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البنية الاسلوبية للجنة والنار في القران الكريم == The Stylistic Structure Of Paradise And Hell In Holy Quran

اسم المؤلف: Ahmad G. Naif Alsaadoon
اسم المشرف: عبد الواحد زيارة اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Stylistics is born under the shadow of the modern phonological studies and achieves a balance and connection between the distance and the literary distance , bordering its field in studying the literary phenomenon through the phonological entry. It starts from the idea that the expressive context as a unity can be achieved by seueral phonological patterns. Since the stylistics is directed essentially to the expressive text ; and the research in its creativity and wit , and the texts are distinguished by components of the text that prepares for the influence and acceptance in the recepiant. The aesthetic and literary value of the text is not occur except by the options of its tools and expressive methods and it is not separated from it but subordinate to it and rotate in the frame of its machinery. Because of what the stylistics characterized by nonalliance in the view to the text as it is a materialistic entity stands by itself , so the researcher tries to recite this methodology and grasp benefit in understanding the holy Qur'an text especially the scenes of paradise and hell. He also follows what it has of aesthetic values and stylistic features , and expressive features , and reveals the system that governs the grammatical relations with in the holy Quran text “ the scenes of paradise and hell “. The researcher also tries throughout his study of some scenes to uncover some of the features and obscure in other times using stylistic methodology and its linguistic tools by different ways as calculating one time and structural in other times and the alliances and defectives in the third time and imaging in fourth , the articulated bell and tone in fifth time

الهجاء والسخرية في شعر الجزار السرقسطي الاندلسي : دراسة في البنية الموضوعية والفنية == Spelling And Irony In The Andalusian Poetry Gazzar Alsergsti : A Study Of The Structure Of The Substantive And Technical

اسم المؤلف: صفى صبيح كريم
اسم المشرف: خالد لفتة باقر
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The Arabic literature has the Spelling and irony , and the Arabic writers gave the importance to the Spelling and irony to take their whole share of literature.The reason behind is that the Spelling and irony are close to the human soul, and are loveable to it, where the humor and irony are matters the create a space amid poetic narrowness. In reality, the poetry is a way that a poet uses to express what he or she feels inside, such as pain or happiness.The introduction showed in its pages that poet lived in the fifth century AH. Even though , it did not mention date of birth neither death.However , that the first chapter of the research has discussed. he looked for motives to create humorous poetry in his poems.These motives could be internal or external motives. The poorness and poverty were internal factors in himself. The external factors were pinted to his opponent Al - Borji, which take much space of his poetry due to a conflict happened between them ,Therefore , he leaned towards humor. He ridiculed his career and his mind by striipping it for science and perfection, it carry a sample in its lingual composition in a text. Then, it is responsible for exciting the reader in one side, and create a poetic picture that can express about the poet,s psychic subconscious mind in other side,making the poetic picture to have the ability to be absorbed by the erceiver and convenient to his ironic expressions.The compositional tendency was important to provide the poem beauty by giving the sayings inspirational measure fits to their lingual position. This allocation was to bound the humorous topics fir his opponent Al - BorJi not another. whereas , he deleted sentences which were their deletion for reasons like embarrass in mentioning some cursing vocabularies.The Stylistic tendency moved up in command , call and question to ensure the activity of directing the critism to a person who he wants to criticize in his poems.then,he come up with metaphorical meanings pointed to his opponent directly emerging a poetic due to these methods which are sharing the texts dy utilizing them physical means realized by senses like vision (color).The color had a dig share in most of his texts such as black , white,and yellow.The color dominated implicitly inside his ironic poems by using vocabularies imply to the color factor,which he appeared directly in other poems.The diagnose based on the age and it had the major part.where he added physical components like a hand and so on.with reference to incarnations, the poet had revive the morale inside bodies moving inside a text to give beauty to the ironic texts,which a reader see when he reads them.The poetic image based satirical in poetry jazzer attribute quotes from the Koran and Hadith, to confirm that poet was abeliever end uncertainty for gloss and include in the xocabulary of koraic of his vereses. Researcher

مطالع الموشحات الاندلسية : دراسة تحليلية فنية == Andulsian Terza Rimas Technical Analysis

اسم المؤلف: وفاء عبد الحسين فليح
اسم المشرف: خالد لفتة باقر
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Andulsian terza rimas are dominated by subjects of liquor , courtship and nature depiction. This study investigates and analyzes the artistic image in the prelude of the terza rima and the rhetorical types that reflect this image. The study is made of an introduction and three chapters. in the introduction , the researcher reviews the concept of image both in language and in terminology for the traditionalists and the modernists. Chapter one consists of two sections : section one studies the psychological significance in the artistic image where as the second section deals with the social and national Significance of this image. chapter two completed the previous one in that it tackles the elements of the artistic image in the Andulsian terza rima. It is made of two sections , the first section shows the element of place in the artistic image. the second section illustrates the sensual and mental images. Chapter Three is an artistic analysis of the preludes in the terza rimas. It contains three sections. The first section analyzes terza rimas of courtship and liquor , the second analyzes those of nature depiction where as the third one analyzes terza rimas of eulogy and elegy. The study made use of various references of literature , linguistics and rhetorics in addition to biographies in both meghreb and Levant.

ايات التوحيد والقدرة في السور المكية : دراسة دلالية بلاغية == Verses Of Monotheism In The Meccan Suras Of The Holy Quran : A Semantic Rhetorical Study

اسم المؤلف: محســن طاهــر اســكندر
اسم المشرف: عبد الحسين المبارك
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This research aims at introducing a view to investigate the linguistic and rhetorical styles and their value in the suras under study through realizing their explicit artistic and linguistic elements , analyzing and exploring the secrets of the underlying inherent beauty in their linguistic structure and rhetorical construction. The approach adopted in this study depends on analyzing the samples and components of the rhetorical and linguistic discourse. The study is theoretical and analytical. lt also investigates the rhetorical styles in syntax as necessitated by the subject so as to infer the extent of agreement between what linguists and rhetoricians determine as rules and principles on one side and the linguistic and rhetorical actuality of the texts of the suras under study on the other. This study is made of an introduction and four chapters. The introduction explores the concepts of verse in language and in terminology and of classifying the suras into Meccan and Madania. Chapter one discusses the semantic level of the lexeme in a way to reveal its essential meaning and features. Chapter tow highlights the level of the narrative structure the topic of the narration clause. Here ,the researcher shows the types and linguistic displacement of the structure, the concept of the clause , classifying clauses into nominal and verbal elements and places of the predicate in the sentence and finally what may come upon the sentence concerning citing and deletion, postponement and advancement and rhetoric's of emphasis. Chapter three linguistic styles Rhetorical First Section : The is about the linguistic styles (paragraph)request style : (Interrogative , Order, Negative , and Appeal).Second Section : Rhetorical Styles. It sheds light on the artistic imagery like similarity, metaphor and metonymy.

