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البناء الفني في رسائل ابن ابي الخصال الاندلسي ت540 ه == Construction In Letters Of Ibn Abi Al - Khissal 540 AH

اسم المؤلف: ايمان ناصر حسن احمد المسفر
اسم المشرف: خالد لفتة باقر
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study seeks to monitor a distinguished aspect of Ibn Abi Al - Khissal's literature represented by his prose letters, which have reflected his value and position among other writers at that era. It was taken into consideration letters of Ibn Abi Kissal collected and checked by Dr. Muhammad Ridhwan Al - Dayya, as well as some letters that were attributed to the writer, and found in the body of references and bibliographies. The importance of the topic comes from the fact that Andalusian literature was and still is a rich field of review and study. It was found in the letters of Ibn Abi Kissal what made the Andalusian prose be enlightened, and disclosed the rank of Andalusian prose in the fifth Hijri century, and how it participated in shaping life images in this area, as well as knowing writing styles used and were prominent there.Methodology used in this study was analytical, descriptive and aesthetic. This study of three chapters preceded by a preamble about the writer, his childhood, his educational background, and how his education has influenced his character, and preamble closed up with a brief about the style of the writer and his school in writing. The first chapter is devoted to the study of formal composition in letters of the writer, which was classified into three sections : in the first section, introductions of his letters were dealt with, in the second, its abstracts were discussed and in the third, conclusions were handled. Second chapter is included to study linguistic composition of these letters, which includes two sections; the first deals with lexicon of the writer, its terms' nature and their compatibility to the topic, the second is for styles adopted by the writer represented by the report, composition, objection, anastrophe, synonym, adaptation and implication. As to the third chapter, it is for studying descriptive and audio composition in his letters, which includes two sections, where we discussed an artistic rhetoric used by the writer to shape his images such as similes and metaphors. In the second, literary techniques were discussed which were used by the writer to get the letter's content coated with a beautiful rhythm, enriching semantic issues and consolidating meaning in the hearer's memory.

الاتجاهات النقدية عند مفسري القران الكريم من المحدثين == Monetary Trends · When Interpreters Of The Koran Modern

اسم المؤلف: حميد قاسم هجر المفضل الموسوي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

اسلوبية اللغة عند نازك الملائكة

اسم المؤلف: جبار اهليل زغير محمد الزيدي المياحي
اسم المشرف: علي ناصر غالب
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: This dissertation is to study stylistic opinions and poetical results of Iraqi wonderful poetess Nazik AL - Mala'ika. The study connects between the old produced and rose to come within the new ones represented by the black - verse that librated the poets from the boundaries of the unique rhythm and two parts of the old verse.The dissertation is divided into an introduction and four chapters. The introduction was just to show preliminary definition of the components of heading of the dissertation and stylistics of the language at Nazik ALMala 'ika.Chapter one concerns with the study of stylistical opinions, entitles "Nazik AL - Mala 'ika and the language of Modern Arabic Poetry", dealing with the deep and surface styles.An indicator of products unique 1 voice, binding with syntactical rule, renewal of language, renovation of utterances, humanity of verb, opposing synonyms in Arabic, refusal foreign utterances in poetry ,objection against Colloquial in poetry. Chapter two deals with linguistic consistency by which the poetess expressed her sadness and pessimism through poetry, like : (Consistency of interrogative, Format of exclamation, format of the appeal and format of repetition) Chapter three names as "Reversed in poetry ofNazik AL - Mala'ika" including sections of deletion, mention, presentation, and delay forming stylistic phenomena ,rising in her poetry like : (deletion of predicate, deletion of subject, mention predicate ,deletion of object , deletion of , preposition, deletion of articles deletion of exclamation instruments ,deletion of distinction.Whereas the sections of presentation and delay were (presenting predicate, presenting subject , presenting object , present clause, presenting adverb, presenting adjective over its noun and presenting the infinitive.).Chapter four studies the linguistic unity at Nazik AL - Mala'ika's poetry among which emerged ; Qur'anic utterances , natural utterances, patterns of irregular plural , patterns of extra verbs, the utter (each) and the verb (return).As for requirements of a stylistic research, the dissertation takes into account the effective factors on Nazik AL - Mala'ika's products particularly the poetic one like : Educational and social living, her influence by other Arab and western poets. I can not help, herein, just to present my great respect and regards to the professors of department of Arabic, in particular, the supervisor professor; Dr. ALI NASIR GHALIB who gave me most of his time, instn1ctions and his great efforts to evaluate this study.

الرسائل الفنية في العصر الفاطمي : دراسة اسلوبية == Technical Messages A In The Fatimi Era Stylistic Study

