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القيــم التربويـة والفنيـة في نصوص الاوبريت المدرسي == Artistical And Educational Values In Texts of School Operat

اسم المؤلف: كريم محمد حسين العامري
اسم المشرف: حسين علي هارف
الموضوع العام: الفنون الجميلة
السنة: 2012
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ترتبط القيم بمختلف انواعها وتوجهاتها الاخلاقية والدينية والاجتماعية والانسانية بالتربية لذلك فقد سعى التربويون الى تعليم الافراد القيم التربوية من خلال تربية الذات التي تعد محور نشاط هذه التربية وبها تتشكل عن طريق غرس القيم التربوية لدى التلامذة ليحتفظوا | The values are conducted with education in variety of their ethical, religious, social and human differences and attitudes, thus the educationists seek for teaching the personnel educational values through educating the self which considers the axis activity to this education and within are formed through inserting those values in students minds to acquire comprehensive and sound growth. School theatre considers one of the educational and cultural statements that seek to fulfill desired educational purpose in learning students the positive social, educational values and acquire them through employing the theatre art as successful, effective and eagerness educational mediator. School operat considers one of the main and important skills and activities in the school theatre which have the art components to gather between acting, music and singing and those who making the school operat in Iraq desire to make their texts hold variety of artistical and educational values to be positive, effective, interesting and persuasive. Here appear many questions about values. Do texts authors about school operat aware about the quiddity of educational values, their characteristics, contents, sources, to succeed in including them in their texts?, Do they have the technical profession and dramatic qualification in writing the school operat which included artistic and dramatic values as an idea, dialogue, plot and characters?. To answer about all those questions, this research as (artistical and educational values in the texts of school operas) is devoted to study the school operat texts in Iraq at the level of artistical and educational. This research contains four chapters; the first takes the problem of the research, its significance, purpose and limits. The problem of the research is constricted by asking a double question (what is the most important prevailing educational values in the school operat texts in Iraq and what are the nature of those values that included these texts on the level of dramatic construction and artistical form?. This research utilizes the school operat writers and help in succeeding their dramatic experience and utilize those who working in the school operat such as directors and supervisors in the school activity. The Research aims at : 1. Revealing the educational values in school operat texts in Iraq.2. Revealing the artistical values in school operat texts in Iraq. The first chapter includes the search limits which contains the school operat texts in the School Activity Departments in the Educational Directorates in Iraq Governorates 2005 - 2010. This chapter includes precisely the fundamental idioms that surround the research such as (the values, educational values, artistical values, operat, and the school operat). The second chapter contains the theoretical background, the previous related studies; it subdivides to five branches which include the educational values philosophy, the opera art, singing theatre, operat art, and the school singing operat in Iraq. The third chapter includes the research methodology, the procedures, the population of study, which contains (30 ) school operat, and the sample. The researcher has chosen (randomly stratified sample) which consists of five texts covering five geographical areas in Iraq. To fulfill the aims of the study, the researcher has adopted two tools : 1. educational values tool which depends on the classification of (White - Al - Heeti) developed, after exposing it to group of Jury members to investigate of its validity and measurability, and measuring the reliability by using (the Holisty Formula) to find the agreement coefficient between the arbitrators (analysts),2. artistical values tool which represents (the analysis list of operat texts content for the artistical values after exposing it to group of Jury members to investigate of its validity and measurability and measuring the reliability by using (the Holisty Formula) to find the agreement coefficient between the arbitrators (analysts). The fourth chapter contains the results and the main conclusions as follow : 1. school operat texts are varied through concentrating on the educational values which some of them focused on limited group of values and left the others,2. the first sixteen values are distinguished that they are the most important and focusing on operats texts such as (beauty, care, attention, aggression, work, religion, control, cleverness, energy, challenging, determination, new experience, food, gentleness, humorous),3. ideas and the essential subjects of the school operat texts are conducted with the student’s world, his/her environment and surrounding to be suitable of the aimed ages,4. the authors are neglected in their fundamental educational texts which represented in growing the student's feeling in responsibility towards the general properties and protect them in spite of the necessity to depend and include them in the texts,5. the authors are succeeded in drawing their operas characters, and give them artistical and dramatic form through their having the dramatic dimensions for personality,6. Texts are depended on the simplified Arabic language in writing the dialogue or singing texts with little exceptions. This dialogue is distinguished with rhythmic, simplicity, smoothing, and short phonetic formulations, with clear and purified vocabulary.According to these conclusions, the researcher has confirmed the main recommendations as follow : 1. introducing the school theatre authors in general and the school operat authors in special in culturing courses in educational science, educational psychology science and educational philosophy and enlightening them with general government philosophy and with depended educational philosophy,2. urging the school operat authors to use variety of subjects and ideas and embodiment a large number of educational values within each operat text,3. taking into consideration the side of (enjoyment) and (eagerness) from the authors,4. depending embodiment (within values) in majority for its effecting and reducing from the directed clear values as possible and depending them as artistical and dramatic necessity,5. referring the operats texts to check and educational evaluation before their producing, offering and presenting to ensure from their values content nature,6. emphasizing on the ethical and national values to fix them in students' thinking and behavior,7. concentrating on the values that have little attention in the school operat texts to create harmony between the values system and the educational aims that have requested by society to fulfill them in teaching and educational statement,8. introducing school activity supervisors who practice authoring for school theatre and operat in training courses in terms of authoring and writing to theatre and develop their adequacy and grow their innovation and authoring skills,9. increasing support and consideration to school operat and theatre by Ministry of Education through increasing support and financial allocations to School Activity Directorate. The research also contains some suggestions, sources, Arabic and Foreign bibliography, and summary in English.

الانظمة التصميمة لخيم المناسبات وامكانية تطويرها == Systems Design For Tents And The Possibitity Developing Rituala

اسم المؤلف: عبد الحسين عبد الكريم سلمان
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تبحث الدراسة الموسومة (الانظمة التصميمية لخيم المناسبات وامكانية تطويرها) في مشكلة عدم وجود مرتكزات واضحة تعبر عن خصوصية المجتمع العراقي البيئية التاريخية والفيزيائية وضعف الاستفادة من التطورات التقنية العالمية في مجال صناعة الخيم المخصصة للمناسبات العامة | The study examines tagged ( design systems for severe events and the possibility of development ) in the problem of the lack of clear foundations reflect the privacy of Iraqi society, environmental , physical and historical weakness to take advantage of technological developments in the field of global industry tents allocated to public and private occasions The research aims to detect and analyze the design and create foundations for tents occasions The importance of this study being the first to address this area which now use common events and tents dramatically in Iraqi society and is considered an indispensable product in most occasions Search limits included design systems used in textile architecture allocated for public and private events in the city of Baghdad, manufactured locally in 2013 The research will be four chapters included the first chapter of the research problem and its significance and its purpose and its borders and determine the terms The second chapter has included theoretical framework and previous studies and the theoretical framework included three Detectives first came under the heading of what histological architecture of the time, which included the second part placed climatic effects and their relationship in tents occasions while offering third section for Altamaha systems for tents occasions The third chapter has included search procedures, methodology and researcher adopted the descriptive approach in the process of describing and analyzing the samples, which represented I 00% in addition to the description and analysis of samples The most important findings of the researcher in the fourth : quarter are1. The form of the use of horizontal lines In all samples In response to functional purposes2.Methods of linkage formed a burden because of the number of syllables rail many constituents ofSupporterstructure of the three models : One of the most important conclusions reached by the study is 1. The absence of a balance between the functional and aesthetic aspects of the matter which led to the exit of a product is almost incoherent with a clear domination of the functionality at the expense of other aspects2.Adoption of a system design te?ts explicit geometric shapes (square or rectangle) mainly weakens the aesthetic features of the tents and lose diversity3.Not to take advantage of technical developments in the field of physical resistance to environmental conditions on the ~esign, though he crucial element in the success of the design of the tent and reflected in a positive environmental performanceAlso included aboard the fourth quarter on the cornerstones of design which concluded such study, which was the most important benefit from the outputs of the technical development in the areas of design, production and utilization in the design ofsevere events in time, which included the fourth quarter of carries also a set of recommendations and proposals as well as the proposed design

الانزياح الدلالي في الخطاب المسرحي == Semantic Shift In The Theatrical Discourse To The Council of The Collage of Fine Arts As Partial Fulfillment of The Requirements of Master Degree

