اشكالية التشكيل البصري في النحت المعاصر == Problematic of Visual Objectifying In The Contemporary Sculpture
Author name:
علي جبر حسين
Supervisor name:
جبار محمود حسين العبيدي
General topic:
Fine Arts
Specific topic:
Sculpture
Degree:
Doctorate
University:
University of Baghdad - College Of Fine Arts - Fine Arts Department
Language:
Arabic
University location:
Baghdad
First pages:
18T961 - p.pdf
Abstract:
In the midst of the rapid evolution of the movement of the contemporary aesthetic discourse and through the growing aesthetic visions of the image selection, became the offspring creative enjoy a wide range of awarded to the same benefit from the built scientific and technical development, which was made available trading's optical which adopted Beauty speech, and by following to create a plastic identity contemporary, granted new horizons of knowledge structure. It led to enormous shifts in the structure of the speech communicative with the other.So Find eat problematic visual composition in built a sculpture as one of the most important contemporary art became art selection products of overlapping adopted the mechanics of the display to give the same visual profile identity came up most often far from contexts aesthetic familiar products of the art of sculpture and techniques and the performance implications.his ideas and outputs as well as received in the sense that it outputs a creative a visual formations because of overlapping races to announce the birth of a new identity in the visual composition of the carving world and this means that we are facing a big problem lies in our reading of this new production by receiving that coexistence with it for a long time as well as problematic intellectual institutions variation in general through systems Technical and Digital role default and so on, so the classroom was an attempt to bring understanding of the technical achievements and learn about it and itsinstitutions intellectual and technical nature was the first chapter is the structural system to searchThe second chapter attached studying problematic visions and concept of the system of art were three discussing it that dealt with the first of problematic visions and concepts of art, whether philosophical, aesthetic applied, while the second part, grabbed the structures and relationships of visual form a third section on the styles and trends and modern technologies to embody the visual composition in Contemporary sculpture.The third chapter concerned with the descriptive analysis of the phenomenon of visual composition in contemporary composition has been focused on different artistic experiences in aesthetic discourse in contemporary sculpture.The fourth chapter of the results and discussed. The researcher reached a number of conclusions that have achieved the goals of the research was the most important : 1 - Visual composition in contemporary composition and function of simulated exercises, a form aesthetically accomplished so far from the values of tradition.2 - emergence of attempts tend to find a philosophical framework formative dialogue, as an attempt to link music sculpture, to make music with a visual recipe.3 - fading border between sculpture, drawing and design and the rest of the Fine Arts, as it has done has become technical attributes many of the common elements between the fine arts, such as color, font and technical and influence in the place. To achieve technically accomplishing qualitatively we can call it (formation), it is not sculpture or a not determined. It included any of these arts and elements in its structure.4 - The optical modulation in the contemporary sculpture is far from uncommon in traditional sculpture.5 - The development of new materials and innovative invented, and this is giving the artist recipe experimentation and discovery investigators constituted an exceptional, through the use of these raw materials.6 - break down the necessities of meaning and idea and artistic achievements of the trail system in the optical configuration.
