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جماليات الخطاب النسوي في فنون ما بعد الحداثة == The Aesthetics Of Feminist Discourse In The Arts Of Postmodernism

Author name: فرح علي عبد الرزاق الدليمي
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: عني هذا البحث بدراسة ( جماليات الخطاب النسوي في فنون ما بعد الحداثة) وهو يقع في اربعة فصول الاول لبيان مشكلة البحث، واهميته، والحاجة اليه، وهدفه، وتحديد اهم المصطلحات الواردة فيه، وقد انطوت مشكلة البحث الحالي على الكشف على ان ما شهده العالم الغربي من | Focus this research to study ( The aesthetics of the annual speech in the arts of postmodernism ) is situated in the four chapters of the statement of the research problem, and the importance of, and need for, and purpose, and to identify the most important terms contained therein, have involved the problem of current research to reveal that what the western world has witnessed the a change in the concepts and transformations of intellectual and what happened from the rapid changes has had a clear impact in bringing about changes in the various structures and as a result of those big changes that affected the cultural, literary and cash by engaging in systems as well as cultural, literary and artistic on the other hand engage in systems, it promotes the emergence of new types of literature including feminist who was an anti - hegemony of art and literature male has adopted the theses of feminist criticism pivotal link antithesis between accomplished male dominance and the accomplished feminist and a weak presence on an area of research literature, and the theses postmodern fertile area from which the feminist movement demands, general women and actresses in particular I have proven that every woman is able to achieve the same in the works of art and literature and in line with the philosophical and intellectual propositions of postmodernism.Hence the problem of current research originated through the following questions : - What is the role played by data feminist discourse in the art of post - modernism? - How did the contemporary visual artists, may file accomplishing visually crystallizes feminist speech from an aesthetic perspective holds insights and theses culture feminism? The importance of searching through explanation for literary and monetary concepts contemporary have a close relationship with art feminist masculinity and femininity, and the feminine and feminist and women's notions of parental (Patriarchate) and gender and its relation to the ideas of postmodernism, and represents an attempt to shed light on the nature of the relationship between the aesthetics of feminist discourse and the products of post - modernism, according to interested professionals through access to the findings and conclusions, it has found a researcher that there is an urgent need for this study is the fact that the subject has not been studied previously within the area effective for the products of arts postmodernism, as well as this study the concentration of matter on the contemporary visual artists and knowledge her methods performing and her creative achievements which has been absent for several decades.The aim of this research to know the aesthetics of feminist discourse in the arts of postmodernism was limited research on how long the time period of (1951 - 2016) and of studying the feminist productions for artists postmodern and executed with different materials at different ores in streams (abstract expressionism, pop art, visual art , graffiti art, conceptual art, art synthesis, new expressionism, digital art).The second chapter (theoretical framework) guarantees the three sections, first topic focus to the concept of post - modernism and the arguments of Netasheh and Freud, structural and some concepts that diffusion structuralism, deconstruction and the proposals of Jacques Derrida and Michel Foucault, and a speech after the buzzards and globalization, and a letter of postmodernism and the culture of consumption, while focus second topic entrance into feminism and feminist literature and criticism feminist, language and given the female of the text, while the third section rotation arts postmodern and implications of feminist discourse in streams (abstract expressionism, pop art, visual art, graffiti art, conceptual art, art synthesis new expressionism, digital art).Chapter three has included action research, the researcher reviewed the research community and appointed by the style selected.The fourth chapter focus on results search results and conclusions, summarized the researcher to a range of outcomes, including : 1. Feminist discourse depends on the products of postmodernism on data aesthetic transformation and stylistic and technical as well as formulations structural forms of intellectual and contents and their contents, which appeared in the second half of the twentieth century, has shown the emergence of post - modernism, according to the visions of intellectual feminist adopt a new attitude to express contemporary problems of women, as in the research sample models.2. Gaining visual artists experiments in post - modernism, the dimensions of functioning merge with the experiences of contemporary plastic artists, but up to focus on the necessities of research on the technical trend on the one hand the aesthetic and the inevitability of a departure from the prevailing traditional patterns on the other hand, as in the research sample models.3. The theme of alienation in the products of human visual artists, the investment pattern overlap between the conscious and unconscious, and between reason and emotion, a choice of intellectual touches the essence of the idea of self and carry meanings and connotations, as in most of the research sample models.The researcher has reached a number of conclusions, including : 1. Aesthetics feminist discourse in the arts contributed postmodern elevating of philosophy initiated no mind and the adoption of individual categories and chance and blow up the idea of art through the presence of the idea of demolition and dismantling of the bonds aesthetic realities.2. Uniformity intellectual formulations for aesthetics feminist discourse in the arts of postmodern philosophies with frameworks postmodern theses and feminist criticism, as well as other contemporary monetary concepts that have had an active role in deepening the critical reading and calendar visual feminist done.3. Interpret the visual landscape of the products of feminist art, aesthetically, as manifestation Layout hermeneutical reading and analysis, especially where infrastructure is enhanced mental scene assignments of symbolic probe form actually modulated semantic from the signifier and the signified. The researcher considers a series of recommendations including : 1. Interest in academic studies that specializes in visual themes of feminist art and that the lack of the existing ones in the scientific field, the big and important in the definition of this art with data and types.2. The establishment of cultural institutions and the houses of the Arab local publishing translated foreign sources dealing with plastic feminist art experiences in the world, the lack of such sources in specialized scientific libraries.3. The establishment of plastic arts exhibitions and annual festivals and events and periodic conferences, dealing with plastic feminist art, and the definition of the methods and insights, methods and propositions own visual artists.The researcher proposed the following headings study : 1. Aesthetics feminist discourse in modern art.2. Feminist discourse and representations in products of contemporary Arab art.3. The aesthetics of the image in contemporary feminist art

جماليات التقنيات الرقمية في تشكيل العرض المسرحي العالمي == Aestheticism Of Digital Techniques In The Formation Of The International Theatrical Performance

Author name: محمد كاظم هاشم الشمري
Supervisor name: محمد حسين محمد حبيب
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: تتكون التقنية الرقمية من الاجهزة والوسائل والمعدات التي تعمل بالنظام الثنائي اي نظام التشفير الذي يتكون من ( 0 , 1 ) ويعد الحاسوب التقنية الرئيسة التي تتفرع منها العديد من التقنيات والاجهزة الرقمية التي تخص العرض المسرحي كاجهزة الاسقاط الضوئي او اجهزة الم | The digital technique consists of the apparatus, tools and means that work in the dual system, i.e., encoding system which is composed of (0 , 1). The computer is considered the main technique which is subdivided into various digital techniques and tools that are related to the theatrical performance such as the apparatus of light focusing or the apparatus of sound and image processing. These techniques have gained aesthetic and creative value through their use as an important technique that plays role in the theatrical performance. These techniques have given the theatrical director vast space in varying his hypotheses and choices via specifying the dramatic environment of the events; they also help in creating new means and forms which have had an important role in establishing the philosophical dimensions of the theatrical director. The letter has four chapters : The first (the problem) is the following inquiry : What aesthetics can be achieved by digital techniques in the world theater? The chapter also includes (importance) by focusing on the importance of digital techniques in theatrical performance. The chapter also includes (Objective) an illustration of the aesthetics of digital technologies in the world theater. This chapter, which is temporarily restricted to the period 2005 - 2015, includes space for international theatrical performances, including foreign, Arabic and Iraqi performances, and an objective study of digital techniques in directing theater performances. The chapter ends with linguistic terms and definitions, both in terms of terminology and procedure. The second chapter, the theoretical framework and previous studies, included three sections : First : digital art; trends and views. And the second : digital technical devices and mechanisms of its work in contemporary theater. The third is the aesthetics of digital technologies. The chapter ends with a discussion of previous studies and indicators coming from the theoretical framework. The third chapter, the procedures, includes the society of the research and the samples which have been chosen intentionally depending on the indicators of the theoretical framework being a tool to analyze in a descriptive, analytical method. Then five performances including (foreign, Arabic and Iraqi). The fourth chapter involves discussing the results, the conclusions, the recommendations, and the suggestions. The chapter ends with the bibliography, the appendices and an abstract in English.

المواطنة وجدلية الهوية في العرض المسرحي العراقي == Citizenship And Dialectical Identity In Iraqi Theatre

Author name: مريم صباح العوادي
Supervisor name: معتمد مجيد حميد العبيدي
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: ياخذ مفهوم المواطنة والهوية حيزا غير قليل في الثقافة والفكر وفي الدراسات وكذلك الفنون وفي التعبير عنها , والمسرح كونه احد هذه الفنون فهو يقوم بدوره في تنمية القيم التي تدعو الى المواطنة ونشرها.فهو يبقى احد الوسائل الاكثر فاعلية وملائمة لاحتواء | The concept of citizenship and identity takes a space in culture , thought , studies as well as in arts and how to express it. however , theater is one of those methods which is used to develop the values of citizenship and spread it. it is one of the most convenient and effective ways to show the uncivilized practices in order to cross the problem of citizenship in societies. the research is meant to study ( citizenship and dialectical identity in Iraqi theater ) which is an important subject to develop the society. the research is divided to four chapters , the first chapter will deal with (methodological framework) in which the point of the research is discussed as the concept of citizenship and dialectic identity and the mechanism of showing it in the Iraqi theater. the essence of the research deals with citizenship concept and its implications and contents which specify the relationship between the individual and identity and show his rights and duties. in addition , the dramatic performance is used to clarify these contents of identity which is the connection among individuals among one system. the research is beneficial for students and researches because they will be aware of the implications of this concept through theatrical performance and raise the awareness and attendance in belonging to the country. the aim of the research is how to show citizenship and dialectic identity in the Iraqi theatre and then search the spatial , temporal and objective firstly , the spatial boundaries were restricted to theatrical performance which were performed in Baghdad national theater. secondly , the temporal boundaries were used from 2010 to 2016. thirdly , the objective boundary which is represented by studying citizenship and dialectic identity of the Iraqi theater. the chapter ends with specifying the terms and defining them.Chapter two deals with three topics : the first topic describes the concept of citizenship in terms of historical background and locations. the second chapter is concerned with the dialectical identity and it is divided in to two branches : dialectical identity between culturalism and globalization and theatrical approaches. however , the third section is intended to deal with citizenship and identity and how to perform it on stage. the chapter ends with the results induced from the theoretical framework and the previous works.In chapter three (procedural framework ) includes (56) theoretical performances. the researcher depends on indicators resulting from the theoretical framework as a tool in the analysis of ( sour minbjladi ) directed by ahmed muhammed abd al ameer (2012) , the second show is (ahlam cartoon) directed by kazem al - nasar (2014). the third show is (mukashafat) directed by ganim hameed (2016). the fourth chapter includes the results of the analysis and here are some : - The theatrical speech strives to make the interaction among the citizens according to societal values and behavioral practice which expresses cultural maturity and real recognition without distinction of religion , race , gender or sect. - lots of cultural or religious concepts change because of the interfering factors that associated with and may distort their image. this may cause ignorance to the citizens where the directors tried to expose to with criticism and mocking which reflects the distortion it exposed to. - the directors tried to send an idea that belonging to one religion does not mean that there is one identity but individuals differ in culture and tendency due to the difference among the same culture.The chapter also includes results , recommendations and suggestions and it is followed by bibliography and appendices of picturs.