خطاب التكليف في القران الكريم : دراسة دلالية == Commitment Speech In The Holy Quran

اسم المؤلف: سجى محمد حنون محمد
اسم المشرف: ازهار علي ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Grace be upon Allah, the Lord of the Worlds, and Allah’s blessings and peace be upon Mohammed and his holy household…The holy Quran was sent down to our Prophet with its marvelous abundances of sacredness, eloquence, rhetoric, regulations and rules in a remarkable rhetoric stylistics that would amaze recipients. With this great values, Quran is full of various discourses; one of those being the “Assignment Discourse” that occurs with different forms and manners following the kind of recipients and contexts. The title of this study is “Commitment speech in the Holy Quran : Denotative Study”. What forces the researcher to choose this topic is the fact that it combines two sciences; Glottogony and Linguistics, which are important sciences in human life. Among difficulties faced the researcher is the vastness of the subject matter compared to the time limits of the study.As for accredited references, they can be shown as follows : 1 - Linguistic glossaries, like Al - Ain Glossary and the Arab’s Linguistics.2 - Linguistic sources, like Al - Kitab for Sibawayh, and Al - Muqtadhab for Al - Mubarad.3 - Denotative references, like Grammar Meaning for Prof. Dr. Fadhil Salih Al - Sameraee.4 - Interpretation references, like the Al - Bahr Al - Muheet and Fatih Al - Qadeer The academic theses accredited by the researcher include “The denotation of linguistic persuasion and intimidation in the Holy Quran”, as well as “Rules verses of the Holy Quran”.Research outline is formed by a preface and three chapters : - The preface is entitled “The assignment concept in Language, the Holy Quran, and Glottogony” - The first chapter is entitled “Denotative influence for the command and prohibition styles in assignment discourses”. This chapter is made of two sections; the command concept and assignment denotation, and the prohibition concept and assignment denotation. - The second chapter is entitled “the explicit assignment discourse, which includes four sections : * Section 1 : Assignment discourse by explicit command style.* Section 2 : Assignment discourse by explicit prohibition style.* Section 3 : The denotation of combining both command and prohibition styles in a same text.* Section 4 : Influence of some linguistic contexts in the direction of discourse denotation of explicit assignment discourse. - The third chapter deals with “Implicit assignment discourse”. It includes three sections : * Section 1 : Detecting assignment by the reporting style.* Section 2 : Detecting assignment by the structural style.* Section 3 : Detecting assignment by the linguistic and adverbial style.The study ends up with a conclusion showing all results obtained through the study.Hoping Almighty Allah to accept this simple effort. Praise be to Allah, the Lord of the Worlds

القراءات المنسوبة لائمة اهل البيت : دراسة لغوية == Quranic Reading Accredited To Ahlualbait : A Linguitic Study

اسم المؤلف: زكي سعدون عبد الصبيح
اسم المشرف: نوري حساني علوان الكاظمي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Quranic Readings are considered of holy rank as it illustrates how to perform the pronunciation of Quranics wordings which convey the meaning of the divine message in order to deliver it to the people so they will have no plea against Allah after the Messengers. This thesis (Readings of Ahl Albait, The Infallible, Semantics Study) contributes towards the investigation and research process of the reading that represents an extension to the reading of the prophet pbuhap in performance and manner to become effective factors in delivering the divine message successfully.To meet this target, this thesis adopted the following methodInductive method; this will be through inducing the wording that the infallible Ahl Albeit used in their reading. Then working on objectively classifying this wording based on the semantics of the pronunciation that was delivered. This thesis is studied from three aspectsFirstly : the theoretical side. This is will be via the explanation of the infallible’s character and his reading features. In addition, what this thesis has revealed about the unique nature of this reading that segregate it from all other public readings; that is its focus on the illustration side in reading, and in particular, the illustration at the ideological level which represents the essence of religion and the divine message.Secondly : researching derivative and spiritual approaches of the references of the reading, considering the first lexical, reading, as a reference to explain the wording, and the second lexical as a reference to explain jurisprudential rule. All that by leveraging of : the common points and the joint connector which refers to the linguistic lexical. That is in addition to, the effort of the researcher to establish a “Semantics approach” between the reading, as a performance, and the Quran, as the theater of this performance. This thesis revealed the meeting of the pronunciation, lexical, reading and Quran on a common Indication that links them all to the deriving’s origin from that tripartite term.Thirdly : The analytical side. Wordings that Ahl Albait expressed its readings will be analysed and classified into two indicative levels, the morphological level and the grammarian level. This paper will not deal with pronunciation and lexical semantics due to the fact that Ahl Albait reading is not preoccupied with sound resources like “Alemala”, “Alaalal” or substitution or any other audio study resources. The focus of Ahl Albait is directed towards the explanation of the meaning and enlightening the receiver with guidance that Quran has come with. Their reading has not bothered with pronunciation performance but made pronunciation as mean of contact and communications between spokesperson and the receivers. As of the lexical level, their reading did not come up with wordings that are sufficient to establish a chapter on this subject. However, it may be noticed that this subject is slightly referred to in the study of morphological and grammarian levels.This paper has been presented in an introduction, three chapters and a conclusion as per the following : The Introduction, where the reason behind selecting this subject is explained. As well as highlighting the importance of the subject and its intended goals. Then winding up with a plan of study of this paper.Chapter one, is a research study on the characteristics of Ahl Albait reading at the reader’s level and at reading materials’ level. Adding a research study to explain the relation between the lexical material, the reading and Quran due to their common lexical and semantics material. This chapter is wind up with a semantic approach between Quran and the narrations to illustrate the explanatory reading.Chapter two : presents a research study on the morphological level in Ahl Albait reading within three aspects. The first is on the morphological level and its relation with the explanatory reading. The second on conjugation morphology in Ahl Albait’s (pbut) reading. The third on the derivative morphology in their reading (pbut).Chapter three : a research study on grammarian level of the reading of ahl Albair (pbut). This chapter contains foreword and two case studies. The first case study addresses (increase and decrease) in ahl Albait’s reading and its effect on the structural indication. The second case study addresses the changes in structural wording and its effect on the semantics.Conclusion : summerises the output that this paper has reached, which represent the outcome of the research path of this thesis in a subject that may be looked at as unpresented in the academic research field.Praise be to Allah alone and peace be upon Mohammed and his progeny.

