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تحولات الرسم في فنون ما بعد الحداثة واثرها في تنمية التفكير الناقد لدى المتعلمين : منهجي التلقي والتاويل انموذجا

اسم المؤلف: فاطمة محمد عبد الله العنبكي
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ارتبطت تحولات الرسم في فنون ما بعد الحداثة بالتبدلات الفكرية التي اتسمت بها فترة ظهورها، مما جعل الباطني واللامرئي اساسا في تحول العياني (البصري) على صعيد التقنيات والمعالجات اللونية والوسائل البصرية الاخرى. وبفعل التحولات الفكرية التي رافقتها مسارات جديد

المقاربات الوظيفية بين انظمة تمثيل الخبرة وكفايات طلبة التربية الفنية المطبقين في المرحلة الثانوية == Functional Approaches Among Representation Systems Expertise And Efficiencies of Art Education Students In The Internship Period For The Second Grade

اسم المؤلف: ندى عبد الهادي مهدي
اسم المشرف: رعد عزيز عبد الله
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Today technology and the informational revolution that swept the modern world had raised many challenges imposed itself on the various areas of life. When the education was the cornerstone of the society development and modification, so it became due to have researches to discuss the traditional teaching methods that dealt with students as empty vessels need to be filled. At the same time, technology has become the most influential in a student's life; therefore it became necessary to find a countervailing force to the effects of technology that attract the attention of the learner.In this point the research issue has been launched according to questioner study had conducted by the researcher. The object of the study was to determine the art education students for their represent systems of experience as preferable learning styles, as well as the efficiencies of the diversification of motivation as capabilities should possess by the new teachers (Art education students) for teaching art during their preparing in the internship period.The result of the study was disapproved that. Accordingly, the researcher found the necessity to search in the teaching methods in art education take into account of the internal efficiencies of learners by develop a plan in the search in “Functional approaches among the expertise representation systems and the efficiencies of art education students in secondary level internship.” The sample was chosen among the student of the fourth grade - the department of educational art - Baghdad University, the size of the sample was(107) both males and females. the researcher had justified the variableswhich is the age, gender, and previous experience for the participants - the researcher had used many statistical methods in here procedures and the study result, they are - x2 One Sample test, Ttest For Two independent samples, Weighted mean, and Pearson’s correlation coefficient. The most important findings of the current research is the patterns of the special students acquired experience was formed by the influence of their raising environment which is the foundation of their learning abilities to become a secondary school art teacher in their internship period. The conclusion of the research was about the concept of intelligence for Gardner. The researcher found that concept have lacks scientific basis. Gardner dealt with this concept as skills, outputs and mental processing without thorough scientific explanation. And his procedural concept for the abilities was limited in four abilities represented by visual capability, audio capability, kinetic ability, intuitive ability. It is not 8 ability. Therefore, the researcher believes that the concept of contemporary intelligence that has been raised in the current search is the alternative for the multiple intelligence concept for Gardner.The functional approaches among representation experience systems and efficiencies of the diversification of motivation is a Form consist of four areas for student evaluation while the internship time for the secondary level students. The researcher has recommended a number of recommendations on the basis of what has been inferred, as well as offering some suggestions based on to the new concept of intelligent

المتغير التقني في اساليب التشكيل المعاصر : العراق، مصر، المغرب انموذجا

اسم المؤلف: ميسر علي احمد القاضلي
اسم المشرف: هادي نفل مهدي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يسلط البحث الضوء على مفهوم يؤكد ان العمل الانساني الاولي يتضمن فكرا يتجذر بمعطى تقني ويصبح الانسان فيلسوفا في عمله ومن هذا المنطلق تكون الثنائية بين العقل والممارسة مكافيء موضوعي لعملية النمو والتعبير، سواء في الفن ام في غيره.وانطلاقا من واقع الحركة الت | The research sheds light on a concept asserts that the primary human action in clouding thinking that deep rooted with technical fact and man becomes philosophical in his work and from this starting point the wedding between mind and the practice is as objective coefficient for growth and expression process. whether in art or in others.Stating from the realty of the plastic movement in said countries and with in the limitation of science and objectively and through transforming from the stationary to changeable and what was abase has become contrast, and these changes has risen a number of inquires most important of which : 1 - Does the modern art depending the median as a message.2 - Dose the modern civilization of artificial dimension in a physical world pushed the artist to take the path of empirical science.3 - Dose technology intervened in specifying the physical concept for the optical surface. In light of these facts the objective of the research specified by the following : - 1 - Detecting the manifestation technology and the formulation components for the optical surface structure of the modern plastic.2 - Detecting the technical variable in modern plastic styles in Iraq, Egypt and morocco.And the research has eliminated with the limitation of objectivity represented by technical variable and time limitation after the second world war (from 1945 to 2008)And then the second chapter ( the knowledge from work) The first category displayed the recognition concept of the style where it deals with some philosophical concepts which confirmed that the creativity progress doesn’t at some extent, but they are continuous trams formation imposed numerous pressures on the artist. Influenced in creative process and examining it and expressional means of thoughts in away suitable with esthetic and knowledge values.Also the research also displayed the technical concept where it links the philosophical concept of the technology with the scientific research in light with the intellectual products and the society and life systems and the consideration values.As for the second category, which discussed the optical product, represented by thought which proceeds physical nature of the application action, and this leads that each artistic work its distinguished nature of its impact, from the reality of optional will and specifying, the for the whole art to be in the logic circle out the artistic work and just entering the optical circle , becomes a will and sensitive, and the raw material has formed a value and underlying bases of the optical surface as an essential base in foundation of the esthetic values and it may exceed this, that the raw material to be the work itself.And the plastic schools are considered of important for the plastic products, where the artist asset, through the construction systems upon the integrity of the product, and its influential, expressional and esthetic, thus and due to this concept, their figures are established , constructive relation figures ,the relation of the whole to the part is judged or vice versa with mode differs with the plastic components.Also the third category of the second chapter included the technology and the performance in art, where the technology is found in the middle of modernization, and the category has displayed the means and the historical changing of technology, we could find the interventions between the industry impacts upon the art technologies, over ages, also the category illustrated the technical transformation from the made to the ready made, the Dadaea'a movement has adopted the art transformations from the made to the ready made and that was a reflection to intellectual and technical uprising seeking for arouse the chaos among various cultural activities and to reduce the interval borders between the art and the other cultural activities, and recourse to construct to the adherence and assembling through using a strange material from art including the valueless ,common and the consumed and food waste to enter new technology in the context of the artistically work or made it afterward isolating it from it's special reality to an artistically works stand upon by itself. Also the research illustrated the assembling art and the unusual technology, the art is striving to deviation of its traditional methods, and the artist seeking the strangeness in away that provoke the recipient regardless from the esthetic values and the academic mimics. As for the third chapter which illustrated the historical root of the plastic art in Iraq. Egypt and Morocco and it deals with the foundation stage, forerunners and the artistic groups which are established due to intellectual concepts leads to technical and stylistic changes, also the chapter has illustrated the most important references through the proceed of the plastic artistic movement of social, cultural and historical references and the effect of the western arts and modern technologies.As for the fourth chapter which illustrated the procedures of the research and choosing the research society and its sample, in which the researcher has depended on the intentional option based on the artistic experiences and the technical changes and the stylistic one each artist depended.The researcher has depended the descriptive analysis procedure to analyze the samples and depending the indications extracted from the knowledge framework that comes within the axes of the optical research of the plastic products and the constructive systems on which the artist depended, and the demonstration technologies and the pressure references, the style and the trend, as for the fifth chapter which included the research results ,and the conclusion, recommendations and the suggestions, and the research has concluded to the following out comes : - 1 - The artists depending a strange technologies in constructing the optical surface and with local implications. 2 - Some humble technologies have appeared, that we could related to the conceptual arts, but I could not find in artists experiences in the three countries that refers to practicing artistic technologies trends after modernization such as the body art, the earth art or the graphic art and the performance….. etc.3 - Some artists trans pass their experiments technology to traditional technology in the concepts of type to non - type through the interrelation of types.4 - Some of artists have mobilized environmental artistic works, act upon the recipient participation, also others act upon to mobilize using of the artistic work ,and water , earth surfaces and environmental spaces were used as a display media.The research was ended to diagnosis some recommendation and suggestions that support the research and expanding the knowledge base.

التحولات التقنية لمناظر المسرح العراقي خارج مسرح العلبة == Technical Moves of The Iraqi Theater Views Outside The Box Theater

اسم المؤلف: منى سلمان محمد
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ساعد النموذج المغلق بوصفه تجربة سابقة على تاسيس تجارب لاحقة وخلق حيز مسرحي يتكشف عن تشكلات جديدة لخطاب عرض يعتمد مشهدية منظرية لا تمت الى مرحلة زمنية بصلة، وان تعدد القراءات يستدعي تحولات ومتغيرات مستمرة للامكنة المتخيلة ضمن صياغات لامكنة مستقبلية، اذ ظه | The closed model helped as a previous experience in setting subsequent experiences and in creating a dramatic apace that discovers new selections for dialogue depending on a panorama that is not related to any era. The many readings require continuous changes for the imaginary place within formulas for future places as there have been diversities to activate the place because it is related with the philosophical idiogy for each era.The Greek texts were characterized by the stability of the panorama without a change and the harmony within the unit as it was related with the political idiology of the era. While the panorama in the Roman stage depended on the shape and style of the Greek panorama until the appearance of the panorama taken in 100BC. The philosophical view of the medival panorama was influenced by the church view of place consisting of three parts : Sky, earth and hell.The foundations of panoramas in the vision and philosophy of the renaissance era came as a result of having a different view of the new world that made it lose its faith in the past through duality in the areas of sciences, philosophy and political doctrine. The panorama changes influenced the spectacle view of each era. The many places expressed the depth of place, their, out, tangeable, imaginative and objective. In addition, the light director helped in inventing big spectacles. Illumination tends to distribute the shadows and to multiply the places and to have changes in vision to turn the equation in the traditional theatre in that it adds a new existence within an extended frame or flexible space. From here transfer is done from "the Achledes place to an undulated extension". The Achledes place has its own characteristics in which it becomes limited away from the subject of research or exploration. But the technical changes through out the theatre eras made the feature of getting away from the tradition of place, its principles and rules among the most important aspirations towards new horizons for a theatre expressing a future vision. Therefore, the theatre worked with optical corners in finding new formulations that changed the vision cites through selectional and portrayal understanding to make the panorama open to modern currents in viewing the era that helped in choosing places for showing in the circus sequares, streets, churches and relics. Accordingly, the research is divided into four chapters. The first includes the systematic frame - the problem, the significance, the importance which sheds light on the dramatic view and its changes. As for the aims, they are set to find out the technical moves of the Iraqi dramatic shows outside the theatre of box. The scope of the research has come through standing the panorama and its technical moves that come according to the special boundaries of Baghdad from 1987 - 1999. This chapter ends with a list of definitions.The second chapter, the theoretical frame and the previous studies, is divided into three sections, the first deals with the technical moves of the international theatre, the second with the technical moves of the modern age and the third with the types of shows of the theatre of outside the box. The third chapter deals with the procedure including, the community, sample, method, tool with an account about the technical moves the Iraqi theatre had and an analysis of the samples. The fourth chapter is about the results and discussion. The research ends with a list of sources and references in Arabic and English.

