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الاجمال والتفصيل في التعبير القراني : دراسة في الدلالة القرانية

اسم المؤلف: سيروان عبد الزهرة هاشم الجنابي
اسم المشرف: عبد الكاظم محسن كاظم الياسري
الموضوع العام: اللغة العربية وادابها
السنة: 2006
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الكوفة - كلية الاداب - قسم اللغة العربية
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: If each research should be based on general hypotheses, this research has been based on central hypotheses : A - What is the exact meaning of the summarized? And do the scientists differ according to their knowledge specializations that meaning or concept? And does the summarized limited to the single term or does it transit to the construction also as well as the linguistic construction, i.e, does it lay on its general significance.B - The quranic performance of significance is either a general obscure or partial limited, as mentioned by most of the books of the sciences of quran. With the general concept, represented by the summarization, absolution and generalization, the researcher tried to find the differences and similarities among them in tools, content and significance inquiring whether this difference is applying on what opposite them i.e., elaboration, specialization and restriction.C - If the researchers have elaborated in explaining the tools of generalization and absolution, they have left us the favor of discovering the tools of summarization. So they obliged us with a scientific duty to find out the tools of summarization and the tools of elaboration to be coincide with their efforts in verifying and adjusting the tools of generalization and absolution, and the tools of specialization and restriction.D - The researcher tries to get a clear perfectness for clarifying the concept of elaboration and elaborated and the parts or division of each one, and find out the differences and similarities between elaboration, on a hand, and restriction and specialization, on another hand, as tools of clarifying in the holy quranic text.E - The researcher tries to pick up the detailed clarifying tools for the summarized and inquiring : does the elaboration come in text which has a summarized only? Or does it come in a separate text. And what are the significances of that elaboration and its effect in supporting the quranic significance. F - The researcher also wants to be satisfied with a question of whether the summarized is submitted to the factor of its meaning's interpretation and preferness, so perseverance will be a kind of its elaborating exhibit? Or it is out of the interpretation scope.The researcher gets a group results throughout his research, some of which are : 1 - The researcher finds that the summarization does not exist only within the single term, but it transits to the construction. Some of the linguistic construction comes summarized with obscure significance, and none of the linguists or rhetoricians had mentioned it, while the grammarians the great favor in clarifying this kind of summarization and exhibiting its concept and exemplified it.2 - The researcher finds that summarization does not share the linguistic construction in its general significance only, it exist also in the relation between the subject and predicate, which will be obscure and needs to be clarified.3 - The researcher was able to find out the point of coincidence between the concept of the summarized, on a hand, and the concepts of the absolute and the general on the other hand, in terms of obscurity, comprehension and significance association. Then he clarified the point of difference among the terms so he identified each concept. 4 - The researcher finds that the definites which are means of clarification of speech may have summarization so it will be of obscure significance, so it will turn into a means of obscurity.5 - The researcher finds that the indefinite that refers to absolution when it comes in affirmative context may come summarized in the same affirmative context, when the indefinite term refers to (a noun) not to an essence.6 - The researcher finds out that the restriction and specialization which are means of clarifying meaning may come summarized and obscure so they will need the explanation of the elaborated, so this elaborated summarized will be more elaborated than the absolute restriction or the general specialization. 7 - The researcher distinguishes between the elaboration on a hand, and the restriction and specialization on the other hand, and finds that elaboration clarifies significance more than the other kinds, followed by restriction, and specialization comes at the end of the rhetorical order of the rhetorical tools or means. The researcher also distinguishes elaboration, restriction and specialization, and shows the point of similarity and coincidence among them. 8 - The researcher finds that elaboration has tools or means by which it is defined in a speech, and elaborations may come as a single term like (in), (differentiation) and (substitution), and it may come also as a complete sentence like the sentence of the whole substitution from the whole, and that the elaboration come in the speech in two types, it may be connected comes directly after the summarized in the same text, or it may be separated comes in another text like the quran elaboration for the quran summarization or the sunna (prophetic law) elaboration for the quran summarization. 9 - The researcher finds out some of the elaborated comes to clarify a summarized term precedes it, and some comes to clarify a summarized sentence precedes it, and here the elaborated will either clarify the rate of the preceded sentence if it is summarized or it will clarify the sentence significance without its rate. 10 - Finally, the researcher reaches a state of satisfaction that the receiver cannot elaborate the summarized, it is the speaker who does so, and no one has the right of perseverance and knowledge to which it aims. Recommendation : The researcher recommends to study the terms of researches and studies for the principles which should be of the subjects that the specialists should study, because studying and understanding these subjects enable them to analysize the quranic text exactly and it is the specialist of Arabic language was able to do so the other texts will be easier. These efforts, also, should be subjects for the master and the Ph.D (doctorate) degree (of Arabic Language) stages, at least in its significance scope, to develop these studies or to use it as a base, or to compare it with the modern and contemporary linguistic studies.

الجواز والمنع في كتاب الاصول في النحو لابن السراج (ت 316 هـ) Permission And Prevention In Al - Usulfi Al.Naho For Ibn Al - Siraj (D. 3L6 A.H.)

اسم المؤلف: صادق فوزي دباس النجادي
اسم المشرف: عبد الكاظم محسن كاظم الياسري
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الكوفة - كلية الاداب - قسم اللغة العربية
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: The student of Arabic Language becomes acquainted with many of the linguistic phenomena of the four types : phonetics, syntax, semantics and declension through which he can establish a solid linguistic thought. Of these phenomena are the linguistic rules whichhave a great role in many aspects where the linguists and grammarians, who were interested in the sound speech, correct the speakers of the Quran's language.Of these rules I discussed the rules of prevention and permission which I studied depending on (Al - Osul fi Al - Nahu) by Ibn seraj (died in 316 A.H) for its scientific value and for containing the approach of both schools Al - Basrah and Al - Kufa.The nature of this research involved to be devided into two parts, each of which dealt with one of the mentioned rules. The first chapter is dedicated to permission which came in three chapters. As for the first one, it dealt with phonetic permission which included substitute, assimilation, inflections and el - imala.The second chapter is about the inflectional permission which included pluralizing, duatling femining forms and diminutive.The third chapter is grammatical permission which includes uninflectioning and inflectioning.The inflectioning included the nominatives, genitives accusatives, adverbs and adjectives, while the un - inflectioning included nouns, verbs and articles.The second part is about prevention which also included three chapters, first of which is phonetic prevention including substitution, assimilation and el - imala.The second is diptote declension which included the same themes included in diptote prevention.The third chapter is grammatical prevention which included the inflections and uninflections and all their contents. These parts are preceded by a preface in which I mensioned prevention and permission and their concet in the language and the reason they emerged. A conclusion following the two parts included the most significant results which the researcher reached depending on old and modern references those results are : - 1) Ibn Siraj used many ways of permission and prevention, this is aproof that the Arabic language is very comprehensive.2) Many of the linguistic and grammatical rules could be based on the Quran alone because it is obvious and it needs no discussion or argument but they depended on their standards related to the grammatical issues and they do not quote from the HolyQuran because it is very obvious. Even if they do not depend on it, they build the grammatical base on Quran and they provide examples from Quran to enhance their rules and whenever something in the Quran is against what they believe they try tointerpret it in a way that suits them. As for me I demand rewriting the grammar rules according to what cam in the Quran. I advise my colleagues of researchers to overcome the dispute among the grammatical schools because it is only a dispute over the rule written by the grammarian, if we only take a closer look we will see that there is dispute even among the grammarians of the same school and the same era, so it is better to study the difference and similarity of the same school