تنوع الاشكال المنفذة على الخزف الاسلامي الاندلسي == The Diversity Of Executing Shapes On Islamic Ceramics Andalusian

Author name: منى شاكر عودة
Supervisor name: رنا حسين هاتف الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة تنوع الاشكال المنفذة على الخزف الاسلامي الاندلسي، فدرس ماهية تنوع الاشكال وطبيعتها التكوينية ومرجعياتها الفكرية بوصفها نشاطا فاعلا في البنية الجمالية والفنية احتوى البحث اربعة فصول : خصص الفصل الاول لبيان مشكلة البحث واهميته والحاجة | This study include the diversity of implemented form of Islamic Andalusia pottery , it includes different types and construction of them and the ideological references as active in artistic composition , also the research includes four parts : The first part include the problem of research and the it's importance , needs , objectives and the most important termed contained category. The problem was identified through answering the next question : What is the variety implement a form of Andalusian Islamic pottery through the formed elements and it's method's. The importance of this research comes from that it represents sight for nature of diversity that occur in implemented form of Andalsium Islamic pottery through searching of it's Composition and construction parts and appearances of ideological concept and it is influences and also the importance of structural and technical wizards that adopted by artist to achieve this diversity , also the study explains to general and private libraries. The purpose of this research is to recognize and idenhfy the different implemental form of Andalusia Islamic pottery through aesthetic organized elements and it's means. As for second part , it includes the theorhcal frame and the previous studies and it contains 3 parts : The first one includes ( the comparisons between different types of philosophical thoughts ). The second one include the formal continent of Islamic art through studying the formal elements in Islamic arts and formal elements. The third one includes the appearance in diversity of forms in Andalusion pottery through different subjects like (Islamic arts and it's properties Islamic Abbasi pottery , Fatimi , pottery , enterance to Andalusain arts and it's methods. As for the third part involve the the procedure of research which include determination of sample research which include determination of research community and the choice of sample research which reach (20) ceramic arts and the research tools and the approach in analyzing the research sample. The fourth part includes the results of research and conclusion , recommendation and suggestion form results that researcher includes like : 1 - The researcher ensures the artistry elements and the organized and it's types through it's forms in related to Andalusion pottery through the artist achievement in formal work to achieve expressive and aesthetic values. 2 - The study distinguishes between the artistry elements and its types in Andalusion pottery because it recognize the importance of work through formal relationships in artistry work. 3 - The formal elements in implemental pottery type of which in spite of it's diversity in relationships to it's forms.4 - The researcher appreciates the nature of different forms of Andalusion pottery through Its appearance in expressive form in order to achieve symbol omitted out of oridinory in pottery arts. The results that the researcher reaches include : 1 - The presence of diversity in artistry elements and organized elements in Andalusion arts in configuration and structure of this art through formal relationships in stearic order and it unites it's parts in the work and it's structure from artistry parts to be in are entity2 - The work's element's and organized elements in Andalusion arts undergo to represent the emotional and expressive sides if the work to display the expressive aesthlic values of the work which results from the artist and it's methods in perform and imovation. 3 - It's go to expressive privacy in Andalusion pottery work through using different ways and archery form and its specific nature to befit to concepts that imposed by Islamic civilizer to be the sign of it's properties. The research ends with some recommendation and proposal and the references and research title and it's abstract in English

اثر دراسة الفن في اتساق الذات لدى طلبة جامعة بابل == The Effect Of Studying Art In The Self - Consistency Of The University Of Babylon Students

Author name: بيداء كاظم عليوي الطائي
Supervisor name: كاظم مرشد ذرب
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: يرى الفلاسفة والعلماء والمفكرون والتربويون ان دراسة الفن او ممارسته تسهم او تزيد من بناء شخصية الانسان في جوانبها (المعرفية، والوجدانية، والمهارية ) مما يؤدي الى تحسين سلوك الفرد نحو الافضل الامر الذي تؤكده التربية بشكل عام، ولكن هذه الاراء والطروحات ت | Philosophers and scientists, thinkers and educators believe that studying art or practicing it contributes or increases the building the human character in its aspects (cognitive, emotional, and skill) which leads to improving the individual's behavior for the better, which emphasizes the education in general, but these views and propositions remain within the limits of the assumptions unless it is verified sincerity by scientific research. Hence it identified the problem of current research, which summed up the following question : Do the study of art have an impact of the self - consistency on the students of Babylon UniversityThe Two goals of the research : The current research includes two goals, they are : 1. Build a scale of self - consistency of the University of Babylon Students.2. Detecting the impact of art study in the self - consistency of the students of University of Babylon through the verification of three null hypotheses.Research hypotheses : The research includes the following hypotheses : 1. No impact to the study of art in the self - consistency of the University of Babylon students at the level of significance (0.05).2. No trace of technical specialization variable in the self - consistency of the University of Babylon students at the level of significance (0.05).3. No trace of the sex variable in the self - consistency of the University of Babylon students at the level of significance (0.05)The research community and specimens : Due to the fact that the research methodology in the current study is the descriptive approach (as a scientific comparative study) has required a comparison between a group of studying Art for four years of study, they are fourth - grade students at the Faculty of Fine Arts / University of Babylon and three other groups have not studied art, they are : First grade students at the College of Fine Arts and the fourth grade students in the College of Pharmacy, and fourth - grade students at the Faculty of Law. Total research community in these colleges for the year stood at (2015 - 2016) (957) students, of which 456 males and 501 females. Due to the researcher to build scale of self - consistency, it has required the withdrawal of three samples from the original research community : the reconnaissance sample reached (64) students pulled intentionally, and sample of building a measure amounted to (394) pulled in a random stratified way 50% of the orgional community, to withdraw the basic research sample, the researcher used the percentage way of the remaining the fourth stage male of The Faculty of Fine Arts as the percentage of males (0.53) The percentage of female fourth Faculty of Fine Arts was (0.47), and the total (224) male and female students.Research Tool : The researcher built an objective tool to measure a variable (self - consistency) according to the following steps : 1. Defining the concept of (self - consistency) procedural definition and analyzing its content into four areas : the relationship with others, and uniqueness, work, and gaining knowledge. And drafting (67) items distributed among them.2. Sincerity tool : the researcher used two methods for the sincerity, they are : A - making sense method : Through content analysis or substance which resulted in the deletion of (11) paragraph of the measure after presenting it to the arbitrators, bringing the number of paragraphs (56) items plus four paragraphs to detect objectivity the scale became a paragraph consists of (60)items and after the researcher has checked the sincerity of scale logically, she has put a the Quintet estimation scale of in front of each paragraph and planned a correction key accordingly. Then she has applied it to build a sample to extract the pilot sincerity.B. Pilot method : extracted in three ways : First - Peripheral comparison method between the upper and lower sets.Second - internal consistency method.Third - factor analysis method.3. 3. The stability of the tool : stability of the tool has been achieved in two ways : A method (Cronbach's alpha) : the stability of the scale amounted to (0888).(B) Midterm Fragmination method : the value of the stability of half - scale (744) since this value represents the stability of half scale, so the researcher used the equation (Spearman - Brown) to edit and extract the full value of scale and get a degree of firmness reached (0853), which confirms that the scale has a high degree of constancy and reliable. These measures have resulted in a measure consists of four areas include (45) items and (4) items were added to detect the objectivity, the researcher used the scale of the Quintet estimation in front of each paragraph and prepared correction key accordingly.Application of the tool : after the tool Completed conditions of validity, the researcher applied it to the basic sample of amount (224) students, and after collecting the forms, the researcher corrected it and discharged electronically in accordance with the statistical program (spss), (5) not valid Form were excluded as the respondent did not complete the answer. Add to the exclusion (18) Form where the submitted to the response objectivity and compare it with the spoken class for the absolute differences was larger than the spoken class and thus the form number has become (201) valid forms,they have been statistically analyzed and the results were extracted.Statistical methods : The researcher used the social statistical Pouch (spss) for data processing were used, the Pouc was used in the following topics : 1. Percentage : used by a researcher to unload arbitrators responses, used in the interpretation of the accepted factors and to withdraw the basic sample.2. Mean : Use in substantive response extraction, strength discriminatory clauses. As well as to find Means for computational research samples.3. Standard Deviation : 4. The standard error : 5. Test (T - Test) independent and equal number of samples. To measure the moral significance of the scale paragraphs, which is used to compare Means when samples are big and equal.6. Person Corrlation coefficient)) : To calculate the internal consistency (ratified paragraphs of scale) and to find the relationship between each paragraph of the scale with the total score of the scale, as well as a way to extract the fortitude fragmentation midterm.7. (Sperman Brown Formula) : used to modify the scale and extract the value of the stability of the entire measure, since after measuring the correlation coefficient between the two halves of self - consistency for estimating half of the test, has been modified the mentioned equation.8. Cronbach's alpha formula : to calculate the tool stability.9. Test (F) to calculate the harmony between the two halves of the scale.10. Used in the factorial analysis procedures and find them as follows : - Simple Pearson correlation. - Contrast interpreter. - The underlying root. - Relative importance.11. Unilateral variation analysis of the samples is of equal size : the researcher used it to calculate the significance of differences in general between the three colleges.12. Sheffe Test : The researcher used it to find the smallest difference between the average scores for the three colleges.13. T - test : for two independent samples and unequal. The researcher used it to find a sign of the moral differences between the first stage and the students of the fourth stage at the Faculty of Fine Arts in the level of self - consistency, as well as the use of the knowledge of the moral significance of the differences in the sex variable in self - consistency among students.Search results : Current search yielded the following results : 1. Having a positive impact for the study of art in diverse branches of self - consistency of the Babylon University students, thus I refused the null hypothesis which says (no effect to the study of art in the self - consistency of the University of Babylon students at the level of significance (0.05).2. The lack of a significant difference between the Faculty of Fine Arts departments in the level of self - consistency, which calls for acceptance of the null hypothesis that refers to : No trace of technical specialization variable in the self - consistency of the University of Babylon students at the level of significance (0.05).3. The absence of a significant difference between (male and female) of the fourth stage at the Faculty of Fine Arts in the level of self - consistency, which calls for acceptance of the null hypothesis that refers to : No trace of the sex variable in the self - consistency of the University of Babylon students at the level (0.05 ).

الابعاد الجمالية للابيض والاسود في التصوير المعاصر == Dimensional Aesthetic For White And Black In Contemporary Photography

Author name: هشام عبـد الســلام مصطفـى العباسي
Supervisor name: محمد عودة سبتي | عادل عبد المنعم عبد المحسن
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: توسم عنوان البحث الحالي بــ( الابعاد الجمالية للابيض والاسود في التصوير المعاصر ), الذي عني بدراسة الية استخدام الابيض والاسود وقيمتهما الفنية وسماتهما الذاتية ومحاولة الامساك بمرجعياتهما الفكرية والفنية المعاصرة في الاعمال الفنية(الرسم والكرافك) من خلال | The title of the current research is : (The aesthetic dimensions of black and white in contemporary photography), which deals with the study of the mechanism of using black and white and their artistic value and their subjective characteristics and trying to capture their contemporary intellectual and artistic references in the works of art (drawing and graffiti) through four chapters. Which ended with the following question : What are the aesthetic dimensions of black and white in contemporary art?And its importance and need to contribute to highlighting the contemporary art, especially the work carried out in black and white and aesthetic dimensions and technical value and the guidance of their references, and the search for the importance of the employment of black and white in the painting in a distinctive manner, despite the features of these two values of aesthetic and formative, Was to identify the aesthetic dimensions of black and white in contemporary art, while the limits of research related to the subject to study the work of contemporary artists available (black and white) of the artist himself through the subject matter and material and technical touch Serves the media in the output of the painting with their artistic touches implicitly covered. With regional borders including Europe, the United States of America, Asia, and Africa. With temporal limits for the period from the post - World War II period 1945 to 2015, and terms were defined to serve the purpose of the research.The second chapter covered the theoretical framework. The theoretical framework contained three topics. The first topic deals with the study of black and white in the ancient arts, their philosophical origins, and their physiological and psychological interpretations. The second section deals with the study of black and white in the construction of the artistic form. The third topic is the study of black and white artists of contemporary art.The third chapter was devoted to the research procedures (93) pictures, which included the research community, which selected (17) models chosen intentionally, while the researcher took a descriptive approach to the content in the sample analysis.The fourth chapter included the findings and conclusions reached by the researcher.Among the findings of the researcher : 1. The mechanism of works performed in black and white is reflected in the actuality of the act of social, political, cultural, economic and religious reality. The work of art becomes a tool that puts in its first goals everything that achieves an aesthetic dimension to everything without exception, glorifying the individual spirit and elevating the ego on the one hand. To be an implicit invitation to the emotions of isolation, introversion, anxiety and self - imagination and move it with surprise to the recipient with free play, so that these products take formal forms characterized by the adherence to the use of colors with the variety of techniques without constraints that tried to show the aesthetic dimensions.2.The technical aspect has a role in showing the aesthetics of black and white and highlighting some details that distinguish them from others through the texture and the nature of the shapes as in the sample (17.16.14,11,10,9,8,7,3,1,1). The researcher reached a number of conclusions, the most important of which are : 1. The work of artists in Black and White has gained the trait of independence and self - expression in the style of technical innovation, experimentation and bringing new things despite the adherence to color in the output of their works. The style is divided according to the artist's subjective energy and his inner sense between the direct, the immediate, the automatic, the dynamic, (Traditional), fast, simple, complex.The study concluded by presenting a set of recommendations and practical proposals related to the study of the aesthetic dimensions of black and white in contemporary art in order to complement the usefulness, followed by a list of Arab and foreign sources and references and supplements in English.

