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شعر الارجاني : دراسة فنية

اسم المؤلف: وداد يعقوب سلمان الحراك
اسم المشرف: قصي سالم علوان الجلبي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2000
مكان الجامعة: البصرة
الصفحات الاولى:

الواقعي والمتخيل في روايات غائب طعمة فرمان REALITY AND IMAGINARY IN THE NOVELS OF GHAIB TUMA FARMAN

اسم المؤلف: رؤى يعقوب لفتة الكريطي
اسم المشرف: محسن تركي عطية الزبيدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: كربلاء
المستخلص: The novel is among the literary arts that derived its literary permanence through its artistic homogeneity with the other tributaries. The majority of Arab writers take historical facts as the material in which they created their creativity. There are narrative texts based on a common historical reality, and in the way they built the superficiality of the narratives of the historians to the richness of the narrative text as they immersed themselves in the depths of reality to pick out the pearls that stand out most clearly. Gaib Tuma is one of the writers who Inspired reality and images around him in an impressive way.The aim of this study was to reveal the artistic perspective of the novelist through the facts. He tries to identify the extent of his interaction with real events and the search for the dimensions of the semantic behind the adoption of real narrative and imagined in his literary work.The study included a preface and three chapters with a conclusion. Preface deals with the relationship between reality and the imagination. It gives glimpses of the life of the writer because of the close link to his literary output.The first chapter is entitled "Hero of Reality and Imaginary in Gaib Tuama Farman Novels ". It is based on three questions that preceded the settlement of the chapter : "Personality and Social Reality, Personality, and Political Reality, Personality, Alienation and Isolation."The second chapter is titled "The Place of Realistic and Imaginary in Gaib Tuama Farman Novels ". It is composed of three questions that are issued in preparation for the chapter (the place of home, the hostile place, the open and closed places).The third chapter is entitled " Events and Times are Real and Imaginary ". It is included three questions. These are (the successive construction, the alternating construction and the construction of inclusion). The descriptive analytical approach imposed by the nature of the critical study is adopted in order to become familiar with the subject. Finally, the study ends with conclusion which contains the most important findings of the study : Tales of the Gaib Tuama revealed a technical relationship that combined the text of the fictional novel with the real mechanic through the narration through which the narrator brought his real facts. A knowledge of the mixing of reality and imagination. He highlighted the lives of the poor and simple people, and his novels were truly history without history.The description of the place in his novels is a testimony to the political events, which he described in most of his texts through the movement of personalities and wandering through the streets and sitting in cafes.
الصفحات الاولى:

الاراء النحوية لاعلام النحو في كتاب التخمير للخوارزمي (617هـ) : دراسة تحليلية Grammar Views of Famous Grammarians on Al - Takhmeer Book by Sadrul Afadhil Al - Khawarizmi (died 617 Hijri) An Analytic Study

اسم المؤلف: علاء احمد زغير
اسم المشرف: فائزة عباس حميدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: بغداد
المستخلص: In the Name of Allah, the most merciful, the compassionate. Praise be to Allah who created man and taught him to speak. Peace and blessings be upon the master of creation and messengers, Mohammed bin Abdullah and his progenies and elite companions. Al - Takhmeer Book is regarded as one of the explanations of Al - Mufasal that written by Al - Zamakhshari and one of Arabic Language sciences that Grammarians studied, explained and commented that is why Al - Takhmeer of Al - Khawarzmi was a great resource when reading the grammarians' views and their directions . Al - Takhmeer Book had many grammatical issues which need to be explained and studied. This study is an attempt to discuss grammatical views which were in the book of Al - Takhamer. Our purpose of that is to discover what Arabic grammarian's opinions and if they had followed in their scientific views or their opinions which were just a criticism and trends to the other's opinions only. The methodology of the thesis is not contrary to the division of Al - Khawarizmi to his book but it is a compatible. The thesis is divided into an introduction, four chapters, and a conclusion. The introduction includes information about Al - Khwarizmi and explaining his method of introducing the grammarian material and his position from grammarians in his book " Al - Takhmeer ". Chapter one composes of the grammatical views concerning nouns. Chapter two tackles with the grammatical views about verbs and the chapter three deals with the grammatical views regarding the letters and articles. And the fourth chapter is about the grammatical views in different issues like coordinators, pronouns and relative pronouns. In the conclusion, the researcher comes up to the following : 1. Al - Khawarizmi was not just a Grammar Scientist, but he was also a scientist in Literature, Theology, and Qur'an Explaining(Al - Tafseer).2. He was having a hard style in discussing other Grammarians' opinions.3. He was not a follower of a specific school in Grammar, but he was an elector of the opinions that he believed agree with his own views regarding grammar
الصفحات الاولى:

الغزل في شعر جرير : دراسة فنية

اسم المؤلف: هاشم طه عبد الصمد اليوسف
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 1989
مكان الجامعة: البصرة
الصفحات الاولى:

القيم الاخلاقية والاجتماعية والفكرية في وصايا عصر ما قبل الاسلام الشعرية والنثرية

اسم المؤلف: سهام حسن جواد
اسم المشرف: توفيق ابراهيم صالح الجبوري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2002
مكان الجامعة: صلاح الدين
الصفحات الاولى:

الروافد الادبية في شعر الجواهري

اسم المؤلف: رحيم عليوي حسين الساعدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2007
مكان الجامعة: بغداد
الصفحات الاولى:

القصيدة النسوية في الشعر العراقي الحديث بين الرؤيتة الابداعيتة والتجربتة الذاتية : نازك الملائكة وبشرى البستاني مثالا Feminist Poem in Iraqi Modern Poetry between Creative Vision and Self - Experience (Nazik Al - Malaika and Bushrah Al - Bastani as Models)

اسم المؤلف: ميسون عدنان حسن علوش السعدي
اسم المشرف: علي متعب جاسم
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: ديالى
المستخلص: The study of women's legal and what is produced by women in literature, especially poetry, it required to search in self - experience of the poet , firstly Women, and secondly her creative vision in writing her experience , for the purpose of detecting her internal worlds.The study was reported many visions and critical issues imposed by the nature of the subject as it focused on the study of self - experience which required briefing the outer circumstance of the text and at the same time the analysis of text structure and the interpretation of it connotations.Above - mentioned, the study divided into an introduction , preface, three chapters , conclusion and a list of sources and references . The preface entitled (self - experience and creative vision in the perspective of literature).The first chapter entitled (Feminist and ideal interval), it included two sections, the first one devoted the accomplishment poetry of Nazik Al - Malaika under the title (Feminism and the nonappearance in the poetic text of Nazik Al - Malaika), while the second section has been allocated for the accomplishment poetry of Bushrah Al - Bastani under the title (women speeches and ideal interval in Bushrah Al - Bastani poetry).The second chapter, entitled (Feminist loyalty among text thresholds and symbols of women) , it included two sections : the first one for the poet Nazik Al - Malaika under the title (Feminism and symbols of women in the text thresholds for Nazik Al - Malaika), while, the second section was for the poet Bushrah Al - Bastani under the title (Feminism and symbols of women in the text thresholds for Bushrah Al - Bastani(.The third chapter entitled (Feminist between event space and women memory) which included two sections : the first under the title (The representations of feminism and its effectiveness in the event to Nazik Al - Malaika) and the secondsection entitled (feminist dialectical, event effects and the reality of women to Bushrah Al - Bastani).Finally, the study ended with aconclusion included a set of results and a list of sources and references, which varied between old and modern, for the purpose of scientific rigor and objectivity.I would like to extend my sincerest thanks , appreciation and gratitude to the great heart which includes all his students without discrimination my supervisor Dr. Ali Muta'ab Jassim, who was so kindly act through standing by me during the writing period , choosing the topic , supplying the most important sources, opening the doors of his home and his library for students candidates tirelessly or fatigue, retracing the footsteps of the study step by step. He never be a stingy in outpouring generosity , value, guidance and advice.
الصفحات الاولى:

الهوية النسوية في شعر المراة الجاهلي Feminism Identity in Pre - Islamic Women Poetry

