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توظيف تكوييات فنون الايهام البصري في التصميم الطباعي == Configurations Employ Optical Illusion Arts In Graphic Design

اسم المؤلف: نجاة قادر محمد علي الكواز
اسم المشرف: مها اسماعيل علي الشيخلي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study seeks to search in the recruitment of configurations illusion Optical in Graphic Design, which aims to spread the idea of a certain system to express the desired goal, considering the fact that the illusion Optical is important within the configuration design of posters, film, what is caused by differences influential and active in the process of cognition that lead to differences in the semantics of design to look like the shapes on the non - reality, and focus current research Gel attention on knowledge of the concepts and ideas that play illusion Optical inside posters film that holds within it the many implications of intellectual and aesthetic and functional, and progress of the overtones variety in the poster Film Festival, and enrolled Search the arrival of several, came first quarter of identifying the problem of search and reflected Baltsaalin the following : 1. Maalah of configurations employ optical illusion?2. What is the role of recruitment optical illusion to demonstrate the functional and aesthetic value in printing designs?The importance of searching through MAP to those related to the design layout and relevant design and art direction, and the possibility of hiring illusion optical designs printing in order to increase thought design with designers, by deceiving the system for visual Ansan ranging from fraud on the eye down to brain by manipulating the size and the shape and length and the use of light and shadow and colors on the constituent elements of the work of art, and the contribution of research in the education of artistic taste among workers in the field of Graphic Design, through Alaihamat optical occurring in the truth when used by the designer to show the functional and aesthetic connotations.Set the goal of search in the recruitment mechanism optical illusion Arts in Graphic Design.The study included limits on film posters designs winner of the Prize for the years (2011 - 2012 AD.)Interested in the theoretical framework of three Detectives, The first topic touched on (date optical illusion, perception, physiology of vision, theories of optical illusion), while interested in the second part (the mechanics employ optical illusion Arts in Graphic Design (movie poster), and which included Toziq the componentsVisual layout design to create the phenomenon of optical illusion, optical illusion and visual components of the layout design, recruitment in the configuration space design to create the optical illusion phenomenon,Employment bases structural formations design to create the phenomenon of illusion Optical, employment relations,constructivism in the show simulated visual space inside design, employing technological Digital Graphic Design to create the phenomenon of illusion optical, and touched third section to the (theory Aljstalt and illusion Optical in Graphic Design (posters), date posters and development of optical components for the design of the label (Items Altibogravekah.)The third chapter included a description and analysis (22) sample research, has singled out this chapter of the procedures, which came descriptive analytical method as a method followed in the search, and the purpose of the analysis of samples, it was a promising form of analysis and approved by experts and came on the basis of paragraphs of analysis, depending on theoretical framework indicators.The fourth chapter, has included a presentation of the results reached by the researcher, namely : 1. characterized most of the film poster designs mainly for color and directly to achieve the optical illusion phenomenon depending on the depth and direction of movement, through the variations and colorimetric Altdadat, and the resulting sense of the progress of warm colors to the Imam and delayed cold colors back.2. Create employ digital technology influential and active role in bringing about the illusion of movement through the formal intensity, and convert images into color values and different light, as well as the use of computer technology to show the aesthetic and functional values through the use of modern technology processors.3. hired contrast Almc to achieve the optical illusion phenomenon through difference the depth of space in order to deliver idea Altsamama to the recipient.4. and hired a design in the relations within the design configuration of the events of psychotropic Aihamah movement and direction through the juxtaposition and overlap seam and penetration and transparency.The fourth quarter also included a set of conclusions of the study, which was the most important are the following : 1. results of the analysis showed employ multiple optical illusion pictures in Graphic Design verification through functional and aesthetic purpose film who designed the poster for him.2. characterized most of the designs for the film posters by adopting optical illusion to convey the idea directly involved in some of the posters, and indirectly in other designs for film posters.3. to color a vital and important role in the design process layout in general and film posters in particular, in terms of the valueof visual and attract attention and show a sense of visual Balaiham.4. designers tried to achieve the optical illusion through structural elements relationship with each other and relate to the content of the design idea that designed the poster for it.5. technical processing of photographs printed using modern techniques (computer technology) to achieve a state of thrill and excitement of the recipient in particular and it is the main components of the film poster.6. to achieve unity within the design configuration of the film poster through the relationship of the part or the part to the whole, to achieve the purpose of functional and aesthetic who designed the poster for it, and create element to attract attention of the recipient.7. made use of photographs and fees within the composition of the poster Film functional and aesthetic purpose for which it was designed poster Film Festival.Then the researcher recommended a number of recommendations, including : 1. to benefit from the employment of optical illusion in the overall design and design of film posters in particular to achieve the purpose of functional and aesthetic, commensurate with the cultural and technical progress of the current era.2. focus on the use of color variations and different values to achieve the optical illusion inside the optical configuration design for film posters.3. to take advantage of digital technology in order to create a sense of visual Balaiham effectively and efficiently within the configuration design of posters to attract film optical tightening of the recipient.4. rely on relations design Kaltrakp and penetration, transparency and juxtaposition to create the optical illusion phenomenon different depths within the space configuration design for film posters.5. stay away as much as possible about the use of symmetrical balance, as a result of raising the monotony and boredom within the design space for posters, which reduces the visual illusion feature film posters.The researcher made possible proposals that are searched in the future, including : 1. conduct a study on the visual aesthetic illusion done with digital technology.2. a comparative study between the visual aesthetic illusion done in the old traditional ways and done with modern techniques of posters.3. Recruitment optical illusion configurations Almc done with digital technology.And then seal Find a list of sources and supplements and summary in English.

السمات الجمالية لفن الفسيفساء وتطبيقاتها في تصاميم اقمشة الازياء المحاكة == Attributes Beauty of The Osaic Art And Applications On Fashion Knitted Fabrics

اسم المؤلف: ندى محمد ابراهيم النعيمي
اسم المشرف: هند محمد سحاب العاني
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The knitted fabrics and designs fashion resulting silent language you speak eloquently about the style and human thinking and highlights the depths of his character and reflect the image and culture of the community in which they live, They are two sides of the same coin, the first face is an art that reflects the individual's sense and the sense of when you receive the form of design and the second side is rules, relationships and systems used in this design which made him Achieved coherent within the limits and the removal of associative realized at the level of reaction phenotypic final cloth woven linked on the evolution of design and science and all new fabric hardly.So are designs fabrics knitted among the arts that share its human functionally and aesthetically, the search in the aspects of design is an important goal, especially after he took the technical developments cover a lot of fields and search for aspects of aesthetic require from the designer a sense of art and taste the aesthetic and the ability of the imagination to adapt the material and units diverse constituents to form general in the coordination and balance and coherence of the resulting image integrated check utilitarian need and aesthetic at the same time.Through it introduc ed a lot of concepts and new ideas that I let the field of multi - directional design fabrics for fashion knitted format memorize away functional and expressive and aesthetic as healthy relationships and innovative approach to pronounce the character designer that appear in the components of the design and are derived from sources technical center, which belongs to.Based on the foregoing, it is necessary to put the designer in mind the importance of sources of design what could be an important source of creativity being the outcome of many energies and mental performance that arise is beaten to achieve responses can be realized through the means of expression artistic effects related to her appearance in a physical and concretely.One of these sources may be mosaic art and its sources, trends, and characteristics of strength factors and originality and creativity associated with it and the tag and its aesthetic effect in stimulating those interested in the field of knitted fabrics fashion designs as contribute to the enrichment of the field of cognitive and aesthetic to this specialty.Hence directed to study the subject (Attributes beauty of the mosaic art and applications on Fashion knitted fabrics) who first chapter deals with the problem of existing research on the imposition of the following questions : 1 - what are the attributes of beauty that can be achieved by mosaic art.2 - Is the design verification can process requirements highlight the attributes of eauty through mosaic art elements, rules and design relations?3 - Is it possible to knitted fabrics weaving techniques show that attributes the beauty of mosaic art?The objectives of the research included the following : - 1 - Detection attributes the beauty of mosaic art.2 - Detection techniques and methods of Display design knitted fabrics.3 - Develop proposals include design show attributes the beauty of mosaic art and applications in women's fashion fabrics knitted for the age group (18 - 22 years).The limits of the research has been limited to the adoption of women's fashion knitted completed within the time period (2011 - 2012), which is available in the markets of different origin and according to the selection considerations and research within the limits and procedures.The second chapter of the theoretical framework, including three sections anddistributed as follows : .1 - The first topic : the beauty of the design attributes, which included thefollowing points : • attributes beauty - what it is and cognitive structure.• attributes beauty and effectiveness in the design.• savor the customer to the beauty of the design.2 - The second topic : the beauty of mosaic art, which included the followingpoints : • historical stages of the evolution of the art of mosaic.• Technical diversity of mosaic art.• Effectiveness of mosaic art in design.3 - The third topic : the technical and design characteristics of knitted fabrics andfashion, which included the following points : • reconstructive techniques Knitted Fabrics• configuration designs for knitted fabrics.• the characteristics and advantages of knitted fabrics The researcher has reached to the most important indicators that resulted from the theoretical framework which strengthened from the third chapter. And identified research procedures within the third chapter to take a descriptive approach to analyze models sample of the research community 's number is (64) model especially fashion women's woven ) , as choosing the research community and according to the levels of design objective and executive timeand according to the limits research, has been selected models are deliberate by 25% of ( 16 ) model and selected depending came to serve the objectives of the research. The search tool has been prepared based on field visits and reconnaissance , honesty and select format for analysis. Then analyze the samples , which amounted to 16 based on the analysis of the sample form which is designed to achieve the purpose of research le Chapter Four included the results of research and most notably : . Adopted the raw material in terms of advantages and characteristics to show the1 - design and content adapted to the performance of a Functional use.2 - Most of the designs relied on clear forms such as geometric shapes.3 - Appeared techniques of mosaic art in some models.4 - Multiple and different techniques designs knitted fabrics.5 - Activation of the foundations of design, especially with regard to balance, repetition, movement and direction, a pro - rata.6 - diversity in the use of design relations by ideas.7 - study and discuss Verifier module design Fashion8 - All pro forma effects and technology for exciting and attractions.9 - Activating the design wizards to show aesthetic design.10 - Control of formal relations construction and color to show the aesthetic features of the mosaic.The researcher has reached important conclusions regarding done overall as follows : 1 - - The predominant character came to enhance the qualities of the wool to match qualities of knitted fabrics.2 - Designs relied on the clarity of geometric shapes while other forms came drab and ill - considered manner do not match with what has reached technical design and operational in processing shapes and launch various technical capacity.3 - appeared style formal shredder which is the most important method in the mosaic art technology at high rates commensurate with the advent of geometric shapes in the samples.4 - The knitting pattern (flat) is an actor to achieve the pattern of processors to clarify the technical qualities of knitted fabrics.5 - Most of the samples depended on the weaving method (weft knitting) in the construction of knitted fabric.6 - Most of the models used in the Painting technique show designs knitted fabrics.7 - Relations were used to comply with the chromaticity of raw materials in designs knitted fabrics.8 - Achieved texture of variables method of knitting multiple patterns.9 - Adoption of the designs on the basis of aesthetic design work on the unity and correlation of its various parts.10 - The Design relations such as to seek and its contiguity have extensive manufacturing capacity multiple to design configurations.11 - Organic unity achieved in fashion designs with different ways achieved.12 - achieved the effectiveness of the forces of attraction and excitement in designs by achieving tensile forces and attention.13 - Must deal with modern technologies in order to achieve the form and vocabulary knitted fabrics and designs preserve the beauty attributes which appear.14 - Designs showed variation in the perception of the beauty of mosaic.The fourth chapter deals with the recommendations of the research. The researcher recommended the following : 1 - Attention to sources of design and private fine arts and related trends and schools.2 - . Designs are prepared in accordance with the functional qualities associated with the aesthetic and expressive characteristics.3 - Most attention to modern techniques of knitting, Painting and printing.4 - Most attention to the design elements and of usability in knitted fabrics designs5 - Focus on the importance of the aesthetic foundations design and relationships in the distribution and arrangement of elements.6 - Attention to the unity of the overall shape to suit the vocabulary sizes with the dimensions of the unit design.7 - Amphasis on the role of the Iraqi designer by taking advantage of professors and specialists in the designs of knitted fabrics.The researcher proposed the following : - 1 - Preparation of a study( the effects of technology and methods to show designs knitted fabrics).2 - Preparation of a study( the pillars of design for the design of knitted fabrics ( Crochet Knitting).3 - conduct a study looking at the employment of mosaic art in designs upholstery fabrics and printed furnishings. Also in Chapter Four, the researcher presented proposals designed to Fashion knitted fabrics belong to the third objective of the research, and ultimately researcher presented a list of sources and supplements that contained in thesearch procedures.