كتاب اخبار الزجاجي : دراسة لغوية == Al - Zijaji Akhbaar : A Linguistic Study

اسم المؤلف: عمر عبد الهادي مطر الزهير
اسم المشرف: محمد عبد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: كتاب اخبار الزجاجي من كتب الامالي الجميلة الذي احتوى على كثير من الفوائد في اللغة العربية، وقد اخذت في دراسته مقسما عملي على تمهيد وثلاثة فصول وخاتمة. تكلمت في التمهيد عن وصف الكتاب وما احتوى بداخله من مواد مختلفة من اللغة. وقد جعلت الفصل الاول من الرسا | Al - Akhbaar is one of the most important books of the famous. Scholars in Arabic language Al - Zijaji who dears in this book with number of famous literary texts. Al - Akhbaar was the subject of the M.A. thesis done in Basra University entiled "Al - Zijaji Akhbaar : A linguistic study". The study falls into an introduction, three chapters and conclusion. The introduction presents a deseription of Al - Akhbaar showing the Syntatic and morphological issues in the book. The first chapter is devoted for the Syntatic issues and their reasons and why Al - Zijaji has chosen the problematic issues in Syntax. The second chapter discusses the Syntatic reason because Al - Zijaji is one of the pioneers in investigating reasons. The third deals with the important linguistic, morphological and Phonological studies in Al - Akhbaar.

دلالات لفظ النور ومراتبه في احاديث ائمة اهل البيت (عليهم السلام) في كتاب بحار الانوار للعلامة المجلسي (ت 1110هـ) == Meaning Of The Word ''Noor'' (Light) And Categories In The Traditions Of The Imams (Peace Be Up On Them) In The Book 'Behar Al Anwar' of Al - Alaama Al - Majlisi

اسم المؤلف: خنـساء مـهدي حمود
اسم المشرف: احمد رسن صحن
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The Bene ficent the Marciful ,The greatful for the lord of world ,and peace be upon Mohammed and his hold. The tradition of Imamat (peace be upon them) Considered as knowledge tradition carried the thought from the meditation ; but the dust of history disapearanecl in the Acadimic studying , Since Several known reason. The Selection of a Title of research is (The Semantic of ligt words and them layrs in Imamat traditions ''peace be opan thim'' which has in Behar AL.Anwar book by AL.Allama Al majlesy) , The research deals with the storg of those tradition and analysis them semantically dependedonthe rules of text natural Such as the energy of semantic which pike up from atext. The research contained three chapters in front of preface of research and in the end the final of reseach , In the preface of research explain what related with the title of research such as semantic , the light word , and semantic layrs. Chaptar one which is to pic (the ligt of semantic sense ) which divided in to four discussion and it's division basses on the relations between texts. Chapter two collected the important top of tradition texts which deals with the absolute lights and it is divided in to two discussions the frist one (the perfact ligt semantic) ,and second (the lights semantic ) ,so it's contained more of compound and semantic roles which completed. Chapter three have a field of absolute light which divided in to typs : the lord light , and creative light in ends of chapters. There are final , which contained the praised of Allah and abstracts of research. The praised of Allah the Lord world

النقائض في الدرس النقدي العربي الحديث == Al NAQA 'ID In The Modern Arabic Criticism Studies

اسم المؤلف: كامل عبد المحسن جاسم الحسن
اسم المشرف: احمد حياوي السعد
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study deals with contemporary critics and scholars ' opinions for one of the poetic arts that strongly emerged in the literature of the Amawi era , namely , ( Al NAQA'ID ). The Study aims to discover the way through which the Arabic critical blog of the modern age treats such type of heritage texts as well as reveal the shifts which hit the Modern Arabic Critical system in the first place , so - called the Age of (Revival) , the time when contextual methodologies widely prevailed and were concerned mainly with outer contexts of the social , historical and psychological conditions surrounding the text and its cultural and social medium through (textual criticism) in the age of Modernism up to Reading & construe methodologies in the Post - Modernism age. The study is based on two concepts. The first one is based on the concept of discourse as a group of texts directed into a specific critical scope. The second is stemming from the constructive concept of Arabic Poetry in the Arabic Criticism system since long ago , which is based on the fact that the lyric poem is a linguistic structure includes ( form and content). Form is meant to include the issues of language , rhythm and Poetic Imageries. On the other hand , Content represents the meanings and thoughts included in the form. Hence , the researcher went ahead in dismantling this discourse into two sides. The first one contained the thematic issues and phenomena. The other side is the artistic issues and phenomena. In terms of Arabic critical methodologies , they represented the central crystal with which the discourse was concerned. It is indeed a methodological discourse based on methodical bases as specified by Modern Western methodologies , taking in consideration cultural Arabic particularity. The most important outcome of this research is the confirmation that The Modern Arabic Critical Discourse compared with Al NAQA'ID was coinciding with critical shifts that touched the modern Arabic discourse structure in general and they furthermore approved the dominance of thematic sides in the heritage text at the expense of artistic ones. Moreover , they manifested the strong presence of the historical and social methodology with a relative absence of the psychological one in terms of themes. Concerning artistic sides , the researcher noticed the intensive care that Arabic critics and scholars lavished so as to disclose the recognized artistic structure of Al NAQA'ID text through their works of disclosing the linguistic nature therein and the denotation of metaphor element in its structure. I also disclosed their endeavors in studying the rhythmical level , poetic imagery , as well as the critics ' interest in studying the involvement of the thematic phenomena such as Irony phenomenon , meaning exploration , expatriation , cultural involvement. Moreover , involving artistic phenomena such as bi - antagonism , argumentation and repetition. Furthermore , The research showed the critics ' agreement over the emptiness of such art from organic unity which was replaced by line unity on the poets part thereof equal to the heritage texts in Old Arabic Poetry.

الجملة في ديوان المعبد الغريق للسياب البناء والدلالة == The Sentence In Collection (Temple Drowning ) For Sayyab Syntax And Semantics

اسم المؤلف: مهند احمد ابراهيم
اسم المشرف: عدنان عبد الكريم جمعة السالم
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The study is a wholesale basis in the understanding of the text , You may enter the world of the poet and reveal the meaning and connotations Thus, it opens the doors of the textTelly can be important in this letter the following : 1 - Sayyab did not come out too much about grammar originally syntax LittleThe impact of poetic weight in the formation of wholesale sometimes.2 - Linguistic context and the impact on the feelings of the poet syntax Since carrying a poet of conditions inside the poem.3 - Sayyab used two types of sentences which do not depart from the actual nominal and it is characterized by the palace and height. 4 - Find among the reasons for being in the Palace Wholesale literary position summary. 5 - Find between the delete of the sentence and the reasons for it. 6 - Find among the reasons for sentence length and the elements that led to the complete length in the poetic image. 7 - Sayyab ties linking his sentences moral and verbal. 8 - The most important contextual relations in linguistic cohesion sentence in the poetry collection. 9 - The temple is drowning ( customization , situational , ratio, dependency ). 10 - Sayyab adopted wholesale methods clearly , namely : A - It came a private Alastvhambesaagh style , in charge of your feet and often the last tool Interrogative. B - Call style came in and out of some compositions from the original for the purposes of rhetorical. C - This style came in different formats and different connotations. D - Exclamation style came in different formats , exclamation Balastvham , and the appeal , and so on.E - Came wishful thinking style (Leigh , though ).F - Apply condition method and delay came , and overlapping methods with him , as occurred Answer condition.G - Diversity among temporary exile and life imprisonment , according to entering the tool on the nominal and actual sentence.

