عرض: 25 50 75 100 النتائج

نتائج البحث: 25 من أصل 1,433

شعر الغزل بين عمر بن ابي ربيعة وبشار بن برد ونزار قباني : دراسة بلاغية موازنة == Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane (A Pithiest Paralleled Study

اسم المؤلف: خالد فائز ياسين
اسم المشرف: خالد علي مصطفى
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: ديالى
الصفحات الاولى:
المستخلص: This dissertation title " Romantic Poetry between Omar Bin Abi Rabea, Bashar Bin Burd and Nazar Qubane - A Pithiest Paralleled Study " , inanalyzing romantic poems in stylistic way . This science is a beneficialelement of stylistics and different levels of language " structural ,morphological , and phonological " besides other artistic aspects inanalyzing a literary text . Stylistics deals with a poetic text as being acomplete structure comprising in it elements of the text and partialstructure. Also the direction of criticism is towards poetry not the poet ,by that it is necessary to teach poet's poetry separate or far from theinfluence of desire and felony of generalization .In this study the researcher chose three poets ( as mentioned before )concentrating the speech on a common poetry aspect between the threewhich might barely be the most common in their poetries . This aspect islove , and the study of love in these three poets was not new . It has beendealt previously by several researchers . They studied it separately in eachpoet and demonstrated its types and directions , by studies that could bedescribed as artistic and subjective . But , they did not deal with concernthe stylistic study , even if we find stylistic studies dealing with all thepoets poetry . This study was done dealing with one purpose in poemshaving one subject . On the other hand , the study dealt with the stylisticaspect accurately in each poet by demonstration , and stylistic analysis .The study started with a theoretical part about ; first : stylisticsbetween the theory of the term and the concept ; second : showing themeaning of comparison and its styles in Arabic heritage . Then dealingwith concept of paralleling and its styles in Arabic heritage . Also ,through reading love poetry of the three poets stylistically . The study isdivided into two chapters, each chapter contained five sections . The firstchapter was entitled " structural level " and its sections are ; first section ( style of interrogation ) , second sections ( style of command ) , third section ( style of vocation ) , it is known that these styles are structural ordered styles demonstrating artistic aspects of their usages by each poet and most significant metaphorical aspects of each style , fourth section ( repetition ) mentioning in it types and patterns of a single poetic line , and its style in connecting , and finally the fifth section ( alliteration ) mentioning in it the verbal expressions of this art and its place in poetic line . As for chapter two it is entitled " levels of image formation " and contained five sections , as follows : Section one " sources of forming image of Romances " . Section two " images of simile " .Section three " images of allegory " .Section four " images of allegory " .Section five " contradiction ( antithesis and paralleling ) " .The study came to several results : - The researcher found common manner in structure of interrogation between the three poets . Especially, in the poets " Bashar and Omar " sometimes the researcher finds that their poems have an opening of this kind of style . Also , the technique of concrete interrogation has been found in the three poets . - In repetition and from the samples that has been exposed in the study , it is found that the repetition of expressions has taken a huge space especially in the poems of " Nazar " thought they are different in form it has been employed beautifully . - In alliteration , which is a rich style used by the three poets in all its types and forms , we find " Omar and Bashar " committing to all its classifications and common structural places in the line of a poem . - In the second chapter : we found in section one ( sources of forming image of love ) the experiment of feeling is varied in the three poets with existence of lines the poems that meet in the poems of the poets Omar and Bashar , especially , in the openings of their poems . Where we find them standing on remains addressing friends . This opening toke a wide space in the poems of Omar compared to Bashar , and disappearing totally in Nazar Qubane poems . Then we find narration and dialogue in the three poets with existence of similar art in poetic messages in experience of Nazr Qubane dealing in it with his passions within the frame of his emotions. - In the second section ( simile style ) the researcher found that the three poet's attitudes are to build a complex image of simile , which give an expressional value wider than simile called " individual simile " . - Section three ( allegory ) our study in this section is limited to diagnostic allegory or what is called dynamic allegory since having vitality and flexibility in drawing the poetic image and the researcherfound big constancy in using such kind of allegory.

مفاهيم الامدي النقدية في كتاب الموازنة == Al - Amidi’s Critical Concepts In the Book of Al - Muwazana

اسم المؤلف: احمد عبد الرحمن سليم
اسم المشرف: حسين يوسف حسين
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Al - Amidi, the owner of the book Al - Muwazana, is an authority who arose in many branches of language and literature in which he had valuable books, and he still lives with us today by his authoritic criticism. I was amazed by his comparison between Abi - Tammam and Al - Buhturi and it disclosed to me that Al - Amidi is a sound respectable critic and he is of abundant education.This study entitled “Critical Concepts of Al - Amidi in the Book of Al - Muwazana” deals with his comparison. Al - Amidis comparison is an important applied critical turning point in the history of Arabic criticism since it made a dialogue between the most two outstanding poets, Abu - Tammam and Al - Buhturi.The age of Al - Amidi represents the summit of the artistic development of the ancient Arabic literature, thus he was the man of his age with all its senses. This study attempted to present a complete methodological image about the critical efforts of Al - Amidi which no scholar dealt with in this way and in detail from the viewpoint of methodology and text. For Al - Amidi, the reading of the critical heritage is a civilizational and human requirement in order to understand the contributions of the ancestors in forming the march of the human civilization. The method that the study is subject to is in general historical. This historical method pursuits the critical concepts since its formation and the developments that occurred until it reached its concept al Al - Amidi, then the attitude of Al - Amidi towards each concept and extent of its effect as a critical criterion in his comparison between the above mentioned poets. The study consists of an introduction an preliminary, three chapters, and a conclusion in addition to an index for the subjects and a bibliography.In the preliminary entitled “ The Book of Al - muwazana; A Nucleus of Applied Criticism” the first beginnings of comparison, its importance in ancient and modern times, and the role of Al - Amidi in choosing this concept are all concerned with. The first chapter is about the critical concepts in the composition of the poem, It includes the following section : 1 - The styles, formulation (preamble). 2 - The System of the poem. 3 - Elements of the column of the Arabic poetry. 4 - The art of metaphors and of good style and its effect in the comparison.The second chapter is concerned with binary - natured concepts, the chapter entitled “ The Binary Critical Concepts” consists of the following sections : 1 - Word and meaning.2 - Nature and workmanship 3 - Truth and lying 4 - Clarity and ambiguity 5 - The argument of the old and new between Abi - Tammam and Al - ABuhturi.The third chapter entitled “ The Critical Concepts in the cycle of Comparison” is made up of the following sections : 1 - The literary taste.2 - The independence of criticism. 3 - Equality and difference in the texture of poetry. 4 - Mistakes of the two poets and their good qualities. 5 - Poetic stealing6 - Comparison. The conclusion displays the most important findings reached in the study

بلاغة الخطاب القراني في الزهراوين (البقرة وال عمران) : دراسة تحليلية == The Eloquence of the Glorious Quran's discourse in AL - Zahrawayeen (AL - Baqra and Aal - UmRan) - Analytical Study -