مقاربات الملحمي والغنائي في مسرحيات جليل القيسي == Approaches Epic And Lyric In Plays Jalil Al - Qaisi

اسم المؤلف: علي حلو داشر
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تمثل عملية تحديد انماط مقاربات الملحمي والغنائي ومرجعياتهما في نصوص ( جليل القيسي ) المسرحية، ضمن بناء منظومة العلاقات الداخلية للنص وتشكلها وتفاعلاتها وتصادمها، عملية تعرف وازالة غموض عن تلك الانماط التفاعلية لمكونين رئيسيين في البنية الدرامية للنص ا | Represent the process of identifying patterns approaches epic and lyric and Marjayatema in texts ( Jalil al - Qaisi ) play, within the building system internal relations of the text and posed and their interactions and collisions, a process known and remove ambiguity from those patterns interactive two main components in the structure of the dramatic text theatrical local contemporary Iraqi by shedding light on the mechanism enrichment or interaction in order to understand, since this Altsahir leads to the production of the act drama within the structure of the dramatic text, all this and that is recognized through the adoption of local experience is important, replete with accomplishment artistic and literary (texts plays Jalil al - Qaisi), as a model subjected to analysis and study for marking the movement of the epic and lyric, since this analysis is reflected in turn deepen the awareness of the aesthetic techniques of theatrical and dramatic text pointing problematic border artistic and aesthetic in the installation of the dramatic action. The research consisted of four chapters, as was the research problem, approach the epic and lyric drama, in how to build a theatrical text local, and marking the problematic border artistic, aesthetic, installing act drama, the need for research, raising awareness of the aesthetic techniques text dramatic theater, and see the local experience distinctive in the Iraqi theater of contemporary writer (Jalil al - Qaisi), and the importance of research, the need to deepen the search experience local theater " at the level of authoring dramatic, and elevate it, as stating Find playwright, critic, and researcher in this field and all those concerned to study the theatrical text in academic institutions for theater Arts and workers in the fields of media, and the aim of the research, shed light on how the production of the act drama by the interaction between modes literary, epic and lyric, in texts ( Jalil al - Qaisi ) play, the research methodology, and descriptive, and the research community, texts plays ( Jalil al - Qaisi ), and the selection of the research sample, poem, the most important findings, the emergence of patterns of interactive between the epic and lyric, worked to enrich the structure of drama within the events of the play - Qaisi mounting toward the teleological particular, the most important proposals, the adoption of such patterns interactive between the epic and lyric as cases must create them in the production of the dramatic action within the structure of the text theatrical dramas

المرجعية العقائدية للنحت العراق القديم : دراسة تحليلية == The Religious Reference of The Ancient Iraqi Sculpture : Analysis Study

اسم المؤلف: حمد سلطان ضرغام السعدون
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: النحت
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Old Iraqi Sculpture related since first existence with solid relations with religious thought, sculpture and religious belief are correlated phenomena since their first existence ,got them clear developments impact on each other.This study entitled (The Religious Reference of The ancient IraqiSculpture) are looking for Religious reference to old Iraqi sculpture , is an attempt to answer the questions posed by researcher in the problem included in the first chapter , this study included four chapters the first chapter devoted of a methodological framework for the research which include the definition of the search problem that summarize with the following questions ;Is there are a relationship between sculpture and religious belief ?And if there is really some kind of relationship, what kind of relationship ?And how the religious factor impact in the shape of the sculpture ?How religion executed in sculpture ?The chapter also contains the definition about research goals, which included two objectives ;Identify the ideological reference in old Iraqi sculpture - Identify the impact of sculpture on religious beliefs in ancient Iraq - The research identified with the study the works of sculpture of the religious and ideological content formats in relief sculptureand in the stereotactic and researcher excluded cylinder and flat seals from his research because it is of special technical nature and the objectives of production differ from the objectives of the stereoscopic and prominent sculptures that produced in purelyreligious goals as study identified with sculptures dating back to the time period from 3500 BC to the end of the Assyrian State in 600 BC and chapter including the definition for some terms needed.Chapter II devoted to the theoretical framework which contained three topics were allocated to ;Study the assembly thought and religious belief with the old man. - - Religious thought in ancient Iraq and the Gods that enshrined and worshipped in all periods of history of ancient Iraq. - Study of myths and rituals being a theoretical and practical framework for religion in ancient Iraq. - it is also included previous studies and a summary of the theoretical framework.The third chapter devoted to study of the dialectical relationship between the sculpture and the old Iraqi beliefs and the effects of each other and serves as the research process where the researcher analyzes the works in accordance with the relationship between the content of religion, signs and symbols and properties of the Gods mentioned in myths as evidence from which to infer a relationship between sculpture and religious beliefs and the effects of each upon the other, the models studied based on time periods that belonged to these models ; - ( Sculptures dating back to 3500 BC (4th millennium BC - Sculptures dating back to 3rd millennium BCSculptures dating back to the second millennium BC - - Sculptures dating back to the first millennium BCResearcher made these historical divisions because of religious content in works of sculpture and similar with each other along thecivilized period and researcher selected his sample models intentionally according to the chronology of civilized specific roles within search.The sample included 22 model and studied as descriptive analytic study to research religious relationship by offering clues in mythology and belief, rituals, the researcher selected his sample according to the following principles ; - A comprehensive sample for specified period of time and represented the original community, original representation. - So 4 models were selected from the first half of the 4th millennium BC and 6 models of the third millennium BC and 9 models of the second millennium BC and 3 models of a first millennium BC because the faiths in ancient Iraq are an extension of each other and the objectives of this study do not endeavor to know the religious method or sculptural method but endeavoring to execute its objectives in identifying religious authority in Iraq's ancient sculpture and the impact of sculpture on the faith.So researcher don’t confined in selecting his sample with parity with the number of representing models for each period but sought to choose models that lead to achievement of research objectives.The researcher adopted a note based on extrapolation and inference as two approaches can be used in the analysis of selected models, benefited of intellectual and religious indicators within the context of theoretical framework.The research found a set of findings and conclusions contained in chapter IV and one of the most important results are ; - 6 old Iraqi sculpture fully related to religion as the most important tools of expression since the fourth millennium BC and became identified to the temple. - 5 Statues of ancient Iraqi Gods exceeded the range of thought is partial to what is total and contributed to the transformation of the individual and diagnosed case to a full spiritual representation. - 4 The old Iraqi sculptor photos Gods with human body and outfit the human mind interprets things as accepted by thesenses and Gods image became reflected image on the cult of the ancestors in the middle stone age and the Neolithic. - 3 Iraqi prominent sculptures embodied the religious legendary narrative thought is a mental image built with stone, backed clay, and metal. - 2 the old Iraqi Sculpture expressed in the first reference of religious belief which is based on the libido, the perception of religious thought imagined that the universe has become through a relationship with Goddess marriage.The most important conclusions ; - Old Iraqi sculpture organized under of the religious establishment and reflects the mystical spirit as one of religious ritual. - Old Iraqi mind create religious rituals as a unifying social phenomena. - The old Iraq mind characterized with the ability to justify everything related to religion and explained and there are always ideas justify accidents and disasters inflicted on human

جماليات تحولات المنظر في عروض المونودراما العراقية == The Aesthetics of Scene Transformations At Iraqi'S Monodrama Plays

اسم المؤلف: فرزدق قاسم كاظم عبد الله
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شكلت عناصر بنية التشكيل الجمالي لتصميم المنظر المسرحي في عروض المونودراما نقطة ارتكاز مهمه في بيان صياغة تحولاته التي تفرض سيطرتها على المتلقي، مما يدفع به الى ان يتفاعل معها ليستقرا دلالاتها وفق دائرة الاحداث والتي تاخذه بعيدا في عوالم الروح الامتناهيه ح | The sequences of elements of scene structure transformations at the monodrama plays play an important role to demonstrate its aesthetics that impose its control upon the audience, which push them to react with these transformations to recall their signs in accordance to the events and take them so far to infinite soul worlds, where sensitive and ideological enjoyment are generated; thus, this thesis titles (The Aesthetics of Scene Changes at Iraqi Melodrama Shows) came into being. The researcher determined its scientific paths at four chapters. They are : The First Chapter : it included the syllabus framework and contained the problem of the research and its need. The problem is determined by the following question : How did the designer deal with the Play Structure Elements changes of the scene till showing them to the aesthetic reading at the melodrama play? The activating the aesthetic of play scene form structure elements via their changes during the melodrama play leads to enrich the mental and sensitive realization of the audience; as there is no similar study specialized in this theme, the need for this study raised. It also contained the importance, aims, limits and terminology (Aesthetic - transformations - Play Scene - Monodrama). The Second Chapter : its included the theoretical framework that contained four parts. They are : a - Part One : The Aesthetic Concept at The Western Philosophy.b - Part Second : The Scene at the Modern Play Trends c - Part Third : The Scene transformations and their signs at the Play. d - Part Four : Elements Visual Occupation at the Monodrama Play. This chapter contained as well a list of previous studies that dealt with monodrama as main theme, such as : 1 - Hussein Ali Haref’s Study (The Technical Features of Monodrama). It as a literary study related to the melodramatic text. 2 - Nuha Abbas Jawad Sheweleiah’s study (Alienation at Iraqi Monodramatic text). She interested with Alienation concept at the monodramatic text. Then she reached the indications that resulted from theoretical framework. These indications are : a) The elements of aesthetic form structure of the play and its features of the audience sensitive reactions and motivate them to react to recall its expressive signs that grant them metal and sensitive enjoyment. b) The mechanism of aesthetic scene transformations move into two directions; the first : Iconic Aesthetic transformations and The second : Symbolic Aesthetic transformations. The Third Chapter : it represented the Methodology Framework. It contained the community, syllabus, tools and methods of selection and analyzing the samples of the research. The sample contained the following plays : 1. (The Hunchback) monodrama, the scene is designed by Falah Ibrahim 2. (Achilles Return) monodrama, the scene is designed by Emad Mohammed 3. (I at the dark research) monodrama, the scene is designed by Awatif Naem4. (The Gone Days) monodrama, the scene is designed by Sami Al Hesnawi5. (Alienation) monodrama, the scene is designed by Suhail Al Bayati. The Fourth Chapter : it included the results, discussions, conclusions and suggestions. The most important results are : 1 - The designer achieved the ideological aesthetic reading of the monodramatic scene in accordance to structure form elements transformations within the limits of the symbolic level at the monodrama plays (the samples analysis).2 - The designer sought to use slight raw materials to build the scene order to enable the actor to change its aesthetic particulars in harmony with the events during the play as is the case with (The Gone Days) and (the Hunchback). Finally, the researcher fixed a list of references, supplements and this English Abstract.

