter contained the methods of the research consisting the research society, sample, methodology, tool, and analysis of the samples which were (20) contemporary American ceramic art from a research society of (250) ceramic work.The researcher followed a descriptive analytical approach that suits the current research, depending on the indices made by the theoretical frame as a tool to analyze the sample of the research.The forth chapter contained the results of the research, which were : 1. The contemporary American ceramic in its sculptural discourse is not apart from the intellectual and philosophical arguments, its considered an artistic phenomenon that reflects the diverse thinking systems of the contemporary human in general and the American ceramist particularly.2. The contemporary American ceramist had merged, through his sculptural discourse the common objects of the pop art in formulas that changed its common function, to fragment the receiver senses, to erase the significance of those objects and search for different indications that confirms its belonging to the fine and ceramic art especially, in a way that suits with postmodernism discourse.3. In its sculptural discourse, The American ceramic approaches from the optical art technique to form the third dimension, which is the delude, imaginary, and the technical implementation with high skills.4. The value of repetition in the contemporary American ceramic as a positive response to break the monotony and disclose new treatments to the process of the structural and technical formation of the sculptural discourse, which enriches the movement of the sculptural artwork and estrange from the visual stillness.Finally, the researcher concluded the conclusions then made a recommendations and suggestions.
الصفحات الاولى:

مرجعيات التشكيل النحتي للعمارة المعاصرة References of Sculptural Forming For The Contemporary Architectural

اسم المؤلف: علي جبر حسين
اسم المشرف: جبار محمود حسين العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2011
مكان الجامعة: بغداد
المستخلص: تبنى البحث فكرة التشكيل النحتي لمنجزات العمارة المعاصرة في العالم اذ ان التحول الجذري في البنى التصميمية المعمارية وواجهاتها واقترابها او استثمارها لهيئات عضوية بشرية او حيوانية او اجزائها وهي بذلك تحقق تشكيلات نحتية في واجهاتها او عموم كتلها المعمارية اذ | The present study dealt with the idea of, sculptural forming achievements of contemporary architectural in the modern world, which is basically holding transforming in the architectural designs and the fronts to be nearest to human or animal forms with its features, to achieve artistic shapes as architectural works. The study consist of many chapters, one of them is the importance of the study , the main issue and the goals, the second chapter consist the following subjects : 1 - The reference , the vision and the concept.2 - Sculptural movements in the contemporary arts.3 - Sculpture and architectural.4 - The modernism concepts and post - modernism in the contemporary arts.While the third chapter contains, the research procedures and the analysis of the samples, the fourth chapter contains the results of the study, which is : First - The sculptural forming and architectural designs and the fronts seems to be out of the authority of the known tradition.Second - to a sure the necessity of sculptural forming in the architectural works and to give better results.Third - the wide presence of the most weird shapes sculptural forming.Fourth - some of those achievements imitate the shapes of human being and the animal shapes like the heads of some animals. Fifth - using new techniques and new materials in the sculptural forming.
الصفحات الاولى:

التكوين ثنائي الشكل في النحت العراقي المعاصر : دراسة تحليلية Formation of Duet Shape In The Contemporary Iraqi Sculpture : Analytical Study