تكنيك ميسنر ومقارباته في اداء الممثل المسرحي العراقي == Meisner Technique And Its Approaches In The Performance Of The Iraqi Theatre Actor

Author name: سرمد سليم عباس حسن
Supervisor name: محمد فضيل شناوة | عقيل جعفر مسلم
General topic: Fine Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: تعد تكنيك ( ميسنر ) لاداء الممثل من الاطروحات المعاصرة في مجال فن التمثيل المسرحي, ومن هنا عنيت الدراسة في البحث الحالي بمقاربات هذه التكنيك في اداء الممثل المسرحي العراقي, اذ جاءت في اربعة فصول. تناول الفصل الاول الاطار المنهجي للبحث, اذ ضم مشكلة البحث | Meisner technique of the actor's performance is one of the contemporary subjects in the field of theoretical acting. Hence, this study deals with the approaches of this technique in the performance of the Iraqi theatre actor. This study is divided into four chapters. The first chapter deals with the methodological framework of the study which is identified by the following question : What is the Meisner technique? And what are its approaches in the performance of the Iraqi theatre actor? The importance of the research lies in studying Meisner technique and its approaches in the performance of the Iraqi theatre actor and it is needed because of the following : 1. It is useful for those who are specialized in theatre acting to develop their skills on stage. 2. This study can be described as one of the studies that participate in developing the capacity of theatre actors. The objective of the research is identified by defining Meisner technique and its approaches in the performance of the Iraqi theatre actor. Furthermore, this chapter includes the research limits (place : Iraq Baghdad national theatre / time : 2009 - 2015) and the objective limit of the Meisner technique and its approaches in the performance of Iraqi theatre actor. This chapter is concluded by identification and definition of terminology. The second chapter tackles the theoretical framework and previous studies. It contains three topics : the first topic studies the philosophical and technical starting points of Meisner technique. The second topic studies Meisner technique (mechanism and engagement), while the third topic tackles the applications of Meisner technique in the international and Arab theatre. Finally, this chapter is concluded with indicators resulting from theoretical framework, and then previous studies. The third chapter contains the research procedures. It includes the research community consisting of 38 plays containing approaches to Iraqi theatre actors from Meisner technique. It also contains the research sample which consists of (5 plays). These plays, which are intentionally selected by the researcher as they represent the research community, are : Al - Iskafi, Al - Waqiaa Street, Nashaz, Summer rain, and Mannisama. However, the researcher depends on the descriptive (analytical) approach to meet the objective of the research. The researcher also uses the notes form as a main tool to analyze the sample depending on references and literature, as well as indicators that resulted from the theoretical framework as analytical standards, and then the sample analysis. The fourth chapter tackles the results and findings that are reached and discussed by the researcher, including : The play (Al - Iskafi)The most obvious result of this play is that the representation in this play is far from any role of personal memory in the performance of the role of the theater, it did not have an investment in the performance of the characters of the theater, and this clear approach to what calls (Meisner) to direct the actor to dispense The Iraqi actor has come very close to achieving this lawsuit without passing the techniques of (Meisner), in terms of which is the technology has provided a systematic way and for the first time to these The problem, however, the Iraqi actor in this presentation did not go through solutions to the impediments of representative performance through the technique of (Meisner) deliberately, but the practical experience of the art of acting led to the realization of the problems and approaches of solutions.Results : 1. Meisner technique has been approached through replacing the emotional memory by the artistic imagination as a source for acting by Iraqi theatre actor, although this situation keeps him away from what's happening on stage.2. Meisner technique has been approached through Iraqi theatre actor's dependence on the immediate experience as a source for acting and not to enhance his spontaneous performance and reactions between him and the other actors on stage. 3. There is no approach for Meisner technique when the actor depends, in the Iraqi theatre show, on his character as a source for actor, without taking into account the imagined theatre conditions, which negatively affected the vitality of the acting performance on stage.This chapter also includes some recommendations and suggestions.The research ended with a list of sources, references, appendices and an abstract in English.

اثر تحول البنية البلورية لاوكسيد الحديد في زجاج عالي الحرارة == The Effect Of Crystal Structure Transformation Of Iron Oxide In A High - Temperature Glaze

Author name: علي صلاح فلاح السلطاني
Supervisor name: تراث امين عباس
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة اثر تحول البنية البلورية لاوكسيد الحديد في زجاج عالي الحرارة , والذي يقع في اربعة فصول , حيث تضمن الفصل الاول عرضا لمشكلة البحث والمحددة بالتساؤل الاتي : ما هي تحولات الاطوار البلورية لاوكسيد الحديد في زجاج عالي الحرارة , والتقنيات ا | This research means to study (The effect of crystal structure transformation of iron oxide in a high - temperature glaze) , it consists of four chapters, the first chapter presentation of the problem and the specific questioning follows, what are the changes the crystalline phases of iron oxide in a high - temperature glaze , and techniques resulting from them? While the research objectives legally set as follows : Define the shift in the crystalline phases of iron oxide in a high - temperature glaze.Define the techniques resulting from these transformations of iron oxide in a high - temperature glaze.The second chapter mean theoretical frame and previous studies, is divided on several axes, where mean first axis study crystalline structure, while the second axis mean studying the crystalline structure of the ceramics, and the third axis mean studying iron oxide red (Fe2O3) properties and crystal structure, and the last axis mean has studied stoneware (stoneware).The third chapter dealt procedures for the search, which was conducted the work of five firing and cooling programs and these programs are, oxidized firing program (OG) reduction firing program (RG) slow cooling oxidized program (SG) the Program of firing crystalline (CG) and the program of firing multilayer glaze oxidized (LG), and in the light of these programs and the results of exploratory experiments were selected a number of mixes glaze according to each burn and cooling program, has been added red iron oxide (Fe2O3) to these mixtures different proportions.The formula unit is to calculate (Formula Unites) using an electronic formula calculation program (Glaze Master) which illustrates the totals for the three oxides values (RO2 - R2O3 - RO, R2O) set the temperature from which the inference coordinates system (Matrix).The researcher also conducted several laboratory tests the chemical Analysis , physical examinations of samples of pottery and clay (Linear Shrinkage, Apparent Porosity) and checking mineral analysis (X.R.D) for mixtures of glaze as well as examine chromatography analysis according to the system (LAB) through the use of a chromatography analysis (Precise Color Reader).The fourth chapter mean displays the results and discuss them the most important conclusions are : 1. Transformations taking place in the crystalline phases of red iron oxide (Fe2O3), resulting from the heat and cooling agents.2. Different atmosphere fire given changes in the crystalline structure of the oxide red iron (Fe2O3) by firing oxidized and reduction programs.3. It gave atmosphere reduction fired best shift of the crystalline structure of the iron oxide red, as the transformation from hexagonal crystal system with a crystallized form of a Rhombohedral system to the crystal cube.4. Proved that the oxidized firning program and slow cooling oxidized and fire the crystal's ability to keep the crystal structure of the iron oxide red in the crystal system is hexagonal shaped crystal Rhombohedra.5. Get the display technical amorphous (Crystalline Glazes) of red iron oxide, using feldspar Potash or soda, without resorting to the use of (Frit).

التفضيل الجمالي وعلاقته بانماط التفضيل المعرفي لدى طلبة كلية الفنون الجميلة جامعة بابل == Aesthetic Preference And Its Relationship To The Patterns Of Preference Cognitivethe Students Of The Faculty Of Fine Arts University Of Babylon

Author name: ناريمان اكرم محمود العكام
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: ترى معظم الادبيات ان الجمال هو مثير يولد لدى المتلقي جملة تغيرات جسمية ونفسية ويثير انتباهه وملاحظته ويجعله يندفع الى التفضيل الجمالي، فالتفضيل الجمالي هو عملية سلوكية عامة يقوم بها المرء تجعله يحب او يقبل او ينجذب نحو فئة معينة من اعمال الفن من دون غيره | Most of the literature you see that beauty is sexy generates the recipient among other physical and psychological changes and provokes attention and be seen and makes it rushes to the aesthetic preferences, Valtvdal aesthetic is a general behavioral process carried out by one makes love or accept or gravitate toward a particular class of works of art without the other; were numerous views on the interpretation of aesthetic preferences Some of them sees an innate trait in humans and were seen as the phenomenon of educated and growing and some of them see it affected an objective or subjective factors and these theses remain in need of rigorous scientific testing to verify the sincerity in practice, the receiver factors is the human being who is exposed to acts of aesthetic and responds to a Check is a figure of the total behavioral and cognitive attributes.As well as featuring the current era we live in change and complexity, speed and massive development of the information and the era of knowledge explosion, and so we find in general growing interest in cognitive processes and here the importance of the cognitive aspects come in dealing with information, process and manipulate accounting for this favorite means by educated people in the reception and processing of information and represent patterns knowledge of cognitive strategies to learn an individual's learning style has targeted the current research to identify : - 1. Detection aesthetic preference among students of the Faculty of Fine Arts, University of Babylon.2. Identifying the differences in the level of aesthetic preference among the students of the Faculty of Fine Arts, University of Babylon, according to the race.3. Recognize the preference of cognitive patterns of Fine Arts Students - University of Babylon.4.Identify statistically significant differences in cognitive preference patterns among students of the Faculty of Fine Arts, University of Babylon.5. The relationship between the aesthetic preference and preference patterns of knowledge among students of the Faculty of Fine ArtsThe study included four chapters as follows : - The first chapter included the problem of the study and the importance of and need for, and objectives of the study and its borders as well as determine the terms contained therein.The second chapter included as part of the previous theoretical studies, as it dealt with a researcher at the first section aesthetically philosophy, while the second section has dealt with the researcher aesthetic preference, and the third section patterns of cognitive preference. But previous studies have been presented by the researcher parallel zones of separation and to agree with the current study.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement to delete group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.While the third quarter included a research procedures, as reviewed by the researcher study population, which included two school years the first and fourth students in sections of art education and fine arts at the School of Fine Arts / Babylon University for the academic year (2015 - 2016) m, totaling 325 students as a researcher ratio was adopted (50%) to extract the sample as it became a research sample (164) students and after excluding Alastmaar invalid were excluded (14) form due to the absence of some students for one scales and his presence in the other measure became a research sample original (150) students, where the number of students in the Department of Art Education, the first school year (61) students, fourth year of study (23) students, while arts assortment section bringing the number of first year students (46) students fourth school year, bringing the number (20 ) students, was selected as the pilot sample of the remaining number of students from the original community and outside the research sample native who expressed their desire to participate in the tests, as the researcher ratio adopted (10%) of the total number of community research is research sample Originally, totaling (32) students representing the proportion (10%) of the research community as it was selected 18 students from the Department of technical Education, as included the first school year (13) students, fourth year of study (5) students, while in the Arts Fine, bringing 14 students since included the first school year (10) students and fourth (4) students Talibh.kma The researcher presented Adata research and comprising the b : A measure of aesthetic preferences and scale patterns of preference knowledge, it has adopted a researcher scale (Aekam, 2013) the component (16), total and after what was presented to experts and their agreement Khzvt group (i), and to measure patterns of preference cognitive drafted researcher measure which consisted of (15) items every paragraph contains four positions represent the four styles (Heath patterns) distributed in the form of (a , b, c, d) as the character (a) refer to the pattern of remembering and Crafts (b) refers to a style critic and Crafts (c) refers to a pattern of principles and Crafts (d) refers to the application pattern, and thus each paragraph contains four patterns and after having heard the theories and literature and standards and previous studies pertaining to this variable, and offered a number of experts in the field of art education, psychology, and by 15 experts and after using the ratio Almaah, and after extracting the psychometric properties of the scale of the (validity and reliability) measure is ready for the final application. After this dish Almkiesan final Besgtehma the research sample and data collection and discharged in Axel statistical program (Excel) and to address the statistical data used researcher statistical bag (SPSS) program to achieve the objectives of the research, as it used statistical methods (t - test for two independent samples and coefficient Pearson and Kiodr link - richardson and analysis of multi - variance t - test for one sample.The fourth chapter included a presentation and discussed the results of the study as well as conclusions and recommendations and proposals and the conclusions of its study : 1. The presence of a low level of aesthetic preference of the students of the Faculty of Fine Arts, as she was the calculated value of $ (1,366) smaller than the tabular value of $ (1.96) at the level of significance (0.05).2. There are no differences in the level of aesthetic preference, amounting to the calculated value (0371), the smallest of the tabular value of the (1.96) at the level of significance (0.05).3. The presence of a high level of patterns of preference knowledge to the students of the Faculty of Fine Arts, as she was the calculated value (6138) and (4202) and (2785) and (2045) Patterns (remember, the principles, the critic, the application) greater than the tabular value of the (1, 96) at the level of significance (0.05).4. A) And no statistically significant differences in the pattern of memory depending on the variable (sex) were in favor of females as the value of (P) calculated (6541) which is greater than the value of tabular the (1.96) at the level of significance (0.05) and the degree of freedom (1) and (149), while the other styles, there are no statistically significant differences.B) And no statistically significant differences for the typical remembering and application depending on the variable grade and was in favor of the fourth stage as the value of (P) calculated (27.842) and (9165) on the sequence which is greater than the tabular value of the (3.89) at the level of significance (0.05 ) and the degree of freedom (1) and (149), while the typical critic and principles, there are no differences.C)There are no statistically significant differences for all styles, as the value of (P) calculated (0602) and (1933) and (0631) and (0476) on the sequence which is smaller than the tabular value of the (3.89) at the level of statistical significance (0.05 ) and the degree of freedom (1) and (149.There were significant differences in the pattern of remembrance for the interaction (sex × grade × specialization) as the value of (P) calculated (5959) was the biggest of the spreadsheet the (2.42) at statistically significant (0.05) and the degree of freedom (4 ) and (149), while the rest of the patterns were not statistically significant.5. The existence of a positive and a weak relationship between aesthetic preference and style to remember (0022), and the existence of an inverse relationship and weak between aesthetic preferences and style of the critic ( - 0.109), while the relationship between the aesthetic preferences and style principles are inverse relationship is very weak ( - 0.018), while the relationship aesthetic preference and style of the application (0125) is a positive and a weak relationship.The researcher made a series of recommendations and proposals, including : - 1. to provide educational institutions starting from kindergarten and up Undergraduate all modes of education on aesthetic preference and interpretation of its implications in all areas.2. Make use of the patterns of preference cognitive measure in determining the student to the style that suits him down as the need to enhance the cognitive patterns of preference among students through the curriculum.The proposals : - 1. relationship preference aesthetic tendencies technical students at the Faculty of Fine Arts.2. Information processing and its relationship to cultural norms cognitive preference among students of the Faculty of Fine Arts