جماليات الماكياج في عروض المسرح العراقي == The Aesthetics of Make - Up For The Iraqi Play

اسم المؤلف: ذكرى عبد الصاحب عبادي
اسم المشرف: سامي عبد الحميد نوري
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: اعتمد بناء وتشكيل الصورة المسرحية من انبثاق المسرح حتى يومنا هذا على صور شعرية وفن معمار الفضاء المتسع المعاني والدلالات التي تتسم بها الشخصية المسرحية وما يحيط بها والتي من خلالها يتلاحم المتفرج بالممثل في اجواء تطهيرية صادقة المشاعر والاحاسيس اتضحت ملام | This research deals with the mechanism and the aesthetics of make - up for the Iraqi play performance. The problem of the research concerns with the imitation of natureand the principle of illusion of reality and to what extent the artists of make - up tried to achieve. In chapter two : the researcher discusses the aesthectic frame of make - up according to the ideas of the philosophers.The chapter discusses The scintefic frame of make - up such as Anthropology , Biology , Sociology , Psychology and Anatomy.This chapter also deals with the artistic frame of make - up Concerning Design and Compotion so the effect , of the elements of the other aspects of theatre Visual such as costumes , scenery , lighting on make - up concerning line , shape mass , Color , and texture. chapter three of this research deals with analyzing the mechanism and aesthetic aspects of make - up in five Iraqi play productions. The researcher reaches the following conclusion : 1. The straight make - up were used for most of thos plays and character make - up for som of them.2. There was no need too achieve the principle of illusion of reality for the make - up of the samples.3. In one of the samples the artist of make - up used the Clay for covering the faces and bodyes of the actors instead of vsing the materials of make - up. 4. some of the aesthetic touches were used for few characters.5. No effects of the other elements of the visual Theatre on make - up appear specially the effects of the stage lighting.

جماليات البناء الكنائي في الفلم الروائي == Aesthetic of Metonymy In The Feature Film Dessertation Submited

اسم المؤلف: اسيا جبار خلف
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان البحث الموسوم "جماليات البناء الكنائي في الفيلم الروائي" ويستهدف دراسة موقع الفلم الروائي من البلاغة بوصفه علما استقر في اللغة الطبيعية ووجدت له مقاربات في الفنون المجاورة، وكانت الكناية احد الاساليب البلاغية المتضمنة في علم البيان احد مباحث البلاغة | The research entitled "Aesthetics of metaphorical construction in Feature Film" aims to study the position of feature film in figurative language as a science settled in natural language that found approaches in neighboring arts, further, metaphor is one of the implemented methods in rhetoric as rhetorical device.Film, as craft language, obtains from metaphor as a main source to the film structure and its metaphoricals', and, if metaphor means, in language, the indication of a meaning by using a subsequent and synonym for it, intents to cover and shade therefor we switch from using the specific word that represent meaning to a synonym, so, meaning according to Jarjaani : speech system; while aesthetically it has a special regulation. For direct and repeated speech losses its aesthetically because of habit. Then meaning in metaphor doesn't use current meaning, instead it deals with "meaning of meaning". We can see linguists who attached symbol, indication, allusion and periphrasis to metaphor kinds. So texts are renewing with the renew of meanings. Metaphor refers to something by other that equals it in reality known to people but with new meanings, because if a meaning is settled and widespread would not catch attention or raise the aesthetic sense for it became so common, and this is what we see in film as it extrapolates the meaning through the realistic references, and the difference between standard and common film is that the first chases the invented meaning regarding arts aesthetics while common film is captive to current meanings that doesn't draw attention.This research consists of a summary and four chapter, the first includes methodological framework and the question of this research and the need to it. The question is formed as follows : "what is the aesthetic of metaphorical construction of feature film?".The need to such researches is to be at hand of researchers in Cinematic science to find out rhetorical prospects of cinema arts to be an aesthetic addition in film theorizing and application.While the importance of the research is due to be the first of its kind representing the metaphorical applications as they are the base of feature film leading film art to achieve a privilege in metaphor field in which cinema is operating in, on the grounds that the first task of the film is aesthetic of film image, and paying attention to the widening scopes that the metaphor repletes by neighboring reality in a creative way, not only a humble conveying that set and settled.The limits on this research are spatial limits are cinema worldwide anywhere can be found, temporal limits are (2001 - 2011), and finally mental limits are novelist metaphor.The second chapter includes three sections. The first concerning : metaphor from word eloquence to image space : in which the term (metaphor) is followed with Arab linguists depending on Arabic rhetoric as guide, so Simile purposes and eloquence will lead us to the question of this research, which leads to the necessity of studying semantics and metaphor as linguistic concept and rhetorical device the thing found with well - known Arabic heritage scientists : Al arabi, Al - jahihd, Al - mubred, Aba ubaida, Ibn almu'taz, Qudama Bin Ja'far, Abo Hilal Alaskari, Ibn Rasheeq Al qirawani,Ibn Sinan Al kafadgi , Al Jurjani and others.The chapter stopped at the concept of art image and film grand theories such as simulation, emotional and formalism theory.The scorned section concerns metaphor application in novelist film. Where image metaphor is treated which Derives its representation from photographical origin through the notion of : Arnhem, Andre Bazin, Eisenstein, Christian Metzm and others.The section concludes that what cinema has added to world understanding is the usage of reality in an eloquent way so the metaphorical construction take into account natural language eloquent while it draws its metaphor of cinema - tography through its special expressive medium.The third section entitled, the aesthetic employment of metaphorical construction in feature film, in which natural language doesn't present full metaphorical texts through its linguistic contexture, while film is a metaphorical contexture in each shoot and scenes.So, such kind of researches should comes out with the theoretical framework indicators, one of them is : 1 - The film aesthetic and metaphor happen through dialectic cinema narrative and the film form to build metaphor system through gathering partial metaphors.The research, as researches goes, contains conclusions such as : 1. The film aesthetic metaphor comes from the fact that the film art is an art on the term in which the film form differs from the exact picturing of reality.2. Also, the research comes to many derivations like : Metaphor in cinema is a basic and genuine element in film creativity which cinema is based on in its construction.

جدلية العلاقة بين الانتاج والتقنية الرقمية لتفعيل البعد الجمالي والدرامي للخطاب السينماتوغرافي == The Controversy of Relation Between Production & Digital Technology To Activate The Dramatic & Atheistic Dimension For The Cinematographic Letter

اسم المؤلف: براق انس المدرس
اسم المشرف: ماهر مجيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: من غير الممكن عد الفيلم السينمائي او المسلسل التلفزيوني الا بكونه انتاجا ينبثق الى الوجود بعد عدة عمليات انتاجية خلاقة تحققها مستويات ثلاثية متعالقة تاخذ على عتقها عمليات التخليق وعلى حد سواء المستوى الانتاجي : الذي يعتنى بالجوانب الادارية، والاقتصادية، وال | The Movie or TV dramatic series represents the print that dissolves to the level of production Operation, & here the Controversy of Relation has come true between what is on the screen & what is absent in building the pattern & type of image Construction with all its joints, saw you can't see a Film or TV series only as the production Cinematographic Letter, & what the searcher indicated of this interference between Image & of one Side & Production on the other side, which is the seclusion of Critical & Technical Studies that is Specialized in studying the Medium Elements Language.Although studying the meaning production digitally, that is the software of Computers & digital effects which is the pioneer of many specialized academic studies for this medium, & the Predicament is, there is no previous studies Specialized in the effect of Exchange of Production Science & Digital technical Evolution, & the methods of handling this progress by stepping ahead what was Familiar traditionally & that was the main booster to the searcher to select his research Subject in the following address (The Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter ). For that the searcher has divided his research into five Chapters, the 1ST one Came in the (Methodical Panel) which presents the research Predicament (What is the Basic Form Lines for the Controversy of Relation between Production & Digital Technology to Activate the Dramatic & Atheistic Dimension For The Cinematographic Letter?),than Mentioning the importance of research , Aims of research , its limits & finally the Terms Definition in the Research Title. 2ND Chapter (Theoretical Panel & Previous Studies) which the searcher divided it into 3 Sections : - 1ST Section : - Which Discuses the Production Philosophy & the nature of cinematographic Letter.2ND Section : - That Defines the Technical & Productive Variable in Image Construction. 3RD Section : - That studies the Action Dramazation & the Atheistic Signified of the Cinematographic Letter nature.To conclude these sections by emitting the indicators that was relied on by the searcher that was certified by a panel of experts & Judges, to end this panel with the Previous Studies. 3RD Chapter : - ( Research Procedures) which Contained Research Method, Research Instruments, Research Society, Analyses Units, Research Specimens, Instruments Authentication, Analysis Steps.4TH Chapter : - Which was the Analysis of Research Specimens as Follows : - 1 - Prometheus (Movie).2 - Man of steel (Movie).3 - Falling Skies (TV Serial). 5TH Chapter : - (Results & Conclusions) : - this research has come out with several results after Specimens Analysis, & as follows : - 1 - The digital techniques interfered with all the joins of cinematographic Medium which leads to use a precise Variability to have an Image to the technique that reacts with Production to revel the Atheistic Quarteria, also Dramatic Activation, as we previewed it in Research Specimens. 2 - The techniques have the ability to Create Space in High Precession & Less Expenses, for having an Image with clear Atheistic & Dramatic Clearance, as it in Research Specimens. Than The Searcher has Added Conclusions, Recommendations, Suggestions, Reference List, Appendix & Finally the English Language Abstract.

تمثلات المتخيل في الخطاب السينماتوغرافي في طروحات ما بعد الحداثة == Imaginary Representations In Alcinmatugrave Speech In The Proposals of Postmodernism