اسم المؤلف: علي عاشور سلمان
اسم المشرف: ازهر داخل محسن
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2011
مكان الجامعة: بغداد
المستخلص: فن النحت من الفنون الاكثر تماسا بالحضارات الانسانية لانه فن يمكن ان يطلق عليه الباحث انه فن بيئي المادة والموضوع، بمعنى ان الخامة المستخدمة في النحت متوافرة لاتحتاج الى عناء لاحضارها كالطين والخشب والحجر، فضلا عن استقصائه في متابعة مضامين اجتماعية، ه | Sculpture is of the most fine arts ad hoc with the human civilization as it is the art may the researcher called environmental arty in regards to the subject and material; i.e., the raw material used in sculpture is available getting easily such as clay, wood and stone, in addition to his search for social implications from a side and that fine arts in general and plastic arts in particular are constructive arts depending upon beautification constructive elements ( artistic formation) and one of such that elements is the presence of the man or animal shape so that the sculptor may form singular, duet or more shapes in one artistic work for beautification and ideological aims. The researchers studied one of such this types ( Duet Shape formation) in the contemporary Iraqi Sculpture detecting the building relation within the constructive subject as its importance is merged by attributing it with technical and ideological implications embodied by the ancient man in his artistic work making a substantiation for his persuasion and ceremonies through many raw materials and situations they lived with. Modern sculpture attempts to memorize his ideas , ego and vision through sculpture formations including that of duet forms as outlined as well as that some of which represented dramatically the activity of the scene filled with movement, embodied by divergent modes and ideas having traits and semantics of formative relations reflecting the concepts and ideas of the sculptor towards his environment while it is varied in its formative treatment in spite of the presence of common relations among its elements and then realizing new forms for these relations by which duet shape is formed. It is necessitated to identify this relation analyzing it scientifically within study empiric focusing on the constructive relations realized from shape distribution for the elements, thus the researcher studied and analyzed these elements through its relations of developed formative within the reaction of formative elements. The researchers divided his study into four chapters. The first chapter ( mainframe of the research) concerned with explanation the problem of the research , its importance and the need for which , aiming to outline by analytical study the duet formation of the shape in the contemporary Iraqi sculpture and argued the limits of the research determining the ideological terms through which the researcher derivate a procedural in compliance with the seclusion of the matter and to realize the objective. Second chapter ( Theoretical Study) consisted of three section the first one argued the duet formation in the ancient sculpture ( Iraq, Egypt, Greece and Rome) while the second section argued the due formation of the sculpture shape in the reviviscence era while third one is dedicated to study duet formations of the shape for the international contemporary sculpture. Third chapter ( Methods and Materials) includes the mechanisms of research community , electing its pattern in addition to diagnose the methodology of the analysis , tools of the researches making analytical study for this pattern. Fourth chapter is dedicated for results , discussion, conclusions and recommendations. The most important results are : 1) The Iraqi Contemporary Sculptor insists on the ideological aspect of duet relations never insisted on the shape appearance so that most duet formations appeared with shapes needs for diagnostic traits due to the exorbitance in simplification and reduction.2) It is shown the difficulty of distinguishing between the shape of woman and the shape of man as a constructive relations for duet shape but in some formations through which the femininity traits are appeared for example the conglomerate of the chest by outgoing outshoot resulted from the conglomeration in abstraction and reduction in the formation structure. 3) Creating gaps inside bodies of the formations of the similar relations for both shapes within the formation embodied by the Iraqi contemporary sculptor by areas may take half of formation evidencing the effects of European art in general and Henri Moor ;the English Sculptor in particular. 4) Number of Iraqi Contemporary sculptors used to abstracted man body from arms in addition elongation of the shapes and its meager reduction the skull making it just outgoing merge free from formation traits of the man face so that these formations are referred to the works of Swiss sculptor Alberto Chiakomitti. 5) Stylistic divergence of the Iraqi contemporary sculptor through tracing international works considering the contemporary international empiric and to benefit from in using his elements within self Singularity of real; effects detecting the continuous and developed looking at new styles of formative relations enrichment the artistic movement and the rendezvous culture.6) Sign through its derivatives in the symbol and icon appeared intensively in all samples ( pattern of the research) especially iconic sign representing the real situation but symbolic signs appeared lesser than it relatively while the denotation sign is disappeared slightly. Which confirms that samples of the research are expressive and reductive artistic achievements approaching to the abstraction.7) As the art is deemed the supreme community value in conveying the behaviors of the community trustfully in addition to that the surrounding and the community are the source effecting on the artistic achieved work , thus, their ad hoc with the behavioral values of the community is the truth imagination for these behaviors and the achieved work and the circumstance are related deeply in embodying the folklore surrounding the artistic achieved work especially the sculpture.
الصفحات الاولى:

مفهوم الذاتي في اعمال النحات الفطري منعم فرات : دراسة تحليلية Features Experimentation In Theater Iraqi Academic