خاصية الاختزال والاشتقاق في تكوينات الخط العربي == The Property of Stenography And Derivation In The Arabic Calligraphy Formations

اسم المؤلف: محمد كاظم حمزة
اسم المشرف: جواد عبد الكاظم فرحان الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Represent the property of stenography and Derivation an artistically act reflect Calligrapher skill in dealing with characters, and gives to calligraphic achieved a structure In terms of aesthetic or design or indicative to provide a favorable environment for characters in terms of its deliberation in the space available to it, Which interpret to subdue characters structure through its relate with what it made approach formality and analogous its sketching , to show alternative calligraphic comparisons and exceptional options for design necessities of a aesthetic output processing resulted in a result of a very ingenuity and skillfulness , and for each of stenography and derivation property an operational technique according to available metaphorical forms participate in establishing this property and allow through it for characters joints and corners to take alternative situation from other characters within artistic justification fit its forms, create in turn productive field of creations and inventions qualified a various of formalism extractions made it available the character ability in response to the formation and compliance and flexibility in recruitment and adaptation according to formative space in written textile which organized as calligraphic achieved , and for the importance which embodied it these two properties which striking apart of interest for what fall below various recruitments in calligraphic formation, so it was worth highlighted in a detailed and focused study to highlight its importance and role, and through that the researcher felt takes upon himself going into this field to study stenography and derivation in calligraphic formation within a study included several chapters represented the main pivots in study of these two properties , the first chapter included the study problem and its significance , objectives , limits and terms.The researcher amplified at the focus on determining the term and to highlight the definition of derivation and stability on the concept meets the purpose of this artistic act and stand on an accurate diagnosis him, after that there were many concepts addressed this term and circulations , causing confusion with the concept of stenography, and dismantling of confusion between them according to their recruitment and operational in the calligraphic achieved.the second chapter included three sections every one include several pivots the first section revealed the historical depth of the concept of stenography property and metaphorical technique for parts of characters structures and what the outcome of the diversity of the functions and operational both in the structure of the character or the entire map directorial calligraphic formation, while the second section has Search in the general concept of derivation through a historical review of early this property and Basic Principles that are based on them, also included the determinants of construction for structural characters and processing of building that fall under it functional inthe calligraphic formation, the third section contained artistry aspects operations for both two properties and their applications in calligraphic formations through their recruitment in a variety of fields and construed to him metaphorical building to both in terms of semantic or aesthetic design.The third chapter, represent study procedures , which included his community on calligraphic sketches embody the stenography and derivation of various calligraphic formations included most of the lines, numbered (110) portrait, the researcher select of them (11) model of the samples were intentional, which represented 10% of the total the research community, as followed by the researcher in his analysis of the descriptive approach (content analysis) based analysis tool of form for analysis, which included vertebrae Prime subset represented the pillars of art that adopted in the analysis of specimens designed according to the outcome of informatics and what came out of the indicators represented trends research was presented to the group of experts to amend paragraphs and suitability statement.The fourth chapter guarantees the results are a summary of what the outgrowth of analysis including : The property stenography among the mechanisms supported in calligraphic formation both in the structure of characters or at the level Systems distribution lines and types, invoked stenography and derivation to the rules of standard and standard officer, indifference side spell and Title ( Reading) as far as the importance it attaches to the side of aesthetic relied upon in the calligraphic formation, represents the stenography and derivation tradeoffs alternative and exceptional in the calligraphic formation both in the Artistic Direction or the need to design or achieve appropriate semantic, the stenography wider than in the derivation which includes the first structure of the characters and distribution systems lines and types The second is limited to the structure and anatomy letters only, represented voluntarily characters and their flexibility and diversity of forms major fountain draws him calligrapher variety in stenography and derivation, the researcher then need attention to the Title (sequence reading) and dispose of the spell, and not excessive in the recruitment of these two property in configuration linearity, focus on the skills of hand workmanship and proper performance and compliance with the rules of art in the structure of the letters or organized and installed in the calligraphic formation, and taking into account their employment in the sacred texts and not hyperbole to act that affects the prestige of the text, the researcher then some of the proposals put forward in the form of studies to supplement benefit envisaged Search : 1. variety to reduce the technical infrastructure design in calligraphic paintings.2. Treatment directorial stenography property and derivation in decorative formations.

التحريض في الخطاب المسرحي العراقي == Instigation In The Iraqi Theatrical Discourse

اسم المؤلف: حسين رضا حسين
اسم المشرف: يوسف رشيد جبر
الموضوع العام: الفنون الجميلة
السنة: 2013
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لقد كان التحريض وما يزال احد الوظائف الاصيلة في التجربة البشرية كما هي في الدراما باعتبارها اداة للتغيير بكشفها عن الزوايا المظلمة في هذه التجربة على مختلف انواعها ومسمياتها واضاءتها، وذلك بالتحريض عليها ورفضها والدعوة لتبني موقفا انسانيا جديدا. وينطوي ال | Instigation has been one of the genuine functions in human experience as well as in drama. this is because it is a tool to discover the dark spot in this experience on its various types names and lighting. By instigation we mean alert and continuous stimulus and by active wishes that intentionally in deep structure of theatrical experience to show a meaning respond to human values. for this reason we find that it's important to explore instigation, in theatrical discourse. this research contain four chapters. The first chapter included the frame approach on research in which we discuss instigation in Iraqi drama as it as an active sign to enrich the structure of the speech so the researcher limits the problem of his research which is to follow the important of instigation in the Iraqi theatrical discourse. this chapter also contains the important of the research and its aim and limits. And reflected the importance of research in approaching the concept of instigation, and effectiveness within the paths of the Iraqi theatrical discourse. The 2nd chapter has three aims. the 1st studied the concept of instigation as it is an active corner in human experience and so in the movement of existence , in addition to its activity in universal theatrical discourse. the 3rd studied instigation in the Arab and Iraqi theatrical discourse. then it comes to the end to show the indicators which were generated by the theatrical frame work and previous studies. The 3rd chapter studies the research procedures, which included the research community and appointed by the researcher selected randomly to comply with the object and purpose of the search. The researcher adopted the descriptive method as an approach to analyise the research. The 4th chapter included the following result; 1. Incitement is embodied in the form of discourse as in (countdown to Macbeth), while aimed Doctor (Mikdv) crown on the head (Macbeth). At the scene of writing the petition (rehearsal in hell). 2.The instigation can be seen clearly and directly in the play" Rehearsal in the hell" and it is codded for the 2nd time in countdown for Macbeth. Then the researcher present the results conclusions recommendation add bibliography.

جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة == Aesthetic Employment of Photograph In The Art of Post Modernism

اسم المؤلف: حسن عطوان كاظم
اسم المشرف: كامل عبد الحسين الشيخ خضير
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول البحث الحالي ( جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة ) وقد حاول الباحث التعرف على جمالية توظيف الصورة الفوتوغرافية في فنون ما بعد الحداثة، من خلال الاجابة على هدف البحث الحالي، وقد اشتمل في بعض جزئياته، بيان طبيعة والية توظيف الصو

جماليات تحولات المنظر في عروض المونودراما العراقية == The Aesthetics of Scene Transformations At Iraqi'S Monodrama Plays

اسم المؤلف: فرزدق قاسم كاظم عبد الله
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شكلت عناصر بنية التشكيل الجمالي لتصميم المنظر المسرحي في عروض المونودراما نقطة ارتكاز مهمه في بيان صياغة تحولاته التي تفرض سيطرتها على المتلقي، مما يدفع به الى ان يتفاعل معها ليستقرا دلالاتها وفق دائرة الاحداث والتي تاخذه بعيدا في عوالم الروح الامتناهيه ح | The sequences of elements of scene structure transformations at the monodrama plays play an important role to demonstrate its aesthetics that impose its control upon the audience, which push them to react with these transformations to recall their signs in accordance to the events and take them so far to infinite soul worlds, where sensitive and ideological enjoyment are generated; thus, this thesis titles (The Aesthetics of Scene Changes at Iraqi Melodrama Shows) came into being. The researcher determined its scientific paths at four chapters. They are : The First Chapter : it included the syllabus framework and contained the problem of the research and its need. The problem is determined by the following question : How did the designer deal with the Play Structure Elements changes of the scene till showing them to the aesthetic reading at the melodrama play? The activating the aesthetic of play scene form structure elements via their changes during the melodrama play leads to enrich the mental and sensitive realization of the audience; as there is no similar study specialized in this theme, the need for this study raised. It also contained the importance, aims, limits and terminology (Aesthetic - transformations - Play Scene - Monodrama). The Second Chapter : its included the theoretical framework that contained four parts. They are : a - Part One : The Aesthetic Concept at The Western Philosophy.b - Part Second : The Scene at the Modern Play Trends c - Part Third : The Scene transformations and their signs at the Play. d - Part Four : Elements Visual Occupation at the Monodrama Play. This chapter contained as well a list of previous studies that dealt with monodrama as main theme, such as : 1 - Hussein Ali Haref’s Study (The Technical Features of Monodrama). It as a literary study related to the melodramatic text. 2 - Nuha Abbas Jawad Sheweleiah’s study (Alienation at Iraqi Monodramatic text). She interested with Alienation concept at the monodramatic text. Then she reached the indications that resulted from theoretical framework. These indications are : a) The elements of aesthetic form structure of the play and its features of the audience sensitive reactions and motivate them to react to recall its expressive signs that grant them metal and sensitive enjoyment. b) The mechanism of aesthetic scene transformations move into two directions; the first : Iconic Aesthetic transformations and The second : Symbolic Aesthetic transformations. The Third Chapter : it represented the Methodology Framework. It contained the community, syllabus, tools and methods of selection and analyzing the samples of the research. The sample contained the following plays : 1. (The Hunchback) monodrama, the scene is designed by Falah Ibrahim 2. (Achilles Return) monodrama, the scene is designed by Emad Mohammed 3. (I at the dark research) monodrama, the scene is designed by Awatif Naem4. (The Gone Days) monodrama, the scene is designed by Sami Al Hesnawi5. (Alienation) monodrama, the scene is designed by Suhail Al Bayati. The Fourth Chapter : it included the results, discussions, conclusions and suggestions. The most important results are : 1 - The designer achieved the ideological aesthetic reading of the monodramatic scene in accordance to structure form elements transformations within the limits of the symbolic level at the monodrama plays (the samples analysis).2 - The designer sought to use slight raw materials to build the scene order to enable the actor to change its aesthetic particulars in harmony with the events during the play as is the case with (The Gone Days) and (the Hunchback). Finally, the researcher fixed a list of references, supplements and this English Abstract.

تركيب الخامات المعمارية في تشكيلات الرسم المعاصر == Architectural Raw Construction In Modern Draw Formations

اسم المؤلف: سها عبد الجبار رشيد خزعل
اسم المشرف: سلام جبار جياد السوداني
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Research adopted on readings of modern technical systems and that architecture materials contributed in large amount for art production whether in show means or the beauty action.Already art change and leave history when entered rules and materials were non known for huge extent to depart it's indicated influence for interest of location existence , as their influence with environmental architecture and technical materials until it become to pull out for board lines in their constructional combination therefore research meant in study of such large constructional attempts and to stand to on their elements and reassembling their indicated codes and it fell down for new raw as wood and stone and sand and cement and plaster tree roof glass and metal and fiberglass and it's adjacent raw were found presence in modern art so research laid many of questions about modes that enable art for investment their abilities then study the combination units and borrowing power that harmonic with new art formulas.These questions leads to locate research goal : ( discloser on modes of employment architectures raw in modern paint board ).And it's study of art architecture system and matching between them on material level of acknowledgment mutation and theory that work as reference for two cases and research was limited with art drawing and movements and arts tendencies for age extended from the year of ( 1942 - 2012 ) and research adopted theoretical frame as follow : First research : historical resume for material system and their mutations about architecture raw and their employment in plastic achievement starting from human cave until space setting and ( earth art ) adding to the architecture raw the value and basic pivot for optical surface as description of importance pivot of beauty values.Second research : got of location dimensional representation in modern draw.Third research : got (architecture raw investment in school of Albahouse ).Fourth research : got the kinds of adding architecture materials for optical surface and it was ended by some of previous signs and studies that benefited in analysis the research sample and upon chapter three was contained research procedure and research community and sample selection and research instrument and analysis and sample description that amount (19 ) of samples and fine all fourth chapter comes with many of results and conclusionsCand recommendations and suggestions. and the most of results they were as : 1 - Adding multi architecture materials to enable it for speech in modern language of art and continuity with it's new try between them by breaking boundaries of different arts fields and the use it indirect or intervene manner with of tissue board surface or wooden or metal or mixing by more than type and engaged between draw and relief in article work and we could restrict the emerging architecture materials were in modern draw as follow : sand ,cement, stone, wood ,metal ,glass ,ceramic waterproof ,glue and different materials.2 - Interfering of constructional systems for draw and architecture and sculpture and design in technical work for raw and architecture combination in optical field by using technologies gathering and combination and blending , adhesives (collage ) with colored spaces of engineering style design.3 - Contrast in thickness of accumulated surfaces that consists of technical work give sense of material deepness wherein show the upper part for paint surface draw as rotate over another surface by contracts of work so by waving the surface protrusions and size or levels over each other.4 - The use of welding bolts and knifes and biggest brushes and cutter and sponges pieces and electrical tools and mechanical and natural power.5 - Artist selection with appropriate of architecture materials to build the modern art when the execution for addition artistic dimension and beauty this represented as reference for the origin of civilization in spite of developments technology.Conclusions : 1 - Motivated of Architecture raw ability for imagination and fantasy of creative and progressive the residual supporting material that consider as inventive stage wherein artist was started from with some of elements and the idea growing up through the use of raw capabilities in artistic work2 - Versatile the use of material and technologies forming the artistic work that lead to diversity of touch signs of pictorial surface as expressional value or beauty or the gathering between them.3 - It's ability put the artistic work any were on the base without need of stand or hanging on the wall.Recommendation : 1 - put fixed curriculum study for students Art College consider as study of versatile raw in modern draw.2 - Employment of basic technologies for modern art in studying curriculum.Suggestions : 1 - Study of architecture material touch in modern draw.2 - Study the mode of furnished the modern draw by architecture raw.

برامجيات التصميم الكرافيكي ودورها في التصميم والاخراج الفني للمطبوع == Programs Graphic Design And Its Role In The Design And Artistical Direction For Printed