الابعاد النفسية للتعبير الفني في الفن الكرافيتي == Psychological Dimensions Of Artistic Expression In Graffiti Art

Author name: حوراء علي عبد محمد
Supervisor name: علي شناوة وادي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: يعد الفن الكرافيتي من اخر الحركات الفنية التي نمت في اعقاب الحرب العالمية الثانية لزوال الرقابة الصارمة على الجدار او الاماكن العامة، وتعبيرا مباشرا لمشاعر الفنان بلا قوانين فهو من فن ما بعد الحداثة محملا بابعاد نفسية يصبها على الجدار او الفضاء العام | The Graffiti art is considered as the last artistic movement which appeared at after the second world war The lack of strict control appearance on the wall or puplic places, and a direct expression for the artist feeling without laws art postmodern which loaded by many Psychological dimensions touched by on the wall, or public space to form the contact with the other world forum for debate on any subject, whether economic or political, religious or even sexual. Eating current search the psychological dimensions of artistic expression in graffiti art,the research community is made up of (200) work of art,and select for the period(1975 - 2016) ,and research sample (20) work of art, statistical methods were used scott and cooer and arithmetic mean.among the results that have been reached : 1. psychological dimension has appeared Representatively by the worried among the painters throughout features ( involved and partial shapes ) ( feel the artist loneliness ) and (The presence of the features of imaginary ) and ( the Varity in colors , sizes , details and proportions and ( The intensity of the movement and emotion ) and (fragmentation of forms ) in quantitative statistical analysis , in which three items has gained the high in the arithmetic average for the items (39%) the items indicative of a anxiety , the anxiety has represented among artists (Michelle, Branuc nock ???,bankce, and Keith).2. psychological dimension has appeared representatively by introversion among graffiti art's artists statistically through ( the pessimistic sence and present the world tragically) , (the depth and ambiguity of the ideas presented in the artwork ) , ( using dark colours ) , (neglect the work space or non interest in it ), (the lack of details drawing elements and its sense of stillness ), in which three items has gained the high in the arithmetic average for the items ?????? so that these items indicate the introversion, the introversion has shown with artists ( Mart, Michelle, Banksy, Nock ).3. psychological dimension has appeared representatively by extraversion for the painters statistically throughout ( Idiomatic expression of subjective feelings of the artist ), ( sense of optimism from the atmosphere artwork ) , ( having a sense of Carnival )and ( using colours that represent happiness and pleasure ), in three points in this work area have gained the high in the arithmetic average for the items ?????? these points indicate the extraversion the extraversion has appeared with painters ( Alis , Quik and Miss Van )..Some of the conclusions reached by the researcher : ?. Generally the Postmodernism art characterized by pluralism and overlapping races , varity of art styles , keep away from the constants in the area of individual and temporary methods that the Postmodernism art characterized with and before it , and the psychological dimensions in Graffiti art agreed with the nature of this openness and The overlap of races.?. The big diagnosis in the Graffiti paintings with repetition of the artist's name characteristically in artwork ,If anything, it shows the artist's quest to prove himself , and confirmation of him especially that the Graffiti art painters are oppressed by agencies specialized lifting these paintings and reject its content which pushed to Incitement and a provocation and consider it also titled ugliness.?. The Graffiti art paintings have taken huge area from psychological dimension that filled throughout display conscious and unconscious that characterized in involvement of the recipient, it is like remarkably and exciting letters contain purposes and other media order imposed ,as well as functional ones in several areasthat is how the researcher has concluded her research by recommended and suggestions and then the sources and appendixes

الخطاب الفكري والجمالي في العروض المقدمة لنصوص علي عبد النبي الزيدي المسرحية == The Intellectual And Aesthetic Discource Of The Dramatic Shows Presented In The Texts Of Ali Abdulnnabi Al - Zaidi

Author name: بشار صباح جابر الاعرجي
Supervisor name: محمد فضيل شناوة
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: شغل الخطاب الفكري والجمالي للعرض المسرحي منذ بواكيره الاولى, حيزا مهما وركنا اساسيا في مضمونه وبنائيته , ولاسيما ان العروض المسرحية الحديثة عمدت الى التركيز والتاثيث لفلسفة الخطاب الفكري والجمالي بوسائل اجرائية متنوعة ومختلفة في محاولة لتصوير الواقع | The intellectual and aesthetic discourse of the dramatic show has occupied, since its early times, an important and essential space, as long as its content and structure are concerned; especially, contemporary dramatic shows have proceeded to the concentration and the furnishing of the philosophy of the intellectual and aesthetic discourse using various and different means in an attempt to portray reality and its ideologies. Consequently, every historical phase and every era has its own intellectual and aesthetic discourse that makes it distinct.The dramatic shows, presented for the texts of (Ali Abdulnnabi Al - Zaidi), carry ideological and aesthetic propagations along with a philosophy of discourse that deals with the subject matter bravely and deeply. In addition, they break the taboos, and deviate from the norm clarifying a philosophical and ideological discourse that goes beyond the mental and psychological limits. The study is divided into four chapters. The first chapter deals with the methodical framework including the problem of the study which concentrates on the following question : (What are the ideological and aesthetic propagations that are carried by the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi?), whereas the significance of the study manifests itself in studying the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi and the intellectual and aesthetic discourse that is used in such shows to express the reality in such a way that seems to be unfamiliar in treating this reality by using, often, forbidden ideas. As for the aim of the study, it is (to know the intellectual and aesthetic propagations carried by the dramatic shows that deals with the texts of Ali Abdulnnabi Al - Zaidi). Then, the study is limited, in terms of place, to include the dramatic shows of the texts of Ali Abdulnnabi Al - Zaidi in Iraq. In terms of time, the study is limited to the years 2003 - 2016. As for the subject matter, it is limited to study intellectual and aesthetic discourse of such shows. Finally, the chapter ends with the determination and definition of the terms. The second chapter deals with the theoretical background along with the literature review to include three aspects : the first aspect is concerned with studying (the concept of discourse in the philosophical intellect) which is subdivided into two further aspects : the first is the concept of discourse in the international philosophical intellect and the second is the concept of discourse in the Arabic and the Islamic philosophical intellect. The second aspect is concerned with studying the intellectual and aesthetic references for the author (Ali Abdulnnabi Al - Zaidi). The third aspect is concerned with studying the intellectual and aesthetic discourse of the director in the international dramatic show. Then, the chapter is ended with the indicators of the theoretical framework as well as the literature review.The third chapter deals with the procedures of the study including the sample of the study which involves (30) dramatic shows, and the data of the study which is (3) representing a sample for the dramatic shows presented for the Al - Zaidi's texts. This chapter also includes the model of the study and data analysis.The fourth chapter deals with the results that are arrived at by the researcher, and the most important of which are : 1. The three dramatic shows depend on the dichotomies of (good vs. evil), (love vs. hatred), (life vs. death), (war vs. peace), and (doubt vs. certainty). Such shows attempt to find an agreement between these dichotomies and figure out what they are.2. The three shows deal with those who live on the margins of the society along with their problems trying to find solutions for them.3. The three dramatic shows are characterized by their intellectual and aesthetic discourse that swings between reality and absurdity. The drama of Rain of Summer depends on the personification of dolls and human cloning regarding them to be human beings. In the drama of O Allah, the mothers, threatening God, refused to pray and fast. And Macbeth, in The Countdown of Macbeth, has a miserable end as he is buried in rubbish. 4. There is an important presence for the woman in the three dramatic shows where she plays an important role in decision making and changing the plot.5. The three dramatic shows make use of quoting from the Glorious Qur’an and making such quotations the main theme of the intellectual and aesthetic discourse, as in the drama of O Allah. The chapter also includes the conclusions, the recommendations, the suggestions, and a list of the references in addition to the appendices. Then, it presents the abstract in the English language.