اسم المؤلف: حسنين صادق عايد علي
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
المستخلص: اصبح ( التجريب) اليوم مقياسا للنضج العقلي والتحررالفكري من كل اشكال التقيد، كما وسعى الى ترك الباب مفتوحا للابتكاروالاضافة، حتى اصبح مدخلا مهما في تطويروبناء العمل الفني.وجاء هذا البحث لدراسة ملامح (التجريب)، واهم الاضافات التجريبية التي تتضح عن ط | Experimentation became a milestone from tradition work into creative art, conceptual work, based on breaking Perceptions and familiar artist formula into new version, now a day, its consider as indicator to maturity and Intellectual freedom from all restriction & deadlock; it also sought to leave the door open to innovation and addition till its became important iterance to develop and sustain the artwork.This research is to study the sign of "Experimentation", The most important experimental add - ons that emerges through the completed creative artwork (Iraqiacademic'sdirector), and trying marking the most important additions to the pilot on which it runs, has been marking this research under the title (The Features of Experimentation in academic theater in Iraq), where taken researcher took the additions Experimental subject with the director of academic material to be examined, which came from the four chapters : 1. Chapter I (systematic framework) which includes : the research problem and the importance of the research, the need for it, the goals of the research, the temporal &spatial boundaries, determine the terms and defined procedurally.2. Chapter II - the theoretical framework : It consists of three sections are : • The first topic : - the concept of references and experimentation in the theater. this section divided into three paragraphs where the researcher presented the concept of experimentation and the most important definitions, then the emergence of factors experimentation in the theater and then on the characteristics of experimentation. • The second topic : - the movement of experimentation in contemporary" modern" world stage. This included the topic, followed by an introduction and first two paragraphs concerned the most important schools and currents of contemporary experimental and the second where the researcher talked about experimental filmmakers in contemporary theater.• The third topic : - the director of academic and experimentation in Iraq. Two paragraphs in this section came after the introduction, in first paragraph to talk about the Iraqi theater academic and experimentation, and in the second paragraph the researcher spoke about the academic director of the Iraqi and experimentation. Then the researcher put the most important indicators that came out of the theoretical framework, dividing into as follows : indicators of theatrical text, directing specific indicators, performance indicators, technologies indicators. The researcher also connected (previous studies) which arranged by date as shown : ? Dhiyaa Kareem Riziyakh, Experimentation and its impact on the Iraqi theater, 1989.? BahaaZuhairKadihom, Features performance analog in experimental theater in the College of Fine Arts Offers, 2012.? MudaferKadihomMuhamed, Techniques experimental theater and the development of performances, 2012.3. Chapter III - Actions - the research community : - the method of selecting samples : Adoption of the way (intentional) in the selection of specimens. Research Methodology : - The researcher adopt historical method in tracking the movement of relay experimentation in the theater through the three topics, descriptive approach adopted in the study and analysis of samples. Search Tools : - has included : (what resulted in the theoretical framework of indicators, including documents, books, magazines, periodicals, documents CDs, photographs, observation that adopted by the researcher as an important tool in tracking the features of experimentation and additions campaign theatrical approved samples to search ). Find samples : - Play : "Ali Al Wardi& his Opponent" directed by Akil MahdiPlay : "Shadows" directed by Haitham Abdul RazakPlay : "Romeo and Juliet in Baghdad," directed by MunathilDawood4. Chapter IV - Results and conclusions : - (results, conclusions, proposals, recommendations, list of sources and references, appendices, abstract in English).
الصفحات الاولى:

السمات النحتية في العمارة التفكيكية Sculptural Features In Deconstructionist Architecture