اسم المؤلف: لؤي عبد علي مهدي الشكرجي
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Is a discourse Alcinmatugrave today a humanitarian imperative task of art and the phenomenon of communities with different cultures, languages, customs and traditions, because it is a form of sophistication and Highness and the development of civilization in the field of art, which is today civilized societies feature in the current era, which can promise the age of technology, techniques and science and electronics.Although the art and art productions in all its forms and formats, not distance away from this technical development taking place at the level of machinery, tools, machinery, equipment and techniques that dominated the human production of all types and forms, but the expression, style and form prescribed by the human, and the topics identified by the artist , raw material and technical Ntegath, is to be the core of art and the artistic process feature.The overall innovations of postmodernism ((postmodern in the field of photography and visual display since the beginning of the nineteenth century and Trafaqa with the overall discoveries of the twentieth century scientific and intellectual until now, the changing obtuse movement that turned the evaluation and judgment and consider the concepts to the concept and the importance of image, and to productions imagination which is new unparalleled, has accompanied the post - modern evolution of digital technology techniques and computer media, media, communication and the arts all, and has become the visual image accordingly semiotic mark attest to the developments and reinventions postmodernism, and it is no longer the language is the sole regulator of human life, of peoples and communities of different cultures and Muruthatha and features, but the picture is becoming the base engine for the collection of knowledge, and the effectiveness of human recognize the truth through all those discoveries subsequent to the photographic image and then converts it quickly to the moving image (cinema) and then the TV down to the Internet revolution that made the universe (a small screen in the palm of Rights), which have the capacity and the ability to breach the stringent actually effects and the dominance of mental discourse affected by the facts and the facts, and became symbols of these discoveries and productions continue influential with human imaginary process more than they may engage in dialogue or Taatlaqah with his mind, which adopts the reasoning of the basis for the projections that reality.Was launched with all these developments embodiment and achieve and activate the imagination and imagination on the level of artistic productions Alcinmatugraveh operations, so imagined that evoked to him the contents and details of the image in the speech Alcinmatugrave, and moved in different forms and expressions and fields, confusion and doubt anddarkness and shadow on the sidelines of understanding of the area, to the explanation and interpretation of the understanding of the area through the perception and the sense, and it has become visible material received by sight at all times and everywhere roam the human eye, and became the reality of man and his environment Urban modern source does not dry and inexhaustible of symbols and connotations that occupies the image position and the extraordinary significance, that this image that surround humans wherever found, and Baattabarھa result inevitable of productions imagination and creative sense, has become an effective tool of communication and interaction tools, whether this adopted a communication on the mind or the other queens that Ihozھa rights, and has become the imaginary symbols accordingly, a source of Alotsalaty on the cultural, social and humanitarian level exchanges, especially in the era of postmodernism, where the big coup at the level of concepts and propositions of intellectual and philosophical discourse of the buildings on the level of language, image and other means of expression. Most notably in the field of speech Alcinmatugrave, as Acefhma Regis Dupre in his life image and her death by saying : that television and cinema in the era of postmodernism Assanotai of the imaginary 1.From here the researcher in determining the problem with this research, and sought an effort to learn about the philosophy and the limits of the imaginary and its implications in the speech Alcinmatugrave, according to each of those visions and propositions, perceptions and ideas provided by the movement postmodernism, after its hegemony and control of the reality of thought and art since the seventies of the last century until our time, especially in the field of speech Suri.The speech ((Alcinmatugrave)) of the most important means of the display of the form and meaning of any dramatic work of art visible, and that leaning upon the viewer conscious who can we consider : actor moving the most dangerous and the most important in the tri - creative process ((Author director - speech Suri - receiver)) in the process taste sensory and aesthetic Mknunadtha and their implications and their symbols, where the picture becomes a speech visible and read visual multiple meanings, embodied them as the field free to the process of monetary controversy effective between the receiver and visual text the picture, which is in front of him, especially since more Mafi images controversy and signed and attractive and aesthetic, in the recipient, those that contrary to the familiar object impact of perception where, above and beyond in their implications and their meanings rolling all the arguments, and different in nature from the mainstream and repeated in its forms and manifestations, and away in their meanings for movable and of refined and reproduced in Qualbh classic permanent, characterized in iconsand images innovation and diversity and innovation, and be in the subjects rolling The curious and innovative,This Mayaml to achieve and embodied in the imagined speech Alcinmatugrave, Valmtejel in his being is to re - create a new innovation within the visions and ideas commensurate with the spirit of the age and time, according to the philosophies and spiritual narratives imposed by this age are required by the technical Actual makers.And it has launched a researcher in determining the external lines of the search parameters and boundaries.. The researcher felt his research included five chapters are : _The first chapter.. / methodological framework for research and includes a research problem, namely the reasons that sparked the attention of the researcher and invited him to his choice placed his research, and after that Atharahtmamh included imagined and achieved in all artistic productions trendy Alcinmatugraveh modern, according to the visions and ideas put forward by postmodernism, especially since the process of understanding and grasp the modalities for achieving this process in movies and dramas Bank, impose study and research, has coined the researcher problem according to his research and the question as follows : What imaginary philosophy, and what modes in which they are employed and imagined eating in the speech Alcinmatugrave proposals in postmodernism..And also the importance of research : Which guarantees the importance of fighting the researcher and his study of the placed.. Find added knowledge and scientific and cultural benefit, as they are not positioned to go into such a search previously, has not been addressed in this privacy and detail than before, and this is what is important in the research and study.(1) See : Regis Dupre, life and death picture, see : Fred bubblegum, Africa, the Middle House versions, Casablanca - Beirut 0.2002, p. 247Find and goals : Identified by the researcher as follows : in the detection modes in which they are representing the imagined and achieved in the speech Alcinmatugrave within the proposals of postmodernism.Search limits : Where the researcher identified in the study of the concept of imaginary Vslvia, and a figurehead as well as study the proposals of postmodernism and its impact on art, especially in the speech Alcinmatugrave The goal of the research sample the first footage of US (harmful MALEFICENT), in production (in 2014), and the second sample American series (marginal FRINGE) production year (2013 2014), followed by geographic extent where I am is the point of producing a sample of the United States of America.As well as identify the most important terms in the title of the paper : Where the researcher determine the most important terms in the title of the paper, namely : (imaginary, Sinmatograve, postmodernism).Chapter II / theoretical framework and previous studies..And in which the researcher deliberately go into three sections check the theoretical framework of the research, which resulted in the collection of theoretical indicators adopted by a researcher at the research samples analysis, these detectives are : First.. The first topic : a (philosophy and the limits of the imagined), which looks at the Maheat imagined intellectually and philosophically in literature, art, definitions, understandable and Tmthelath and levels of the language, literature and the arts general level.Second.. The second topic : .. (Figure, image and narrative in the proposals of postmodernism) and who is running in concept form in the concept of the image within the proposals of postmodernism.Third.. The third topic : (recruit imaginary discourse in Alcinmatugrave).. which will address the modalities in which they are imagined and employment outcomes achieved in dramatic Alcinmatugraveh.Delve into research theory and study in those three detectives from the set of indicators adopted by the researcher tool for the analysis of a specimen sample.. after the viewing on a group of experts process has resulted in, and seal the second quarter review of some previous studies that approached from a distance or close with placed Find Anfa.Chapter III / research procedures..This chapter included a series the procedures followed by the researcher during delve into chapters and sections Search, and these actions are : a review of the research methodology, and the research community and the research sample, and search tool, and the sincerity of the tool, and the unit of analysis, and analysis steps.Chapter IV / analysis of samples..In this chapter the American sample footage analysis : (harmful MALEFICENT), as well as the second sample American series (marginal FRINGE), and so on according to the analysis tool (indicators) and then discussed and draw the final results contained in Chapter V.Chapter V / which includes the findings, conclusions and proposals, recommendations and appendices, images and research summary in English..This chapter contains, the findings of the researcher on as set of objectives, as this chapter shall also ensure that the conclusions that emerged from the results, as well as some suggestions for further studies verify the enrichment and diversification of information in the jurisdiction, and the recommendations by the researcher believes it is necessary and important.Has been attached to the message list of sources and messages hired by the researcher, as well as a set of appendices included.. (model) experts form ((indicators)) contents Search form model.. and the list of movie scenes and a group photo on indicators.. as well as abstract in English.

تقنيات المسرح التجريبي وتطوير اداء الممثل نماذج من المسرح العراقي == The Techniques of The Experimental Theatre And Developing The Actor’s Performance (Samples From The Iraqi Theatre)

اسم المؤلف: مظفر كاظم محمد
اسم المشرف: سامي عبد الحميد نوري
الموضوع العام: الفنون الجميلة
السنة: 2012
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The problem of this research is in answering the following question. How did the experimental’. Theatre techniques contribute in developing the performance of the Iraqi actors? The Goal of the research is to have knowledge about the actor’s training according to the techniques of the experimental theatre. Chapter two deals with the review of literature and includes three sections. The first section reviews the history of acting techniques throughout the ages. The second section discusses the theories of acting and the actor’s truing. The third section discusses the technique of the experimental theatre that concerns the actor’s performances, such as improvisation, the theory of ploy, the ensemble work. The researcher reviews those technical practices at same of the experimental companies like the living theatre, the group of Arianne Mnochkine , the open theatre of chicken, and the Odin theatre. In chapter three, the researcher chooses intentionally five Iraq theatre productions as samples for his research. The chapter contains adscription for the performance of each play and analysis for the actors of the main role in each production according to the techniques of the experimental theatre. The five productions are; (1) The Ritual of Sleep and Blood. Which is an adaptation for (Macbeth), directed by Sami Abdu ـ Hameed.(2) I apologize my master, the lessen ended, written Awatff Naeem , directed by Haythem Abdul. Razzaq.(3) Women at War, written by Jawad Al ـ Assadi, directed by Kadum Al ـ Nassar.(4) Curfew, written and directed by Muhaned Hadi.(5) Under Zero, written by Thabit Al ـ laythy, directed by Imad Mohamed.In chapter Four the researcher reaches the following conclusions;1) The techniques of the experimental theatre have been practiced by the Iraqi theatre groups to sonic extent.2) Using those techniques result in spontaneous acting and without artificial expression.3) At is impossible to use those techniques unless the play text is not traditional in it is structure.4) The experimental theatre has it is own characteristics such as simplicity and clarity. It also depends a lot on using semiotics in it is performance.

تفكيك الزمن في الخطاب المسرحي

اسم المؤلف: جبار حسين صبري
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2010
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ارتبطت الزمانية باشتراطات التمرحلات الفكرية المتعالية فجاء الزمن موثوقا بتشفيرات كل مرحلة، ومن ثم متغلغلا في افهومات او اليات الخطابات الفرعية مثل : الفن، السياسة، الادب، المجتمع، الاقتصاد..وصولا الى تمفصله في جزئيات تلك المفاهيم ومعايشته او تاطيره لتلك ال

تطبيقات التاريخانية في رسوم مابعد الحداثة == The Application of Historicism To Post - Modern Painting

اسم المؤلف: ازهر داخل محسـن
اسم المشرف: عاصم عبد الامير الاعسم
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: التاريخانية مفهوم معرفي اطر الثقافة النقدية الفلسفية والجمالية والايديولوجية والعلمية، على ضوء منظومة معرفية تاسست برؤية الماضي كمعطى ابداعي لتستثمره في الحاضر بفعل ازاحة الفواصل والابعاد الزمنية ( الماضي، الحاضر، المستقبل ) فاقرت ان الابداع نسق عابر ل | Historicism is an umbrella term that can be used to include several aspects of culture; namely, the critical, philosophical, aesthetic, ideological, and scientific ones. It refers to the schemata that considers the past as a creative source by applying the process of transition - and - dimension displacement in relation to what is so called past, present, and future. According to historicism, creativity is a track that penetrates both place and time and draws types of existence and situations beyond all that was found earlier. Hence, historicism is the other face of the philosophy of history as it is after discovering the laws of social change and progress drawing attention to the great transformational processes underlying human civilization. It interferes philosophically with history and its broad field of interest. As a scientific concept, historicism through revisiting earlier products and trying to free them from the limitation of registering and recording aspects of documentation. By doing so, historicism deals with each earlier product as a source of critical thinking that could pave the way for a new interpretation. In this case, historicism acts as the awareness underlying the future work of art. That is why, the research work, in question, has treated historicism as a critical term and a scientific process of identifying and analyzing a set of recent readings and their effects on the creative post - modern painting. In other words, this study, which falls into four chapters, is an attempt at applying historicism technically to post - modern performance. Chapter One presents the problem of the study in the form of the following two questions : - How is historicism generally realized across plastic arts? - What are the evaluative and mental criteria followed by the post - modern painters to provide the work of art with aesthetic, ideological, and dialectical effects.This chapter also refers to matters such as the significance, limits, and aims of the study. It ends with procedural definitions of some terms. Chapter Two is a theoretical framework of the study. It divides into three sections. The first section deals with the nature of the philosophy of history and historicism. This section has got the following four headings : ( I ) About history, and Philosophy of History( 2 ) The Concept of Historicism ( 3 ) The Concept of New Historicism( 4 ) Historicism and Modern CriticismThe second section is on historicism and interpretation in modern painting. This section has two introductory notes : historicism as an interpretive product and the representation of historicism in modern painting. The third section is on historicism and experimentation. It falls into two aesthetic and scientific subdivisions : First, historicism and the mechanism of experimentation in modern and post - modern painting and secondly, historicism as a reading in the post - modern painting. Based on the theoretical framework, a number of parameters were pointed out to be the bases on which the analysis of the sample are conducted in Chapter three. Chapter Three is on the procedures in relation to the population, sample, which consists of 20 subjects. It also tackles the descriptive approach, the tool of data collection, and the techniques or mechanism of analysis. Chapter Four is entitled ‘results and conclusions’. Among the conclusions the following are worth mentioning here : 1.Historeism is not a succession of similar eras, neither is it a set of successive similar closed periods. Actually, it is a combination of new complex creative attempts, visions, and strategies. All of these matters penetrate stages and samples and reconstruct them according to novel standards or bases. To history, Historicism means progress and development that match with what the society is witnessing and at all levels.2. Historicism is an attempt at repeating the work of art but in accordance with a contemporary vision and a progressive act to make it more technical and more aesthetic. The earlier work is made use of in two ways : first, a contemporary artist reconstructs the work of art carried out earlier by another artist; and secondly, or the same artist repeats his earlier attempt but with some modern mentality and better awareness.3. Progressive historicism tends to turn, in its post - modern works, to earlier or modern paintings within a newer starting point. There are technical differences between post - modern paintings and their modern counterparts regardless of the similarity of style.4. Analyzing and deconstructing the European modern and post - modern paintings in terms of historicism readings of borrowing have been conducted with reference to form, content, symbols, and reference as these are semantic aspects bearing in mind the relationship between reference and referee. 5. The openness of the visual text of the post - modern painting is considered to be a return to earlier masterpieces on the part of the post - modern artist who cannot help employing new technicalities, new forms, and new mechanisms that are different from those of the earlier work.