اسم المؤلف: ماجدة حسن حبيب
اسم المشرف: خالد سهر محي الساعدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: ديالى
المستخلص: This dissertation title "Feminism Identity in Pre - Islamic Women Poetry" to discuss the important role of women in Pre - Islamic period. It is divided into three chapters with several sections in each chapter.Chapter one, entitled "Manifestations of women identity in poetic purposes", and this chapter is divided into three sections including the speech of elegy, flirtation, and satire. Chapter two, entitled " Manifestations of women identity in poetic themes", and also it is divided into three sections speaking about women identity and themes of motherhood and childhood, and the discussion about women identity and family life, women identity and theme of affiliation.Chapter three, entitled "artistic structure in pre - Islamic feminism poetic texts". It is divided into three sections dealing with texts about feminism poetic image and poetic language, and speaking about rhythm in its two parts weight and rhyme.The dissertation has been concluded with several results and recommendations. The researcher has depended on important references like Al - Aghane for Abi Farag Al - Asfhanee and the book Balaghat ANesaa for Ibn Tayyfor.
الصفحات الاولى:

التوظيف الاسلوبي للتثنية في التعبير القراني

اسم المؤلف: عبد الرحمن محمود كريم ناوي
اسم المشرف: وسن عبد المنعم ياسين الزبيدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: ديالى
الصفحات الاولى:

حداثة جبران في الخطاب النقدي العربي الحديث The Modernism of Jubran in Modern Arabic Critical Discourse

اسم المؤلف: مروة مهدي صالح فرج
اسم المشرف: خالد علي مصطفى
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: ديالى
المستخلص: This study is based on Jubran's modernism by reviewing the critics' opinions about it. The study falls into an introduction, a background, and three chapters. The introduction discussed the concept of modernism in Jubran's poetry by illustrating the origins of the word "modernism" in Arabic and foreign languages as well as the technical term. Then, moving to the literature of Jubran to identify the aspects of modernism in it. The first chapter discussed "The Modernism in Religious Vision" in two sections. The first section discussed the critics' opinions about his vision on religious ideology. The second section discussed critics' opinions about his vision on philosophy and sophism.The second chapter discussed the modernism of cultural situation which falls into two sections. The first section dealt with critics' opinions about his vision on authority and society and the second section dealt with critics' opinions about his vision on woman and love. The third chapter discussed the modernism in literary issues. Its first section discussed critics' opinions about style aesthetics in his literature while the second section studied critics' opinions about literary types in his literature.The modernism of Jubran is distinguished from other authors pecause it dealt with the different aspects of life like religion, culture , and literature. This can be attributed to vastness of his culture and awareness of the world literature and philosophy which helped him create his own vision that cannot be an imitation of others as affection or effecting.
الصفحات الاولى:

المقدمة وعلاقتها بالمتن في كتب النقد الادبي القرن الخامس الهجري مثالا An Introduction and Its Relationship to the Literary Criticism Books of the Fifth Century A.H. as a Model

اسم المؤلف: حنين وسام جياد عباس
اسم المشرف: علاء حسين عليوي البدراني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: ديالى
المستخلص: يقوم بحث (المقدمة وعلاقتها بالمتن في كتب النقد الادبي) على بيان اهمية المقدمة كونها تمثل جانبا يكاد يكون متجاوزا عند بعضنا, فهي تمثل اضاءة لما سياتي في المتن, ووظيفتها تبقى فاعلة ومتواصلة حتى تمام المتن, وتاتي اهمية هذه الدراسة في محاولة تضييق شق التباين الذي طغى على دراسة المقدمة بمعزل عن المتن في الزمن الذي مضى, وقد تميزت المقدمة عن غيرها من العتبات النصية كونها تقدم للقارئ خلاصة وافية عن محتويات المتن, وفيها تبرز شخصية المؤلف واسلوبه وذوقه, والمقدمات في تراثنا العربي تعد احدى المكملات الاساسية في كل عمل ادبي, فالمؤلفون قديما ادركوا اهميتهوااولوها عناية كبيرة . وتاتي اهمية دراسة المقدمة وعلاقتها بالمتن في تحديد مدى التطابق بين مقدمات القرن الخامس الهجري ومتونها اي تحديد الخيوط التي تربط بين المقدمة والمتن وكذلك التنافر ما بينهما . وقد اشتمل بحثنا على مقدمة وتمهيد وثلاثة فصول وخاتمة, تناول التمهيد : ابرز المسارات النقدية في القرن الخامس الهجري, مع بيان مفهوم العتبات النصية والمقدمة قديما وحديثا واختلاف التسمية في المصطلح . اما الفصل الاول فكان بعنوان (فلسفة المقدمة في الرؤية النقدية), واقتضت طبيعة الموضوع ان يقسم الى ثلاثة مباحث تناول المبحث الاول (اهمية المقدمة ووظيفتها), اما المبحث الثاني فقد تناول (بناء المقدمة), اما المبحث الثالث فقد تناول (انواع المقدمات) , تبعه الفصل الثاني الذي كان بعنوان (التطابق الموضوعي والشكلي), وهو على مبحثين : الاول منه بعنوان (الجانب النقدي لمؤلفات القرن الخامس الهجري في ضوء الدراسات الحديثة), والمبحث الثاني كان بعنوان (المقدمة وما تطابق منها), اما الفصل الثالث فقد جاء بعنوان : (التنافر الموضوعي والشكلي) وهو على مبحثين ايضا الاول منه بعنوان (المقدمة وما تنافر منها), اما المبحث الثاني فهو بعنوان (المقدمات الفرعية الملحقة بالمقدمة الاصلية), وتضمن البحث خاتمة سجلنا فيها اهم ما توصلنا اليه من نتائج . | The study (An introduction and its relationship to the literary criticism books) states the importance of the introduction which represents almost a surpassing aside to some of us, it represents as a light of what will come in the body, and its function remains active and continuous until the completion of the body. The importance of this study is an attempt to narrow the slit disparity which dominated the introduction in isolation from the body in the time that has passed, the introduction has been characterized from other scripts thresholds that being offered to the reader a compendium of the body contents, and it highlights the author personality and his style and taste. The introductions in the Arab heritage is one of the basic supplements in every literary work, In the past, authors realized the importance that they placed great care. The importance of studying the introduction and its relationship to the body in determining the extent of overlap between the introductions to the fifth century A.H. and its bodies to identify any strings that bind between the introduction and body as well as discordance in between. The study includes an introduction , preamble and three chapters as well as a conclusion. The preamble has been included, the most critical currents in the fifth century (A. H.), with an indication of the concept of thresholds texts and the old and new introduction at different label in the term. The first chapter was titled (introduction philosophy in a critical vision). The necessity due to the nature of the subject that is divided into three sections, the first section dealt with (the importance of introduction and function), while the second section dealt with (building the introduction), while the third section dealt with the (types of introductions) followed by the second chapter, which is entitled (substantive correspondence and formal), which is on two themes : the first part entitled (the critical side of the writings at fifth century in light of recent studies), and the second part is entitled (introduction and what is matched with it), the third chapter is entitled : (thematic and formal discordance), which is also divided into two sections, the first section is entitled (introduction and what is matched with it), while the second section is entitled (sub introductions attached to the original introduction). The study includes a conclusion where it recorded the most important findings or results
الصفحات الاولى:

المجاز في الرؤية النقدية العربية المعاصرة Metaphor in the Contemporary Arabic Critical Vision