اسم المؤلف: عقيل حسين جاسم حمزة
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: Affected by the nature of the fine arts in general, structures its neighboring affected seem like the product of logical, through contact with these arts influences thought compressor socially and religiously and scientifically and psychologically, and this is what makes sure functionally according to the relationship art evolution year which occurs in the human communities throughout history. I have contacted art, including sculpture composition data of the intellectual and aesthetic transformation that has occurred in the structure of the art in a different historical era from arts of ancient civilizations in Iraq, Egypt and Greece, through the art of the Middle Ages and the Renaissance, and ending, including the outcome of the modern arts and beyond.It was the emergence of currents modernist impact evident in the development of coordinated Achtgala a clear distinction between art painting, sculpture, and took the products of contemporary architecture, influenced by and influence, with the result of the achievements of artistic creativity, and it was for the development of the great in the field of technology have a positive impact of the relationship of sculpture, architecture, in terms of employment and similar and metaphor and embedding, and but relativism rise and fall, the vision of the architect or sculptor alike.Hence, the evolution of architecture in the period of modernism connects the idea of switching from level realistic to the level of abstract or symbolic, and it was for this, a role in showing the properties of architectural most relevant features art talk, specifically sculpture, and this similarity or overlap strengthened through the system aesthetics of modern art all related references poignant and mutant methods.The researcher found important to know the most important of these characteristics. So Me Find studying (sculptural attributes in deconstructionist architecture).This research included four chapters : Chapter One : ensure that the research problem and its importance and the need for objective research and its boundaries, and define the
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التناص في النحت العراقي المعاصر : دراسة تحليلية

اسم المؤلف: حيدر علي عاتي
اسم المشرف: مامون سلمان فارس
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
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اشكالية الخطاب الجمالي للجسد في النحت العالمي المعاصر : دراسة على وفق المنهج الظاهراتي The Paradox of Aesthetic Discourse of The Body In The Contemporary World Sculpture

اسم المؤلف: احمد جمعة زبون
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: دكتوراه
اللغة: العربية
السنة: 2012
مكان الجامعة: بغداد
المستخلص: مع تطور الخطاب الجمالي منذ الحداثة وما قبلها وما بعدها، حدثت تحولات كبيرة في تداول الجسد كمفردة اساسية اعتمدها خطاب الصورة البلاغية بشكل عام، مما ادى الى ظهور انواع جديدة في الخطاب الجمالي المعاصر، فقد ظهرت تحولات في بنية المعرفة والفكر. وحدثت انتقالات ه | After apparent progress for physical studies in the philosophical field in general, Especially studies the phenomenology When German philosopher (Edmund Husserl : 1938 - 1859), who is the founder of thinking about the phenomenology in general and physical phenomenon in particular, When contemporary German philosopher (Martin Heidegger : 1889 - 1976) and French (Maurice Merleau ponty : 1908 - 1961).On the one hand, and on the other remarkable progress and growing in the field of plastic optical applications, Sculpture. We study subject in five chapters as follows : - Chapter One : Interested in the first quarter to the theoretical concepts of the curriculum which is located in the five points, the first point concerned the concept of discourse and physical discourse, and we said the letter was based on the body from the beginning, even before that there will be a philosophy or knowledge of the organization. As for the second point concerned the phenomenological concept of discourse, and we at this point the most important pillars upon which the (Edmund Husserl) in building a descriptive weak concept. In the third point we disclose the regarding curriculum phenomenological, then we show sayings about body philosophical when thinkers phenomenology, and it turned out that phenomenology alone is not sufficient to run this study, which led to the study of the theory of existence (ontology) as an extra item of philosophy phenomenology, and this is the fifth point.the second chapter : we discuss the phenomenal transformation of aesthetic body of the speech in the Fine Arts, in three sections : - First research the phenomenology of transformation between concept and application.The second topic special look to the concept of aesthetic discourse of the body and transformations applied.The third topic phenomenology of aesthetic discourse between the subject and body not - subject, and the fact and non - fact.The third chapter : concentrates to study the body in modern art and is located in two sections, we discussed in the first concept of modernity historically and intellectually, aesthetically, and in the second we discussed aesthetic discourse of the body in modern art trends.The fourth chapter : I discuss the aesthetic discourse of the body in the formation of what is modern and, post modernity and contemporary is located in two sections, the first devoted to the study of postmodernism as a concept and as a theory and the second devoted to performing trend analysis and activating the body's discourse and from multiple angles.The fifth chapter : devoted to the study of the physical and aesthetic phenomenology as below : - Tattoo artArt performanceArt of photographyDigital SculptureAesthetic phenomenology rhetoric of the body in contemporary sculptureAs well as other trends in contemporary artAnd we went out with the most important results : - - That the body is the actor in the entire axis of Fine Arts - Body determines an individual's identity and ethnic identity social, economic and other - Body is a cosmetic project can not be extinction.These are the joints about the body in the arts.
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الاسطورة في النحت العراقي المعاصر Myth In Contemporary Iraqi Sculpture