اسم المؤلف: زمان عطا نجم
اسم المشرف: نضال ابراهيم ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The foundations of the Fatimid state in the Maghreb , as started calling the Fatimid other third century so he played in the history of Egypt and the Arabs and Islam plays an important role for nearly a couple of centuries have left the traces can not be erased , making Egypt occupies a prominent place among the contemporary her, came objective Mentkie and one of the forms of prose that formed the literature in the color Fatimid state , Vansb of the our attention Asasaaly the monitoring of which came in the stylistic and technical implications messages in diverse cultural contexts , and according to that thesis orderd in booting fourchapter.Was entitled boot ( sundry forms in the Fatimid era ) as we were to the study sundry prevailing patterns in the Fatima era The study attempted in the first chapter highlight (Literature messages in the Fatimid era ) and to elucidate their colors through a detailed review of the technical aspects that contributed to the build also addressed the linguistic and terminological , then put a phased evolution through the ages ,literary, and then studied the patterns in some detail.In the second chapter was stood thesis at ( level voice ), which manifested itself in five Investigation , the first spacers,and the second parallel , and the third double , and the fourthin the homogeneity of the voice, and the fifth iteration ,explained Find the detectives that are including T - level voice came T. syndrome, and mutually reinforcing complement each others according to a regular mechanism issued by the inherent elements of the audio level.The third chapter was (level compositional ) included six Investigation , eat first ( installation junctional ) as the center of the pool and meet all elements of the text , while the second part dealt with the method (question mark) , eating Section Ill ( stylistic exchange pronouns ) as a phenomenon of stylistic in the letters of the times Fatimid , while the fourth section has dealt method (submission delays ) and allocated Section V ( for inter interceptors ) and caught the end of this chapter is to style a full knowledge of the condition in terms of theoccurrence of acts and Azemntha in the text.The fourth chapter has dealt with the subject ( the semantic level ), as disclosed on four topics , namely ( lexicon linguistic ) , eating Section II (brown similar and identical ) as a phenomenon reflect the imagination , and settled third section (brown Alastaaria ), and we ended chapter Balambges fourth as We studied faithful ( metonymy style ) and then came the conclusion summarizes the main findings of the research and observations , together with bibliographic study sources and references.I have tried in this thesis to unearth some of the aesthetics of artistic messages in the Fatimid era

نظرية النظم في دراسات المحدثين == Systemic Theory In The Studies Of Modernists

اسم المؤلف: اسعد رزاق يوسف
اسم المشرف: عدنان عبد الكريم جمعة السالم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Seeks thesis titled ( systemic Theory in the Studies of modernists ) to keep track of the products of modern researchers in systemic grammar theory, since the fifth century witnessed the maturity and characterized that it has embarked on a path stretched across the centuries, and the contribution of many scientists boots to her, and supplement founded, which formed the pillars of her theory after that was the idea, they are different faces it lies in the attention of scientists : rhetoric, grammar and literary criticism, as well as the miracle of the Qur'an. Coupled mentioned Abd Alkaher AlJerjani ( D. 471 AH ) , which he penned in its final form; for this reader finds that pairing when most of the studied Abdul omnipotent in general, or systemic grammar theory in particular. These studies have emerged in the twentieth century was a character trying to read aspects of the linguistic heritage, a new reading opted towards the study of systemic grammar theory, as it took place in the orbit of many modern studies and their works are still going on to the atheist and the twentieth century; and lies behind so many reasons, most important of which is owned by the theory first of creative value, but it has expanded to include the areas of research interest in linguistic variety. When the preliminary reading of a representative sample of those studies appeared researcher as having multiple directions in theoretical study, and if possible identify trends, and then was selected on three axes, namely : studies have investigated the authenticity of systems theory, and sought to exploration knowledge assets in other civilizations, namely Elhoudartan : Greek, Indian, as well as the Arab civilization itself. The studies that have attempted to explain the theory of systems according to the Arab vision of self, the last and the direction of the studies that have sought to compare the theory with linguistic curriculum Western modern and contemporary. Accordingly, the research plan is built on three chapters, which included the first subject of the foundations of the theory of cognitive systems, and studied Chapter II grammatical trends and systemic grammar theory, and included the third quarter trends of linguistic theory and systems. Chosen approach texture offer ideas and insights and analysis, was based on an exact reading of the entire studies that formed the pillars of the thesis, and careful reading of positions RDM theory in the books of the Arab linguistic heritage, especially the book (the signs of Miracles), which represents the maturity of the theoretical stage, and wrote non - Arab heritage, and it signed a focus on citizen offered by modern studies and discussed, as well as sources of modern Western linguistics and curricula. Sealed thesis conclusion of the highlights of the results and the presence of a variety of approaches between systems theory, between Greek heritage, and Indian, as well as the Arab heritage, as well as having the features of the convergence between them and the trends of linguistic Western modern and contemporary : the structural and stylistic, and obstetric manufacturing, and deliberative, with the pursuit researchers to attempt to detect grammatical trends included a theory : toward a sentence, and some text, and the pursuit of the most important principles of interpretation of the meanings of a theory as such, it has been interpreted as a distance explanations.

الخطاب الحجاجي لاهل البيت (عليهم السلام) في كتاب الاحتجاج : دراسة تداولية == Argumentation Discourse Of Ahlulbait (Peace Be Upon Them) In The Book Of Al - Ihtijaj A Pragnaticus Study

اسم المؤلف: عبد الحسـن علي حبيب شبيب الناصر
اسم المشرف: محمد عبد كاظم
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Argumentation discourse is a central focus to delivery of ideas and prove purposes in the mind of the listener. As it involves on active role in persuade others. Being a conscious attempt by the speaker to influence the recipient through the means of excitement and influence. There fore ,the study seeks to uncover the mechanisms persuasive in blog intellectual heritage employing some of the findings of the research deliberative of concepts and laws as a principle of the cooperation and the theory of speech acts and the total investment made by the theories of concepts and tools in the analysis and it came study entitled (Argumentation Discourse of Ahlulbait (peace be upon them) in the Book of Al - Ihtijaj A Pragnaticus Study). and but we chose this blog without the others because of it's privacy supportive of this argumentation theory it is the nearest congnitive texts that represent Argumentation theory to posses mechanisms and from and tools. And it was a field of study, research and following the descriptive method of analysis in the description of Argumentation phenomena in the Argumentation discourse and its role in persuasion

الفكر الاستعاري العربي في ضوء المنهج الحجاجي == Arabic Metaphoric Thought In The Light Of Argument A Pproach