المعنى في النقد العربي القديم حتى نهاية القرن السابع الهجري

اسم المؤلف: حسين لفتة حافظ الزيادي
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الكوفة - كلية الاداب - قسم اللغة العربية
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Meanig in its simplest Logical definitions is : the copception or idea on the technical structure of the poem and the poet language a and it became clear that there is un acceptable kind of praising because there is agop between the receirer and the technical effect the same method was followed with the other poetic purposes revealing the goodness and badness elements of the poetic purposes by balancing and throwing lights on the defects and trying to amending it in the second chapter a studied the meaning criticism standards according to the critical opinions that are set by the critics and rhetoricians and how did thes standards became fixed basis on which the scholars depend to deduce the basic principles of studying the poetic texts , the most disting uished standars are, honestg , exaggeration, relingion , clarity and ambiguity , these are relating to the poetic meaning and the poet taste and the effect of civilization on that taste.A throu lights on the civilized development that occur in the abbasid era due to the prosperity of that era the arabic criticism issues and its effect on meaning hare been dealt with in the third chapter emphasizing on orgnizing orgnizing , nature, attribute, ancient,modern and poetic balancing or scaling , in a delition to the types of meaning and its significance, where a noticed that each of these issues has its deep effect on the poetic meaning a ccording to era through which these issues passed , and a stopped with its mostdisting uishd figures suchas al - jahidh , abdul - qhaher al - jerjany and hazim al - qhertajenng.in the fourth and the last chapter a dealt withrhetorics, issues and its effect on meaning the research emphasized on eloquence, summarization , description , metaphor and imagerg, where it becameclear that rhetorics is associated with the arabic criticism and handnever a purted from it till the late ags, and that most of the critics are areb rhetoricians such as ibn selam, al murad. ibnqhutaybah and ibn tabataba. there is no doubt that rhetorics had affeeted the poetic text and meaning because it is away to understand the text and findout its beauty poins by the image. the rheterical studies were fleurished dwe to the holy quren which is the eloquence source and the basic motive of these studies that tried to know the prodigy secret of the quranic text.in the conclusion a set the most important results of this study, such as.1 - the research reveals the critics interesting on ' the meaning of the meaning ' which is on element of the literary theay and the creativeness of linguistics, because the talked about the first branching of meaning aor about including mang meanings which they colled' the other'secend' meanings2 - the research shows that the reason of the less interesting of lamentation poetry is that this kind of poetry did not suit what the arab wanted for himself of strength, because lamentation poem usually involvedthe human emotions which rereals weakness withcraying and sorrow a and the arab refused that due to the societg nature at that time. 3 - the criticism theory is as ancient as arobs themselres, even that it was not with its modern concept, before the third centuty of hejira, it was perfeed within the critical judgement of the pre - islamic are.4 - the critics emphasiza the grammatical ruly and standars in the arabic speah, poetry and prose, because folloing these rules is a conditions for the speech rightness, and in literature we ask what is beyond rightness, it is creativness.5 - one who check the arob critics efforts who deal with the menning , will find that those critics and the poets were aware of this case importness, so they dealt with it early a and its derelopment was due to the arabic educational status, change.6 - through the research of the poetic purpose and the meaning effect which affect the ancient arabic poetry because by it we can define the poem weather it was satir, courtly ….j,e there was akind of independnce and throwgh this purpose the critic presented his ideas and opinions.7 - the research shows that the ancient crities, opinions had aneffect on the ancient arabic poetry a but sometimes these opinions were not accept able by the creative poets who has his own rules that lead him away from the critics judgement.8 - in spite of the quranic emph asis on the moral principel of the poetic text, through the research it appears that the arabic criticism went away from this field that it saperated the arts from morals.9 - the plagiarism standard rereals that it is possible to njudge the writer and his position and interactien with his enviornment. in addition it helps us to know the resoures of the writers and their psyhchological direction and their educational and intellectualsituntien ,so this standerd is abasic one for the literary criticism. 10 - the study shews that praising lexicon in the ummayed era became axiture of the in herited pre. is lamic mennings and the new sslamic mennings as wellas the environ ment effects and the general life development in the ummayad society

اثر التراث الجاهلي في الشعر الاموي The Pre - Islamic Heritage Effect On The Ummayad Poetry

اسم المؤلف: حسين عبد حسين
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الكوفة - كلية الاداب - قسم اللغة العربية
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Each nation has its own heritage which it celebrates as it is considered one of its continuation and immortality basis, a heritage that ensure interconnection of its present time with past reaching the future. Our literary heritage, especially the Pre - Islamic one has derived its facts from the nomadic environment to which it belongs, so it portraited it in the truest way of expressing its values, habits, traditions, thought, achievements and exploits. Hence, it has become a mirror in which the life aspects manifestations would be reflexed, and an alive image of the life status prevailing that period.This heritage has remained as a fountain from which the poets drew their need throughout ages of them is the Ummayad Era.The nature of the subject required that the research should be organized in three chapters preced by an introduction and a preface and followed by a conclusion.In the introduction, I referred to the heritage concept linguistically and conventionally, explaining the objective and the artistic causes hidden behind the Ummayad Poets inclination towards the Per - Islamic heritage and investing it in their poetry.In the first chapter, I have deal with the social tradition represented by the virtuous and the habits Arab values ,the Arab days, and the historical personalities and hreed horses and camels.While in the second chapter , I have studied the intellectual tradition and what legends and beliefs it contains such as AlGhurab, Al - Shaqraq, Al - Haman, Al - Sada…etc.In the third chapter,I have deal with literary and artistic tradition.In the literary tradition I stopped at the names of the poets that the Ummayad poets took from ,and educated in their poetry.Also I have stopped at the proverbs as they considered a social art and one of the literary culture's fountains while in the artistic tradition I talked about the poem artistic structure which is comprised the introduction, details and the main purpose. In addition, I have studied the language in words and in structure and stopped at some structures found in the Ummayad poem.As for rhythm, I have explained the nature of the poetic meters that the Ummayad prefer when writing poetry and studied the artistic image explaining the extent of the Ummayad poets’ being affected by their ancestors and their following them whether on thelevel of the single verse or a set of verses, or an the level of the whole poem. In the conclusion, I have reviewed the most important results that the research reached, of them were the following : ?? The heritage of any nation do not stop at the margins of a specific era. It is a continuous series that takes from each era what enriches it as influence and being influenced is acharacteristic accompanying each heritage.?? The literary heritage(artistic objective) is the main source of writer's education in general, and the poet in particular.?? The nomadic Arab values the Arab inherent have taken their to the Ummayad poets under the influence of the party that has blazed again.?? The Ummayad poets have made the pre - Islamic days one of their education sources, and utilized them in their as they were considered a record of their ancestors’ achievements and exploits ,and exploits, and bright pages of the history of their life.?? The Ummayad poets utilized the myths to relive their feelings and sentiments through subjecting then to their artistic experiences and their psychological sufferings.?? The poets’ talk about the poetry finds was not stamina from a belief or faith, but it is an attempt to show their artistic abilities, and their differentiation from their companions.?? The Ummayad poets followed their ancestors’ method in the artistic structure of the poem which is formed of three parts(introduction, details and the main purpose), with stopping at the margins of the sheer imitation, but they strived for renwal inside that arts framework.?? The pre - Islamic language was the basis that the Ummayad a doped in poetizing their poems, as there is no attempts to replace that nomadic language by other one.?? Most of the images that appeared in the Ummayad poetry were derived from the desert environment in which they were brought up or were close to.?? Their being affected by their ancestors’ image has been varied from the sheer negative imitation to perceiving those images and subjecting tem to their personal experiences then adding some adding some artistic touches to them.

معاني القبول والرفض في القران الكريم : دراسة في الالفاظ والاساليب Acceptance And Refusal Of Meanings In The Holy Quran - A Study Of Terms And Styles

اسم المؤلف: فضيلة عبد العباس حسن الاسدي
اسم المشرف: علي كاظم مشري الزيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2009
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الكوفة - كلية التربية للبنات - قسم اللغة العربية
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Praise be to God, Lord of the worlds, and prayer and peace be upon the prophet Mohammad, lord of creatures, and his most honest household.It is well - known that the Quranic semantics has been cared of by the ancient and modern linguists. All the Arabic sciences have been built upon to achieve accurate knowledge of the Holy Quran.The researcher, in this respect, has to read the Arabic lexicons, then the interpretation books of grammarians and rhetoricians, ending with modern semantic books. He will find himself, after all this effort, facing divine abundant outcome, because all that have been related by the Quranic studies and researches are still glowing, giving life to everybody, and supply existence with light to disperse all kinds of gloominess. The researcher is still puzzled, exclaiming what he could say after what had been said by the scholars and scientists, but he will find but through coexisting with. the Holy Quran that Quran is so noble with everlasting gifts. This is because Quran is the creation of Allah, the unlimited power creator Whose words can penetrate all time and spatial limits. The researcher will find out that the Holy Quran opens new horizons every time, because it is a miraculous book that will never be used up by studies, hut increases in glowing and generosity. The evidence is what has been proved throughout the past centuries that assisted its being a continuous source that will not be used up at all... l ike anendless sea.It is well - known by all that the Quranic terms are so significant, so well - formed in an artful intended way in its proper place.. I f any term is omitted, it is done with intention...and if the place is changed, it is done also with intention.The older studies cared of the Quranic pronunciations and : heir semantics. The most important books dealing with this aspect are " al - Ashbah wa al - Nadha'er" for Muqatil bin Sulaiman and others.Acceptance and refusal are the most important motives that make one express them by words or actions, therefore we can Determine man's attitude of an issue by his words and actions. Acceptance and refusal in the Holy Quran deal with points of acceptance and refusal in pronunciation and structures, so the research included four chapters distributed to two sections : the : 1rst is the pronunciation of.acceptance and refusal in the Holy Quran. The first chapter deals with the acceptance pronunciation, and the second deals with refusal pronunciation, The second section deals with the style of acceptance and refusal and is divided into two parts : the first is acceptance and involves the style of command, style of wishing and hope,, style of praising, style of awakening of a desire. The second chapter deals with styles of refusal involving prohibition, terrifying,.use and exclamation.Research ends with the significant difficulties the research faced. among them : the extended scope of the subject, there are : me utterances whose semantics need whole books to talk about and deal with. For that reason I tried to abbreviate as much as possible without default in the investigation research methods. After research has been accomplished, I do not claim its being perfect....Allah is the only perfect.... man has to seek knowledge, and Allah is the granter.