اسم المؤلف: طالب محسن رهيف
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2012
مكان الجامعة: بغداد
المستخلص: استهدفت الدراسة الكشف عن مضامين الاساطير العراقية والدلالات الرمزية الاسطورية التي استلهمت في النحت العراقي المعاصر. وهي في اربعة فصول خصص الاول منها الى الاطار المنهجي، الذي شمل مشكلة البحث واهميته وحدوده واهدافه، ثم تحديد لاهم المصطلحات فيه. والفصل الث | This study aimed to know and learn about the contemporary Iraqi sculpture Which inspired by Iraqi legends. and to study these sculptural pieces of art.The study contains four chapters : First chapter explains the importance and need for the study and also it's objectives and scope. The researcher define some important expressions and term used in the study. Second chapter consists four sections : Section one studies the concept of the legend and it's causes of emergence and discusses the relation between and superstitions. Section two study Iraqi legend according to historical periods. The researcher here divides it into tow groups : 1 - Ancient legends.2 - Legends before and after Islam.Section three discusses the relation between legend and sculpture, some examples of sculptural pieces of art relating to some important ancient cultures were also mentioned with a brief presentation of the history of Iraqi sculpture and the effect of legend on it. Section four about the contemporary Iraqi sculpture Chapter three begins in collecting information and photographs about Iraqi sculptural pieces of art which are basically inspired by legends after this scanning of the materialistic evidence of the research was done starting with first work finished in 1950 until the end of 1992. The total number of works was 63 pieces created by 12 Iraqi contemporary sculptures. The researcher selected 20 works out of the whole as specimen for study, and the conclusion he reached resemble direct answers to the objectives of the study, and was introduced together with suggestions and recommendations in chapter four. About the first aimed , there are 63 sculpture works inspired by legends, done by 12 Iraqi sculpture. The number of sculpture works inspired by legend of the first group (ancient Iraqi legend) is 48 sculpture works. And there are 13 pieces sculpture works taken from Iraqi legends of the second group most of them taken from the tales of (thousand nights and night). The remainder is two pieces of sculpture works taken from both groups, and they are
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سينوغرافيا التشكيل النحتي لما بعد الحداثة : دراسة تحليلية Scenography of The Sculpture Formation For Post - Modernism (Analytical Studies)

اسم المؤلف: قاسم مرشد ذرب
اسم المشرف: نجم عبد حيدر الجنديل
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2011
مكان الجامعة: بغداد
المستخلص: تعد السينوغرافيا ظاهرة فنية حداثوية تالقت على نحو واسع بعد الحرب العالمية الثانية وانتسبت الى ما بعد الحداثة حتى ان الكثير من الباحثين في فنون ما بعد الحداثة يعدون هذه الفنون فنونا سينوغرافية تعتمد مركبات متفاعلة متداخلة في الية الاظهار وفي نظم التاويل ال | Scenography is a modern phenomena which has been remarkable after WWII and is attributed to post - modernism, that many post - modernism researchers regard this art as a scenographic art which depend on interrelated in the mechanism of showing and in the systems of interpretation which move opening between the artists, as the producer and the first reader and the masses of receivers as readers effecting the level of intervention. Scenography is a system of aesthetic to itself to the action of performance in manifesting in its techniques even if its interlinked with the system of its connection to the artistic work as the idea and the concept and emitting of meaning and the mechanism of connection. When the researcher was aware of the scenography in sculpting and looked for it. He found that subject is worth studying for master degree in addition to the increasing of the problem. The researcher tried hard to end that or at least to reduce. Thus, the researcher preferred with all effort to investigate and excavate the prospect in the formal structure for the shape in the post - modernism.This study did not aim at employing post - modernism scenography as a mechanism of description and analysis of the sculpting art only. It also confides it into narrow limits and applications realized and or supposed on the display and applied levels.The researcher managed to shed light through the basis and point of the scientific research and mechanism in its theoretical frame. In the second Chapter his study, the researcher shed light on searching for the concept of scenography and the origin and the hisotricla background for it and the environment as one of the milestones and elements of the scenographic structure in the first theme, and to reveal the history of scenography in the academic and critical references and the points of occupation and the points of agreement and disagreement in language and the application. And to reveal the historical root of the concept and the history of its development and mechanisms in addition to investigating the relationship between it and the other plastic arts and the art of sculpting specifically. In the second theme of studying the basic concept and the philosophical of post - modernism art and the connecting relationship the idea of post - modernism as a philosophy and post - modernism as an application that requires scenography and its reaction in that artistic performance on the level of analysis in the scenography thinking in addition to its stylistic references.The third theme is to reveal the bases and point and trends of post - modernism and its references and the relationship connecting it with the scenography as a mechanism and structure and the showing and display. Then the fourth theme the researcher reveals the institutions of analysis. He introduced a summary of what resulted in the First and second chapters which would achieve to the researcher of the samples which would achieve the result, objectives and the requirements of the scientific research.After completing the procedural, cognitive and intellectual requirements, the researcher then moves to the third chapter represented in procedure as the description and choosing a purpose sample out of the community of study according to the models.Finally, the results and conclusions which the researcher has arrived to and recommendations in the fourth chapter of the study
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الابعاد الفنية للنحت المعاصر في بلاد الشام Technical Dimensions of Contemporary Sculpture In The Levant

