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ترابط المعنى عند ابي حيان في البحر المحيط : دراسة لسانية نصية == Abu Hayyan Al - Andalusi's Meaning Correlation in His Book

Author name: هدى محمد صالح عناد جبار
Supervisor name: سعدون احمد علي الربعي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: This study addresses the meaning correlation in one of the famous interpretations of the Quran which was authored by one of the (Andalus)'s prominent figures in grammar and interpretation : The Interpretation of (Al - Bahr Al - Muheet) by (Abu Hayyan Al - Andalusi) (d. 745 AH).I tried in this study to shed light on the means of linking the meaning related to the text level. After having read the text features with respect to the first criterion which is (script bonding), it appeared that the interpretation included verbal and moral connectors Therefore, I divided the study into two sections : the first one included the means of formal linkage comprising grammatical connectors : (assignment, deletion, and linking tools); and lexical linking tools (lexical redundancy and association), while the second one guarantees the means of conceptual coherence, which is the semantic convenience and relations.The importance of this study is that it represents a model that links the contemporary with the heritage by applying the standards of (Hadith) over a widespread interpretation among the scholars. The study found that (Abu Hayyan) was not just well proficient with the Grammar, but he was familiar with the text and means of text coherence in the Quran. He embraced the views of his predecessors in some occasions and had his own in others.He proved his views based on what Arabs said in poetry and prose, or on other Quranic verses what enhances his outlook of the Koran as a unified text.I noticed that he - in his handling of the grammatical issues - was not violating the grammatical rules. In addition, he did not tend to interpret the Quran in a way violates it outwardly.According to my search, there is no previous study of (Al - Bahr Al - Muheet) related to this aspect, i.e. by searching the means of meaning correlation in the Quranic text. 

دراسات الدكتور شوقي ضيف القرانية في ضوء النقد الحضاري == Studies of Dr. Shawki Daif Quran in the light of Civilization criticism

Author name: حاكم فضيل عطيوي
Supervisor name: هناء جواد عبد السادة العيساوي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: استجاب الناس بمختلف اقوامهم، وعبر التاريخ لدعوات الرسل، ووقفوا منها مواقف مختلفة، وقرؤوا كلام الله الذي حملوه اليهم وكتبوه، وبدؤوا يتعلمونه، ويفسرونه، ثم ذهبوا فيه من بعد رحيلهم مذاهب شتى، فكانت استجاباتهم عرضة للاختلاف، والتعدد، وان كان ذلك بين الدين الواحد، فدفعتهم ضرورة التفاهم الى الحوار، والقبول بالوساطة؛ حينما ادركوا اختلاف فهمهم وتعدده، وربما حل محله الصراع، والصدام، والاقتتال، وبدافع المساءلة لدراساتهم الدينية، جاءت اهمية هذا الموضوع الذي يقدم نقدا حضاريا لدراسات احد الجامعيين العرب من الذين استجابوا لمعالم الحضارة الاسلامية، وابوياتها المعاصرة، فتمحورت حول القران الكريم، وما دارت عليه من خصومة بين الباحثين المسلمين، والمستشرقين، وما بين هؤلاء وهؤلاء من اختلافات حضارية، وموجهات مذهبية متعددة، فاختص الموضوع بدراسات الدكتور شوقي ضيف القرانية الذي امضى قسطا غير قليل من حياته في التاليف الادبي، والنحوي، فشمل دراسات مختلفة، ابرزها : الفن ومذاهبه في الشعر العربي، والفن ومذاهبه في النثر العربي، وكذلك موسوعته في تاريخ الادب العربي على اجزاء، وايضا في تيسير النحو العربي بعدد من الكتب، وتحقيق التراث العربي بعدد من الكتب، ثم قدم عددا من الدراسات القرانية ضمتها بعض كتبه، وهي : تحقيق "كتاب السبعة في القراءات لابن مجاهد" في عام (1967)، وتاليف "سورة الرحمن وسور قصار - عرض ودراسة" في عام (1971)، و" الوجيز في تفسير القران الكريم" في عام (1993)، و"عالمية الاسلام" في عام (1996) ، و"الحضارة الاسلامية من القران والسنة" في عام (1997)، و"محمد خاتم المرسلين" في عام (2000)، و"القسم في القران الكريم"في عام (2001) ، و"معجزات القران" في عام (2002)، ويمكن عد كتابه "تاريخ الادب العربي - العصر الاسلامي" في عام (1964) من الكتب المهمة في هذا المجال ايضا، فتضمنت هذه الكتب دراسات قرانية ذات استجابات ابوية حضارية يمكن دراستها نقديا؛ لذلك صار عنوان البحث "دراسات الدكتور شوقي ضيف القرانية في ضوء النقد الحضاري"؛ فكان التعامل معه هنا على انه كاتب ذو استجابة ابوية حضارية، ومن باب الوساطة النقدية الحضارية كانت ضرورة النقد الحضاري لاستجابته التي دعته الى احياء المكتوب الاسلامي، واصلاح المقروء الاستشراقي ؛ مما سيتضح اكثره في الفصل الاول المعنون بـ "النقد الحضاري، واضاءة تطبيقية "؛ الذي ضم اولا : مرجعيات النقد الحضاري، وهي المرجعية التاريخية، والمرجعية الفلسفية، والمرجعية الاخلاقية، وثانيا : مفهوم النقد الحضاري للبنية الابوية، وثالثا : المقدمات الابوية للدكتور شوقي ضيف، وهي : المقدمة المذهبية ، والمقدمة القومية ، والمقدمة الاحيائية، اما الفصل الثاني، فعنوانه : دراساته في علوم القران، وقد ضم توطئة اصطلاحية ، وعددا من الدراسات عالج شوقي ضيف في كل منها قضية من قضايا علوم القران، وهي التدوين، والترتيب، والجمع، ورسم المصحف،ونشاة التفسير، والمكي والمدني، والنسخ، والمحكم، والمتشابه، والاعجاز القراني، والقراءات القرانية، وعروبة القران، وكان الفصل الثالث : دراساته في لغة القران، وضم دراسته المعجمية ، ثم دراسته النحوية الذي انقسم على قسمين هما : القسم، والاساليب الاخرى، وان هذا الاجراء في تقسيم البحث اقتضته مادة البحث ومنهجه، وهو يسير مع تفاصيل الكتابة سيرا متسلسلا على وفق متطلبات علمية، وترتيبات منهجية ، ومن الجدير بالذكر هنا انه لم يتعرض لهذا الموضوع احد بدراسة مستقلة لا في العراق، ولا خارجه؛ لذلك حظي هذا الاختيار بالترحيب، والثناء من لدن بعض الاساتذة في الجامعات العراقية وشهادتهم، وقد واجهت اعداد البحث بعض الصعوبات، ابرزها : جلب المؤلفات من خارج العراق، وما تطلبه من وقت وجهد، واخيرا لا يسع الباحث الا تقديم الشكر الجزيل للمشرفة على هذا البحث الاستاذ الدكتورة هناء جواد العيساوي؛ لما قدمته من متابعة موضوعية ، ومشاركة علمية، داعيا الله تعالى لها بدوام العافية ، والتواصل لخدمة الانسانية ، والتوفيق لحسن العاقبة، والحمد لله رب العالمين | The book "The Book of Seven in the Readings of Ibn Mujahid" in 1967, and the composition of "Surat Al - Rahman and Sur - Qasr - Presentation and Study" in 1971, Al - Wajeez in the Interpretation of the Holy Quran in 1993, Islam in 1996, Islamic Civilization of the Qur'an and Sunnah in 1997, Muhammad Khatam of Messengers in 2000, The Quran in 2001, Miracles (2002), and his book "History of Arabic Literature - the Islamic Age" (1964) can be considered an important book in this field as well..Boot entitled to "the concept of cultural criticism, and applied lighting"; which included first : the concept of cultural criticism of patriarchal structure, and secondly : introductions Parental Dr. Shawki guest, namely : Salafi interpretation, and national literature, biome facilitation, and then divided his studies Quranic on two chapters, the first : His studies in Quranic sciences, has been included in preparation idiomatic, and a number of studies Shawki treated guest in each issue of the Koran science issues, namely blogging, combine, drawing the Ottoman, the Mecca and civil, copying, and arbitrator, and of Like, the miracle of the Qur'an, and readings of Quranic, and the Arabism of the Koran , and was the second chapter : his studies in the language of the Corner, included three studies are; his study lexical, and grammatical study, which was divided on two sections : Section, and other . methods, then his rhetoricalIt is worth mentioning here that this subject has not been subjected to any independent study either in Iraq or abroad, so this choice was welcomed. , And praise from some professors in Iraqi universities and their testimony, has faced the preparation of the research some difficulties, most notably : bringing the literature from outside Iraq, and the required time and effort.,It is worth mentioning here that this subject has not been subjected to one independent study, neither in Iraq nor abroad. Therefore, this selection was welcomed and praised by some professors in Iraqi universities and their testimony. The preparation of the research faced some difficulties, And the time and effort required

الخطاب الحائد في العربية : دراسة في ضوء النظرية التداولية == Alha'id Discourse in Arabic A Study in the Light of the Pragmatic Theory