اسم المؤلف: الاء احمد حسن
اسم المشرف: احمد فتحي رمضان الحياني
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: فان القران الكريم يخاطب البشرية جمعاء، فلا يخاطب اذهانها المجردة فقط بل يخاطب عقولهواقلوبهواارواحها، فالقران كتاب معجز وسيف الاجماع على اعجازه منعقد الى ان يرث الله الارض ومن عليها ،وبسبب هذا كله وحبي لخدمة كتاب الله العزيز، والبلاغة العربية، وبعد الدراسة والمناقشة مع استاذي المشرف الدكتور احمد فتحي رمضان جاء اختيارنا لموضوع (بلاغة الخطاب القراني في الزهراوين البقرة وال عمران - دراسة تحليلية - ).ولما كانت الزهراوان من اطول سور القران واكثرها احتواء لاحكام الدين الحنيف وقواعده واصوله فقد ارتايت ان تكون خطة الدراسة في بابين يسبقهما تمهيد وتتلوهما خاتمة، وقد تناولت في التمهيد بلاغة الخطاب القراني بصورة مفصلة من خلال توضيح معاني الخطاب في اللغة والاصطلاح، واثر الخطاب القراني وبلاغته من ناحيتيه العامة والخاصة لكون الخطاب يسير في اتجاهين : الاول عام يشمل جميع انواع الخطاب، والثاني خاص ويشمل الخطاب القراني ووسائله واساليبه وانواعه، وبينت بالتفصيل اهمية (الزهراوين) البقرة وال عمران وفضلهمواترتيبهمواالمقاصد العامة للسورتين.ثم جاءت بعد ذلك بابا الاطروحة وفصولهوامباحثها، ونظرا لطول السورتين وتوسعهما عمدت الى تقسيم الاطروحة الى بابين ضم الاول منها : بلاغة الخطاب القراني في سورة البقرة، والثاني : بلاغة الخطاب القراني في سورة ال عمران، اما الباب الاول فضم ثلاثة فصول : فالفصل الاول منها جاء بعنوان الخطاب العام في سورة البقرة وقد ضم ثلاثة مباحث شملت (المؤمنون - الكافرون - المنافقون).والفصل الثاني كان بعنوان الخطاب القصصي في سورة البقرة وقد ضم ثلاثة مباحث على وفق ترتيب ورودها في السورة وهي : (قصة ادم () - قصة بني اسرائيل - قصة ابراهيم ()) وجاء الفصل الثالث تحت عنوان : بلاغة خطاب الاحكام في سورة البقرة وقد ضم مبحثين الاول : خطاب التنظيمات (الاجتماعية والتعبدية)، والثاني خطاب المعاملات (الاقتصادية والاسرية). اما الباب الثاني فقد كان من نصيب سورة ال عمران وعنوانه (بلاغة الخطاب القراني في سورة ال عمران) وضم بدوره فصلين الاول تحت عنوان بلاغة الخطاب العام في سورة ال عمران وانضوت تحته ثلاثة مباحث وتوزعت مباحثه على الترتيب الاتي الاول : الخطاب في ادلة الوحدانية والرسالة، اما المبحث الثاني فقد خاطب الفئتين، وهم : المؤمنون واهل الكتاب، وكان المبحث الثالث في خطاب الكافرين وطباعهم ومصيرهم، اما الفصل الثاني فكان في بلاغة الخطاب القصصي في السورة والذي ضم قصتين الاولى قصة ال عمران والثانية قصة احد.ولقد ضمت مباحث الفصول في السورتين مقاطع متنوعة، وجاءت بلاغة الخطاب في هذه المقاطع متنوعة باساليبها البلاغية من المعاني والبيان والبديع | The Glorious Quran is addresing human beings not only their abstract minds, but also their minds, hearts, and souls.It is out of God concititaion (Glory to God) that my project is entitled : The Elequence of the Glouries Quran Discourse : in AL Zahrawyaen (AL - Baqra and AaL - Umran Suras) : An Analytical study.As for the fact that AL Zahrawyaen (AL - Baqra and AaL - Umran) are the longest Suras and the most ones containing the rules, principle, commands, and origins of the true Religion, the methode of the study in the dissertation is arranged into two parts presseded by an introduction and followed by a concluding section. The eloquence of the Glorious Quran discourse is discussed in details in the introduction of the dissertation by explaining the meaning of discourse in Arabic language, the terminology and also eloquence in general and particular aspect and then, there is a details presentation of the importance and merit of AL - Baqara and Aal - Umran Suras, with the general aims of the two mentioned Suras, with a detailed presentation of their organization and the general aims of the two mentioned Suras.The dissertation comprised two parts, the first part Covers understanding the Glorius Quran discourse in Al - Baqra Sura, the second one covers Al - Umran sura, Al - Bagra Sura. Includes three chapters divided into certain sections which are subdivided into subsection which are also divided, organized on chapters.Chapter one deals with the general discourse in AL - Baqra Sura, chapter two tackles the narrative discourse in Al - Baqra Sura. Chapter three presents the dequence of the presecribes in Al - Baqra Sura.The second part in entitled : the eloquence of the Glouries Quran in Aal - Umran Sura, this part comprises two chapters the first one tackles the eloquence of the general discourse in Aal - Umran Sura. Chapter two is entitled the eleqence of narrative discourse in Aal - Umran Sura. I dedicated this work purely for God and many Muslims and hope they get advantages of this work,. At last, I thank my God and my prayers dedicated to the more honorable prophet Mohammed (peace be upon him) and on his favorable followers.

ادب زهاد التابعين موضوعاته وفنونه == Literature Of Ascetic T?bi'iin An Objective Artistic Study

اسم المؤلف: يونس هلال منديل صالح اللهيبي
اسم المشرف: عبد الله فتحي الظاهر المشهداني
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: ادبهم الاسلامي هادف وموجه وكانت تعاليم الدين الحنيف هي المحور الفاعل فيه وان تنوعت الاجناس الادبية وهو انعكاس لصدق الحالة الشعورية والوجدانية المتسمة بصدق القول والعمل لهم في كل موقف وقفة وفي كل مناظرة نظرة وهم في ذلك همهم الاول خشية الله واتباع نهج رسول الله فترصعت نتاجاتهم باي الذكر الحكيم واحاديث المصطفى -  - ومثلت في غالب امرهراوح الدين الاسلامي الحنيف .كان ادبهم النثري طاغيا كما ونوعا على نتاجهم الشعري وقد اكتملت في ادبهم الاجناس النثرية المعروفة في عصرهم ,كالخطب والرسائل والمحاورات والوصايواالمواعظ والقصص الديني والادعية والمناجاة وماثور القول اما الشعر فما اكتملت فيه اغراض الشعر العربي والشعر الديني الزهدي مثل كما فاق فيه بقية الاغراض كما انهم لم يعتمدوا عمود الشعر العربي وكانت اشعارهم مقطوعات تقصد المعنى المباشر دون تكلف او دوران حول الموضوع فكانت تلك الاجناس الادبية قد وصلت اليهم بما طرا عليها من تطور فني وشكلي ومضموني امدها به الدين الحنيف .واوضحت لنا كتب التراجم والسير والتاريخ , فضلا عموااجهناه اثناء البحث والدراسة , ان زهدهم كان تبعا للدين الاسلامي ولم يكن في حال من احواله هروبا من المجتمع او انطواء او نزواء في محاريب العبادة بعيدا عن مجريات واحداث العصر . بل العكس من ذلك فلهم الدور الفاعل والميداني في التوجيه والوعظ والارشاد والصبر على التعليم كما كان لهم الموقع المؤثر في السياسة في مواقفهم امام الولاة والخلفاء وقولهم الحق دون خوف او تزلف لاسيمواانهم لم ينافسوهم في دنياهم . فضلا عن ثقة الاخرين بهم وبدينهم لذلك فقد استمعوا لهم واخذوا بارائهم ,كما انهم لم يدخروا جهدا في اصلاح ما اصاب المجتمع من اخطاء وخلل مما طرا عليه من افات اصابته كنتيجة حتمية للتقلبات التي شهدها العصر . وعلى ذلك نجدهم عابدين بكائين في محاريبهم , ورجال مناظرة ودراية ومحاورات مفحمة في انتصافهم للمظلوم من ظالمة ونلمع حضورهم المحافل الاجتماعية ودعوات الاخوان موجهين ناشرين شذى التعاليم الاسلامية السمحاء وعبيرهوانطالعهم رجالا اشداء في سوح الوغى وميادين الرجال اذا ما دعاهم داعي الدين والوطن .كان خطابهم على مستويات متعددة من الافهام فكلامهم للسلطان الجائر غير كلامهم للعادل وللانسان العادي غيره للانسان العالم فكان خطابهم على مستويات متغيرة في الافهام وان كانت انطلاقته واحدة ويستند على حقيقة واحدة . وللدعاء في ذلك الخصوصية الاهم فهو في المفهوم الاسلامي وسيلة وغاية فهو وسيلة للحصول على ما يطلبه العبد ويدعو به الله وغاية كونه مخ العبادة . من العوامل المؤثرة في اغناء ادب التابعين الزهاد تشعب مصادر ثقافتهم واشتمالها على الادب الجاهلي والتاثير الاسلامي واخبار الامم الماضية التي عرفوها عن طريق بعض الصحابة الذين دخلوا الاسلام من الديانتين السابقتين .لم يكن ادبهم متكلفا ولا تكسبيا بل اعتمد على الفطرة السليمة والذوق الرفيع والقصد الى المعنى باقصر الطرق الممكنة موجها للاصلاح والافادة غايتهم فيه وجه الله وابتغاء مرضاته وابتعدوا فيه عن الاغراب الفظي والمعنوي وتوجهوا فيه الى غاية القصد دون دوان حول الموضوع او اسهاب في عرضه ولم يكن يخلو من العناصر الفنية الا ما كانت لا تلائم فكرهم وطريقهم بما تتسم من تعقيد وعدم افادة بل مثقلة للنص باد عليها التكلف والاحراج كالسجع مثلا فضلا عن ان رسول الله - -  نهى عنه ولم يكن ذلك يعني تماثل الفاصلة فنحن نلمع تماثل لفواصل نصوص غير انها جاءت عفو الخاطر وكانت فيما يخدم الموضوع ومعانيه .نقلت لنا كتب السير والتراجم عن لقاءات لزهاد التابعين فيما بينهم منها ما كان عن طريق الموافقة واخرى قيام احدهم بشد الرحال الى الاخر فمثلت تلك المقابلات اصدق العبارات واجملها اوضحوا فيها قصدهم الديني ومنهاجهم الموجه الى الاخرة المتطلع ليوم الحساب فاضحين فيها الدنيوااهلها 0