شعرية النصوص المكتوبة لليوم العالمي للمسرح : دراسة ثقافية

Author name: انس راهي علي الصالحي
Supervisor name: عباس محمد ابراهيم التاجر
General topic: Fine Arts
Specific topic: Theatrical Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: يعد الاعلام من المنظومات المهيمنة على شكل الحياة اليومي والتي تتناغم مع الفرد وتسيطر علية من خلال العلاقة المشتركة والمتبادلة حديثا التي تؤسس لمفهوم اعلامي , وما ياتي ذلك المشترك المتبادل الا من خلال مضمون رسالي , الذي يعد احد العناصر الاتصالية والتي لا ت | Considering the media as one of the systems which dominates on the style of daily life getting along with the individual and it takes control on him through the associated and mutual relation recently leading to the concept of recipient media which that the associated - mutual comes but by means of epistolary signification is one of the communicative elements , not limited to it but there the means which is not only presenting this signification and completing the relation in the presence of the recipient and then the virtual outputs from this process the sender did. This process makes the media on a par with modern critical opinions aim to adopt the communities wholly and the marginalized particularly since it is a reason to be dominant on by comparison with the developed countries or others as being honest image for the positive honest media. This what was coincided with the field of cultural studies which presents in this modern age a combination of the theories and approaches appointing itself to determine and peruse the social styles as well as to show up the culturalism of the identity in this society. It is juxtaposition of perusal of media and its purpose in revealing the daily life , though the usages all agree with that is the media becomes seeking in positive and negative sides.It is worth that theatre would be typical informative and cultural message contributes in exposing facts for society. It is the official document for thespians which is reliable for the researcher is (the written texts of Universal Day of Theatre) that issues every year on 27th of March and the contributor in feeding the theatre as well as the theatrical community what is new for life by the daily performance of one year in order to reveal the importance of the theatre and its political social tenors …etc. From this the researcher adopted three points contributing in evaluation the theatrical scene and emphasis on humanistic progress , promotion of cultural levels in the countries and the marginalized groups for their belonging to the geography of theatrical knowledge. Hence, current research has included four chapters the first chapter on the methodological framework which concerns with the query of research , as follows : * What are the foundations and specifications that cultural studies operate accordingly in the written texts of the International Day of theater through modern media system?. Then the importance of research and the need for it and that came on the research which adopts a subject has not been studied, particularly in the field of theater, and it exists in the search and pursuit of cultural studies and how they are formed in the communities, and also the possibility to benefit from this research in informing scholars of literature and art, criticism and the revolution of modern communication , especially the theatrical art as being more important cultural theme….etc, then the aim of research and transition is to set the terms linguistically, idiomatically and procedurally in the second chapter, which contained the theoretical framework has been divided into four sections are.1. Section I : the media and the means of reception , contemporary cognitive and technological foundations : - (A) the concepts of media and its educational role. (B)the reception of media and understanding of its foundations technologically and culturally.2. The second topic : the intellectual and cognitive references for cultural studies.3. The third topic : the privacy of written texts Universal Day of Theater and their poetical concepts.4. Section IV : the effectiveness of media for written texts in the Universal Day of Theatre and the features of the cultural studies.Then the previous studies and indicators which lead up to the theoretical framework.In the third chapter, the separation of the procedures that researcher adopted on search community consists of (14) theatrical text, and in the samples and their analysis so he has chosen four samples and by method of selection of a regular random sample. in the fourth chapter, the separation of the findings, conclusions , recommendations and suggestions that researcher reached a number of which are of the most important 1. employment of media and its available possibilities for the theatrical / cultural operation that affect on the people and its cultures being a mediator rhetorically toward the other2.The media machine contributed significantly to the cultural developments and continues to find ways of various communication are based on the quickness that time we live is distinguish of. 3.written texts for the International Day of Theater sough o express the underdeveloped / folk / marginalized cultures through investment of media and the concepts which the cultural studies present.4.large developments can take place through the activation of the basic role that the theater acts. And also the awareness of cultural studies and then changing the public opinion toward the right and optimization of human. According to the conclusions the researcher has set 30 conclusions 1. diversity of media and means of audio, visual, readable, and fixed that means diversity of communication and continuity. 2.uses and gratification which constitutes the operation of liberalization of meanings the recipient concludes that is the opportunity has been granted to meet the reception of media 3.The absence of differences and the limitless between / local , international and popular cultures for Kramchi. 4.Universal Day of Theater identifies with other global - day as the Day of Human Rights and Child and Labor Day.5. the selection of the writer of the written text writer for the Universal Day of Theater according to the specifications of the global presence and his humanistic artistic achievements which is more important. 6.written texts of the International Day for the theater sought to remove the borders between cultures and humanistic societies. And then the researcher came up with a set recommendations and suggestions. Praise to be to God The Cherisher and Sustainer of the Worlds

النزعة الروحانية في الرسم الاوربي الحديث == The Tendency Of Spirituality In Modern Euroean Painting

Author name: مها عبد العزيز ساجت القره غولي
Supervisor name: عارف وحيد ابراهيم الخفاجي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تكون البحث الحالي " النزعة الروحانية في الرسم الاوربي الحديث " من اربعة فصول , تناول الاول منها مشكلة البحث والتي حددت بالاجابة عن التساؤل الاتيي : هل هناك نزعه روحانية تمثلت في مدارس فنية متعددة في الرسم الحديث ؟ وماهي مجرياتها وهل هي ناتجة عن صراعات | The current research consists of the tendency of the spirituality in modern European painting.The research including Four chapters.First chapter ,have research problem which is limited by the answer to the following question : First question : Has the spirituality a tendency in modern European painting ? Second question : is there a spirituality tendency in modern European painting ? The first chapter have also included research important and need for it , and also contains the aim of research “Identify the spirituality a tendency in modern European painting “. While the research limitation contains the period between 1870 - 1960. The second chapter includes two research , first research : includes the spirituality in philosophical thought ,while the second research includes spiritual references in art ; moreover ,the same chapter contains ,theatrical frame and its indicators ,and previous studies. The third chapter includes research procedures ,such as research society , research sample and research tool : in addition , research methodology , and analyses sample amounting “16” patterns. The fourth chapter includes results research ,and its discussion ,conclusions , recommendations and suggestions. Among results ,the researcher reached following results : 1 - Spiritual illusion and Sensory perception play important role in modern European painting , Then activate the picture s and the incusion in to the depths of and feeling inspiration of the artist and the search for spiritual reservoirs contact with God.2 - Each of the concepts of time and space associated spiritual tendency , according to the Holy Quran from Dialogues angelic where is no time and no place versa in this relative live.3 - The artist seek for a high tendency in modern European painting and this trend four in the samples analyzed and in respect of the spiritual dimensions which have fixed indication for the liberation of vision depends intuition and free fantasy that reflect the outside word in the European art inspires artists of modernity in the construction of their artwork and using them to produce artistic different drifts expresses the freedom of the spirit of the modern.4 - The pure form discussing modern abstract with modern European painting for regular structure of relation between the elements to produce geometric shapes based on engineering indicative dimension ,but high spiritual idealism in the construction abstract in modern abstract support pictorial idealism situation linked to the reality of spiritual sensory ,while in modern European painting linked to the spiritual aims borrowed from the luxury qualities of absolute monotheistic. The researcher has found a group of the following conclusions : 1 - European artist derived spiritual trend from the ancient Greek civilizations,taking in to consideration the religions, which was carrying the secrets of cosmic through spiritual and mystical contact with that employed by the artist in his paintings component creative form.2 - Spiritual tendency represented the thread of luminous or beam and the rope of connection between the artist and the creator ,the has found pure single spirit of self and pure purity and that string represents the spirit descend a pure artist and close to the body so that the devil receives and disperses it with analyzes the light in to the colors of the solar spectrum which represents indispensable article sensory ,so when the artist liquidates his self and diminishes his attachment with materialism , the light will be increased and liquidates , and then become whit lights as his origin oneself , so Mohammed the prophet “ peace be upon him “ said : “who knows himself knows his lord “. According to what results reached by the researcher and conclusion and perfecting of the interest and knowledge ,the researcher considered the following recommendation : The students of higher studies including students of art and religion and who owns the relationship should benefit from this studying.As a complement to the requirements of research and scientific, ”dimensional spirityality and indication in the works of European artists

الابعاد الجمالية للاشــــــكال الفنية في الفنون الشعبية العراقية ومرجعياتها في اللاشعور الجمعي == Dimensional Aesthetic Art Forms In The Iraqi Folk Arts And Their References In The Collective Unconscious

Author name: علي عزيز ناصر
Supervisor name: دلال حمزة محمد | علي شناوة وادي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث(الابعاد الجمالية للاشكال الفنية في الفنون الشعبية العراقية ومرجعياتها في اللاشعور الجمعي) باربعة فصول ضمن الفصل الاول الاطار العام للبحث وتم فيه عرض مشكلة البحث والتي حددت التساؤلين الاتيين : - هل تمتلك النتاجات الفنية الشعبية من البسط والحلي اش | The research (aesthetic dimensions of art forms in the Iraqi folk arts and their references in the collective unconscious) in four seasons within the first chapter general framework of the research in which the research problem has been identified and Altasaalin the following two : - Are Owns the popular artistic productions of rugs and ornaments forms have aesthetic dimensions representing a phenomenon in terms of the nature of the technical systems of shapes, lines and spaces and technologies. - Do you have the artistic productions as a formality texts of their references in the collective unconscious on the art forms represented in the productions Livni rugs and ornaments of the dimensions of a formal written and color and dimensions Amadaminah (code - listed - values - ideas perceptions). The importance of research in the detection of the aesthetic dimensions of art forms in the Iraqi folk art in which may enrich those in charge of technical education and researchers in the field of folklore studies and anthropological fact that folk art one of the main tributaries of the Iraqi identity. The research aims to identify the aesthetic dimensions of art forms in the Iraqi folk arts and their references in the collective unconscious. Confined to the limits of research forms the technical Folk Art (ornaments popular numerator) for the era of (1900 m - 2015 m), Iraq's adoption of the descriptive approach and the way the descriptive analysis for the purpose of fact - dimensional aesthetic forms of art and their references in the collective unconscious of the Iraqi folk art works for the extension and ornaments. As well as identifying terminology research.The second chapter presented the theoretical framework and previous studies and discussed in terms included three sections, taking the first section of which dimensional conceptual and aesthetic reference for the Arts popular composition represented by the forms and symbols in the cultural heritage of Mesopotamian and Islamic, while taking second section study of folk arts among aesthetic shape and significance, and display the third topic the concept of collective unconscious mechanisms Achtgalath in technical fields through exposure to Helms by the world, "Jonk" about the collective unconscious and mechanisms Jonk. The third chapter contained on the applications of the aesthetic dimensions of art forms in the Iraqi folk art and of rugs and ornaments through a sample of (18) form derived from the framework of a society (180) model and using indicators of research and mechanisms Jonk in the research sample analysis. As it is proven in the fourth quarter results, conclusions, recommendations and proposals, and reached by the search of the most important conclusions, including : 1. manifested many of the characteristics of the forms of roots and historical assets - alravedanah and Muslim - through the emergence of decorations geometric modified, and another with an ideological link Old such as the cross and the star octagonal and triangle Almottagabl the head, which are connected to the cultures and references unconscious association in contexts deliberative.2. larger circle has formed part of geometric abstract involved in the formation of ornaments because of its historical significance and origins of ancient and Islamic folk artist he took it upon himself to be replicated in most of his works of art realized in rhythm all the ornaments samples. Conclusions1. The aesthetic formats in the popular arts represented technician rugs and ornaments derived many Ansagha and their references symbolic and formal design of the structure of the ancient Mesopotamian art and Islamic ones.2. indicate processors Constructivism to the concept of collective unconscious and resulted in the meanings and connotations conceptual, to the existence of civilization continues to derive its terms of reference of the artistic and literary productions of Islamic civilization and the ancient civilization of Iraq.3. The most popular designs rugs based to mathematical logic, based on the structures Alchidah stringent than existing lines and obtuse and acute, to be its forms, including engineering and predominantly (appointed, and the Triangle, and the box and combine them).4. Try to folk artist through gold material moving between abstraction and reality, and the imposition of vegetarian content in a part of the artwork and the content of symbolic and social Kalhilal for example, in another part, which represents the references in the Iraqi and Islamic thought.