اسم المؤلف: علي رضا عبيد المعموري
اسم المشرف: عامر خليل ناصر الشجيري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: تكون البحث الحالي والموسوم (الابعاد الفنية للنحت المعاصر في بلاد الشام) من اربعة فصول. اختص الفصل الاول بالاطار المنهجي للبحث الذي تناول مشكلة البحث وحدوده وهدفه وتحديد مصطلحاته وتلخصت مشكلة البحث، بالتساؤلات الاتية : هل هناك ابعاد فنية في النحت المعاصر ف | The current research and be marked (technical dimensions of contemporary sculpture in the Levant) of four chapters. Chapter singled out the first systematic framework for the search, which dealt with the problem of research and its borders and its target and determine the terminology and summarized the research problem, the following of questions : Is there a technical dimensions in the contemporary sculpture in the Levant? Is there any effect of these technical dimensions of public taste in the Levant?The first chapter also discussed the importance of research and the need for it, and also contained a goal of current research, (you know.... the technical dimensions of contemporary sculpture in the Levant), either limits Find the period between (1972 - 2014), as well as determine the terms contained in the Title of the study.The second chapter of the theoretical framework and indicators and previous studies, it has dealt : first topic : the technical references in the Levant which is on two axes : the first axis : About civilizations (Phoenician, Canaanite, Aramaic). The second axis : technical references.The second topic dealt with form and content, while the third section of contemporary sculpture has been addressed in the Levant, and Chapter III (research procedures), the research community and a sample search and search tool, as well as research methodology and analysis of the amount of the sample (16) model.The fourth chapter (results) include : results and discussion, conclusions, recommendations and proposals.The most important findings of the researcher : 1. sculptural diversity of subjects in the Levant from realism to abstraction than Sort artistic dimensions with a variety of aesthetic values.2. we find that the self - carving in the Levant resorted to rapid performance in the completion of work after what has been in the search for the essence of things is no longer an interest in simulations actually aspired to as much as in all his research sample models.3. affected Nhato Levant experiences postmodernism, which fell into under Rdaoualpop Art through the execution of the sculptures inspired by the popular tradition.4. invested Nhato Levant worried about the budget as a means Azaarah produced a valuable aesthetic and expressive high.But the conclusions1. the severity of the dimension aesthetically influential in the overall shape of the artwork.2. The adoption of the Levant cutters on a variety of methods contributed to the technical dimensions of diversity through the typical manner in the implementation of the outcomes of sculpture.Search and included the list of sources and supplements and summary in English
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جماليات التشكيل الضوئي في النحت المعاصر : دراسة تحليلية The Aesthetics of Formation of Light In The Contemporary Sculpture : Analyses Study