اسم المؤلف: سعاد نعمة حسين
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في المسرح تكتسب الاشياء التي تقوم بدور العلامات المسرحية مقومات خاصة وخصائص نوعية وصفات لا تملكها في الحياة الواقعية. بمعنى ان كل ما يكون في المسرح هو علامات ذات وظيفة دلالية , لان التجلي الحقيقي والواقعي للظواهر على خشبة المسرح يفقدها وظيفتها العملية ال | In the theater gaining things that play a role play elements of private labels and quality characteristics and qualities not possessed in real life. In the sense that everything will be in the theater is the signs of a semantic function, because the Transfiguration real and realistic phenomena on stage loses her job process, which seeks to clarify the role of the semantic code. At a time that is in the show theme in everyday life more important than its meaning, then lose the display structure of the task built a theater symbolic significance based upon the structure Avatar. Characterized by the nature of the play marks a special ability to produce connotations included, and the inclusion of this comes within the context of cultural, social or moral structures for special theatrical presentation of actors and spectators. Where you specify the semantics according to a tacit agreement between the supply and the future. In this context can be expressed decoration - for example - at the level of a particular social or cultural. It can reflect the fashion for a feature of the figures as attributes moral and social as well. Where in this process is gaining each additional sign of play semantics. As well as the real implications of each sign, there are indications, including the result of a cultural agreement implied about the significance of the sign, and this leads to the understanding of pluralism semantic markers in the theater. So it can be a sign of one of several indications that lead. The brand is characterized by high drama In dynamic because they lead to the exchange of elements play with each other, and this leads to the replacement of mutual formats to mark the play. In the display can mark certain belong to more than a certain format. The sense that the significance of the table can be produced for a certain movement performed by the body of the actor. The table that belong to the pattern is indicative decoration and then expressed by the body that belongs to the coordinated movement or gesture, and this is to be the representative element to generate President connotations place. That any actor can have is through a certain movement that depicts scenes of the existence of a river or a door or fence.... Etc.. Hence, we conclude that he can sign one play that kill jobs Tag is finished and this is what we are seeing in the theater mobster in general. And that the growth of the semantic probably was the cause of the occurrence of an objective process of semantic displacement in the texts, as the literature was not a specific connotation, like other sciences, or topics. It was the growth in the promotion of universal semantic earned him more than others. In order to reach the objectives of this study came four seasons and the following format : - In the first quarter it included a research problem by questioning follows is (Is there shift indicative discourse playwright?) And then came the importance of research which provides a critical study looking at the formation of the speech playwright through a variable displacement and movement semantic see the creative aesthetic and the light of the results from these visions of outputs in media discourse playwright as well as the benefit of students in the field of jurisdiction and stated aim of the research to reveal the offsets semantic discourse playwright and limits the temporal and spatial and objectivity of the research as limited offers on the province of Baghdad exclusively was the time period from 1995 until 2005, then touched search to define terms Thread. The second chapter came, including three sections of which the first interested in the concept of significance origination, development and care of the second part, in terms of the text and the significance of the display either the third section has himself to the concept of displacement semantic discourse theater and then came indicators theoretical framework approval to offer the detective to ask then explained the researcher that he there were not previous studies or a similar approach to study them. Then came the third quarter, which meant the samples were analyzed three samples are : 1. Othello in the kitchen to Sami Abdul Hamid 2. Play Macbeth directed by Salah reeds 3. Drama Ghost, directed by Adel Karim Find then concluded the fourth quarter, which included findings, conclusions and recommendations and proposals. Finally, Arab and foreign sources which Adopted researcher examined and then placed in the appendices and summary in English.

الاستعارة الايقونية ودورها في تعزيز الخطاب الاتصالي للمنجز الطباعي == The Iconic Borrowing And Its Role In Enhancing The Communicative Discourse of The Printed Achievement

اسم المؤلف: هدى علي لفتة
اسم المشرف: انتصار رسمي موسى
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The printing achieved works is regarded as one of the artistic variations with functional and aesthetic considerations as it is a means of communication that is active and addresses the audience. As a result of that the means of expression varied for the designer. Perhaps one of the most important mechanisms of adaptation is the resort to the created and the renovated media in the printing design through the borrowing of form that are not familiar within other contexts to obtainpredetermined intellectual contents.Hence comes idea of the study. Chapter One includes the problem of study represented in the following question : What is the role of iconic borrowing in enhancing the communicative discourse of the printed achievement? Then the justifications of the study that is : 1. It contributes to the manifestation of the communicative idea between the designer and the receiver through depending on the iconic borrowing. 2. The possibility of contribution of scientific knowledge which the designers need in the designing field. The researcher then determined her objectives in knowing the role of iconic borrowing in enhancing the communicative discourse of the printed achievement. The limits of the study included the posters of ads published in the websites whereas the time limit is from 2010 to 2015. The researcher includes the following terms (iconic, borrowing, iconic borrowing, communicative discourse). Chapter Two tackles the theoretical framework including three inquiries that concentrates on the first inquiry on (borrowing and the methods of design form), the second is about (iconic and their suggestive indications), the third includes (the iconic borrowing in communicative discourse). Then the indicators of the theoretical framework which is one of the means of the building of the analysis form. Chapter is devoted to the study of the procedures of the study depending on the descriptive approach for the purpose ofanalysis and then determine by (%10) and the tool of the study which wasprepared for that purposeChapter Four includes the findings of the study like : 1. The iconic borrowing is an important means of the achievement of many designing means like the ascertain of meaning and the greater possibility of achieving more suggestion.2. The designing idea is distinguished by depending on the principle of double communicative discoursebetween the direct and the indirect as in the sample (1, 2, 3, 5, 7, 8, 9, 11, 16) and the indirect as in the models (4,6,10,12,13,14,15) through the rhetoric images that refer to other meaning. Thus they found the idea of communicative discourse with the recipient concenteringthe product advertised on.The researcher comes up with important results life : 1. The invention of new form (creative) which is represented by the iconic borrowing leading to the achievement of expressive force within the sensational realization into a potential expressive unit that leads to attractiveness, excitement, and attention. Therefore, it enhancing the communicative discourse of the printed achievement.2. The variety of the sources of iconic borrowing which contributes to the making of communicative discourse, The researcher comes up with some suggestions and recommendations and then a list of the references.

الاساليب التقنية الحديثة وعلاقتها بالاداء الوظيفي في التصميم الداخلي == Modern Techniques Methods And Its Relationship To Functional Performance In Interior Design

اسم المؤلف: عمار نعمة كاظم
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: نظرا لافتقار البلد الحبيب لفضاءات داخلية تشتمل على اساليب تقنية حديثة والذي نعتقد ان سببه هو قلة الدراسات التي توفر قاعدة معلوماتية للمصممين في البلد، ولما تلعبه التقنيات الحديثة من دور فاعل في تحقيق الاداء الوظيفي في الفضاءات الداخلية، لذا وجدنا ان ن | Due to the country's lack beloved spaces interior include the methods of modern technology and who believe that it is caused by the lack of studies that provide a database for designers in the country , and as they play modern techniques of an active role in achieving the functionality in interior spaces , so we found that we address spaces, a built - in area Gulf Arab rapprochement affiliation environmental and it involves the requirements of research , represented space internal to the lobby in the premises of hotels five star , which opened in the past ten years , to contribute as a service to the country in search means this aspect to publicly close the part of the knowledge gap in this area , and that can help to develop blocks Informatics could be expanded by future studies more comprehensive for spaces larger , and it came this research is marked by " the methods of modern technology and its relationship to performance career in interior design " was the formulation of the research problem : the problem of research : what role that can be played by the methods of modern technology to achieve the functionality in interior space for the lobby of the hotel? The research aims to " disclose the methods of modern technology and its relationship to job performance in the interior design of the space hotel lobby five - star " The importance of research in " contributing to the provision of a database to uncover the methods of modern technology and its relationship to performance career in interior design space lobby and determine the nature of ties design between them , and is adding scientific research by eating Kagina modern techniques of knowledge in the field of interior design for those spaces , " to achieve the aim of the research , the researcher extracted axes analysis by building a Form analysis of the indicators of the theoretical framework has included two main axes : 1 - the methods of modern technology to form relationships for the design of public space to the lobby to the direction of postmodernism which verify the functionality level determinants of vertical and horizontal.2 - methods of modern technology for raw materials and its relationship to the formal characteristics to achieve the functionality of the internal space of the lobby - level determinants of vertical and horizontal.This included research community current on the interior design ( the inner space of the lobby of the hotel in the Gulf region within the five - star ) , which established for the period ( 2002 - 2012 AD ) and still operates the fact that this period specifically represent several variables intellectual level architecture and interior design most notably the emergence of technological discoveries tremendous to have played a major role through the methods of modern technology and its relationship to the performance and function of interior design space lobby at the level of the body and the raw material , so were counted according to the specific considerations , specifically that fit with the theme of the search, bringing the research community 25 five - star hotel (25 space internal to the lobby ) were selected samples Find him and in a manner deliberate and was circulated results on society as a whole , where the adopted research sample intentionality and by ( 8.33 % ) was three spaces internal to the hotel lobby , has been selected this sample for research and for comprehensiveness in terms of the use of modern technology at the level of functionality of these spaces and because these methods are not clear all of the rest of the other samples , in addition to the design of these spaces was by the most prominent design firms therefore been chosen spaces of the three below as a sample to look for they share with each other in considerations determine community and differ from some of them in terms of interior design , namely : 1 - the inner space of the lobby of The Yas Hotel (The Yas Hotel) in Abu Dhabi.2 - the inner space of the lobby of Abu Dhabi hotel (Hyatt Capital Gate Abu Dhabi) in Abu Dhabi.3 - the inner space of the lobby of the hotel tower torch (The Torch Hotel) in Doha. The process resulted in the analysis of the results was to devise a set of conclusions of the most important : 1 - Oanmad modern style Alteixrat as a technique in order to achieve an attractive stranger to strange and check Allamolov embodied job performance space in the lobby.2 - Dependence style ripples and twists as a technique to check Allamolov investigator for the job Alantma?ah space in the lobby.3 - Confirmation style organizational depth as a technique to transfer the structural depth of the building in order to achieve some sort of create the illusion of depth to achieve the performance of the virtual space of the lobby.4 - Adoption of raw materials and the clever (transmaterial) as a method of technical talk because of its properties of functional and aesthetic to achieve the functionality in the space of the lobby.5 - The use of nanotechnology to achieve the functionality in the space of the lobby because of its characteristics make it smart materials and material capacity to meet a variety of functions.6 - were adopted tactics of modern technology for lighting units related to the ABM smart lighting , the composition of cases of thrills and achieve performance in the internior space.