البنية الايقاعية في شعر احمد مطر == The Rhythmic Structure In Ahmed Mater'S Poetry

اسم المؤلف: زهراء عبد الكاظم محمد المظفر
اسم المشرف: عبد الواحد زيارة اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Ahmed Matar is known for his own peculiar style, in particular his Lafitat, i.e. ‘Banners’, that has made him a well - known poet in the Arab world filled with anger against their political systems and governments. His poems are characterized by a sarcastic style. Therefore, some like to call him ‘the king of poets’. His poems have studies from different perspectives by a number of researchers. While some researchers, such Ahmed Ghuneim who has dealt with the elements of creation in his poetry and Abulkareem Al - Saeedi who has focused on the poetic narration in his poetry, some others, such as Khalid Jaffal Lafta and Tahsin Hasan Jasim have studied the stylistic aspects of his poetry concentrated and the techniques of the poetic formation in his poetry respectively. However, none of them has spell out the rhythm in his poetry. After having consulted my supervisor, I have come up with this title : THE RHYTHMIC STRUCTURE IN AHMED MATER’S POETRY This study adopts two approaches, viz. historical and descriptive; it is divided into three main chapters preceded by a foreword and an introduction and followed by a conclusion. Chapter one which is titled ‘The Structure of the Prosodic Rhythm’ spells out the poetic meters along with their contexts and the types of rhymes in Ahmed Matar’s poems.Chapter two, for its turn, which is titled ‘The Structure of the Phonic Rhythm’ confines itself to different types of rhyme, such as that of lexical items, lines, texts, rhyme.As for the third chapter titled ‘The Structure of Musical Rhythm’, it focuses on the most important factors that contribute to enriching his poems’ rhythm, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and so forth.The rhythmic structure in Ahmed Mater’s poetry has been studied by means of identifying the most important elements of such a structure and the main factors that influences and enriches the rhythm in Ahmed Mater’s full collocations of poems. Having carefully examined the poems, I have discovered that the Ramal Meter is the most dominant one in his poems, followed by the Rajis Meter, and then the rest of meters.In his poems, the rhyme has played a significant role in enriching the rhythmic structure of his text. The study shows that the poet, Ahmed Matar, banking on his linguistic and stylistic ability, has utilized a great number of stylistic features, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and the like in an attempt to add artistic touches to his poems. To sum up, this study has focused on one of the most famous poets in the Arab world filled with anger against their political systems and governments. I hope that this study could provide the reader with an explanation to the most important elements of the rhythmic structure utilized successfully by the poet.

ثورات العلويين ومواليهم في شعر العصر الاموي : دراسة في الموضوع والفن

اسم المؤلف: كريم حميد منشد سحيب الخلف
اسم المشرف: احمد حياوي السعد
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

جهود اللغويين العراقيين المعاصرين في الدراسات الصوتية

اسم المؤلف: فراس حسن علي الكناني
اسم المشرف: عدنان عبد الكريم جمعة السالم
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

المرجعيات الثقافية في شعر اديب كمال الدين == Cultural References In Adeep Kamaladeen'S Poetry

اسم المؤلف: ياس عوض رشيد البصري
اسم المشرف: علي مجيد داود البديري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The cultural references in the poetry of the Iraqi poet "Adeeb Kamaladeen" has formed a significant presence through their abundant frequency. Such references are various in their frequency and difficult in their source. Some of them have had obvious presence while the others are less frequent in his poetic texts. The diversity of cultural references have made the research consisted of four chapters based on six references, Quranic reference is one of them that featured by the most prominent presence in the experience of "Kamaladeen". Such experience has varied in its role into two kinds. One of them has inspired its presence from Quranic story, while the other has derived it from Quranic verse. The second reference is the mystic one, by which the poet has derived the mystic heritage from mystic conditions and stages. He has also employed the prominent figures, such as "Annefery, Alhallaj, and Altawheedi" in his poetry. Whereas the other references are historic and mythological ones which have been included in one chapter, because they are less frequent than the previous two references. Regarding the historic reference, the poet has manipulated "Karbala incident" and "Imam Hussain", who is the the most important person in that incident, Iraq¬¬ - Iran war in 1980 and other wars, which followed. In connection with the mythological reference, the poet has employed several myths, one of them is "Gilgamish myth" which has formed a striking presence in "Kamaladeen's poetry" In addition, the poet has used the artistic and literary reference, that has been combined in one chapter, through which the poet has employed the most famous Iraqi and Arabic singers. He has also used Iraqi and Arabic poets and novelists, as well as foreigners through the literary reference. Hence, all these references have signified variety of the poet's education and his continuous acquaintance with multiculturalism that has consequently served his poetic experience.

حداثة ابي تمام في ضوء النقد العربي القديم حتى نهاية القرن السابع الهجري == Abu Tammam'S Modernism From The Perpective Of Classical Arabic Criticism Till The End Of The Seventh Hijri Century