العتبات النصية في شعر عبد الوهاب البياتي ونزار قباني

اسم المؤلف: جاسم محمد جاسم الخلف
اسم المشرف: ابراهيم جنداري جمعة خليفة الجميلي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: فقد نالت متون الاعمال الادبية باختلاف اجناسهواما تزال حظا كبيرا من اهتمام النشاط النقدي الذي ما انبرى متناولا اياها متتبعا مكامن جمالهوامستبطنا مظاهر (شعريتها)، الامر الذي اشر انغلاق النقد على شعرية تلك المتون دون اهتمام يذكر بما حول تلك المتون من نصوص موازية وعتبات باتت تشكل اليوم ظاهرة حري بالدرس النقدي ان يتناولها بالتحليل خاصة وان تلك النصوص (العتبات) قد قطعت شوطا كبيرا في مجال تطورها . ان العتبات النصية ككيان ليست بالظاهرة الجديدة على الادب عربيا كان ام غيره، فقد ارتبط وجودها بوجود الشعر نفسه ، وتطور في عصر الكتابة، واخذ نصيبا وافيا من التفنن في عصر التقانة والتطور التكنلوجي. غير انها ظاهرة ظل النقد ينظر اليها باستسهال بالغ متعاملا معها بوصفها جوانب شكلية سواء تعلق الامر بنقدنا العربي او بالنقد الغربي الذي كان سباقا الى التنبيه على اهميتهواجدوى دراستها . فكان مجيء الناقد الفرنسي (جيرار جينيت) الانطلاقة الاولى لمحاولة تقعيد دراسة (العتبات النصية) في ضوء ما تتعالق معه من متون فاتحا بذلك الافق النقدي الى ميدان (شعرية الشكل) في ذهابه الى ان شعرية النص تنبع من علاقته بما يحيط به من نصوص موازية بعيدة عنه زمانا ومكانا. او من نصوص محيطة قريبة بحيث يضمها كتاب واحد (غلاف ، عنوان ، رسومات داخلية ، مقدمة ، اهداء ، هوامش .... الخ ) وهي علاقات اكبر من ان يقال عنها انها مجرد امكان تناصي كما سيتضح. وهكذا بدا النقد منذ (جينيت) ينظر الى هذه العتبات بوصفها نظاما سيميائيا دالا. اذ لم يعد الكتاب وحده هو الحامل الوحيد للدلالة ، بل اصبح ينظر اليه بوصفه نظاما نسيجيا متناغما تتازر جميع مكوناته وملامحه الشكلية في تاسيس شعريته بما يلغي عن العتبة مفهوم الحلية النصية او الزائدة التزيينية ويجعل منها معلما بارزا من المعالم التي تساهم في تلقي العمل الادبي بصورة مثلى ، وهو ما نبه اسماء اخرى كان لها مساهمات ليست بالهينة في هذا الموضوع النقدي كـ (هنري متيران) و(فيليب لوجون) و(كلود دوشيه) و(ليو هوك) وغيرهم ممن مزاال امام الدرس النقدي العربي شوطا طويلا لترجمة كتاباتهم في هذا المجال تمهيدا لاستيفاء موضوعة (العتبات النصية) حقها من جانب هذا الدرس ، وان كنا هنا لا نغمط حق جهود ترجمية وتاليفية عربية في هذا المجال كانت ـ على قلتها ـ زادا تزود به هذا البحث نذكر من المترجم منها : الترجمة الرائدة (للمختار حسني) لكتيب (اطراس : الادب في الدرجة الثانية) لـ (جيرار جينيت). وهي الترجمة التي شكلت المنطلق الذي فتح امامنا افاقا جيدة وهيا لنا ارضية امكن التحرك عليها فيما نحن بصدده, وكذلك ترجمة (عبد الرحمن ايوب) لكتاب (مدخل الى جامع النص) للمؤلف نفسه، وايضا ترجمة (غسان السيد) و(وائل بركات) لكتاب (كرستين مونتا لبيتي) الموسوم (جيرار جينيت نحو شعرية منفتحة) ، في حين ظل كتاب (sulits) لـ (جيرار جينيت) الذي لم يتوفر البحث على ترجمة له وثيق الصلة وبعيد المنال الامر الذي فوت الاستفادة منه الا بقدر الاعتماد على مقتبسات مترجمة توفرت عليها بعض المقالات المنشورة في الدوريات والتي عالجت موضوعة العتبات نذكر منها دراسة (جميل حمداوي) (سيموطيقيا العنونة) ودراسة (محمد الهادي المطوي) (في التعالي النصي والمتعاليات النصية) وهما دراستان ركزتا على الجانب النظري دون التطبيقي واعتمادا على (عتبات جينيت) . اما فيما يخص الجهد التاليفي في النقد العربي في هذا المجال ، فلم نعثر في حدود بحثنا على ما يمكن ان يشكل كتابا جامعا يدرس انواع العتبات النصية بصورة تفصيلية , وان وقفنا على دراسات تناولت عتبات بعينهواخاصة عتبة العنوان التي بدات تستقطب جهود دارسين طرحوا دراسات رائدة في مجالها نذكر من هذه الدراسات : (العنوان وسيموطيقا الاتصال الادبي) لـ (محمد فكري الجزار) و(سيمياء العنوان الشعري) لـ (بسام قطوس) و(العنوان في الادب العربي - النشاة والتطور)، لـ(محمد عويس) وكذلك عتبة المقدمة التي افرد لها (عبد الرزاق بلال) دراسة شكلت متكا مهما من متكات بحثنواالموسومة (مدخل الى عتبات النص) يضاف اليها جهود (عبد الملك اشهبون) في اكثر من مقال تناول المقدمة الروائية خاصة تنظيرا وتطبيقا، وكذلك جهود (سعيد يقطين) الذي استاثرت دراسة النص الموازي والعتبات النصية بنصيب وافر منها خاصة في كتابه (انفتاح النص الروائي).ان هذه الدراسات على جديتهواان شكلت جهودا يشار اليها ببنان العرفان وينظر اليها بعين الريادة الا انها مازالت دون استيفاء حاجة المكتبة النقدية العربية ازاء هذا الكم الهائل من العتبات النصية التي بدات تلاقي عناية ليست بالهينة من جانب المبدعين , وهي عناية تتطلب ما يوازيها نقديا - تصديا وترجمة - بما قد يفتح للدرس النقدي افاقا رحبة في التعامل مع جماليات المتون من جهة عتباتها ، لذا شئنا ان تكون دراستنا في ما يصب في هذا المجال البكر واقتصرنا لاسباب منهجية على دراسة خمس عتبات نصية تدخل فيما اسماه (جيرار جينيت) (بالنص المحيط) او (العتبات النصية) هي (لوحة الغلاف، والرسومات الداخلية او اللوحات المصاحبة، الاهداء، التصدير، والمقدمة) كونها تشكل حضورا بارزا عند كل من (عبد الوهاب البياتي) و(نزار قباني)، مستبعدين عتبة العنوان الا بما تستدعيه علاقته بالعتبات المذكورة ، خاصة واننا كنا قد تناولنا هذه العتبة بالدرس في رسالتنا للماجستير الموسومة (عنوان القصيدة في شعر محمود درويش) . واما فيما يخص الدوافع التي رشحنا على اساسها دواوين (عبد الوهاب البياتي) و(نزار قباني) كنماذج تطبيقية فيمكن تلخيصها بدافعين : الاول شخصي يتعلق بـ (صداقة نصوصية) عقدتها ذائقتنا مع شعر الشاعرين, واما السبب الثاني وهو الاهم هنا فهو سبب اكاديمي محض يتمثل بندرة ما كتب عن العتبات النصية بعامة . والعتبات النصية الخاصة بشعر الشاعرين خاصة، ففي الوقت الذي نال (البياتي) اهتماما واسعا من جانب الدرس النقدي عربيا وعالميا وشكلت متونه الشعرية مادة خصبة للمعالجة والتحليل نجد ان خطابه العتباتي قد ظل اسير الاهمال من جانب هذا الدرس على الرغم من الخصوصية الواضحة التي تحملها هذه العتبات كما ونوعا كما سيتبين ، واما (نزار قباني) فقد طاله الاهمال من جانب النقد متنا وخطاب عتبات . اذ على الرغم من الكم الشعري الهائل الذي خلفه الشاعر ومزاخر به من توظيف عتباتي مثير للانتباه . الا ان الملاحظ ان ردة الفعل النقدية تجاهه لم تكن لترقى الى مستوى ذلك الكم وتلك الخصوصية ، وبناء على ذلك يمكن القول اننا ارتاينا في دراسة الخطاب العتباتي لدى الشاعرين استهداف جملة نقاط نجملها فيما ياتي : ـ 1ـ ان يكون البحث متمما للجهود النادرة السابقة وفاتحة لاعمال اخرى تسهم في سد النقص الفادح الذي توفرت عليه مكتبتنا النقدية في مجال تناول الخطاب العتباتي بعامة . 2ـ المساهمة في الخروج بتصور شامل عن شعر (البياتي) الذي اهتم النقد بمتونه دون الالتفات الى خطابه العتباتي . 3ـ المساهمة في دفع شعرية (نزار قباني) الى دائرة الدرس النقدي الاكاديمي الذي يبدو انه على غير وئام مع شعرية الشاعر لاسباب ربما تتعلق بجوانب مضمونية يترفع الدرس النقدي عن تناولها . 4ـ الخروج برؤية ما عن طبيعة العتبات في الشعر العربي باعتماد مدرستين شعريتين مثلهما شاعران قديران وان كانا على طرفي نقيض اسلوبا ورؤى ومضامين الا ان قراءتهما من منظور عتباتي يوقف القراءة على اوجه شبه كثيرة تجمعهما كما وكيفا كما سيتضح . لقد عرف كل من (نزار قباني وعبد الوهاب البياتي) بسعة الكم لشعري الذي قد لايسلم معه دراسهما من التخبط باختيار عينة دراسته مالم ينضبط بضوابط نقدية اعتمادا على طبيعة المادة المدروسة وعلى هذا الاساس التزمنا في هذا البحث الاتكاء على المجاميع الشعرية بوصفها العينات المركزية التي يمكن ان توفر لنا مهادا تحليليا وخاصة في التصدي لعتبة (الغلاف) التي توجب التعامل مع مجاميع شعرية صغيرة بغية دراسة لوحتها الغلافية، في حين لم نتورع عن الاستعانة بالمجلدات الكاملة الخاصة بالشاعرين متى ما دعت الحاجة الى ذلك وقد خلصنا لدى التشاور مع الاستاذ المشرف الى خطة من فصلين ضما مباحث خمسة افردنا خلالها الفصل الاول لما اسميناه بـ(العتبات البصرية) التي استغرقت مبحثين مطولين نسبيا هما على التوالي : (عتبة الغلاف), و(عتبة اللوحات المصاحبة)، فيما انفرد الفصل الثاني بمعالجة ما اسميناه بـ (العتبات الافتتاحية) التي توزعت على مباحث ثلاثة هي على التوالي : (عتبة الاهداء), و(عتبة التصدير)، و(عتبة المقدمة), وقد اشفعت هذه المباحث اسوة بالمبحثين السابقين في الفصل الاول بنماذج تحليلية توزعها ما يخص العتبة المنظر لها من نتاج الشاعرين بطريقة راعت الجانب الكمي ، والتنوع الكيفي في الاختيار . ختاما اتوجه بالشكر الجزيل الى قسم اللغة العربية في جامعة الموصل رئيسا وهيئة تدريسية كما اتوجه بشكر خاص ملؤه الحب والاكبار الى الدكتور (ابراهيم جنداري) الذي وجدت فيه المشرف الحريص والاب الحاني الذي لم يال جهدا في توجيهي وتشجيعي ومتابعتي في كل ما من شانه خدمة البحث قصد الخروج بافضل ما يمكن . كما اتوجه بالشكر الوافر الى كل من ساهم براي او مشورة او توجيه او ارشاد الى مصدر سواء من الاساتذة او الزملاء الذين غمروني بفضل لا يسعني الا ان اذكره - وان غيبت كثرتهم وضيق المقام اسماءهم - واخص بالذكر والشكر هنا الشاعر (محمد جلال الصائغ) الذي لم يبخل علي بمكتبته الخاصة فيما يخص ادب نزار قباني. كما لا يفوتني ان اشكر زوجتي (ام سنن) التي كابدت معي في سبيل انجاز هذا العمل نضو ماكابدت، فاليهواالى الذين من قبلها تقديري وامتناني ، سائلا الله تعالى ان يجعل عملي هذا خالصا لوجهه انه نعم المجيب .