الاداء التجاوبي في الردات الحسينية == Antiphonal Performance (Responsoriali) In Alrdat Hosseinieh

اسم المؤلف: سامي هيال عبد الرضا فهد الساعدي
اسم المشرف: طارق حسون فريد
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون الموسيقية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتكون البحث من اربعة فصول مع قائمة بالمصادر والملاحق 0 يتناول الفصل الاول الاطار المنهجي للبحث، والذي يبدا بمبررات البحث التي تبحث موضوع الردات الحسينية في العراق، وقد وضح الباحث تاريخ وموقع تلك الممارسات ابتداءا من الحاجة الى التعبير عن الحزن وال

الاثراء الجمالي للكادراج في تشكيل فضاء اللقطة لبنية الفيلم السينمائي == Aesthetic Enrichment For Cadrage In The Formation of A Snapshot Space of The Film Structure

اسم المؤلف: علي حيدر خالد فرمان
اسم المشرف: متي عبو بولص
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: When he was told earlier that the film image and the movement were matched at the same moment that attempts perpetual to find potential unique art film , a possibility that must be characterized and unique among the rest of the other arts , which laid with the long history of the foundations of language unique.. as he says Eisenstein in his book Movie format that the musician uses a ladder of votes , as well as a painter uses the area graded colors as that of the scribe set of characters and words.. but in return what fired on cinema recipe she image and movement have come to the recipe opaque in the eyes of aesthetics film since there is no image transmitted the camera does not move CONTAINED within this cadre express virtually no way for the uniqueness of this special art.. the picture itself is a possibility of many other visual arts... as well as the movement within a specific framework cadre is also a feature of the theater.The image and movement are two of the data of this language does not mean in themselves this language , but is just data , and these data are recoverable only to the restructuring and the creation and then the way restructuring is the same as that language desired , which will uniqueness of the art film venue solo the rest of the languages of art, because the cinema visual art , it was the configuration the effect of the basis of the formation of the mainstay of this art , Valtkoan picture film performs a critical function in the development of any accomplish my film , not surprising that the overlap in the configuration process all the technical elements and technology that contribute to the making of the film , way out and photographer and designer decor , actor and sound engineer contributing to all of us in creating a configuration Film Festival, as well as " all this, the film largely depend on the aesthetic image problem system configured I mean , it can be Mahbuka Banazare and special effects nearby , which qualifies the process of attracting viewers and raise their senses and provoke Maiqathm about topics that drama Moot film , particularly as it was the product of a technical support look and feel as a showpresenting , and leaning on the configuration elements and forming processes in the formation of the final image of the drama movie , which up to the viewer , carrying in its content story or idea , in the framework of art was his mastery and drafted through the techniques and tools employed by Maker work with his style and his way and visions.Hence the researcher in identifying placed his research (such as the inclusion of aesthetic enrichment in the formation of a space snapshot of the structure of the movie), has been divided into five chapters on research were as follows : The first chapter ( frame systematic ) : to ensure the research problem, which was questioning follows ((what qualities by which to achieve enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie?)), As well as its importance and the need for him in being dealt with articulation accurate one language elements film, in addition to the aim of the research, which represents detects modalities by which or contribute to the enrichment aesthetic such as the inclusion in the formation of a space snapshot of the structure of the movie, as well as ensure that the limits of the search, and seal Chapter determine the terms contained in the title search.Chapter II (theoretical framework and previous studies ) : The researcher dividing the chapter on the three sections, as shown below : 1. The first section : (Alkadraj in the structure of the movie)2. Second topic : ( plastic film shot in space )3. Third topic : (aesthetic building frames acoustically and visually)Finally, the researcher came out at the end of the second chapter of inter indicators formed a summary of the theoretical framework.Chapter III ( action research ) : ensure research methodology and the research community and the research sample, and the search tool has been identified through the indicators derived from the theoretical framework after a presentation to a committee of experts for examination and evaluation.Chapter IV (sample analysis and discussion) : ensure that the sample analysis and discussion of the analysis was to deliberate three movies to get to the results and objectives , A film (Shakespeare in Love), directed by John Madden and film (Kingdom of Heaven), directed by Ridley Scott and the film (a nightmare of blood and sex), directed by Joseph Kolbyk.Chapter V ( findings and conclusions ) : Review of the researcher to ensure that the most important results that came out of the analysis of the sample , including : 1. Enrichment is a given aesthetic basis for action when Alkadraj composition of space from the vision of self - treatment of structural frames in the film , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( Shakespeare in Love ).2. The building Alkadraj means the ability of the director to manipulate the rhythm and the mass distribution through homologues and antonyms , which represents the process of enriching the aesthetic of the snapshot in the structure of the film as a whole , as demonstrated in our research sample film ( Kingdom of Heaven ) and film ( the nightmare of blood and sex ).3. Represent the process of the mass distribution within the framework of the standard basis in shaping the aesthetics of the rhythm of the picture and the overall unity of rising onthe balance of the overall composition of which , as demonstrated in our research sample movies.4. Achieved enrichment aesthetic through activation of the text scanner , and the gradient hormonal colors or Alcontrast which is a factor creating clarity and isolation and vision , as well as distortion and guess in a sense, as demonstrated in our research sample film ( Shakespeare in Love ) and film ( the nightmare of blood and sex).As well as the conclusions that the researcher extracted from the overall theoretical framework and analysis of the sample and that of the most prominent : 1. The Alkadraj is one of the most important means of creating distance aesthetic image , Valotra aesthetic in the picture is constructive Eptgeh director of that image in its final form, it is that expresses the sum of intellectual and formative vision of Foreign Affairs of the same artist to public life , which is the result of all his thoughts and instincts on differing trends and inclinations and different affiliations , culture and consciousness , experience and practice , which represents emotions and maturity and the extent of his capabilities , which led him to this level of performance excretory , especially since the plastic snapshot extends to the meanings of Interior , which is closely related to and interacting with all shapes and sizes , and the characters and decoration , furniture, fashion and color and lighting of during that intentionality regulatory those different elements.2. Said enrichment aesthetic such as the inclusion controlled by the ability of the director to manipulate the rhythm mass distribution language brevity of its subject , who is filming , as well as by staff and the framework Ikts intent to form was footage establishes turn later scenes , which in turn containsall elements of the picture and formations granted by the characteristics and dynamics , which is incorporated in the final form of image expression and its beauty.3. Polarization and induction of wonder and exoticism at the viewer , to establish enjoy and gravitate to the image Bmoduaadtha , shape and construction of the picture and the objective and all this is thanks to the amount and type and multiplicity ( abundance ) and the shape , color, size and method of formation of fonts, colors and decorations and sculptures , which are in constant flux and constant , and that even included fashion accessories and all assets in most movies samples.Chapter and seal the proposals and recommendations , and then the list of sources and references that benefited the researcher and seal search extract in English.

الاثراء الجمالي للمؤثرات الرقمية في الصورة التلفزيونية == Aesthetic Enrichment of Digital Effects In The Television Picture

اسم المؤلف: نوفل جنان بهنام فتوحي
اسم المشرف: ماهر مجيد ابراهيم
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Tertat data aesthetic and practical achievement of enrichment variable technical and scientific development adopted by means Alcinmatugraveh, especially psychotropic Digital, which employs in the production of TV picture, and the formulation of the reality of art as much as possible of persuasion, since they represent the process enriching the form of technical drama television, producing layers of meaning, accompanied that achieving credibility dealing with vocabulary set drama, so granted the fact of the Incarnation in the window, and this articulation select researcher Title search (b enrichment aesthetic effects digital TV picture), where it formed digital technologies certain scope for creative building (picture art) characterized by high capacity on intellectual expression because of its highly effective techniques to achieve aesthetic enrichment level exceeded the traditional concept of the tricks and traditional influences, has been divided researcher discussed into Khosma chapters were as follows : Chapter One (methodological framework) : which included the research problem that summarized in the following question : How are achieved aesthetic enrichment of digital effects in the TV picture?The importance of research and the need for it, as well as the limits of search, and seal identifying the most important chapter of the terms contained in the title search.Chapter II (theoretical framework) : included three sections were as follows : The first topic : technical development and creative construction in artworkThe second topic : employ digital effects in TV pictureSection III : aesthetic influential digital television drama.In light of this, the researcher to a set of indicators which represent abstract theoretical framework as a prelude to the presentation to the Committee of Experts as described in Chapter III, the researcher concluded Chapter Two previous studies.Chapter III (search procedures) : The research methodology included, and search tool, the unit of analysis and research community and sincerity of the tool and analysis steps, and finally the research sample, where purposive sample was selected are as follows : three television series : First series : (Sinbad) Directed by (Brian Grant - Andy Weston)Second series : (Visitors Visitors) Directed by Scott Peters.Third series : (Spartacus Spartacus) first season out (Rick Jacobson)Then, the researcher analyzed the sample from theoretical framework indicators after taking the opinion of the Committee of Experts and the arbitrators.In the fourth quarter (results and conclusions) : it included findings researcher after analyzing a sample search, including : 1 - aesthetic enrichment achieved through the effective capacity of the effects on the formulation parameters of time and space in the television drama high flexibility and voluntarily whether through industry place fully, or partially. As we have seen in the research sample TV (Sinbad, Spartacus, visitors).2 - leads enrichment aesthetic image to enrich the credibility and construction, verification and conformation, which means achieving maximum active connotations expressive different in all cases the result is a functioning aesthetic features the ability to combine the advantages of the real world and the vision fictional at the same time. As we saw in the research sample (Sinbad, visitors)The researcher came after a number of conclusions, and seal research recommendations and proposals.The researcher finally put a list of Arab and foreign sources adopted by research, supplements and seal research Abstract in English.