اسم المؤلف: بسام جاسم حسين بنانه
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: With high technical sophistication that happened in the world of digital Program, it reflected way or another on the science of graphic design at its different types and from it the Artistical Directing for magazines that expanded and walked many fields, and was one of the most important data is the emergence of new structural frameworks, particularly with respect to graphics vocabulary and its relation to space design and regulate of color relations and diversity in employment written patterns, and so on, the great access for digital Program enhanced the innovative capability of the employees in this kind of arts, which now deals with everything new and modern, these Programs enhanced the world of print and enriched its structure design and referred it to the functional and aesthetic values and clear semantic, the art institutions is no longer far from the use of such Program and deal with it in a contemporary because of the interference potential at the heart of work design, and the graphic design must be the first to deal and deal with this Program and to serve the process of design and directorial, It must for graphics designer to be the first transact and deal with this Program and to serve the design process and directing, and all current research meant to deal with this type of cognitive engage in talk, an indication of the research problem by asking the following : What is the role of programs graphic design in design and Artistical Directing for print?The importance of research identified through : - - Enhance the practical skills of workers in the relevant journalistic institutions. - Take advantage of the technical capabilities offered by digital design programs in the field of design and Artistical Directing.The search identified by two objectives : - Demonstrate the role of graphic Programs design in the field of design and Artistical Directing for magazines. - Provide practical suggestions depend on what the results of research lead and its findings.The research determined by the following : Objective boundaries : - Study the Programs of graphic design related to the design and Artistical Directing to magazine board (internal pages) only.Spatial boundaries : - Designs the Iraqi magazines that published in Baghdad exclusively, by (5) types of magazines.Temporal boundaries : designs of magazines that published exclusively in , which represent the year of research study.Then researcher knew the terminology contained in research, namely : - Programs, Graphic design, Design, Artistical Directing, and Printed.And select the second chapter, which includes (previous studies) and (theoretical framework), as enrolled in three sections : - The first Section : - Journal origins and history.The second Section : - Elements of the structure of the magazine and the methods of design and directing.Third Section : - digital design programs and their role in directing and publishing.The researcher point set of indicators represented a summary of what resulted in the theoretical framework, including : - - Designer hit the press over time various design techniques and goal was to get out of a primitive design and directed by journalist as cutting, assembly and distribution unorganized and the difficulties of manual labor to enter more flexibility in stages with the implementation of computer programs. - Internal thread form factor gravitational continuity and form the largest part of the magazine organized Failure means the failure of the magazine from the functional and aesthetic. - Faces a designer journalist difficulties quality in terms of his move from manual labor to the computer the most complex, since the arrival of the printing press result reaction by designers and scribes at the time, and the arrival of the computer resemble the arrival of the printing press and the reaction came to realize designers how hard work design in computer programs. Followed by the research procedures contained in the third quarter marked by the adoption of the descriptive method (method of content analysis) in order to reach results, also represented a tool his form for determining axes analysis based on what emerged from the axes and indicators theoretical framework as well as the views of a group of experts, and then included chapter on the selection process models intentional non - probabilistic reasons and clarified the researcher, as the researcher to choose (5) magazines published in Baghdad exclusively is my intention, and select from each magazine two issues as availability in the domestic market and 50% contained on (6) models of research for pages The number of internal models surveyed 30 model, also took into account research validity and reliability of the tool, then the researcher models in the description of the (30) model and analyzed according to the themes that included in the analysis tool. Followed by a separation of the findings and discussed included in Chapter four, which included the following : - - digital programs supported formats (Victorian) (Vector Shape) to make it more effective and visually attractive, as in models ( - - - - - - - - - - - - - - - - - - - - - - - and %), and the researcher finds that the Victorian shapes colors and movements done by Rested through visual colorimetric leave spaces designed computerized through the program (Illustrator) and is added to the movement of large explosions when reading, browsing, and thus highlights the topics - text and images. 2 - reinforced the use of Adobe Photoshop effects in image processing method in terms of purity and activating misting command (Overlay) which appeared evident in docking bitmaps, as in models (4 - 5 - 10 - 16 - 17 - 22 - 23) and by (24 %), the researcher believes that it is important to use this option Pavement cover chromatic images more vibrant by reducing the details of areas dark light to highlight them and therefore it is important to enhance the purity and clarity of the images. - Activate the tool decreases density (Dodge Tool), and to address areas silhouettes in the pictures, as in the model and by (4%), and constitute the tool element of professional designer to It's a tool that can not be for professional designers abandoned, being easy to work and highly effective great use for image processing dark through the details of Interior Lighting.Then researcher concluded a number of conclusions, including : - - with all the possibilities offered by digital photo, but it's in all cases remained weak missed its strength has been dealing with the expressive discourse technically shallow, which means a lack of awareness of the technical skills in ways to deal with such kind of formal vocabulary that form the foundation pillar in the design of the pages. - Each program has privacy in the way in terms of design, the ease or difficulty resolution make it integrates with other programs, which may contribute to the completion of the design is of particular aesthetic dimensions.Then the researcher recommended a number of recommendations, including : - - access to programs, which provided digital design such a program (Photoshop) and (InDesign) and (Illustrator), which includes a great potential fit design and Artistical Directing. - keep pace with technical development and modernization carried out by the digital and programs companies that offer new every day has to do with design and Artistical Directing.The researcher presented ten practical proposals to redesign the interior pages of magazines and specifically page (beginning and middle).The researcher presented a proposal could be for a subsequent study complementary to the current search : - (Digital effects and their role in showing contents graphics) And then seal Find a list of sources and supplements

المعالجات الفنية للسيرة الذاتية في الفلم السينمائي الروائي == The Artistic Treatment of The Biography In The Narrative Cinematic Films

اسم المؤلف: انتصار علي مجول حمود الجبوري
اسم المشرف: طه حسن عيسى الهاشمي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The cinematic procedure affirms that the narrative films depend basically on the employment of the aesthetic of cinema ad giving a wide freedom for the subjective imagination of the artistic in order to serve his emotions and creative imagination into a limit of not bounding with reality and logic. Instead , he sets his imagination to the amendment of reality.The director's subjectivity in the cinema of biography managed to submit a reading of the subjectivity of the biography of famous people away from copying or being limited to the traditional literary texts. Therefore, the cinematic display which tackle the narration of a real biography is only a viewpoint that is subjective and subject to the interpretation and the amendment of the director. An important condition of the cinematic narration and the form is the language and the imagination of the living reality.That made the artistic treatment of the biography in its types aiming at the reality and the imitative value of the achievement of the artistic achievement.Hence, the research entitled " The Artistic Treatment of the Biography in the Narrative cinematic Films" of the problem of the artistic treatment of biography films in the narrative cinematic films setting out from the perspective of their subjective interpretations which are innumerable.The research consisted of an abstract and four chapters, chapter One includes the theoretical procedure of the study. The chapter includes an introduction that prepared the way to the understanding of the nature of the study and its problems followed by a comprehension of the important of the research and objectives and limits. Chapter two includes three inquiries; the first is the concept andterm of biography. This inquiry tackles biography as an art, and treated the concepts derived from the literary treatment of the biography in the subjective and objective forms. The second inquiry tackles the patterns of artistic treatments in biography films with the recognition of the reality of the multiples in the treatment and the instability on a rule or law.The ideological dimension affirms the importance of the character for which the film is being made. These aesthetic dimension is affirmed through the here patterns : a pattern that depends on the original scenario of the theme in origin, and another pattern which the director puts his biography from his composition, the third pattern presents a hypothetical pattern that simulate one form of the real character but presents it in for more satisfactory conditions. Perhaps, the most important one is the director's belief that he will be free to tackle it. Chapter three includes the application which the researcher used on the chosen samples to arrive at fulfilling the objective of her study. It includes the procedure followed in the stud and the reasons for choosing the sample and the instrument and the study.Chapter Four includes a summary of the final outcome derived from the analysis. The most important of the results is the multiplicity of the artistic treatment of biography in the narrative film in an open way that does not confine the creative into a limit. Also, some of the conclusions deducted from the results were shown. The researcher poses a number of recommendations which she sees necessary, as well as suggestions for subsequent studies. The research included a list of the resources and references which she depended on her study in Arab and foreign languages and an instruct in English

صيغ الاداء التمثيلي في المسرح العراقي المعاصر == Forms of Acting Performance In The Modern Iraqi Theatre

اسم المؤلف: وسام خضر موسى
اسم المشرف: هيثم عبد الرزاق علي
الموضوع العام: الفنون الجميلة
السنة: 2013
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: عالميا شغل الاداء التمثيلي مساحة واسعة من اهتمام المنظرين المسرحيين طوال القرن العشرين في اوروبا وامريكا، ودول العالم المتقدمة. اذ ارتبط بمنظومة العصر وطروحاتها الفلسفية منذ ظهور الممثل لاول مرة. فضلا عن الافكار المنتجة له فكان ينحو نحو هذه الافكار ويسا | Universally , the acting performance was the main concern of the dramatists in Europ , America, and world advanced countries in the 20th century. It has been related to the system of the era and its philosophical theses since the appearance of the first actor. This relation was part and parcel of the cultural demands of the societies and the essence of their existence.As far as Iraq is concerned, this global influence was evident of the Iraq academicians and actors, particularly those who studied in Europ and America. Therefore, the research question is : Was the Iraqi theatre able to shape its acting performance from the system of its age or from the ready - made styles it got from outside? The thesis includes four chapters. 1. Chapter One ( Methodical framework )a - The problem of the study b - The importance of the study c - The aim of the study d - Limits of the study. Place limits which included two groups of actors from Baghdad , the capital of Iraq : Academic actors who studied global procedures and styles and conveyed them to Iraq. As far as time limits are concerned , the researcher selected actors representing different periods of time. Finally , the objective limits included forms of the acting performance in the modern Iraqi theatre.e - Key terms : the researcher specified the following terms : Forms , performance , modernity.2. Chapter Two (Theoretical framework) a - Section one (the philosophy of the age and its relation to the styles of acting performance)It tackled the Greek, Roman and the Medieval age , as well as Renaissance Delarty comedy, and the Enlightenment age. b - Section two (the actor and its relation to the style of acting performance in the world theatre). It included theorists of the theatric shows whose theories influenced the philosophy of the age such as Stanislavsky, Myerhold, Grotovesky, Brecht, and Peter Brooch. Each of these prominent figures worked separately in the relationship between the form of the performance and the philosophy of the age from different angles.c - Section three (Designing acting performance in the modern Iraqi theatre) It included the Iraqi producers who studied global methods and styles of acting and conveyed them to the Iraqi theatre according to their own experience and views like.Jasim Al aboudi, Ibrahim jalal, Badri Hasoon Farid, Qasim Mohammed, Awni Karoumi, Salah al Qasab, and Fadil Khalil.This section also included the most influential effects of the theoretical framework.3. Chapter three. It included the research procedures , samples , methodology , tools ,and analysis. The selected test - subjects actors are : 1. Khalil Shawqi, 2.Sami Abdul Hamid, 3.Yousif Al ani, 4..Sami Qaftan 4.Chapter four. It included the results of the study, discussions, and conclusions, the most important of which is that mixing performance techniques acquired from the environment with the academic training was one of the necessities of the modern age to adapt the imported form with the original local content. Finally the study states recommendations, suggestions, and lists of references, appendices and the Arabic abstract.