Author name: جاسم خيري حيدر الحلفي
Supervisor name: محسن حسين علي الخفاجي | قيس حمزة فالح الخفاجي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: هذه الدراسة تتناول نوعا من الخطاب يبدو غامضا في التراث العربي وهو (الخطاب الحائد)، وهو مصطلح اخترته ليدل على ظاهرة (الحيدة) التي جرى وصفها في العربية بانها تدل على الهرب من الجواب ،او الامتناع عن مطابقة الجواب للكلام السابق او الارسالية السابقة، وعلى الرغم من كثرة تداول هذه الظاهرة على مستوى الجدل والمناظرات او على مستوى اللغة العادية او لغة الخطاب اليومي؛ فمن النادر ان نجد التصريح بها فضلا عن دراستها قديما او حديثا، ويتهيا لي انها ظاهرة لم تنفرد بها العربية ،ولكنها اللغة التي وفرت لها كل الاليات الضرورية لاستعمالها بكفاءة. بعد البحث والتقصي ،وجدت ان هذه الظاهرة لم يبحثها العلماء القدماء ،ولا علماء العصر الحديث ،وتبين ان هذه الظاهرة من الغموض والتعقيد والتداخل الذي لا يمكن معه دراستها الا بمنهج يتصف بالفاعلية والمرونة الكافية لازالة هذا الغموض وكشف هذا الالتباس؛ فاخترت المنهج البراغماتي ليصبح عنوان هذه الاطروحة : (الخطاب الحائد في العربية ،دراسة في ضوء النظرية البراغماتية). ان البحث يتكون من تمهيد ،وخمسة فصول ،سبق بمقدمة ونتائج ختامية ؛ التمهيد كان للتعريف باصول ومفاهيم الخطاب الحائد، وقد جاء للتعريف بمفاصل البحث ،ووجود الظاهرة في التراث، ثم الفصل الاول يتناول الخطاب الحائد في ضوء نظرية السياق ،وهو يتكون من مبحثين؛ الاول اختص بتعيين حقل الخطاب الحائد ،والاخر اختص اليات الخطاب، وكان الفصل الثاني لدراسة الاحالة والتاشير في الخطاب الحائد من طريق ثلاثة مباحث ؛الاول لدراسة الاحالة ،والثاني لدراسة المرجعية العائدية ،والثالث لدراسة الاشاريات، اما الفصل الثالث فهو لدراسة الافتراض المسبق والتضمين من خلال مبحثين يتناولهما، والفصل الرابع تناول دراسة افعال الكلام من خلال مبحثين؛ المبحث الاول ناقش تاسيس مفهوم الفعل الكلامي، وناقش الاخر الفعل الكلامي غير المباشر، وجاء الفصل الخامس لدراسة الاستلزام الخطابي من خلال ثلاثة مباحث؛ الاول منها تناول الاستلزام العرفي، والثاني تناول الاستلزام الحواري، بينما كان الثالث لتناول المبادئ الاضافية. كل مبحث من التي ذكرناها يحتوي على مجموعة من المسائل الفرعية ، حاولت انا من خلالها استكمال بحث الظاهرة. | This study deals with a kind of discourse seems uncertain in the Arab heritage which (Alha'id Discourse), a term chosen for demonstrating the phenomenon (Alhaida) which have been described in Arabic as indicating escape from the answer, or to refrain from matching the answer is the former words or previous consignment, and despite the frequent phenomenon trading at the level of controversy and debates or on the normal level of language or the language of everyday speech; it is rare to find the authorization as well as studied ancient or modern, and preparing me it is a phenomenon that was not unique to Arab, but it is the language that gave her all the necessary mechanisms to be used efficiently. After research and investigation, I found that this phenomenon is not considered by ancient scholars, nor modern scholars era, and show that this phenomenon of ambiguity, complexity and interference that cannot be with him studied only approach is characterized by effective and sufficient flexibility to remove this ambiguity revealed this confusion; I chose to approach the pragmatic to become the title of this thesis : (Alha'id Discourse in Arabic, a study in the light of the pragmatic theory). The search consists of a preface, and the five seasons, already an introduction to final results; a preface was the definition of assets and the concepts of Alha'id discourse, and the first chapter deals with Alha'id discourse in light of the context theory, which consists of two sections; the first singled set Alha'id discourse field, and the other specialized discourse mechanisms, and was the second chapter to the study of reference and Deixis in Alha'id discourse by way of three sections; the first to study the reference, and the second to study the Anaphoric reference, and the third to study Deictic, the third chapter is to study the presupposition and entailment through two sections addressed by, the fourth chapter addressed the study of the speech act through two sections; the first section discussed the creation of the concept of speech act, and discussed other indirect speech act, came fifth chapter to the study of implicature through three sections; the first of which addressed conventional implicature, and the second talk about conversational implicature, while the third was to address the additional principles. All of these sections in which we have mentioned on a group of sub - issues have been included, which I tried to complete the search phenomenon.

الاجماع وخرقه في الدرس النحوي == The breaking Grammatial Consensus

Author name: علاء حسين خضير ظاهر المنصوري
Supervisor name: صباح عطيوي عبود الزبيدي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: Out of the grammarians' sayings , it has become clear that the consensus is an argument , which is the same as the consensus in other scientific realm , such as the jurisprudence or the foundationalists or in any other science of the Islamic civilization . It is secondary in relation to the origins of grammatology ; and the one who breaks it is to be considered definitely erroneous and , consequently , his saying is not to be relied on . The researcher has seen that most of the grammarians' sayings which have been disseminated throughout their books suggesting a consensus on certain grammatical judgements , were not far away from the break done by more than one grammarian ; therefore , it is often too hard to claim a consensus on certain grammatical judgements , as they occur in the realm of Al - Mo'rabat or in that of Al - Mebniyat , which approximately represent the whole Arabic grammarian , because there is no doubt , after closely looking into the grammarians ' classifieds, you find someone who has broken this or that consensus. It has become evident that most of those who had broken the consensus , hadn't done so without relying on an evidence but they relied on arguments quoted from poetry or prose they had heard from the Arabs , or on the basis of certain texts taken from the Qur'an or the prophet's sayings , or from the Semitic languages or by measuring in accordance to some other grammatical judgement , to enhance a breaker's doctrine within whose frame the breaking has taken place . In some other cases , a breaker relies on the speaker's intention , or on his own linguistic knowledge and independent opinions , in addition to his own craft as a grammarian . Some grammarians announce the consensus breaker's . But in some other cases , they don't mention his name , making us look for the name in their grammatical books . Some of them may mention the title of the book where the grammarian has broken the consensus , but when we turn to it , we don't find the place where the breaking has occurred , instead we find it in another book of the same author . The grammatical consensus had been broken by the heads of Al - Basriya school and Al - Kufiya school as well ; and by some other ancient grammarians . It has been broken , too , by modernist grammarian figures , as it is affirmed in most issues treated by this thesis

الصورة عند الجيلين الشعريين الستيني والسبعيني في العراق عقدي التشكل == The Poetic Image in Iraqi Poetry of The Sixteenths and The Seventeenths : The Decades of Formation

Author name: سامر عبد الكاظم جلاب الجوذري
Supervisor name: عبد العظيم رهيف السلطاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: The use of the image and the importance of such use in the making of poetry was tackled by many researchers. This study focuses on the employment of the image, as well, in the poetry of the sixteenths and seventeenths where the image manifests its ability to refer to what’s important outside the text.The thesis aims at showing the achievements of the poets in the mentioned decades in terms of the image, its sources and the methods through which the poets form their images. Another aim is to balance between the achievements and works of the two decades in terms of the image and its three dimensions that are mentioned to verify the hypothesis of the difference between the two decades, and consequently examining the accuracy of the predominant view that they are two different decades.Moreover, the modern understanding of the “image” includes its employment as a metaphoric device, or as a group of visual signs artistically displayed on paper. Knowing the importance of the literary device, poets used it heavily, whether sketched with language or designed with lines. To have perfect manifestation of the poets’ interest in this aspect, we focus on the theoretical achievements related to the poetic image of poetry of the two decades.Deciding the identity of poetry of the two decades mentioned is more like finding an identity for the cultural and aesthetic history of that time. Imagery is the essence of poetry which is an art in language different from that written in prose. Thus, studying this device, i.e. imagery, and researching its requirements and function is quite necessary. We adopt a descriptive analysis that takes into account the historical arrangement of the texts samples. While in analyzing the poetic texts (verses) we use the text analysis method where we observe the signs, their relations, and the image formation.The study falls in an introduction and three chapters and a conclusion that summarizes the most important of the results. The introduction sets the definition of a “generation” and the role of a generation. Moreover, Iraqi “generations” are specifically formed by decades, as will be clarified in detail later in the chapter.Chapter One tackles the source of imagery for poets of the two decades, which the researcher considers sufficient to shed light on the nature of imagery. Analyzing the poetry of that time shows important regional and cultural features, and the chapter was ,thus, divided into two sections.Chapter Two deals with formations of the image used intentionally by the poets. It falls into two sections, dealing with the single image and the complex image successively.Chapter Three deals with the significance of the use of image in the two decades of poets analyzed through the context of the poems.This study tries to comprehensively deal with the efforts in the poetic work of the two decades in an important area of research represented by the decade of formation; the artistic and technical decade rather than the historical one. It handles the poets who emerged in the early sixteenth and seventeenths. Those poets whose longing for individuality prompted them to form, through experimentation, a new vision which was partially or completely different from that of those who preceded them.The sample of the study includes poets from the two decades. The poets of the sixteenths are Fadhil Al - Azawi, Sami Mehdi, Hasab Al - Sheik Jaafar, Fawzi Kareem, Hameed Saeed, and Amal Al - Zahawi. While the poets of the seventeenths are Khazel Al - Majidee, Zahir Al - Jizani, Adeeb Kamal al - Din, Kadhim Jihad, Kamal Sabti, Hashim Shafik, Bushrah Al - Bustani, and Sajida Hameed.This study sets about new area of researching, it deals with the early formation of the two decades, identifying the beginning of each decade and paving the way for the researchers to take interest in the comparative studies to manifest the reality of the difference between all the poetic decades. Moreover, the study revises the misconception that a (decade) refers to a literary generation in only ten years. The study shows that a (decade) represents a stage of formation of a new literary generation rather than an end of one. The study emphasizes that the realization of literary generation does not necessarily occur at the end of one. The concept of a poetic work can develop continually through the historical ages and the next decades. Hence, the element of time and its role is intentionally employed in this study as it has a great influence on motivating the poetic development.Though I do my best in handling the topic, perfection is impossible, and I hope that I was able to precisely cover the whole topic and give answers for the main questions of the study and its hypotheses.The researcher would like to thank his supervisor Prof. Abdul Adheem Raheef Alsultani for his countless efforts to help and supervise. I can not find the words of thanking that suit his esteemed status. He was so generous in lending the researcher the chance to discuss and defend his point of view when he was ready to do. May God give him success to be a master, a father, and a prosperous figure in the science of the Arabic Language. I hope him the long and healthy life. His great efforts are the reason the research came out as it is today.