الرسائل والوصايا في نهج البلاغة : دراسة في ضوء علم لغة النص Letters & Sermons In Nehj Al - Balagha (The Path Of Eloquence)

اسم المؤلف: ورود سعدون عبد
اسم المشرف: تراث حاكم مالك الزيادي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة - النحو
الدرجة: دكتوراه
الجامعة: جامعة القادسية - كلية الاداب - قسم اللغة العربية
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: ان موضوع الدراسة الحالية هو ((الرسائل والوصايا في نهج البلاغة (دراسة في ضوء علم لغة النص))، وتتسم بكونها دراسة لنص نثري من عصر الاحتجاج مشهود لمنشئه بالفصاحة والبلاغة، وقد درست فيها المعايير النصية السبعة التي اقرها (دي بوجراند) وهي : ((الاتساق، والانسجام | The current thesis entitled "Letters and Sermons in Nehj Al - Balagha (The Path of Eloquence) : A Study in the Light of Textual Linguistics" is a study of a prose from the age of protest whose writer is acknowledged for his eloquence and rhetoric and in which I has investigated the seven textual standards approved by De Poe Grand i.e. consistency, harmony, intentionality, acceptability, publicity, position and textuality. The aim of this study is to prove that those standards are present in the letters and sermons texts. The thesis is arranged in three chapters preceded by an introduction and a prologue and followed by a conclusion contains the findings of the research then a bibliography of its most important sources and reference books.In the prologue, I have dealt with a presentation of the concepts of (text, message and instruction) in order to prove that those letters and sermons are texts; so it is right to be studied in accordance with the textual study. In the first chapter "consistency in the letters and sermons", I have tackled the subject of textual consistency at three levels : Phonetic, lexical and grammatical. In the second chapter "Harmony in the letters and sermons", I have considered the harmony aspects and mechanisms in addition to the semantic relations and top structures. In the third chapter "Other textual standards", I have studied the standards related to the users of the text (addresser and addressee) i.e. intentionality, acceptability, publicity and standards connected with external effects represented by context and textuality. Then, the research is concluded with the findings I have reached which includes : - The letters and Sermons are not at the same level in terms of their being concise or comprehensive as they are shortened and lengthened according to the text topics and circumstances and the nature of the relationship with the receiver though the expansion feature appears generally where the topic is giving lessons and advices. - Instability in certain concepts and idioms discussed in this study for the researchers and scholars of texts reflects variances in their points of view towards those concepts and their different knowledge about them. - Referring is considered the most occurrences in the letters and sermons texts and also the pronoun referring is the frequently occurred cases in those texts. - The elements of consistency and harmony have worked together to build the semantic structure of the texts under study which leads to some kind of easiness in analyzing them and enables us to judge them as coherent and consistent texts. - Intentionality is considered the dominant standard over all textual standard as all words written or selected, expressions mentioned and texts addressed by Imam Ali (Peace be upon him) have the intentionality which the Imam wanted to be either direct or indirect. - Applying this king of study has demonstrated that those letters and sermons are applicable in every time and place and for all people despite their race, class and status differences.

اثر المفسرين في توجيه دلالة الاستعمال القراني في المعجمات اللغوية العربية من القرن الخامس الى القرن التاسع الهجريين The Impact Of The Commentators In Guiding Significance In The Use Of Quranic Arabic Language Almagamat From The Fifth Century To The Ninth Century AD

اسم المؤلف: ابتهاج سماع علي حسين الجبوري
اسم المشرف: محمد جعفر محيسن العارضي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة القادسية - كلية الاداب - قسم اللغة العربية
اللغة: العربية
النص الكامل من المصدر: http://qu.edu.iq/repository/wp-content/uploads/2017/01/%D8%A7%D8%A8%D8%AA%D9%87%D8%A7%D8%AC-%D8%B3%D9%85%D8%A7%D8%B9-%D8%B9%D9%84%D9%8A.doc
مكان الجامعة: القادسية
الصفحات الاولى:

القيم الجمالية في الحديث النبوي الشريف Aesthetic Values In The Hadith Alnabawy Alsharif

اسم المؤلف: حازم كريم عباس
اسم المشرف: شاكر هادي حمود التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة القادسية - كلية الاداب - قسم اللغة العربية
اللغة: العربية
النص الكامل من المصدر: http://qu.edu.iq/repository/wp-content/uploads/2017/01/%D8%AD%D8%A7%D8%B2%D9%85-%D9%83%D8%B1%D9%8A%D9%85-%D8%B9%D8%A8%D8%A7%D8%B3.doc
مكان الجامعة: القادسية
الصفحات الاولى:
المستخلص: The research found the following results : • The frequency of different types of texts honest did not come Forcibly Dictated by ears, and wish him the soul, but rather spontaneously to savory and in various forms, is the latest variety in the texts, and the comfort and pleasure to the recipient, and that the repetition in the Hadith has exceeded the functional confirmation Incomprehensible, known the public and private, for a different degree of aesthetic technique and manner, as we find colored and changes in the text - Sharif, dressed in sackcloth different every time, and this makes the musical values, including the repetition of the basics of determining the aesthetic value.• was the naturalization of the effects of aesthetic in the Hadith makes it a model for the performance of voice spontaneous skilled team, including representative of the way technical check advantages bell sound of music, working to highlight the hidden of meaning added a new Tagged, Vchuq self to learn the new meaning, and of music generated by the the highest range, which holds the receiver on the vigilance and attention, and sends the wonder and surprise, and take verbal Mokhzha aesthetic consistency of it, standing, so influenced by the text and its interaction with the Prophet's religious scholars fair sentence.• The rhyme in the Hadith Sharif was sweet words, enjoy its hearing on the ears, and tend to him the soul, and approaching his music, hearts, proceed to the meaning of non - him, and greeted from affectation and artificiality, Stay away so the repetition is justified, and return the moral dull, and make the recipient continues with messianic text, as well as to those A - i - aarh sweetness and aesthetic art left behind by the rhyme innate light on the text of Prophet Mohammad.• The Hadith was a direct question - for the most part - of the structure of the surface position to the deep structure of meanings and connotations many explosive through different contexts, depending this shift to stir up the receiver and his participation in the production of meaning, and the realization of his mind in the detection and meditation, and acceptance and satisfaction, Thus, in the text al - estfham Prophet combines the aesthetic beauty of the text and received, the receiver based on the resonances and reactions as an effective and vital, is between him and the text continues the aesthetic and artistic interaction affected by the resulting psychological and emotional surprise. • Although different considerations apply and delays in the text of the Prophet, but it has been used for the purposes of aesthetic and sympathetic, helped the recipient to interact with the text - Sharif and objectives, as discern him to shift stylistic imposed by the presentation and the delay may cause gaps tension in the mind of the recipient led to a surprising causing the lattice, say so alone increased artistic and beautiful and influential.• A violation of the original which is (equality) in the Hadith, and the deviation from the familiar to the unfamiliar, a (brief) has the function of aesthetic and splash pulls the receiver and draws his attention, it becomes a text - Sharif in this brief overview function enables it to activate the thought of the listener and the realization of his mind to realize what behind this overview and shall be ¬ referral to highlight because it is aesthetic values.• metaphor was a way of technical means and aesthetic employed by the Great Prophet peace be upon him and his family and him to influence the recipient, and the consolidation of the meaning and enable it to himself through what is offered by the metaphor of shadows and visions between things and bring one of the other, so he will of the clearest Arts rhetoric and the most capable to portray the meaning is closer to the mind.• The structure of metaphor in the Hadith Sharif represented the summit of congruence between the parties to the analogy, even united by deleting one of the parties to the analogy and the tool and the face; to integrate image on both sides : (improved and reasonable), Vhsalt image Astaaria not simulated, almost meaning - mediated imagination hard, work on restructuring of the particles fact, dissolving elements to each other, Vgesdha influential sensory images in the same recipient, give rise to emotions, up to date the most responsive and fun to have, as well as enrich the semantic and aesthetic.• Try The Great Prophet peace be upon him and his family through photography Alkna?a - as one of the ways the technical and aesthetic that gives the image dimension Tgesemia heavier and imaginary exciting for the mind and conscience - to address the perceptions of mental for the recipient, exciting Baahaath and his references are and very active imagination of the recipient, when transferred perceived moral to the conscious sensuous concrete, and the meaning to the rigid image of simmering with life and movement, Vehtz those images suggestive of conscience, and the impact force penetrates into the depths of the soul; to acquire the expression and function of a strong splash, as well as the role that the function of aesthetic and technical fascinating.