اسم المؤلف: رنين ناظم يوسف
اسم المشرف: مسلم حسب حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This research studies modernism of Abu Tammam on the basis of the theory of classical Arabic criticism which consisted of rules and conditions put by the Arab critics and applied by the poets to make their poetry eloquent and solid with clear and vivid meanings.But Abu Tammam was keen to deviate from all these rules and principles in his poetry. Al - Amidi considered him as a rebel against the common foot of poetry because he played on words in his poems and became fond of rhetorics and figures of speech which he used extremely. Consequently,his poetry was corrupted by the heavy use of antithesis and paronomasia. Thus, he became the target of a strong movement of criticism that represented the conflict between the old and the new.Classical Arabic poetry was a summary of the experiences of the old poets. It directly expressed the social, cultural and intellectual aspects of their life. It was characterized by features of clarity of expression, agility and simplicity of language because it was natural and not superfacial. That was the case in the Arab poetry during the pre - Islamic time, beginning of lslam and the Ummaid era in addition to the majority of the poetry of the Abbasid era during which the way of living of the Arabs changed from nomadism to urbanism. Thus, there appeared a type of new Arab poets who had special knowledge and high education like Bashar Bin Burd, Muslim Bin Al - waleed and the most prominent of them was Abu Tammam.Modernism of Abu Tammam went far beyond the familiar in his illogical and unreasonable similies and metaphors. There was no appropriateness in his metaphor and no approximation in his similies. Besides, he played on words and used too much antithsis and paronomasia. He was good in some of them but not so in the others. That caused the Arab critics to attack him and refused his poetry which they said it deviated from the common foot of the Arabic poetry that was defined by Al - Marzooqi to have seven categories. any studies of criticism were conducted about Abu Tammam and his poetic school. This study is made up of an introduction,three chapters and conclusions. Chapters one and two consist of three sections each. Chapter three contains two sections.The introduction highlights modernism of poetry as viewed by the classical Arabic criticism both literally and as a term. It also reviews the concept of modernism since its appearance till the time of Abu Tammam. Chapter one is interested in the questions of imitation and nnovationin that Arabic criticism. Section one of the chapter shows the attitude of the linguists and narrators of the modern poetry, the position of khalef AL - Ahmar and his experience in criticism and the position of the critics of the classical poetry which they considered as the highest model that Arab poets should imitate and create in their poetry as a product of the individual liking. Section two is devoted to discuss modernism in relation to the theory of the foot of poetry that was represented in the seven categories as introduced by ALMarzooqi in the introduction of his book Commentary on Diwan of Ardor of Abu Tammam. The section also explains the principles of the poetic imagery in similie and metaphor and the role of poetic imagination to bring about new images and novel meanings that reflect beauty and psychological effect.Section one of chapter two discusses modernism in the poetry of Abu Tammam and the rules of the poetic language in the theory of Arabic criticism. The section also shows what was accepted and what was not in his language. The section shows how Abu Tammam, very heavily, used the rhetorical patterns especially antithesis and paronomasia where he was unsuccessful in some of them and good in others. Section three tackles the poetic meaning and the logical and mental characteristics that should be available in these meanings to be correct so that the poetry be undertood. This was agreed upon by the old Arab critics such as Qudama Bin Jaafar, Abi Helal Al - Askari, Abd Al - Qadir Al - Jirjani, Hazim Al - Qirtajinni and others. The section includes description of the meanings and their relation to the levels of description as far as exaggeration and excessiveness are concerned in that Qudama Bin Jaafar considered excessiveness as the best of the two schools of description.Finally, the section discusses ambiguity and complexity as products of corrupted poetic composition. Chapter three deals with modernism in the rhetorical image, modernism and the changes modern poets add to poetry in this concern. Modern poets paid more attertion to the form rather than to the meaning in their poetry. That led to the appearance of a new poem with specific features particulavly concerning the rhetorical image that depended on similie and metaphor. The poets started using these styles in new ways that were unfamiliar to the Arabic liking and taste. The first section of this chapter deals with similie and description and the rules put by the Arab critics to achieve approximation between the two sides of the similie; otherwise the similie would be exotic and not allowed. It was conditioned that the description contained most of the cases being described. The section mentions some samples of the similie and description in the traditional poem which the critics considered as better in comparison to the modern similies and description that deviated from the artistic critera and the common poetic taste. Section two talked about the metaphor and its definition by the Arab critics and availability of the conditions of approximation between the metaphoric expression and what it stood for. However, modern poets, particulary Abu Tammam, did not adhere to these conditions. Thus, Some of their metaphors were controversial. The conclusion presents the results of the study; the most important of which are that the classical Arab critics had a theory of criticism reflected in the opinins they stated in their books and set by Al - Marzooqi in the 5 Hijri century in a systematic approach that was finally shaped in what was later known as the foot of poetry that included seven categories and each of these categories represented a critical measurement of a certain question in poetry.

اسرار التعبير القراني في تفسير تسنيم للعلامة الشيخ عبد الله الجوادي الاملي دام ظله

اسم المؤلف: ميثم عزيز جبر
اسم المشرف: احمد رسن صحن
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study starts with a preface discussing four points : AlAamily translation, the reason behind calling his book (Tasneem), and his method in Tafsir, the meaning of Secrets according to Al - Aamily, and the meaning of expressions in linguistics and terminology. In the first chapter (the secrets of words in Koran) the researcher discussed the linguistic meaning of the word in three sections : firstly the reason behind choosing a word in particular, secondly the secret of morphological form, thirdly the secret of definiteness and indefiniteness. The second chapter (the secrets of sentence in Koran) studies the meanings of the sentence and it is of two section : the first one is the secret of declarative sentence and its processes as deletion, backward and forward, and restriction. The second section is the secrets of the construction of the sentence as the imperative, negative, interrogative, and proclamation sentences. The third chapter (the secrets of the text and Koran) discusses the meanings and linguistic structures and rhetorical themes in more than a phrase as being intervented and the text title. It is of three sections : the first one is the secret of apostrophe. The second is about conjunction and disjunction. The third is about the secret of agreement in which the researcher mentioned the meanings of agreement and holy Koran. It is of three sections : agreement among Ayat in one Surah, agreement of the title of the Surah with its contents, and the agreement of the beginning and the end of Surah. Research methodology : The researcher’s method in this study is choosing the subject followed by a general overview about it. Then mentioning the most important samples mentioned by A - Aamily in the title and discussing each one respectively after viewing the opinions of the interpreters. After that the study shows the opinion of AlAamily to see what is the new addition. Results : The researcher has ended with recognizing the meaning of the secret according to Al - Aamily in linguistics and the reason behind it. Also the researcher detected the secrets of the word, sentence, and the text and what purposes and meanings they have and connecting all these things with external facts because the interpreter sees that all of these recording words of Koran express universal facts in existence because it is an inspiration from the Almighty Allah. The researcher also tried to expose several rhetorical themes such as clarifying forms of the text like apostrophe, conjunction, and agreement among Ayat by applying the modern textual norms of sentential multiplicity, cohesion and coherence. Then identifying the notion of text and modern linguistics and applying it to rhetorical Arabic heritage.

اثر وسائل الاتصال في الرواية العراقية المعاصرة (من 2000 - 2015)