الصمت فــي القران الكريم == Silence in the Qur'an

Author name: Mahdi Abdul Amir tempted Alktrani
Supervisor name: عباس محمد رضا حسن البياتي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: He studied the Koran objective and technical studies and many rhetorical, and the major themes and topics and the overall junior and detailed and textured and similar and other topics which are innumerable.The silence is part of these topics, and penetrates deep down, this means that talk of silence is to talk about important aspects of the book described a spokesman for the right of, and did not Koranic studies were represented in theses or others have dealt with this aspect of research and Signifying by according a literary approach and the vision of the Koran, and did not turn to him as a spectacle - silence - combines integrated scattered on the subject of study and academic research until Almighty God inspired him to consider, and search, and the stand has in his hands to see genders and secrets.Silence is the language has its own expressive on the level of literature and art in all genders, Silence is not merely tolerated or putting it off as that comes to the mind of some, or is the absence of impact or influential, but it is the presence of a conscious high language, and has a function tag and semiotic in the text, Hesitation and silence for two seconds before the word Yes, makes it stronger than it is without it.This thesis has been under the supervision of Prof. Dr. Mohammad Reza Abbas al - Bayati, who was supervised by her people and giving them too much time and effort bumper, in the Department of Arabic Language in the College of Education and Human Sciences at the University of Babylon.The plan, which went out in search has been split to pave and three chapters and a conclusion. .Boot on the rooting of the concept of silence included by reference to language books and dictionaries, rhetoric, literature, theater, novels, philosophy, and then exit the definition of idiomatic procedural, adopted by the researcher and the study constructing chapters. . In the first chapter split talk at the entrance and three sections, eating entrance silence its true sense is known, and divide it into silence involuntary ensure its first section, and the silence of involuntary ensure its second section, and spoke the third section about the silence of the silent picture painted by the Koran world and the Hereafter scenes.The second chapter is divided at the entrance and three sections also, eating talk about the flesh silent and its importance, functions and subscription tandem in word and movement language of the entrance, and arbitrary signifier and the signified in acoustic and silent language, and in the first part dealt with the implications of head movement silent, face, eye, and the second section talked about the hand and their implications, and the third section talked about the body and do sitting and implications. .The third chapter to talk about the language of silence inside, and split at the entrance of the three sections, the first section for brevity and deletions occur, and the second section of silence for the narrative, and the third section for semantic silence.Came Conclusion to talk about the most important outcome of the research.Finally, I ask God Almighty Aziz to guide our steps and to help us to please Him and his service, and to make this work purely

الزمان والمكان في ديوان الموشحات الاندلسية : دراسة في الموضوع والفن == Time and space in the office aroused Andalusian A study on the subject and art

Author name: ساهرة عليوي حسين العامري
Supervisor name: علي ابراهيم محمد الزرقاني
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: مما لاشك فيه ان النتاج الادبي بوصفه نشاطا انسانيا يقوم على تواشج العلاقات الزمكانية التي يطبع عليها المبدع افكاره ليشكل نصا جماليا يشع بالمشاعر الانسانية المعبرة عن التجربة الذاتية.. لذا حاولنا جاهدين دراسة الزمان والمكان في ديوان الموشحات الاندلسية الذي يضم مجموعة كبيرة من ابرز وشاحي بلاد الاندلس وعلى مدى العصور، تحقيق سيد غازي وبعد الوقفة التاملية في الديوان اخترت عددا من الوشاحين وجاء الاختيار على اساس غزارة الانتاج وتعدد الموضوعات.سعينا في هذه الدراسة الى استنطاق النص من خلال مختلف ادوات التحليل ووقفنا عند السمات الفنية في النص بوصفه بنية مكتنزة بمحولات فكرية متساوقة مع الاشكال الفنية التي يتزيا بها الموشح لذا اقتضت الطبيعة الاجرائية للبحث توزيعه على تمهيد وثلاثة فصول تطرقت في التمهيد عن المفهوم الزمان والمكان في اللغة والاصطلاح بالاضافة الى اصل الموشح والخلافات التي دارت حوله وعرض نماذج لاهم انواعه.وفي الفصل الاول تحدثت عن الزمن عبر الثنائيات، فكان في مبحثين، اهتم الاول بدراسة ثنائية (الحاضر/الماضي) اما الثاني فدرس ثنائية (الحاضر/ المستقبل).وخصص الفصل الثاني لدراسة توافق الذات وتباينها مع الليل في مبحثين شمل الاول على دراسة توافق الليل مع الذات اما الثاني فاهتم بتباين الليل مع الذات.اما الفصل الثالث فقد استقام على التشكيلات المكانية وضم مبحثين ، درس الاول الطبيعة الساكنة واهتم الثاني بالطبيعة المتحركة. وبعد هذا عمدت الباحثة الى استخلاص اهم النتائج التي توصل اليها البحث وتلا ذلك قائمة ضمت اهم المصادر والمراجع التي اعتمدت عليها هذه الدراسة وهي القران الكريم وديوان الموشحات وكتب التراجم وكتب الادب والنقد التي انبثقت منها اهم القضايا النقدية والادبية لتطوير هذه الدراسة.وبفيض من الحب والتقدير لا يسعني الا ان اقدم الشكر والعرفان الى مشرفي ومعلمي ا.د. علي ابراهيم الذي لم يبخل علي بمشورة او نصح وقراءة دقيقة قد اسهمت في اغناء هذا البحث وبلورة فكرته، اسال الله ان يسدد على الخير خطاه وان يوفقه لما يحب ويرضى.شكري وتقديري الى السيد رئيس لجنة المناقشة والسادة الاعضاء لتفضلهم بقبول مناقشتي، واخص بالشكر السيد رئيس لجنة المناقشة ا.د. علي اسد المحترم لسعة صدره وتوجيهاته السديدة، جزاهم الله عني خير الجزاء.واخيرا.. فلا ادعي الكمال لبحثي هذا فالكمال لله وحده فان اصبت فهو من فضل الله، وان زللت فمن نفس وهذه طبعة الانسان. واخر دعوانا ان الحمد لله رب العالمين. | There is no doubt that the literature product as a humanitarian activity is based on correlation among the time - place relations where the innovative prints his ideas to pose aesthetic text shines with human feelings that express the self - experiment. Therefore we tried hard to study the place and time in the book of Andalus Mowashahat which includes a huge of most prominent Mowashah writers of Andalus all over the times and eras, the investigation by Mr. Ghazi after the meditation pose in the book, I have choose some of them based on their huge productivity and variety of subjects. We endeavor in this study to explain the text through all methods of analyzing and we posed on artistic characteristics in the text as it is a creature enriched with conceptual transformers matching with artistic shapes that characterize the Mowashah, so the implementing nature of the research have obliged the necessity to make the research consisted of prologue and three chapters, in the prologue I have tackled with concept of time and place in the language plus to the origin of Mowashah and disputes existed about it and showing some samples for that. In the first chapter I talked about the time through duals , was in two sections , first one concerned to study the dual of (present/ past) while the second one concerned about the dual of (present/future). The second chapter was specialized to study the compatibility of the ego and its contrast with the night in two sections , first one concerned with studying the compatibility between the night with the ego, second one concerned with compatibility of the night with the ego. While the third chapter was based on place forms and included two sections , first one studied the static nature and second one concern about the moving nature. Then the researcher intended to conclude most results that the researcher has come up with, then a list of most important references and resources were depended in this research are Holly Quran, Diwan Almurashahat, Translation books and literature books and criticism from which most literature and criticism issues have emanated to develop this study. With much love and respect I would like to express my grateful to my supervisor Pro. Dr. Ali Ibrahim who has the big favor behind the enrichment of my research with all good remarks and consultancy, I pray to God to prosper him and support him.Finally, I don’t claim the perfection because the perfection is just belong to the Lord, if I succeed it is by Him if not so then it's because of myself. Thank for God for all.