اسم المؤلف: يوسف رسول حسين
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to God and tow years after of research and study ,we finished this research that named ( The metaphoric thought in light of curriculum AL Hijaji) through follow up with administrators I adopted in my study on the Arabic resources and its represent in workbooks was the most important one (the important theories of AL - Hijaj from Aristotle to today) with administrators special team in Manoba university in Tunisia ,and AL Hijaj in AL Koran of most important style characteristics Abdullah revolution and ( AL Hijah in contemporary rhetoric) for Mohamed SlemAmeen and(Al Hijaj in Arabic poetry) for Samia Al Doraidi and ( Al HIjaj and the truth and afaq and interpretations )for Ali Al Shaban and dialogue require in circulation lingual and another of Arabic old and new resources This research divided into three chapters and at the beginning of these chapters an introduction and pave and the researcher took in pave the metaphor in Arabic thought , metaphor in western thought and the metaphor in Al Hijaji’stheories and was under this last title another titles , it was talking about definition of Al Hijaj , Al Hijaj’s theories , Al Hijaj in Berleman and Al Hijaj’s metaphor. In the first chapter there are three parts ; the first part was talking about the mechanisms of Al Hijaj in critics and Al Hijaj in poetry and the conversation include Al HIjaji’s pronunciation resource. In the second part is talking about the research of Al Hijaj in Al Amadi and Abulkahir Al Jerjani and itAl Basrah UniversityCollege of literatureArabic departmenttook the delay’s styles and division and rhetorical styles that put by Al Amadi also the researcher in this part talked about Al Hijaj in Abduikahir Al jerjani. In the third part of the first chapter the researcher talking about the circulation dimension in the Arabic critical speech , He was talking about interesting principle and principle of purpose or the meaning and how to employed from the old Arabic criticsIn chapter tow the researcher talked about Al Hijaj for the old Arabic commentators and he took birth of the term explanation for the Arabic and under this title the speech was about definition of the explanation is language, Al Koran Al Kareem and the ignorant poetry and explanation the poetry that owned by Arabs. after that I’m began reading the books of Al Hijaj and its resources. at the end of the closing I extend my thanks and appreciation for Dr.FalehKamelEscandar who was more than teacher and brother to me and I also thanks all my teachers in Arabic department and all thanks for the members of committee discussion.

المباحث اللغوية والنحوية في كتاب الشرح الممتع على زاد المستقنع للعلامة الشيخ محمد بن صالح العثيمين (ت1421هـ) == Ibn Al - Authaymean’S Linguistic And Syntactic Effects In Explaining The Book Of Zad Al - Mustaqni

اسم المؤلف: احمد صالح حميد النجماوي
اسم المشرف: محيي الدين توفيق ابراهيم
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: The thesis entitled Ibn Al - Authaymean’s Linguistic and Syntactic Effects in Explaining the Book of Zad Al - Mustaqni.The study consists of an introduction, four chapters and conclusion. The introduction deals with Al - Authaymean biography and the relation between the Arabic language and Shareea. The first chapter falls in two sections, the first of which presents the main sources and references of Al - Authaymean and also the well known scholars whose views appeared in the book. The second sections deals with the auditory sources of language based mainly on the Holy Quran, the Prophet’s sayings, the poetry and Arab prose. The second chapter falls in three sections. The first section deals with types of semantic references, i.e. phonetic linguistic, dictionary meanings, figurative and Islamic. It also talks about the contexts (linguistic, social and contexts). The second section reviewed the semantic relations among words. The third section presents the semantic, non - relations among words. The third chapter falls in two sections. The first one deals with factors and causes, whereas the second one talks about the syntactic aspects. The fourth chapter consists of three sections. The first one deals with markedness rules concerning nouns, the second one contains the rule of verbs. The third section was specified for markedness rules and preposition.

جدل الشعر والنحو : دراسة في شروح القصائد العشر الطوال

اسم المؤلف: باسم ادريس قاسم مصطفى السوفاجي
اسم المشرف: بشرى حمدي فتحي احمد البستاني
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:

الرؤية في القصائد العشر == Visibility In The Pre - Islamic Arabic Poetry - Pendants Ten A Model

اسم المؤلف: افراح عبد محمود الصباغ
اسم المشرف: مؤيد محمد صالح اليوزبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Poetry was a means to detect the human realities of things 'but detection of objects and symbols, and exposing Astmlae. Poet is best able to call things by their proper names, because it is capable of creation and creativity stemming from the inherent ability of self and maturity of the intellectual and artistic and aesthetic and depth of the horizon of knowledge - Find useful in employment macroscopic and significant or realistic to reveal behind the facts related to the experience of the poet life' and poetry with a vision to confer on the objects and a new reality is possible 'which is different from the reality recognized when people who are rust and obsolescence no longer serve, and to build state of the world new better that they want to go Viosaun thought to the people and their world and their presence which Jmdoh and identified' Understanding to carry out the soles of life and reality Spraguar art and swept up the veil for the truth that lies behind the necessities of life. And poetic vision of linking the visual and the invisible between reality and dream as it revealed the strength and energy to create a virtual tool and knowledge, to enrich reality The bypassing of vision as the border meaning lexical beyond the vision of the seeing and the apparent meaning of things to the awareness and briefing Bhakaigaha to be more inclusive and better able to discovery which can not impaired his vision and take Bhakiqth been overtaken incursion into the depths of things and try Astbtanha the finest exposing and preserved in the feelings and concerns and attitudes through incursion in the depths of the unconscious and The dark depths of truth and thus become Bassurah vision and insight together to and identifies the vision and interfere with them in the meaning by trying to creation of new horizons of thinking is not at the level of topics only But in terms of a holistic view of the world that you are working on a creation that is the task of the vision that binds reality dream and graduated Language Baekr working on the Union form to the content so that is no longer the poet but Seeing which is the same and others in that, Vlgosaidp) Revelation) in the sense that they embody the aesthetic / perfect for the transition poet to express the world to see and how to say it is a vision of the interior. The pendants Arabic poetic form in which the body immortal vision and poetic vision of a strong character because she was the product of human experiences and a broad and multifaceted, embodied the rights and issues raised by both communities and the various ages. The effects of that melted the hearts of the recipients in all forms, government had met a matter of creation and regeneration in the Permanent Technical immortality is a feature unique texts and high - end, which has become an aesthetic structure identifies in detail the vision and keep the vision.