تميم بن المعز لدين الله الفاطمي في كتابات الــدارسيــن قديــما وحديــثا == Tamim Bin al - Muizz Li - Dinillah Al - Fatimi In Older and modern writings Scholars

اسم المؤلف: حوراء عبد صبر عبد الله الشريفي
اسم المشرف: محمد حسين عبد الله المهداوي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Tamim Bin al - Muizz Li - Dinillah Al - Fatimi, is really considered as one of poets who lived in Egypt under the reign of The Fatimid dynasty. For him there is printed poetry collection causing a bunch of critical reactions. And for his study, there are many older and modern scholars who endeavored to deal with and commenting on his character, poetry and poetic language either negatively or positively. Due to my quite extreme want to study the Fatimid literature and being so interested on its literature in this phase, my teacher Doctor Mohammed Hussein al - Mahdawi did suggest this research title for me to study. He himself pointed out to me its seriousness as being a qualified subject to study due it represented a phenomenon in the Arabic literature either it has what it has or what has not. This study is composed of an introduction and three chapters and epilogue, with resources and references list. So, the first chapter is particularly dealt with the poet's life study by the older and modern scholars in three researches. The first Research contained his life in Morocco and Egypt and his rule period in it, and what has been said about all. And The third research is really specialised to study what has been said about his culture, religion, poetry book and his passing away. The second chapter is entirely concerned of studying what has been said about his poetry in older and modern times. It consists of two researches, the first research is composed of what has been said on his poetry in older times, while the second research on what said about his poetry in modern times, presenting the various opinions on all that. On the third chapter the researcher is completely concerned on the older and modern scholars tendencies in the poet study and giving valuation on his literature production negatively or positively. And the second research is dealt with the modern scholar tendencies in his poetry study, and choosing in this chapter to use the term ( tendencies) instead of ( methods). As most scholars who studied Tameem , really did not apply the method tools to describe this method as ensured one with its own regulations and origin, using the term( tendencies) are more comprehensible according to our point of view for such kind of studies. Finally, we ended it up with an epilogue in which we summarised all the important dimensions of our thesis. And the most distinguished results which have been seen and finalised the thesis with the resources and references list which has been varied between the older and modern literature studies and historical studies concerned on Tamim poetry sides, adding to the published researches in the Arabic and local bulletins. As a matter of fact the researcher indeed relied upon using the analytical method in this study, analyzing , discussing, clarifying and confirming sometimes and objecting on other times.

الصورة الشعرية في المجلات العراقية المحكمة من 2003 - 2016م == The Poetic Image In The Refereed Iraqi Journals From 2003 - to - 2016