دلالة المفردة القرانية بين اللغويين والاصوليين == Quranic single indication among linguists and fundamentalists

Author name: فاضل كامل محسن الموسوي
Supervisor name: رحيم جبر احمد الحسناوي | عامر عمران الخفاجي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: Spin thesis about Quranic single between linguists and those who call them naming linguists and scientists assets any fundamentalists The 1 yen confined to their work in the building jurisprudential evidence that will help the jurist in the development of legitimate issues of concern to people's lives of Muslims and organize their lives in this world and the Hereafter significance. Thesis dealt with as significant when linguists old and modern significance when fundamentalists in all doctrines. Then dealt with single and clarity in the Holy Quran and the reasons for this clarity as scientists have identified and how to judge that the single clear or ambiguous and put them Metrology that define it and how they differed in that he divided them see that some of the strange and mysterious vocabulary others see it as clear and as long as the development of scientists have significance and knew through their studies or explanatory language is not strange and Agmod in the Koran because all the vocabulary purely Arab, as stipulated in more than any decent but some ignorance Bdalaladtha because it is used in the private Magamhm invited themThe Anatoha strange and mystery. And has made Linguists great efforts identify the vocabulary and implications aid of tribes and their members and not all tribes. Then the fundamentalists came after that was the voltage multiplier and accuracy finite because their work entails provisions of the legitimacy of governing if people in Alehiatin The rulings in very precise based on the consequences of the studies in Mbahz wordy. I have found your search phrase from the results Perhaps the most prominent focus on attention on the fundamentalists studies being more accurate than linguists studies .etbin researcher that the students that crowned to this type of study and Eugdoa scientific comparison between linguistic studies and the study of fundamentalism in the field of single Koranic .nsol reconcile what God loves and is pleased that he is Hearing pr

جدل العام والخاص في شعر رشدي العامل == THE ARGUMENT OF THE GENERAL AND THE PARTICULAR IN RUSHDI AL - AMEL'S POETRY

Author name: راسم احمد عبيس الجرياوي
Supervisor name: علي ابراهيم محمد الزرقاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: فقد حظي المنجز الشعري للجيل الخمسيني في العراق باهتمام بالغ وعناية فائقة وحفاوة كبيرة من النقاد والدارسين والباحثين المختصين بالشان الادبي بوصفه علامة فارقة وسمة بارزة ومميزة للحياة الادبية في العراق في تلك الحقبة التاريخية المهمة، لما انماز به ذلك النتاج من مواصفات موضوعية وتقنيات فنية وسمات اسلوبية حتمت على النقاد ان يقفوا امامه بالاجلال والاحترام والاعجاب والانبهار والانكباب عليه دراسة على نحو الوصف العام السطحي تارة او القراءة الفاحصة والتذوق المتاني والغوص في ابعاده الفنية العميقة تارة اخرى، ومن ثم مقاربتها في ضوء المناهج النقدية الحديثة المختلفة، فضلا عن استيفائها للمحاكمة والمساءلة في اطار المقولات الفلسفية والتصورات المعرفية الحديثة. وارتكازا على ذلك فان اختيارنا للمقولة الفلسفية (جدل العام والخاص) ليس من باب البذخ الثقافي او التبطر المعرفي او الثراء الفكري، وانما ينبعث من الواقع الجديد ورهاناته ومعطياته، وضرورة التعاطي الجاد مع حاجاته والاستجابة الواعية لمتطلباته في محاولة منا لمواكبة عجلة التطور في ميدان البحث العلمي التي تحتم علينا تحديث منظومتنا المعرفية والثقافية لتنسجم مع ممارساتنا المعرفية.وقد شابت الدراسات السابقة للشعراء العراقيين توجهات ايديولوجية بالدرجة الاساس، ايديولوجية بوصفها العام التي لا تتصل بتوجه سياسي اذ توزعت بين انتقاء الشعراء المدروسين، وانتقاء الطريقة التي يتناولون بها شعرهم. ولقد خسر اولئك الشعراء الذين تبنوا توجهات غير ايديولوجية جماعية وايديولوجية في ان، ومنهم الشاعر (رشدي العامل) الذي تبنى في شعره ايديولوجية جماعية وايديولوجية شخصية، اما العامة فقد تجلت بتوجه وطني وما يعج به من ارهاصات، واما الشخصية تجلت بقصائده التي خص بها زوجته وابنه بوصفه منتميا للحب في هذا السياق. ويبدو ان الدراسات السابقة لم تستطع مراعاة هذا التشابك بين الخاص في شعر رشدي العامل والعام فيه، اذ كانت تشدد على الخاص تارة وعلى العام تارة اخرى. والحق لا يمكن لايما دراسة ان تصل الى نتائج دقيقة من دون ان تراعي هذا التشابك بين جدل العام والخاص في شعره. ويعد رشدي العامل واحدا من الشعراء الخمسينيين الذين عاصروا جيلين اولهما : جيل السياب، وثانيهما : الجيل الستيني، وهذا التعاصر بين الجيلين اعطى لرشدي العامل ثقافة واسعة واكتراثا شعريا كبيرا، ولكن على الرغم من وقوعه بين جيلين الا انه بقي يعاني الاهمال والتجاهل ويرزح تحت وطاة النسيان وعدم الاكتراث ويئن من شدة الغبن والظليمة ولم تسلط عليه الاضواء كما سلطت على الشعراء الرواد والاجيال التي تلتهم، الامر الذي دعا بعض النقاد الى اطلاق تسمية (الجيل الضائع) عليهم من مثل (سعدي يوسف، وحسين مردان، ويوسف الصائغ، ومحمود بريكان، والفريد سمعان... وغيرهم)، وهذا الضياع دعاني الى تعقب شعر رشدي العامل وانارته واظهار سر جماله، ومن هنا تاتي اهمية الموضوع، يزاد على ذلك هو ان رشدي العامل لم يكن معروفا عند الكثير من الباحثين، وهذا ما زادني اصرارا وحرصا على ابراز شعره ودراسته، حتى انني لم اكن اعرفه الا بعد ان طرحه علي استاذي المشرف، فقد ذهبت وبحثت عنه لاتعرف عليه وعلى شعره فوجدته شاعرا عراقيا مبرزا حتى ان بعض النقاد يعده من الشعراء الرواد، وقد عاش حقبة ثقافية مزدهرة، وقد عثرت على ثماني مجاميع شعرية له، فضلا عن قصائد متفرقة لم تنشر لا في المجاميع الشعرية ولا في المجموعة الشعرية الكاملة التي طبعتها (دار المدى)، وكانت مبثوثة في الصحف والمجلات فضلا عن امتلاكه كتابات نقدية كانت مبثوثة في الصحف القديمة، وهذا الامر اعطاني حافزا وشجعني على لمس مواطن الايجاب والسلب في شعره، اما السبب الاخر هو قلة الدراسات التي تناولت شعره بالتعقيب والدراسة مقارنة باقرانه؛ لان اغلب الذين يدرسون الحقبة الخمسينية يركزون على الشعراء الرواد، ومن ثم ينتقلون الى الشعر الستيني، اما جيل العامل فلم يلتفت اليه الا قلة وهذه القلة لم تركز على شعره ولكنها تنظر اليه نظرة عابرة خاطفة، عدا ثلاث رسائل درست شعر الشاعر وكان فيها جهد يحمد، كانت الاولى (شعر رشدي العامل دراسة لغوية)، والثانية (الرومانسية في شعر رشدي العامل)، اما الثالثة (نحت في ضباب، شاعرية رشدي العامل).اما موضوعنا فتكمن الصعوبة فيه؛ لاني لم اجد رسالة او اطروحة او كتابا يدرس (جدل العام والخاص) وهذا جعلني الاقي صعوبات جمة، فضلا عن قلة المصادر التي تناولت رشدي العامل ما عدا اشارات مبثوثة في بعض المصادر، اما الصعوبة الاخرى فتكمن في كتابات العامل وكتابات النقاد الذين تعقبوا شعره بالدرس والتحليل، وتكمن صعوبة تلك الدراسات والكتابات في انها منشورة في الصحف القديمة في السبعينيات والثمانينيات فضلا عن مطلع التسعينيات، وهذه الصحف لم اعثر عليها الا بعد عناء وجهد كبيرين. اما المنهج الذي اعتمدته في دراستي فهو المنهج التحليلي الذي يعتمد على تحليل النصوص وابراز ما فيها من جودة وجمالية، فضلا عن المنهج التاريخي والنفسي لما لهما من اثر في اظهار فنية الشاعر. وقد اشتملت الدراسة على اربعة فصول مسبوقة بمقدمة وتمهيد ومنتهية بخاتمة تضمنت اهم ما توصلت اليه من نتائج وقائمة بمصادر البحث ومراجعه. اختص التمهيد ببيان مفهوم الجدل لغة واصطلاحا واراء الفلاسفة والكتاب فيه فضلا عن تعقب تطور الجدل في العصور الادبية. وبين ايضا مفهوم العام والخاص لغة واصطلاحا واراء الفلاسفة والنقاد فيه، مردوفا بتاسيس نظري جمالي لمفهوم العام والخاص. اما الفصل الاول فكان بعنوان (العام والخاص في الموضوع الوطني في شعر رشدي العامل) وقد ضم توطئة بينت فيها نبذة عن الوطن ومفهومه وكيف تطور عبر العصور وكيف كان يطلق عليه قديما. وقد ضم ثلاثة مباحث، الاول : الثورة، والثاني : الغربة، والثالث : السجن والظلم. وجاء الفصل الثاني بعنوان (العام والخاص في رومانسية رشدي العامل الشعرية) وتضمن ثلاثة مباحث، الاول : الحزن في شعره، والثاني : الحب، والثالث : الطبيعة.