القيم الجمالية في شعر شعراء الطبقة الثالثة الجاهليين The Aesthetic Values In The Poetry Of The Third Generation Jahili Poets

اسم المؤلف: فاطمة حميد يعكوب التميمي
اسم المشرف: ياسر علي عبد سلمان الخالدي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة القادسية - كلية الاداب - قسم اللغة العربية
اللغة: العربية
النص الكامل من المصدر: http://qu.edu.iq/repository/wp-content/uploads/2017/01/%D9%81%D8%A7%D8%B7%D9%85%D8%A9-%D8%AD%D9%85%D9%8A%D8%AF-%D9%8A%D8%B9%D9%83%D9%88%D8%A8.doc
مكان الجامعة: القادسية
الصفحات الاولى:

التوجيه السياقي في تفسير مقتنيات الدرر وملتقطات الثمر للحائري (ت1353هـ) Contextual Directing In Interpreting Of Muqtanayat Al - Durar And Multaqatat Al - Thamar " By Al - Haeri ( Dead 135A.H )

اسم المؤلف: يوسف عبد القادر عبد سلوم الحسني
اسم المشرف: لطيفة عبد الرسول عبد علي الضايفي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: الجامعة المستنصرية - كلية الاداب
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: الحمد لله رب العالمين والصلاة والسلام على اشرف خلقه اجمعين محمد واله الطيبين الطاهرين واصحابه الامناء على كتاب رب العالمين ورسالة سيد المرسلين.وبعد.نال جهد المفسرين الاوائل على مر القرون عناية من المفسرين جيلا من بعد جيل وعناية الباحثين الذين حاولوا ال | Praise to Allah , God of all the universe and peace be upon the most honorable of his creatures Mohammed Peace be upon him and his pure and good family who were trustworthy people upon the Holy Quran and the message of master of messengers ,and then : - Efforts of pioneer interpreters over centuries got great care by interpreters generations after generation and the concern of researchers who tried to acquire what were presented interpretation efforts.Knowing that pioneer interpreters had presented an important and unique outcome as they were proactive in offering scientific items and rare interpretations through their abundant knowledge , aware of the secret of that great book. The latecomers of interpreters beneficiated from that great efforts with their outcome. But we did not deny that we got privacy explanatory and unique. This description included Al - Haeri interpretation which was called " Muqtanayat Al - Durar And Multaqatat Al - Thamar " which was complete interpretation of Holy Quran in twelve volumes by Mir Ali Al - Haerti Al - Tahrani in which we studied. This book was verified by Mohammed Waheed Al - Tabsi Al - Haeri and reviewed by Mohammed Taqi Al - hashimi which we saw contextual directing phenomenon as one of its important characteristics that enabled the researcher to justify a method in interpretation exceed partial interpretation of holy Quran interpretation based upon pronunciation and meaning or upon limited sentence to the text of Holy Quran which characterized the current interpretation.Therefore our research did not concentrate upon partial sides in interpretation , but depending on a plan not only concentrate upon single word or pronunciation , sound and morphological formulas , which was the issues studied by two researchers focus on Al - Haeri method and linguistic efforts concerned. Accordingly the title of the study was : " Contextual Directing In Interpreting Of Muqtanayat Al - Durar And Multaqatat Al - Thamar By Al - Haeri ( Dead 1353A.H )". The research was divided into three chapters preceded with preface regarding introduction of the interpreter due to its rareness translation , his method of interpretation , context theory and what were said about it from the pioneers of this trend in linguistic research and their researchers.Regarding first chapter , it was under the title of contextual directing of syntax which dealt with contextual directing multi - aspects syntax and syntax narration and grammatical differences , besides the effects of grammatical instruments in context. Second chapter dealt with the title of contextual directing of grammatical structure which included contextual directing of structure symptoms and grammatical transfer. Third chapter dealt with site directing in Holy Quran speech. Then the circle was expanded to include sentences limitation as directed to discover final guidance.which came as follow : Site directing in communication with prophets , good people , with Muslims and heathens , besides comprehensive speech for others regardless belief status. Conclusion consisted of the most prominent results reached by the researcher which will be useful in studying Holy Quran interpretation such as adopting context directed for interpretation whether grammatical or site ( circulation ) or text.

الفضاء السردي في شعر الاغتراب العراقي 1970 - 2012

اسم المؤلف: وسن علي عبد الحسين الزبيدي
اسم المشرف: صبحي ناصر حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الاحتفاليـة في روايات ابراهيم الكـوني The Carnivalesque In The Novels Of Ibrahim Al - Koni

اسم المؤلف: وسن عبد السادة جودة محمد
اسم المشرف: فاطمة بدر حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In this study, we dealt with festive themes in literature novelist Libyan writer (Ibrahim Al - Koni) according to Bakhtin's theory for the ceremonial character which is known as "carnival". The study was divided into introduction and four chapters and a conclusion. In the first chapter (rites and ceremonial appearances) we found in the first section rites, achieved ceremonial primitive in all manifestations of pagan gods, and offerings and vows, both human sacrifice and non - human, then magic and sorcery in primitive societies. As modern celebration was divided into two ceremonial dramas , decorative and ceremonial celebration which was marked by dramatic coherence of the dramatic event and often have to do with the murder festivities (music, dance, singing and population ) The celebration shows the decorating aspects of the celebrations of dancing, singing, music, songs and games ceremonial, which gives rise to heritage and stimulates memory when the receiver will be present in the text conscious and aware of these celebrations, especially if the people of the desert, as it documents the popular tradition for the people of the desert (Touareg). The existence of these festivities decorating artistic necessity in the novel ceremonial; because it is serving a ceremonial meaning in this novels texts. The celebration represents the aesthetic novels and there must be a decorative ornament , formalism and the rhythmic. In the second section (The celebration appearances) it has the celebration appearances in all its forms which came from : the exchange of roles , masquerades , bet and profathin free and the celebration links away from the cost. We have seen in the course of the analysis that the antibody, is the foundation upon which all the celebration appearances which referred to came in the folds of the analysis of model novels in general. In the second chapter (sarcasm celebration), we found that sarcasm is one of the necessities of ceremonial check, wherein the characters and laughter resound smiles different connotations between innocence or abuse and defamation, sarcasm meaning laughter and ridicule include. Therefore, the researcher found that the term of mockery to be inclusive of many of the concepts that led one of the meanings of sarcasm in laughter or ridicule. We identified sarcasms ways by : humor, satire , satirical image and nicknames of the inclusive of these methods in achieving sarcasm methods The third chapter (intertextuality in The celebration) represents intertextuality mechanism to establish linkages and relationships between the various texts. Ibrahim Al - Koni has shown these relationships with diverse texts, whether mythological or religious, historical or literary, past or contemporary, according intertextuality laws the province or absorption or dialogue. Chapter fourth (technical structure in the novel Carnivalesque) studied aspects of technical building elements that are in the concept of Carnivalesque service and help to achieved its presence in the novelist text : narrative, carnival characters (miraculous) , language and dialogue, and the ceremonial place

اشكالية الخطاب العربي في (الكتاب) لادونيس The Problematic Issue Of The Arabic Discourse In The "Book" For Audunece

اسم المؤلف: وداد هاتف احمد وتوت
اسم المشرف: سعيد عبد الهادي المرهج
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: 1 - The study examined the concepts, and the idioms of "problematic, discourse, writing, and copying" in accordance to special curriculum, and that is archeo - geniological curriculum. which is related the French philosopher Micheol Foco. And the curriculum and what are related to it of inspecting the traces of the thoughts, their shaping way, their overrating, and were shown on the body of the society; a new curriculum in Artistic critics, it provided the ultimate way to interpretate Audence accomplish "The book yesterday is the place today". Where the writer pursue the same curriculum in the way of molding his intellectual adoptings, creativeness, and what he wanted to say through this work.2 - After the proving of the study that the accomplish under the study "The book yesterday is the place today", is not mere Artistic text, but it is a speech in what speech is mean in its communicational of comprehensiveness, and big ideal. The reader discourse concept, was very good way in dealing with this accomplish, where the spirit of this concept was represented, in what was contended of cultural codes, and intellectual partteners that worked the production of the texts and directed their interpreting process. 3 - The concept of the writing, as concept by passed the speech of the kind, was the last of what Audence version settled on, and based on his good dealing in the description of modernistic works, especially the creative accomplish - field of study - of writing transfigurations which did not stand in specific cue of creative writings types, in poetry, and in prose. From this point of view this dissertation did not accept the describition of this work as collection of poems, in that it is a kind of writing which is comprehensive for poetry, prosaic, for historic, intellectual, and Artistic, it is the comprehensive speech of the comprehensive vision, which ruled its appearance, and did its speech.4 - The dissertation pick the standing contradiction between foco / foko concept of madness, Audonece, and then to his speech, where the former spoke about the real madness, and how the restrictions of the dealing were limited to types of speech, having no connection temadness, but to some undesirable categories spelled by the western society for the safety of the all, and by this he exposed the arrogance of the western society, while Audonece stance was similar to the Islamic intellectual where madness in the Arabic thing, is a tool in the hands of the group to face oppressive political regimes. And it was another type of madness, it was a metaphoric madness, which was able in its departing for reality space to pass the speech of rejecting, accusing, worning and giving advice in the name of religion, and for the sake of people in addition madness have another vision, in Audonece poetic vision and self discourse. His presence was clear, where its type of unknown similarity in this glob and the search in its hidden places, getting use of surreal vision in this matter. 5 - The study present the discourse of "the book….) as Archeo - geontic vision of the Arab - Islamic thinking, in all its parts. Dived in the roots of the intellectual crises since the starting of Islamic Arabic state since its founding, till nowadays. as well it got benefit of the reader discourse concept in the analysis of the accomplish understanding, where Audunece in his treating for intellectual and poetry issues in "The book…" a discourse reader, and historical symmetric standing in the Arabic discourse speech.6 - The thematic equivalent, represent a basic stand in treating "The book…", where from its beginning, of the Di - pattern, of the little in it main and branch types, its gender indicator, and it authorizing, as well the forms of the writings on the page space were divided in its almost in four writing forms, as equivalent to Arabic foggy thinking, and the loosing of the self between the past which was full in contradiction, burden with constraints and overcame with the control on present day thinking. In addition to the main sample, the motive of the work who is Al - Mutanabbi.7 - Audiences writing in "The book…" came in this variant form, which is full with references to be thematic equivalent for his book the authord to what is a function to concept of the author for Foko - and his rich thoughts and activity variation. In that this accomplish short half century walk, characterized with seriousness and balled, which which was byest to all what were different, and problematic, basing to the exploring, and thematic analysis a way from all before submissives accepted by the foundation - whether they were intellectual, cultural or social, the study did not adopt the concept of the mask, where despite its narrow space and its accupying with the self side of the mask and the person who wearing it, came under the thematic equivalent concept with no doubt.8 - The researcher conclude her research by admitting the fact the book today is the place tomorrow, is a deep study for Arabic - Islamic thinking life history, in all its appearances, identify, its almost biggest crisis, and the most dangerous effect for the presence and the future of this nation. And what distinguish this study is its departure to all what are expected of the writing forms, or research works, that limit its freedom in the search and explore, in that it dives in time and place, and shed light on dark paths to enlighten them in exploring and exposing to show the defects for the audience for treatment that may raise the place and it dwellers.