اسم المؤلف: عبد الستار جبار عطية دهام
اسم المشرف: خضير عباس درويش
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: تتناول هذه الدراسة قضية الصورة الشعرية في مظهر من مظاهر النقد الاكاديمي العراقي المتمثل بالمجلات العراقية المحكمة ،ضمن فترة زمنية تمتد لثلاث عشر سنة من اصداراتها ،وهي قراءة للجهود النقدية تشتغل على استجلاء وسائل تشكيل الصورة الشعرية ،واتجاهات دراستها،وقضاياها ،ومناهج المتبعة في رصدهواتحليلها ،وقد جاءت الدراسة على تمهيد ،و اربعة فصول رئيسة ،وهي ما ياتي : - التمهيد : الصورة الشعرية (المصطلح والمفهوم) - الفصل الاول : الصورة الشعرية وتحولاتهات ،وهو فصل تاسيس ،حاولنا فيه ان نضع الركائز الاساس لقضية الصورة الشعرية ومبانيها ضمن رؤية نسقية ، ويدور هذا الفصل على محاور رئيسة هي : الصورة الشعرية المصطلح والمفهوم، الصورة الشعرية رؤية تقليدية، الصورة الشعرية رؤية تجديدية، الصورة الشعرية في النص المتداخل - الفصل الثاني : وسائل تشكيل الصورة الشعرية، وهو على محاور متعددة هي : التشبيه، والاستعارة ،والكناية ، ثم هناك وسائل اخرى جاءت بنسبة قليلة وهي : الرمز،التناص ،المفارقة،التضاد، الشكل الكتابي والتقنيات السينمائية، الاسطورة، القناع، المعادل الموضوعي،اللغة المعيارية - الفصل الثالث : اتجاهات دراسة الصورة الشعرية وقضاياها، وهو على محاور متعددة هي : ،الاتجاه الموضوعاتي ،الاتجاه الحسي،بناء الصورة الشعرية،قضايا الصورة الشعريةالفصل الرابع : مناهج دراسة الصورة الشعرية ونتائجها،وقد قدمنا عرضا للمناهج واهميتها ،ووظائفها ،وبعض اشكالياتها،ثم تناولنا ما جاء في البحوث من مناهج مستعملة ،او ملامح منهجية وفق استنباط للاليات المتبعة فيها ،فكان ان تصدر المنهج الفني المناهج الاخرى، ثم المنهج الموضوعاتي ،ثم المنهج النفسي، فالمنهج الاسلوبي ،وهناك مناهج اخرى استعملت بقلة في البحوث محل الدراسة وهي : التحليل الثقافي، الموازنة منهجا، المنهج المقارن،المنهج السيميائي،جماليات التلقي، ثم التقنيات السينمائية منهجا، القضية الاخرى في هذا الفصل تتمثل بنقد نتائج البحوث ،وهي على منحييين : نتائج متشابهة ،ونتائج مختلفةوقد توصلت الدراسة الى نتائج كثيرة منها : - بينت الدراسة قصر التعريفات المتعلقة بالصورة الشعرية ،واغفالها مسارات حداثية للنص الشعرية وتحولاته ، فلم يكن لهذه التحولات اثر في تعريفات الصورة ،وخاصة فيما يتعلق بالتداخل الابداعي في النصوص الشعرية ،وكذلك تحولات النص في القصيدة الرقمية التفاعلية ،وطبيعة الصورة الشعرية في هذه التحولات - جاءت البحوث محل الدراسة على اتجاهات مختلفة في طبيعة دراستها ، وكانت دراسة الصورة من جهة وسائل تشكليها تمثل النسبة الاكبر بين البحوث ، وتاتي دراسة الصورة من جهة موضوعها في المرتبة الثانية من حيث الكم ،ثم دراسة الصورة من جهة الحسية والذهنية ،ثم دراستها من حيث البناء،وهناك قضايا نقدية متفرقة في البحوث تناولت جوانب متعددة للصورة الشعرية - رصدنا منحيين في دراسة الصورة الشعرية في البحوث محل دراستنا، الاول ،وهو مسار تقليدي ويمثل القسم الاكبر من هذه البحوث،والثاني، تجديدي او يحمل ملامح تجديد في ويمثل فئة صغيرة من هذه البحوث - استعمل الباحثون مناهج مختلفة في دراستهم للصورة الشعرية وكان المنهج الفني على راس المناهج في هذا المورد ،ثم المنهج الموضوعاتي، والمنهج النفسي، فالاسلوبية ،ثم مناهج اخرى استعملت بقلة، منها النقد الثقافي ، والموازنة ، والسيميائية - كان استعمال المناهج في اغلب البحوث من غير وعي منهجي ،ولم يكن هناك تاسيس نظري للمناهج المستعملة في كل البحوث ، فجاء تصنيفنا لها بناء على ميلها الى منهج ما عبر قراءتنا لها ،وقد ذكر قسم قليل من الباحثين المنهج الذي استعملوه في بحوثهم | This study deals with the issue of poetic image in the manifestation of the Iraqi academic criticism represented by the Refereed Iraqi journals , within a period of time spanning thirteen years of publications, a reading of the criticism efforts are working to clarify trends in the study of poetic image, and issues, trends, and methods used in monitoring and analysis, the study came to preliminary, and four chapters of the Chairperson, as followsChapter One : The poetic picture and transformations, which is the founding, in which we tried to lay the foundations for the issue of poetic image and its buildings within the framework of a vision, and this chapter revolves around the main axels : the poetic image term and concept, poetic image traditional vision, poetic image renewal vision, poetic image In the nested textChapter Two : the means of shaping the image ، likening ،metaphor، metonymies، and means otherChapter Three : Trends in the study of poetic image in Iraqi journal, which is on multiple axels : the thematic trend, the sensory trend, the construction of poetic image, issues of poetic imageChapter Four : Methods of studying the poetic image and its results. We presented an overview of the curriculum and its importance, its functions and some of its problems. Then we discussed the research methods used or the methodological features according to devising the mechanisms followed. , The psychological approach, the methodological method, and there are other methods used in a few of the research under consideration : cultural analysis, budgeting methodology, comparative approach, synaptic approach, aesthetics of reception, and then cinematic techniques approach, the other issue in this chapter was criticism of research results, On both sides : Similar results, different resultsThe study reached many results, including : - The study has shown that the definitions of poetic imagery and the absence of modernist paths to poetic text and its transformations have no effect on image definitions, especially with respect to creative interaction in poetic texts, as well as text transformations in the interactive digital poem and the nature of the poetic image in these transformations - The research under study on different trends in the nature of study, and the study of the image of the means of formation represent the largest proportion of research, and the study of the image on the subject matter in second place in terms of quantity, and then study the image on the sensory and mental, and then study in terms of Construction, there are sporadic monetary issues in the research dealt with multiple aspects of the poetic imageIn the study of the poetic picture in research, we examined the first, which is a traditional course and represents the bulk of this research. - The researchers used different approaches in their study of the poetic image. The technical approach was at the top of the curriculum in this resource, then the thematic curriculum, the psychological method, the stylistic, and other methods were used in a few, including cultural criticism, - The use of the curriculum in most of the research is not systematic awareness, and there was no theoretical foundation of the methodologies used in all research, the classification came to them based on their tendency to a method of reading through them, and a small section of researchers the method they used in their research

المـظاهر السردية في شعر ابن الرومي (ت 283 هـ) == Appearances in the narrative poetry Ibn al - Roumi ( d . 283 AH )

اسم المؤلف: احمد سالم عبيد الشمري
اسم المشرف: علي كاظم محمد علي المصلاوي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study, entitled "The Narrative Phenomena in Ibn al - Roumi's Poetry 283 AH," aims at studying a characteristic of Ibn al - Roumi's poetry, which the scholars did not address, despite the large number of pens that dealt with the study of his poetry, which motivated me to choose it as the title of my thesis. The study of the study was organized in four chapters preceded by a preface, followed by a conclusion summarizing the talk about the most important findings of the study, and then a list of the most important sources and references. A brief introduction to the two parts of the subject is summarized : the first is a brief definition of the poet, and the second is the concept of narration. The first chapter entitled "Personality" as one of the important elements in the process of narrative construction, dealt with the study of the most prominent types of personality according to the abundance and importance in poetry, divided into three types : the president (hero) and secondary (help) and women(belove) The second chapter is devoted to the study of the event to show its role in the narrative text, as it is one of the most important elements of the narrative process. The study is divided into two sections. The first topic dealt with the study of the two types of events (external and internal) He replied in his poetry, namely the orchestral (sequence and embedding). In the third chapter, entitled "Dialogue", the study was divided into two sections. The first topic examined the most prominent types of dialogue mentioned in Ibn al - Roumi's poetry. It was divided into two parts : external dialogue and internal dialogue. In the second section, I studied the most important types of methods by which dialogue was achieved (question, appeal, command). The fourth chapter, entitled "Time and Place", is divided into two sections. The first topic dealt with the axis of time through the study of the most prominent time (real and psychological), as well as the study of the temporal relations of studying the techniques of speeding up the narration, And sales. As for the second topic, it examined the axis of "place" in two types : the pet and the ma'adi, with a statement of how the poet treated with the place that took a distinct area of his hair. In this study, I relied on a number of sources and references that dealt with the study of the narration and Ibn Al - Roumi's poetry, especially his poetry book by Dr. Hussein Nassar, as well as some doctoral dissertations, master's thesis and related scientific research. The study concluded with a number of its findings, the most prominent of which are : The study revealed that the narrative was not a single phenomenon in an era, or a poet, but it extends from the roots of the pre - Islamic era to the present day. The study reached Ibn al - Roumi's poetry was a zakra in the narrative narratives such as personality, event, dialogue, time and place, and these features combined a clear narrative feature in his poetry if not complete. The study found that the character was clear in the product of Ibn al - Roumi, as it was often stated in his poems, the main character was a broad presence in his hair is easy to identify, as well as the secondary character that was complementary to the work of the main character, ) Was to attend a prominent narrative feature, and show the importance of character in the poetry of Ibn al - Roumi of the types that it contained, as it represents the main axis that revolves around the events of poetic text . The presence of the element of the event in Ibn al - Roumi's poetry was an essential element of the rest of the other narratives, being a set of facts and deeds depicting the act of characters. The study concluded that dialogue in Ibn al - Roumi's poetry has taken many forms, such as external dialogue (dialog) and internal dialogue, and this contribution has contributed a great contribution in portraying the psychological state of the poet narrator, as well as his contribution in drawing characters easily and easily. The element of time has a broad presence in Ibn al - Roumi's poetry (both real and psychological), and I believe that the reason behind this, especially in the real genre, is the large number of love councils, as well as the battles that took place in the Abbasid period. Often associated with the night, is that the poet finds the right time to express his pain and grief for what he experienced from the scourge and calamities. The element of place has taken a distinct place in his hair types (pet and maim), although the place of the family had the largest share, perhaps because of the sense of the poet / narrator of his true affiliation, that is where he found himself.