وكان الفصل الثالث بعنوان (العام والخاص في حضور المراة في شعر رشدي العامل) وقد اشتمل على مبحثين : المبحث الاول : المراة الحقيقية ضمن ثلاثة محاور : ا - المراة الزوجة.ب - المراة الام.ج - المراة الحبيبة. والثاني تناولت فيه المراة الرمز. اما الفصل الرابع والاخير فكان بعنوان (العام والخاص في توظيف التراث في شعر رشدي العامل) وقد اشتمل على توطئة بينت فيها مفهوم التراث وماهيته عند الشعراء، ومن ثم قسمته الى ثلاثة مباحث، كان الاول بعنوان (مرجعية التراث الديني)، وتضمن كل ما له علاقة بالدين من مثل القران الكريم والحديث النبوي الشريف واهل البيت (عليهم السلام) والصحابة، والمبحث الثاني فكان بعنوان (مرجعية التراث الاسطوري)، اما الثالث فكان بعنوان (مرجعية التراث الادبي). ولا ادع قلمي يفارق يدي حتى اذكر باعتزاز كبير استاذي المشرف الاستاذ الدكتور علي ابراهيم محمد الذي قوم بدقته وملاحظاته هذا العمل، باذلا في سبيل ذلك وقتا وجهدا طيبين، فاسال الله ان يجزيه عني افضل الجزاء.واخر دعوانا ان الحمد لله رب العالمين، والصلاة والسلام على النبي الهادي الامين واله الطاهرين | Each historical stage and era has its own cultural discourse which suits its proposals, cognitive tools which cope with its bets and achievements, and logic which suits its orientations. A good proof of this established eternal fact that is deeply rooted in the human mental frame is examining the innovative texts by using new philosophical ideas and modern literary criticism tools which prevail our culture.Development, modernization and renewal are characteristics of life in all its aspects and fields. Thus, all the aspects of life, whether material or morale, are subject to this eternal inevitability and are governed by this omnipotent logic. Therefore, the inquest of innovative texts by using modern philosophical ideas and criticism tools has become an urgent need and necessity which neither represents one of the forms of inevitability that no one can escape its fangs and grip nor avoid its dominion.Depending on what has been mentioned earlier, the researcher's choice of the philosophical (the Argument of the General the Specific) is not a kind of cultural splendor. Instead, this choice has been motivated by the new life or reality in all its bets, the necessity of the serious treatment of its needs, and conscious response to its demands in an attempt to cope with the wheel of development in the field of scientific research which necessitates the modernization of our cultural and cognitive systems to match our new pursuits.Rushdi AL - Amel is one of the poets of the fifties who are contemporary to two generations of poets : the generation of the pioneers and the generation of the sixties. This has given him wide education and great interest in poetry. However, unlike the pioneers and the following generations, AL - Amwl has remained unknown and the lights have not been shed on him. For this reason, some critics call AL - Amel and other poets like Sa'diYousuf, Hussein Marwan, Yousuf Al - Sa'gh, Mahmoud Braykan and others "the lost generation." It is this loss that makes the researcher follow Al - Amel's poetry to shed light on it and highlight its beauty. In brief, the reason behind choosing this topic is that researchers, the cultured and even the specialists do not know Rushdi AL - Amel. In fact, researcher himself didn't know about AL - Amel before suggesting the topic by Prof. Dr. Ali Ibraheem and Prof. Dr. HasanDakheel Al - Ta'i. As for which is based on analyzing texts in addition to the historical and psychological method which are necessary for showing the techniques used by the poet.The study has been divided into four chapters preceded by a preface and introduction and ended by the conclusions.In the preface, the researcher explains the linguistic and technical meanings of the concept of argumentation, and follows the development of argument in literature. In addition to this, the linguistic and technical meanings of the concepts of the general and the particular, the opinions of philosophers and critics have also been tackled. The first chapter is entitled (The General and the particular in the topic in Rushdi AL - Amel's poetry) includes a preamble and three sections : the first is specified to the Revolution in AL - Amel's poetry; the second is about alienation while the third is about imprisonment in Rushdi's poetry.The second chapter is entitled (The General and the Particular in Rushdi AL - Amel's Romantic Poetry). It includes three sections. The first is about sadness, the second is about love while the third is about the nature. The third chapter which is entitled (the General and the particular in the presence of the woman in Rushdi AL - Amel's Poetry) is divided into two sections : the first section is about the true woman and it includes three axes : a. the wife b. the mother c. the beloved. On the other hand, the second section is concerned with the symbol of the woman.As far as the last chapter is concerned, it is entitled (the General and the Particular in the Employment of the Heritage in Rushdi AL - Amel's Poetry). It is composed of three sections : the first is about religious heritage, the second section is concerned with the legendary heritage while the last deals with the literary heritage.Finally, the study has come up with the following findings : 1. Argument is the dispute between two issues so that each person tries to defend the issue which he or she adopts by strong evidence.2. In the era of evolution, the argument has disappeared and the word (logic) has been used instead of it. But philosopher Kent has brought it to life again with an additional meaning.3. The general and the Particular are present in every phenomenon and they are strongly related to each other to the extent that the general cannot be known without studying a large number of particular instances.4. Rushdi AL - Amel is one of the poets who love their country very much because of the injustice and the oppression which he has been subject to.5. Most of poetry which deals with alienation is concerned with internal alienation which governs the general external.6. The poet's experiment in prison has given him poetic richness and provided him with a chance of meditation and mental motivation.7. AL - Amel's romantic is near to realism and pun at the same time.8. Love in AL - Amel's poetry is not for the beloved. It is symbolic love for the country and childhood. It is spiritual love and not physical.9. It is found that the poet's relation with the "wife" woman is personal and not general.10. The "beloved" woman has been given greater attention in Rushdi AL - Amel's poetry than the other aspects. 11. Rushdi AL - Amel tries earnestly to make use of the poetic heritage from different generations, as well as making use of western poetry.12. It is found that AL - Amel has drawn from others and tried to modulate what he draws to serve the context of his own ideas