الفضاء الروائي في الرواية النسوية العراقية 2003 - 2013

اسم المؤلف: وجدان يعكوب محمود
اسم المشرف: زينب هادي حسن
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

القرائن النحوية بين الاصوليين والنحويين : دراسة موازنة

اسم المؤلف: نور فاضل بنيان محمد
اسم المشرف: لمى فائق جميل العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

تتابع الاصوات في العربية Phonotactics In Arabic

اسم المؤلف: ندى صالح يوسف السلامي
اسم المشرف: مصطفى كاظم شغيدل
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد - كلية الاداب
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Phonotactics is the permitted arrangement of sounds in the language based on the language system of a particular language. Each language has a special way in their phonotactics as not all are permitted in the language although they are sounds from the language itself. The Arabic sounds are clustered in a way that distinguishes it from other languages. The other languages have a special way of phonotactics. Some words have Arabic sounds for example but they are not considered Arabic if their clustering do not fit the way sounds ate arranged in Arabic. Like jim (الجيم) and q?f (القاف) as they are Arabic sounds but they do not occur in a word unless arabized. Also the arrangements of sounds as the عain (العين) precedes the h?? (الهاء) if it is adjacent to it in the beginning of the root and that the h?? (الهاء) does not precede the عain (العين) unless separated. Also the pronunciation of Al - Muhandz (المهندز) is not Arabic because the z?y (الزاي) does not come after d?l (الدال) that is why it is replaced to sin (السين) in the Arabic usage but it is still considered arabized. The belonging of a word to a language does not depend on having its sounds in it or not, it depends on their phonotactics and the ability of language is numerous in forming words but many roots and words were neglected. Most of our old and new scientists have discussed these topics about Convergence and divergence of sounds but using some flipping other than others and they did not reach at a reason for negligence. But if we look carefully we find that the way sounds are arranged in the roots ahs an important role in neglecting a big amount of roots like athakh (عضخ) and it is used in a different arrangement Khathaa (خضع) so the reason for neglecting such cases was unclear but if we traced the rules of phonotactics we find AlKhalil saying that the عain (العين) does not precede kh?? (الخاء) and this can be the reason of negligence. Finally we can determine some of the rules that have been relied on based on the sayings of some Arab figures and we can divide sounds into three divisions : First - cluster sound by conditions like the kh?? (الخاء) should precede the عain (العين) and the shin (الشين) should precede whistling sounds sin, s?d, z?y (س, ص, ز) if combined with them, etc. Second - sounds that never cluster like the عain (العين) and h?? الحاء) ), the عain (العين) and ghain (الغين) , and the kh?? ( الخاء) and ghain (الغين), etc of the other examples mentioned in the thesis Third - sounds clustering without condition like the glottal sounds that reoccurred with most of the other sounds

الاتجاه التوافقي بين لسانيات التراث واللسانيات المعاصرة : الدكتورعبد الرحمن الحاج صالح انموذجا Coherent Direction Between The Cultural Lingnistics And The Contemporaray Linguistics Professer Abed Al - Haaj Salah As An Example

اسم المؤلف: معالي هاشم علي ابو المعالي
اسم المشرف: بان صالح مهدي الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study aims to find the direction of a compromise between linguistics heritage and contemporary linguistics represented by the efforts of the flag of the flags of the lesson lingual modern Arabic in the Arab world and is Dr. Abdul Rahman Al Haj Saleh, who tried to digest contemporary linguistics through a re - reading of the Arab heritage and especially (thought Khalili) , and is the approach adopted by the distinctive collection of Arab linguists, and that the absorption of the tongue of modern science in the West, and to understand and represent, and to fathom the Arab heritage lingual, like what he is doing some linguists in the Arab world, including : Dr. Ahmed Mutawakkil and Abdel - Qader Fassi Fihri from Morocco, Abdul Salam Masdi of Tunisia and Mazen rugged of Syria and Michel Zakaria of Lebanon and Dr. Karim Hussein Khalidi of Iraq and others, he has introduced these researchers thought lingual Arab in scientific dialogue with real thought lingual contemporary determines the location of it, as well as that this dialogue sponsor researcher to enter the Arab world to search lingual to become Arabs Meshmin real output in the lingual and put forward a development; because we have thought for Sanya can develop it, or develop aspects of it to be put forward for contemporary Sanya on a global level. Thus, we can say : It is not a shame that we learn what creativity for others, and do not take them as befitted origins of modernity, but this does not justify Azova for our credit linguistic and do not even cognitive General; and so the best solution to this issue, is to adopt the trend compromise is not excessive and do not overcook it preserves the originality of our heritage, and familiar with the principles of the modern curriculum. And thereby avoid prison of our heritage and a huge cast him into the world, Fteratna thought authentic, and we will not prove this unless Okhrzinah originality to the world, and the world will not undo blades, but what if we used the keys to reading contemporary Evqgaha everyone. And any action that can not be accomplished unless motives, the motives that motivated me to choose this subject, perhaps the most important, cash bitter face of research and linguistic studies that take direction harmonic approach in her research, as well as try some researchers undermining heritage and underrated. It also grew the desire I have to open up the search trends lingual contemporary by rooting for our heritage Arabic language, and identify the most important bases and objectives Portal last of these motives absence of approaches to linguistic between linguistics heritage and contemporary linguistics, take direction harmonic approach her, it is still these studies represent an arena Thera research and study, and deserves - right - multiple efforts to revive the Arab heritage in general and especially the language. And has research found a number of important results are : • The research revealed that the trend is more harmonic presence trends in reading the Arab heritage. • Research has proven that the term (linguistics Heritage) is actually in the arena of search lingual Arab and intended to re - read the linguistic heritage of the Arab in the light of modern linguistic approaches. • To stop the search when (Alhalilih modern theory), which is a direct continuation of the thought - Khalili, as well as it is of the most important experiences of Dr. Abdul Rahman Al Haj Saleh, has promised to this theory, the most important experiences of facilitation of linguistics and rounded specialists in Arabic language studies. • Find relied heavily on the (book Sibawayh) and the contents of the views of the grammatical Sibawayh sheikh of Hebron and in the detection of scientific facts;, and that the adoption of Dr. Abdul Rahman Al Haj Saleh this blog linguistic huge. • research to see Dr. Abdul Rahman Al Haj Saleh in theory Alhalilih modern, which represents the most important key features for the study of ancient sounds linguistic divide them (phonetics) and (phonology) as the author's opinion that each and every one of these sections can be devoted to his study on the unit and be used in the approaches and modern techniques, with great admiration for what was stated in the work of the ancients as the majority of the results of their studies have reached precision to ask. • Find proved the authenticity of Arabic grammar, and response, Dr. Abdul Rahman Al Haj Saleh suspicions argument with emotion as the Arab Aristotelian logic; and so as evidenced by the testimony of the mind and history. • Dr. Abdul Rahman Al - Hajj that the theory of the coolest factor is what scientists invented the Arabs - and especially Hebron and Sibawayh - and found that the theory of global connectivity to Chomsky her Arab roots. • Find demonstrated through his harmonic on the existence of the assets in a deliberative linguistic heritage / Arab rhetoric. • The trend shows harmonic clearly defined when Haj Saleh in his efforts in translation and terminology, as it has always sought to revive the old Arab term; to be the most appropriate for the context in which it is given and the accuracy of the terminology used by the ancients.