الطرائق المعاصرة في صيانة الاعمال التشكيلية == Contemporary Methods For Maintenance Of Plastic Art Works

Author name: سيف حسام علي الشلاه
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تناولت مشكلة البحث الموسوم : (الطرائق المعاصرة في صيانة الاعمال التشكيلية) دراسة في الطرائق المعاصرة المستخدمة في صيانة الاعمال التشكيلية. وقد جاء البحث في اربعة فصول : اهتم الفصل الاول بالاطار المنهجي للبحث متمثلا بمشكلة البحث واهميته والحاجة اليه , وهدف | The research which entitled "contemporary methods in maintenance of plastic art works is divided in to four chapters, where the first chapter concerns the systematical frame work of research, that is by : research problem, research importance, research need, research aim, research limits and research terms. so the research deals with the study of the mentioned contemporary methods. research problem also concerns presenting the scientific and technical turn which leads to the development of maintenance procedures that conducted in treating the damages which affected the artistic works. these procedure are according to a modern scientific visions and methods, which differ in a great extent from the traditional methods that were adopted previously in artistic works maintenance. basing on this, the techniques of artistic work remedy were in a direct properties with great evolutions in the plastic art movement along it's long history. so the testers and those who interested in maintenance affairs have to be aware about the successful and active technique for repairing artistic work damages, by more technical and scientific additions which enhanced the artificial contemporary maintenance methods.by this aspect, the research problem originated through the answers of the following question : • what are the maintenance procedures. that adopted by the contemporary methods in the maintenance of plastic art works?• how can a maintenance worker to achive a sort of coordination between the damages nature and the scientific apparatus used for remedy. research importance and its need are integrated , where research concerns the ability of keeping the aesthetic and artistic heritage of art works through repair in its damages, and to renew its display in a better form as well. also to keep abreast of scientific development in maintenance of plastic art works which subjected to the so phisticated technology and science philosophy as well.the research represents an attempt to open the horizons of practical knowledge for researchers in maintenance of plastic art works, and to encourage them to search the nature of this science and to realize its mechanization. the research provides a scientific effort for our plastic art libraries, in order to make it easy for readers and those who concern this topic to get a knowledge about maintenance science in it's both theoretical and practical sides. advanced studies students, also may make use of this research, through their eruditeness on this research especially, research procedures, research results and conclusions, research aim is to make a knowledge about the contemporary methods in maintenance of plastic art works. research limits was specified by the study of the contemporary methods used in maintenance of plastic arts works which executed by different materials on different surfaces. this study includes the scientific procedures, apparatus, technical means, chemical materials and physical stuffs. for time, a group of plastic art works were chosen within the period (1923 - 2005) for place, they were chosen from Iraqi and Egyptian art. chapter two which entitled "The theoretical from work consists of three brochures, the first entitled maintenance concept between science and art" which includes many topics such as : maintenance and repair in concept and the difference between them, aging concept, damage concept, maintenance kinds, maintenance science and revelation techniques in art works. second brochure deals with traditional means and technical mechanization of plastic art works, in which the art work components were explained. third brochure studies the "contemporary methods in maintenance of plastic art works", in which the methods and its mechanization were explained.chapter three assigned for choosing the research group which consisted of (62) sample with different kinds of damages, (38) of them were from Iraq and (24) from egypt, (5) specimens were choosen with different surfaces, (3) from Iraq and (2) from egypt. research procedures were done by maintaining and repairing (5) specimens according to highly phisticated scientific laboratory methods. each art work subjected to a different repairing plan.chapter four consisted of : research results, conclusions, recommendations and suggestions. the researcher concluded a sum of results in the context of the answer of research aim such as : - the experimental knowledge of contemporary maintenance methods widen the importance and value of the work to be repaired treatments that achieve a functional aspect in reforming the artistic work, then presenting it in anew effective manner.that is clear in the specimens of the research sample. - the scientific knowledge of contemporary maintenance methods which used in specimens of research sample effected by the activity of physical and chemical factors, and by their interaction as well. that was clear through conducting many laboratory tests for materials and item used in repairing and maintenance processes.Research treated the specimen (No.4) according to scientific analysis done by vertical photo microscope (V.P.M), which contributed in repairing treatments of damages through marking the detects, cracks, detachment and revealing the original clours. Researcher applied the process which known "Fourier transform in treated spectroscopy" (FTIR), for repairing the specimen (No.4) through making use of it to find out the work consistent and the way by which the colours were applied.Researcher had concluded the following conclusions : • repairing treatment according to contemporary maintenance methods contributed in displaying a new results, which differ from the results of traditional previous methods. That is because of the use of the new developed techniques of the modern maintenance apparatus, as well as using a specialized new devices which operate quickly and precisely.• The use of contemporary scientific apparatus shows a variety categories of testing and scientific analysis for all detects and damage that infect the painting, beside showing the ability of damage treatment by the adopted maintenance and repairing mechanization. Then it is clear that the joining of analysis process with maintenance treatment emphasizes the necessity of searching of temporary scientific and technical alternatives, coming to enhance the structure of the artistic work and repairing it as well, beside keeping it away from danger and circumstances which may infect it.Researcher submitted a sum of recommendations, suggestions and a list of resources.

الملامح الدرامية وتمثلاتها في منحوتات بلاد النهرين == The Dramatic Features Which Are Represented In The Sculptures Of Two Rivers Land

Author name: محمد علوان كاظم العتبي
Supervisor name: عبد الحميد فاضل البياتي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: This study intends for plastic creations which belongs to the civilization for two Rivers Land , and entitled "The dramatic features which are represented in the sculptures of Two Rivers Land ". It is a perusal to the protruding sculptures and the cylindrical stamps in attempt to know the dramatic structure they contained , through which the artist of the Two Rivers established plastic images change by their meanings the oratorical to imitate the human action and its religious , political and social connections by describing them as intellectual concepts, their methodology is the brain of the Two Rivers since the semi - writing age until the decline of modern Babylon, The study included a discussion of the dramatic construction elements and the mechanism of their working in the sculptures with regard to their formal and conceptual symmetries. The study included four chapters, the first chapter contained the methodical frame of the study , starting with the problem ended with the following inquiry : How were the dramatic features represented in the sculptures of Two Rivers Land ? The study is important because it highlights the dimensions of drama a concept by describing them as an aesthetic structure controls in a gestation of Two Rivers Land sculptor, which forms a new perusal to the sculptural texts which belong to that age with its historical sequences. The study also paves the way for larger understanding of Two Rivers culture in its artistic and historical aspects. The purpose of the study summarizes in coming to know the dramatic features represented in the sculptures of Two Rivers Land. The chapter also included the limits of the study represented ( by subject ) in the sculptural , protruding product and the cylindrical stamps , and ( by place ) the Two Rivers Land , and ( by time ) from the semi - writing age till the end of the modern Babylon age. Moreover , the researcher defined the terms of the title of the study used in the theoretical frame and the procedures , when on the other hand , the second chapter included the theoretical frame and the previous studies of the research, for it included three basic studies , the first took an interest in the drama concept and its rise, in which the researcher reviewed a preface about the rise of drama and the elements of the dramatic structure ( the plot, personality , language, the idea and the visualizations ) , in addition to the historical roots of the rise of drama in the plastic arts and their changes through the ages. The second research was entitled " The dramatic features in the thought of the Two Rivers Land " which branches into two axes , the first " The dramatic features in the religious thought ( the beliefs, rites and legends ), the second axis included the dramatic features in the authoritative thought , through which the researcher reviewed the dramatic ceremonies concern the ownership and its religious connections. The title of the third research was " The dramatic features in arts of Two Rivers Land " , which tackled the dramatic works in the plastic arts ( building , sculpture , cylindrical stamps , crockery and the mural ). The third chapter was based on the procedural frame contained the whole study , included the sculptures of the Two Rivers Land ( the protruding and cylindrical stamps ) which come to ( 120 ) samples , regarded as an establishing base to choose the study specimen which comes to ( 20 ) samples , and were choose intentionally according to reasons allowed by the researcher to comply with the study purpose, among them , depending on the texts in which the dramatic features concentrated within their formal and conceptual systems which drive at the realization of the dramatic structure which was contained in the sculptures of the Two Rivers Land. The researcher also depended on the cognitive indicators which were revealed by the theoretical frame as an instrument for research , but the research methodology is the ( descriptive, analytic ) as the followed methodology in the artistic and aesthetic studies followed by analyzing samples of the study specimen. The fourth chapter was a review of the most important results which were reached by the researcher after analyzing the sculptural samples represented the study specimen , the most important among them was : The dramatic features become clear in the sculptural texts through treating the dramatic structure elements by the artist. The researcher reviewed the approaches of those elements and the mechanism of their working in the samples mentioned in the analysis and the dramatic action rise in the specimen samples through the concept of ( the struggle ) which materializes in the sculptural views according to the action structure and its subject, where it reflects the human behavior structure and the wills contradiction in the content of the dramatic performance and in the light of those results , the researcher reaches several deductions , the most important among them are : the Two Rivers Land artist had a large capacity in observing and comprehension the reality and in imitation it , in addition to his awareness to his awareness to the intellectual changes through the history of that civilization , therefore , the sculptural works came to embody the cultural scene and its development in every age , followed by recommendations which the researcher thinks can serve and develop the artistic production movement in Iraq, then the researcher offer some suggestions to continue what he has started according to what he has raised of topics in the tour of his study. Finally , the researcher put the sources and the references which contributed in the theoretical establishment of the study and what followed it , in analyzing of the study specimen , then he put the appendixes which contained the illustrative tables regarding to the subject of the study , until the study is concluded by an abstract in English language.

بنية الخطاب في الاشكال الواقعية للخزف المعاصر == The Structure Of The Speech In Real Forms Of Contemporary Ceramics

Author name: حوراء كاظم عبد الحسين شبر
Supervisor name: تراث امين عباس
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: انطوى الخطاب الواقعي على معاني دلالية تعد مؤشرات العقل وطبيعة النظر الى العالم والحياة, الامر الذي جعل من الشكل الواقعي خطابا متحركا يتسم بطابع الهيمنة والتعدد والتنوع, تبعا للتحولات الفكرية والتقدم العلمي والتكنولوجي فضلا عن دور الفنان /الخزاف في خلق | This involved the realistic discourse on the tag metals are mind indicators and the nature of looking at the world and life, which made of shape realistic speech moving in character hegemony and pluralism and diversity, according to the transformations of intellectual and scientific and technological progress as well as the role of the artist / potter in creating speech Khozvia reflect the reality of their community and their culture and Aydlewjyatem through an important tool, but a ceramic art form Vakzb realistic structure of knowledge and replace it from rolling to the reality and the reality of a new esthetic and it Address the current research study (the structure of the speech in real forms of contemporary ceramics), which is located in the four chapters devoted the first chapter to a statement of the research problem and identified by answering the question follows : What is the structure of the speech in real forms of contemporary ceramics?And it demonstrated the importance of research to highlight the dominant in the Western world of letters to find out what is happening in the Western world and the culture of their community, as is the art realistic cornerstone in our contemporary life and as an opportunity to recognize the cognitive facts also included the figure unrealistic technical letters with inferences of thought which have an impact Brphi curriculum in cognitive and academic institutes and colleges and the Centre for Fine Arts.While ensuring objective of the study know discourse structure in realistic forms of contemporary ceramics and at the level of the cultural pattern contained therein that form either the limits of the research included the objective limits studying business ceramic realism of the forms and the limits of temporal from the (2000 m - 2015 m) and the limits of spatial in the United States and some European countries They also reviewed the terms are (infrastructure, letter, shape, realism).While the second chapter of the theoretical framework and the most important indicators that resulted, and previous studies, as it included a theoretical framework three sections explain which influenced the speech unrealistic shifts intellectual, mental and the accompanying change of ideological ideas, social conventions taking place in the center of human things that make each style stage a certain amount of rhetoric unrealistic, and therefore have Me first section addressing approaches conceptual discourse the second section was devoted eating discourse realistic across different time period explained through which shifts discourse realistic structure in the ancient art of the Middle Ages and then in the Renaissance and then shift Alazaara discourse realistic in contemporary art while eating the third section speech figure in contemporary ceramics.The third chapter dealt with procedures for search and included the research community and appointed by the research methodology, which the researcher approach adopted Alosfi - method of analysis based on the indicators resulting from the theoretical framework as a tool for the analysis of the sample, (15 guestrooms) in accordance Khozvia from an adult search community number is (159) in accordance with Khozvia.The fourth chapter discusses the results reached at her research, including : 1. The speech took formations cognitive structure in the form of a realistic and contemporary modes of communication in order to make it within the circle of virtual reality, for reality puts an endless production of images.2. cleared discourse structure in Figure realistic ceramic, Kpnip synchronous moving up to read the event through the picture, and create an image of the event, and in both cases is the characterization of the reality of the current era, and this is what made the unrealistic figure holds a narrative structure.3. Generate realistic figure in the contemporary ceramic art a moving speech in the field of sensual pleasure, came realistic figure, such as building a knowledge of the structure of the speech from the visual experience.As well as the conclusions of the research, including : 1. The structure of discourse in contemporary ceramic forms of realism, is the restoration of the Queen of the perception of the taste aesthetic ceramic formations process visually, after the departure of those models Zmcantiha first and functions.2. The structure of the contemporary discourse in the form of a realistic ceramic axes can be included daily events of contemporary life and the requirements of modern man, and the culture of consumption and commodification of social and that social structures and economic structures, political structures, and the culture of technology and electronics.3. The forms constitute a realistic reading and revive the values of margins and documents that make up the culture of the current era, and realistic figure in contemporary ceramics, converts vocabulary borrowed the structure of the group of letters.And continue with the conclusions and recommendations were followed by suggestions The list of sources and references.