المعالجات التصميمية في الفضاءات الداخلية للورش التعليمية == Treatment Design In The Internal Spaces of Educational Workshops

اسم المؤلف: منتهى عبد النبي حسن نجدي السعودي
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Represents treatments design spaces educational workshops , one of most important basic functions that seek him by the designer and the resulting coverage of the nature of educational workshops and spaces employed in the formation of character career.Addressing these spaces allows us designers internal mechanisms employment possibilities ,techniques and methods of a variety of style different for what we find in most spaces,the other for starting towards the concept of the projections functional (Performative,aesthetic) that hide in it.The features detailed spaces work(wokshops) to design spaces interior is characterized by being the field of lead to study and knowledge of the factors affecting our treatments design for this type of spaces,which in ourMinds bunched treatments values overlap with traditional asset developments and new technologies for the advancement of educational spaces carpentry workshops to keep up with the functional requirements.The treatment of achieving spaces internal according to the concept of functional integration(Performative,aesthetic) should the interior designer to be of a familiar treatment design and ways to achieve them,with the assistance of vision and ideas for starting towards the concept translates façade educational for our country,which has become a requirement no matter how based on him the need to address spaces workshops to keep up with the requirements of age and educational reality,to lead us to the title search is marked"design treatments in the iternal spaces of educational workshops" the search consists of for chapters : Chapter One : Addressing the problem of search which crystallized by asking the following : What is the treatment design in the internal spaces of educational workshops?The objectives of the research guarantees the possible contributing ideas to develop designs interior spaces for learning carpentry workshops.And demonstrated the importance of current research presenting the study necessitated by the need to raise the level of the reality of the spaces,interior carpentry workshops world, as well as the contribution of researchto clarify the most important levels of treatments that work on the development of the spaces, as wel as lay the foundations of the theory for the purposes of application of the treatment design on according to mechanisms keep pace with the times, as play an important role to suit the nature of thefunctions and activities performed there in, which is represented by the border merits of the search, while determined the spatial and temporal him in spaces carpentry workshops teaching in colleges of fine arts and applied arts in the provinces of Iraq for the period from(1967 - 2013) as well as determine the terms contained in the title of out procedural tariffs.Chapter Two : The theoretical framework which resulted in two sections : The first topic : Singled out the concept of interior design and its relationship to job performance in the educational workshop spaces, while the second topic : The spaces included carpentry workshops and educational ways to address them and upgradeable career.The theoretical framework resulted in a set of indicators adopted in the analysis of form models : Chapter Three : Included research procedures and methodology, as it comprehensive survey in the selection of community samples and research(3) models only for study, and adopted the search tool on the form axes analysis , pointing degree achieve those themes on them, as well as a description of research and analysis models.Chapter Four : Ensure that the findings and conclusions that have been reached by this research, is the most prominent : 1 - Chapter's relationship to the workshop space from the rest of the educational institution spaces provided a comfortable indoor environment , to achieve the required functional requirements not only in terms of space of the institution.2 - The treatment of perception and understanding of the internal space is a staggered treatment which contribute to numerous factors and effects , including behavioral and psychological related to the user.Including structural and training related to the form and body components of the internal space(SDH, furniture and supplements), as well as relations achieved through it , and here comes the role of the interior designer and his ability to achieve this integration in directing realize user elements and components of the internal space and the relationships between these elements and components.3 - Contribute the characteristics relations in space to achieve continuity the physics and visual space workshop with spaces adjacent or between the spaces of the workshop itself , result in the outcome to the treatment of configuring the harmony and continuity visual, and to achieve the structure physics coherent visually compatible with each other and with all, anything to do with all of the space(work,storage,supervision, diction, service).As well as the fourth quarter included the foundations of design theory, and recommendations, and general suggestions, and design proposals, as well as horizontal charts, tables and explanatory forms, and a list of sources and supplements.

السمات الفكرية والفنية للفلم السياسي == Tellectual And Artistic Features of The Film'S Political

اسم المؤلف: سرى عباس علي مصطفى
اسم المشرف: محمد عبد الجبار كاظم | عدنان جبار شبيب
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: السينما السياسية واحدة من اخطر الانواع الفيلمية واكثرها انتشارا لتزاوجها مع انواع اخرى من الانواع الفيلمية وتاثيرها الخطير في عقل المتلقي اكثر من اي خطاب سياسي مباشر وقد اختصت الباحثة بالافلام المنتجة داخل الكيان الصهيوني (اسرائيل) والمدعومة من قبل الحكو

ملامح البطل الشعبي في الدراما التلفزيونية العراقية == Features of Public Hero In Iraqi TV Drama

اسم المؤلف: سلوان بهاء كاظم
اسم المشرف: علي صباح سلمان
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تطلع الانسان منذ بداية حياته على الارض الى مثال، او انموذج فية قيم البطولة بعضها، او كلها التي تنسجم مع مستوى وعيه وطبيعة الشعب الذي يعيش فيه، وتتناسب في صيرورتها المتطورة مع مراحل تطور الفكر الانساني المعاصر الذي ينسج عن طريق تعالق وتشابك الانسان مع طبيع | The human, since his struggle on earth, looks for an example characterized with values of heroism that corresponded with his thought and nature of people whom he lives with. These values match the development stages of temporary thought that resulted from getting the man to be aware of surrounding circumstances in respect to social, political and economical factors which considered as a main basis for crystallizing human and people's awareness. Hence, the public hero gets his sufferings by his expression about physical human action in different forms affected by place and time across human life decades. Hero features got determined as a result of human awareness development in respect to life that required a set of features the hero characterized with as to express through which about human action linking to his awareness about nations in an active way.The research includes four chapters , the first chapter deals with the methodical field included problem of the research that represented in the following question : What are outstanding features of public Hero in Iraqi TV Drama? In addition to the research's significance, its goal and finally terms definition.The second chapter includes theoretical filed and previous studies. The theoretical filed divided into 3 parts (1st part) : public hero in relation to significance and term, where it had been defined definition of public hero according to conception of public hero.( 2 nd part ) and about the second research : drama construction at the television series which included the most important of emerging and theories that belong to the drama construction for television series. (3nd part) : includes features of public hero in drama and basic supports pertaining to features and aspects in the drama. This gives him a distinction as to embody his people longings and desires via his action and his struggles with other forces.After then, the researcher got theoretical field that helped him after the approval of experts committee as to be a tool for analysis.The third chapter includes applications the researcher depends on for analyzing the sample chosen on purpose as to get to the goal of the research. The application includes the research tool and text and reasons lying behind its choose , the analysis unit, tool confirmation and sample analysis.The fourth chapter includes final results conclusion resulted from the analysis. Actions and changes of public hero have been considered as a real and actual expression about social structure and self - patriotic in its ambitions , hopes , equity and justice. It also exposes conclusions resulted from the research results , top of which have been social, economic and political changes that formed picture of public hero in TV Drama; besides, it includes some recommendations and also suggestions for later study.The research has concluded with list of references the researcher depends on and a summary of study with English Language.

التفضيل الجمالي وعلاقته بالانماط الادراكية البصرية لدى طلبة جامعة بغداد == Aesthetic Preference And Its Relationship To Cognitive Visual Patterns Baghdad University Students