سور الطواسين : دراسة بلاغية The Stylistic Structures Of The Holy Qur’an Tewaseem

اسم المؤلف: مصعب مكي عبد زبيبة
اسم المشرف: مشكور كاظم العوادي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الكوفة - كلية الاداب - قسم اللغة العربية
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: The holyn Qur`anic text, by the stylistic structure is a subject that worth studying and contemplation. There are many studies that deal with the different aspects of the holy text by analyzing and studying, yet the groups of Hewameem, Lewameem and Tewaseem have distinguish status the matter that involves farther studying for the relations among these groups. Then we can wonder are there any direct relation among the divided or separated letters? The answer would never be conclusive. The term of ( style= Isloob) had developed from the meaning of ( a line of palms) to the aesthetic dimension and the technical procedure. The Arab rhetorical studies represent the base of the stylistic studies as the motive is the holy Qur`an, the study restricted to the holy text only. For its Western aspect, style based on Aristotle opinion who believed that the style should not be trivial, vulgar or common that is to say not to use the usual expressions, then it moved to the advance phase by analyzing and describing certain writer`s language and concluding some notices about his style. The three suras that are started with ( Taa, Seen, Meem) and ( Taa, Seen) are usually called the ( Al - Tewaseem, Al - Tewassn, A`l - Taa seen and Dhewat Taa seen), the correct one is (Al - Tewaseem) because it consists of the letters ( Taa, Seen, Meem) at the beginning of the suras. Selecting process is a main part of the stylistic procedure according to certain fix and affective bases, by selecting the terms and substituting them with each other within the common semantic fields, depending on the linguistic and literary abilities in selecting the best. Selecting process is so obvious in (Al - Tewaseem) due to their everlasting linguistic abilities represented by the terms, structures and derivations and placing each term in its place that if we replaced it by another one the miracle aspect would disappear. The Qura`nic text is a unit of unified parts, this coherence is appear clearly in the suras that are started with divided or separated letters. The common purpose and significance is of the elements that indicate the Qura`nic text unity. The suras of (Al - Tewaseem) have a common purpose; ( al - shoo`araa= the Poets) aims at comforting and solacing the prophet Mohammed ( P.U.H), ( Al - Neml= Ant) aims at comforting the Muslims and portending the disbelievers, and the purpose of ( Al - Qhases= The Stories) complete the previous suras` purpose by announcing the victory of the Muslims even in another time. Coherence is one of the aspects that result in connecting the one text parts on the level of the semantic differences; the tiny meanings that could not be recognized save by the close study indicate the context subjective unity and show some aspect of the Qur`anic text miracle. The figurative speech, in addition to attracting the receiver, supports the significance to be inculcated. Derivation is frequent in (Al - Tewaseem) to clarify the meaning, by been repeated, and to support the musical aspect by the harmonized terms. Narration occupied a great deal of (Al - Tewaseem) with the greatest tario for the story of Moses which was repeated three times in these suras, and that indicate the importance of the story to communicate the objective and technical aim to the receiver. The narration order differs from the chronicle where the focus was on the technical element because the stories are connected with each other; the story of Moses is related to that of Lute and the story of Aad is related with that of Themood and so on. The narration of (Al - Tewaseem) came with time techniques that preceded the modern narration. So we can say that the Qur`anic story agrees with the technical story in containing starting, climax and the end as well as the dialogue and characters, yet it proves it superiority to it with the miracle frame of narrating the historical briefly to communicate the thoughts and lessons.

علل الاختيار عند ابن يعيش (643هـ) في كتابه شرح المفصل : دراسة نحوية The Reasons Behind Selection At Ibn - Ya’Eesh In His Book Shrah Al - Mofasal

اسم المؤلف: مصطفى فالح صالح
اسم المشرف: رافع اسعد عبد الحليم العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2009
الموضوع الدقيق: اللغة - النحو
الدرجة: دكتوراه
الجامعة: الجامعة العراقية - كلية الاداب - قسم اللغة العربية
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: In the name of god the most merciful. than ks god and the pray and peace upon the god's messen gev. This study is classified in to five parts and the main purpose of this study is to show the reasons at Ibn - ya’eesh , and the results appeared in this study is : Conclusion and Results 1 - Grammatical cause is one of the most eminent issues which attracted many grammarians in the early stages and nowadays.2 - The cause appeared as notes explain a limited phenomenon then appeared strongly in (sehowaih) book , but the grammarians took care of the grammar rule in mind and then to educate that simple causes.3 - Seventh century was considered a stable stage for tge cause it was scare to find a question or a judgment without a grammatical cause. that what (Ibn - ya’eesh) did in his explanation.4 - In spite of many causes mentioned by (Ibn - ya’eesh) , he did not mention the word cause but in specific subjects.5 - Most causes mentioned by him were educational as the Arab way , then cohsensos sauses and then argumental causes by the first grammarians a little bit.6 - There are many kinds of causes mainly assimi lation cause in present tense synonym.7 - His style was comprehensive , clear , logical by using Quran verses and poetry verses in his book besides the educational view by asking and answering.8 - Giving more than one cause for each judgement may make it difficult to understand the question , thatis why he gave morw than one reason ror every one cause.

الايات الكونية في القران الكريم : مقاربة سيميائية Universal Verses Of The Holy Qur’an : A Semiotic Approash

اسم المؤلف: محمد يونس علوان محمد الدهش
اسم المشرف: ساجدة مزبان حسن علوان
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد - كلية التربية ابن رشد للعلوم الانسانية
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This thesis concerns itself with applying the theory of the American philosopher Charles Sanders Peirce on one particular type of the Qur’anic verses. That is, the universal verses, which involve references to a number of aspects of the universe i.e., Earth, Heavens, Stars, Seas, Wind, among others.The thesis focuses on the second triadic proposed by Peirce to interpret the Sign. This triadic studies the Sign in relation to its subject, which is embodied in three components. They are : Icon, Index, and Symbol.The thesis falls into an Introduction, three Chapters and a Conclusion. The Introduction deals with such important and pertinent issues as the semiology, its origin, formation and development, its definition, and the semiotic approaches utilized by scholars in both Arabic and Western heritages. The Introduction also sheds some light on the contemporary trends of semiology manifested in the works of the main two philosophers i.e., Ferdinand de Saussure and Charles Sanders Peirce. The main semiotic pillars of Peirce's theory (Sign, Semosis, and Interpretants) along with the main bases upon which the semiotic approach is established are dealt with in the Introduction as well. The first Chapter accounts for the Semiotic Icon of the Universal Qur’anic Verses. In which the Iconic Signs of these verses are tackled. This Chapter begins with an introduction highlighting nature of the Semiotic Icon, its types, and its place in Peirce's sign system.The second Chapter deals with the Semiotic Index of the Universal Qur’anic Verses. In which the Index Signs of these verses are accounted for. This Chapter starts with an introduction underlining nature of the Semiotic Index as proposed by Peirce.The third Chapter attends to the Semiotic Symbol of the Universal Qur’anic Verses. In which the Symbolic Signs of these verses are dealt with. This Chapter begins with an introduction underscoring nature of the Symbolic Sign, its types, its place in Peirce's semiotic theory, and the movement of its interpretants. The conclusion, however, summarizes the main ideas covered in the thesis along with the results arrived at by the present researcher. A list of the sources and references consulted in the study is presented at the end of the thesis.

اراء سيبويه في (البحر المحيط) : دراسة نحوية Sibawayh's Syntactic Views In Al - Bahr Al - Muhit : An Analytic Study

اسم المؤلف: محمد منير اسماعيل علوان
اسم المشرف: حميد عبد الحمزة عبيد الفتلي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد - كلية الاداب
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The present paper discusses the syntactic views concerning one of the most eminent scholars of Arabic language who lived in the second Hegira century; Ab? Bishr ?Amr ibn ?Uthm?n ibn Qanbar known as Sibawayh (Died in 180 A.H). The views are those found in al - Bahr al - Muhit (The Encompassing Ocean) of the commentator Abu Hayyan al - Nahwi (Died in 745 A.H). Al - Nahwi was an eminent scholar in Arabic language and Quran sciences. He wrote many classifications, among which is al - Bahr al - Muhit, which is adopted by commentators and grammarians from that period till present days. It contained many syntactic issues that were not tackled in classifications of such interest. It included the views of many former grammarians. Hence, this study is a record of the development of some syntactic views and continuity of the other views. The study discussed more than seventy syntactic views of Sibawayh which were mentioned by Abi Hayyan in his book. This paper could be the first step in the studying the views of grammarians who followed Sibawayh and who influenced this commentary. Therefore, the study is important for researchers who are interested in this field. The paper includes an introduction and four chapters. The introduction discusses the significance of the study which discusses the methodology adopted by ibn Hayyan in his commentary and former researches in this field. Chapter one, which is entitled Nominative Nouns and Converters, is of two sections. Section one includes nominative nouns; 1 - subject and predicate and 2 - subject of a verbal sentence. The second section discusses convertors; 1 - Kana and sisters and 2 - Inna and sisters. Chapter two is entitled (Inflected and Uninflected Nouns and Verbs). It also is comprised of two sections, section one discusses inflected verbs and the second discusses uninflected nouns and verbs. Chapter three discusses objects and appositives. It is comprised of two sections; the first discusses objects and semi objects, the second discusses appositives.Chapter four is entitled (Genitives and particles). It is composed of two sections; the first is about genitives and the second is about particles. The study ends up with a conclusion included the outcomes of the study, followed by the resources list and an abstract in English

اعتراضات شراح التسهيـل علـى ابـن مالـك : دراســة نحوية Objections Commentators Easing The Son Of The Owner Grammatical Study