المنابع الثقافية للشعر العربي في القرنين الثاني والثالث الهجريين == Cultural Sources for Arabic poetry In the second and third centuries AD

Author name: سعد علي جعفر المرعب
Supervisor name: عباس محمد رضا حسن البياتي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: وفي خضم المعطيات الثقافية المؤثرة والمتاثرة بالبيئة الزمانية والمكانية نجد المضامين الثقافية للشاعر تظهر في دلالات النص المنتج , فالادب عامة والشعر خاصة منجز من منجزات الثقافة ومعطى من معطياتها المعرفية والذهنية . فحسن اختيار المعارف التي ترفد ثقافة الشاعر لا تؤدي دورا في حسن استعمال الالفاظ وجودة اختيار المعاني فحسب بل تعطي للمنتج رؤى واسعة في استيعاب مدركات الحياة ومعطياتها والتعبير عنها , فالتجربة الشعرية هي نتاج للثقافة المكونة من الشعور والفكر . تاتي اهمية دراسة المنابع الثقافية في كونها توضح المؤثرات الفكرية والقيمية في الاتجاهات العامة للمجتمع والاتجاهات الخاصة للشعراء المتاثرة بظروف النشاة والفكر والثقافة والمذهب على حد سواء فتاثر الشاعر ببيئة ما يكون المنبع الذي يؤثر في العمل الفني على حسب استيعابه لمؤثرات ذلك المنبع , فالشعر نشاط فكري معقد يوظف المنابع الثقافية في اخراج منجزه الادبي معتمدا في استيعابها على عقلية الشاعر ومدى استجابته للمنابع الثقافية , فيكون الشاعر متعاملا مع البؤر الثقافية المحركة للحياة بشكل مستمر موظفا دلالات الالفاظ في التعبير عن نوع المنبع او المنابع التي ينتمي لها , فتاتي اهمية المنابع الثقافية في عدها محفظة ارشيفية يجد فيها الفرد الشرح الوافي لسلوكه وفكره الذي هو جزء من السلوك والفكر الجمعي لمجتمع ما في عصر بعينه . تم اختيار موضوع اطروحتي (المنابع الثقافية للشعر العربي في القرنيين الثاني والثالث الهجريين) فكانت المدة الزمنية لهذا البحث تعتمد مع التقسيم السياسي في سقوط دولة ما وقيام دولة اخرى على التقسيم الفني لان دراسة التطور الادبي لايمكن ان يكون ظاهرة فجائية تقترن بتغير نوع الحكم وبمجيء دولة وذهاب اخرى بل يتمدد العصر الادبي بعضه على بعض الاخر . فلقد بدا في القرن الثاني على اساس بدء حدوث تطور شعري جديد نتيجة المتغيرات الخطيرة والعميقة الاثر التي جدت في حياة الجماعة الاسلامية فكان الهدف المركزي معرفة مدى تقبل شعراء كل عصر لانواع الثقافة الموروثة والاسلامية والمستجدة ومدى تاثيرها بالمنجز الشعري لدى كل منهم , فلكل عصر خصوصيته النقدية التي تجعلنا نتساءل عن مدى تاثر الدور الثالث والاخير من العصر الاموي بالثقافة المستجدة ومدى ميله الى الثقافة الموروثة وانكفائه عليها وتمثله للثقافة الاسلامية مع ملاحظة طريقة التوظيف الفني والبناء الشعري والصياغة الاسلوبية , ثم نتساءل عن العصر العباسي الاول ومدى تمثل الشعراء المخضرمين الذين عاشوا في عصر الدولة الاموية وادركوا الدولة العباسية والمولدين المنابع الثقافية حيث الحضارة والثراء والترجمة والمذاهب الفكرية والفلسفية والفرق السياسية مع انقسامهم ايضا الى شعراء الطبع والالتزام بعمود الشعر وشعراء الصنعة واستعمال الافكار العميقة والصنعة الفنية والبلاغية ومعرفة مدى تمثلهم لانواع الثقافة وكيفية التعبير عنها والمقارنة مع شعراء العصر العباسي الثاني حيث الانفتاح الكبير في الحضارة والثراء والترف والاتجاهات الفلسفية ومعرفة مدى تاثرهم بانواع الثقافة وكيفية تمثلهم لها وطريقة التعبير عن الثقافة المستجدة والناي عن الثقافة الموروثة والاسلامية ومعرفة شعراء كل عصر الذين مثلوا اتجاها في تمثلهم لمنبع ما او اكثر . اما منهج البحث في الاطروحة فكان المنهج الوصفي التحليلي ليتناسب مع المنابع الثقافية وتطبيقها على الاغراض الشعرية عاقدا موازنة بين شعراء البادية والحجاز في العصر الاموي وشعراء الطبع والصنعة في العصر العباسي الاول وشعراء الصورة في العصر العباسي الثاني معتمدا استخدام المنبع على الاغراض الشعرية في كل العصور متناولا الشعراء اصحاب الدواوين . ومن المصاعب التي واجهت البحث هو البحث عن الشعراء الذين يدخلون تاريخيا وفنيا ضمن مرحلة البحث فكان يجب علي الرجوع الى كتب التراجم والاعلام والسير للتاكد من الشاعر والمعلومات التاريخية التي تخصه فكان نتاج هذا العمل الشاق ماتكون لدي في الملحق الاول من تراجم الشعراء مع ذكر المصادر التي يرجع فيها لكل منهم, ثم واجهت البحث مشكلة الحصول على الدواوين الشعرية للشعراء والبحث عن مظانها ووضعها بين دفتي البحث فضلا عن المشكلة العويصة التي واجهت الجانب البحثي في تقسيم الشعراء لانه من الخطا وضع حدود فاصلة دقيقة بين العصر الاموي والعصر العباسي الاول والثاني تعود لاسباب هي طول المدة الزمنية التي بقي بها الشاعر على قيد الحياة فضلا على انه ابعد مايكون عن الصحة وضع حدود فاصلة تماما بين العصور وعلى الاخص من الناحيتين الاجتماعية والعقلية , وعليه فاني تعاملت مع شعراء العصر الاموي والعصر العباسي الثاني بالرجوع الى مناسبة القصيدة او الشخص الذي قيلت فيه لمعرفة دخولها ضمن مدة البحث من عدمه , هذا فضلا عن السيرورة والشهرة الادبية له في عصر ما ومعاصرته لمجموعة من الشعراء وتفاعله معهم ايجابا او سلبا واسلوبه الادبي المختص بعصر بعينه فكل هذه المعطيات تعتمد في عده ضمن مدة بعينها . وهذه الدراسة حلقة من سلسلة دراسات وبحوث اكاديمية سبقتها ومن اهمها على سبيل المثال لا الحصر : - 1. الشعر والتاريخ : د . نوري حمودي القيسي (كتاب). 2. المنابع الثقافية الاولى للشاعر الجاهلي : د . عادل البياتي (بحث). 3. عناصر الوحدة الثقافية في الشعر العربي ماقبل الاسلام : د . محمود عبد الله الجادر (بحث). 4. المنابع الثقافية للشعر العربي قبل الاسلام : مزاحم علي(رسالة). 5. المنابع الثقافية للشعر العربي في عصر صدر الاسلام والعصر الاموي : د . عباس محمد رضا (اطروحة) . 6. ابو تمام ثقافته من خلال شعره : د . ابتسام مرهون الصفار (كتاب). 7. ثقافة المتنبي واثرها في شعره : د . هدى الارنؤوطي (كتاب). 8. اثر التراث في الشعر العراقي الحديث : علي حداد (كتاب). 9. المرجعيات الثقافية الموروثة في الشعر الاندلسي عصري الطوائف والمرابطين : حسين مجيد الحصونة (اطروحة). 10 . التراث في شعر المحدثين : عدنان كاظم مهدي(اطروحة) . وقد تشكل الهيكل النظري للاطروحة من مقدمة وتمهيد اوضحت فيه الثقافة لغة واصطلاحا , واثر الثقافة في الشعر , ثم قسم الموضوع الى ثلاثة فصول فكان الفصل الاول الثقافة الموروثة فاشتمل على توطئة واربعة مباحث هي الموروث الشعبي والثقافة التاريخية والثقافة القيمية الاجتماعية وثقافة الامثال , ولقد تعمدت اغفال الشعر بصفته موردا للثقافة الموروثة لانه سيدخل البحث في باب التناص وهو بحث يختلف عن موضوع البحث ببيان الاصول والمنابع الاولى للثقافة لكونها ابعد من الشعر , اما الفصل الثاني فاشتمل على توطئة وثلاثة مباحث هي ثقافة الاقتباس القراني , الثقافة العبادية والعقائدية , وثقافة القصص القراني , اما الفصل الثالث الثقافة المستجدة , فاشتمل على توطئة ومبحثين هما الثقافة السياسية والعقلية , ثقافة القيم والمعارف الاجتماعية الجديدة واخيرا اشكر الاستاذ الدكتور عباس محمد رضا المشرف على هذه الاطروحة الذي لولاه لما خرجت هذه الاطروحة بالهيئة التي وصلت اليها | The culture represents the intellectual side of individuals and communities alike, but is the basis of human thought in the production and development of creativity, and then determine the culture identity of the community in the dimensions of the physical and moral culture of a society is the source of values and actions of individuals belonging to him and through him can be understood and taught. In the midst of cultural data affecting the environment and affected the temporal and spatial find cultural contents of the poet reflected on the implications of the text and its impact product technical literature has in general and poetry in particular accomplishment of the achievements of the culture. We have chosen the subject of this thesis (Headwaters cultural Arabic poetry in the second and third centuries Alahjrien) Thus, this period of time dependent with political division in the fall of a State and the other on the division of technical, Regarding the research methodology in the thesis was a descriptive analytical approach statistical commensurate headwaters with cultural and applied to the purposes of poetry. This study is an episode of a series of studies and academic research before it, may pose a theoretical structure of the thesis of an introduction and then smooth the theme section into three chapters, Was the first chapter inherited culture Vachtml a prelude and four Detectives culture is legendary and historical culture and culture values social and culture of Proverbs, Chapter II Vachtml on the preparation and the three sections is the culture of the quote Quranic, culture, worship and faith, culture Stories Qur'an, Chapter III comprising the preparation and Mbgesin two political culture and mentality, culture and values of the new social knowledge

نقض الغرض في العربية : دراسة صرفية نحوية == Refutation Of Purpose In Arabic (A Morphological And Grammatical Study)

Author name: حيدر حسين عبيس
Supervisor name: حامد عبد المحسن كاظم الجنابي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: معلوم ان الموانع في العربية كثيرة ومن يتتبع مواطنها لمعرفة ما يختلجها من علل او اسباب يتطلب منه ان يكون ملما بالحقائق اللغوية، مدركا بتصورات اللغويين اتجاه تلك العلل، وهذا ليس بالمطلب السهل بل يحتاج الى حسن التفكر وطول التدبر، وكان من بين هذه | It is known that there are so many ways refutation forms in Arabic and the person who wants to investigate how they work to know their limits or functions should own a wide comprehension concerning linguistics facts. He should realize the aim behind these forms. Of course, understanding that concept is not easy and it needs a high mental ability in addition to rich material from the researcher. He must know what exactly he looks for among many topics inside the linguistics which is known as ( Refutation of Purpose).The importance of studying this aspect comes from that it depends to one of the chapters of the book of (the features ) for Ibn Jiny which is ( Prevention of Refutation of Purpose) which implies lingual matters that avoid refutation forms that Arabians used to use in their common language styles what motivated me to continue studying this concept to reach its aims and the reason behind that concept according to certain principles that submit to mental logic. Through preface chapter, I have discussed the concept of (negation of purpose) and how it could be explained. Through the first chapter which is titled as (negation of Purpose in grammatical chapters). Inside the subdivision of the first chapter, I discussed negation of purpose in singular and plurol forms. In the second subdivision, I have discussed it form origin point of view. The second chapter is under the title (Refutation of Purpose in grammatical Phenomenon). In first subdivision, I have discussed refutation of purpose in brief. In the second subdivision, I discussed refutation of purpose in grammatical issues. In the third subdivision, I mentioned refutation of purpose in definite and non - definite. The fourth subdivision is about refutation of purpose from rink side. The fifth subdivision talks about refutation of purpose in deletion and finally in the sixth subdivision refutation of purpose with multiple means.The third chapter deals with (Refutation of Purpose in grammatical styles) which is listed as the first subdivision is about refutation of purpose in statement styles and it contains (speciality style) ( exception style) ( preference style) (certainty style). The second subdivision deals with refutation of purpose in request composition styles such as ( interrogative style) (warning style) and (calling style). The third subdivision implied refutation of purpose in non - request composition style such as (astonishment style) (appreciation and dis appreciation styles). With God's help to finish this research, I 've got some results. The research has put a definition to a concept of (Refutation of Purpose) as being the preventer to prevent any purpose to deform an aspect whether it has been lingual or in meaning. The research has also clarified that (Refutation of Purpose) is a clear phenomenon in existence and meaning and it forms an important notice in any linguistics job while they are discussing the general body of Arabian language as its being an essential part of Arabic that cannot be ignored. The first linguist who mentioned that concept was Abo Ali Al - Farisi who has transmitted this branch of knowledge to his student Ibn Jiny under the title of (Refutation of Purpose). Finally, I thank God for granting me luck and good will to finish this research.