اسم المؤلف: فنن نجم عبد الاله
اسم المشرف: اياد عبد الودود عثمان الحمداني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: ديالى
المستخلص: This study deals with the use of metaphor in different critical studies and how such studies tackle with the contemporary criticism .No doubt that the contemporary rhetorical need more investigation and search in order to see the relation between such studies and the rhetorical heritage, as well as benefit the got from the technical and critical variables which attached the creative process in different periods.Metaphor considered as one of the active and wealthy systems which have aesthetic and semantic value at the same time .Metaphor excludes the apparent meanings and transforms them into deep positive meanings ,such a thing makes the recipient feel the enjoyment the meanings conveyed by metaphor. So, many studies shed more light on metaphor and they engaged in such rhetorical art such as Dr.Mahdi Al - samaraai s study entitled (metaphor in Arabic Rhetoric),such study has great effect in the settlement of the most significant critical principles for metaphor in spite of its different method in accordance with m study.This study finds that there is an influential significance in restricting the introduction to deal with the clarification of the two terms (vision and visions )which show the gap and he overlap between the two terms.The first chapter in this study deals with the traditional trend of metaphor in the modern critical visions , then the chapter is divided into three sections preceded by a prologue that identifies the origin of the traditional rhetoric and its trends . The first section deals with the contemporary critical views who denied the existence of metaphor in Holy Quran and the prophetic traditions, as well as the views which assure the existence of metaphor in Holy Quran and prophetic traditions. While the second section dealt with the fractional and logical views which prevail the Arabic culture - specially metaphor - by Al - Sakaki and others who follow him though many critics refused such vision which takes metaphor away from art, beauty and aesthetic .Finally, the third section sheds light on the previous standard norms about metaphor through the creative achievement .Accordingly, it has been found that many critics had adopted this vision though its danger since it limited the creativity of the creator on one side and dominated the recipient’s taste on the other side .cThe second chapter dealt with the stages of development of metaphor ,practically it has been divided into three sections. The first one studies the metaphorical image and the relation of this image with metaphor in the light of the contemporary critics’ views ,also ,it concerned with the problem of originating the metaphorical image .The second section sheds light on metaphor as one of the poetic tropes with reference to the various visions that of the critics ,also this section includes the poetic study of the prose not to be limited to poetry since the language of prose nowadays dissipated from the daily life language so it has the feature of being literary .Thirdly, we find that the section dealt with the sign and the connection of sign with metaphor to generate the inspiration energy and to acquire sensitive and expressive meanings.The third chapter includes two sections ;the first one dealt with the cultural criticism and the mechanism of the entire metaphor and its impact on the implicit cultural formats through the various environments ,accordingly metaphor might not be considered as a rhetorical trop only but it might include all the format dimensions in the speech and in the receptive verbs .Moreover , it has been revealed that this study has expanded to include more about the cultural criticism and the reason behind this since it is a new term unclear to many new Arabic and western critics. The second section dealt with metaphor through the modern theories which elucidate the philosophy of using metaphor and actually the most well - known theories which tackled the contemporary critics’ views as the replacement theory, and the interactive theory which have a great position in the ancient Arabic rhetorical criticism till the modern age as well as the relation theory , the contextual theory and the pragmatic theory..Finally, the aim of this study with all its rights and faults - is to be the first step in the knowledge way.
الصفحات الاولى:

شعر الاعمى التطيلي : دراسة موضوعية وفنية The poetry of Al - A’ama Al - Tatuauli An objective Artistic stady

اسم المؤلف: عبد الله عبد الشمخي
اسم المشرف: جنان محمد عبد الجليل
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2003
مكان الجامعة: البصرة
الكلمات الدلالية:
  • شعر - اندلسي
  • عصر المرابطين
  • الاعمى التطيلي
المستخلص: تعد الاندلس واحدة من اهم مراكز الحضارة العربية، التي اشرقت على اوربا، التي كانت قابعة في ظلام التخلف والضياع، ولذلك فان في التراث الاندلسي الكثير من الكنوز التي لم يكشف عنها، ولم يمط اللثام عن نصاعة اشراقتها الزاهية. ان الاعمى التطيلي واحد من الشعراء الاندلسي المهمين، فقد كان يجمع بين نظرة الاجلال والتقدير التي يحملها لاسلافه من المشرقين، جاهليهم واسلامهم وامويهم وعباسيهم، فضلا عن تاثره بجماليات بيئته وبخصوصيتها الحضرية والفكرية، وهذا مادفعني لدراسة الشاعر مستعينا بالمصادر القديمة، وبالاخص ذخيرة ابن بسام، وطراز ابن سناء الملك. غير ان المنطلق الرئيسي للداسة كان ديوان التطيلي، الذي حققه د. احسان عباس، والمستدرك الذي اعده الدكتور محمد مجيد السعيد، مستفيدا من المناهج النقدية لخلق رؤية شمولية تحاول ان تحلل النص وتكشف النقاب عن جماليته وخصوصيته. هذواقد اثرت الاستغناء عن التمهيد الذي يتناول الشاعر وحياته، فقد كان في المقدمة الضافية التي اعدها الدكتور احسان عباس للديوان ما يغني عن التكرار والاعادة، وقد اشرت الى الظروف السياسية والاجتماعية للدولة المرابطية في اثناء فصلي الدراسة الموضوعية، لما لها من صلة بها. توزعت الدراسة على ثلاثة فصول، تناول الاول منها الاغراض الوجدانية، وضم اربعة مباحث، كان الاول للغزل بشقيه الحسي والمعنوي، وقد وجدت ان الغزل الخاص بمقدمات القصائد، كان حسيا تقليديا، في حين كانت قصائده الغزلية الخاصة، تصطبغ بالحزن والالم، وتنحو نحو السرد القصصي الممزوج بالغنائية، مما يذكرنا بالشعر العذري، كمواجد الغزل بالمذكر في موشحاته الذي نعتقد انه تقليد فني يقصد ابراز البراعة والترويج عن النفس. اما الرثاء، فنلاحظ ان رثاءه لزوجته اتسم بصدق الشعور، وحرارة العاطفة، مما جعله من روائع المراثي الاندلسية، مما يميزه عن الرثاء للاخرين الذي كان تقليديا لاعاطفة فيه. وتناول المبحث الثالث الشكوى، فقد تناولت فلسفته في الحياة والموت، ونفوره من الحياة التي حرمته نعمة البصر وجعلته محتاجا لغيره، ويمتزج هذا مع الزهديات التي تناولتها في المبحث الرابع من هذا الفصل. اما الفصل الثاني، فقد تناولت فيه الاغراض الموضوعية، اذ وقفت عند المديح للوزراء، والقضاة وغيرهم، وقد وجدت ان مدائحه تكاد تكون تقليدية مكررة بصورة المشارقة، كمواقفت في المبحث الثاني عند شعر الوصف، فدرست وصف الطبيعة الصامتة والمتحركة، ومظاهر الحضارة، ووجدت ان اوصافه تاثرت كثيرا بكف بصره الذي جعله يصف معتمدا على اوصاف الاخرين لا على رؤية جمالية خاصة. ووجدت للشاعر رؤية جمالية واضحة في العتاب، اذ يستفيد من عاهته في الاستعطاف وطلب العون من الاخرين. وانفرد الفصل الثالث للاغراض الفنية، موزعا على ثلاثة مباحث، اختص الاول باللغة والاسلوب، فوجدت ان الفاظه تراوحت بين السهولة والجزالة، افصح فيها الشاعر عن ثقافته القرانيه والشعرية، مما منحه اسلوبا متينا، امتاز بطول النفس مبرءا من الاسفاف، مستفيدا من الوان البديع المختلفة في حين ادخل في موشحاته اللهجة العامية واللغة الاعجمية في خرجاتها. اما مبحث الموسيقى فقد وجدت الشاعر قد ركز على الاوزان الطويلة، عدا قصيدتين من مشطور الرجز، كمراكز على القوافي الذلل، مبتعدا عن الوحش والنفر من القوافي، كما ان الوشاح استطاع بحسه الموسيقي المرهق ان يوزع انغامه بشكل هندسي رائع على خارطة القصيدة، كما استعان بتعدد القوافي والاوزان في الموشحات، التي توزعت بين الموشح التام هي الغالبة. اما في الصورة فقد درسنا الصور البسيطة والمركبة واللوحة، وقد اعتمد الشاعر على ما اختزنته مخيلته من صور نشات من ثقافته لا من رؤيته وقد ابدع في التشكيل واعادة صياغة صورة، اي اعتماد على ذهنه لا مشاهدته، وصوره يولدها من العدم فهو يقلب المتعارف عليه ولكن بشكل مقنع، فالفكرة لا يتناولها كما هي وانما يولد منها المعاني، فهو يميل الى التفكير الخاص (التفكيك) فالطابع العام هو التامل الذهني عكس المبصرين، فعالمه داخلي في كثير من الاحيان، وقد اثر فقدان البصر في صورة التي اخفق في بعض منها. وفي الختام لا يدعي الباحث لبحثه الكمال فهو لله وحده، لكن عذره انه ساح في طريق وعر، وجمع مناهج شتى، هدفها اضاءة وابراز معالمه الجمالية فالدراسات الانسانية ليس فيها احكام مطلقة | The skillful and creative poet, Al - Aama Al - Tatauli has not gained what he deserves of study and investigation that might correspond to his importance as one of the poets of Andulsia who wrote verse and Muoshahs and who tackled all poetic genres. He is also considered as prominent Washah (writer of Muashah) in Andulsia. For these reasons, the researcher chose this poet to be the subject of his study. As a starting point, the poetic text is taken as the basis of the study. The other approaches of criticism were then utilized to analyse allThe aspects of the text due to the importance of the political , social and psychological immediate influences on any work of creation. he study consists of three chapter. There is no special biography of the poet because the researcher found the comments of the editor about the life of the poet at the beginning of the collection of his works as enough and because there is no significant information to add about this question. Chapter one is concerned with studying the subjective genres of the poet, i.e love, elegy, complaint, and religious devotion. Each of these genres is presented in a separate subsection.Chapter two is a study of the objective genres of his poetry, i.e. praise, description and blame. The genre of praise includes praising of clergymen, judges, princes, women and the infloential men in the state. Description also includes desscribing still and moving nature in addition to describing arms and weapons. Chapter three includes the artistic analysis, it discusses the language, the techinque, the internal and external melody and the artistic image including the simple and compound ones and the portait in the poetry of Al - A ama Al - Tatauli. The researcher arrived at the following condusion : - The poet tackled most of the known poetic genres where he either imitates or innovates but within the known rhythm and framework of the Arabic poetry. - His poems of praising are characterized by the deletion of the introduction and directly going through the main purpose of praising . - He was the first to do this . Besides he made an innovation in one of his introduction where he blamed life in a style of religious devotion. - The poet was behined in the genre of description in comparison with the other poets of his time in Andulsia because of his blindness. - The poet was characterized by his firm technique and soft and eloquent words that flow smoothly and easily to make very sweet music He did so by making use of the different kinds of eloquency such as similie , homonymy , and metaphor in addition to his Knowledge of music and his writing of Muwash which is mainly based on music. - He derived his images from his poetic education and the stock of his imagination . - He tend to mental imagination , abstraction and untying and he has his own internal world
الصفحات الاولى:

الموقف من الحياة دراسة في دوواين الشواعر العراقيات : 1980 - 2003م The Stand of Life And Studying The Collection of Poems for Femates Iraqi Poets 1980 - 2003

اسم المؤلف: فاتن غانم فتحي
اسم المشرف: بشرى حمدي فتحي احمد البستاني
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2007
مكان الجامعة: الموصل
المستخلص: اشتمل هذا الموضوع الموسوم بـ (الموقف من الحياة دراسة في دواوين الشواعر العراقيات 1980 - 2003م) على ثلاثة فصول مشفوعة بمقدمة وتمهيد ، وخاتمة اشتملت على اهم ما توصل اليه البحث من نتائج ، قدمنا في التمهيد اهم المقولات اللغوية والفلسفية والاجتماعية والادبية التي تتعلق بكل من (الموقف والحياة) ، كما قدمنا فيه لمحة تاريخية سريعة عن المراة والشعر .جاء الفصل الاول بعنوان (الموقف الذاتي) مشتملا على ثلاثة مباحث المبحث الاول بعنوان (الاغتراب) اما المبحث الثاني بعنوان (الموت والحزن) والمبحث الثالث بعنوان (الحب) . اما الفصل الثاني فجاء بعنوان (الموقف الموضوعي) متضمنا مبحثين الاول منها بعنوان (الموقف السياسي) اما الثاني فجاء بعنوان (الموقف الاجتماعي) . واخيرا جاء الفصل الثالث بعنوان (دراسة فنية) مشتملا على ثلاثة مباحث الاول منها بعنوان (اللغة الشعرية) وجاء المبحث الثاني بعنوان (الصورة الشعرية) اما المبحث الاخير فجاء بعنوان (الايقاع) .اما اهم النتائج التي اشتملت عليها الخاتمة فجاءت متمثلة بمغادرة الشاعرة لمواقفها الذاتية الخاصة ؛ وتعميق وتاصيل شعرها في الجوانب الموضوعية العامة ، كالقضايا السياسية (الوطنية والقومية) والتي حظيت باهتمامهوااخذت مساحة واسعة في شعرها الذي عبرت فيه عن مواقفها المختلفة . كما اجادت الشاعرة العراقية في التعبير عن الحب بجانبه الانساني العام، وجانب حب الوطن والرجل المدافع عنه، الا انها اهملت التعبير عن مواجدها الذاتية اذ قلما نجد لها نصوصا عبرت فيها عن ذلك الجانب، نتيجة للانكفاء الاجتماعي والاهمالات المتراكمة التي عاشتها المراة عبر القرون التي تقابلها امتيازات هائلة تمتع بها الرجل الى يومنا هذا، وكذلك الامر بالنسبة لتعبيرها عن جانب الحب الامومي ، والاخوي ، اذ اننا لم نجد في نتاجها نصا شعريوااحدا معبرا عن حب المراة لولدها او لاخيها او حتى لاسرتها بشكل عام ، وربما يعود ذلك الى عدم استمتاعها بحياتها الذاتية وانصرافها الكلي عن عالمها الشخصي بسبب قسوة المجتمع وشدة وطاة قيوده التي اثقل بها كاهل المراة العراقية المعاصرة ؛ والتي دعت الى ابتعاد الشاعرة في نتاجها عن التعبير عن جوانب الحياة الذاتية الى جوانب الحياة العامة، الامر الذي صرفها عن اي نظرة خاصة وحقيقية الى حياتهوااسرتها . | This subject included (the stand of life and studying the collections of poems for Females Iraqi poets). It contains three chapters (preface, introduction, and then the end with the most important results).In preface we can see the most linguistics and idiomatic sayings which related to attitude and life, as we introduced in it a historical glance about woman and poetry. First chapter came with the title (self attitude) included three subjects : the first one was under the title (emigration), and the second one was under the title (death and life), and the last was one under the title (subjective attitude) which included two subjects : the first one under the title (political attitude), and the second one was under the title (social attitude). Where as third chapter came under the title (artistry study) included also three chapters : first one was under the title (poetics language), and the second one was under the title (poetics image), and at last third one was under the title (rhythm).Finally, the end which is included the lost results of search , and the most important one this which implied the most important reasons that pushed the Females Iraqi Poets into compositions in some sides with excluding others. Shedding the light on some elements of mastering, rapine, that, fallen generally on Iraqi woman and particularly female poet
الصفحات الاولى:

المكان في نص قاسم محمد المسرحي Place in the Text of Qasim Muhammad (Analytical Study)

اسم المؤلف: نادية حازم دحام صالح الحيالي
اسم المشرف: فاطمة عيسى جاسم ابو رغيف
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2007
مكان الجامعة: الموصل
المستخلص: This included the topic entitled marked (place in the text of Mohammad Qasim) - analytical study - has been a systematic study analytical and critical times altogether because the modus operandi adopted texts on the analysis and criticism. The letter came in three chapters led Introduction and paving, followed by the most important conclusion of the search results, as we prepare the most important things in the language and the reform of the place, as we have the first stages of the founding place in the theater and theatrical qualities of the place. The first chapter was entitled came (spatial and types of construction) encompassing the Mphathin : I thesis (Creation spatial perceived) and the second entitled Alpmahth (Creation spatial Fantasizer). The second chapter, entitled (spatial levels) encompassing three DETECTIVES : I thesis entitled (outside / inside) and the second thesis entitled (higher / downward) and thesis III (Self / substantive) in the third chapter, entitled (spatial structure) encompassing a Mphathin : first thesis entitled (spatial structure of surface) and the second thesis entitled (deep spatial structure). Conclusion Finally, the results came incorporating the most search results, and perhaps most important, diversity Ashtgallat place in theatrical texts of Muhammad Qasim, particularly in the construction and substantial spatial Fantasizer as well as the emergence of various spatial levels in these texts and the emergence of four layers of the place are : - spatial construction, spatial Matin, The spatial structure of surface and deep spatial structure
الصفحات الاولى:

شعر فاضل العزاوي : مقاربة تاويلية Hermeneutic app roach (poetry for Fadhil AL - Azawi)

اسم المؤلف: محمود خليف خضير
اسم المشرف: علي كمال الدين الفهادي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2011
مكان الجامعة: الموصل
المستخلص: ان النص الشعري العربي الحديث نص غامض ومبهم بطبيعته نظرا للفنية التي تحكمه وانزياحية اللغة ،والصورة التي تشكله وضبابية المضمون، وابعاده الفلسفية ،والصوفية والاسطورية ،والرمزية ،والسريالية التي اشتغلت في نسيج النص الشعري الحديث محدثة فجوات وفراغات واعتباطيات دلالية على اثرها تزحلق الدال تحت المدلول محدثا انزلاقواانجرافا للمعنى الى ما لانهاية بحيث لا يمكن ان ينتهي الى معنى، ودلالة ثابتة وواضحة ، وان هذا الغموض والابهام في الشعر الحديث احتاج الى مقاربات تكشف المعنى، وتنتجه، وتوضح الدلالة ، فكان الاختيار للمقاربة التاويلية بوصفها مقاربة لفهم النص الشعري الحديث تساعد على فهم المقاصد النصية والابداعية المتجلية في فهم النص ،و الوجود ،والحياة ،والذات المؤولة ، ولكون التاويلية تقارب المبهم والغامض في الشعر الحديث فقد وقع اختيار الاطروحة على شعر العزاوي المعروف بميله الى التجريب، والتغريب وبحثه الدائم عن العوالم الشعرية المختلفة والغريبة وتجاوزه المستمر وتمرده على المالوف، وتشكيله للصور الرمزية، والسريالية التي تنسجم مع روح الشاعر التي بصمتهراوح الستينيات بكل تحولاتهواانعتاقها ، وفضلا عن الابهام والغموض في شعره فانه يتمتع بغزارة انتاجه الابداعي وتنوع تجربته الشعرية ، مما ادى الى ان تكشف هذه الدراسة عن اشكالية مصطلح التاويل في منظومة الخطاب العربي والغربي ، فضلا عن مقاربتها لنصوص العزاوي على وفق منظورات وخطابات تاويلية تمركزة حول قصدية المؤلف في ابستمولوجية شلايرماخر، ودلثاي، وهيرش متبلورة في تاويل تجربة السجن، وتجربة الشاعر مع الابدية ،والنفي عند العزاوي ، اما قصدية النص فقد كشفت في انطولوجيا هيدغر، وغادامير، وريكور ، الاثر، والقناع، والرمز ، وفي قصدية المؤول تجلت استتراتيجية انتاج المعنى في مقاربة امبرتو ايكو، وفيش في تاويل دوغمائية السلطة، وقلق المكان، وعلاقة المبدع معها ، كاشفة هذه المقاربة بصورة عامة في نصوص العزاوي توتر العلاقة مع السلطة، وتجربة النفي ،والموقف من الواقع، والتراث، والانسان ،والتمرد على الواقع والشكل الفني،وتنوع تجربة الشاعر اذ شكلت تجربة الشاعر وسيرته الذاتية محفزات ومقصديات مبثوثة في ثنيات النص تحتاج الى فهم معناهواتاويلها متحركة بين تجربة السجن التي افرزت حالة تمرد، وثورة روحية ترسخت في تمرد روحي يبحث عن خلودية، وابدية، ودورانية الزمان وتغييره ، وتمرد جسدي في لحظة الغياب الجسدي عن الوطن في تجربة النفي ، وبذلك تحقق في العمل الابداعي انعتاق زماني في لحظة الابدية ودورانية الزمان ، وتجاوز وانعتاق مكاني في تجربة عدم الاستقرار النفي الجسدي ، وان روح العزاوي المتمردة، والثورية وتجاوزها المستمر للحاضر مثل حالة غربة، واغتراب كونت مسافة بين الشاعر، والاشياء، والناس الذين حوله لتتحول حالة العزلة والاغتراب في الوطن الى نفي، وحرية في الغربة ،كما لا نتفق مع الذين عابوا على العزاوي رفضه للتراث وتاثره بالغرب ، انما يمكن القول ان تعامل العزاوي مع التراث قائم على النقد، وليس الرفض مستخرجا منه الجوانب المضيئة التي تساعد على التقدم والتطور، وهذا ما نتلمسه في حواره وتناصه مع شخصيات تاريخية عربية ،وغربية ، ولعل العزاوي حاول ان تكون تجربته الشعرية تجربة عالمية ؛ ولذلك لا يمكن ان يحصرها في التراث العربي ، فضلا عن كون العزاوي يميل الى التجريب، والتغريب لذلك لا يستقر في اطار او نمط شعري ساكن،و يمكن القول اننا نجد حضورا لروح الماركسية وفكرها في شعر العزاوي من خلال رموزهوامفاهيمها ، مما اضعف نصوصا كثيرة في شعره فاتجهت الى التقريرية، والمباشرة في كونها تكتب للعامة والجمهور،وقد شكلت ظاهرة محو الاثر في نصوص العزاوي هاجس رفض للمفاهيم القديمة،ومحاولة بناء مفاهيم جديدة لجيل جديد، لذلك كانت تجربة الاثر قائمة على لعبة المحو، والبقاء في شعره ،و ان تجربة الحوار التاويلي مع تقنية القناع في النصوص العزاوي تفهم بانها سخرية وتهكم ،ونقد ورفض لبعض المفاهيم في الواقع ، بعد محاولة العزاوي حصرها في اقنعة عربية وانفتاحها على اقنعة غربية، وعالمية متنوعة بين الدينية، والاسطورية، والتاريخية، والادبية ،والذاتية ،وهذا يدل على ثقافة واسعة وعميقة ، ونتفق مع سامي مهدي بان بعض رموز العزاوي قد استعملت في نطاق الاشارات العابرة والاستعمالات العادية والرموز العقلية المرتبطة بها ، ولكن هذا لا يمنع من القول ان الرموز التي خضعت للمقاربة التاويلية تحمل من الابعاد الفلسفية، والفكرية، والثقافية ما اغنت واثرت النص الابداعي، يبعث المكان في شعر العزاوي تجربة تاويلية قائمة على عدم الاستقرار والقلق بسبب جدلية غياب الغربة والاغتراب في الوطن، والذاكرة المتوقفة والساكنة في ذاكرة الطرد، والنفي ، ؛لذلك تقولبت تجربة المكان في شعر العزاوي بمضامين سياسية، وفكرية، ومعرفية ، مترددة في دلالات ارتبطت بالصحراء، والنفي، والمدينة،و لم يكن العزاوي من الذين يؤمنون بسكونية القصيدة العربية ، لذلك لم يؤطر ويحدد نفسه في نوع او جنس واحد اذ كان يؤمن يالتجريب فتنوعت قصائده بين الموزون والمتداخل حتى يمكن ان نتلمس حضورا لعبارات او اقولا فلسفية تستدعي الى الذاكرة اقوال وحكم نتشه . ـ ادخل العزاوي عناصر شكلية وتقنات متنوعة لم تكن مالوفة في متن القصيدة العربية متجسدة في التقطيعات الكتابية، والرقمية، وصور سريالية ورمزية، وتقطيعات اللقطات المبعثرة، والتي بالكاد نجد بينهراابطا ، فضلا عن تداخل الاجناس، وافادته من اجناس السرد والدراما.وان التحولات الشعرية في شعر العزاوي ارتبطت بتنوع تجربته الفكرية، والثقافية، والمكانية ، لذلك مثلت اكثر قصائده سيرة ذاتية ابداعية مبثوثة فيها مقصدياته،وتكشف مقاربة نصوص العزاوي عن اختلاف بين شعر ـ الداخل ـ الستينات والسبعينات الذي يتميز بالتغريب، والتجريب، والابهام وصوره السريالية ، وشعر الخارج (الغربة )الواضح والمباشر ، وربما يعود سبب ذلك الى حالة النضج الشعري، والعقلي، والحرية التي وجدها في الخارج ( الغربة) | The modern Arabian poetry paragraph is a vague one naturally un understandable according to the artistically way which roll it and the language derailing. The picture which made it's shape and size and also the fogy in whole writing. Its philosophy dimensions and the sophistical, surrealistic, mythical and the symbological which effect in the core of the modern poetry paragraph. Work in the core of the modern poetry text that makes a holes, emptiness and conceptual random that’s make the indicative getting down under the concept making an ambiguity in the meaning which makes an impossible for the text give us a meaning. This kind of ambiguity in the modern poetry need to approaches verifying the meaning. All that made the decision and choice for the hermeneutics approach by approaches for understanding the modern poetry text which helps to understand the textual meaning and the creativeness meaning all these kind of meaning helps us to understand the text, existible, life and dialectical soul and because of the hermeneutics approach is gathering between the ambiguity and vagueness in the modern poetry , so I chooses the poetry of Al - Azawi who well known in experimental trying and his always search for the exotic poetry worlds and always well known by his revolutionary against the usual. Making an surrealism, symbolist, image which fit with the poet soul which full of with the sixteenth sprite this liberating and staling sprit. with all what we describe in his poetry he also had variety and super abounding in his creativeness production , this research study putting us face to face with the hermeneutics problem in the Western and the Arabian speech system. Also there is an hermeneutics approach with the poet centered around the poet verses in epistemology of Shlaermakher, Dilthay and Hearsh originally hermeneutic in the prison experience, the poet experience with the eternity and negation in Azawi style. the textual poetry discovered in the Hedgure anthology, Gadamer, Reko, trace and mask, symbol. The hermeneutic poet shown the meaning production strategy in the hermeneutic of Ambirto Echo and Feesh in describing the power dogmatism and the relationship between it and the creator. This hermeneutics in Al - Azawi poetry revealed tension in the relationship with the power and all kinds of tension the humans and reality, culture, heritage, the artistically shape
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الخوف في شعر صعاليك العصر الاموي The Fear Brats in the Poetry of the Umayyad Period