الشخصية في شعر ادونيس : المرجع، الحضور، التحولات

اسم المؤلف: حازم هاشم منخي عبد السيد
اسم المشرف: سوادي فرج مكلف
الموضوع العام: اللغة العربية وادابها
السنة: 2010
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

البحــث اللغــوي عند السيد محمد باقر الصدر == Al - Sayyid Muhammad Baqir Al - Sadr's Linguistic Study

اسم المؤلف: حسين مزهر حمادي
اسم المشرف: عبد الحسين علك المبارك
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This is a study of the linguistic efforts of one of the most significant modern figures in the field of the science of origins and sources of Fiqh;namely, Ayatollah Sayyid Muhammad Baqir Al - Sadr It investigates his works on Sources of Fiqh ,especially his book. Lessons in Science of Sources as well as his investigation of External studies which one of his students, Sayyid Muhmood Al - Hashimi published under the title, Papers in Science of Sources A descriptive approach has been followed here to trace back the linguistic phenomenon on the part of the linguists on the one hand. On the other hand the very phenomenon of language is investigated as part of the work of the scholars of Sources. Finally, this investigation covers the point of view held by al - Sadr to trace the methods followed by such scholars and the their views so as to anchor at the recognition of the seriousness and mastery Al - Sadr practices while discussing and evaluating earlier linguistic view points. As far as the section on the thought and viewpoints of Sayyid Al - Sadr ,is concerned it analyzes these viewpoints into their main components and supporting ideas to pinpoint the sources from which AL - Sadr has drawn his own opinion when developing his view points here and there Then all that is of some relevance to what Al - Sadr suggests whether held by those pioneer linguists preceding or succeeding him has to be matched to arrive at the originality and novelty of his very suggestion or opinion By so doing , the researcher aims at showing the application and value of Al - Sadr ‘s contribution to language and interpretation of certain aspects of the very phenomenon of language. To outline the thesis, one may say that this research work falls into two parts preceded by an introduction on Al - Sadr biography including the features of his linguistic approach. Again, each of these two parts subdivides into two chapters. The thesis ends with some relevant results. Part I is entitled Sound and Meaning. The first chapter of the first part is on the source of meaning This chapter falls into three sections.Chapter Two carries the title of A Variety of Semantic Patterns. This chapter divides into two sections : Factual and Figurative language and Equivalence and Association. Part II is given the title, Letters and Sentences. Chapter One is on letters and it is divided into two sections. On the other hand, Chapter Two is has got the title of Sentences. This is also subdivides into two sections.The first and most important result of the present research work is the description of the theory developed by Al - Sadr. This theory can be added to the two traditional theories of sources of language. In the light of his new linguistic theory, Al - Sadr explains the origin of language and how sound is associated with meaning in the field of semantics. Al - Sadr's novel theory is called “Approved Association”. In this study of Al - Sadr's theory, the researcher has done his best to shed the light on the very linguistic theory under investigation discussing its basic components as well as its knowledge bases and linguistic dimensions within the frame of modern linguistics. Thus, this is a comparative study that seeks the application of such a linguistic theory to the significant interpretation of the initiation of meaning or semantics emphasizing the first connection between word and word meaning. Furthermore, among the other results of this study is the exposition of the various view points held by Al - Sadr. These views cover matters such as reality and fiction, association and equivalence, function words and their meanings, the use of prepositions as well as types of sentences. Al - Sadr's views have dealt with almost all aspects of language; starting with the word and ending with the whole sentence. Al - Sadr's efforts reflect this unique pioneer's own brilliance and innovation.. It is to this man, one may safely relate the invaluable innovation.that can never be matched in linguistics.

النقد الاجتماعي : دراسة في النقد القصصي العربي الحديث تنظير واجراء == Social Criticism Study In Modern Arab Fiction Criticism Theoretical View And Procedure

اسم المؤلف: خالد علي ياس
اسم المشرف: فاضل عبود خميس التميمي | متعب مناف جاسم
الموضوع العام: اللغة العربية وادابها
السنة: 2013
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

الايثار الدلالي في القران الكريم

اسم المؤلف: بشرى عبد المهدي ابراهيم التميمي
اسم المشرف: ليث اسعد عبد الحميد
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:

التشكيل البياني في شعر الصعاليك والفتاك حتى نهاية العصر الاموي == Rhetorical Formation In Ai - Saaleeq And Al - Fattacks Poetry To The End Of Umayyad Ere