الانساق الثقافية في رسائل الجاحظ (ت255هـ) == Cultural Formats In Jahez Messages (255 AH)

Author name: مثنى حسن عبود الخفاجي
Supervisor name: عباس محمد رضا حسن البياتي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: Cash studies have done and did not sit in the modern and contemporary on Cultural done protruding cash and reality, and had Abu Usman among trace a few of the old intelligentsia unbroken attention counterpart on the part of the largest public vast majority of researchers and scholars Arabs, and remained read mine fertile and Mcnza thickly lesson literary and rhetorical and even cash in the Arab culture, but what draws attention really is the scarcity of cultural studies that have been the heritage of bigeye through the ages and offset to some extent lack extinction and annihilation, and this is what stimulated the researcher and encouraged him towards the foot on the approach Gahzi text, Baltae cultural exchange tools, procedures and strategies monetary mechanisms large numbers, that deal with cultural material, including linguistic texts as cultural speeches overflowing serious connotations and brimming with heavy contents and the carrier of the culture of the times, which were produced under Islamic rule, and the heir to the features and Twabah and brands negative and positive, and is involved with its institutions and overlapping with their contexts and responsive to the bets and requirements and influenced and influential Bhawwadth all the circumstances, and here the central dogma espoused by cultural criticism believes in the need to approach the texts in light generated culture him; which requires the development of texts in the womb of cultural contexts snare him from all sides, if, seeking access to the results of Ttoshh specific and respectful of accuracy, objectivity and scientific far, these are cash mental nominated by the study and adopted by the researcher Barutea grasped the most trustworthy in the bigeye read messages and relentless pursuit to discover the cultural formats mingled in the cultural discourse year, which is the fundamental objective of the study diligently in order to nail him. It was Astefaina messages bigeye, among other writings to be material anatomical these to our study, the starting point of fully represent us to the awareness of cultural criticism and responsive to him, who is trying to focus on the margins of cultural material, and struggling for the sake of all phenomena care and practices that were suffering from neglect and oppression and suffocation and repression The expulsion and absenteeism on the part of the previous monetary practice, as naive and menial and trivial and practices vile and despicable and ridiculous does not deserve attention phenomena does not require study, Vrsail bigeye not partaken so large share of the study, which won him the other writings Kalpaan and Signifying, animals and even stingy, here is worthwhile to point that we adopted in our study on three different editions investigation messages bigeye, the first achievement of Dr. Abdul Salam Mohammed Haroun, the second investigation, Dr. Ali Bou Melhem third achievement Mr. Hassan Sndoba; in order to accommodate all Almtozaah messages on the three editions written by bigeye. Material research, nature and recalled that the study is divided in three chapters : above each one entrance represents the threshold is a must to enter the Mnachath and ambiance and tourism in the internal Aoualemh, preceded by an introduction and followed by a conclusion included the most important findings of the research through the study, and download the first chapter address (assets, buildings and cultural exchange) and included four topics are : the concept of cultural criticism, and the roots of cultural criticism, and the concept of the text in cultural criticism perspective, the concept of the cultural pattern, and carry the second chapter title (format obedience to the Abbasid authority and defend), and included two topics, namely : the other dropping sectarian represented the people of modern Salafi doctrine Imami Shia religious other and suppress incarnated the Christians, carrying the third quarter and the last address (coordinated social Almadlj aligned), and included two topics is the other two : aligned chromatography (concentrated blacks and the marginalization of the egg), and sexual bias (concentrated men and the marginalization of (women

خطاب النقد الادبي عند ادوارد سعيد == Edward Said Discourse On Literary Criticism

Author name: حيدر علي عبود الطفيلي
Supervisor name: هناء جواد عبد السادة العيساوي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: Praise be to Allah, and peace and blessings on the beloved and descriptive and good creature Secretary Muhammad, his family and the divine good and lasting curse their enemies to do the day of judgment, and yet... The Edward Said of the most critics controversial intellectual of the twentieth century, due to Grandma in cash speech, in addition to numerous factors, including upbringing, education and exile, but the topics covered and private (identity remain, Orientalism, culture, imperialism, and the other, worldly criticism ) is the biggest reason for his feisty critical features mostly, and abroad for critical theory of modern lines being sees it did not meet the aspiration to detect significant text and scaled the reader into the trap of specialization, academic and wandering in the maze of text. Speech came (Said) speech opposed to the structure of Western discourse, being made culture and history which afford grand narratives, revealing knowledge of the system that drives the self - made and the other, and the statement of the concept of cultural power that drives the literary and cultural production process, according to what you are. Said cash speech represents a long legacy of philosophical and linguistic, cultural, and so you see dealt with most of the themes that are the focus of conflict and a mismatch between the intelligentsia conflict, and Ajtrah through cash Amaagath a different understanding and new.Class (Said) of the most important pioneers who sat and contributed to the emergence of cultural criticism that dealt with cultural issues and the mechanism in a way out of the curriculum in schools and literary texts address the way. Said hybrid cosmic also see it, it is named compound (Edward Said) to the birth of Palestine and his travels between Egypt and Lebanon, study the migration to America and Britain made him exiled by force and act all this was stressful to deal with topics dominate the self - free industry and the other spunResearch methodology required to deal with the topic as it goes to be divided in four chapters and boot, and see that it has been able to focus on the concept or question revolved around the thesis, which are worldly critical discourse when (said)? The boot under the title (the speech, awareness and concept) and search the boot so problematic discourse and critical literary and the comprehensiveness of literary criticism and its limits, in other words, is the meaning of criticism mainly about the high literature? What is the meaning of literature in the product of any text? And how the role of culture and history in the text? That is why we stood on the word speech in the broad sense that brought him (Foucault) and used (Said) and thus move (Said) in all Ntegath within this holistic vision that sees the speech includes literary aesthetic criticism as well as a natural extension of cultural factors that affect the text. The first chapter was titled (the foundations and pillars in the said cash speech) As mentioned a little while ago it was (said) hybrid philosophical, linguistic, psychological and social thought, so we raised four axes represent the foundations and pillars that influenced them (Said) and Interview by directly sometimes indirectly at other times.Axis philosophical forward it to most philosophers who came mentioned in the monetary his speech, although we did not stand on most of them but we believe they are the most important in the visions that carried a private in the monetary his dominance, as well as goes the rest of the other hubs in a simple introduction to his life and ends with research in this chapter focus on topics which carried the earthly dimension for each axis and therefore Find walking towards the detection of intellectual heritage of the worldly (said).The second chapter was titled (worldly cultural criticism of Orientalism example) Because the (said) represents one of the pioneers of cultural criticism Find the concept of cultural criticism concept and references that led to his appearance began to have these terms of reference agreed with the terms of reference (Said) in terms of focusing on the worldly events in read the text and move away from the pillars of the metaphysical, then envisioned research and cultural exchange mechanisms, which focuses on non - adherence to monetary theory and the institution and after this introduction Turn Search towards the vision (said) to the concept of cultural criticism worldly theoretically through some of the visions and ideas put forward in embedded which was written by, and applied through book Orientalism and thus was read culturally analysis Tabakie worldly and this is what search him.Download Chapter III Title (worldly Monetary Alabestama culture and imperialist example) is an exchange of knowledge and based on Arcologgio Foucaultian fossils of the earliest mechanisms of cultural criticism and criticism worldly in particular, and this is what Layer (said) in the book of culture and imperialist, The path of research about the concept of imperialism and its manifestations holds concept different cultural authority controlling peoples colony and how to make them search for the conflict of knowledge / power zone, and then between research worldly cash engage through the concept of narrative and cultural resistance and a series of novels adopted by the (said) in a statement narrative move in the field of cognitive detection, said to see I've dish ( Foucault) Drilling Alarclogi revealing worldly knowledge - based analysis of the dimensions of the imperialist narratives.Three chapters made search was more like a development critical to speech (Said) of cultural criticism to criticism of knowledge and then to the idea of basic research on the nature of the secular criticism, came fourth chapter under the title (the secular foundation cash and achievement) questioned this chapter theoretical research for the book (the world's text and critic) which represents Based theoretical research on the development of cash, according to (Said) and the necessity to find a criticism of worldly beyond cultural criticism and critique of postmodernism, has treated research issues addressed by the (said) within the book and of the concept of the worldly, text, text, identity, and intellectual cosmic, or the concept of critic, and theoretical migratory, and the American Monetary left - wing, religious and cash, these concepts overlap on the one hand with the culture on the other hand are cash concepts touches the spirit of criticism, bearing movement (Said) Cash visions of a three - start of the world's text critic, so the search is going on about these essences.The conclusion of this journey is the station with the most prominent search results that were ultimately to this outlook in a speech (Said) cash. It must be noted that the search has not committed to a specific approach and the need to request this topic has relied on the analytical method, texts, research and Dialogue The reason that the subject taught monetary field. I would like to extend my thanks and that was a minor for the best fulfillment of the right of the professor and the mother noble tender overwhelmed me and the beauty of the great spirit of Dr. Hana Abdul AL - saida of all that effort and provided guidance was Mother Yes and yes oriented.Have been made in this work do my best despite the circumstances that were surrounded and God knows it, it was the lack of a decent enough to incorrigible your fingers voltage least bounty to God and to my teachers and virtuous Praise be to Allah

نثر المعري : دراسة في ضوء النقد الثقافي

Author name: محمد حليم حسن الكروي
Supervisor name: علي ابراهيم محمد الزرقاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

فساد الراي النحوي في العربية == The Corruption Of Grammattical View In Arabic

Author name: عهود صبر راهي الزيادي
Supervisor name: حامد عبد المحسن كاظم الجنابي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: Chpter one studiesthe corruption of grammatical view'in nouns, it consists thses sections, the first deals with symptoms structurs, the secerd studies Al - Tawabea, while the third deals with miscellaneous. Chapter two deals with the corruption of grammatical view in verbs. It consists of these sections preceded by introduction a bout the verbin Arabiclanguaga. Sectionone studies kana and its sister " verbs to be "and what like them. The seand seation treats what is related to the verbs and its parts. Seation three studiesthe rauns of the verbsand transitive verb.Chapter three studiesthe corruption of grammatical view in letters, It consists three srctions, section one deals with the corruption of grammatical view in mono letters, section two andiesition dual and triple letters , while the third seation deals with the corruption of grammatical view in quadrilateral letters.Chapter four consists of three seations, the first concerns with the corruption of grammatical view in the exception, the sucand different - in rnost cases - from one grammerion to a nother and from school to a nother. This lead some grammrtians to reject many of previous and contemporary provisions when ~ they realize that this view is corrupted and describe it as break the rules of compatibility and harmony between the grammatical phenomena and effairs. From this, the searchin this topic doesnot slope at theseproblems, but it goes to search in grammatical roots, standing and questioning what is behind thses problems. In order to be grammatically corrupted or corruption ~iew of the grammarians.That is why this study is under the title (The Corruption of Grammattical View In Arabic)·Following these views and standing upon their reasons lead to expansion of this research, and analyzing the grammatical is sues is to reach to the essence of its corruption. So, this study contains in troduation, foun chapters, and followed by conclusion of what the search gets efreasults. The intereduction consists of the concept of the corruption and its roots In The name of Allah, The merciful and Compassionate. Thanks for God who makes the thanks as a key for - his mention. He creates the fhings speaking in his praise andthanks. The pray and peace are upon the prophet Mohammed whose name is derivative of God's name (Al - Mahmood) , upon his pure family of virtues and generosity , upon his selected followers , and upon those who follow them in charity to the day of judgment. The corruption of view for Grammarias - has special importance for what cansequentit of effairs and provisions which relate to grammatical phenomena by the grammerians a bout linguistic material, observing what changes might occur and takeing carefor it's use. All these allow the grammarian to take these viwsand select between them dependanding upon evident in his acceptance or rejection of grammatical view or material. So, normally for these view are to be varified, depending upon the source which they are taken from according to mductive effort. This effort is by the ancient grammarians whose views because essential, to build upon it theprovisions and results. They are