اسم المؤلف: غسان نجم عبد الله
اسم المشرف: مشتاق فالح عبيد الفضلي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Often critical studies have proven in the field to talk to the old narrative and modern literary criticism and many are interested in theorizing to the beginnings of writing fiction in Iraq, Fna cash in history more than the present moment the Iraqi novel, and because the desire researcher was paid long ago to try to fight in the new Iraqi novelist experience and an update of the project, which began studying the master narrative, it has been proposed to subject the supervisor Prof. Dr. Luay Hamza Abbas, who crystallized the idea of the project is scientifically formulated entitled academic form in which it now.Counted researcher different samples through monitoring and followed the Iraqi novel from 2001 until 2015 have been addressed in the reading and analysis of the many novels that dealt with theme of communication and treated him, however, he selected a number of novels that thinks it meets the nature of the new clerical experience and grant writing feature distinctive new featuresIt would have been confronted by the researcher of the difficulties is the novelty of the topic you say who wrote it and the desire of the researcher also using modern sources cover the size of the creative space that dealt with samples of this research, but surmounted many difficulties in this area after traveling to Cairo and friction with the sources of digital literature.Researcher has not been adopted in this thesis on a specific approach vented stringent monetary approaches that may restrict the study and not to unnamed flexibility that may make or prematurely truncated work, so relied on the open reading theories on more than one approach as imposed by the nature of the study for each chapter. As for the use of the sources it relied on modern sources, including the World Wide Web Taking no sense to study communication and we are trying to emphasize its impact on writing fiction without that create an impact on the search noting that the sources of the World Wide Web were few compared to other confiscation, and so presented the study also comes : Track researcher concept of communication in an abbreviated pave on according to what has been written by specialists by relying on written communication and identify concepts own and then select the definition of modern means of communication, which included everything that can generate communicative relationship between man and his environment, then focused researcher on the transformation of communication theories as Try to track their transformations to the extent that he found useful and enriching research, and neglected them what he believes he does not own thing or benefit him, right down to the theory of Marshall McLuhan who represented the central point adopted the philosophy of research, a theory (Alanm technological), and then try to monitor shifts Iraqi novel since origination Even before 2001 brief in these transformations, focusing on the task of samples in the history of the Iraqi novel, justifiable reason for the delay awareness novelist in Iraq compared with the awareness of the hair.The first chapter was at the entrance of theoretical and four topics are : The theoretical entrance who tried to monitor the work and the nature of the novelist its flexibility, which gives him the ability to take advantage of all science, particularly modern means of communication.The Study of Technology (window or osmosis) a written proposal made search features and its impact in the novel Virgwalah Saad Said and novel under the sky Copenhagen to hawra al - nadawi, and the novel The Curse of Marquise Zia Aljbaili, and zero and one Morteza Kzar, black box for Klizar Anwar, as samples sought to fight in writing digital and computer techniques emotion.The second topic was about the vulnerability of Iraqi cinema novel techniques are issued this work novel City images as they are influenced by the scenario imaging, and novel black box as influenced by technology montage.The third section was about the vulnerability of the Iraqi novel techniques Press Fteraht three narrative models are (novel jogging behind Wolves Ali Badr) and (grandson of the BBC to Maysaloon Hadi) and (wonders of Baghdad Ward Badr) and tried to research that explores the press techniques within novelist field.The fourth section was in Photography camera technique was alone novel (city pictures Luay Hamza Abbas) with this technology.Prescribed for the second quarter in an attempt space study was divided into three sections are : The entrance of my brief is trying to justify the separation and movement of search procedures.Digital space structure, a space on the computer display, and the resulting new technologies, and how the Iraqi novelist plans to take advantage of this technology in their respective fields novelist.While the second section concerned with space - written script, a space that includes quotes, starting with the title of the outer shell and even entry in the body of the novel.The third topic dealt with as a perspective on the space as proposed by Julia Christivia and addressed the researcher point of view in space when the space As a producer of death or misery and tear through the deadly identities.The last chapter of the dissertation tries to address intellectual transformations in the Iraqi novel screening Tmzaradtha was in the form of the entrance to a theoretical respond and justify the movement of ideological transformation in the framework of the Arab novel and briefly, then divide the class into four sections the first was about the speech Acharri researcher dealt with the Covers novels as a producer for Continental not as a producer demonstrates what in the novel.Eat your language and their vulnerability in the means of communication and how this means provided liquidity written to reflect the language for more than one purpose.Then I dealt with in the third section of identity shifts that have emerged fragmented and fragmented confronted with the reality of a torn reflected back on the identity Assembly and the other on the individual identity that suffer repression and rejection.The last topic was about hybridization narrative as hinting intellectually novelist in thought and how the Iraqi novelist said of the means of communication in providing narratives Jdido insurgency and trying to break the traditional form novelist.She concluded Find Bkhamth summarizes the findings of the researcher of the findings and proposals in writing. Researcher

الحكم العطائية لابن عطاء السكندري (ت709هـ) : دراسة اسلوبية == Al - Hakame Al - Attaiah To The Son Of Ataa Alscandary (D. 709 AH) : Stylistic Study

اسم المؤلف: علي عبد الحسن جاسم ال جليهم
اسم المشرف: خالد نعيم الشناوي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Sufi literature is still tender fecund for study and research, because of its aesthetic attributes and expressed for the cognitive values, was (Al - hakame Al - Attaiah) by Ibn Ataa Allah Alscandary texts the value that was quite popular among the commentators, but it has not received from researchers proper attention, and described these texts as a brief and intense significance of the rule,described strongly foundries and beauty method, and the number is ( 264 ) text , so we chose the stylistic study to enter into their world of knowledge and aesthetic.The stylistic one of extrovert studies, which made its way in a statement properties up. The stylistic set of performance measures that practiced modalities structures linguistic statement relationship analysis and detection of functional and aesthetic characteristic values of the text itself, and it revealed the modalities of speech and description it includes aspects aesthetic, so it was the text of the son of a tender of Alexandria, the focus of the study, as the study came across three chapters, the first we dealt with the vocal stylistics in sections three, the first of the stylistic impressionism, and the second stylistic expressive, to be the end of the chapter by vocal suggestive, where he emerged as sound as an influential element in giving the impressionist aesthetic dimension effect actor in a dynamic text with the time, was the interlocking Semantic present at all levels.The second chapter titled ( stylistic Almorvo synthetic) , divided into four sections , we discussed in the first of the major structures , consisting of the text, and came detective others to look at ( the accumulation junctional parallel , formats nominal and actual sentence, and then formats the methods), respectively , has emerged as a standard text as a selection of suits and cognitive capabilities so as to create the recipient to retrieve assets and roots that provided the text of cognitive his visions , and had the thrill element prominent role in creating the necessary excitement in most word.The last chapter titled ( stylistic textural and contextual ) in two sections , the first of the stylistic formative brought together several themes : ( stylistic title, axis words , stylistic pilgrims and reasoning , brevity , partitioning , text unit) while we checked stylistic contextual in subjects ( simile , metaphor , metonymy , intertextuality , irony ).The study concluded that the most prominent stylistic features in Ibn Ataa text lies in weaving standard formats intense significance interconnected knowledge , taking to each other , it has emerged as vocal stylistics , including added aesthetic aspects that will improve the text, giving dimension impressionist great importance in most word.The isomorphism derived from the similarity and contrast linguistic structures an actor and a distinctive to the Ibn Atta text , as prevailed most of the texts balance, and attended other features indicate the stylistic creative and Albasimologih foundations from which , as evidenced by his choice of title or his penchant for pilgrims and reasoning and other.