اسم المؤلف: خالد جعفر مبارك
اسم المشرف: فاضل عبود خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2014
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The study deals with Rhetorical Formation as a critical idiom which works in effective poetry field and it is very clear in procedural use. The picture in the poem or the portrait needs the senses and feelings of the receiver and it colours his experience. Thus the drawer and the post use certain means to fulfil his works.As it is known poetry is based on rhetorical arts and means from linguistic and rhetorical view point to create motivation and astonishment. The thesis aims at revealing the art movement of rhetoric and describing it inside the poem structure and outside it. The poem includes in its multi - understanding. The poem is considered as abase the field for poetic rhetoric. AL - Saaleeq and Al - fattacks poetry was chosen to be the subject of the present study because it has literary importance. it gathers two literary eras.Which are considered the most prominent literary eras for poetry production. They include poetic interest and researchers tackled this rich literature. Since the researcher is interested in old literature and has a great wish to study and read it he chose this topic. The study falls in to the following parts : Preliminary (Rhetorical formation in Language) was studied from two sides , the first studies the formation and its relation with poetry. The second deals with the rhetoric term and its development. The study falls into three chapters. The first chapter deals with assimilation formation and its activity.The decoding assimilation structure was studied in the first part and the rhetoric assimilation structure is studied in the second part.The second chapter studies metaphorical formation. The chapter is divided in to three sections.The first deals with metaphorical structure the second part deals with the body metaphorical structure and the third deals with recognize able decoding structure. The third chapter deals with the exceeding rhetorical formation. The study arrives at the following conclusions and suggestions : - The study identifies formation concept.It investigates its concept deeply. - AL - Saaleeq and AL - Fattacks poetry have a great ability in poetry. - They were able to re form environment from poetic viewpoint. - They deal with poetic language as scientists who know every thing concerning its content. - In the assimilation structure art is mixed with psychology. - Most of Al - saaleeq and Al - Fattacks poctic assimilation pictures are very clear. - Al - saaleeq and Al - Fattacks poctic were able to change the task of the main assimilation structure from being printed on the poets conscience to being printed on the receivers conscience. May - The other studies in future study Al - saaleeq and Al - Fattacks poetry from a semantic point of view. - A study can deal with semiotic formation phenol menon in Al - saaleeq and Al - Fattacks poetry. - Al - saaleeq and Al - Fattacks poetry am be studied from a stylistic viewpoint.

التصوير البياني في المشاهد الكونية القرانية : دراسة في الانماط والوظائف == Rhetorical Portrayal In Qur'anic Cosmic Scenes : A Study In Patterns And Functions

اسم المؤلف: حميد جفات ثويني الجبوري
اسم المشرف: اياد عبد الودود عثمان الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: The present study, which is entitled "Rhetorical Portrayal in Qur'anic Cosmic Scenes : A Study in Patterns and Functions", is in the core of the Glorious Quran studies as it is full of a great number of cosmic verses that are counted by researchers to mount up to sixth of its verses. These verses are dealing with various cosmic elements. When the Holy Quran tackles the (cosmic scene), it deals with it for the sake of accomplishing a variety of functions; ranging from those indicating divinity, an evidence of resurrection, a reminder to humans of Allah's blessings for them, or an identification of the relation of the universe in all its minute details to Allah the Creator. Rhetorical portrayal is regarded on of the phenomena of expression in literary language. The text of the Holy Quran is the apex of such texts. It is characterized by the clear and distinct presence of the rhetorical portrait inside of it along with its distinguished tackling of rhetorical patterns (simile, metaphor and metonymy) in the production of portrait. Of the most significant previous literature is a thesis entitled "The Concluding Sentence in the Qur'anic Cosmic and Humanistic Verses : A Stylistic Study" by Noor H. Mohammed that aimed at dealing with the concluding sentence in the cosmic and humanistic verses with no due reference to the rhetorical portrait except within the scope of her study method.The thesis comprises a preface and four chapters. The preface concentrates on the trilogy of image, imagination and the Qur'anic cosmic scene so as to uncover the concept of image and its relation to imagination among ancient and modern writers. Afterwards, the study moves on from the preface to the practical side. Therefore, the first chapter entitled "Simile in the Cosmic Scenes System" is subdivided into five sections. The first of them is the two sides sense image, the second is the intermingled sense image, the third is the image in the implicit simile, and the fourth is the effectivity of representative image, while the fifth section is the employment of transformational devices in simile. Chapter two focuses on the "Metaphor in the Cosmic Scenes System". It is split into four sections; the first is the employment of personification in the cosmic scenes system, the second is inserting the metaphorical portrait in the cosmic scenes system, thirdly is modes of embodiment in the cosmic scenes system, and the last is the antithesis binaries. The third chapter is entitled "The Mental & Hypallage Trope in Cosmic Scenes System". The researcher favored studying these two types in a separate chapter because they are dangling between metaphor and metonymy as well as due to the huge portrayal energy innate in them that opens forth to both types with regard to their various connotations and relations. I preferred to put this chapter in two sections due to the nature of the analytical, inductive method which is close to descriptive approach of the study; the first is the mental pattern in the scenic system, and the second is the Hypallage pattern in the cosmic scenes system. Chapter four is allocated to the study of "Metonymy in the Cosmic Scenes System". It lies in five sections; the first is the employment of the human and his/her related matters in the cosmic scene, the second is the use of plant and its related issues in the cosmic scene, the third is the usage of time and its related matters in the cosmic scene, and the fourth deals with the metonymy of sighted and chilly cosmic phenomena in the cosmic scene, while the last tackles color implementation in the form of metonymy image. The most significant conclusions perceived from the study are : 1. The letter (Kaaf) comes with the word (mithl/ like) to assure the state of intermingling between the two ingredients of simile.2. The researcher has founded that the rhetorical pattern exceeds the limits of portraying the form into abstract and imaginative worlds, and that the elements forming the cosmic scene participated in the eccentricity of portrait and the activation of its poeticity. 3. Cosmic scenes are mostly count on visual images that are related to natural elements, especially plants. They might address readers' eye to associate more than one human sense with the aim of accomplishing many functions, most importantly, purgation