الاتجاه الجمالي في تجربة الناقد عقيل مهدي == Aesthetic Trend of Aqeel Mahdi'S The Critical Experiment

اسم المؤلف: محمد مهدي حسون
اسم المشرف: رياض موسى سكران
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تنفتح دائرة النقد اليوم لتشكل تداخلات مفصلية مع الفلسفة، وهذا التداخل بين النقد والفلسفة يتميز بوصفه علامة بارزة في القرن العشرين, وحتى لحظة تدوين هذا الملخص، اذ ياخذ النقد صفة متعالية تبلغ درجة ووسعا وكانها فلسفة العصر, وهذا بدوره قد اثر كثيرا على الاش | Today , the criticism's cycle opens to form an auricular overlap with philosophy's , this overlap between the criticism and philosophy distinguished as a remarkable mark the 20th century till the moment of preparation of this thesis , the criticism takes a transient adj. attains degree as it's era philosophy ,that has largely influenced histrionic functioning with all it's trends and men and all.Following the global criticism scene and its influences onto theater is necessary to follow the effect relativity and influence in histrionic scene. And this way the researcher thesis opened in his dissertation to see in global criticism movement experiment being the occupied thinking trends which replaced the philosophy and formed a group of functions which accompanied the scientific and humanitarian fields with all it's types.The matter which made the researcher , to follow the critical experiment from available aesthetic perspective in critic experiment ( Aqeel Mahdi ) and the operation of following this experiment doesn't halt onto the concepts frontiers which is enjoyed by each critical trend but it extends further until reaches to discover the pleasure and aesthetic climax which accompanies each criticism trend and diagnosis with generality from one side and the privacy in critic project ( Aqeel Mahdi) , that opened the door to articulate the research (Aesthetic trend on the critic of Aqeel Mahdi's experiment ) with the following splits.First 1st chapter : the methodical frame : - The researcher has exposed to diagnosis the research difficulty and need extent , it's importance , it's targets , research frontiers then the extension to locate the terms mentioned in research title. Second - 2nd chapter : the theoretical frame : - which include 3 researches : A. Shows the criticism trends concepts onto the contextual level , text , reading trends level and receiving.B. 2nd. research : in this research the researcher has concluded the mechanisms which are enjoyed by every trend.C. 3rd. research : this research forms a checking for aesthetic in every trend.Third : 3rd. Chapter it is the research procedures : the researcher has worked to discover three of criticism books which are distinguished by the criticizer (Aqeel Mahdi ) ,He hold a funding and analysis fit and the research nuncupative.As well as the researcher has recapped in this chapter a group of ramifications based on his analysis for opted samples. Fourth 4th. Chapter : - this chapter has the research ramifications , conclusion ,recommendations , suggestions , a list of references and finally the research abstract written with English language.

العولمة والهوية المحلية في تصاميم الاقمشة النسائية الحديثة == Globalization And Local Identity In Modern Fabrics Designs For Women

اسم المؤلف: الاء عادل علوان الشمري
اسم المشرف: رجاء سعدي لفتة
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد العولمة مرحلة تحول كبيرة في تاريخ الشعوب فقد الغت الحضارات وداخلت بين العادات والتقاليد واثرت على الهوية المحلية للبلدان برزت تلك التاثيرات في مختلف جوانب الحياة وقد برزت بشكل كبير في الفن وفي التصميم وتصميم الاقمشة بشكل خاص لانه ميدان مفتوح وفن تطبي | The Globalization concider a hug dange gap in the people's world because it conceded civilizations and get's between the traditions, and effectual on the local identity of contains, and that influenced on the different sides life, and it append very clean on the art, design fabrics in specialty because an open field of applied art takes from what's around like a material, and may he that put up very need on the woman's fabrics, as the woman focus more than anther on the style in general, and the proof at this the fashion world focus on the woman's category an it's design, and because of the physiology and sociology nature at the woman, the diversification enters in a very hug. Way in design fabrics, so that the researcher is diseasing this subject through this research that named under this title "the globalization and the local identity in woman design fabrics" wonders in the effect of the globalization and the local identity at fabrics design specially in fabrics fashion? And was that effect results of natural respected historical sequence; or it fabrics and it move, towards acertain direction to make some aims in a regular prior of time? And the research aims on know the globalization effects and morphological variables of the local identity in modaren fabrics design, and the practical woman fabrics on the years 2013 - 2014 and than it classified three terminology which is (globalization , the local identity the modern fabrics design), the researcher put procedural definition for every term, and that what's chapter one count air in this research which is contains from four chapters.Chapter two contains the theoretical side, and it includes three researches, the first one contains the globalization diffaritian and it's history, while the second research is about to contain the globalization culture and it's effectance on the disting ideality, and the theard research contains the effect of globalization in clanging the shop of the deign identity., and that the research studies the most import things in the theoretical farm directions and the researcher couldn't got any previose researches. Chapter three contains the tachrical part of the research though the researcher used the descriptive approachfor the purpose of analysis, and the research sogty contains from 60 sample speaidzd by the fabrics at the gbblized mind, and (12) sample were tesed by pick point style, and in 20% present in total socity research, and the test been diosien according to what is useful to the research aims. While the research tool was an analysis form acceding to the scientific method to again it's scientific stand and than I analyzed the samples and disscussal and the research after that got those results and coucultions when it written in chapter four, and some of the most important things from are : 1. The elements med to tai the ship and space element where the ship turns to configurations usually depends on the decoration or stripping the human vocabulary or the animal vocabulary to a photographical image in usually.2. The phenomerion of breaking balances and taking the assymatry balance, and also sorareigntg over the nest elemats to make the globizatior farm, and also the frequent random repeat append so much in the design unit wit it's repeat in fourth repeat, weather we can use it's other repeats like rendition of projective quartet or half or the braes. 3. The globization phinomana have two forms goes beyond it's way, the first one is the world steam and all what is guide from the transmission project design vocabulary and ideas, symbols, and the second one is political globluzation steam that is aims to put down the local identity.4. Dimension graphical emarfed carries it's belongs identify to forign sicrtios in a way it describes it's calture and political sumbuls and comuity. and it shows how to make use of some local and Arabian symbols in the woman's fashion fabrics. And besides chapter four contains also the pillars and the recommardeations and proposals along side with the suggested design make by the research made by the computer and it's ( ) suggested design.

تحولات صورة الجسد في الخزف المعاصر == Converting The Image of Body In Contemporary Ceramic Works

اسم المؤلف: علية محسن عبود الصياد
اسم المشرف: انغام سعدون طه العذاري
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لعبت صورة الجسد في الفن دورا كبيرا ومهما في تطور الفكر والمعرفة الانسانية، وساهمت تحولات صورة الجسد التي اعتمدت الازاحات الكبيرة في تاريخ الفن بافراز تحولات في الاسلوب والية طرح صورة الجسد في مختلف البنى التشكيلية والتي تضمنت الابداع كاحد اسس هذه التح | The body image in art has played a major role to develop the thought or mind and human knowledge, and the converts of body image has contributed to depend on large displacement in history of art to sort the innovation as one of bases to this conversions the body image has moved in the art of pottery in side the mechanism of its matter and the style of it forming and technical style to take its specialization to be emerged to rests of Arts. This abstract includes the study of matter of conversion of body image and recognize its specification in contemporary Iraqi pottery that includes four chapters.The First chapter contains the problem of Abstract and its wondering and an importance of abstract and then its aims upon the observation the important conversion of body image in contemporary Iraqi pottery, and then the boundaries of time abstract that limits (1970 - 2010) and place, then specifying the terms, upon to the need of abstract and process identifications, bet the second chapter that has been divided to three approaches, in the first part of first abstract talking about the confirmation of philosophical and intellectual concept of conversion, in the second part it has been specified to a concept of body image that contains philosophical concepts for body and throw the light on it, at the second approach the showing was made for conversion of body image in art in civilization to deals the body image in ancient Iraq. The body image in Egyptian arts, the body in Greek arts, the body image in Islamic art and its conversions, and Abstract continues to reach the third approach to deal the conversions of body in contemporary pottery. But the Third chapter has been specified to the procedures to select that society, specimen, the tools of sample classification, the tool of analyzing and its concept and then analyzing the samples that have been received to five samples (inspire body image symbol body image, advertising body image, pragmatic body image, realistic body image) have been classified upon to the sample classification tool and its specimen. At the fourth chapter, the results of abstract and its conclusion and recommendation and suggestion, have been acted, and then English, Arabic references, appendixes and images and the researcher has reached to the numbers of conclusions are : 1. It has been appeared significant cross and time cross to appear the body image in potteries that exchanged that emerging and absence upon to the social, intellectual stresses to move to body image to another and from idea to idea.2. The searching always about obscured intercepting beyond the concept and referring to another concept and those referring subject to intellectual, social environmental potteries.3. Body image subject to references either Rafidain it mean old Iraq thought, the order the references of Islamic thought, the order the reference of Islamic thought and oppress to borrow the symbol, inspire, and borrow by color, shape and the style of formation some times, or contemporary references inside modern art school.4. The mythological borrow animal ports for example the horns, feet of birds, wings, and heads of animals upon to the partial idea, where this body becomes alternative body.5. Denoting the image of body for man and woman together a mostly to appear in front of you in pottery samples to indict the human social sense of contemporary Iraqi pottery.6. The abstract shapes performs to play inspiration with mind and sometimes it does out recognize between the shape that takes fake shape and the body is absent, so, the body in case non concisions will be a bent incase of naked form and the surface of body try to expose it by many significant ways methods.7. The web of bodies and clothes stretch to the analyze long and contemporary pottery analyze long and contemporary pottery formation to emerge the body image by different meaning or significance.8. The body image has become a special sign denotes with discontinuing that does not be appear only for special environment or an idea (Death, Birth, the relation ship each other) and continuing the advertising about a case or an idea.9. Borrowing the body image natural shapes to emerge in it and contain grovel and rocks and trunk of tars, color of soil to execute that image in contemporary pottery.10. The fertile body image converted to advertising body image and alternative body image and typical body image inside the beauty specification (style women) and body building a modern idea.11. Pragmatic body image subject to the relation of pottery with received to show the achievement, those carvers, the mind and message that will be in received boundaries and interact with him by borrowing the human, social and enliven mental meaning or vocabularies.