الفصــول والغايات لابـي العلاء المعــري : دراسـة اسلوبيـة

اسم المؤلف: سعد عزيز القطراني
اسم المشرف: عبد الواحد زيارة اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

التمثيل السردي في روايات عالية ممدوح == The Narrative Representation In Alia Mamdouh’S Novels

اسم المؤلف: امجد محمد رضا عودة
اسم المشرف: عقيل عبد الحسين خلف
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The first chapter explored how actions are represented in Alia Mamdouh’s novels and consists of three sections. The first section examined transferring of real action (non - fiction) into words by containing real dates and events. The second sections explored biographies which is an account of someone’s life. The third section explores fiction which is nonrealistic events and actions.The second chapter investigates description. This chapter is divided into three sections. The first section studies description of reality. It focuses on the external (physical) description of people and places. The second section looks at character (person) description. The final section explores the description of imaginary characters and events which do not exist in the real world. The third chapter focuses on focalization. The first section of this chapter is internal focalization which is based the narrator. While the second section discuses external focalization which is divided into Palpable and abstract.This thesis is accompanied with a conclusion that summarizes the results of the research. As well as, an appendix which gives an introduction of the novelist (Alia Mamdouh) including her biography and major works that are used in this thesis. It also contains a table listing all the actions, description and focalization within these works. The narrative representation in its different shapes, forms, and patterns is widely present in people’s lives. Thus, it is open to the different requirements of writing and rhetoric through which thoughts and beliefs are conveyed to the reader. It highlights the diverse concepts which shape the way a narrative is written. One of the most prominent concepts that is taken into consideration is The Narrative Representation and how to embody it in novels. Since it is contains the problem, similarity, visualization, conversation, impersonation and embodiment of what is present in the human mind into a narrative format. In other words, how to transform what can be imagined into live words in the form of narrative. This thesis will discuss the narrative in Alia Mamdouh’s novels and is divided into an introduction, three different chapters and an appendix. Each of the first and second chapter contains three sections while the third chapter contains two only. The introduction discusses what representation is in terms of definition and its different concepts. Then it moves on to reveal its origin starting with Plato then Aristotle and ending with the Arab philosophers such as Ibn Rushd, Ibn Sina and al - Farabi. Representation is then discussed by the view of scholars of Arab Rhetoric such as al - Jurani, Al - sakkaki and Hazim Al - Qartajanni. Then it is investigated in the Orientalism study. There is a discussion of the relationship between representation and narrative and finally the development of the narrative representation.

مناهج تحقيق النصوص الادبية في مجلة المورد عقد السبعينيات : دراسة تحليلية == Approaches Of Investigating Literary Texts In The Journal Of Al - Mawrid In The Seventies : An Analytical Study

اسم المؤلف: بسام علي حسين العميري
اسم المشرف: قاسم خلف مشاري السكيني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Actually, researchers give a great concern to the field of Text Investigation. Therefore, numerous articles and books come into existence about this considerable field of study. Such contributions identify its characteristics as well as initiate its rules and roots by which investigators attempt to set a remarkable touch that can take role in the characterization of ancient Arabic heritage. However, text investigators should have a great amount of knowledge about approaches of scientific investigation. Their task demands to be patient via working with manuscripts, to be professional about collecting lost poetry of a certain poet. This is so because the ultimate end of investigation is to follow accuracy and objectivity to reflect the poet's book or collection of poems as the poet intends.Concerning this area of investigation, a variety of researchers do their best to study old - fashioned texts. Throughout their investigations, they introduce their attempts as well as sufferings in this field. Their efforts reveal different capacities and distinctive scientific abilities. As a result of this serious work in the field, an apparent role has been observed upon the difference among their approaches of investigation although they agree on introducing texts in the correct way according to the scientific rules with a high degree of correctness and documentation. Their work follows a number of acceptable scientific and procedural bases.As a practical area of these investigations is those periodicals whose specialization is to re - exist the Arabic heritage such as the journal of Al - Mawrid. This journal is a quarterly old - fashioned and it is one of the most important periodicals in Iraq particularly and in the Arabic homeland in general. It is published by the ministry of Culture and Arts - Dar Al - Jahdh. The 1970s and its subsequent years represent its heyday since this period witnesses a great concern of investigations and literary manuscripts. All these achievements led to its publication in 1971. Due to the availability of the textual data of literary investigations in this decade, this dissertation comes entitled "The Approaches of Investigating Literary Texts in the Journal of Al - Mawrid in the decade of Seventies : an Analytical Study".This work involves an introduction, three chapters and conclusions. Accordingly, the introduction gives a preliminary overview about the journal under study including its foundation and historical development in the 1970s. As regards the chapters, the first two deal with the approaches of literary investigations of books and collections of poems which are investigated depending on handwriting manuscripts or printed manuscripts (the second novel). Chapter Three concerns the approaches of criticizing literary investigation in the journal of Al - Mawrid in the 1970s. The study has come with some conclusions. It reveals the amount of the investigated literary heritage including books and collections of poems in the 1970s by this journal. In additions, it shows the difference among investigators' approaches. One group follows the methodological rules of scientific investigation whereas another one ignores such rules through their investigations. Such ignorance is represented by lacking the premises of investigation, neglecting the set - up of the investigated text, the author's name, the title of the book, the identification of the book, documenting well - known scholars, quranic verses, poetic quotations, formatting lists of references and printing reproduction.Finally, the researcher does not claim perfection of this study which is indeed the result of hard work. Thus, in case it reaches the desired end, it is that duty to which Allah conducts me. Therefore, I have no superiority. On the other hand, wherever there is some weaknesses throughout this work, it is of course because of human beings' imperfection. What I do not regret on is that I have followed thinking, purified my intent, looked for truth and reliability. Hence, I hope to obtain retribution as a reward ofthese efforts. Almighty Allah I request to accept my good deeds since he is the Omnipotent.

الاثر الدلالي للحذف في القصص القراني : دراسة في الجملة == Meaning Of Deletion In The Quranic Stories : The A Study In The Sentence

اسم المؤلف: سكينة باقر حسون
اسم المشرف: عبد الجبار عبد الامير هاني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The Holy Quran has different methods to attract and convince people towards religion. Telling stories is one of these methods. Stories in the Holy Quran are used to serve the basic human task which is leading people to belief by the styles of looking at the previous nations and learning lessons from their positions towards their prophets. Besides, Mohammad, as the last sent messenger,made use of reference to those stories about the previous prophets and how they patiently stood agains the unbelievers and resisted difficulties to accomplish their missions.Introducing the stories in the texts of the Holy Quran suits the intention behind employing those stories. Linguistically, Quranic stories are not isolated by themselves or separated from the main linguistic structure of the Holy Quran; but they are placed in a very highly rhetorical artistic style with in the miracleous Quranic context. Moreover, the linguistic and rhetorical phenomena and styles used in the Quranic text also make use of the stories. Deletion is one of the styles that syntasts consider as linguistic phenomena whereas rhetoricians consider it as a kind of abbreviation that characterizes the linguistic structure of Arabic. The Holy Quran uses deletion in a rhetorical way fall of indications to convey the meanings and intentions targeted in the text.The purpose and the idea behind deletion in the Holy Quran is in harmony With the linguistic and artistic build up of the story.The approach adopted in this study is the syntactic rhetorical one. Chapter One is devoted to study deletion in the predicate of the sentence and whar is more than the predicate like the object. Chapter two is about deletion of the independent clause and the syndesis sentence in the Suras in addition to deletion in syndesis and conditional sentences. Chapter three studies deletion of many sentences and this move from syntax to the area of rhetorics to achieve the artistic brevity in the story.After full study of the intentions and pragmatics of the story texts in the Holy Quran and identifying places of deletion by the descriptive inductive method and discussing opinions of the syntasts, the interpreters and the commentators and preferring the opinion that agrees with the text of the Quranic story, the researcher concludes that the linguistic structure of the Quranic stories has achieved the rhetorical, semantic and aesthetic purposes That benefit these stories to achieve their purpose of serving the religious objective.