مظاهر الانزياح في الشعـر الاندلسي : عصر الطوائف والمرابطين مثالا == Aspects Of Stylistic Deviation In Andalusian Poetry : Poets Of Age Of Al - Tawa'If Kings And Al - Murabiteen

اسم المؤلف: لؤي صيهـود فـواز التميمي
اسم المشرف: خليل ابراهيم عبد الوهاب القيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation is an attempt to study aspects of stylistic deviation in the poetic genre, in an introduction and three chapters. The introduction is dedicated to deal with the different terms and Arabic translations of stylistic deviation.The first chapter tackles "Substitutional Deviation", in three sections : Section one : Deviation of characterization structure.Section two : Deviation of simile structure.Section three : Deviation of impersonation and personificationstructure.The second chapter is devoted to study syntactical deviation, in three sections : Section one : Metonymic deviation.Section two : Deviation of hyperbaton, omission and intertextuality.Section three : More syntactical deviation aspects, such as : annexment and shift, apostrophe, interrogation,order, prohibition, swearing and exclamation. The third chapter is dedicated to the musical host of the poetical form, with a theoretical introduction and three sections : Section one : outer music : metres and rhymes.Section two : inner music in forms of : consonance, repetition, fronting, isocolon and lionine rhyme.Section three : Terza rima (Al - Muwashah). The dissertation has come up to a conclusion summarizing the final academic results.

ادب فؤاد التكرلي السردي في الخطاب النقدي العراقي الحديث == The Narrative Works Of Fuad Al Tikirli In Modern Iraqi Critical Discourse

اسم المؤلف: فاهم طعمة احمد سبتي
اسم المشرف: سعيد عبد الرضا خميس التميمي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: There is a huge critical movement around the works of Fuad Al Tikirli that can be traced back to the mid - fifties of the past century. This is because of the unique characteristics of Al Takarli's works that are marked by intellectual attitudes of development, renewing, and modernism towards writing fiction. Al Tikirli has an exclusive touch that can be noticed by his stories, novels, plays, and articles. This exclusivity is marked by the various literary genres with the accuracy and incredibility of the style at the same time. Al Tikirli has his special style that distinguishes him from other Iraqi writers of his age. Accordingly, critics had followed his writings from his first short story. Nihad Tikirli is regarded as the first critic who reviewed his successful story "Al Uioun Al Khudhr" (The Green Eyes). Before that, many critics tried to analyze his experience according to their intellectual and academic attitudes towards stories and novels like Dr. Ali Jawad Tahir, Dr. Abdulilaah Ahmed, Dr. Umar Talib, Dr. Muhsin Al Mousawi, Dr. Shuja' Al Ani, and the critics : Fadhil Thamir, Yaseen Naseer, and Basim Abdulhameed Hamoudi.The Tikirlian Experience was a subject of many critical studies. All of which tried to find an approach to describe its nature with different procedural devices. This gave his works a critical richness especially in the intellectual fundamentals and the various vision procedural devices. What encouraged the variety of critical approaches of the narrative experience of Al Tikirl is his humanitarian attitude, artistic beauty, and the definite ideological message. His experience is open yet comprehensive with various attitudes, which is a subject of many interpretations. The most important reason behind conducting this study is the variety of critical topics about Tikirli's fictional experience as one of the leading figures of fiction and novel in Iraq as well as the genuine, deep, and continuously developed experience. Al Tikirli was able to take a prestigious status among the Iraqi and Arab novelists.The strong interest in narrative literature participated in choosing this study. It is well known that Fuad Al Tikirli wrote in various literary genres like story, novel, drama, essay, translation, and diaries, but this study will be devoted to narrative literature. Other genres, especially drama, will be left for two reasons. First, those plays did not reach the desired level. They were sole dialogs in which he aimed at trying to write in other genre near to his type. Secondly, the rarity of critical studies that dealt with his plays. The researcher found about two or three essays on his plays, which means that it is regarded as a secondary to his first interest, i.e., stories and novels.Some of the few essays that were concerned with dramatic criticism are "Fuad Al Tikirli : the Dramatist" by Dr. Dhia Khudhayir which was published in the journal Aqlam 3 (1989). The second essay was entitled "The Structure of Dialogue Scenes in the Plays of Fuad Al Tikirli" by the critic Abid Ali Hassan that was published in his book Drama and Application and republished in the journal Emdha 5,6 (2014). The third essay was written by the researcher Mudhafar Salim Shakir and entitled "The Foreign Shadows in the Plays of Fuad Al Tikirli" which was published in Emdha (ibid). The methodology of the study will be based on the textual analytical approach that utilizes the narrative techniques and their aesthetic achievements and the two main narrative streams : traditional novel and Formal Structural Narrative that dealt with the relations between narrative units in a literary work.The study chapters were based on the elements and components of narration as well as the modern techniques of Fuad Al Tikirli's works. The study consisted of four chapters as well as an introduction, a conclusion, a bibliography, and an abstract in English. The introduction contained two aspects. The first one was concerned with Al Tikirli's biography, his narrative innovation and its sources, and his characteristics according to critics and researchers. The second aspect was an introduction to the most important modern narrative elements and techniques contained in the study. The first chapter studied the components of narrative discourse in the works of Fuad Al Tikirli. It is the longest chapter of the study and contained many sections like style, dialogue, and the narrative setting represented by time, place and characters. All those elements participated in the development of his narrative works through the role played by each element in forming and organizing the structure. Style is regarded as the front of the writers work. Dialogue reveals the extent of the writer's attention to people interaction, as well as the monologue that reveals the inner worlds. Narrative setting (time and place) has a great effect on preparing the circumstances to embrace the characters and affect their role in the novel. Characters represent the main factor in narration. Main and secondary characters are the reason behind the existence of the novel.The second chapter contained the components of narrative discourse that is almost similar to the first chapter except with the analysis and scripts.The third chapter entitled "Criticizing Psychological Structure". It was divided into preliminaries and two sections. The preliminaries dealt with an introduction to psychological approach theory and its way of analyzing literary text according to a comprehensive social vision. It showed the relation between fiction and society and the effect of each one on the other in a controversial relation. The first section discussed the issues of sexuality, woman, and adultery in the works of Fuad Al Tikirli. It also discussed the attitude of critics towards this vital and important issue as an advanced topic in this type of literature. The second section was devoted to study the character of the cultivated in his novels and the critics' explanation of the cultivated psychological and financial problems. The fourth chapter contained the criticism of formal structure. Critics have structurally analyzed the scripts Al Tikirli in a punctual and subjective way in building organized relation between narration techniques. This chapter was divided into preliminaries and three sections. The preliminaries were devoted to investigate the formal structural method and its most important techniques. The first section studied the movement forward and backward in narration time. The second section dealt with narrative novel or writer's perspective towards certain topic. The third section contained the subject of textuality of multiple texts to form a new meaningful text. The researcher would like to express his deepest thank to Assistant Professor Saeed Abdulridha Kamees Al Tamimi Ph. D., the study supervisor, for his valuable observations and his dedication towards the perfection of this study. The researcher also extents his gratitude to the professors of the Department of Arabic Language, especially, Dr. Mohammad Abdulrasoul Salman - the dead of the Department of Arabic Language, as well as Professor Fadhil Aboud Al Tamimi, Professor Ayah Abdulwadoud Al Hamdani, Professor Salah Mahdi Al Zubeidi, and Assistant Professor Ali Mutib Jasim. The researcher also thanks the public libraries for their provision of sources and references namely : the higher study library - College of Arts - University of Baghdad, the central library - University of Baghdad, the central library - Mustansiria University, The National Library - The House of Books and Documents, and the central library in Diyala Province.Finally the researcher expresses his deepest gratitude to the debate committee for their efforts in studying and identifying the pitfalls of the study.