الزمان والمكان في شعر شعراء تغلب == Time and Place in the poetry of Poets of Taghalab

اسم المؤلف: منى عبد الرزاق فخري الياسري
اسم المشرف: علي ذياب محيي العبادي
الموضوع العام: اللغة العربية وادابها
السنة: 2018
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: The study deals with the temporal and spatial issues mentioned by the poets of Taghalab. Poets of the beat . The study consists of three chapters. The first chapter divides into three sections. The first section focus on "Day " and "Tomorrow", section two tackles "Night" and "Day" whereas third section deals with "Finite tense". Chapter two deals with the sections (place pet and hostile location). Third chapter studies the artistic image in poetry of poets of Taghlab. The first section studies of tenmporal simile and spatial simile. The second studies the visual sensory and audio. Finally the study ends with conclusion, appendix, a list of sources and references

الشعر العراقي في المهجر (1968 - 2003م) : دراسة نقدية == The Iraqi Poetry In Diaspora (1968 - 2003) Critical Study

اسم المؤلف: اسامة محمد مهدي الحسناوي
اسم المشرف: عبود جودي عبود الحلي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: Art is a creative humane activity that is affected by the nature of the social religious qualities of human.So it is a record that keep exploits , values and the history of the nations. For that reason thesis deals with a vital part of the Iraqi poetry ,which appeared in the diaspora as a result of complex circumstances.This study includes a preface ,four sections and a conclusion.Through the conclusion the researcher shows the most important results and recommendations he had out.The researcher certainly benefited from some important sources in order to accomplish the thesis.The sources including : 1 - The Arabic poetry ,its issues and phenomena by Dr. Is AL Deen Ismail 2 - Representing's of Modernity in the culture of of Iraqi by Dr.Fatima Al Muhsin3 - The language of the Arabic poetry by Dr. Al Saeed AL WWaraqee researcher throughout the study.1 - The concept of poetry is interrelated with to other concept belonging to its semantic field. Refusal and revolution.Refusal is apart of rebelling which is a wide concept include other concepts such as metaphysic refusal and negative refusal.2 - Refusal has shown a willing obligation by poets with issues of society as being members and leaders who are wiling to achieve their hopes for freedom and justice.3 - Poetry of refusal has a role in calling for challing and rejection of oppression in all its types.4 - The literary product is an achievement for poetry of refusal in Iraq.All efforts have to be collaborated to achieved and spread. The researcher calls be for all institutions to do their best to collect this product. The researcher is ready to present any help in this field

الاقناع في الشعر السياسي الاموي 41هـ - 132هـ

اسم المؤلف: رحيق صالح فنجان
اسم المشرف: حسن حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: كربلاء
الصفحات الاولى:
المستخلص: This study aims to indicate the concept of verbal acts and the most important theoreticians, and their roles in persuasive speeches of political poets of political parties in the Umayyad : Umayyad, Shiites, khawaarij and Zubairians. In fact verbal acts not intended in this instance acts known grammatical but verbs that work to accomplish certain situations which turn words into deeds or informative, guidelines or expressive as Discourse and harnessed to the task of their persuasive in changing the receivers' thoughts and behavior through drawing them emotionally and intellectually to share, accept, or refuse. So such varied acts adopted by poets between guidelines and Expressionism is to convey the voice and ideas of them indirectly. However, those linguistic and rhetoric methods may suggest different meaning implicitly. So that, they fit the nature of poetic language in their hints, brevity, and symbolism. Besides those tip styles of constructional methods and associative techniques led to obtain an expressive function which declared through the political community visions of poets in two tracks : first : the rejection of the political reality imposed on them and the Umayyad policy governance style, was a mask fit disappear behind those emotions partially, appear to some as a symbol of strength and power, while others appear as a symbol of authoritarianism and imposed on them and the Umayyad policy governance style. while others appear as a symbol of authoritarianism and tyranny and violation of SC and Bayat in receiving the reins. Second : they way for their parties and maximizing prestige and show symbols in sacred religious icon image analogue to prove its legitimacy in succession

النص في خطاب علي حرب النقدي

اسم المؤلف: هشام يونس جاسم الياسري
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: / the text in terms of meaning and intention which used to be the text represents an essetial and most important core for modern and post - modem studies and the theories of the new critical scene. It has become a fertile field of knowledge in which critics and linguists indulged. Thus several and different theories and theses emerged, each tackling 'text' in view of its own principles , methodological and epistimological procedures, such as the russian Formalism, Neo - Criticisim, Structuralism, ~ermutics,andTextualism ,etc..These critical theories have produced different and contradictory v1s10ns of 'text' that intersects with the old vision both in its methodological and epistimological field. With the new critical visions, a bouycot has been established between the text and the writer, who used to dominate ultimate concern of critics and scholars. This bouycot eventually led to the announcement of"the writer's death".After this death of the writer, the text began to be associated with the reader, according to the 'Reader Response theory' which inserested itself in the reader and his/her reading and response.The idea of the present research started with my reading of the Lebanese writer Ali Harb's writinigs which, I believe, include an epistimological and methodological approach of the 'text' and its reading that deserves to be chosen for study. When I told my supervisor, I found that he agrees with me in his assessment of the topic's theoretical and epistimological richness embodded in the introduction of of a comprehensive and integrated textual vision enriched by a reading vision that goes along with it in addition torevealing the bases and epistimological principles out of which this vision came and flourished.The philosophical ahievement of post - modernism has become an important source from which this vision took a lot.Furthermore, this vision is an investable and applicable critical approach that can be adopted in text reading.Besides, this topic is a novel one that has not yet been studied before.The first chapter of the thesis falls into three sections. The first one deals with the etmology of the term 'text', covering its linguistic meaning, multiple meanings,and its metaphorical meanings. The second section tackles the concept of 'text' in scholastic circles and its integration into the other intermingled and overlapping concepts and its fluctuation from one specific scholar to another. Section three touches upon the definition of the term, revealing the difficuty faced in this task due to the differences among schools that used the term.Chapter Two deals with the term 'text' in Ali Harb's critical discource.It falls into three sections,too. The first tackles the the theme of textual identity; the structure of the text can be said to have two aspects : the phonological and the reading aspects. The section tries to show the characteristics of both. Section Two studies the text features; it tries to clarify each to open the way to Section Three which is devoted to study the concept of 'text' in Ali Harb's critical discourse.The third chapter studies the types of text and the bases for their differences due to which they are classified into types, showing the features of each text type. ··Chapter Four falls into two sections. The first deals with the critical possiblities for the reader and the possibilty of multi - readings for the same person of the same text. Section Two tacles the the reading of the text showing its nature, requirements, characteristics, and purposes.It, also, tackles the types of readings clarifying the epistimological vision that makes a specific treatment of a text determined by the text type. The chapter concludes with an account of Ali Khattab's reading approach which he uses in his critical endeavours.Lastly, the results of the study are introdused.

جماليات الصورة البصرية في القران الكريم

اسم المؤلف: سلام حديد رسن المالكي
اسم المشرف: حسن جبار محمد الشمسي
الموضوع العام: اللغة العربية وادابها
السنة: 2008
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

الدراسات القرانية في اثار عائشة عبد الرحمن : دراسة لغوية == The Quaranic Studies In The Works Of Aisha Abd Al - Rahman

اسم المؤلف: شروق محسن كاطع
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 2006
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The Quranic Studies have occupied a distinictive place in the literary studies , due to the fact that the holy text was the centre of the attraction of the researchers. Dr. Aisha Abd Al Rahman bint Al Shatie had Al Shatie had the great favour in establishing the bases for literary interpretation.The Short suras of One single topic were the major matter for her study in applying for ideas and in her eloguent analysis. In addition , She tried to imvistigate the most remarkabh linguistic and rhetorical aspects in her interpretive analysis so as not to tresspass intellectual issues that She Surveyed in her Quranic treatments.Then , the research was divided into two parts : the first part , the •, linguistic studies. It includes two chapters. The first chapter entitled the semantic sections ; and the methods that Dr. Aisha has followed to deal with the Quranic text via lexical meaning,, the contextual meaning to reach the most important semantic phenomenon that characlerises her Quranic stndies is the phenomenon of collocation. Chapter Two delimits Some grammatical issues that She studies cwefully like Some substitution letters , extra letters , ellipsis places and contextual filteriston.The second past entitled " the rhetorical studies " consists of three chapters. The firrt one is " eloque.nt sections " We surveyed the eloguent arts that Dr. Aisha passed through in her rhetorical study of the Quranic text. We studied the linguistic metaphor, mental metaphor , etc.Chapter Two represents sections from Semantics which include many rhetorical arts : swearing, questioning, forwarding back warding , definition , economy , repetition , etc. We also studied corefully two arts : intervention and parallelism.Chapter Three includes her view of the Quranic genius via her ideas in The researchers of the geniues , and the study of the most important genius phenomenon which is suras openings. the research ends with a conclusion of the most important rcsutes.In conclusion , 1 wonld like to confess that I did m~· hcst to achieve this research.

الهوية في روايات علي بدر بعد عام 2003 : دراسة في ضوء النقد الثقافي

اسم المؤلف: غصون عزيز ناصر
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

مظاهر البهجة في الشعر الاندلسي من الفتح الى نهاية عصر الطوائف == Features Of Delight In The Andulsian Poetry From Conquer To End Of Al - Tawaif

