اسم المؤلف:
علي عبد الحسين عبد الشيباني
اسم المشرف:
علي محمد هادي الربيعي
المستخلص:
وظفت مفاهيم المثاقفة واجراءاتها العملية في ميادين انسانية كثيرة ومنها الفن المسرحي بوصف المسرح ميدانا لخطاب فني / انساني قائم على عمليات التواصل والتفاعل والتاثر والتاثير بين الامم والثقافات, وبين الذات والاخر على اساس من الشراكة الضمنية, يهدف الى انت | Hired acculturation concepts and procedures of the operation in humanitarian fields and many of them theatrical art as Theatre Square speech technician / inhumane based on communication and interaction, vulnerability and influence among nations and cultures, processes, and between the self and the other on the basis of the implicit partnership, aimed at the production of localized knowledge depends on the existence of an intellectual and artistic elements , went in my intention (ego) to (other). Where they can not conceive of a theatrical presentation does not belong in the process of becoming the Performing to acculturation with other operations, which carries the same deliberate motives, in order to influence the other heading his theatrical discourse, this study aims to monitor the acculturation concepts and mechanisms of functioning as it presents are manifestations which acculturation Which shows in multiple letters of knowledge (historical, literary and artistic), including the theater, especially in the theater, to open doors on jurisprudence and the experiences of the cultural dialogue and the exchange of knowledge - based and interactive communicative stems from acculturation as a truly civilized based on the interaction and communication between different cultures, which means that the play is based on acculturation play with the other is determined mainly through the presence of the tributaries of the play from different cultures, which requires the presence of acculturation theatrical haunted obsession identity and try to consolidate the theatrical phenomenon in the Iraqi theater and the Arab world.This dilemma stems from a researcher at the establishment placed his research is marked (acculturation and their appearance in the contemporary theater of Iraq). The study came in four chapters formulated according to the following conformation : Chapter One : a methodological framework for the study. The researcher of the research problem, related to the phenomenon of acculturation as a given, civilizational, cultural, and scientific and technical give would represent entirely on the nature of the performance and its practical applications in the theater. And for which I got transformations and alterations drastic manner display through the possibility of dialogue and interaction on the intellectual level and formal appearances and their interaction in the aesthetic and semantic markup.Then go researcher to the importance of research, and its objectives, and its borders, determine the terminology, where linguistic definitions and terminology adopted by the terms (acculturation) and (manifestations) depending on the operational definition for both.The second chapter, a theoretical framework, it came with three topics : First topic : Epistemology acculturation. Three axes.The first axis : Prospects and theoretical concepts.The second axis : the types of acculturation (levels - Varieties - mechanisms).The third axis : acculturation under cultural globalization.The second topic : data models of acculturation in a speech literary culture. Specifically in models including : (Trips - Translation - Intersexuality - comparison - Literary criticism).The third topic : theatrical manifestations of acculturation between local and global privacy. It came with double.The first axis : manifestations of acculturation in the world stage.The second axis : manifestations of acculturation in the identity and privacy of rooting in the Arab and Iraqi theater.He concluded the second quarter indicators of the theoretical framework and previous studies, and the most prominent indicators : 1. characterized acculturation theatrical feature correlation theatrical performances, all displayed offset by another offer, within the fabric of quotations and previous assignments and contemporary performances of different directions.2. benefit acculturation theatrical cultural exchange effect between culture and other humanitarian consideration given common heritage of all nations. The third chapter, research procedures, related to an inventory of community search and selection of research sample. Access to research sample that consisted of theater the following analysis : • A play women in the war.• A play Ali Al - ordeiy and rivals.• A play Camp.• A play red carpet. The fourth chapter, it has dealt with the results of the research sample and discuss the analysis, including : - Contributed acculturation operations in most of the presentations to the activation of the intellectual and cultural aspects on the one hand, and self - knowledge and point of reference on the other. - Dealing with cultural globalization as an imported culture, it was a positive feature, making them Meet director with the local culture to be intellectually tunic / new practice, as a show of renewal carries attributes.And then conclusions, and including : - The play with the offsets Cultural lead to the widening of intellectual meaning and significance, and not necessarily lead to the break approved expectation and create an aesthetic distance. Which establishes a mission to an area of interpretation. - The effectiveness of acculturation contribute to the theater to achieve a state of communication between what refers to the width of multiculturalism on the one hand, and between the cultural repertoire receiver on the other. Deepening receiving effective. Then came the recommendations and proposals that emphasized the importance of the effectiveness of acculturation in the play and the need to expand work out and study them systematically. Then concluded Find a list of references in Arabic and translated sources, foreign sources, as well as a summary of the search in English