جماليات المنحوتات الخزفية في العصر السلجوقي

Author name: ميساء سليم عبد الواحد الخفاجي
Supervisor name: محمود عجمي جاسم الكلابي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة جماليات المنحوتات الخزفية في العصر الاسلامي السلجوقي، والذي يقع في اربعة فصول : تضمن الفصل الاول عرضا لمشكلة البحث والمحددة بالتساؤلين الاتيين : هل شكل العصر الاسلامي السلجوقي ظاهرة في الطرح لما انجز من المنحوتات الخزفية، بحكم م

تاثير الحرق الاختزالي في زجاج الرماد الملون == The Effect Of Burning Meiosis In Stained Glass Ash

Author name: زهراء رسول كاظم الاوسي
Supervisor name: حافظ كاظم المشايخي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تناولت هذه الدراسة تاثير الحرق الاختزالي في زجاج الرماد الملون, اذ تم اختيار طينة الكاؤولين (الدويخله البيضاء) لتحملها درجة حرارة عالية, اذ تم صياغة خلطة الطين المتكونة من الكاؤولين (Kaoline) والطين الناري (Fire Clay) والسليكا الزجاجية (Flint) الفيلدسب | This study include the effect of reductive firing in colored ash in which I chose koaline clay in (Dwakhla) because it with stands the high temperature, it constitutes from kaoline., clay fire flint, filsbar. Alsodume I chose two types of ash (saef ash, and alqash ash) the added constituets (filsbar Alsodum (Na2OAl2O3.6Sio2) Borax (Na2o2B2o3) Calcium Carbonate (CaCo3).In order to decrease the tempreture of ash, I chose six colored oxides three paints which in cluede : (managanese oxide (MnO) , Copper oxide (CuO) , Redlron oxide (Fe2O3) , Chromium oxide (Cl2O3), but the red, yellow, blue paints are present in Babylon governorate.For the part of the ortical aspeet, (second part) had three researches : The first Glaze which had special effects which include the historical aspect which include the ash glaze salt glaze, bone ash.The second part include the major glaze components and the colored effects of colored oxides in the research and the third part include clays, firing place, reductive objects in the research.The third part of research procedures include research methodology used, were prepared from clay and burned at temperature (1200 - 1250 - 1300 ) and was prepared glaze and subdue all components of the mixture of glaze the unit formula act which materials.Temperature (1150 , 1200 , 1250 ) and featured the best one temperature (1200) was prepared glaze and subdue all components of the mixture of glaze to the unit formula Act which added materials as base Secker and reached number mixture (4) mixtures were grinding glaze process by the centrality of the mill and plate glass output on the objects of pottery and the use of gaseous furnace in the burning process and temper atures (1150, 1200, 1250) best one temperature (1250) and by an electronic device was measured and burning has reached the number of samples that the tzgegeha (90) samples and by experts in the technical field were selected (40) samples to be conducted tests on them where they were examined chromatography analysis using a device (precise color reader) and check - equipped projector using a device (digital microscope) and examine the texture by experts with competence after the appointment of a scale of three standards by the researcher is composed of (coarse, medium and fine and medium fine). And then was a calculation to measure the surface tension and density of the glaze ceramic.After that I do mathematical calculation in order to measure the surface tention, density of ceramic ash, the results to research glaze samples in which. I use 2 types & glaze : saef ash and kasab ash glaze, the study concluded that kasab ash glaze is better than saef ash glaze in oxide live process, but the reductive results concluded different results and appeased better results in nephthalin redacted and wood dust redacted in colored homogeneity in all samples which had good fusion and good aphesis properties.In the surface in either the color homogeneity in results of redacted samples (Nephthalin) wood dust ash, gas, carbonate, silica and the results were compatible with research hypothesis

الاصول الرمزية في رسوم پول كوكان == Symbolic Orgins In Art Works of Paul Gauguin

Author name: حيدر صاحب جبار
Supervisor name: كاظم نوير كاظم الزبيدي
General topic: Fine Arts
Specific topic: Art Education
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: تناول البحث : (الاصول الرمزية في رسوم پول كوكان) اربعة فصول، عرض في الفصل الاول الاطار المنهجي، من حيث مشكلة البحث التي حددت بالسؤال الاتي : (ما الاصول الرمزية في رسوم پول كوكان ؟)، مع بيان هدف البحث الذي كان (كشف الاصول الرمزية في رسوم پول كوكان) واهمي | This research : (Avatar Symbolic in Art work’s of Paul Gauguin) Vahtoy Find the four seasons meant the first chapter the methodological framework for the search evolved to includeboth research problem identified by asking the following : ( what assets Symbolic in Art work’s of Paul Gauguin ?) , As well as chapter contains the goal of research who was detected assets Disclosure of assets symbolic in Art work’s of Paul Gauguin) ) This research as well as chapter containsAnd identifies current research study ( Avatar Symbolic in Art work’s of Paul Gauguin) oily implemented in the years from 1881 to (1903 ), produced in France , and the islands of Tahiti.The second quarter included four topics in turn divided into several axes. Guarantees thefirst section (the icon in the human thought ) while taking second topic ( symbolism in thearts ) The third topic was interested in studying ( assets symbolism in modern painting ) withincludedSection four ( the life of Paul Gauguin ) The fifth topic handled (attributes of cash ,and the aesthetic in fees Gauguin ) , has concluded the second quarter review of thetheoretical framework of indicators to take advantage of them in the construction of the search tool and analyze appointed.The chapter contains a third search procedures , which included the research community and which consisted of ( 180 ), a work of art ( for (Paul Gauguin ) oil on Alcanvas , and sample amount (20 ), a work of art then search tool that has been built on the light of the indicators of the theoretical framework , where included tool axes assets Avatar which assets : (Mesopotamian , Pharaonic , Greek, Chinese , Japanese, Tahitian , religious , Jewish , classical , romantic ) , has been placed on the horizontal axis in the form of analysis , and then placed shapes Avatar Other, and configuration items , and after that offered the tool on a number of experts and specialists in the field of art education , and fine arts , to express their views in their validity , it has been modified form is deleted , and added some paragraphs of them and having gained the tool honesty ; became ready for application , the researcher : (conducted a stability of the tool through) (agreement between analysts external) Pthalilhma individually the content itself , on the basis of his followers the same steps , and analysis rules , and ( the agreement over time ) : Ptousel researcher to the same results after the decomposition of thesame content again after a certain period of time , and to follow the same rules and procedures in doing and the analysis.After the application of statistical methods by which included both (equation Cooper) to calculate the sincerity of the tool, and the percentage of agreement among the experts (83%) to acquire sincerity content after it gained honesty virtual, and equation (Scott) to calculate the stability of the tool, since the rate of stability in which the proportion(82.5%).The fourth chapter, has included the search results, and conclusions, and contained the search results, and conclusions as well as recommendations and suggestions, the researcher has reached to remember the basic results, including : 1. Formed religious symbols and their meanings obsession deep into the artist orientations of Sufism , and the Catholic associated with church , likening constant in Jesus Christ as , and pain and suffering , which made the orientations religious ecclesiastical , Christianity , Buddhism , and other religions constitute reference inherent in his paintings.2. Use ( Paul Gauguin ) Jewish symbols , and so out of Jewish influence on Europe in general and France in all special.3. Borrowed artist ( Paul Gauguin ) Some symbols mechanisms narrative Novelist , and the stories the old classic with inherited European necessitating thus symbols through flashbacks classic based on the laws stringent technical , but he borrowed , and added them a lot of symbolic nature , and expressive in order to give her a symbolic dimension somewhat different what brought him classical movement.The main findings were : 1. That influenced the artist ( Paul Gauguin ) arts ancient and primitive as it is found in European civilization which the grapes source of threat , and the destruction of self and fled , including searching for primitive life in places not reached European civilization , and to escape from the community who felt secession , and alienation with him because the community did not appreciate his talent.2. Arad, artist ( Paul Gauguin ) in his drawings Liberation Art of limitations generally accepted that left schools that preceded it , and the schools that the grapes try to find new ways , and symbols alternative inspired by the ancient civilizations of the flows into their art , and to convey movement Avatar horizons another that would make him , and his art immortality.As well as research has included : proven sources , and supplements , and a summary of research in English.

توظيف الاشكال الفنية الشعبية للتمائم والاحجبة في الفن التشكيلي العراقي المعاصر == Employment of Public Artistic Forms For Amulets And Puzzles In The Iraqi Contemporary Plastic Art

Author name: نادية عباس عبد الله نجم الخفاجي
Supervisor name: علي شناوة وادي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The current research (EMPLOYMENT of PUBLIC ARTISTIC FORMS FOR AMULETS AND PUZZLES IN THE IRAQI CONTEMPORARY PLASTIC ART) aimed to knowing the methods of how to employ the popular artistic shapes of amulets and puzzles in the contemporary Iraqi plastic art , the research includes four chapters, first chapter dealt with showing the problem of the research represented by the question : Do amulets and puzzles pose a cognitive, cultural and religious space in the consensus memory for communities and Iraqi community specifically is one of them andto what extent do the popular artistic shapes represent an aesthetic phenomena has its presence and effect as it needed to be employed in the contemporary plastic arts?In addition to that included also importance and need of the research, the goal of the research was represented by knowing the methods of employing popular artistic shapes for amulets and puzzles in the Iraqi contemporary plastic art. The limits of the research were about studying the works of Iraqi plastic art such as painting , sculpture andceramic in the period ( 1952 - 2010) , then the researcher defined the most important term came into this research.Second chapter concerned about theoretical frame and previous studies, theoretical frame included two sections, the first one is about : investigating historical, cognitive and aesthetic dimensions of amulets and puzzles , while the second section was about : Quotes of employing the folk heritage in the Iraqi contemporary plastic art, then ended the theoretical frame with a punch of indications by showing previous studies and discuss them.Third chapter pertains with procedures of the research included the following : Population of the research included (82) plastic art works (painting, sculpture and ceramics) within the limits of the research, it is been choosing (18) patterns and analyzing them in the shed of imitation of tool pivots.Research's tool : Through the theoretical frame and its indications, the researcher created a content analyzing form to analyze the artistic works through sample of the current research, in the shed of stipulations of pivots of research tool, this form was showed to some experts, the she modified the form after entitling the external truth according to Coper equation, then she created the consistency of the tool using Scott equation.Fourth chapter : included the results, conclusions, recommendations and suggestions, the researcher had come up with some results, most important ones are : - 1 - The public artistic aspects for amulets and puzzle featured with general characteristics of the public heritage like spontaneity, flattening, abstraction, reduction simplicity and differentiation that makes them more closer to modernity and contemporary arts, push the contemporary plastic art Iraqi artist to employ them in his artistic deeds with the features and characteristics and facilitate the employment tools like what we see in the most of the samples of the research's population.2 - The public artistic aspects for amulets and puzzle take constructional employing tools of a formative direction via volunteering in the contemporary Iraqi plastic works in the arts of painting, sculpture, ceramic through its adjacent , abstraction , logic of achieving artistic and organic in the artistic deed and its matching with treatment and techniques that featured with contemporary in the deed like what appears clear in most of techniques of employing these aspects in samples of the research population.3 - The employment's techniques of the artistic public aspects of amulets and puzzle matched with the artistic contemporary Iraqi deed as it described vital expression about the Iraqi environment within color and line units and animal geometric aspects as describing these aspect as products produced from the Iraqi environment itself with its all modifications and variety.. and showed up in most of the samples of research.4 - The employment's techniques of the artistic public aspects of amulets and puzzle are characterized with its designative compositions , unity and adherence of its artistic construction from the shape side, its abstract conductivity and elaboration ability that is able to express.Then the researcher submitted some conclusions as the following : 1 - The public artistic forms of amulets and puzzle are considered as designative constructions able to modify m formation, analyzing, construction, creation, reduction and interaction with other modern conceptive frames and employ them in the contemporary plastic deed.2 - The arts of cultural and public ancient Iraqi heritage (included arts of amulets and puzzle) , their shapes, units and symbols have featured with rude non - reality depictive and then its enrichment that require from the viewer to have the skills of interpretation and explanation.3 - The plastic contemporary attempts that inspire symbols, aspects of cultural and public heritage included amulets and puzzle may lead to let the public identity to international project.4 - What inspires the artistic public for amulets and puzzle that they are considered as results collect between what is subjective and objective, the first one appears clearly through tweaks, treatments and attempts of the artist to show the objective of additive public references for amulets and puzzle.The research was finalized with a list for sources, references, appendixes and an English abstract.