شعر ابي تمام : دراسة بنيوية تكوينية == Abu Tammam Poetry Structural , Formative Studying

Author name: ايناس كاظم شنبارة الجبوري
Supervisor name: عباس محمد رضا حسن البياتي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: All researchers agreed that the poet Abu Tammam represents an important poetical school in the history of Arab's verse, that is because of his poetical experiment represented a modifying stage in the Arabic innovation, he transferred the experiment from the emotion to the intellect and from the instinct to the meditation and prying. I presented in my current research a new reading to the verse of Abu Tammam according to the structural and formative method. That comes after an accurate study to Goldman's method and adjust his procedural tools notably in his book ( Hidden God) and I came up with that the method is about four major corners, first is : Discovering the vision of the world for Abu Tammam and then find the conceptual path that joined him with the conceptual level that represented him and make him one of its individuals. After understanding reading to his verse aimed to discover the referring environment that ruled the poetical experiment and give it the final shape. Finally, reading the structure of the Early AbbasiEra from all economic, political and cultural sides and discover the dominant conceptual structure at that time which resulted in producing that level and forming its individuals by that way exclusively and the impact of that over the formation of Abu Tammam 's verse. The early Abbasi Era is different from all other eras that preceded it, most distinguished things are : Culture and conceptual opening on the out world led to the cultural mixing between the culture of Persian, Greece , India with the Arab culture. Many conflicting conceptual schools have turned up. One of the schools is Almuatazila as the most important conceptual and cultural school represented that era and dominated all its joints and extended to the extent that Almamoon declared that it is the formal ideology of Abbasi state. Almuatazila school depended upon the mind among all conceptual schools, it analyzed the religion and prying the universe and solved problems depending upon the mind thoroughly. That came as a logic result due to the culture of the school that relied on the Greece philosophy. We can find out these prints very clear in the verse of Abu Tammam and in his conceptual attitude that he was well - known of his producing a poetic vision in which mind is raised over the instinct and emotion. In addition to the dominance of the philosophical style over his poetic language that push some researcher to return his roots to the Greece and Roman. The conceptual changes that occurred in the structure of Abbasi Era have affected on the politics and made the era of Al - Mammon is different from other eras and then affected on the society, culture and the intellect till Abu Tammam came up with a extraordinary poet as a logic result to the changes of the era.

منجز جبران خليل جبران الادبي في الدراسات النقدية == Artificial Deeds of Jubran K. Jubran In Criticism Studies

Author name: حمزة عبيس عبد السادة الجنابي
Supervisor name: حسن دخيل عباس الطائي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: ? Jubran K. Jubran tried to undermine the manhood values that have marginalized woman and make her so far, he called for the equality with man in duties and rights, and push away the oppression and persecution she suffered from due to the manhood dominance being affected by feminine movements in west. ? In spite of many good relations , Jubran K. Jubran has made, but he never get married with any of them, may be the reason behind that was Odeib's complex. ? Jubran K. Jubran criticized classic values and traditions that prevailed the past Lebanon community exclusively, the eastern community generally, that made the woman as a trade for sale or purchase and not seen as a human has the right in choosing her husband by herself without and pressure may she face.? Jubran K. Jubran has criticized both autocratic and religious authority during the period he live in Lebanon, which persecute poor and weak people worst persecution, they made their luxury via poor and weak people, that motivated Jubran K. Jubran to be the outspoken of poor people by his literature. ? The artificial deeds of Jubran K. Jubran discovered defects of the structure of Arabian community that glorify the past, and compliance under its rules and traditions although it doesn’t match the modern life and development and that was the main reason behind the unconsciousness of the east generally.? The literature of Jubran K. Jubran a liberation tool for any spoiling to the freedom of human or any violation to it being affected by Marccism beliefs, and the thoughts of French revolution that called for freedom, equity and fair, plus to his affection by his friend (Mary Haskil) who was well known of socialist beliefs. ? Belief of Jubran K. Jubran in sneaking belief, and immortality of love made him to believe that , the life of human get integrated through multi born and combined after integration with the eternal self. ? Jubran K. Jubran made himself as a social preacher via his literature to criticize the non - responsible acts of fathers like wasting money and deprive their families from respectful life needs, that act was triggered due to his father's non - responsible behavior with his family. ? He has renewed the classic narrative gender through his affection by western literature so he invented the modern fiction that based on fictional structure, concerned with drawing the characters, imaging the environment, concern with story, correlation of events and its growth using a language that involved verse and narration. ? Jubran K. Jubran based the article as an artificial new kind of born from ancient artificial arts like messages of the old Arabian literature. ? He renewed the form of classic Arabian poem as he get rid of the classic form (column verse) so he created the parts - verse, he made the tacit Arode of verse which was considered as a defect by the critics, so the poet become an integrated unit.? The renewal has included the language of Jubran K. Jubran, he tended to public language and desert the past people language of dictionaries terms. ? Jubran K. Jubran and his fellows called the pencil - association for the spiritual love to be included in the verse and exceed the sensual love. ? He deserted his natural sensations to focus on civil live and its materialism, to exceed its external description and consider it as loving mother and melted with it spiritually. ? Jubran K. Jubran clings with humanitarian self, trying discovering its secretes, he meditated it as the closest one to himself because of the homesick he suffered during his abroad living, his missing to family invented the meditation verse in his works.

شعر اللصوص في العصر الاموي في ضوء البنيوية التكوينية == Hair Thieves In The Umayyad Period In The Light of The Genetie Structuraalism

Author name: بشائر امير عبد السادة الفتلاوي
Supervisor name: هناء جواد عبد السادة العيساوي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: Seeks structural formative to the link between the creative process and social phenomenon in various manifestations and evolution, Vabannah mind on according to the structural formative is isolated from the social structure and see the world its constitue

الحكاية الشعبية في الشعر العراقي الحديث من نهاية الحرب العالمية الثانية الى عام 1990م == Folktale In Modern Iraqi Poetry From The End of World War Ii To 1990

Author name: علي عبد الرحيم كريم المساعدي
Supervisor name: عبد العظيم رهيف السلطاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: The work attempts to situate the development of modern Iraqi literature in the context of the medieval Arabic literary tradition as well as the new literary forms derived from the West, exploring the interaction between social, political and cultural chan

الدرس النحوي في الحلة نشاته وتطوره حتى نهاية القرن الرابع عشر الهجري مع دراسة تطبيقية في كتاب الصفوة الصفية لتقي الدين النيلي (ت : ق 7هـ)

Author name: قاسم رحيم حسن
Supervisor name: سعدون احمد علي الربعي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

لهجة ناحية الاصلاح في الناصرية : دراسة صوتية صرفية == Dialect Al - Islah Township In Nasiriyah : Sounds Morphological Study

Author name: فريد حمد سليمان النصر الله
Supervisor name: علي ناصر غالب
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: Located AL - Islah township in the province of Thi - Qar, south - east Iraq, a township belonging to the city of Nasiriyah.Founded in 1918, is bounded on the north Aldawayah township and on the east Misan province and to the west Said - Dhkil township an

تراكيب القسم والشرط في كلام الامامين الحسن والحسين عليهما السلام

Author name: عامر سعيد نجم عبد الله الدليمي
Supervisor name: محسن حسين علي الخفاجي
Specific topic: Language
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:

اختلاف النسق في ادب التوحيدي == Difference of The Harmony In The Literature of Al - Tawheedy

Author name: زينب علي عبيد
Supervisor name: فرحان بدري الحربي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: The cultured criticism is a postmodern critical project. It is one of the bases that has been created to deal with the text. Therefore, this study has sought to discuss '' the cultural works of Abu Hayyan Al - tohedi''.It can be summarized as follows :

اثر الاتجاهات الفكرية في الرواية العراقية 1950 - 1980 == The Impact of Intellectual Trends In The Iraqi Novel 1950 - 1980

Author name: صبا علي كريم المعموري
Supervisor name: علي ابراهيم محمد الزرقاني
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: This study attempts to detect the influence of ideology in literature as an intellectual pattern which is practice clear presence in literary discourse. The years that followed World War II starting from 1950 was selected in this study as a field because

شعر المعاقين في الادب العربي حتى نهاية العصر العباسي == The Poetry of The Disabled In The Arabic Literature Up To The End of The Abbaside Era

Author name: صبا عصام عبد الحسين نومان
Supervisor name: محمد شاكر ناصر الربيعي
Specific topic: Literature
Degree: Doctorate
Language: Arabic
University location: Babylon
First pages:
Abstract: The psychological constitution of the disabled may vary from that of his healthy fellows and thus it may lead to a kind of difference which mar result in one of these two affairs : He either changes into a weak personality surrendering to circumstance imp
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