اسم المؤلف: عارف عبد الكريم مطرود
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Naturally , man loves nature and likes to enjoy it to add to his delight happiness , hope , tranquility , satisfactian and smile. Therefore , beauty is necessary to complete his essential needs without which he can not live happily and to help him bear his being and do things. Beauty arouses optimism and sense of communication and makes our life full and perfect intellectually and socially. Thus , it is a distinguishing sign between developed and underdeveloped societies. Man is also used to abandon all that may disturb felicity of his life. During his search for sources about the different times of the Andulsian era , the researcher found out great interest in those aspects of life that recalled painful sad memories of grief and distress. As examples of such studies , we may notice : Sari Mohammad Al - Samadi "Sadness in the Andulsian Poetry in the Fifth Hijri century " M.A. Thesis , Yarmuk University , Jordan , 1990 ; Baseem Abd Al - Adheem Abd Al - Qadir " Poetry of Captivity and lmprisonment in Andulsia " Ph. D. Dissertation , Ein Shams University ,1994 ; Abd Al - Lateef Mahmood Majeed " war poetry in Andulsia From Conquer to Collapse of the Khilafa " M, A. Thesis , Mustansiriya University , 1987 ; Fawaz Ahmed Muhammad Al - Taei " lmage of the Foreign Enemy in the Andulsian Poetry in the Fifth Hijri Century " M.A. Thesis , Mosul University , 2002 ; Ibraheem Abd Wehayib " Poetry of Calamity in Andulsia From Establishment of Al - Muwahadeen State till Collapse of Bani Al - Ahmar State " M.A. Thesis , lmam Muhammad Bin Sauood lslamic University , 1984. There were also the studies of different types of elegy that also evoked sadness. The researcher had not found a study or a research either directly or indirectly that tackled feelings of joy , delight or happiness or that described the Andulsians as happy , glad and optimistic people living in a peaceful beautiful place that gave them satisfaction and entertainment. As a result , the researcher attempted , in this study , to investigate the reasons behind the smile , happiness , delight and gaiety of the Andulsisns by studying the different aspects of their life that their poets depicted. The aim was to study the features of delight in the Andulsian poetry from the conquer till end of Al - Tawaif (cults) era. This period was selected for study because of the very little disturbance that eccurred during it. The study made use of many sources of language , literatare , history , psychology and religion in addition to biographies and it included an lntroduction , five chapters , conclusions , bibliograghy and abstract in Arabic. ln the introduction , the linguistic and semantic meanings of delight and its synonymes were highlighted. Chapter one describes nature as the purest and most inspirong factor of motivation for poets. The Andulsian poets chanted for nature and , in turn , it presented to them happiness , pleasure , gaiety and ecstasy. That was reflected in the way they brightly coloured their images and meanings with delight and call for entertainment and happiness. Chaptr two showed how the Andulsian poets admired the charming , tender and beautiful Andulsian woman who created smile , enjoyment , hope and radiance and who was the real motivator of delight and happiness that every Andulsian was looking for. Chaptr three reviewed delight in the parties of the Andulsian Artists where we could notice different activities of literature , singing or drinking. Those parties documented the cultural , social and psychological aspects of the Andulsan society and the way the Andulsian people used to entertain themselves. The Andulsian people were relaxed and gentle with the smile always covering their faces with gaiety , humour and happiness. Chapter four studied delight in both religous and secular occassions and celebrations of the Andulsians and shed light on the inherited habits and customes that they adopted to delight them. There were those poets who were keen to establish and deepen these traditions in the Andulsian heritage. Some periods in history were brihgt and full of happiness and tranquility that all people looked for to enjoy and refine the soul. Chapter five identified the prominent artistic characteristics of poetry of delight in Andulsian as far as language , style , imagery and music were concerred. As for language and style , the researcher picked out the words that expressed delight and discussed some linguistic styles the poets used to express delight. As for imagery , the researcher referred to the different models (same of them were new) that the Andulsian poets used to show delight. ln the artistic musical side. the researcher noticed that poetry of delight had music of very high taste which reflected the state of the poet within the very atmospheres that motivated delight , tranquility and psychological relax. Finally , study of delight in Andulsian poetry was determined by the condition of the poet which was an outcome of the events. Thus , it was not out of the motivators of happiness and gaiety to attain hope. Man is a group of feelings of both happiness and sadness and happiness is the origin because it is the closest to the innate psyche of the human.

الاقبال على الحياة عند شعراء العصر العباسي حتى نهاية القرن الثالث الهجري

اسم المؤلف: وداد يعقوب سلمان الحراك
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

قراءة الخطاب الاستشراقي في الثقافة العراقية المعاصرة : مجلة الاستشراق العراقية انموذجا

اسم المؤلف: محمد جاسم محمد الاسدي
اسم المشرف: جبار عودة بدن الشحماني
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

الحجاج في شعر ايليا ابو ماضي

اسم المؤلف: محمد علي حسين الحسني
اسم المشرف: فهد محسن فرحان
الموضوع العام: اللغة العربية وادابها
السنة: 2015
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The research aims to study the poet Elia Abu Madi through argumentation theory, he studied in the first chapter three sections the first is : the limits of pilgrims and means of persuasion, addressed the concept of pilgrims and purpose, with the theme, and its relationship with neighboring concepts, and proved the existence of the pilgrims in the hair, eating in the second section formula evidentiary pilgrims rhetorical studied persuasive kinds of ways when the researchers handled Ten Ways and discussed and finished them to a specific result, and eat in the third section of philosophy persuasive pilgrims rhetoric by shining a light on the cognitive dimension, philosophical, and psychological, and pragmatic, in the production of rhetoric.The second chapter studied types of speech Hajaji through the diversity of the speech in terms of its theme, addressed the pilgrims philosophical and philosophical and mystic and religious was for each speech, especially in inferred foolproof method, Vantdb so practical texts by the poet proved through this multi - dimensional, and their role in the formulation of persuasion to move to the topic The second, which dealt with the rhetorical mechanisms adopted by the poet started as a means of persuading Vsult light on two techniques Oslopeten : the question and repetition; it formed two phenomena distinct in speech poet and Delta on the persuasive purpose and a clear contrast to the other stylistic techniques, while the third section rhetorical representation tool studied dimension metaphoric and Simulators, which formed a phenomenon as obvious as a kind and in a speech rhetorical poet, a - kma see Seat - rhetorical techniques evidenced by the pilgrims in the Office of the poet.Chapter III dealt with three topics was the first in the types of arguments adopted by the poet to convince recipients that were on the three types of arguments is the foundation of reality institution and arguments on fact and arguments value was for each type of these kinds of arguments derivative thereof. The third section addressed the problematic fallacy in the speech he studied poetic fallacy definition and problematic presence fallacy in the hair and then eating kinds of fallacies when the poet and poetry texts eating from the text of the poet as examples of these fallacies.The third topic researcher tried to be applied where he studied two poems of the poet and poetry addressed them applied all the tools studied by researcher Find calls for pilgrims and integrative search ends here to conclusion.

بلاغة الاقناع في مقالات غازي القصيبي في ضوء مبادئ ارسطو الاقناعية == Rhetoric Of Persuation In The Essays Of Ghazi Al - Qusaibi In Light Of Aristotilian Principles Of Persuation

اسم المؤلف: شيماء عثمان محمد
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Modern studies of rhetorics are interested in persuasion as one of the objectives in realistic prosodic discourse that involves displaying personal thoughts and ideas by employing certain technique to contribute to persuading the addressee of the discourse directed to him.Aristotle was the first who talked about persuasion and described in details the techniques and stages in prosodic discourse in his book ‘Oratory ’. Thus, the researcher preferred this book to be the main source and guide in our study of the techniques of persuasion in essays of Ghazi Abd Al - Rahman Al - Qusaibi, which were gathered from newspaper a journals and edited in a book.A question might be raised about the validity of studying such essays that belong to an independent genre with its own characteristics and aims. The answer is that the two genres ( essay and oratory) are similar in type. Both of them are realistic prosodic discourses and thus can be built by the same tools of persuasion. On the other hand, Aristotle began his work in this book by classifying oratory into three types : argumentative, consultative and proving. He assigned specific characteristics for each type as we will mention in details later. The researcher found an artistic and objective similarity between consultative oratory and essay specially in the aims behind using them.Additionally, Greek oratory at that time, in addition to drama, was a well - known and common tool of communication with people to convey thoughts, ideas, suggestions, and reforms. With time, techniques of communication developed and the press emerged and thus essay becomes one of the genres that can achieve the same aim intended by oratory. Furthermore, topics and subjects of ancient and modern Arabic and western rhetorics were influenced by the Greek rhetorics and ideas of Aristotle. Those subjects and ideas were not assigned to be conveyed in a certain specific genre. Rather, they were conveyed both as prose or poetry and not in a specific genre. All the reasons mentioned above led us to study rhetorics of persuasion and the techniques it utilizes in essay writing in light of the techniques that were set as bases for oratory.Our main source in this study is Aristotle’s ‘Oratory’, translated from Greek and introduced by Dr. Abd Al - Rahman Badawi and published by the House of Public Cultural Affairs in the Journal of Afaq Arabbia, Baghdad, **edition.The researcher adhered to Aristotlian principles in persuasion. Accordingly, the study is divided into an introduction and three chapters. The introduction highlights three points. The first point is abaut rhelorics in language and terminology and its status and development for the Greeks and its relation to persuation. The secand is persuasion in language and terminology, persuasion in verbal communication, introducing the idea of persuasion by Aristotle and stages and participants of persuasion. The third point tackles the essay and its types.Chapter one ‘ Source of the Proofs’ starts with preliminaries in which we show what it is meant by the source of the proofs and Aristotle’s opinion of them. The chapter includes three sections; a section for each source. The first section is about the speaker ( the orator) and his impact on persuasion and his scientificity and ethics that help him achieve persuasion. Section two sheds light on the speech of the orator and what participants and proofs it should contain to contribute to achieving persuasion. Section three talks about the listener (the addressee) and what should be the effect on him so as to persuade him of what is said.Chapter two ‘ The Style’ starts with a long section of preliminaries because of the much details about Aristotle’s style. The chapter includes three sections. Section one is about the linguistic style that contribute to achieving persuasion whereas section two is about the rhetorical styles as represented in the rhetorical images. Section three tackles the other styles including those mentioned by Aristotle i.e. narration, saracism and rhyme as techniques that support towards persuasion.In the preliminaries of chapter three ‘Sequence of the Discours’, the researcher talks about the parts of speech of Aristotle and the method that should be followed to classify them. In section one of the chapter, the researcher discusses the introduction and its types in essays of Ghazi Al - Qusaibi : section two discusses the intext and section three is about the conclusions.The Study arrived at some conclusions concerning the most important techniques that Ghazi Al - Qusaibi used to persuade his readers about the thoughts, ideas that he wrote to them and that might developed the society culturally, politically, and economically. Definitely, the researcher faced some difficulties; the most complicated of them is that the text of the book of oratory itself is translated and not the origin. The style is sophisticated and some of the expressions are ambigious; its terms are different from those known in books of Arabic rhetorics and in modern rhetorical studies. This difference can be obviously seen in the illustrative examples put by Aristotle for every term. The expressions were very abbreviated and shortened especially those when Aristotle talked about ethics of the speaker and how they could be reflected in his speech. Consequently, the researcher depended on books of modern linguistic and rhetorical studies that are concerned with rhetorics of discourse and pragmatics in language