تنوع الانساق البنائية للاشكال المنفذة على الخزف الاسلامي == The Varietyof Structural Systemsof Fromsinislamicceramics

Author name: نصير جواد موسى الكرعاوي
Supervisor name: محمد علي علوان عباس القره غولي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Babylon
First pages:

التنوع الاسلوبي في زخرفة النفائس المعدنية في مقتنيات متحف العتبة الحسينية المقدسة == Stylistic Variety In The Decoration of Metal Valuables In The Collections of The Museum of The Holy Shrine of The Imam Hussein

Author name: علاء احمد عبود ضياء الدين
Supervisor name: شوقي مصطفى علي الموسوي
General topic: Fine Arts
Specific topic: Sculpture
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: يتناول البحث الحالي الموسوم ((التنوع الاسلوبي في زخرفة النفائس المعدنية في مقتنيات متحف العتبة الحسينية المقدسة)) الموجه دراسته على التحف المعدنية ذات التكوينات الزخرفية المتنوعة في الاداء والاسلوب على المستوى التقني والمهاري, وهي تعكس لنراوائع الفنون في | The current research entitled (The Stylistic Diversity in the Decoration of the Metallic valuables of Imam Hussein Holy shrine Collectibles) deals with metallic antiques having varied and decorated formations in terms of performance and style at both the technical and artistic levels, which reflect the treasures of our Islamic Civilization. The research is divided into four chapters. The first one deals with the research problem, which is mainly concerned with the stylistic diversity of the metallic antique as being a symbol of decorative Islamic pattern, let alone the importance of the research and its aim, which is determined by knowing the stylistic diversity in decorating metallic antiques in order to explain the limits and terms of the research. As for the second chapter, it includes the theoretical side along with the previous studies, and it falls into four sections ; the first one deals with the decorative diversity in the Islamic art (concepts and members), while the second section includes the stylistic aspects in the techniques of the decorative accomplishment (techniques and styles). It includes a preface and a demonstration of styles and techniques particularly used in performing on the metals, not to mention the methods of preserving and maintaining the metallic antiques. The third section deals with the decoration of the metallic antiques in the Islamic ages (references and applications). As for the fourth section , it is about the Imam Hussein Holy shrined museum (origin, foundation, and achievement), reaching at the indications highlighted by theoretical frame, the previous studies and their discussion. The third chapter includes the core of the study, which contains (53) samples of metallic antiques in Imam Hussein Holy shrine museum, besides the research samples which is of (17) pieces verified according to the descriptive and analytic approach. The fourth chapter includes of findings paper. of these findings, we have the following : The decorative formation used in decorating the metallic antiques following two basic rules; the first one separating the symmetry which embraces hidden repetition, whereas the second is about separating the rhythm available in the decorative unite in order to give the decorative formation a diversity of as seen in the samples (1,2,3,4,15,19).The Islamic artist confirmed the principle of stripping of his decorative forms off their materialistic (natural) extras according of the process of shortening, simplifying, stripping, and synthesizing in order to give the decorative scene aesthetic and symbolid meanings as in the samples (9,10).The artist is grappling to the principle of diversity in style, and methods of technical performance in one single antique to enrich the scene with civilized and ideal ideological implications pertaining to the symbols and symbolization as in diagram (12). The study provides the following conclusions : The artistic diversity in the techniques of works and decoration is present in the metallic antiques found in the museum of Imam Hussein Holy shrine through the blending of world cultures and their artistic skills because this holy place is the collection of all civilizations, and the Islamic one in particular due to the love and adoration Muslims have for the prophet's household ( P.B.U.T ). The study has come up with a number of recommendations : The current study recommends enhancing the artistic cooperation with other museum through exchanging delegates. Artistic references, and academic studies; in addition to having joint centers for artistic studies mainly concerned with studying the metallic antiques and treasures all over the world.Emphasizing the importance of conducting more specialized research in Islamic ant, and in particular the metallic antiques in the European museums by higher education students interested in the Islamic art. One of the most important suggestions provided by this study is conducting the following study" the artistic and technical bases of the decorative formation performed on the metallic antiques in the European museums. The last part of the study is a list of bibliography, and an abstract in English.

الاساطير الاغريقية وتمثلاتها في الرسم الاوربي == Greek Mythology And Their Representations In European Painting

Author name: عبد الرحيم مجيد اسماعيل السامرائي
Supervisor name: عباس نوري خضير الفتلاوي
General topic: Fine Arts
Specific topic: Plastic Arts
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The art as a creative lasting power since legend raising as a literary text , the plastic art was working as a creative alternate for literary texts. With many years , this art has lasted to present human memory , they found the conflict within spiritual , psychological and worldly life with form and styles that are updated frequently. From this permanent desire to inspire the legend especially the Greek legends in European art especially drawing during renaissance to be described as an extension for that Greek cultural root which represents the structure of western artist. The current research interested in studying of Greek legends and their representations with European drawing from the period ( 1400 - 1800 A.D.).The research has included four chapters. The first chapter dealt with the research problem , its importance and aims , moreover ; limitations of specifying the important expressions in it. The second chapter has included the theoretical frame with three topics. The first is the concept of legend , the second included the situation of legend and art in Greek community. The third topic discussed the subject of legend and art in European society. The researcher concluded this chapter by showing previous studies and discuss them bedsides the indications of theoretical frame.Chapter three has discussed the whole research which is ( 71 ) artistic works related to renaissance Barook and Rococo. The sample of the research is ( 15 ) artistic works that have been chosen with intended method taking in consideration that these artistic works have given the researcher a chance to cover the Greek legends representations in European drawing , besides a consultation of a group of experts who have an experience in plastic arts and fine arts education. The chapter has also included the research device ( a form of analyzing a content ) and the stages of its structure besides its authentication and confirmation which was used in analyzing the research sample.Chapter four has included the most important results that the researcher has reached.1 - Greek civilization has basically established on ideological and metaphysical which stands on the idea of existence of holy divine community that behaves the human beings life. So the Greek artist has found formal representations groups for these imaginary gods which gather between their power and the thinking of Greek society where they raised in , reflected by effective artistic remains and the narrationswith imagination through appearing the nature power in shape of gods or extraordinary creatures which are common in use in Greek popular heritage. For this reason , a group of legendry shapes have appeared , divided in its shape structure into telling the realistic shape especially in human legend shapes that represent the god as ( Venus god ) ( Zeus god ) ( Hades god ) ( Apollo god ) ( Athena god ).2 - The revival artist has depended in his artistic drawings of choosing symbol words for Greek legends especially widely spread legends stories such as ( Zeus ) , ( Ifrodeit ) ( Harkel ) ( Bakhoos ) ( kidnapping Zeus god for princess Europe ) ( Apollo rides a sun vehicle )and ( Lida and pelican bird ) assuring their interests in their ancient heritage due to ideological and sociological vision carried their artistic existence an active aesthetic power with pictorial surface in the effects of anxiety and emotions.The conclusions were : ? The Greek legends through their indications , structural elements and indicative displacement in Europe drawing across its stages ( renaissance , Barook and Rococo ) have represented an obvious representation in shape and content and that what the researcher has reached to when analyzing the sample of the research.The researcher finished with a number of recommendations some of them are : 1 - The necessity of taking care from artistic and educational associations such as colleges of fine arts to deepen the artistic and cultural awareness for Greek inheritance and what it has of legends and epics because it represents a human inheritance in general by including studying materials that concern with history of ancient art and philosophy of art and aesthetics with large interest for Greek legends and epics for being an effective and affected cultural ratio with oriental civilizations specifically the civilization of Mesopotamia and Neel land.2 - Directing the students of fourth stages in plastic arts and fine education of necessity of including their artistic projects for legendary topics whether Greek or Babylonian or Egyptian since they represent an global cultural legacy that touches all humanity without exception.

دلالات المكان في الرسومات المنفذة على الخزف الاسلامي == Connotations of Place In Graphics Executing On Islamic Ceramics

Author name: ثائر حاتم هاتف احمد الجباوي
Supervisor name: جبار حنون مهاوي
General topic: Fine Arts
Specific topic: Porcelain
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: يعنى هذا البحث بدراسة (دلالات المكان في الرسومات المنفذة على الخزف الاسلامي), والذي يقع في اربعة فصول : تضمن الفصل الاول عرضا لمشكلة البحث والمحدد بالتساؤل الاتي : ما هي الدلالات الفكرية والبنائية المرتبطة ببنية المكان في الرسومات المنفذة على الخزف الاسلام | This research deals with the study of (connotations of place in graphics executing on Islamic porcelain), which fall in four chapters : the first chapter include presentation to the research’s problem and specified with following questioning : intellectual and structural connotations associated with the structure of the place in graphics executing on Islamic porcelain? came the importance of the research and the need for it, in terms of it represents theoretical and practical reading to the products of Islamic porcelain in Fatimid era through analytical level to connotations of place and bear of artistic necessaries connect in intellectual content to the image of the artwork and the impact done in porcelain ,to sheds the current research light cognitively and scientifically on connotation of place in graphics executing on Islamic porcelain though out the Muslim artist on the nature of place as a space and turn it into symbols and signs of spatial. the need for this research it’s being represents attempt by the researcher to fill the vacuum in this important space of artistic forming fact that the subject needs to be enriched in this field of research , down to the desired results, The objective of the study lies in : ( know connotations of place in graphics executing on Islamic porcelain ). And identifies research in study outcomes the Fatimid porcelain executing materials and different oxides on the surfaces of these porcelain productions in Egypt, within the specified of time period between (969 AD - 358 AH), (1171 AD - 567 AH). The second chapter : has included theoretical framework and previous studies , and which contained three sections : the first section deals and which included two axes ,the first axis significance between the concept and terminology , the second is understood place and the data in the arts , the second section deals with study of the structure of place in the art of ancient civilization ( Iraqi and Egyptian ), the third section included two axes the first axis deals with the study of the place in Islamic art while the second axis deals with approaches of place in products of Islamic porcelain. And seal the theoretical framework with set of indications and previous studies. the third chapter deals with procedures of research which include identifying research community and selection of the research sample the amount of (15) porcelain work, then the search tool and description and analysis of sample. While the fourth chapter included the research results and conclusions, as well as the recommendations and suggestions, Among the findings of the researcher is : 1. The aesthetic connotation for place plays prominent role in the Islamic porcelain products and through osmosis properties the shape and meaning where mobile. 2. Islamic porcelain products showed clear interest in the nature of visual of the realistic place as in the models ( 11, 12, 13 ) and the imagined as in models (2, 9) and symbolic as in models (1, 3)3. Affected by the nature of the place in graphics executing on the products of Islamic porcelain, what is essential to the formal inclusion of the structural units (linear and colorimetric and volumetric and touch and space) as in models of search sample. And the conclusions reached by the researcher is : 1. Influenced the nature of the technical characteristics for systems formation the Islamic art and specifically (photography) on methods produce porcelain Islamic in terms of unity and diversity , lack of interest manddour, and stay away from materializing animate beings , abstraction , repetition and vacuum processing. 2. Manifested structure of place technically, on level of materials and raw materials and oxides, to expression of the characteristics demonstrated of image, as well as the fact pattern of connotation aesthetic that are associated with type of place and nature reveled. 3. Not limited to the place indication in Islamic porcelain within the two dimensions aesthetic and functional, but only becomes touching the regulatory nature of the graphics or graphic scene executing on the porcelain surfaces , link to substantial data of the place, nature and philosophy
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