اسم المؤلف: محمد علي عبد الله العنبكي
اسم المشرف: سامي ماضي ابراهيم
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: الجامعة المستنصرية - كلية الاداب
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Thankfully praise befits His Majesty, and his power is great, Praise be to God, who honored the humanity, Islam and made us proud, and honored us with AF, and prayed to God to His Prophet Muhammad and his companions and the divine. Almentajabin The best language the language of the Qur'an (Arabic), (down by the spirit secretary. On your heart to be omniscient. (Arab spokesman Amin) (poets 193 - 195) It is the scientists who Ulloa this art sincere devotion, and made his way most of their Ibn Malik (d. 672 AH), he left his book, easing a great impact in the Arab, and held the high status among the authors who wrote in his time; to collect it the grammar in summary, it was a rich students science - sufficient for its lengthy This effect has been demonstrated in a tribute to the scientists, including Ibn Khaldun (d. 808 AH), which decided to book the facility the son of the owner to have absorbed all of the transfer of rule He said his Damamana (d. 827 AH) : "Book collecting benefits collect frequent, and disclosed his words GLT value was every word of it Dora, do not be meddling in the bounty of the income from the door to engage him, and if you count other waste there is no doubt that the mayor Resulting in an idea of choosing the subject of consolidating a set of grammatical issues objectionable to a set of annotations, which invited me to Osgelh subject of my thesis (b objections commentators easing the son of the owner grammatical study), nor would argue that I add to this study to the son of the owner of a male, nor to His glory, glory, it is late in the developed decades in the male and fame, who revived the study as fees and landmarks Tamsh What objections commentators easing the son of the owner, but to complete what was initiated by former grammarians, it is an attempt to discuss their objections with reference to deaden diverse books. Our aim of all this is to reveal the truth of what went to him commentators in their objections to the son of the owner, walked in and whether it is scientifically objective attitude? Or if their objections tend to criticize the abstract without any evidence The previous studies that have taken place on this subject, they are two studies The first study, presented by researcher : the patience of quality, Ph.D., entitled (the annotations easing grammatical study of the budget), submitted to the Faculty of Education, Ibn Rushd, Baghdad University, 2013 The second : the objections of Sheik Khaled al - Azhari the son of the owner in writing (noble connector to about easing), the researcher Mohamed Ibrahim Hassanein, a (research) submitted to the Al - Azhar University, Faculty of Arabic Language in Cairo and study distinguishes this study from others they deal with most of the annotations easing printed, unlike previous studies, they examined the objection explainer explainer on another, as well as so that my work is based on a set of annotations objector by the son of the owner followed by a conclusion and Mazan Thesis are arranged in four chapters and boot, He studied the boot : (objection grammar : The term and concept), and devoted the first chapter of the study (curriculum commentators facility to object grammar of the son of the owner) and consisted of three sections. The first curriculum objection grammar when commentators and the second objection grammar patterns when the commentators, and the third : Types objection grammar when commentators The second chapter : studied (objections in introductions and grammatical nominative or indicative), was in two sections; the first : the objections in the grammatical introductions, and the second : the objections in the nominative or And singled out the third chapter of the study (grammatical objections in Mouncobac), and consisted of three sections, the first lesson : the objections in Mufaullac, and the second : the objections in the exception case, discrimination, and studied the third topic : the objections in the name of that and her sisters and And dealt with in the fourth quarter : (grammatical objections in the addendum and disciples prepositions), and split on the three sections, the first of which he studied : the objections in the addendum, and the second : the objections in the disciples, and the third objections in prepositions. The conclusion, they included the most important findings of the study, followed thesis bibliography of sources and references. The approach taken in this study, it is the historical method balancer through the collection of objections cited by the commentators on the son of the owner, and then I put a title for each issue objectionable and studied grammatical study, turned away from the text of the objection, as reported by son of the owner, and documented from the source, and then submit a summary outlines the substance of the objection, objection and discuss the extension of the views of grammarians, and income statements it is probable or weakening contained objections, as well as the graduation of the different evidence, whether from the Koran, or the hadith, or the words of Arab poetry and prose both suppositions.For this thesis it has objected to a number of difficulties stand in the forefront unavailability of some of the explanations printed, as well as that the large size of the one explanation and the multiplicity of its parts, we find that explanation headmaster army arrived to (a tenth part), as well as so obvious difficulty in the search for the words of objection when commentators and this march, making a trip this thesis uphill was not affordable. And I have to thank him right thanks and praise my teacher supervisor, Dr. Sami past Ibrahim, who provided me with the directives of sound and views bright since the idea of choosing subject so firmly established on its market, and endured with me to read it and follow it, and that persistence with science students, Vdzah God Me the good of what may reward byAs well as to each of did to me known, professors are generous, and dear friends, and make special mention of them d. Raad Karim Hassan, as well as d. Eyad Suleiman, and Mr. Amer apparent Alabadana, ask God to Adzehm richly rewarded I conclude my voice the words of Sheikh Qalqashandi : "To be excused for standing by, the results of ideas on different Alaqraih not come to an but spent every one of the estimated capacity of (God does not burden any soul. But what Otaha) (divorce 7), God and the womb had stood on the omissions or error Vosalehh, Aadhira not Aazla, and Mnala not Naila, it is not acquitted of the absurd, but the shelter of God and Asm, has been said : the book Kalmklv not be extradited from culpability, and brings with him the pen; and God Iqrnh luck! and instructs it to clear through! (and compromise I put my trust in God, but he and I turn to him) (Hood 88. Researcher

التصوير الموسيقي في الشعر الاندلسي عصر ملوك الطوائف والمرابطين The Imagery Musical In The Al - Andalusian Poetry : Era Of Al - Tawaif And Al - Moravid Kings

اسم المؤلف: محمد عادل جاسم حمادي
اسم المشرف: نصيرة احمد حمزة الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة بغداد - كلية الاداب
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تضمنت تلك الدراسة مجموعة الدواوين الشعرية المحققة في عصر ملوك الطوائف والمرابطين , والتي حظيت باهتمام الباحثين في جميع المجالات الادبية والنقدية , ما اعطانا حافزا لدراسة الجوانب الموسيقية التي لم يسلط الضوء عليها سابقا. الفصل الاول : درسنا فيه التصوير | Chapter one discusses musical imagery.In this chapter there are three sections : Section one : assimilation imagerySection two : metaphorical imagerySection three : metonymy imagery The researcher in this chapter discusses the relation between rhetorical imagery and music : was the poet successful in relating rhetorical imagery to music ? Are there discrepancies among poets in the extent of drawing such a relation or not ? ln chapter two , the researcher studies poetic and musical structure. This chapter is of two sections : section one is about poetic functions ,which are eulogy , elegy , love , wine , description , pride , and lampoon. Taking into consideration the different views of critics and prosody specialists , the relationship between meter and poetic functions , verification of authenticity of such views within analysis , and was the poet successful in relating meter and poetic function with musical imagery structure or not , were also discussed in this section. Section two is about the structure of Andalusian terza rima. the functions here were ; eulogy ,elegy , wine ,nature , and love. ln this section the relation between meter and poetic functions , within the structure of poetic imagery concerning Andalusian terza rima was discussed. Chapter three discusses the features of prosodic structure. lt is comprised of two sections. Section one studies external music , including two functions ; meter and rhythm. Section two is about internal music. ln this section , the researcher deals with repetition , paronomasia , relating second hemistich to the first , concord , inlay ,and rotation. these arts have vital prosodic importance in the contribution of the structure of the musical imagery. The conclusion included the outcomes of the study followed by references

الخلاف اللغوي في ضوء دراسة لهجات شبه الجزيرة العربية Liguistic Diversity In The Study Dialects Of The Arabian Peninsula