التداخل المنهجي في طرائق تحليل النص الشعري - السيميائية انموذجا == Curricular Interference In Poetic Text Analysis Modalities - Semiotics As A Model

اسم المؤلف: سراج محمد يعقوب
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2016
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This study entitled “Curricular Interference in Poetic Text Analysis Modalities - Semiotics as a model” examines one of the most controversial and problematic contemporary criticism curricula amongst modern criticism studies. Semiotics at its theoretical form is an old existing science which was emerged from the womb of knowledge theory; hence it contributed to philosophy, logic, mathematics, human and social sciences. Its critical importance lies by the fact that it stands at the border between human and social sciences; as well as its integration of the direction that accredited linguistic aspect (linguistics) and the direction of philosophical aspect that accredited the new phenomenology. The value of this critical study rises as it monitors the shifts of knowledge and intellect arguments of this approach, their transfer into the field of applied methodology, the way Arabic critical studies dealt with such shifts, the nature of receiving such mechanisms by Arab critics, and the methods of applying and representing them in Arabic poetic texts. This thesis is composed of an introduction, three chapters and a conclusion. The first chapter - made of two sections - deals with the intellectual and philosophical fundamentals of semiotics, and examines their origins and approaches as presented by semiotics pioneers; American Philosopher Charles Sanders Peirce and Swiss Linguist Ferdinand de Saussure. In the first section of the chapter, we focus on the image of semiotics in ancient Greek philosophy, as well as different other philosophies followed. In addition, we examine deeply the way Arab and western critics had dealt with the nature of that image. In the second section of the first chapter, we review in details the hypotheses of Peirce’s and Saussure’s theories analyzing their philosophical and intellectual arguments; as well as explaining relevant attitudes of Arab and western critics.The first section of the second chapter examines semiotics in terms of its developed theoretical boundaries and its applied methodological image. Also, we detail the period that followed the foundation stage, and account for modern semiotics approaches that we present by the approaches of semantics, communication and culture. Then we scope the light on literature semiotics as being the theoretical and applied image of general semiotics. In the second section of this chapter, we review the mechanisms of applied semiotics, the ways of Arab and western critics’ interaction with that mechanisms, how they were put into application, and the reasons that lead to curricular interference amongst applied models. As for the third chapter, it deals with Arabic applied models as we examine the phenomenon of curricular interference within those models following the criticism - of - criticism mechanism. In conclusion, the study was culminated with a series of findings reached through our research

الاساليب البلاغية في شعر السيد جعفر الحلي (ت1315هـ) == Rhetorical Devices In The Poetry Of Said Jafar Al - Hilli

اسم المؤلف: امنـة احمـد عباس المطـوري
اسم المشرف: فالح حمد احمد الحمداني
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Said Jaafar Al - Hilly is considered as one of the alawis Iraqi poets whose poetry is characterized by its richness at the artistic and semantic levels. His poems also shed light on the political and social reality with a dominant alawian sense. Thus, it is essential to investigate about these aspects with close inspection. This poet was not paid any considerable attention concerning his verse only in scattered articles and papers. Even in modern literary works, there are little references to his art, further, these references do not contribute in showing his artistic and aesthetic writings in verse that may put him in competition with other great poets of his time. This study mainly focuses on the rhetorical perspectives in his poems in an attempt to show the deep meaning of his lexical and syntactic choices in addition to his manipulation of cadence and poetic structure as well as imagery. The current study consists of a preliminary, three chapters and a conclusion. In the preliminary, rhetorical branches are introduced and explained and how these branches are shown to have a role in exposing the poet's artistic writings. This chapter also includes the poet's biography and the themes that he addressed in his verse. Chapter one is attributed to inspecting the cadence level in his poetry. It comprises three sections. Section one is concerned with alliteration. Section two is devoted to explaining repetition and its types and effects in relation to cadence. Section three comes under the title " Other Rhetorical Aspects" that contribute to make rhythmical patterns prominent. Chapter two is essentially devoted to the structural level of his poetry. It comprises three sections. The first one, which is entitled "Recantation in Structure", deals with things such as foregrounding and back - grounding, ellipsis. Section two is entitled "Recantation in the reporting style", whereas, the third section is concerned with the recantation of requesting style such as questions and command. Chapter three deals with the descriptive level of his poetry and it is compose of two sections. The first one is concerned with the study of images according to their artistic frame. Section two pays attention to the size of these images in that it focused on the single and simple images as well as the compound and the total images. This classification comes as a result of what is found in his poems in an endeavor to simplify their study. Finally, I would like to express my gratitude for the dean of the college of Education for Human science, Dr Hussein and for the two assistants as well as for the head of the Arabic department. Also, I would thank my supervisor for his great efforts in showing me the right way of how to accomplish this work.

الاتجاهات النقدية عند مفسري القران الكريم من المحدثين == Monetary Trends · When Interpreters Of The Koran Modern

اسم المؤلف: حميد قاسم هجر المفضل الموسوي
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2012
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

الفكر الاستعاري العربي في ضوء المنهج الحجاجي == Arabic Metaphoric Thought In The Light Of Argument A Pproach

اسم المؤلف: يوسف رسول حسين
اسم المشرف: فالح كامل اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2017
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Praise be to God and tow years after of research and study ,we finished this research that named ( The metaphoric thought in light of curriculum AL Hijaji) through follow up with administrators I adopted in my study on the Arabic resources and its represent in workbooks was the most important one (the important theories of AL - Hijaj from Aristotle to today) with administrators special team in Manoba university in Tunisia ,and AL Hijaj in AL Koran of most important style characteristics Abdullah revolution and ( AL Hijah in contemporary rhetoric) for Mohamed SlemAmeen and(Al Hijaj in Arabic poetry) for Samia Al Doraidi and ( Al HIjaj and the truth and afaq and interpretations )for Ali Al Shaban and dialogue require in circulation lingual and another of Arabic old and new resources This research divided into three chapters and at the beginning of these chapters an introduction and pave and the researcher took in pave the metaphor in Arabic thought , metaphor in western thought and the metaphor in Al Hijaji’stheories and was under this last title another titles , it was talking about definition of Al Hijaj , Al Hijaj’s theories , Al Hijaj in Berleman and Al Hijaj’s metaphor. In the first chapter there are three parts ; the first part was talking about the mechanisms of Al Hijaj in critics and Al Hijaj in poetry and the conversation include Al HIjaji’s pronunciation resource. In the second part is talking about the research of Al Hijaj in Al Amadi and Abulkahir Al Jerjani and itAl Basrah UniversityCollege of literatureArabic departmenttook the delay’s styles and division and rhetorical styles that put by Al Amadi also the researcher in this part talked about Al Hijaj in Abduikahir Al jerjani. In the third part of the first chapter the researcher talking about the circulation dimension in the Arabic critical speech , He was talking about interesting principle and principle of purpose or the meaning and how to employed from the old Arabic criticsIn chapter tow the researcher talked about Al Hijaj for the old Arabic commentators and he took birth of the term explanation for the Arabic and under this title the speech was about definition of the explanation is language, Al Koran Al Kareem and the ignorant poetry and explanation the poetry that owned by Arabs. after that I’m began reading the books of Al Hijaj and its resources. at the end of the closing I extend my thanks and appreciation for Dr.FalehKamelEscandar who was more than teacher and brother to me and I also thanks all my teachers in Arabic department and all thanks for the members of committee discussion.

جدل الشعر والنحو : دراسة في شروح القصائد العشر الطوال

اسم المؤلف: باسم ادريس قاسم مصطفى السوفاجي
اسم المشرف: بشرى حمدي فتحي احمد البستاني
الموضوع العام: اللغة العربية وادابها
السنة: 2003
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
1 ... 23 24 25 26 27 ... 58