ايجاد مرتكزات تصميمية لاسرة الاطفال الطبية == Finding Designing Pivots For Children Medical Beds

اسم المؤلف: وليد محمد مهدي السعدي
اسم المشرف: فوزي ابراهيم المشهداني
الموضوع العام: الفنون الجميلة
السنة: 2008
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تناولت الدراسة الموسومة (ايجاد مرتكزات تصميمية لاسرة الاطفال الطبية)، موضوع المنتجات الاجنبية من حيث تصاميمها ودرجة ملاءمتها مع الاطفال المرضى من العراقيين استنادا الى ان مرحلة الطفولة تعد من المراحل العمرية المهمة والاساسية في حياة الفرد وان الاهتمام بهذ | This thesis entitled (Finding designing pivots for children medical beds) tackled the subject of the foreign products from the designing side and its degree of suitableness to Iraqi sick children as childhood is consider an important stage and the base in the life of the individual and taking care of this slice of society is consider important demand to raise physical and mental healthy generation, where providing the needs of the child whether (entertaining, activating and education) or products provide relief for him in physical and psychological especially the medical beds and taking care of their functional and beautifulness sides in addition to the usage suitableness of these products with the organs and the movement machinery of the child to achieve the suitable position for the case with working machinery and performance of the medical beds.The thesis importance is shown in the following points : 1 - this thesis supports an important slice of society need health caring through providing the physical and psychological relief to them2 - this thesis in its scientific and artificial material participates in enhancing the technical sides and supply the related organizations with designing ratifications the basic goal of this thesis is the analysis of children medical beds designing reality in the aye group which the study identified to be from (4) to (12) years old, which are used in Baghdad city hospitals for the period (2003 - 2008) for reaching to designing pivots that achieve the suitableness between usage and the dimensions and machinery of child body movement, in addition to the effect of these products from beautifulness and expression sides on the psychological side of the child and his degree of acceptance to them and this was chapter one contents.As for chapter two it contained four researches : Research one : the medical beds and their functional sortingResearch two : technical changes in the building shapes for the medical bedsResearch three : shape building for the medical forms and their relation to the user(child) Research four : awaring effects for the designing accomplishments and their relation to the user Whereas chapter three tackles the research procedures where we used the descriptive schedule ( case study) to reach the achievement of the research goals, after the depending on the research society as hall, the analyses were done through the depending on scientific scale which was designed and applied on the samples of the research and the stability was got through the balancing among the analyzers The researcher reached to the following results : 1 - There was obvious weakness in group samples staffs especially in employing the designing elements and basics and achieving beauty dimension in the identification on the ranges of these elements, bases and their potential energy so the samples outlines came to be empty of flexibility and streamlined 2 - there is a leak in all group samples for expressing shapes whether (animals, plants or imaginaries) in addition to the leak in the coloring details and on the level of awareness for light for the age group 3 - the group samples (1,2,3,4) achieved the suitableness for the usage for the child in the first age group (4 - 6) years for the samples (1 - 2) and second group (7 - 9) years and the third group (10 - 12) years for the samples (3,4) and in a ratio of 66% while the samples (5,6) have a leak in some of their shaping items for the child use and for all age groups which were depended by the research and by 34% as for the most important conclusions the research reached : 1 - the bases and human engineering criteria in the designing of the medical beds, had a big trace in the forming of cohesion products and the machinery dimensions for the user’s body and in accordance to the stand reds depended internationally 2 - the forming of the medical beds shapes according to the designing systems, did not take in consideration the psychological factor for the child and what effect it from colors, shapes, lighting values and touching values which fulfill its tendencies and willing toward the productaccording to the results and the conclusions the researcher reached to a group of recommendations and suggestions in addition to that the researcher reached to a number of the designing pivots which must be considered when designing the children medical beds, and most important pivot are : 1 - the necessity of using the favorite colors for the child like warm colors (red, yellow, and orange) because they are more bright and clear and have direct effect on the child psychology in addition to the using of lighting patterns, sound and the expressing shapes of the medical beds2 - taking care of the physical relief of the child through finding support for all the parts of the laying baby body (bed surface) 3 - taking care on employing the dimensions and the scales for the children bodies which are depended on international level, in designing the medical beds and make the product more stable for the children and in their age group under the research. Especially the touchable parts of the child body and according to the child medical case in addition to the suitable position during the laying on the bed.

خصائص الاداء التمثيلي للمجاميع في عروض المسرح العراقي == Features of Acting Performance For Groups In Theatricals of Iraqi Play

اسم المؤلف: غازي حمود سعود
اسم المشرف: عادل كريم سالم
الموضوع العام: الفنون الجميلة
السنة: 2008
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول البحث خاصية اداء المجاميع وتطورها عبر العصور المسرحية المختلفة حتى عصرنا الحالي وما لهذه المجاميع من دور مهم في بناء العرض المسرحي. وكيف تعامل المخرجون, والممثلون مع هذا العنصر المهم ضمن التكوين العام للشكل المسرحي.قسم البحث على اربعة فصول، يتض | This research is about the feature of groups and Their development Through a different play periods till the moderan period, also These groups had important roles in construct.The play Theatrical and they are formed ingredent which is hold abeauty and mental value connect with construct relationship in public forming for the theatrical,and how the directors deals with this important ingredent according a public forming for the play forme.For that the researcher was divided his research into four chaptersThe first chapter : including the (Sustematic framework) which is the researcher presents the research problem , its needed , its importance, its aim, its edge and its defintion to The its terms.The research problem was appear by a question about (What is the features of acting performance for groups in theatricals of Iraqi play) ?The importance of this research is about the work of the groups on the Iraqi stage.The aim of the research is about the identify on the features of acting performance for groups in theatrical of Iraqi play.This research is restricted on the study of dealing with groups in choosen samples and intentional from Iraqi play theatrical in(1988 - 1977) and it presents on the Baghdad stages In The second chapter : (The thearetical framework) is consisted of three subjects : - The first subject : is about a public sight in a group estabilshment.The second subject : is about groups and thier development through play periods.The Third subject : is about directorial treatment for groups in wordly play theatricals and also it consist of the most important refers which are result upon them theoretisal framework and previous studies. In The Third Chapter : The researcher was specify. This Chapter for carrying out ,his research specific his society and its samples and the way for thier analysis the researcher was used analystic descripition system for this sample which is made of (3) Iraqi play theatricals as : ((ALMOTANABY)) : is preparing by (ADEL KADM) directing by (EBRAHIM GALAL)in 1977 acting By nationality group for acting. ((ALEKTRA)) : is preparing by (SOPHOCLES) directing By (ADEl KAREM) in 1987 , acting on circling theatre in Arts Fine College.((THE BIRD LETTER)) : is preparing and directing by (KASIM MOHAMAD) in 1988 , acting by nationality group for acting.in The fourth Chapter : is consist of The results and The researcher was reach to them through his analysis for these samples also this chapter is consist of lists of sources , references and the summary in English language.

اشتغالات المنظومة اللونية في تصميم الزي المسرحي

اسم المؤلف: اشواق كاظم ابراهيم الجنديل
اسم المشرف: روعة بهنام الشعاوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية - ازياء
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اشتغالات التابو في النص المسرحي العراقي

اسم المؤلف: نورس عادل هادي
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2013
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد التابو احد اهم المفاهيم المهيمنة في بنية العمل الفني ولاسيما النص المسرحي بوصفه اشتغالا على ثنائيــــــــة الوعي والوجود بمجمل تحولاته وافرازاته التي تؤثر في تشكل الخطاب الدرامي وبالتالي تنوعه في الرؤى والاساليب بحسب المعطيات الفكرية والجماليــــــة | Taboo Presents one of the most important influencing concepts in the structure of the art work , especially in the theatrical text because it works on the duality of consciousness and existence in all its alternative aspects and discharges which affect in forming the dramatic rhetoric in consequence its variety in visions and styles according to the intellectual and beauty findings which arose from them the culture of individual and society. From that above crystallized the specialty of the research in its chapters , where it implied four chapters : The first chapter : - Which dealt with methodical frame which includes studying the implications of Taboo as influencing concept for the whole social, economic and political transformations and their reflection and influence in the behavior action of the individual within the social system specially the conflicts the Iraqi society confronted in the Iraqi theatrical text for the period between ( 1990 - 2000 ) which led to disturb the individual behavior Forms and exceeding the virtual order limits as a collector of the taboo concept in its different forms. The second chapter : - Which dealt with establishing and following the taboo concept through the human consciousness system along its intellectual periodical differences. Also in the researcher discussed the way in following the Taboo concept between the philosophy of beauty and science. In addition to that the researcher pointed out the most important implications of Taboo as procedure term its influences had reflected in the structure of the theatrical text.The third chapter : - implied the research Procedures. Where the research was limited as a whole in the published Iraqi theatrical texts in the 1990's where the researcher refuted to the intentional way in selecting the sample of its research. The forth chapter : - the final chapter dealt with the research results , conclusions and the list of references.