اسم المؤلف: اسماء كريم كاظم
اسم المشرف: ماجد نافع عبود الكناني
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تلعب التربية الفنية باعتبارهااحدى المواد الدراسية المقررة في مناهج المتعلمين ضمن مراحل التعليم العام دورا هاما في تنمية الوعي الجمالي لدى الافراد، اذ تمثل محورا كبيرا للتربية عن طريق مجالاتها وانشطتها المختلفة، وهي عملية قصدية يتم عن طريقها توجيه الاف | Education of arts play role by the consider of one of determined subjects for curriculums learners include the general education stages with importance role of progressing the esthetic's awareness for individuals , that imitation a great role of education to be the way of their fields and versatile activities , so it's mental process could achieve as guided for individuals in conceptual ,acknowledgment , skill and beauties development whether if it were as moral interior development in forms of optical esthetic awareness to reflect of human their trace. Art education as human area technically competent learner and skillfulness and elegance whether it was moral interior progress or developmental in awareness optical forms therefore it could reflect their trace on human.Art education consider as human field specialized with learner art education and skillfulness and art taste adding to working as to forming it's own esthetic behavior for events adoption the best for him and his society. This field is not progress skillfulness only but stand on trainings only but learner of art education it non something you can touch but you could conclude on their traces adding to it's an active of art process got through the learning student for multi experiences ( acknowledge - skillfulness ) be as importance stand for development and aesthetic awareness in it's own behavior and manners it's known as the student acquiring or the learner acquiring of esthetic education.Proceeding from the above forgoing the art education that acquired by student their cognitive skills through education stages that represented such processes by which acquiring of values and directions that is an impact on the development it's own optical an sensitive awareness that contributed with to social adoption so could got of social balance that develop through his permanent disclosure for ideas and meanings and cods that could amended his behavior in result of what required and get influenced in his social activation with others.Emerging from above the researcher concluded to establish to problem through her reconnaissance to discover on the level of taste and aesthetic awareness toward the surrounding environmental problems that lead to this study to gave the researcher as conceptual visualization to the importance of construction of learner awareness toward the esthetic shapes and distinguish between them and to know their importantly for him and for his life and society.So the problem was consisted on as follow : 1 - The esthetic preference directly proportional to form the awareness types for university student 2 - Esthetic presence represented the student ability on sense with esthetic locations in the environment that could live.So the research goal to : Discloser the esthetic preference for Baghdad university students and their relation with awareness types and to achieve this goal, researcher put the branched aims as follow : 1 - The know of the esthetic preference for Baghdad university students 2 - The know of level for esthetic preference of Baghdad university students as followed to the variable of gender ( males - females )3 - The know on relation between the esthetic preference and their awareness types of scientific specialize ( scientific - human )4 - The know on relation between the esthetic preference and their awareness types of ( optical - sense )5 - The know on relation between the esthetic preference and their awareness types of as followed by gender variables ( males - females )6 - The know on relation between the esthetic preference and their awareness types of variables specialize (scientific - human )The research society consist of students second class in the college that followed Baghdad university the year of 2011 - 2012 that among of (4871) students ( females and males ) distributed on 23 of colleges that followed university of Baghdad were selected as sample in random manner among of ( 300 ) students ( females and males ) to apply the research 's procedures on it. And to achieve the designed research for ( 3 ) tools for assembling data and information from research sample as : 1 - Esthetic preference measurement ( theory )2 - Esthetic preference measurement ( conceptual ) 3 - Awareness types measurement These measurements were showed on a group of expertise in different specializes of art education and physiological education and measurement and amending and plastic arts adding to their statistic treatments through the show of truth and confirmation to ensure from their authority in measurement goals that put for their measurement , then application of the basic research's tools that belong to ( 6 ) colleges that followed university of Baghdad.To show results , researcher depended on group of statistical means as ( selection T - test for two independent samples ) and the selection of one sample and Person equivalent and Coper equivalent and distinguishable equivalent and difficulty ) The most importance results that concluded to were : 1 - The enjoyment of second class ( generally ) in scientific and human departments of colleges that followed to university of Baghdad.2 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad for moral assigned level in esthetic preference account the gender variables ( females - males ).3 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad according the (scientific and human )4 - The enjoyment of second class in scientific and human departments of colleges that followed university of Baghdad for moral assigned on esthetic preference on awareness type ( optical - sense )According to group of recommendations as : 1 - Education university students with importance of practicing the art activities in leisure times that contribute on their level taste art elevation.2 - The interest with teaching environment for students whether they were in scholastic class or the yards of college to be as more esthetic that enforce such esthetic preferences for them.

دلالات الشكل في رسوم عامر العبيدي == Figure Connotations In Amer Al - Obeidi’s Drawings

اسم المؤلف: خمائل محسن رشيد الشمري
اسم المشرف: علي مهدي ماجد
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: تناول البحث الحالي دلالات الشكل في رسوم عامر العبيدي، وقسم البحث على اربعة فصول، تضمن الفصل الاول عرضا لمشكلة البحث، ان عملية تقصي الدلالة هي حاجة ملحة للكشف عن المضمون الذي يروم الفنان التعبير عنه عبر الاشكال فيما تحدد ت حدود البحث الحقبة التاريخية ( | The current research has figure connotations in Amer al - Obeidi’s drawings , the Research divided to four chapters, the first chapter included a presentation of the research problem, the process of finding significance is an urgent need to detect a content which the artist looking to express about it through forms. While the research boundaries defined at the historical period (1981 - 2012 m)The second chapter included a theoretical framework which included three sections : the first section has (figure indicative between meaning and concept) where the concept of significance and its mechanism functioning in art in addition to the kinds of connotations shapes and its mechanism functioning in art has been mentioned. While the significance approaches in the art has been mentioned in the second topic, ensuring : ancient Iraqi art, art of the Middle Ages, Renaissance, modern European art and the contemporary Iraqi art.The third section included biography of the artist and a brief from a revivalists group to which Amer al - Obeidi belongs to. The third chapter included procedures of the search which the researcher adopted on the descriptive style content analysis, with a total of180 models of the research represented the research sample that chosen in deliberately by experts.The fourth chapter contains several results that reached by the researcher after analyzing the research sample was the most prominent : 1 - Signs Diversity from iconic to Indicative and symbolic and that leads to a diversity of readings from closed to open meaning as in most of the artist works.2 - The Iraqi ancient civilization forms in its lines , vocabularies and symbols a formality reference and semantic content of the artist which represented by symbols of Sumerian’s ,Babylonian’s , Acadian’s and Assyrian’s art. 3 - The artist inspired elements of Islamic architecture to escalation of civilized connotations in the artwork depending on collecting architectural forms represented in domes , arcs , columns and lighthouses and niches that each bearing its symbolic , mystical and religious connotations cross geometry Islamic form and distributing it within the painting in balance and juxtaposition and consistency and harmony attaining through it religious and cultural semantics as in the sample4 - Horses forms occupied wide part in al - Obeidi works where deprives from its utilitarian connotations and devise it in a frilly amount holds aesthetic connotations to be the horses complement for that frilly total , that means it turns into animal ornament in most of his works.5 - Amer al - Obeidi loaded spiritual and sacred connotations in some of his works through forms which he browed from Christian art and he describes it in a new style that Special to the artist while he carries it a symbolic significance indicates absolute infinite , metaphysician ,eternal divine and unifying the heavenly messages6 - Amer al - Obeidi’s some works are featuring in dealing with space with repentances of breach the space by forms hanging from the top and describing the space as a form , that has a symbolic suggestive significant which represented in extension , infinity , unity and loss 7 - Part of Amer al - Obeidi’s work has political patriotism nationalism connotations through shapes that included in the technical work such as horses and knights armor and gear in the deserts and spaces while it considered indicative signs with terms refer to war or revolution in addition to violent rebel knights and horses movements, which showed a conflict between antagonists or more.The search also included many of the conclusions, recommendations and proposals and the researcher finalized her letter with a list of sources, references and appendices and the abstract in English

تمثلات الجسد في الرسم العراقي المعاصر : دراسة تحليلية == Representations of The Body In Contemporary Iraqi Drawing

اسم المؤلف: محمد قاسم سلمان عوض السوداني
اسم المشرف: محمد جلوب جبر الكناني
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Takes this research idea representations body in art, and how they appear in the configuration and the method of performance in order to achieve an important element in the development of concepts of cognitive and cultural inside surface artwork, including that the body shape of his presence authority dominant in the history of art so it was for this audience self - motivated and cultural and part of the confirmed human side, and serves as a carrier of ideas and diagnosed her. Search determined on the title theme (representations of the body in contemporary Iraqi drawing), and a comparison of how the audience and what it will be, so Researcher seeks drilling in the artwork and self - disclosure dimensional, social and intellectual, which establishes this audience. Search starts with a problem down to determine which questions Eptga Find answers, including : What formal and aesthetic features to represent the body? And the way they were dealing with the body? The second chapter is the theoretical framework which divided into three sections, the first research body in philosophical thought and the eating researcher idea body as a method and tool for doing the world and self - image and brand in existence, and the second part is the presence of the body in the art world of modern and contemporary, then the third section is the presence of the body in contemporary Iraqi art and after exhibiting indicators, including : The body is being physicist who represent its ideas in the physical presence, the body is what is only bowl carrieth her, which Panevaalath and moves but tell us what is happening from the perceptions and attitudes stored in the subconscious, the body tool and a way to sense the world, because the body tag self - image,reported data emotional and instinctive and cultural overlap body absurdly by mixing forms animal Mmsuchh or opening its borders to the neighboring solids and things, and these indicators adopted researcher in the analysis of models in the third quarter, which the researcher analyzed the work of Iraqi artists and consisting of fifteen model formed space of time from 2003 to 2012 is the time period covered by the research and researcher adopted the descriptive and analytical. In the fourth quarter results were to reveal the participants and junctions in the presence of the body and which shows the body drafting distorted depending on restrictions awareness and social power, which is based on the literacy of the body and on the special markup for uses ritual to prevent or regulate the physical contact, represents the body text aesthetically and cognitively store mahmolat cultural, and bears traces of bodies that other body takes an area central to the work of art to its emphasis upon show as, and here we find approaching intellectually in reporting the body as self - image and the center of existence, and has a feeling the presence in the world and including Ageorna of things, and then was to provide conclusions and recommendations and proposals, and thus search has answered for questioning, and this may represent the body variable from one artist to another, and control of the environment and the social milieu and aspects of self and philosophical treatises of this audience

الفنانون النقاد : دراسة في النقد الفني العراقي اتجاهاته واساليبه == The Critic Artists - Astudy In Iraqi Artistic Criticismits Directions And Its Methods