الاصوات عند سيبويه في ضوء علم الاصوات الحديث

اسم المؤلف: عبد العزيز سعيد بن حمان الصيغ
اسم المشرف: حسام سعيد النعيمي
الموضوع العام: اللغة العربية وادابها
السنة: 1999
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

التناص الحجاجي في خطب عصر صدر الاسلام والعصر الاموي == Argumentative Intertextuality In The Speech Of The First Islamic Period And The Umayyad Period

اسم المؤلف: امل عبد الرحيم جمعة القره لوسي
اسم المشرف: حسن حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: يجترح هذا البحث مصطحا مهما من المصطلحات الحجاجية الا وهو(التناص الحجاجي) الذي يعنى بالخطاب والتعالقات النصية في خطب عصر صدر الاسلام والعصر الاموي، واثر هذه التعالقات النصية في حجية هذا الخطاب، فالعلاقات النصية التي تقيمها الخطابات تمتد الى ثقافة مختزن | The current research suggests a significant term which is one of the argumental terms that is the arguemental style. It tackles speech act and relative texts in the speeches of beginning of Islam and the Umayyad era and the effect of these relative texts in the argument of this speech act. The relative texts that are evaluated by orations extend to a stored culture in the collective memory which are inflected in departures and changes that are covered always with a modern garnet. This linguistic event is revived through precipitated procedures in the new oration. The text here is a web of linguistic, constructional, and ideological data, all cooperate to form speech acts. After completion, it practiced a great influence so as to produce other texts, so, the text depends on renewal according to its readability and on quantity according to its supplying privacy.The incoming text comes loaded with argumental references charges with pragmatic productive features to penetrate with the current text and melt in its essence, so the incoming text appears in various levels : the explicit and the implicit. This pragmatic fertilization results in new text with a directed argumental dimension. The pragmatic interaction which is established between the incoming text and the current text cannot be of a single path instead it goes towards the giving and taking reference; it grants the incoming a new reference as it grants an argument power to the current text with all its pragmatic referential roots within its environment. So, the coming text may grants old text new interpretation or show them with a new garment that was hidden before. They could not be seen before so long as the style process, that achieves great deeds that practice argumental power which guide the path of speech act.The research results in several argumental style that the orator adopted in the beginning of Islam and the Umayyad era. These speeches were coloured with different stylistic feature that carried the tendencies orientations and how to form the speech and presenting it to the listener as well as their dependence on the textual loadings that differentiate in their argumental guidance.The research plan included an introductory chapter, followed by three chapters, and conclusion included the most important results of this research in which all this term interpretations and details were discussed in addition to its influence on speeches of the beginning of Islam and the Umayyad era.

المفارقة في مقامات العصر العباسي == Irony In Maqamat Of Abbasside Era

اسم المؤلف: تغريد ضياء مشفي الفخري
اسم المشرف: سامي مكي العاني
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class

المنهج في الخطاب النقدي العراقي المعاصر : تجربة رحمن غركان اختيارا 2003 - 2016م == The Method In Iraqi Contemporary Critic Attempt Of Rahman Gharkan Selectively 2003 - 2016 A.D.