الانساق التصميمية في الفضاءات الداخلية الملحقة بالملاعب الرياضية == Design Patterns In Interior Spaces Attached To Sports Playgrounds

اسم المؤلف: اسمى عبد الحميد عبد المهدي
اسم المشرف: بدريا محمد حسن فرج
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد تناول موضوعة الملاعب الرياضية موضوعا حيويا ومهما لما يقدمه من جوانب فكرية وثقافية واقتصادية للبلد المقام فيه, ونظرا لما يمثله هذا الصرح الذي يعد حاليا ليس مجرد مبنى رياضي يخدم اغراض اللعبة فقط, وانما يمثل نقطة استقطاب الدول وكلما كان التصميم خلاق ويجس | The sport stadiums subject is an important and vital subject because of the intellectual, cultural and economic aspects that it offers for the country which it held in. As to this edifice and what it represent which consider not only a sport building for just playing, but it also represent a polarization point for other countries and as much this design is creative and embodies certain idea represented by a certain figure that symbolize the country where the stadium is built mingled with the technical creation in a harmonious way with the internal and outer view and the content with exterior of the stadium. As a result the subject of the soccer international stadium is submitted by the searcher because of the mentioned reasons and it limited by the interior spaces that is expansion the stadium with other expansion spaces “ Athletes’ changing clothes room and it expansions” Depending on the design features of stadiums; build up including the expansion spaces. These features are different according to the differences of designers and architects who devoted their practical, engineering and designed potential to put design scheme for a stadium complies with all conditions and approved specification by FIFA to compatible with the stadium exterior which has special identity an belong to the country culture. It also should be modern and technical just like other stadiums in other countries. As a result the searcher submitted this subject “The Designed Layouts of interior expansion spaces of stadiums” The research consists of four chapters : 1. Chapter 1 : The methodological framework that included the research problem that crystallized by the following questions : Q : Are there specific design patterns specialized in the nature of formative system in organizing the attached spaces to the international athletics’ stadiums? And to which degree it is connected to the systematic performance to the mentioned spaces, in addition to its role in insure a positive psychological behavior by the athletes? While the research objective : To detect the systematic design patterns in the interior spaces attached to athletics stadiums, and its fittingness to its users from the performance perspectives and the variable formatives linked to Aesthetic and expressive sides. The importance of the of this study appeared in its participating in providing information with a new system that depends on scientific and artistic bases clarifies a special evidence for the values that express the identity of the spaces that is the theme of this study. And it also represents an added study to the athletics stadiums supported by a diagram to the designing patterns, and use a special expression to the interior spaces attached to the international athletics stadiums, which is what the subjective limits for this study has represented. While the spatial and temporal limits specified to the spaces (specialized to the athletes) in Iraq and parts of the world for the years (2012 - 2014), in addition to specifying the terms included with the study title to get executive definitions as outcomes. 2. Chapter 2 : Include the previous studying. Discussions and the theoretical framework. This chapter divided into three main parts. a. Part 1 : Focus on “concept of the layout and its relations with interior design”. b. Part 2 : Include “The layout and its formal regulations in interior spaces” c. Part 3 : ” Invest the layout’s standards in the expansion spaces of stadium”.The results of theoretical framework some indictors that depends on them in analysis the research models form3. Chapter 3 : Consist of research procedures and its methodology where it depends on defining the method in analysis. It chose 3 models from the whole research, in purpose, for studying and it depends on the analysis of form aspects, point the level that achieve these aspects, in addition to describe and analysis the research models 4. Chapter 4 : Included the outcomes and conclusions that have been reached to in this study : 1. No color coordination in such vital space to athletes as it is the only space specified for them that offers comfort and psychological motivation which affects their performance. And this have not been achieved in two study samples, while has been achieved in one study sample only. 2. There were no designing patterns whether they were functional or graphical specified to this space for its many functional characterization as (holding lectures, planning for games, break times after playing… act) this was achieved in one study sample. 3. The shortage of the indicative meanings that represent the meaning of such a space, like the nature of space organizing and its lake to the necessary requirements that relates to the training and all other important activities), this has been achieved in the first study sample only. Also, chapter four included the theoretical designing foundations, designing suggestions and recommendations, beneficiaries of this study, and a list of the resources and appendix.

التمثل الشكلي في رسوم فخاريات عصر ما قبل الكتابة بالعراق القديم == Formal Assimilation In Pottery Paintings of Pre - Writing Age In Iraq

اسم المؤلف: اسعد مطر خليل العزاوي
اسم المشرف: انغام سعدون طه العذاري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ساهم الفكر الرافديني في البناء الحضاري للانسان والذي تجلى بانجازات مهمة على صعيد الفن والادب والعلوم، فقد ابتكر الفخار والاختام ثم ابتكر الكتابة وطورها، وابتكر الدولاب اليدوي والعجلة وعرف الرياضيات والكيمياء والتنجيم وبرع في هندسة المدن والابنية والمعاب

انظمة التكوين الشكلي وتقنياتها الاظهارية في تصاميم الاقمشة الرجالية == Systems of Formal Training And Techniques Alazaaria In Menswear Fabrics Designs

اسم المؤلف: اسعد عاتي هليل سعد الموسوي
اسم المشرف: فاتن علي حسين العامري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تعد انظمة التكوين الشكلي بمثابه اسس يقوم المصمم بابتكارها وصولا الى اختيارات تنظيمية بفعل تقنيات الاظهار التي تعطي للنظام التصميمي جاذبية اظهارية تحقق غايات الفكره التصميمية, فانظمة التكوين الشكلي تهدف الى تحقيق غاية التصميم من خلال تقنياتها الاظهارية الن | The formalistic composing orders are considered a basement. This basement which is the designer made to reach forming choices depending on displaying technics that give attractiveness to formalistic composing which leads to applying the aim of the design itself. They work to apply the aim of the design through the finished displaying technics and this is the essence of the research. This research which depended on this question : what are the formalistic composing orders of the designs of men fabrics ? Do displaying technics make changes in formalistic composing order of men fabrics? The importance of this research has these roles : 1. It helps in the opportunity of managing the scientific and artistic benefit for those who are studying and interested in the field of designing and technical in the colleges of technics and institutes as well.2. It may participate in increasing the knowledge of the researcher and technicians in ways and technics. It also stabilizes the artistic designing principles, and put them in front of the designers to inspire them consequently bring new ideas of designs. These inspirations raise the designs of Iraqi cloth in quantity and quality. The research also wants to applying these goals : 1. To know the formalistic composing order of the designs of men fabrics. 2. Showing the relationship between the formalistic composing order and displaying technics in the designs of men fabrics.Th research of formalistic composing orders and the applying displaying technics, and the designs of men fabrics consisted shirt , (Indian or Chinese ) made , which are available in the public shops of Baghdad ( Al Shorja trading shops) from 2010 - 2012.The seconds chapter contained the theoretical work which consisted of three ideas. The first one was about the formalistic composing in designing men fabrics. The second chapter was about the designing composing in the design of men fabrics. The third was the effect of technics in the formalistic composing order. After that it is concluded the most important signs that comes from the research. Then come the preceding studies and their discussing.The procedures in the third chapter represented by depending on descriptions of the analysis of samples. These samples were (240) designed samples. About (160) of them are excluded. The reason was that they are similar in showing the essence of the design and repeated in one hand and repeating it on the other hand. Add to that it repeat the same defect on variation of colour to this design, which is not in harmony with the needs of Iraqi shops and styles. So what was rest (80) which represented the base samples. According to that samples were chosen intentionally in (30%) , which was about (24) samples. These samples are varied according to displaying technics.The analysis tools are listed in points of analysis. This analysis tools depended on some theoretical signs, which the researcher presented with the help of the supervisor, and certificated by number of experts. These tools were depended on in analyzing samples. In the same course, the samples of research were also analyzed depending on the points of the list.The fourth chapter contained the result that is found by the researches and the conclusions. The notable of them were the dependence of men clothes designs firstly on the mixed fabric. they did that since it is durable, comfortable and cheap. This led to reduction of using the natural fabric due to their high prices. In addition, the artificial fabrics also reduced in usage because it is not suitable for the weather of Iraq.The formalistic composing orders are actively represented that within them, the designer used the reticular fabric and liner fabric which is prevalent which suggested a limited space for similarity and repetition in the parts of the main unit. This unit has connected totally with the capability of the designing to weave fabrics through the crossing of the vertical lines with the horizontal lines to show the essence of the fabric on its surface, as the central organization appeared in least percentage. The distribution of the random consistence which gives variety in directions and the design unit via the connection of the relations of its factors could appear in less percentage. This is because it a reflection of a real technic of fabric printing which is usage has reduced in making men fabric designs. The chapter is consisted the recommendations and suggestions and the Arabic and Foreign. In addition to that, it is consisted the summary in a foreign language.

الغرائبية في نصوص مسرح الطفل == Exoticism In The Texts of Children'S Theatre

اسم المؤلف: اسراء علي سلمان القيسي
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان قلة نادرة من البنى المسرحية وجدت طريقها في الذيوع والانتشار بين العامة مثلما وجدت بنية الغرائبية، لكثرة ما دار حولها من جدل ونقاش بغية تفسير مدلولاتها ومعانيها وحصر مكوناتها التي اختلفت باختلاف الثقافات والبيئات الاجتماعية المختلفة. لقد تعددت الرؤى وال | The lack of a rare theatrical structures and found their way to publicity and spread among the public, as found between exoticism, for the large number around the house of controversy and debate in order to interpret their meanings and their meanings and inventory components that differ in different cultures and different social environments.I have multiplied visions and ideas about the process of using this structure in the theater in general, and particularly in children's theater where they can reflect the themes and drafted meticulously crafted to reach the connotations and meanings with values intellectual bear the stamp of education - education - an education from this perception identified researcher title researched (exoticism in the texts of children's Theatre), the search was organized in four chapters as follows : Chapter I : (methodological framework) : Which includes a research problem and the need for as represented through the problematic question (how it works exoticism in the texts of Children's Theatre), as well as a researcher by highlighting the importance of research and its objectives and seal its borders and separation required number of terms.The second chapter (the theoretical framework and previous studies), has been divided into three sections came as follows : • The first topic : exoticism concept.• The second topic : exoticism in children's literature.• The third topic : the ages of the child.The chapter concluded with the theoretical framework indicators, and previous studies.The third chapter, a chapter on action research by taking indicators theoretical framework analysis tool after it was presented to a group of experts, and research methodology adopted a descriptive approach - analytical and research sample for the period (2001 - 2010) has been selected three texts play, then the unit of analysis, where the researcher adopted as a scene analysis unit, as well as the sincerity of the tool where the researcher relied on virtual honesty to ascertain the veracity of the analysis tool.The fourth chapter included the most important findings and conclusions reached by the researcher, including : The results are : 1. The exoticism is given the role of beauty for the emergence of the Transfiguration through events and actions more attractive and realistic and expressive.2. The exoticism is an effective impact on the feelings of the child, and the content of the passionate and emotional content comes according aware of aesthetic and scientific drama.The conclusions reached by the researcher were : 1. The theme most Exoticism texts, based on educational issues - educational, and were formulated in a way Western and unfamiliar, but she eventually refer to the nature of the subject formulated it.2. Personal Exoticism has the same qualities of the ordinary in terms of personal feelings and emotions, but it is characterized with its extraordinary capabilities and boundless acts, and it appears that through its actions.And finally been presented recommendations and proposals, and then concluded Find a list of sources and references, appendices and abstract in Englis