اسم المؤلف: ايمن احمد جاسم الحمداني
اسم المشرف: ان تحسين محمود الجلبي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2012
مكان الجامعة: الموصل
المستخلص: Appeared in the Umayyad several levels of period and different aspects of the expression of him, after he covered the fear a large area of hair Umayyad and managed to the hearts of most of the poets, stands in the forefront of a poor alike, the fear they have made appearances and various forms and marking their nature specific, Fasho with monsters and desert and Tjulu in Mujahlha, and away from people, and took a wasteland Amakna complicity and Tkhvém, Vonoi monsters companion and lived it to be so far from the hands that you want to lethality with them, and eyes to them, and enemies who seek to kill them, and the different vision of life and each Xi around them, and became fear defines their relationships and their movements , Fdarthyatem within this dark horizon, Fasho state of fear and anticipation and apprehension of any movement Aousot, Vtgesdt stuff on them is what they are, and they took full control of the phenomenon of fear.I estimated to be in this research study to the wisp : an introduction and preface, three chapters and a conclusion. Addressed in the preface to talk about parts of the title, I knew the language of the phenomenon is termed, in the language was different connotations and meanings, mostly due to power and prominence in the term behavior is shared by a group of people and oppress them Jargia exercise.Then fear and Atalaha language, in the language of which were multiple meanings, including sensory and emotional, and mostly various Bachtqaqat will invalidate the security and peace of mind. In the terminology identified as a state of emotion innate natural that occur in the soul when it is expected humans a thing or exposed to the risk of what, whether the source of danger felt Ogir significantly, and Najh Therefore, changes occur in the same rights of internal and external, followed by a reaction be either passive withdrawal and escape or a positive challenge and attack.Then talk about the philosophical concept of fear, He toured around the expected or imagined evil and this results in internal and external purposes. In talking about the concept of fear, psychologically, has varied opinions in the definition of fear and this is due to the different schools Alert and theories, but most of them agreed that the fear emotion internal stalking rights when he felt threatened or sense of threat or expectation of evil, he causes and consequences on the body and soul. There is a difference between fear and anxiety.Then down to Tramps language idiomatically, came meanings and connotations, and congenital defects, and there is a difference between AltassalkAlassalkhFezla and the emergence of many synonyms for them KalzabanAlctar and deadly .... Etc.A lot of Atakhtlv implications for Altassalk and Alassalkh. Then research was presented a brief overview of the phenomenon of fear in the human heritage, was the phenomenon of fear roots extended to ancient times, since the development of human feet on the ground felt the concerns of many, and tried to obey its evil and keep away from them in various ways the physical and moral, and it was to fear from predators and the phenomena of nature , and the forces of the gods of the first human concerns, and the more times and the progress of human evolution, there have been other concerns are added to the list of previous concerns. Find and then touched to talk about fear in the pre - Islam era. He was of the factors psychological, environmental and fundamental economic and social impact on the emergence of the manifestations of Addidh of fear appeared at Brats Umayyad era : the fear of religious, fear of political and social phobia, fear of death, fear of a lifetime, and the fear of the place.The impact of these concerns appeared to poets and their textson poetry has been observed in their choice of letters, sounds and words as well as rhythm and poetic images of internal and external
الصفحات الاولى:

صورة الخليفة في الشعر الاندلسي The Caliph's Image in Andalusia Poetry

اسم المؤلف: هبة عيسى حسين الحمداني
اسم المشرف: منتصر عبد القادر الغضنفري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2011
مكان الجامعة: الموصل
المستخلص: بما ان الخليفة هو الذي يقوم بالدور الاكبر في تنظيم امور الحكم ؛ اذ يعمل على تطبيق اوامر الله وشعائره في ظل حكم اسلامي , فقد كان هدفي الاول من هذه الدراسة هو بيان (صورة الخليفة) كمرااها شعراء الاندلس واقعا وتخيلا سواء اكانت الصورة التي رسموها له ايجابية ام سلبية من حيث كون الشعراء بشرا تتحكم فيهم اهواؤهم الشخصية مع ثبات مفهوم الخليفة في الفكر السياسي الاسلامي في الوقت نفسه . وقد اقتضت خطة الدراسة ان تكون في ثلاثة فصول يسبقها تمهيد وتتلوها خاتمة ، اما التمهيد الذي يعد مفتاحا لموضوعها فقد قسمناه على قسمين تناولنا في القسم الاول منه الخليفة لغة , وتناولنا في القسم الثاني الخليفة اصطلاحا على وفق محورين تضمن الاول الخليفة في الفقه الاسلامي , واما الثاني فقد تناولنا فيه مصطلح الخليفة كما فهمه شعراء الاندلس ، ومن ثمة فقد تعددت مرادفات المصطلح كما سيتضح . ثم جاءت فصول الرسالة , فكان الفصل الاول في دراسة (الصورة المعنوية) , وتضمن اربعة مباحث : كان الاول في (الصورة الحربية) وقد قدمناها على بقية الصور ؛ لغزارة الكم الشعري الذي عثرنا عليه في مصادر الشعر الاندلسي , وقد تمثلت هذه الصورة في فن ادارة المعارك ووقائعها , اما المبحث الثاني فقد كان في (الصورة الاجتماعية) ، وشمل مكارم اخلاق الخليفة وعلاقته بالرعية ، واما المبحث الثالث فتناول (الصورة السياسية) التي تركزت في بيان نظام الحكم والسياسة الادارية والاصلاحات ، واما المبحث الرابع فكان بعنوان (الصورة الدينية) المتمثلة بالمعاني الاسلامية ومفاهيم العقيدة السمحاء التي حملها الخليفة وتمثل بها . اما الفصل الثاني فكان في دراسة (الصورة المادية) , وجاء في ثلاثة مباحث : الاول في بيان (هياة الخليفة) كمراسمها له شعراء الاندلس ، واما المبحث الثاني فقد كان في (الصورة الشخصية) من حيث ما تكلم عليه الشعراء من صفات الخليفة من مثل الثقافة الخاصة والحاجات الشخصية. وكان المبحث الثالث في الحديث عن (الصورة العمرانية) بمعنى ما اشار اليه الشعراء من مظاهر التقدم العمراني انذاك مما يعد من منجزات الخليفة .وقد اتبعنا في ترتيب مباحث هذا الفصل التسلسل المنطقي في وصف شخصية الخليفة من حيث الهياة والصفات وانتقالا الى ما احدثه من اعجاز عمراني . ثم جاء الفصل الثالث ليظهر (الصورة السلبية) للخليفة والمتمثلة بذكر الخلافات التي حدثت بين قادة الاندلس فضلا عما اشار اليه الشعراء من ابتعاد عدد منهم , والابتعاد عن منهج الاسلام والاخلاق الاسلامية النبيلة . | The aim of this study is to show the (caliph image) as seen by Andalusia poets as a reality and imagination, whether that image was positive or negative because the poets are humans, who are dominated by their personal passions and with the solidity of the caliph concept in the Islamic thought at the same time. The subject of the study required that this thesis consists of a preface and three chapters.The preface was divided into two parts; the first one tackled the caliph linguistically, while the second part dealt with the caliph terminologically on the basis of two axes. The first axis dealt with the caliph from the Islamic Fiqh point of view, and the second tackled the term of the caliph as realized by the poets of Andalusia.Chapter one studied the moral image and consisted of four sections. The first section tackled the was image of the caliph. But, section two dealth with the social image, the third one tackled the political image and section four dealt with the religious image of the caliph.Chapter two examined the material image and included three sections. Section one manifested the shape of the caliph, the second section tackled the personal image and the third section dealt with the urban and architectural form.Chapter three manifested the negative, image of the caliph and presenting the image of other caliphs other that Andalusia caliphs. Finally, it was shown - after scrutinizing and studying the concept of. the caliph linguistically and terminologically in the Islamic Fiqh and for the poets of Andalusia considering them as the persons who express the society and the environment. So we can see many words, which are synonyms to the word "caliph" and indicating the caliphate as an Islamic concept including : " the prince of believers, the prince of Muslims, the Imam, the king and the Sultan.The research also revealed the attention of the poets to the military role of caliphs through the grand battles that they lead against their enemies such as the battle oiZallaqah, AlArk and Wadl Sulaii battles. Those poets portrayed the positive and good characteristics of the caliphs including high manners. But, the poets also manifested the negative social images of the caliphs if he does anything wrong and that reflects their - the poets - commitment to Islam mentioning their kings and women in the image of the caliph and they employ the nature of Andalusia nature to portray traits and events
الصفحات الاولى:

سردية الخبر في كتاب زهر الاداب وثمر الالباب وذيله جمع الجواهر في الملح والنوادر للحصري القيرواني ت 453هـ Story Telling in the Book "Zahr Al - Aadab Wa Thamar Al - Albab" & its Appendix "Jami' Al - Jawahir Fi Al - Moluh Wa Al - Nawadir" By Al - Husari Al - Qairawani (Died in 453 AH)

اسم المؤلف: تغريد خليل حامي
اسم المشرف: رائد حميد مجيد البطاط
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: بغداد
المستخلص: After the journey of continuous research between those papers enjoyable and after overcoming the stone stumble and the rise of difficulties, the study reached a number of results were the fruit of the research, the most important of which : 1. The AL - hosary of Kairouani in his book "The Flower of Letters" and his collection of essences is not hardened in attributing some of his news, and he did not have a clear position in attribution. He did not provide news that is devoid of sind, This may be due to the fact that it is news that aims at enjoyment and entertainment, as it includes judgment, salt, and generosity, which is not useful for attribution, and is not harmed by what was omitted from it, because what is important in the news is enough and what it evokes in the reader of pleasure and artistic pleasure. 2. The structure of narrative initiation in the news of AL - hosary Kairouani as a structure commensurate with its position in the first speech makes the initialization distinct from the rest of the elements of the text of the story, because this structure comes from thecontent of the text and style are born the essence of the inception and base, And follow - up and interaction with him.3. The endings in the news of the AL - hosary does not come apart from the rest of the elements of the text of the news, but is the product of the text, it is a lock and the end of any beginning, and the last that remains in the audio text.4. The sarcastic news is synonymous with all the meanings of ridicule and ridicule based on the funny comic criticism based on the image to achieve the points of the drawback of psychological, physical or physical defects, and exaggerating the portrayal of thisdefect in different and varied ways. 5. The comic news shows the joke and humor and all the enjoyment of the circumstance of speech with the aim of laughter and self - recreation. So laughter is a picture of images of transcendence on reality, as it casts the curtain of unrealism and raises concerns with seriousness.6. Realistic (realism) news is focused on portraying the reality in its most precise detail, based on the reference to real events that reflect temporal and spatial determinants, and are based on historical and literary references that have contributed greatly tothe production of different human positions. 7. The narrator in the news of the AL - hosary Kairouani the basic functions that we have identified by the clarification and statement of contents and objectives according to the modern narrative methods, because the narrator is committed to the readerof the function of the presentation of consecutive events causally and logically so his position is very dominant and wide, and with the breadth of its position varied and varied in this The news is narrative function, documentary function, suspension function, coordinating function, communication function, and expressive function.8. The study of the overlap of the prose species in the structure of the news of the exclusive of the possibility of overlap and the differences between them according to the principle of systematic accumulation of news, because this accumulation cannot be basedonly on the rule of integration elements of the text of the information of the characters and times and places and events consecutive sequentially, Between petty races based on the traits and dominant elements that have formed a prominent presence anddistinctive in this news as for the overlap of hair in the structure of the news, the hair formed an organic unit with the text of the experimenter, since the relationship and overlap between them is clear and clear, and exclusive in this employment of the energies ofpoetry and its potential to serve the text of the story to make the recipient more confident and credible in narrated, and to emphasize the importance of news and reality, The relationship of the news to the hair was revealed by two demands : the functions of the hair overlap in the structure of the story, the overlap of the poetic story in the structure of the news.9. The characters in the news of AL - hosary were animated as a vital component of various consecutive events, causally and logically connected. In addition, these characters vary in terms of their movement and stability within the structure of this news, whether they are a developing person or a static, but the methods adopted by the exclusive in the presentation of his characters, is the analytical way and representation.10. The construction of time in AL - hosary news of has been based on the natural time, both historical and global, to achieve that intentional goal is to show a clear picture of the recipient of the time of the occurrence of events and events important from the lives of actors active and interactive in this news, The recovery technique has a more distinct and clear presence than anticipator y technology, because it has multiple functions and goals, and to highlight past positions and events that make a clear contribution to building this news in form and content. 11. From AL - hosary study of the structure of the place we found that there are three main patterns in the news of the place of the family, the hostile place, and the historical place, and we have mentioned these patterns according to the abundance of them in thebook. 12. In the study of the event and the structure of the event, three basic patterns emerged : the sequence, the format of the layout and the frequency format. The sequence was clearly and more conspicuously present in the construction of the event, perhapsbecause of the causal sequence.
الصفحات الاولى:

العتبات النصية في قصص جاسم عاصي : دراسة سيميولوجية سردية

اسم المؤلف: كرار حيدر عباس الاسدي
اسم المشرف: عبد الامير مطر فيلي الساعدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: كربلاء
الصفحات الاولى:

الحواس في دواوين اصحاب المعلقات العشر The Effectiveness Of The Senses in The Owners Of The Ten Pendants

اسم المؤلف: حنان مهدي مال الله مهدي الخفاجي
اسم المشرف: علي ذياب محيي العبادي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: كربلاء
المستخلص: This research has clarified the role of the senses in the formation of sensory images .This means that the important of senses is not limited to the performance of it's function which is realized of itꞌs senses .Another importance is invested by the write in particular , he produced a poetic color of his poetic poetry ,which is the sensory images through which he could express his ideas and feelings ,or convey his experience and that the imagination of poet and his proficiency and technical tools of his role contribute to the completion of the formation of those images ,the senses the first role in this . there is no sense of perception of what imaginative and creative. The Media recorded asignificant presence on The images , which was written by the revolutiouaries of the ten pacts . The image is full of brightuess and clarity especially analogy Made The recipient embodies The suffering of The poet or lives his joys .. All This Meeting of The senses Are Named compound images . In each of the chapters of this research ,he dealt with one sense ,except for the first chapter one to the limited number of sensual images that were studied by the poets of ten pendant and I presented in the mechanism of the senses at the beginning of each chapter and also mentioned the images that the poet invested more than one sense in its composition to be a compound images composed at The Meeting Of The senses are name compound image
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البنية السردية في روايات سعد محمد رحيم The Narrative Construction in Sa'ad's Mohammed Reheam Novels