اسم المؤلف: احلام عبد الستار شنين
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لكل حركة فنية مرجعا نقديا , يحدد اهدافها واتجاهاتها وسياقها , وفي العراق كان للفنانين النقاد رؤى وفلسفة نقدية ساهمت في بلورة بعض اتجاهاتهم وتمدد تاثيرها الى الانتاج الفني المجاور من خلال التاثير والتاثر.. وهو ماتصبو هذه الدراسة الى تلمس موقع الفنانين ا | Every artist movement has criticism reference that defines its aims and its context. In Iraq, the critics artists have a vision and critic philosophy that contributed into crystallizing some of their directions and into having effects on artist production via effect and affected. This study aims at handling position of critics artist and their directions. Hence, the research problem comes as to study the critics artist's theoretical and practical Sides.This study stands behind questions listed below : . - Did critics artists have conceptions relying on criticism text books? What are the results standing behind that? The artistic criticism was previously dealing with a set of textbooks, either be those that concerned with artistic work surroundings or be those that concerned with the artistic depth. Those who specialized into criticism, together with their directions remain determined by methods of readings. Most prominent problem in artistic reading lies in the ability of the critic to untie artistic work codes and to re - build them. This problem forms the core of criticism script production. If the critic's handling methods be away from art atmosphere, then the criticism would be just more like other language and literary arts than be as textural and analytic method. Hence, we suppose Formulation of the problem following questions : 1 - Is it possible for the critics artist to perform critical excavations in artistic works most nearest to the art than to get side by side with it?2 - Could the artists critics have formed a movement inside the Plastic movement and that contributes into disclosing its context? Therefore, important study curriculum cash for critics and artists stand on their contributions to the Iraqi art movement...The research's goals are : The research provides twice trying to reach them and two1 - To get to critic centers and to its directions for the artists critics.2 - To uncover the comparison between practical and theoretical productionBut it borders The research confines on critic production and its classifications for the artists critics since 1940 - 2012. The first chapter includes critic production and its classification in addition to most important terms (artistic criticism, direction and method). The second chapter deals with the theoretical side that comes with two parts (1st part concerns with conceptions and kinds of criticism, concept of critic and critical scrip separation into (the artist, script and receiver) and 2nd part concerned with criticism in Iraq, the critics artists and their opinions and readings. The third chapter includes procedures and purpose of the current study. The researcher depends on the analytic descriptive method as to describe samples and to analyze them according to methods resulted from procedural conceptions mentioned in the theoretical filed Enhanced tools and procedures which : 1 - Table of research sample from the critical essays (26 essays)) 2 - Table of works of the critics artists( plastic artistic works - paintings). The fourth chapter deals with results of research according to the research goal and deals with the critical centers and its directions for the critics artists. According to what was mentioned above , the researcher reached to the following : 1 - The critic artist (Balasim Muhammad) employed the modern critical textbooks in his essays (No.1, 2) , where the visage method had been formed ratio amounted %44.44 , while the structural criticism ratio %14.81 , the neutral criticism ratio is %7.40 , the estimation judgments ratio is %3.70 , The total ratio of his essays (No.1, 2) is %33.33. Results concerning the second goal of research lie into uncovering the comparison between the practical and theoretical production : 1 - By analyzing the critic artist Balasim Muhammad's critical essays and its comparison with his artistic works, the researcher concluded that the critic artist (Balasim) makes his depictions out of familiar logics in Iraqi paintings and adheres textural exactness in his critical journey. In his critical writings we see him sticking to textual exactness, but in his artistic production there are recitations and imaginations. Most prominent conclusions are : 1 - The artistic criticism in Iraq depends on self - impressions unlike artistic work. 2 - The artistic criticism in Iraq relies on search into the art itself and not in artistic work details. 3 - The historical and social criticism occupies a space in critical writings.4t - Plastic criticism in Iraq does not depend on scientific method and there are not contemporary methods in reading artistic works , but with simple proportions. 5 - The criticism often depends on personal motifs and general rules. 6 - The journalistic and literary language was dominant as to read artistic works and this resulted into forming a dictionary strange to artistic criticism conception.

التوجهات التطبيقية للهندسة الحيوية وعلاقتها بتصميم هيئة المنتج الصناعي == Orientations of Applied For Bio - Engineering And Their Relationship For A Body

اسم المؤلف: يوجل عبد الحسين فارس
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تاتي اهمية هذا البحث من خلال دراسة بعض منتجات التصميم الصناعي من منظور الصحة البشرية برؤية حديثة للاشكال والهيئات التي تتخذها المنتجات الصناعية عموما والالكترونية بشكل خاص، ولهذا يعد البحث اول دراسة من نوعها على نطاق القطر وتفتح بابا واسعا امام المصمم | The importance of this research is come from through the study of some products of industrial design from the perspective of human health with a modern vision of the forms and the bodies taken by industrial products in general, and the electronic in a particularly , for this reason, this research is the first study of its kind on the diameter range , and it’s open the wide door in front of industrial designer to design their product on the basis of health controls , and it also encourages researchers for future studies so kind of studies that affect human health and the environment.As for the research problem has been determined in accordance with the question about the nature of the relationship of the link between the science of industrial design and science of BioGeometry.As the objectives of the research were directed at determining what Biological Engineering configuration (BioGeometry ) and application areas.The shed light on the mechanism of the relationship between the Engineering science association forming vital science (BioGeometry ) and the industrial design science in general, and the industrial product particular , in order to achieve success in dealing with the energies of vital human energy, to reach the objectives of the research were to be addressed to the three basic sections in the theoretical framework.The first section, which included them on the basics of Biological Engineering configuration and application areas and its relationship to other sciences , the second part address, the relationship bond between human and industrial product with BioGeometry perspective , In the third section dealt bio - engineering configuration (BioGeometry) and its relation to industrial product authority , and in the research procedures followed the descriptive approach in the analysis of samples , according to the analysis and form developed by the researcher based on the indicators that resulted in a theoretical framework, and The research community has included products for electronic devices for various international companies specialized electronic devices during the years (2008 - 2012), the research sample included (5) models of electronic devices , they are : (Mobile device , Laptop , i Pad , Audio files player mp3 , And electronic games player Mp5 and resulted in the process of analyzing the sample models among the results of the most important of which is : ــ The form taken by the industrial product profound impact on human health, according to their interaction with bio - energy. ــTo achieve a positive dynamic interaction between human and industrial product must be the dimensions of the product conforms to the golden ratio, and this was not fulfilled in analyst models. ــThere is a close relationship between two - dimensional shapes and three - dimensional in terms of dealing with the bio - energy and bio - quality impact on humans, as the shape with dimensions similar issues vital energy for the same three - dimensional shape, but by less.ــ Some species of jagged lines or abstract clear impact ability to accelerate healing some physical ailments in the vital organs in the human body, and activate the psychological or mental cases if employed in the industrial product. The most important conclusions reached by the researcher were : ــThere is a wide range of reconciling aware of the overall design and design BioGeometry gender. ــOf the main reasons that led to the deterioration of the overall health of mankind is its reliance on technical development at the expense of human health.ــThere is a wide range of reconciling aware of the overall design and design perspective BioGeometry starting, or through the addition of some amendments to improve some aspects of the products that have not heeded to aware BioGeometry.ــ There are constants design know the language of nature In the selection of colors, shapes , proportion and tunes..Etc. Equality of all members of the human race and Does not distinguish between religious , ethnic cultures, linguistic and cultural in preliminary step But can be employed and aligned with the designer as he deems the only target community as a secondary step attached And not as a principle basis prior to the first principle of design also establishes his general perspective.ــ Balance and proportionality have certain parameters in the overall design but the BioGeometry design have strict determinants Must be taken into account if the targets fit of some kind Or the balance in accordance with a specific target..After reaching to search results was to put some of the recommendations and proposals.

التكامل الدلالي بين المؤثرات السمعية والبصرية في مسرح الطفل == Semantic Integration Between Visual And Audio Effects In Children'S Theater

اسم المؤلف: ناجد جباري علي الربيعي
اسم المشرف: مصطفى تركي السالم
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Depends Children's Theatre on the influences that make up language play tag through two systems audio and video to contribute in pulling attention of the child for display through the delivery of items that mimic Madrkath mental which they can check means educational, social and cultural rights of children, and as they play effects of a prominent role in the theatrical presentation directed the child being element interesting that enriches thinking and imagination and breed has fun in the follow - up offer, this sought researcher to monitor these effects as signs refer to references leave becoming a Wares on stage, to refer to the factors imagined settle apprehensive in the mind of the recipient, and it becomes theatrical work network governed display system that achieves integrated lines between what is and what is audiovisual. This eating in his first season (methodological framework), which included the research problem and the need for and importance of the research objectives and the limits of search, and definition of the terms and procedurally defined. While eating in his class II (theoretical framework), which included three sections, taking first, the system audio and video in the Children's Theatre, which revolves around two axes, the first for the system audio, either second axis has search in the system optics, the researcher on the division (Tadeusz Kavzan ) in tracking display elements across two axes first represents what the representative and the second represents what is outside Representative, The second section handled construction rhythmic and importance semantic and aesthetic offers children's theater and revolves around two axes also the first study building rhythmic and importance semantic and aesthetic in the system audio, either second axis has He studied construction rhythmic and importance semantic and aesthetic in the system visual, and devoted the third section to address shifts elements of audio - visual in children's theater and revolves around two axes first represents elements of audio, either second axis is a visual elements, also addressed the topic most prominent indicators resulting from the theoretical framework. And devoted researcher Chapter III of the research procedures, methodology, tools and analysis specimens seven : the play (Flying Fox), and play (access), and play (world vitamins), and play (wolf fake), and play (story pearlmissing), and play (sky color), The play (advanced Jackal), and these models is, of distinguished theatrical works within the limits of the search, and seal chapter, presented a summary of the results reached by the researcher through the analysis of samples. While included chapter IV to discuss the results of the search, according to what created by the theoretical framework of indicators, to devise such conclusions that represent answers complementary research objectives, and in the light of these findings, coined researcher recommendations reinforcing through investment results and conclusions of the research, and achieves a range of influence in the middle and arena, and finally the researcher what he deems appropriate proposals completed this study, and give the subject the attention it deserves, then your search is over a list of sources and references used by the researcher, and attached some documents relating to research, and a summary of the research. Finally, I hope that I have managed in Msai, and God of the intent behind...