اساليب التصميم الزخرفي في الفن الاسلامي : دراسة مقارنة == Styles of Decorative Design In Islamic Art (Comparative Study

اسم المؤلف: بسام صعب حمد
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2011
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: بعدما قام الباحث بدراسة استطلاعية، على التصاميم الزخرفية النباتية المنجزة على المخطوطات الورقية، في القرن العاشر الهجري/ السادس عشر الميلادي. وجد ان هنالك ثمة اوجه تشابه متعددة، ولكن ثمة اختلافات واضحة، سواء على مستوى المفردات والمكونات، او على مستوى الان | After an exploratory study done by the researcher on plant decorative designs on paper manuscripts during the 10th AH century / 16th AD century. The researcher found that there are many similarities, yet there are also some obvious differences, both at the level of motifs and components, or at the level of construction and configuration, also he noticed that there are two distinct Art schools which had established their characteristics and properties gradually through the Safavid school in Persia and the Ottoman school in the land of Anatolia (turkey). Although the two schools are included in the Islamic circle of Art, both show distinct and obvious characteristics. Thus a detailed study required to show both similarities and differences, especially as the researcher had found out as a result of his continuous research in this field and his study of curriculum in the departments of Arabic calligraphy and ornamentation in the scientific institutions concerned in this type of art. That there is confusion and overlap in the way decorative design is applied in these institutions. This requires that we show these differences by answering the following : {What are the similarities and the differences between the two schools of art (the Safavid and the Ottoman) regarding the styles of designing floral decoration?} The importance of research, in that : 1 - It can contribute to enrich the students with the knowledge and competence in various fields.2 - It can contribute in cementing the curriculum, especially in the field of Islamic decorative arts. The research aims at : Revealing the nature of the decorative design styles in the two Islamic schools of art (Safavid and Ottoman) during the 10th AH century /16thAD century.This is achieved by conducting a comparison between these styles and determining the similarities and differences between these schools, based on the following criteria : 1 - Systems of space division.2 - Styles of construction and structure.3 - Types of decorative design.4 - Units of floral motifs.5 - Treatment of colors and methods of illumination. The research is also limited to floral decorative designs which are colored and illuminated on paper manuscripts, such manuscripts are found in the Riza Abbasi Museum in Iran and in Sulaimani Library in Turkey during the above mentioned period. The theoretical framework included the following subjects : Emergence of plant motifs in Islamic art (Introduction) and then referred to the school Safavid in Persia, and to the school the Ottoman Empire in Anatolia, styles of floral decorative design (regarding space division, and methods of construction and structure), color treatment and methods of illumination, components of floral decorative design, types and units of floral motifs (glass, flower), as well as structural units and design bases of floral decorations. The researcher followed in his procedures a descriptive analytic method to reach the results that can accomplish his goal in solving the problem.A sample has been chosen on purpose, 8 samples have been chosen out of a community of 80 forms. The analytic form have been designed and presented to the experts to ensure its validity an ability to achieve the desired goal.The research has reached the following result : 1 - The styles of the Safavid school was influenced by the styles of Chinese arts and the styles of Tamarid school , whilst the Ottoman school was influenced by the Safavid school , and by the Roman Seljuks arts , as well as the Chinese arts.2 - The systems of space division seems to be alike in both schools (Ottoman and Safavid), represented by five divisional systems which are : (bilateral, quadrilateral, radial, network, stripes) systems.3 - The two schools show similarities in their utilization of the double construction (flower cup, floral), yet they show differences in their utilization of the single style of construction for one of these types, the differences are shown in both ways of space construction which are the free and the repetition styles, or even through the use of units belonging to other types within other types of construction.4 - The components of the design (structures) show similarities in both schools regarding their construction of design and the way of placement.5 - Generally, the two schools have used the same methods in utilizing units and types of floral motifs, yet they differ in the minute details of the motif shapes.6 - Color treatment in both schools are close, both utilize the same colors like (deep blue) and (gold dye), these two colors in particular cover most of the space in the chosen samples.7 - Ottoman and Safavid schools used the same illumination methods called (tazmik)

الماكياج والتعبير الدلالي في العرض المسرحي العراقي

اسم المؤلف: اخلاص فاضل احمد السامرائي
اسم المشرف: قاسم مؤنس عزيز
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعتبر الماكياج عنصرا اساسيا مع عناصر المنظومة البصرية، ولاسيما في المسرح الحديث، حيث اكد الماكياج مع باقي العناصر ايصال الشفرات والعلامات، والرسائل وصولا الى المعنى المطلوب كما ان للماكياج خاصية اظهار العوالم الداخلية للشخصيات والعروض والتيارات والتجارب ا

النظم السريالية في الخزف البريطاني المعاصر == Surrealism System In British Contemporary Pottery

اسم المؤلف: احمد عودة نايف
اسم المشرف: نبراس احمد جاسم الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2015
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Surrealism appeared as literary and artistic movement from very beginning of the year 1924 which disclosed of the first statement by Andria Briton who was regarded as the inheritor of the movement. It used some of its techniques , besides its affected with roots that established for this movement.Therefore the characteristics of this movement were regarded that it did not practice mental control due to the absence of actual sense.Also conceive aesthetic and moral aspects in far away embodying from as familiar one and different from reality , besides its affect with Fraud modern school and what Fraud discuss about dream, dreams and psychological analysis which allow the Surrealism to for expression about information of their artistic experiences according to visions and directions reflect by its concept and characteristics that tend to gather between the reality and below reality.Confirming upon reflex hallucinations and delirium which was regarded by the Surrealism like wake up process resulted from imagination of the artist who has special presence and works ,. Therefore the Surrealism when it call for destruction of criteria and classic traditions , it aimed at creativity and more developed frameworks. By criticizing the reality and leaves awareness and reflex feeling ,it is related to that movement Founded by the inevitable shake in artistic trends.The renewal of logical system rather than others of philosophy and contemporary artistic trends ; therefore we found that Surrealism nowadays increased its importance and earnestness as in other contemporary arts and trends to understand our new world. Surrealism as term has passed the stage where it was rejected by the earnest critics who regards itfunny ,now it is one of the most great modern artistic and intellectualmovement in which its thoughts affected distinctly at many artists in modernization period and then.Accordingly the researcher specialized the first chapter to explain the problem of the research and what is the stylistic systems in contemporary British pottery ,then define the importance of the research and necessity of such researches in order to know new styles in Surrealism art which has clear vision embodied in contemporary British pottery ,then the limitation of the research which was represented in : - Objective limit in Surrealism , criticism theories and new philosophy , starting point and references of contemporary British pottery. - Time limit in contemporary British pottery ; from 1970 - 2014. - The spatial limit : the machinery of operation in execution of pottery production in the country of the study - British besides specifying the terminology in the research titleThe researcher displaying theoretical intellectual and philosophy frame in the first category identifying the Surrealism formation and its changes in fine art post modernism the roots impact in the general structure in the Surrealism formation and what generated of works incarnated in Mesopotamia and presenting the text in symbolic structure, besides the pharos arts and what they presented of creek arts of analyzing processes and structure in the human and animal body also the art productions(Jerome Bush) which Surrealism sustained a lot of their characteristics which impact clearly and effective in modern Surrealism art and the second category in Surrealism and its transformations in modernism formations and after it which influenced by Existentialism and the physiologicalCanalyzing school especially Freudian thought and intellectual analyzing presented by Friedrich Nietzsche depended by Surrealism as fine art and its theories theoretically entirely and the third category disclose the starting and references and the Surrealism systems in British pottery which effected directly in develop and advance of British pottery leads to broad uses Surrealism - oriented confirmed by the modern period artists in their incarnation of the pottery product which the researcher depended in his research based on indications from which theoretical frame as a tool of analyzing the sample.As for the third chapter represented by the research procedures as follow : - The research community and its sample, then the research approach in which the research sample within the research community for the British potters according to time limit ( 1970 - 2014) and the sample was chosen deliberately consisted of eighteen pottery works and disclose justifications and method of analyzing the sample and the researcher depended the descriptive analytical approach for its consistence with trends, and visions of the immediate research depended on indications of theoretical frame mentioned in P.( 115 - 117)In the forth the researcher achieved the research results reached via them to disclose the Surrealism systems disclosed by pottery works represented by sample analyses and reached conclusions and suggestions then list of Arabic and Foreign sources and references lists and abstract in English language.