اسم المؤلف: نور جواد كاظم الكركوشي
اسم المشرف: رفل حسن طه الطائي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: كربلاء
المستخلص: The Narrative Construction in Sa'ad's Mohammed Reheam NovelsThe novel is considered the era epic due to its great significance within all topics it deals with when the writer skilled his work and was able to run his instruments in addition to his simplicity in presenting the case that he indirectly wanted to tackle. Accordingly, the current study got benefit from the modern superfluity method in studying one of the most prominent literary Iraqi men; he is the novelist Sa'ad Mohammed Reheam who characterized by a variety literary product of story, novel, intellectual, economic and literary studies, and journalistic articles. Our interest, in the current study is limited to his narrative product since his story product has already been studied in a master thesis.The study contained a preface and four chapters. Within the preface, the researcher dealt with the narration concept and the narrative construction. Then, the study talked about this concept from the Arabic and Western critical perspective and later a brief about the novelist's life, works, rewards, and his novel translation.First chapter is devoted to the narrative temporal. Second chapter discussed the narrative spatial which is regarded one of the most important base in the novel. third chapter mentions the most important element in the novel, that is the characters. fourth chapter is devoted to the narrator and the addressee (narrated to). The study was ended with a conclusion which contained the most significant results and a list of references and bibliographies that depended on in the current study.
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تحليل النص القراني منطلقاته - ومناهجه

اسم المؤلف: عادل حريجه كزار محمد الخفاجي
اسم المشرف: امجد حميد الفاضل
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2018
مكان الجامعة: كربلاء
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تحبيك التاريخ في الرواية النسائية العراقية بعد 2003م Emplotment history of the Iraqi Women's novel after 2003

اسم المؤلف: مريم جبل كاظم سعدون النايلي
اسم المشرف: اوراد محمد كاظم
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: This study looked at the novelist models absorbed historic in many ways, as a piece of text space, based on history by making it interactive and absorbing reference transmit it, and reflect the social, political and historical reality as the novel begins from reality to paint and building events, reflecting the shifts and changes that have affected society, and expressive and tragic reality bitter, dominated by the theme of violence as the theme of ideology has been able to occupies a large area in novel writing, including in respect of the effects of the devastation and oppression, through different techniques and methods to evoke historical reference in the novels, some of which were adopted in the events listed on the anonymous Rao, non - participant in the narrative process, some of which was mediated by the characters, or through an external Rao, for a variety of viewing angles, and also through various forms of dialogue, was the product of that accommodate women's history in the novel, and the findings of the researcher : • The writer raised concerns of political and social world, filled with history novels, inspired him to events past and present other, dealt with topics Frequently Asked Overall, I wrote about the wars and revolutions and tragedies portrayed stages of the rebellion, tyranny and corruption of the ruling regimes. • hired novels, social and cultural historical political figures and realistic, of revolutionary heroes, and dictators, summoned by the presence of popular historical figures or mystical within the narrative structure, given roles in the plot fiction as a symbol of the nation path .• refer the imaginary characters in most novels on historical figures; especially as some accounts come with all of the personalities of Tadian mutual role, and offered to lend historical realism feature on the novel; especially related to the terms of reference of time historical, in addition to events imagined, which refers to the real event figures. • varied historical and social issues in the novels, most of them from the current date, and then come back rebounds requiring novel of introduction of some issues that fit with the periods of time which codified them. • The presence of historical reference in the novels and clearly defined, hardly constitutes a phenomenon in the novel, whether it be at the forefront of some of the novels which Tsfh Metn novelist specific historical terms of reference, or is it the middle of, or at the end, it was filled history ample space from them. • In most historical texts contained in the novels, we see the similarity of the historical text with the text of the novel, except for the referral of brokered imaginary narrative as space accommodates historical issues, and references to historical realist. • historical perspective form in the Metn novelist dimensions tag them ideological historical or social, to call historic event that employed by the similarity of the voice of the narrator and central character with history and events and characters, for private novelist vision, or for the connection between the reality of life and the events of history, it was time who spotted the historical vision of the writer related a time of successive wars, which had an impact on the psychological and social structure of a society novel Mstdeih last time more than the present. • historical vision of the structure where the transmitting reveal the meaning to indicative transmit through which the writer on realistic data where the real Palmtejel associated in the context of building the narrative, which talk about the significance of ideology in the spaces of the novel, and the manifestations indication of violence as a space carries the meaning of oppression by the destruction address, and carries political dimensions and cultural and social by describing the geographical location as a space, to reveal the significance produced by the historical time and social time. • handled some accounts the question of identity and Thabayk history and research in the dispersion and Chziha, between domicile origin other country residing in it personal, to try accountability reality, history and re - Thabeckhma; it traced manifestations expatriate figures in the level of words and deeds, and time and place, and succeeded in drawing crisis and permanent suffering and struggle with reality and with the other, a conflict that led her to the ways are blocked, either death or suicide or alienation as his image of the novel, or trying to escape from reality
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شعر عبد الامير جرص : دراسة اسلوبية The poetry of Abdul - Amir Jaras Stylistic study

اسم المؤلف: تارا خالد خلفه
اسم المشرف: صفاء عبيد حسين الحفيظ
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: It's became known that the Iraqi poetic text is a diverse text , that opens to the continuous experimentation field which does not settle down or rest , This text that has seen many transformations, Alterations, Creation and re - creation operations that contributed at maintaining the continuity of its leadership, The '90s Iraqi Poetic text was able to achieve a great artistic richness during its emergence, By a good group of Iraqi poets, Including "Abdul Amir Jaras ", That his mature writings imbued the creativity pouring rain on the land of Iraqi poem fertile, and as a Modernist poet, and as a modernist poet, he deliberately breached the standard poetic language, Employing new structures and syntheses, That contains a lot of sarcastic Paradoxes of the '90s tattered prevailing situation. Abdel - Amir, whose poetry experience has matured in the 90s' of the last century, But as the sons of his generation of poets, His poetry did not take its right of literature study, And didn't receive the attention of researchers, Despite the fact that his texts contain very dangerous and influential images and poetry flashes. From here I grew a desire to study the phenomena and features that characterize his poetry in accordance with the modern approach that reveals the secrets of the text and its interrogation as stylistic. And as the Methodological necessity required this research, To be divided into a preamble, three chapters and a conclusion, In the preface : we briefly presented the most prominent stylistic phenomena of the Iraqis poets of the 90s' generation, Speaking about the impact of intellectual, political, social and economic conditions in their poetry, Then we gave an overview of the life of the poet and a translation of his biography, And then we discussed the different circumstances that formed his experience .As for the first chapter, entitled (audio level) : it was built on two subjects, The first subject dealt with the internal rhythm, Which was addressed to the rhythm of (repetition) and (parallelism),While the second subject dealt with external rhythm, In which we studied the (weight) and (rhyme).The second chapter on the other side, entitled (structural level), included four topics, In which we discussed the most prominent structural stylistic phenomena, In the first subject we studied (query) and in the second (negation), In the third (appeal), in the fourth (submission and delay), the fifth (time), Which is divided into three sections (overlapping, fading and absolute) time, With making statistical tables for all previous phenomena to reach more accurate and objective results .In the third chapter, entitled (Semantic Level), it included three topics : first (semantic fields), Which was devoted to talk about the most prominent fields contained in the poet poetry such as (field of nature) and (flags field and personalities), And in the second section We dealt with (The picture) which is divided into : (mental image) and (sensory image), In the first one We dealt with the (symbolic image) and the (mythical image), In the second (optical image) and (haptic image). And as for the third section it included (image semiotics) and was divided into (punctuation marks), (whites and blacks) and (Typographical space.) And as for The conclusion : it included a summary of the most important results we have reached in the research, Then a list of sources and references and a detailed index of the topics.
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