تداخل اساليب الاداء التمثيلي في عروض المسرح العراقي == Interlinking of Artistic Performance Styles In Iraqi Theatrical Shows

اسم المؤلف: عتاب جاسم نصيف
اسم المشرف: عادل كريم سالم
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتفق كل الباحثين والدارسين في حقل الفن المسرحي ان لفن الاداء التمثيلي اسلوبين اساسيين احداهما (تمثيلي) والاخر (تقديمي) من حيث الاداء اذ تنضوي تحت لوائهما مدارس تمثيلية عدة منها الكلاسيكية والتعبيرية والواقعية والرمزية...وقد تولدت عنهما اساليب ادائية شتى | All the Researchers And Students In The Field of Theatrical Art Agreed upon That the artistic performance has two basic styles one of them is (performance) and the another is ( introductory) they included numerous performance schools among them the classical, realistic and symbolic schools…… From them numerous performance styles have been originated, opining avenue to the actors to introduce numerous of these performance styles with in the numerous concept of and interlinking of artistic performance in the single theatrical show. For achieving the purposes of the researcher in her thesis to recognize the machinery of artistic performance in single theatrical show so the research has come under the title (interlinking of artistic performance styles in Iraqi theatrical show. The research includes four chapters.The first chapter concentrated on the systematic frame of the research whereas the research problem dealt with an obstacle deters the actor performance considered the basic authority and the active element in theatrical show address which is as a result of the numerated school performance and their styles perplexion has prevailed in the theatrical performance so the criteriia have become imbalance as a result of ignorance resulted from this interlinking and non - distinguishing and awareness to the reality these styles, also the chapter includes the importance of the research ,its aim ,limits and assign the terms, while the second chapter includes theatrical frame , it contains three main categories under titles The first category : - the concept of interlinking in which I have displayed in this category the most important psychological, and Knowledge fundamentals of the interlinking concept The second category interlinking of artistic performances which I have reviewed the interlinking of styles in theatrical show of reading the text in a contemporary directory vision which will be subjected to the interlinking of new economical, political and social relations this will lead to interlinking in artistic styles which connected in its circumstances, stage and its reconstruction in away conform to the nature the direction of the modern vision. While the third category includes the machineries of interlinking of artistic performance styles in theoretical directions, I have displayed in this category techniques of artistic performance styles and its methods. The theatrical frame has produced indications, the most prominent of them are : - 1.Interlinking of artistic performance styles the in the research of new performance styles, new the artistic performances connected another styles references temporary connected with harmonious interlinking unity, in which the principles of mixing organizing, diversity , balance, harmony and rhythmic achieved the artistic effect which represent aesthetic tendency to attain the communication process between the actor and the spectator.2 - Mixing of artistic performance styles randomly doesn't mean in a random method without subjecting to unified harmony for their diversity with in the diversity concept in the unity, interlinking in styles, whereas the interlinking always move on the base of finding a central focus in performance in which and through them another performance styles move after interlinking with units of building personality, scene and action.The third chapter based on measures taking frame and it includes the structure and the specimen of the research that are represented in elected shows of the Iraqi theatre like ( Oteil in the kitchen), ( Macbeth) and(the Ghost)I have displayed in the most important and conclusions in the fourth chapterAmong these results : - 1. Thearitcal artistic performance styles interlinking which is process of liberating the actor tools from their usual expressional mode, and oriented towards new animation and movable existence being the interlinking in its essence mean movement concluded by the action in its dealing with things for revealing its hidden secrets then representing them in forms, images and expressional contexts of theatrical show address.2.Theatrical artistic performance styles interlinking means the organized technical and aesthetic structure of the whole relations of these styles inside the performance structure within central harmony, it is creative action in organizing the action of the actor and it is equivalent to organizing his tools. The research is terminated of foreign and Arabic sources and the abstract in English language and appendix with pattern of Iraqi theatre.

تحولات بنية التطهير في النص المسرحي == Transformations of Structure Catharsis In Dramatic Play

اسم المؤلف: محمد مهدي حسون راهي المياحي
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2015
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يخوض البحث الحالي في دراسة المفهوم الجمالي للتطهير وتحولات البناء الفني للتطهير، بوصفه غائية بنائية يقاس على وفقها تحولات المنظور الجمالي للمنتج الابداعي، وضمن الفضاء التاريخي لهذا المنجز، في زمانه ومكانه..فالتطهير هو موقف للذات تعانيه باشتراطات تجربتها | Since his first steps in existence, the human being followed mental or sentimental or instinctive activities in order to reach to the state of tranquility and stress reduction between the requirements of the self and its propensity for differentiation in this world, and between the conditions of the world and its laws. These activities were issued by the first act of the human, starting by worship, and through worship came tranquility which leads to the power of the ritual and the flooding of spiritual energy of the self being differentiated in this world and reforming the conditions in the line with the self, i.e. changing the world humanly and this is the principle of the civilization. Through the evolution of repetitive practice of worship and the growth of its aesthetic awareness, emerged the art work and the aesthetic practice which its basic point is catharsis.In a philosophical perspective through bilateral self/world argumentative conflict, the self gains some of the world`s themes. These themes forms through their hazards and threats to the self, a prior criterion to moral and manners standards such as; danger, panic, fear, murder and loss. These are threats by the world, and their opposites are the need of the self to what is against them to sustain survival such as; safety, peace, tranquility, goodness, justice, honor, loyalty and honesty. But the fact that the outside world is always threatening, keeps the self in constant sufferings for the absence of the catharsis out of the art work and the aesthetic experience, which must be the basic aspect in the creative structure of the work - theatre. when it is there, the aesthetic factor is also there but when it is absent, the whole experience is becoming incomplete. Therefore, the multiplicity of artistic structure of the text as a basis of theatrical presentation, which leads to catharsis and that was what occurred of shifts in the functional concept of catharsis. Thus, this study comes to explain the concepts and procedures of the transformations of structure catharsis in theatrical text. In the light of this study, the following chapters have been resulted : Chapter One : the methodological framework that contained the problem, the significance and the limits of the study; in addition to identifying some of the idioms mentioned throughout the whole study.Chapter Two : the theoretical framework that contained the following sections : Section One : Catharsis in philosophical speechFirst Hub : Catharsis in Metaphysics Speech / Classical Second Hub : Catharsis in Modernism Speech / Realism Third Hub : Catharsis in Postmodernism Speech / Expressionism Section Two : the Mechanisms of Catharsis in the elements of dramatic structure First Hub : Catharsis in PlotSecond Hub : catharsis in personality Third Hub : Catharsis in ThoughtForth Hub : Catharsis in LanguageSection Three : Aesthetics of catharsis in theatrical speech / Indications of the theoretical framework and previous studies. Section Three : the Procedural chapter in which samples had been analyzed as follows : 1. The play of "Oedipus the King" of the Greek writer Sophocles - translated by Taha Hussein.2. The play of " al - huor al - ryahi" of the Iraq writer abed alrazaq abed alwahid.3. The play of "the House of Agoesar Holm" of the Norwegian writer Henrik Ibsen - translated by Tamader Tawfik.4. The play of " Ana omak yashaker " of the Iraq writer Yosef Al - any.5. The play of " allawha" of the british writer Harold pinter.6. The play of " Mythical Reality" of the Iraqi writer Ali Abd al - Nabi al - ZaidiChapter Four : it contained the results, conclusions and recommendations. Then, a list of sources, references and an abstract in English.