ملامح الفكر الفلسفي الاغريقي في الرسم الاوربي الحديث

اسم المؤلف: احمد علي كاظم السعيدي
اسم المشرف: كاظم نوير كاظم الزبيدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Current search study( the features of Greek philosophical thought in modern European painting ), research has included four chapters : Me first chapter from the framework of systematic research , represented by the problem of research that have been identified to answer the question (what features of philosophical thought Greek in drawing European modern ), and Browse importance, and it's needed, and the goal of the research was limited to defined ( Features philosophical thought Greek in drawing( EU talk) then custom and select the terms contained in the title search, the second chapter devoted to the statement of the theoretical framework and previous studies of the search , where divided into four topics , eating Section I : ( philosophical thought Greek in terms of (knowledge, beauty) when philosophers Greeks ), while addressing the second part : ( a historical perspective of the relationship reciprocity between philosophical thought and art of drawing EU, starting from the drawing Greek to drawing European modern ), while the third section handled ( the features of philosophical thought Greek in philosophical talk ), while taking fourth section : ( contents of the philosophical currents of art in the modern European painting ), and the theoretical framework of the review concluded indicators derived from the theoretical framework , to take advantage of them in the formulation of the search tool.The third chapter guarantees the research procedures and contains the following : 1 - the research community : Researcher briefed on what available publication of related charges identified the research community and in ( 120) artwork of modern European art paintings.2 - sample : the researcher selects sample after the presentation to the experts , which amounted to ( 19) works of art , including all directions modernity fee covers the limits of European research and its purpose.3 - Analysis Tool : Requests Find a analysis tool for fee artists modernity European , to detect the features of philosophical thought Greek in drawing EU talk , so deliberately researcher to build analysis tool is of introduction disclosure about the features of philosophical thought Greek in drawing European modern according to the following steps : First / formulation paragraphs : Researcher adopted in the formulation of paragraphs on the theoretical framework indicators , and noteArt works of European painting schools to talk to the research sample , he put in philosophical axis features Vertical , and artistic currents of modern European painting schools in the horizontal axis on the form.II / Believe content analysis tool : the researcher to view the tool on a group of experts inThe field of art education and fine arts to express their opinion in the validity of the analysis of the features of philosophical thought Greek in drawing EU talk , to ensure the veracity of paragraphs, and using equation (Cooper ) Cooper, and the percentage of agreement among the experts have reached rate (92% ) which is reliable , after that gained virtual honesty , and equation ( Scott ) to calculate the stability of the tool , with a persistence rate ( 83.5 % ) , and become a viable tool. III / Analysis of the research sample : The researcher analyzed a sample of the research community in the light of paragraphs search tool to access the search results.The fourth chapter handled ; review of the search results , and the conclusions drawn , and the findings : 1 - Emergence feature Happening and Change( Heiraclaitism ) and the expression of the driving forces behind the phenomena of nature in the future technical school.. Where painter EU sought in modern painting to record the moment time accelerating toward changing the visual landscape of the universe , all things in the universe, in the case of the process of change , the world is not fixed on a particular case. This is what philosophers Greeks ( Anxsmander ) , and ( Heiraclaitus ) , and later ( Plato ) hundreds of years ago , and as it appears in the form (1 ), and ( 7) of the sample. 2 - Emergence tendency Engineering ( platonic ) , fees ( Cezanne ) Impressionism, and school fees ( cubism ) , and school ( for the future ), and fees for abstract ( Mondrian ) and ( Malvi? ). Where modernity painter taken the registration point of European self trying to blend the kind of rationality in classic formations ( the hierarchical configuration ) , and the Impressionist vision that is trying to express the variable, and mutated forms of the world that change with surfaces formats. He wanted painter European express the essence of facts shapes found in nature and which belongs to shape the absolute in the world of ideals , which is achieved by sharp lines and geometric shapes box and roller circle, as mentioned ( Plato ), also note that in the models (2), and (6 ), and ( 7) and ( 11) of the sample.3 - Action painter European modern to stay away from the simulation sensory direct ( platonic ), to disclose the deep structure hides improvisations self cancel manifestation abroad to reflect new insights Delivered on fact, the visual contemporary vision , pursued painter European modern to promote the concept ( Platonic ), which finds that beauty lies in abstract shapes also appeared in school in school ( Cubism ) and ( future ) and school ( abstract ), scene visual illusion and shadows and ghosts of the truth as seen ( Plato ), and then on the artist searching for the truth essence, the remaining time. This is what we notice in the models (6), (7), (8), (9), ( 11 ) of the sample.The search also reached several conclusions , including : 1 - found painter European modern Greek thought keys radical solutions to many of the problems that was Want go into it, also found the starting point for the prospects of a civilized new what will happen in the twentieth century and the subsequent sync with the role that caused the world's statements modern scientific and radical changes carry are other attributes intellectual vision consistent with the propositions of Greek thought , there is no peace or standard stand - alone nor space - standing , and dimensions of the stand - alone, this revolution in the face of the Laws seemed suddenly like reforms Hjmtha and Haunted reactions against ( realism) and against signified year 's theme , which stems from susceptibility of us.2 - movements invasion of Europe that have emerged in the seventeenth and eighteenth centuries, especially the invasion (Napoleon ) for (Italy) and the Mediterranean coast , led to bring a lot of books and cultural relics and art to (France) , Which had a leading role in the development of Western civilization. was one of the most important elements of this intellectual movement is a rich intellectual inventories of Greek civilization.The Greek civilization and culture, roots and the intellectual foundation of the Western mindset , they are formed by installing a Western man mentality, and thus was leading philosophers of the Middle Ages and the modern can not get out of the mantle of thought ( Platonic ), and ( Aristotelian ).

التوظيف المجازي للصوت في الدراما التلفزيونية

اسم المؤلف: احمد عبود العسال
اسم المشرف: عبد الباسط محمد علي
الموضوع العام: الفنون الجميلة
السنة: 2010
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يحتل الصوت في الاعمال الدرامية التلفزيونية، مساحة واسعة على مستوى التوظيف والتعبير، فالى الجانب الوظيفي لعناصر الصوت من حوار وموسيقى ومؤثرات وصمت في تشكيل ودعم البنية السردية للصورة في العمل الدرامي اصبح اليوم وفي ظل التطورات التقنية للصوت قيمة جمالية في

اليات بناء الصورة المسرحية في عروض مهرجان منتدى المسرح التجريبي السادس عشر (لسنة 2011) == The Mechanisms of Forming The Image Dramatic In The Shows of The 16Th Festival of Experimental Theater Forum For (2011)

اسم المؤلف: احلام علي عيدان الغزاوي
اسم المشرف: عادل كريم سالم
الموضوع العام: الفنون الجميلة
السنة: 2014
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان المسرح من اهم الفنون الذي يعتمد على عدد من العناصر ليكتمل خطابة من نص واداء واخراج وصورة وهي التي تحاول الباحثة ان تعرف بها فهي تحمل معنى المسرحية ومكملة لفكرتها ومعبرة عن احداثها ورؤيتها فالصورة المسرحية تحتل دور متميز في العمق التفسيري للافعال, اذ ان | In order submit presentation on stage has to be the availability of a set of basic elements, including text and actor, location, etc, which integrates supply fimnha many pictures innovative bearing the meaning of the play and expressive about events Moreover, they reveal perceptions director has within its vision directorial. The theater does not integrates her address the language only, but there must be interation with the elements of image formation and play between the receiver which reacts with the show visually and acoustically.That`s the play is not the only visual shape, but the relationships are visual, auditory, visual relatiions that are among tha elements of theater itself. Since it does not form a picture of the real substance of which its constituent elements and these elements interfere with each other to be the aesthetic image with signs and symbols of working to attract the attention of the recipient and stimulate his imagination dislodged This study included four chapters : First chapter : contained the theoretical frame which included the problem of the research, the need behind it, the importance of it, the aims of it, its limitation and specified the terms. The problem of the research raised in presenting a question that researcher tries to answer it (what are the mechanism of building the image and its transitions to establish the show, and whether it is stable or changeable). The importance of the research lies in discovering the mechanism of building the image and working on it to form a show. While the aim of the research include discovering the mechanism of building the image and seeing the aesthetic and philosophy of the image that had been formed in the show. Second chapter : titled (theoretical frame and previous studies), which included three sections.First sections : the concept of image which deals with the way of the image's emergence, its nature, its effect on the recipient since the primitive man till this day the way of entering the artistic field.Second section : mechanisms of building the image, this section deals with the elements which produce the theatrical image and fortify the show, including ( actor, theatrical view, lighting, costumes, make up, music and sound effects) which works together to create a special atmosphere to the show and dazzle the audience in addition to conveying them the theme.Third section : changes of image in the directing trends, this section includes : First : the realistic trend in theatrical direction : it presents a realistic trend which the recipient ignores the matter that would amaze him/her. In this trend, the reliance was on the actor in conveying the feelings and emotions to the recipient to be affected and interested in the show.Second : the natural trend in theatrical direction, this trend is considered as a radical extension for the realistic trend that it conveys reality as it is to the recipient without deletion or ornamentation as the show's aim was meant to be presented in a complete honesty.Third : the trend of anti realistic trend in theatrical direction : it aims to strengthen the form and aesthetic values over the content of the work.Forth : the trend of expressionism in theatrical direction this trend deals with presenting an image personifies the essence of things without paying attention to the external form that it is interested in imaging one's mind more than life facts since the fact of man lies beneath him not in its sensual appearances.Fifth : the,trend of symbolis, director Gordon Craig urged to this trend which depends on two elements : The actor's bodyForming the theatrical voidSixth : The epic trend in the theatrical directing : This trend sought to transfer the emotions from the stage to the recipient as the introduced image in this trend transfer events that have direct connection with people's problems, urging them to coup, rebel on the reality and change it.Then the researcher referred to the previous studies that dealt with the subject of the image and then obtain the result of the visual frame of the research to analyze the samples and testing them.While the third chapter (the measures of the research) came with two axes : First : research methodology, as the descriptive analytical method has been adopted.Second : discussing the samples that that have been selected deliberately and analyzing them in accordance with the indicators resulted from the visual frame as the sample consisted of three shows for number of directors.• jaleed play( ice)• ranet hawen play (the sound of pestle)• jalsah sreah play( secret session)he fourth chapter includes the results of the research : After the researcher reached to the conclusion and the suggestions, she submitted her recommendations which confirmed the importance of the theatrical image and the mechanisms that it works on forming them within the directional guidance and the necessity to expand the research and applying them, attaching in a list the sources of the research and an English summary.The mechanisms of forming the image in the shows of the 16th festival of theater forum for 2011Then came the conclusions of the researcher and then came the recommendations of the researcher stressed the importance of play and mechanisms that operate on its composition within the directorial trends and the need for the expansion of research and work out accompanied by a list of sources of research and a English summary.
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