اسم المؤلف: صالح مجيد علي الخزرجي
اسم المشرف: خضير عباس درويش
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study has concluded to a group of results briefly mention as follows : The critical method represents a main element which the critical literature based to reach through to goal from reading that work art of this , the method has been distributed in Iraqi Contemporary Critic two paths : firstly the research method that take the critical literature data at its subjective and art possibilities , this become widespread in academic thesis especially when the researcher or the study deals with literature or literature phenomena or critical case, the dissertations and thesis represent that studies specific cases (subjective art) a model in functioning the literature curriculum, secondly the critical methods that based on dialogue between a particular work art and critical mind in the light of specified critical method , there are four methods used widely that the contemporary Iraqi critic impacted of western methods. so that , known : stylistic critic on multi methods and constructional critic on also multi methods , cinematography critic on vary theories then literature critic on differential set forth. The poesy critic dominates on other prose arts in the contemporary Iraqi critic due to domination the poesy literature on the awareness critic from a part and abundance poesy production , quantitatively and qualitatively from other side. besides the richness of old Arabic critic record by deal with critic poesy. The Iraqi critic beware also researcher and studying to the importance of the critic term conducting with all doctrine apart and connecting with each arts a part , the term in poesy language different from tale or story , thus in other arts and terms in constructional different in stylistic and as in other doctrines. The critical studies are similar in academic critic particularly those using as methods : stylistic , constructional , cinematography or rhetorical , ways to reading works art then similar studies that read : poetry image or poetry language or constructing presentation personality or arguments. this due to little number of diligent critics , large number of studying or familiar researchers which making create new rarely , spreading the familiar or repetitions as familiar. Rahman Gharkan's critic mostly deal with other arts critic, between twenty two books as sample of this study on the poetry as subject for twenty books some of them for other arts and second rank which the tale , story , the play , the sculpture , music and art construction , for the critic art distributed on four books. The stylistic doctrine presented in critical speech of Rahman Gharkan through four books which are the stylistic as being method as describe doctrine and method of Arabic eloquence , the standard of rhetorical method and the components of the stylistics the poetry column for the rhetorical method represents three books which are : Arabic rhetorical theory , the rhetorical critic method and lectures of the rhetorical teaching , most the rhetorical books have the known teaching method in Arabic rhetoric. He was remarked by the new critic method theorization and applied in books (constructive method in view of procedures / towards suggested method in reading the text and receive the meaning ) whereas this method present five forms of application is constrictive structural readings in five arts which are poetry at the second chapter , story art in the third chapter, tale art at the fourth chapter , theater art in fifth chapter , narrative art in sixth chapter , to concluded to possibility to apply6 in other arts. The application prevail on theorizing at the critic speech for Rahman Gharkan so that he was caring with application data of critic method by making critic procedure at his work art mostly attend the literature's methods. His language characterizes with the critical term level also on descriptive and analysis to affiliate to the method so that the method's language was rhetoric : term and analysis other than stylistic method language. His traditional reference composes of his critic mind attended impact and deep impact on imported reference and his using the Arabic tradition most effective of the modern western critic. The method represents a significant sign of his work that produced six books : the tools of curriculum readings and stylistic as being a doctrine, doctrine's language , talk's doctrine and its standards of methodology , the critic rhetoric, and composition's doctrine from view to procedure. At Rahman Gharkan's critic speech in his written in 2017 another field for study other than its specialization in this study : The critic term in critic speech for Rahman Gharkan's and the text materials at speech critic and written language for him.

صورة المراة في الشعر العربي في كربلاء 1950 - 2000م

اسم المؤلف: زينب عزيز هادي الموسوي
اسم المشرف: فاروق محمود عبد الله الحبوبي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:

شعر مديح الخلفاء في العصر العباسي الاول : مقاربة تداولية == Praise Poetry Of Caliphs In The First Abbasid Era Pragmatic Approach

اسم المؤلف: عبد الله بيرم يونس
اسم المشرف: منتصر عبد القادر الغضنفري
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Pragmatics deals with the relation between linguistic activity and its users, and successful methods of using the linguistic marks and different keys and contexts within which the discourse is made. Also it finds out the elements that make the discourse as a successful and obvious massage and it finds out the reasons for failure in communication with natural languages.Since pragmatics has the ability to call for non - linguistic aspects in the process of criticism and analysis in the address, this method has been chosen to approach the praise poetry of Caliphs in the first Abbasid era in a way which is different from most literary studies that deals with this poetry with regard to artistic form only. Praise poetry in general, and of Caliphs in particular isn’t based on the aesthetic conditions only, but also it takes into consideration the pragmatic and social conditions that require forms of speech manner according to tone keys in response to a general law that regulates the human communication and prescribes that the success of communication between speaker and addressee is based only on the response to the pragmatic rules, such as cooperation, politeness, courtesy … etc. Since these rules are characterized by usual communication, it is better that these rules are characterized by poetic speech which requires aesthetic form. So, how do the poets leave the dignity that they seek? The poetry that praises Caliphs requires special types of criticism, so the pragmatics is the most appropriate manner to approach this type of poetry. So, we followed the pragmatic manner in studying and analyzing the praise poetries mentioned in the Abbasid royal palace.

حذف المرفوع من الاسماء في الحديث الشريف : دراسة في كتب اعرابه من العكبري الى السيوطي == Omission Of Raised Nouns In Prophet's Says Study Of The Books Of Its Syntax From Al - Uqburi To Al - Syuti

اسم المؤلف: وليد خضر عمر الحماوي
اسم المشرف: عبد الوهاب محمد علي العدواني
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
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