فنون ما بعد الحداثة وتمثلاتها في التشكيل العراقي المعاصر

اسم المؤلف: تحرير علي حسين الجيزاني
اسم المشرف: مكي عمران راجي الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The present research is concerned with investigating the embodiment of the Postmodernism Arts, their styles and their artistry trends in the experiences of the modern Iraqi plastic Arts. No doubt that the postmodernism philosophy with all its details, associations, contradictions, which is also called postmodernism phase, has attracted the Iraqi artists inside and outside Iraq. This interest has emerged from the artists wish to convoy the new styles, techniques modes in the world, ideologically or practically in Art.The present dissertation lies in four chapters. The first includes the problem of the research, its importance and value. The problem of the research is limited to the identification of the becoming of the postmodernism arts in the modern Iraqi Plastic view, and that is after the openness of Iraq on the world and the contact of the Iraqi artists with the artists in the world. The following questions embody the problem of the research : has the postmodernism ideology any effect on the modern Iraqi artist? has the postmodernism techniques any effect in to change the aesthetic view of the modern Iraqi plastic proposals? does the dissidence in the Iraqi classic styles of Art, being affected by the aesthetic system of postmodernism, open the way for the procession and involvement of the receiver of the visual show.The importance of the study is embodied in shedding light on the artistic styles of the postmodernism plastic Arts in the Iraqi artists' works. The study also aims at detecting the embodiments of the postmodernism arts, their styles and techniques in the performed modern Iraqi plastic arts.The study is limited to the objective analytical study for the ideology and techniques of the postmodernism plastic art in Iraq; on the other hand, the local limits include the artistic results of the Iraqi artists' works inside and outside Iraq, which is in addition to the analysis of their pictured works which are performed from 1993 to 2013.Chapter Two includes the theoretical background fro the study which includes three sections. Section one includes two axes : the first tackled the notion, as well as the principles, of modernism as it is the phase that proceeded postmodernism, so that it possible to be aware of the notion and principle of the postmodernism phase, which was base on demolishing the modernism basis. Hence, this section propounds the notion and principles of the modernism phase and its visual applications. On the other hand, the second section is concerned with the notions and principles on which the postmodernism phase is established, for it tackled the prologues of the formulation of the postmodernism phase as well as the historical roots for the appearance of the postmodernism notion. That is in addition to the characteristics and ideological starting off which the postmodernism phase was based on and the extent to which the postmodernism phase affected on the Arab world and the effect of the latter on it.Chapter Two deals with the postmodernism data in the visual field, for it includes two sections. The first tackled the artistic characteristics of the postmodernism plastic art such the opening of the visual show, the association of the technical styles and the incoherence and fragmentation in the artistic works of the postmodernism phase. That is in addition to the oddness, obscurity, sarcasm, shocking, and amazement which it attains in the receiver. The study also tackles the role of the pictures and media in the postmodernism artistic products. The second section deals with the important trends of the post modernism arts, starting with the abstractive expressionism with the end of the craft. Section three exposes the postmodernism features and modes of the Iraqi plastic art career, propounding the commencement of the Iraqi plastic movement, starting with the pioneer generation to the present time. This includes the products of the Iraqi artistic works which embody the postmodernism styles. These sections show someaesthetic, philosophical, ideological and artistic indications, being included within the theoretical background.Chapter Three includes the procedures of collecting data about the Iraqi artistic society to be included in study for the period from 1993 to 2013 AD, and about their artistic work inside and outside Iraq. The samples of the study include twenty five artistic works chosen on purpose to fulfill the aims of the study. The researcher works on the descriptive and analytical mode to analyze the samples with reference to the artistic, aesthetic, philosophical and ideological indications, to be coincided with the theoretical background for the formulation of the study.Chapter Four includes the conclusions, recommendations and suggestions depending on the practical side of the analytical study. Here is a brief about the results of the study.1 - The dissidence of Iraqi artistic works from the classic art system which proposes the existence of a limited center inside the framework; thence, the works divert to another form based on the absence of the centrality as those in the western postmodernism art.2 - The demolishing in the structural and constructive order of relations inside the performed artistic structure through breaking the classic perspective as the artist depends on the open show space.3 - The figure appeared as multi - category (non - naturalization) due to the Iraqi artist working on the non - naturalization principle, being one of the most important secretion of the western postmodernism; that is through the interference between the structural systems of the techniques in sculpturing, drawing, architecture, designing and photographing.4 - Activating the personality of the artist and with a bigger liberality to formulate and choose his figures, without being monitored by the former governmental regime.5 - The initiation of new styles for the Iraqi plastic art after 2003, diverting from the prevailing ideological career to present a free ideology carrying the embodiments of the western postmodernism.6 - The social and political changes were implicated in the Iraqi plastic art and with new presentation depending on the assembling, constructing and the ready made thing with the characteristics of the western postmodernism.7 - "Shock and surprise" was a characteristic in the western postmodernism arts reflected on the performance of the Iraqi plastic art; that is when the Iraqi artist used strange and mysterious materials in the structure of his performance according to the modes and techniques of the postmodernism.8 - "Media and advertisement" appeared clearly and widely in the theme of some Iraqi artists' plastic works, especially those which conveyed the information actions.On the basis of the above mentioned findings, the following is concluded : 1 - The social, political and economical changes in the Iraqi structure as well as the living circumstances such as war, destruction and setbacks have a big effect on the Iraqi artists' spirit.2 - After 2003, the Iraqi artist tried all the universal artistic techniques and styles, whence he had been isolated and banned by the Iraqi former regime. This gave him a chance to know the modern modes of art.3 - The Iraq modern art is based on connectivity and cultivation with the others in the world, as well as communicating others and exchange opinions. The Iraqi artist was freer to exemplify and present his aesthetic themes.4 - For the Iraqi artist to be able to travelling abroad after the fall of the former regime, holding shows and being introduced to different cultures and arts a wide effect to make the works seem with universal traits.5 - Experimenting according to postmodernism art styles encourages the Iraqi artist after he was despair of the traditional modes which he worked with before, since these new techniques are modern and more interesting.6 - The internet, celphones and media has a big role to see all the artistic styles that the universal artist can present, that is in addition to the ease of communicating any other artist or a show.7 - The prevailing of TV programs in the Iraqi society, as it becomes easy for them to watch the world, as well as the awareness of the Iraqi artist to what happens in the world, helped him to dedicate these on the artistic performances of his works.8 - As globalization, politically, culturally, economically and militarily, launched the Arab world, including Iraq, this affected greatly on directing the Iraqi artistic performances to embody the existential anxiety and expatriation of the Iraqi

التفاعلية بين الضوء والمنظر في انتاج دلالة العرض المسرحي == Interactive Between Light And The View In The Production of A Theatrical Show

اسم المؤلف: فلاح كاظم حسين سلمان
اسم المشرف: رياض شهيد علي الباهلي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان مسالة تكامل الفكر الانساني تجاوزت تداخل العلوم المتعاصرة لتعطي بعدا تفاعليا اخر، وهو ان الفكر الانساني في اي حقبة ليس وليد لحظته، وانما هو تراكم فكري منذ بدا الانسان الاول تجاربه واكتساب معارفه وخبراته، وهذا يعني ان تشكل معارف الانسان اليوم ليس من انت | The issue of the integration of human thoughts beyond the issue of overlapping Science Almtasrh to give dimension to interactive else , which is that human thoug in any era not the result of zth , but it is the accumulation of intellectual since the eginning of the first human experiments and the acquisition of nowledge and experience , and this means that constitute the human nowledge today is not the production era it is consequential to what preceded the production of an intellectual , and verlapping with, has also become interactive according to data recent tudies impact open Tagged reacts and Itlahak with it , as everyone with one intention , which is the same that the *problems which saw *phenomenology , it establishes in the world and Deitna humanitarian progress is not philosopher and psychologist only , but the artist also assertions raise Tfaalath technical creativity , and then he basically for something for the world to submit views and images are open , and that Aaadana always something else we see who shows the convergence of art in the form of what can be called Baltmathlat in infrastructure " ( ) , and because theater is a human activity provides the shape and composition of the creator aims to retrieve the life experience of self , or the structure of a virtual experience virtual produced fantasy conscious within formats and builders of light revealing the contents of the environment implausible and interaction by the receiver where the logical relationship that is supposed to be between the real world and the world of the assumption that is an interactive theater so that it is viewable add intellectual and conceptual knowledge to his regime , it is not only in accordance with the artistic vision and aesthetic intentionally designed to be employed in the technical structure of the play , in order to have a public value in an impressive receiver.The aim of the technical development of the industry landscape playwright and use be linked to meeting specific requirements in terms of reducing the effort required to perform the job with industry conditions and appropriate elements aimed at creating a sensual pleasure associated with the senses of all , it has undergone the light of the developments of several technical , different ages, and varied its importance in each point in time , and within the overlap speed and technology , it has been breached theatrical space , the move paved the way for the theater to get out of rigidity within the forms adopted modern technology in the formation of light dependent uses synthetic within the relationship - related interactive and technical transformation for those elements that formed a quantum leap in the origination and achieve good business where not addressed by researchers in addressing this aspect to maintain the continuity of the bid and raise the offer theater , so the researcher finds that puts search an indication of the importance of light and its role within the relationship of synthetic and nature of the energy proliferating in the production of the play by the qualitative and the application of the method and details are done , so it will answer the researcher on the following question : Mather interaction relationship between the light and the view through the installation process and advanced technologies to produce the display indication , here was a proposal from the title search ( ( interactive between light and landscape in the production of theatrical presentation indication)).

ادب السيرة بين الحقائق التاريخية والرؤية الفنية في الدراما التلفزيونية : دراسة مقارنة == Literature Curriculum Between Historical Facts And Artistic Vision In TV Drama

اسم المؤلف: ايناس عبد الحافظ احمد القباني
اسم المشرف: عبد القادر خلف الدليمي
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تكمن اهمية الفن التلفزيوني في كونه يتصدى لموضوعات شتى تنتمي لاجناس ادبية مختلفة تتوحد داخل لغة الصوره بسطوة الدلالة المباشرة لايقونية الصوره المتشكلة في تراكيب ومعالجات اخراجية يريدها صانع العمل, ومن بين الموضوعات التي يتم التعامل معها مرئيا في الدرا | The importance of art lies in being a television address to the various subjects that belong to different genres unite hold sway within the language is significant direct iconography is formed in the structures and processors directorial arranged by the employer, among the topics to be dealt with is visible in the television drama is literature BiographyAnd the specificity of these issues lies in the fact that the literature curriculum promotes the requirements of formal and structural overlap among the various sciences as a science and the concept of narrative history as part of mating between fiction and drama. This privacy policy was prompted by the researcher to identify the object (Literature curriculum between historical facts and artistic vision in TV drama)The researcher divided this study into five sections, the first systematic framework has included the research problem that arose on the following question : What are the modes by which the employment of the artistic vision in the realization of the historical facts in television dramaSection I : Biography of literature and touched the researcher to define the concept of literature curriculum set out the main features and types, which was the Prophet's biography, curriculum vitae and biography biography and historical roots, and then look at the structural elements in the curriculum and levels of narrativeSection II : sign structure of the image visible in the literature curriculum has been the search structure is a sign to achieve as much of the process of delivering information, or to determine the significance in the formats that are often concerned with time particularyThe third topic : the historical facts in television drama, and in this section have been addressed to the concept of historical truth and honesty historical and means owned by the television drama in the formation of credibility for the construction of historical events dramatically through the adoption of all the elements that work on the level of form, research concluded with previous studies and the most important indicators that Researcher learned from almost the theoretical frameworkChapter III : Research procedures, which were addressed to the research methodology and a tool of research and the research that was three serials, as follows : 1 - serial - Zahir Baybars 2 - Asmahan serial 3 - serial Hulagu Finally, samples were analyzedChapter IV : Results and conclusions And it has been to reach the main results which have been drawn and analysis of the sample 1 - Biography of literature depends upon transfer to a television series on the existence of a personal narrator either as a participant narrator or the narrator of events is co - narrator of the events ranged from diagnosed or undiagnosed narrator and as we have seen in the series of Baybars and the series Asmahan serial Hulagu2 - historical truthis linked to the maker's ability to build an image of actions match the historical record in terms of details and building what is known for his historical and literary bloggers, and in this scenario we have seen in political assassinations in the series, both famous Baybars or Asmahan serial or serial ,Then the formulation of conclusions, which included conceptual framework and analysis of the sample. The research concluded with recommendations and proposals and list of sources of supplements with a questionnaire to the Committee of Experts and a summary in English.