اسم المؤلف: ليلى علي فرج
اسم المشرف: ولاء صادق محسن الاسدي منذر علي عبد المالك
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The most important results obtained in the thesis it is that the dispute linguistic fertile subject of the Arabic language subjects, said in a boot importance of studying accents suspicion of the Arabian Peninsula in the study of differences of language, and looked at the first chapter voice dispute in the light of the study of the Arabian Peninsula accents Among the most important findings : - 1. The dialects participated in twelve way out of the exits of the votes.2. The origin of the voice (GEEM) to be whispered, described the ancient voice of DH description is true, and the origin of the sound (TAA) Speak out, and voice (QAAF) whispered.3. The Arabian Peninsula accents is consistent in speaking out recipes and whisper amplification and instability in their voices.4. The origin of the movements is long movements, and that the referral is a secondary development of ALLF and YAA and originated from opening a branch of it.5. The (focal point) does not exist in the Arabian Peninsula accents, their movement is not transmitted, and the phenomenon of insults facilitate a common phenomenon in the Arabian Peninsula accents.6. The voice is not a Noon rather than movement, and supports Noon with other letters.7. The scholars differed in some voices which (O Allah)8. Where Meem where the amplification and veneration, and the origin of (even) the eye and is not HAA, and (garlic) in which the original Althae dialects and got rid of it and replaced it in the SEEN and the SHIN.And discussed in the second chapter in the light of the controversy morphological study of the Arabian Peninsula dialects and found : - 1. The doors of the act, which counted abnormal scientists are the origins of these dialects in the present tense, although breaking the old linguistic phenomenon of a character, and share these dialects in Waw deleted from the present tense.2. The opening, which will be the second and third annular feature in the Arabian Peninsula accents characters, and the formula (FAAIL) is origin of the name - acting formulations, though Quartet words derived from bilateral substance in these dialects.3. The weights of the six names of mono and bi assets in these dialects.4. These dialects has not adhered to when combining and Deuteronomy markings to distinguish between masculine and feminine, and there were to Fezta (both, and both) Mtnah in these dialects gathered Aloagamah collection of evocative names in Salem.5. The Hamza appear on the image in these dialects.6. I found (Alta) in all the Arabian Peninsula accents to denote the feminization albeit thousand feminization is only the evolution of Alta which turned out to E and then to a thousand.7. Verb matches actor in the recall and feminine in the Arabian Peninsula accents.8. Rehabilitation of some of the terms that scholars have differed in, and these words of the word (name) in which the original is (Shin and Almim), but the word (human) origin on Flan weight, but the word (Emmen God) is derived from Yemen, but the word (devil) Noon the original, and others of the terms that reported assets in light of the study of the Arabian Peninsula, including accents (rIBA, flood, values, and how much) and others.9. Altmiam subsequent voice in Akkadian corresponds Tanween in Arabic, did not mention to distinguish between the outgoing and unspent, or between the name and the verb, or between singular and added.10. The basic meaning of the Decrease in the Arabian Peninsula accents is belittling.11. AZ catch the six names in the addendum in Hebrew and Arabic condition.Discussed in Chapter III : Grammar dispute in the light of the study of the Arabian Peninsula accents and revealed that : - 1. The syntax is the origin of the nouns and verbs, and that assertion is not in the syntax it is a linguistic phenomenon occur in the language, syntax, and it came to ease on the tongue, and that the collection Almant Salem riveted slot in all the Arabian Peninsula accents.2. The present tense parsed not being similar to the names, but for being a kind of act, and raised in Akkadian despite the entry of the monument factors and boots him, but the word (even) preposition and monument of the verb tense in the Arabian Peninsula accents.3. The Alljhat is barely differentiate conjunctions (but Waw) did not respond to the present tense erected after him, and that the origin of conditional sentence to be a reaction condition past and Answer condition Mdharaa brought.4. The verb is in the Arabian Peninsula dialects derived from the tenses.5. The distraction in the management definition in the Arabian Peninsula accents met Hamza in Arabic, and that the pronouns in which the original conscience as a whole, and (Ia) are the basis for Mufaolah mark originally in the conscience of the separate (you) word as a whole, the common root of the name of the signal (ZAA) in accents the Arabian Peninsula, and the use of reference name instead of conjunctive name out in these dialects, and waw in the word (those) out and not overloaded.6. Complex numbers Mdghamh with each other in Akkadian do not know the number of the boat in. In Hebrew intervention definition on complex number deficit tool.7. Agree accents the Arabian Peninsula in the feminization of the masculine number (3 - 10).8. The ground in the word (one hundred) original and not overloaded.9. Described accents the Arabian Peninsula being the actual accents, which are divided into actions past and PRESENT permanent and done, and cause non emphasis acts Almdharah them.10. Share these dialects in many of the characters, including the character (to) benefit reasoning, and (lam) in which the meaning of consensus (in order), and that the original etymological's (not) and (not) one, and (Seine) part deductible from (you will), responded (Ba) for Tbaad in these dialects, and (lam) in the sense (in a) and (a) indicate the different meanings.11. The scholars differed in some words of them (now) origin in the light of the study of the Arabian Peninsula accents expressing but not built, and (so) did the name, (not) a vehicle of exile character (not) and verb (ACE) in the sense (none), and ( Latt) to Alta which is not for the feminization of it is the origin of the word.

تداخل الانواع الادبية والفنية في شعر الجيل التسعيني العراقي Overlap Of Literary And Art Genres In The Verse Of 1990s Generation Of Iraqi Poets

اسم المؤلف: كريم عجيل صاحي الهاشمي
اسم المشرف: طالب عويد نايف الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: الجامعة المستنصرية - كلية الاداب
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لا يخفى على المختصين بالادب والنقد ان النص المتداخل يمثل وحدة نصية تتسم بالاشكالية الادبية والفنية معا، الامر الذي يؤسس مطلبا لكشفها ورصدها في النصوص الابداعية من هذا النوع، التي تعد مجالا رحبا للدراسة والبحث، لما ينطوي عليه من كثافة لغوية تعبر عن خفاي | The 1990s Iraqi poets generation isconsidered as one of the important generations of Iraqi poets in the field of culture and literary criticism due to the fact that its poets have acquainted themselves with the achievement of the former generations and attempted to comprehend it within adeep artistic vision in order to establish a trend guided by awareness of these visions and broad enough to embrace their different orientations and aspirations on the level of vision and art. This achievement was flexible thanks to its transformational structuralism from the lyrical poetic patterns to the dramatic narrative ones that came as a response to the requirements of denotation through anew formulation springing from the creativity co - occurring with the multiple literary genres. Overlap means that a single genre enters into various interrelations rendering it acceptable by the receiver through utilizing its formative elements and using them as new elements and tools of this new generated art (poetry) in order to create the aesthetic pleasure and to bring verse into the domain of the open text that can embrace fine arts.The verse 1990s generation of Iraqi poets overlapped via a series of stylistic and artistic techniques that consist with the textual content of their poetic texts due to the structural peculiarity of the course of poetic structure in spite of the confusion and looseness inflicted by modernism approaches that seek to remove boundaries separating literary genres, even though they did not cancel the delicate internal characteristics between them. So the approaches mentioned remain in bad need of them and their existence is necessary to identify the amount of displacement that ensues or the new deviation in their generalities that tend by their overlap to formulate and merge with other genres through the flexibility that the 1990s poem providesThe overlap between the poetic and the narrative has become clear. The dissertation came across many details that indicate the kind of this overlap, its methods and styles and these were studied according to the predominant ones of which. It has also become clear that the poem of the 1990s Iraqi generation of poets is a flexible one in terms of its theme and style and embraces the fields of modernism and consequently embraces the ideas and visions of their composers in the midst of hard circumstances surrounding their lives yet the broadness of vision entertained by this generation poets made them overtake the epic without isolating themselves from its painful details.These mechanisms that cope with verse came to be one of its aesthetic foundations that distinguish it and made it a text open to overlap with the other genres in their interaction and communication with each other let alone their consistency with the allegorical poetic discourse structures which represent a concomitant feature of the verse genre. The narrative techniques have become predominant in the text components, for verse represents a pure creative field but it infiltrates to all other fields able to put up with its effectiveness in infiltration and its ability to create a montage that renders the poetic production of images and others consistent with its delicate details through different axes as illustrated in the textual corpora.The 1990s text entails that time is not fixed because it represents a frame of the text and is involved in the crux of the textual structure and its organization.Reading the poetic achievement of the 1990s Iraqi generation of poets, we may conclude the presence of a great interactive recognition in the patterns of setting structure formulation and its prominent presence in their poetic texts on both the single structure and the total structure of H - setting a matter which shrouded their texts with aesthetic and technical features that the receiver can feel in their verse, for its well - known that man by nature deeply related with place. Undoubtedly, the poet, therefore pays special attention to it and his relationship with the place is exceptional and his recognition of its effect is tremendous and this results in a peculiar relation between the poet and the place with an interactive dynamism that generates different meanings. The poets of this generation made use of the interpretive level and its broad scope to embody the theme of event in a concomitant way that combines both the real and the imagined. It may also show the dynamism of the event and highlight it by the role that the characters play in the narrative poetic text and their unity in a relationship that reveals the nature of the event and its type when it relies on different religious and folkloric references.It has also become clear that the 1990s generation of Iraqi poets wanted to introduce a poetic achievement far from adherence to boundaries that separate it from the other artistic and literary genres, their achievement, therefore, was rich with overlap with these arts in a way that opens a large scope of stylistic and technical exchange a matter which characterized it with the feature of interaction through the employment of contextual structure techniques and textual structure styles. It is obvious that the poet was deeply concerned with the overlap between cinema and poetry and it is easy to conclude that the 1990s verse in Iraqi overlapped with cinema art and the fields of imagery that it employs follows the rules and techniques of this art to the extent that its well - known procedural tools allow both on the level of acting and direction. Cinema was one of the most important arts that overlapped with verse and through this overlap, it enables the poet to express his views and ideas in accordance with the features that characterize cinema. It is clear for all those concerned with cinema now important are the audio and the visual effects in the production of the cinematic picture, for these effects play an auxiliary role in the completion of the picture and making it easy to comprehend on the part of the receiver in order to emulate the real life that the cinema clips is tackling.It was revealed that this overlap was based in accordance with apattern of diverse and multiple structure in which poets resort once to following a traditional system of cinematic art and portraying things as they are in real life, and another follows the new trend of this art and avoid the exact imitation of real life in the pictured narrative material. It is not hard, anymore for the literary text receiver to observe that literary arts of various types are overlapping to the extent that it's now possible that they meet and introduce a single creative discourse for they all seek to perform an aesthetic effect on receives via expressive diversification and indication that crystalize the vision of its producer. Literature attempted to make use of painting effects through the diversification that overlap between verse and other arts permits and tried to paint with words. The employment of painting in 1990s verse was not confined to sketching the picture and embodying its dimensions via words alone but the increase in this employment in most their poetic texts so it overtook it in a manner that make it a participant in the acts of characters when they imitate a certain scene
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