اسلوب الحذف والتقديم والتاخير والاعراب في سورة النمل : دراسة نحوية == Omission, Inversion And Syntaxes Style In Al - Namil Qur'an Verses A Grammatical Study

اسم المؤلف: هيثم عبد الزهرة رباط المنصوري
اسم المشرف: عبد الحسين المبارك
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: According to the importance of language in general and the grammar in particular in solving the problems of the structure and the clarification of its meaning , I have made up my mind to give my research the " omission, Inversion and syntaxes styles in Al - naml Qur'an verses ( A grammatical study") , getting the advantage of the elements of this Indication in understanding the Quranic verses and discovering their Indications. The research consists of : The introduction , the preface , three chapters and conclusion. In the introduction I defined AI - Naml Quranic Chapters as a noun , an order , a virtue , a content and then as a grammatical indication through the clarification of its meaning Linguistically and terminologically , and determining its importance in the interpretation of the holy Quran.In terms of the three chapters , they are presented as follows.Chapter 1 : In this chapter 1 discussed the phenomenon of deletion 1 and clarified its meaning , its importance , its features , and the efforts of the grammarians in studying it , in addition to its relation with metaphor , preciseness , its purposes , its divisions , its conditions , and its applications in AI - Naml Quranic Chapter.Chapter 2 : I allocated this chapter to show the reversion , so I mentioned its definition and the influence of the word position on it in addition to the argument among the grammarians in some of its kinds. I also showed its types , purposes and its existence in AI - Naml Quranic Chapter.Chapter 3 : I used this chapter to explain the difference in syntax and its influence on the verity of the interpretational meanings and the importance of the syntactic marks and the difference in this importance. Then I showed its divisions, its reasons and its applications.The Conclusion : In the conclusion I clarified the results the I obtained from this research

البناء الفني في رسائل ابن ابي الخصال الاندلسي ت540 ه == Construction In Letters Of Ibn Abi Al - Khissal 540 AH

اسم المؤلف: ايمان ناصر حسن احمد المسفر
اسم المشرف: خالد لفتة باقر
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study seeks to monitor a distinguished aspect of Ibn Abi Al - Khissal's literature represented by his prose letters, which have reflected his value and position among other writers at that era. It was taken into consideration letters of Ibn Abi Kissal collected and checked by Dr. Muhammad Ridhwan Al - Dayya, as well as some letters that were attributed to the writer, and found in the body of references and bibliographies. The importance of the topic comes from the fact that Andalusian literature was and still is a rich field of review and study. It was found in the letters of Ibn Abi Kissal what made the Andalusian prose be enlightened, and disclosed the rank of Andalusian prose in the fifth Hijri century, and how it participated in shaping life images in this area, as well as knowing writing styles used and were prominent there.Methodology used in this study was analytical, descriptive and aesthetic. This study of three chapters preceded by a preamble about the writer, his childhood, his educational background, and how his education has influenced his character, and preamble closed up with a brief about the style of the writer and his school in writing. The first chapter is devoted to the study of formal composition in letters of the writer, which was classified into three sections : in the first section, introductions of his letters were dealt with, in the second, its abstracts were discussed and in the third, conclusions were handled. Second chapter is included to study linguistic composition of these letters, which includes two sections; the first deals with lexicon of the writer, its terms' nature and their compatibility to the topic, the second is for styles adopted by the writer represented by the report, composition, objection, anastrophe, synonym, adaptation and implication. As to the third chapter, it is for studying descriptive and audio composition in his letters, which includes two sections, where we discussed an artistic rhetoric used by the writer to shape his images such as similes and metaphors. In the second, literary techniques were discussed which were used by the writer to get the letter's content coated with a beautiful rhythm, enriching semantic issues and consolidating meaning in the hearer's memory.

نظرية النظم في دراسات المحدثين == Systemic Theory In The Studies Of Modernists

اسم المؤلف: اسعد رزاق يوسف
اسم المشرف: عدنان عبد الكريم جمعة السالم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Seeks thesis titled ( systemic Theory in the Studies of modernists ) to keep track of the products of modern researchers in systemic grammar theory, since the fifth century witnessed the maturity and characterized that it has embarked on a path stretched across the centuries, and the contribution of many scientists boots to her, and supplement founded, which formed the pillars of her theory after that was the idea, they are different faces it lies in the attention of scientists : rhetoric, grammar and literary criticism, as well as the miracle of the Qur'an. Coupled mentioned Abd Alkaher AlJerjani ( D. 471 AH ) , which he penned in its final form; for this reader finds that pairing when most of the studied Abdul omnipotent in general, or systemic grammar theory in particular. These studies have emerged in the twentieth century was a character trying to read aspects of the linguistic heritage, a new reading opted towards the study of systemic grammar theory, as it took place in the orbit of many modern studies and their works are still going on to the atheist and the twentieth century; and lies behind so many reasons, most important of which is owned by the theory first of creative value, but it has expanded to include the areas of research interest in linguistic variety. When the preliminary reading of a representative sample of those studies appeared researcher as having multiple directions in theoretical study, and if possible identify trends, and then was selected on three axes, namely : studies have investigated the authenticity of systems theory, and sought to exploration knowledge assets in other civilizations, namely Elhoudartan : Greek, Indian, as well as the Arab civilization itself. The studies that have attempted to explain the theory of systems according to the Arab vision of self, the last and the direction of the studies that have sought to compare the theory with linguistic curriculum Western modern and contemporary. Accordingly, the research plan is built on three chapters, which included the first subject of the foundations of the theory of cognitive systems, and studied Chapter II grammatical trends and systemic grammar theory, and included the third quarter trends of linguistic theory and systems. Chosen approach texture offer ideas and insights and analysis, was based on an exact reading of the entire studies that formed the pillars of the thesis, and careful reading of positions RDM theory in the books of the Arab linguistic heritage, especially the book (the signs of Miracles), which represents the maturity of the theoretical stage, and wrote non - Arab heritage, and it signed a focus on citizen offered by modern studies and discussed, as well as sources of modern Western linguistics and curricula. Sealed thesis conclusion of the highlights of the results and the presence of a variety of approaches between systems theory, between Greek heritage, and Indian, as well as the Arab heritage, as well as having the features of the convergence between them and the trends of linguistic Western modern and contemporary : the structural and stylistic, and obstetric manufacturing, and deliberative, with the pursuit researchers to attempt to detect grammatical trends included a theory : toward a sentence, and some text, and the pursuit of the most important principles of interpretation of the meanings of a theory as such, it has been interpreted as a distance explanations.
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