التجارب الاخراجية النسوية في السينما العربية == The Female Directional Experiments In The Arabic Cinema

اسم المؤلف: ايمان حمادي عبد الامير محمد علي
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استعانت المراة منذ القدم بالعديد من الوسائل للتعبير عن نفسها. وقد تطورت هذه الوسائل بصورة تدريجية عبر مراحل التاريخ. فلم تجد منفذا يعبر عن ذاتها افضل من السينما، لتنقل عن طريقها الكثير من المعلومات والافكار والمضامين لكونها تمثل اشمل واعمق اداة فنية، وفك | Since ancient times women used many means to express themselves. These methods have evolved gradually through the stages of history. Did not find an outlet for expressing themselves better than the movies, meant to deliver a lot of information, ideas and content as they represent a broader and deeper technical tool, and intellectual able to express the problems of society revealed its specificity, thus contributing to the development and change. Since the beginnings of the establishment of cinema in the Arab world women were very enthusiastic to promote the cinema of the Arab and able to occupy the great work of art representative and prolific and productive, as well as fought battle of film directing, has emerged since then, the names of the output pioneers were able to defy the silence and isolation and Imahdn the way for other outputs and register the lead in directing fiction of Arab women and they (Aziza Amir, and joyful Hafez, Fatma Rushdi, Amina Muhammad), then followed by having so many names and from different Arab countries were able to prove their presence and play a full role in the process of intellectual development that fall within the the door of development and the impact that Iozvhn see them through the technical work of art to choose to and affected.Which managed to films made of them reverse the problems of society and from the problems of women through Enayathn content - references and intellectual as well as the technical aspects that go into the heart of the artwork.I found these concepts resonate through the contents of the present research came Title (women's directorial experiences in Arab Cinema), which can be summarize as follows : Find attended several of the chapters, the first chapter dealt with the problem of determining the research questions formulated in accordance with : Would the director was able to acquire speech reflects the aspirations of the film or only on the man? Is it the form of facts to the different perspective of women in community issues? Is there is privacy in dealing with these issues? The features of that discourse and modes of formation of a cinematic visions and the difficulties of entry in the realm of film directing.The objectives of the research are : 1. Disclosure on the topics addressed by the women (the director) in Arab cinema.2. Disclosure on the mechanisms of recruitment of directorial vision and their relationship to highlight the intellectual content.The second chapter covered a theoretical framework which consisted of several sections included : the first output from the experience of Women in Arab cinema extrapolation historically.The second included the topics addressed by the filmmaker.And take care of hiring the third directorial vision to highlight the intellectual content into the work of filmmaker and he went out the theoretical framework is a summary of indicators of substantive literature search.The third chapter action research has contained the research method chosen by the researcher in order to bring the nature of the research is descriptive method, which involves the analysis, then the research sample was chosen Qsidia, and search tool, and the unit of analysis, and certified tool.Chapter IV - where the results were focused on two parts : First - What is the subject of directing feminist attached (there are linking a clear and explicit issues faced by women and was bringing it through the intellectual content within the imaginary events).Second : The technical wizards for Women directorHence the conclusions may carry this chapter also the recommendations and proposals, as well as on the last page contains a list of sources, and then supplements and finally there is the abstract in English.

اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم == Utopia In Contemporary Industrial Product And Its Impacts On The User

اسم المؤلف: اياد خلف ياسين
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان هذا البحث الموسوم ((اليوتوبيا في المنتج الصناعي المعاصر وانعكاسها على المستخدم)) استهدف الكشف عن المفاهيم المعرفية المتمثلة بـ {بيان اشتغال اليوتوبيا (المثالية واللامكان ) في اداء المنتجات الصناعية المعاصره وانعكاسها على سلوك المستخدم }.من خلال دراس | Targeted this research is marked by ((utopia in contemporary industrial product and its impacts on the user)) detect cognitive concepts of b {statement functioning of Utopia (ideal and nowhere) in the performance of industrial products and contemporary impacts on user behavior.Through evolutionary context, the study of contemporary industrial products to be tapped in the identification between the utopia of contemporary industrial and product relationship to study the modalities by which the development of systems design in light of the impact of job performance industrial products Aluotabih and the reflection of that performance on user behavior, and focus on Aluotabi design privacy in structural aspects. To achieve the aim of the research, the researcher collected the main pillars necessary for the analysis based on the Investigation of the theoretical framework, which included three sections, which included the first part, "utopia concepts and perspectives" and included relationship utopia Qur'an and some other science and relations relational between the concept of utopia and some other concepts. While the second section included "the possibilities of utopia in contemporary industrial product" activities included mental utopia in contemporary industrial and product possible, as well as the process of utopia in contemporary industrial product. The third and final section included "act Aluotabi trends and reflected on the user's" included : the characteristics and mechanisms of utopia, as well as contemporary industrial product and user behavior.With the adoption of theoretical concepts and regulated by the researcher in determining the axes of the analysis, which included a total of the following themes : - Form• reciprocal nowhere and idealism in contemporary industrial product.• Aluotabi dimension to the way of dealing with the user.• Aluotabi act for the performance of the product and its reflection on the user.After the agreement with the specialists from the relationship with the subject of research, according to the time period specified for the selection of a sample of international companies in several countries for the year 2015. Concluded researcher set of results, namely : - 1) Technical impact is affecting the most effective in pushing the design thought to grant approach broader and open with all the theoretical and applied sciences, including the utopia that is proportional to the contemporary technology, in the sense of industrial designs whenever the technology available for industrial product simulates the ideal side, the user has the size of usability and interaction with those larger products and vice versa, it means the user definition of technological progress by contemporary industrial product.2) Investment artificial intelligence by mutant technical time in the formation of utopian thought for systems design environment contemporary industrial product through the concept of nowhere, Find a tradeoff between user and act Aluotabi salary through the performance of contemporary industrial product that technology was the reason be found through technical methods that It reduced the time and effort to achieve high efficiency and ease of use.3) There are no design constants be the tracks that underpin the designer, but it is about the ability to arrange the vocabulary and elements of building design in accordance with the determinants of building modern industrial product, as well as possibilities acquired by the accumulated experience in the sense there is no certainty at all but a relative because science against stability, In fact, the only constant is that all the facts in the case of change

التكوين المهني لطلبة التربية الفنية في ضوء تكنولوجيا التعليم الحديثة == The Professional Formation of Art Education Students In The Light of Modern Instructional Technology

اسم المؤلف: امل حسن ابراهيم الغزالي
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التقدم العلمي والتكنولوجي السريع يحتم على البلدان المختلفة اعداد ملاكات مؤهلة مهنيا وفنيا وتربويا تمتلك الخبرات والمعلومات والمهارات التي تساعدهم على تتبع طريقهم بانفسهم وتحديد علاقات واضحة بما يحيط بهم من احتمالات ومتغيرات، ولذلك اصبح انتشار التربية و| These fast scientific and technological advances have made it necessary for different countries to develop qualified staff professionally, technically, and educationally and equip them with expertise, information and skills that help them follow their way by themselves and identify clear relations of the changes around them. Consequently, the dissemination of education and methods of teachings in a country have become a yardstick for the scientific, social, and cultural advancement of that country, and the focus on the scientific thinking has become the major part of society advancement.Problem of the StudyBased on this, the problem of this study deals with the professional formation of Art Education students in the light of modern learning technology data. This study is based on a survey study conducted in intermediate schools and designed to get acquainted with the most modern technology techniques used in teaching. It is also based on a study questionnaire designed to learn about the opinions of experts about the importance of the role teaching technology to develop a model of the professional formation of a student of Art Education who is to be prepared for the teaching career. For this reason, the researcher has identified the importance of the study with the following : to know the professional development in the light of data related to modern teaching technology of the Art Education student to make use of it to prepare the student technically and scientifically to give him the chance to obtain the permit for teaching Art Education.Goal of the StudyTo provide a proposed perception on the professional formation in the light of modern teaching technology data to serve as a scientific approach to allow the student to scientifically and professionally ready to teach Art Education.To achieve this goal, the researcher poses the following questions : 1 - What is the type of technology that is included in the formation of the professional preparedness of the Art Education student? 2 - What are the training methods of the education model for the art education student to allow him use modern methods of teaching?3 - What are the assessment methods in the model of professional formation for the art education student in the light of the modern teaching technology?Population of the StudyThe sample of the population of the study consists of 27 experts in different specialty (art education, teaching methods, plastic art, theatrical arts, educational psychology, measurement and evaluation, and computer sciences). The researcher has used them to know the validity of the proposed professional formation model in this study to be an approach to allow the student to be a teacher.An approach for the analysis of system was prepared to serve as a theoretical framework that is consistent with the nature of the current study. It aims at learning the inputs, processes, and outputs of the professional formation model. A survey containing 149 items has been prepared. The survey was distributed on three areas : formation for preparing a teacher for art education; formation for training the art education teacher; and formation for evaluating the art education teacher. This tool was presented to a group of experts using the Delfi method which includes three rounds to know the validity of this tool in measuring the goal used for. To reveal the results of the study, the researcher used a number of statistical methods such as Copper Equation, degree of quality. Among the results reached by the researcher are the following : 1 - Ensure high quality in performance by getting acquaintance with the professional technological practices by using different means;2 - Master the scientific material by knowing the theoretical studies to be confident of his scientific sources. ConclusionsThe researcher concluded the following : 1 - The professional preparedness of the art education student in the light of the modern teaching technology ensures the increase in the effectiveness of the theoretical expertise in teaching. The technological knowledge is a means of thinking and innovation to grow by providing him with intellectual information and basic concepts of technological data and how to use them to refine and improve his knowledge;2 - The professional training of the art education student in the light of modern teaching technology ensures high quality in the professional and teaching performance to be able to use the modern teaching methods; and3 - The evaluations of the art education student in the light of the modern teaching technology reveals weaknesses in the professional performance, and hence addresses it and enhance strengths to support his full understanding for the different needs of the students and their abilities to make use of modern teaching methods.Suggestions : The researcher provided several suggestions including : 1 - Generalize the professional formation model for art education students which she has come with to educational institutions to be taken into consideration when developing terms for appointment.2 - Evaluate the academic curricula for the sections and colleges of Art Education according to modern teaching technology data to keep pace with the technological development.The researcher suggested the following studies : 1 - Studying the status of the professional formation of the art education teacher according to the modern teaching technology data;2 - Enrich programs of preparing the art education teacher with more context in the field of teaching technology; and3 - How far current art education programs are enough in developing technological profession formation in art education students; The researcher presented a group of references which she had made use of in its current study and provided annexes and ended with an abstract in the English language.

التقابل بين الرسم والفوتوغراف في التداوليات المعاصرة == Paeallelism Between Painting And Photograph In Contemporary Communicatives

اسم المؤلف: الهام صبحي عبد
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الرسم
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The emergence of photography and the invention of the camera have a fundamental effect on all the ¬branches of the artistic field such as painting, sculpture, media, advertising, newspapers and magazines. Since the inception of photography, it has diligently sought to approach the level of the art of painting. With the passage of time, and because of technical and technological development, the roles have changed. The art of painting persistently sought to approach the level of this small machine, and tried to mimic its accuracy in the embodiment of details. Photography was able to possess the art scene and to give an unprecedented prevalence for the art. For this conflict, which generated between painting and photography, the researcher decided to study the impacts and the effects between them. For this conflict, which generated between painting and photography, the researcher decided to study the affect and the impacts between them through this study, which is titled as ‘Concordance Between Painting and Photography in Contemporary Circulation’.This study consists of two chapters; the first includes the problem, aim, importance, terms’ definition and the boundaries of the research. The second chapter includes the theoretical framework and previous studies. The theoretical framework consists of two topics, the first is the art of drawing and photographic metaphor, which discusses the role of photo and its impact on the recipient, the simulation of painting to photography, the adaptation and usage of painters to the camera in their works and the connections between drawing and photography through modern artistic trends and postmodernism. The second topic is the historical root, iconography, technical transformation, photography, drawing with light, digital photography and graphics, which deals with the invention of the camera, the emergence of photography and the transformations that have occurred on the camera. In addition, this topic discusses the development of this machine, which was transformed from a large box to a very small item, which is become accessible to everyone. Moreover, this topic explains how this development has helped artists in the production of works that record fine details of objects, which cannot be seen with the naked eye, and how those works strongly competed drawing. Finally, this topic shows the impact of photography on the graphic art.In the end, the results, conclusions, recommendations and proposals were presented and the abstract and the title of the study in English were provided.