اسم المؤلف: جولان حسين علوان
اسم المشرف: جبار محمود حسين العبيدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: دكتوراه
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: The study focusing on the aesthetics of figuration by light in Contemporary Sculpture technical formations that carried the spirit of modernity and innovation, embodied different subjects beyond traditional shapes through performance and technical variety in the formulation of the artwork in order to reach a new and different spaces, the work of Art in its different styles, especially sculpture, address to our senses and our minds witnessed shifts and changes its elements and structural trends within contemporary artistic shape, which led to the Audience of non - traditional materials which melted within artistic renderings, which has given some sort of formal and aesthetic transformations. The art representing by lights, one of the most important artistic trends of postmodernism, which emerged in America and Europe, addressed the sense of sight and mind for the production's, considering that art human activity and knowledge - based catalyst on the perception and imagination and logical thinking, from the insights and experience of aesthetic included in the artwork.The problem of the research in the first chapter lies in the adoption of the art by light approved and visions of beauty within modern art trends which reflected formations sculpture to the fact that the artistic productions refers to technical progress more than it refers to the system of formal usual in contemporary composition and from the composition with the use of light.The importance of research in fact reflected that the subject matter is not addressed to study level of scientific, technical and academic and aesthetic research and can be considered an important source of aesthetic sources within this jurisdiction.The research aims to reveal : the aesthetics of the Artworks formation by light in contemporary sculpture.The current research study determined the aesthetics of the configuration of the sculptures that have been implemented between the year (1960 - 2014) in Europe and the United States.The second chapter included the theoretical framework has been contained three Detectives are as follows : First topic : Beauty and the idea of turning concepts.The second topic : Light in art : Reference and influence.The third topic : the formation of contemporary insights and techniques.While the third chapter dealt with research procedures by describing and analyzing the sample consisting of twenty - two model by relying on the analytical descriptive approach.In the fourth quarter reached the researcher to the number of results achieved the goal of the research was the most important : 1.The formations achieved its beauty through daring feature of artistic excellence and offering unique aesthetic.2.Some formations came embodied the actual realized the movement of the optical contrast between shadow and light.3.Invest some colorful light pipes artists for the implementation of the privacy of a unique aesthetic light formations.4.The configurations achieved through aesthetic connotations overlapping relationships between the elements of light and color and font.5 Configurations aesthetic forms of thought had left figure and adopted new forms.
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الخامات غير التقليدية في تركيب الشكل النحتي المعاصر : دراسة تحليلية Traditional Materials At Structure of Contemporary Sculpture : Analysis Study

اسم المؤلف: ALA'A MUHSIN KUBAYSH AL - BEKRI
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: In the beginning of twentieth century the sculpture have leaved the 'classic instruments that was joined with its structure and contents. The period between second war occurred notice change at' the form structure, and with technique of show and performance , and this can not keep up the usual notions. This artistic change was pave by replace of items and derivation many recent raw as a result of the technology and industrial advance that synchronized with this period , and the artist entered the test operation that leaded him to know the new non - classic items m and study its descriptions and referendum from it , and investment it at the plastic arts, and for what submitted the chance for performance methods have over to the scrutiny and the discovery by his supervision this items. The using of iron, aluminum, plastic, and another various items have leaded to contrary showing at structure of the contemporary sculpture.. Therefore this study (Traditionalism materials at structure of contemporary sculpture ) aimed to knowledge of the effects of the non - classic ore upon the structure of sculpture form, as well as to knowledge of new materials that was used for the contemporary sculpture. This study included four chapter : first chapter was specialized for methodical frame.such as problem of research.that it was abstracted by question about the reason that lead the sculptor to search from new raw to carry out his sculpture works. Are the classic sculpture materials do not respond for technical problem, and new notions? As well as the important ofresearch and its limits was that define between year 1950 up to 2000 , and its aims, then limit the idioms. The second chapter included the theoretical field and previous studies, that formed from three researches, such as the fist about the materials, as it was considered master element at the sculpture formal.the it included study about the widespread classic materials in the sculpture , such as ( clay , bronze, stones, and wood) and showing its effect and its formal and expression ability. The second research included the affects of non - classic raw at the formal system in the historical studies that included stylistic change during the twentieth century , and the third research included the study of the structural relations systems at the sculpture formation.The third chapter included the procedures of the research that its contents the research society such as European and American contemporary sculpture, and sample of research that was formed from (20) samples. It was choose according to the aim of this research. As well as performance of research based upon the analysis form, and this chapter included the following method at sample study as the analytic descriptive method in order to reach to the results, and conclusion that fixed in forth chapter, as below : 1 - The contemporary sculpture have became an achievement direct to the faraway imagination from the classic by using the non - classic item's. Sometime the sculpture structure to be same the building construction, or industrial tools, or scrap heaps.2 - Freedom that was granted by the raw to the sculptor to make him Carry out the sculpture's structure by improvisatory and Spontaneously that indentical with his disposition and his creation.3 - The using of the non - classic materials have produced big structures, specially works of art of ground, that fit with the environment, and it go out this work from gallery.4 - The using of the electronic devices as senser of movement, Transistors, an another in the sculpture ,has changed the classic Structure sculpture exactly, and created a new style of reactive relation between the artistic work with the watcher.
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المنحوتات العاجية المكتشفة في بلاد اشور IVORY SCULPTURES DISCOVERED IN ASSYRIAN LAND

اسم المؤلف: نزار عبد اللطيف احمد العبيدي
اسم المشرف: طارق عبد الوهاب مظلوم احمد قاسم الجمعة
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: دكتوراه
اللغة: العربية
السنة: 2007
مكان الجامعة: بغداد
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الدلالات التعبيرية في النحت الخزفي العراقي المعاصر Expressionistic Denotations in the Iraqi Contemporary Ceramic Sculpture

اسم المؤلف: نور هاني جزر الشمري
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2012
مكان الجامعة: بابل
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المقدس في منحوتات العراق القديم The Holy Sculptures in the old Iraq

اسم المؤلف: محمد علوان كاظم العتبي
اسم المشرف: عبد الحميد فاضل البياتي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2011
مكان الجامعة: بابل
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سمات الابداع في منحوتات مارينو ماريني Caracterstics creativity in the Marino Marini sculptures

اسم المؤلف: لهيب جميل ابراهيم الكبيسي
اسم المشرف: عامر خليل ناصر الشجيري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2011
مكان الجامعة: بابل
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الابعاد الفكرية للكلي والجزئي في نحت ما بعد الحداثة INTELLECTUAL DIMENSIONS OF THE TOTAL AND PARTIAL IN THE POSTMODERN SCULPTURE

اسم المؤلف: لمياء وهاب رزاق البيرماني
اسم المشرف: عبد الحميد فاضل البياتي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بابل
الصفحات الاولى:

البنية الشكلية في اعمال نحاتي البصرة : دراسة تحليلية Formal Structure of Basrah Sculptors Works Analyses Study

اسم المؤلف: قحطان عدنان كامل
اسم المشرف: محسن علي حسين
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: البصرة
الصفحات الاولى:

دلالات الراس البشري في حركة النحت العربي الحديث HUMAN HEAD SEMANTICS IN MODERN ARAB SCULPTURE MOVEMENT

اسم المؤلف: علي عبد الله عبود الكناني
اسم المشرف: عبد الحميد فاضل البياتي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: دكتوراه
اللغة: العربية
السنة: 2013
مكان الجامعة: بابل
الصفحات الاولى:

تمثلات الفن البدائي في النحت الحديث Resemblance of the Primitive Arts in Modern Sculpture

اسم المؤلف: علي حسين كاظم الجنابي
اسم المشرف: مكي عمران راجي الخفاجي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بابل
الصفحات الاولى:

الفضاء ومعالجات الكتلة في النحت العراقي المعاصر Space and processors bloc in the Contemporary Iraqi sculpture

اسم المؤلف: عبد الكاظم سعيد سيلاوي
اسم المشرف: محسن علي حسين
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: البصرة
الصفحات الاولى:

التاويل في التشكيل النحتي ل (جان هانس ارب)

اسم المؤلف: طيف محمد نجم الموسوي
اسم المشرف: محمود عجمي جاسم الكلابي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بابل
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