المقاربات الوظيفية بين عمل المخرج المسرحي وسيكولوجية الطفولة == The Functional Approaches Between The Work of Theatrical Director And The Psychology of Childhood

اسم المؤلف: خضر عبد خضير
اسم المشرف: ضياء جعفر صادق | صباح عطية سويبج
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تؤكد الحقائق العلمية ( السيكولوجية) على الاختلافات الجوهرية التي يتمتع بها عموم الناس في ادراكهم للمؤثرات الخارجية التي يتعرضون اليها وبالتالي فان المتلقين للعرض المسرحي يتباينون في فهمهم للخطاب السمعبصري وفي تفضيلاتهم الجمالية، الامر الذي عزز الضرورة لو | Emphasizes scientific facts (psychological) substantial differences enjoyed by the general public in their perception To external Influences, which They are exposed Thus, the recipients of the theatrical presentation they Contrast in their understanding of the auditory and optical speech and In their aesthetic preferences, Command Which reinforced the necessity for the existence of more than level to this speech, Based on the needs of the targeted group and their desires and psychological composition. Accordingly, the researcher conducted a exploratory study to know the opinions of directors dramatists about their excretory work and its relationship with the psychology of childhood Stated the researcher, In establishing the problem his research on the results of those exploratory study where identified the problem in follows wondering : Is there a functional approaches between the work of theatrical director and the psychology of childhood in theatrical shows for children at the Baghdad governorate theaters?Summarized the importance of the current research in that it will highlight on nature of the procedures and the means and methods which must on the theatrical director followed and which are not inconsistent with the scientific results of the psychology of childhood and consistent with Occurred developments in this side, therefore the, This research may contribute to the development of children's theater in Iraq. The current research aims to : 1 - detection of functional approaches between the work of the director in the field of children's theater and the psychology of childhood. 2 - building standards for the work of theater director in the field of children's theater, according to the psychology of childhood. The research community consist of the two axes, first : the directors who provided theatrical performances addressed for children, who are (25) way out theatrically, the second : limited by their offers theatrical presented on the stages the city of Baghdad for the period between 2003 to 2013 thus the researcher choose a random sample from each axis of axis above and chose eight shows for eight Directors. dramatists and To achieve the objectives of the research was to build two tools to gather information, the first was represented (form interview directors) and included in its final form (38) question, addressed by the researcher to (12) director from the community members the his current search, The second was represented (form analysis offers) and included in its final form (31), paragraph adopted a researcher at his analysis of the sample offers, were subjected the two tools to the conditions of validity and reliability depending on the statistical means of the following : - Equation (Holsti) to calculate the reliability coefficient. - The percentage to calculate validity the vertebrae the analysis form.The results showed that the Iraqi director in the field of children's theater has approached his job directorial somewhat psychology of childhood, The weakness that Permeated some sides of his work was offset by strength in other sides and the decline in the balance of paragraphs that appear in some of the presentations was offset by a clear rise in other offers. Researcher reached to a set of conclusions including : - The psychology of childhood from the most important fields of psychology Which must the theatrical director who works in the field of children's theater to familiarity with it and get to know the details and relied upon in his directorial job To be eligible for the achievement of the objectives of the Children's Theatre through investment its scientific truths that he Provided it to them. - Varies Directors, dramatists who working in the field of children's theater in the extent of their investment for scientific facts (psychological) and inspiration it the when doing their jobs directorial for cemented their presentations the play. The researcher recommended in some of the recommendations, including : - Focus on Teaching Material (Child Psychology) and increase the hours of its shares of study in the colleges and institutes of fine arts, especially departments of art education. - Inclusion of all children without exception scenes play through a project sponsored by the Ministry of Education or the Ministry of Culture covers all governorates of Iraq to devote love theatrical art in children and improve aesthetic they feel.The researcher suggested conducting some studies, including : - Mechanisms of action of the director in Children's Theatre according to psychological processes of simple for children

المعالجات الفنية لعناصر التعبير الفلمي في السينما التجريبية == Experimentation Trials In Cinematographical Films And Their Presentati

اسم المؤلف: بان جبار الربيعي
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان البحث الموسوم "المعالجات الفنية لعناصر التعبير الفلمي في السينما التجريبية" يتصدى لمشكلة مهمة في التنظير السينمائي هي التجريب في الفن السينمائي.ان مشكلة التجريب طبعت تاريخ جماليات الفلم بشكل استاثرت فيه بكل تاريخ السينما ومراحله المختلفة، والغريب في ا | The research is trying to tackle an important problem in the “cinematic theorizing “which is the experimentation in the cinema art. The experimentation problem prints the history of the film creativities in the way that it covered all the cinema history in its deferent stages. Surprisingly, we couldn’t find clear defintion for this term nor the logic that is work in, also there weren’t specific limitations between the Experimentation as a creative act and the Synthesis that covered by creativities, morever the experimentation term and using other different terms that almost erase the experimentation term, then the problem became much more difficult when the researcher found many illusions affecting the term of experimentation and its relation with the term of “modernization “which considered as a Vague term due to its different definitions in the resources that explained it.This research includes a summary and four chapters; the 1St chapter was like a methodical framework for the research and it includes Introduction to understand the kind of the research then “the problem of the research and its necessity”. So the problem of the research identified by the following.What are the Experimental trials that print the cinema film?What is the limitation of experimentation? And what kind of logic can control it in the filming show on the screen as a basic visual reality?The researchers other the individuals interested are in need for such researches to solve the ambiguity that occurs in the fundamental terms related to the development of all cinema sciences. The objects of the research were to uncover “what are the Experimentation and of the logic of its effects “as a filming show appeared on screen. The place factor was widely open for the research because the cinema creation is not a limited by a place also because the creation come out from everywhere with a cinematic production, concerning to the time factor, the researcher found after its putting in mind of the Experimentation that the from the begining of the third millennium until this moment of the writing the research a period of most understanding and growing for the Experimentation cinema despite not forgetting, anyway, the previous important trials.The research added previous studies to its methodical framework, believing that such studies should precede the writing of the research in order to be its guidance in the positive negative way its issue. Chapter II includes three sections; the first section was “the expircal cinema the term and concept” this section addressed to all the Experimentation practiced by cinema as a creative art, but during discussing all of this, the section excluded the experimentation in the silent cinema, allegedly that the right Experimentation is accomplished by envolving all the cinematic language factors, since the silent cinema doesn’t have the sound factor the silent cinema miss, subsequently After further study, the researcher found that the Experimentation in some aspects needs a a longer reactive time in order to find the range of its disclosures so the short movies also have been excluded from the research, the emphasis has been put on by the usual narrative cinema, those movies which fund the movie Film industry by attravting huge masses the people who buy the expensive tickets for the sake of this art, it rendering the art of the age indeed in terms of its popularity that exceeded any other art, conseauently excluded the Experimental film made for the elite Which is displayed indoors then disappeared to be found only in the cinema archives.The experimental film presented by this section is the movie that never gives up its fans nor its experimental and creative discoveries and both are difficult demands, the movie that achieved those demands is the movie that add something to the cinema art as experimentation use for the first time in the cinema language or narrative filming or the shape or all together.The section refers to the relation between the modernism and the experimentation, and tried to put both terms in its own range.The second section entitled “experimental generation”, it was an attempt to go through the experimentation as a human significance practiced by the mankind, identifying how the human creativity introduced something in certain time and hide things to be discovered in another period, it’s about to say that experimentation does not to “narrow” through surrender the usual techniques and looks for a new technique not recognized yet. The section concludes that the cinematogra one experimentation hides in the previous experimental films prior the expreimation because it refers to something related to the cinema language or film narration and figure, through the study of the movie as semiotic text in addition to what it content of text signs cohere into a linguistic significance effected to the traditional and experimental film, but the research focused on the semiotic of the experimental film through understanding the means that insure the right use of the expressive tool.We will study also the linguistic system for the experimental film and what it contains from text, context or message and all the conceptual system which came from the science of signals that started basically from a philosophical approach which is the Logic adopted by the signals, so the Logic is the tool directed by the mind to realize things and the semiotic is the science which enables us to know the logic of signals due to its signals roots found in the same logic, here we reach to a fact that It is not possible that we impose the standard science logic upon the art.In this section has we have taken advantage of avaluable lesson on lecture regarding the (science of signs and semiotic) especially the lecture of “the original signalsand the subsidiary ones and how they work in the experimental film” Perhaps the stopovers in some of the top actors who involved modernity & experimentation will become a necessity for such section like (Bonweel, Bazolini and Ghodar) whom considered the film art is a wide open area for the experimentation and creativity.The third section involved in the” experimentation in the cinema and the neighbor artistic fields. like poetry, novel ,painting ,theater and others.the section came to an important result which is the film art in its experimentation possessed the major part of originality either in the film figure or narration, moreover the film art regarding its tale said that it use all the experimental narrative discoveries for its interest due to the ability of its expressive tool to cover the elements whether narrative or artistic It is inevitably, the research figure out signs to use it as guidance to analyze its components, so all its signs that subjected to evaluation of the exports had covered what the research contained from analysis and the signs were as the following.1. Experimental film is the film that presents unexpected trials for the factors of the cinematic language which insure its unique signs functions, either if it was picture the unbelievable role of the camera lights the movements time and place for a factor or some or them of all of themThe third chapter contains the research procedure included the research approach which is a describing approach and the research sample which contained three films which are 1. Dialogues with other women 2. Dogh feel 3. Sin city The research tool was the indicati of the theoretical frame that agreed by the experts with amending some other components that touche the surface of the indicator but not its essence that’s mean that the experts completely agreed on this signs while the analysis unit was the complete filming scene.The research started to analyze its three samples according to its signs and it’s important for such research to include results, conclusions, recommendations and suggestions.The results of the research1. The research presents filming figures taken from its experiment in the filming language and narration, and it is not an imposed figure on its experimentation.The research also had several conclusions which are: - 1. The experimentation in the filming art didn’t come from emptiness; it was the continuation to a deep accumulation in various efforts exerted by various creators.The research recommended to study the experimental documentary film and to study the short narrative experimental film to add the benefits of this experimentation to the long narrative experimental cinema in the usual mass production and enriching the free direct cinema and the underground cinema, thus the research ended with its different recourses, appendecies and English language summary
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