التفكيكية وانعكاساتها الوظيفية والجمالية في تصميم الفضاءات الداخلية == Deconstruction And Its Repercussions Functional And Aesthetic In The Design of Interior Spaces

اسم المؤلف: رياض حامد العجيلي
اسم المشرف: شيماء عبد الجبار حميد العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في خضم المتغيرات العلاقاتية للشكل والنتاجات التصميمية, تبرز ضرورة البحث عن الفكر التصميمي الذي ترك بصمات ذات قيمة جمالية دعت الى اعادة وتعديل الرؤية الى النتاج التصميمي على مستوى العمارة والتصميم الداخلي بما تم تسميته بالتفكيكية, | In the midst of variables relational of shape and Actual design, there is need to search for Thought design that leave fingerprints with aesthetic value called to restore and modify the vision into production design at the level of architecture and interior design of what has been termed Deconstruction, which adopted the standards and requirements for pro forma unusual mental contributed thus in achieving formal configurations refer figure to design formulations and exotic representations on the level of relations and then Association emphasis on the case of creative Acceptance and Satisfaction by the receiver. Therefore, select the question the researcher from which embody the problem of current research, as follows : "What is the possibility of activating variations and transformations of configurations and shapes that deconstruction Adopted in the design of spaces Interior? What are the variables of formal and relational approved and participating in the design clastic and who can be conducive to the values of aesthetic and have a functional indicators? ". Therefore objective of this research was to determine methods of design orientation to deconstruction and his variations formal and transformations in the design of interior spaces in the light of changing intellectual and technical development of contemporary, including doing the functional aspect and beauty. In order to reach the goal Search are four chapters address the first of which the research problem and its significance and purpose, as well as its borders and determine the terms contained. The second chapter included previous studies and the theoretical framework which represents four Detectives, taking the first of which Deconstruction strategy and concept of philosophical and intellectual properties. Then came the second part, the functional efficiency of the deconstructive method in the field of design. While Included the third section deconstructive manner and effectiveness of the aesthetic via changing formal and relational. The fourth section was singled out in dismantling an application strategy in the art of contemporary interior design, and then access to the indicators. This included the third chapter research methodology and procedures, as adopted descriptive analytical method to describe models of research and analysis, also included chapter research community and appointed by intentionality and tools, notably the form axes analysis, as the researcher design form analysis set included axes to cover the mechanisms analysis of the models chosen. And finally came the fourth chapter as it ensures the findings of research through a process of analysis and discussion, then exit conclusions with the group to make recommendations and several proposals. One of the main conclusions of the research are : 1. Deconstruction strategy was adopted on the formality values and a completely different standard dimensions of what has been the traditional formal systems earlier, as a kind of change on the level of formal discourse.2. Characterized design ideas thought design for Deconstruction strategy to adopt the principle mechanisms re - design as a feature and a key pillar within its own principles. 3. Confirmed the pioneers of deconstruction via his Products design on a graphical properties created for itself an active asset at the application level as (strangeness, mystery, excitement, smashing,..). 4. Coupled with most contemporary technologies deconstructive design, because of the nature of the approved premises in this strategy.

التكنولوجيا الحديثة والتحول الوظيفي في تصاميم الاقمشة والازياء == Modern Technology And The Functional Transformation of Fabric And Fashion Design

اسم المؤلف: وسن خليل ابراهيم حسن
اسم المشرف: عبد الرضا بهية داود
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الصناعي
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current study entitled (modern technology and the functional transformation in fabric and fashion design), addressed the issue of functional transformation in the design of fabrics and fashion as a result of the introduction of elements of advanced technology in the composition of Textile and fashion, which led to a shift in the functional forms included aspects dimensions multiple and variable climate applications and type of material used in the industry and the implementation of the fabrics.As it addressed the problem of the study researcher questionably was to the effect : Does the modern technological developments role in achieving a state of functional transition in fashion fabrics and design? The objectives of the study identified two goals, the first : is to identify the technological elements that were introduced to the design and fashion fabrics, which led to shifts in functional structure. And another : is to identify the kinds of transformations that have occurred in functional fabrics and fashion designs as a result of the entry of the technology. Has addressed a researcher at the board thesis topics related to minute to collect information about the aspects addressed by the study, as it focused attention in the first section of the Metn on the basic concepts of the technology, and disability - tech technology and the relationship of technology to science, and the centrality of technology in the design of textiles and fashion. In the second part, researcher dealt with all the technological advances that entered into the textile and fashion design elements changed the physical structure of synthetic and textile fabrics. In the third section, the researcher dealt function relationship and the relationship of technology transformation concept functional dimension of Fashion and Textiles, and identified the basic aspects of the design concepts that emanate from a recipe change and transformation and associated interest and benefit. The researcher also linked in this section of the aesthetic value of Textile and Fashion performative dimension to it, which is quite different from the formal dimension. In the third chapter, the researcher identified the research community Bntegat Yonsei University and NASA space science, because it's the guardian institutions that are meant to develop fabrics and fashion to advanced technological levels and provides jobs for mutant versions of the functions of traditional textiles and fashion. And then the researcher has analyzed the research community, and reached a number of findingsand conclusions of the most important : The most important results1. Had to use materials with sophisticated structures of the technological levels of its role in creating turnovers and in the design of functional models of the research community, through the adoption of innovative methods in the manufacture of new materials and methods to be employed to find jobs vary images contrast Employment and design.2. The shift in the functional nature of the research community models, in turn, led to a shift in the nature of aesthetic, stemming from a shift in how to receive judgment on the photo images of metamorphic fabric and fashion design.3. The nanotechnology, and specifically the possibility of hiring ores have the ability to sweat and odor treatment, as reported technology dimension of it in the design of fashion fabrics and be able to evaporation of sweat, and change to the other odors proportionate and emotional nature of the wearer. Which in turn, such as a shift in the nature of functional fabrics and fashion.One of the most important conclusions 1. The ability of modern technology to find materials and raw materials have the ability to perform new functions, and can be employed in the composition of textile fabrics for fashion, it stems from the evolution of scientific knowledge at the level of thought, design, and other disciplines which found its place an applied in the structure of the material, which was born prospects for employment Technology and the potential for large shift in functional formulas for fabrics and fashion designs. 2. That all investments technological dimensions of scientific and stylistic, were the result of the transformation of the concept of the need for humanity to another exceed spammers generally accepted methods of satisfying that need, and that was taken away material outward and inward in the structure of production design of fabrics and fashion, due to meet by one or more of the requirements of humanitarian need changing.3. The use of variables materials that originated from the evolution of scientific knowledge regarding nanotechnology forms and manifestations multiple, was the result of Thumbnail materials used in the manufacture of materials to Almqayas Nanaoa which has to utilize them in finding fabrics and costumes have the ability to manipulate the concept of environmental change or physical to the wearer, and these developments The result of the exploitation of cognitive development in the scientificstructure of different disciplines, which found her Ssaliba and modern techniques introduced in the compositional structure of fabrics and designs fas, which generated a remarkable transformation in her career form

التباين الاسلوبي في الكرافيك العربي المعاصر

اسم المؤلف: حنان رضا حمودي كاظم الجبوري
اسم المشرف: مجيد حميد حسون
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الرسم
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البناء الحركي وانتاج المعنى الدلالي في المشهد التلفزيوني == The Buildup of Motion And Production of Semantics Meaning In The Television Scene

اسم المؤلف: كمال شناوي ذياب
اسم المشرف: دريد شريف محمود
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: سعى الباحث في هذه الدراسة الى ابراز دور الحركة كمفهوم شمولي في مستويات متعددة امتلكها الفلم كمنتج فني سواء على مستوى السينما او التلفزيون بشكل عام، كما سعى الباحث الى تجذير العلاقة ما بين الحركة ذاتها بكل مستوياتها ومراحلها وتاثيراتها في انتاج المعنى الد | Researcher sought in this study to highlight the role of the motion as a comprehensive concept in several levels the film has as an artistic product, both at the level of the cinema or television in general. The researcher sought to consolidate the relationship between motions itself at all levels and stages and their effects in the production of the semantic meaning. The study tried to follow the appropriate way to achieve the maximum benefit through reading all views in line with the research objectives, the research was divided entitled (buildup of motion and production of semantics meaning in the television scene) into four chapters in which he first entitled (The methodological framework ) which includes the problem research, its limits and its goals, while the problem of the research can be summarized asking following ((what are the aspects of motion affecting the production semantic meaning in unified artistic buildup?)). Yet, the importance of the research being dealing with basic subject in the structure of a scene, which is motion and their meanings in production as well as the possibility of becoming a useful study for those interested in field of TV drama. Meanwhile, the limits of the research focus on studying television drama. The research objectives have been limited to (detecting the modes in which motion operates within its various forms on production of semantics of meaning in the television scene). The chapter also included on a definition of the term motion, while chapter two (the theoretical framework and previous studies) which has included three studies which have formed the theoretical foundation of the research, these studies were titled as follows : The first section (motion from the structure to the meaning) it gave a thorough discussion to the concept of motion, in addition to the structure and semantics and the significant of the structure on scene buildup in films, in addition to the theoretical picture and its relation with the meaning which is being dealt in details. The second section (from the movement to the film) it reviews the history of motion picture and factors that affect the composition of picture in television.The third section (motion and dramatic structure in the television scene) it addresses the concept of drama, in addition to the elements of action and its buildup, also we have dealt with the rhythm of the scene and building it both intellectually and editing (montage). The research also tackled a number of previous studies that have smaller interests. The researcher has come out of a number of indicators which are the results of the theoretical framework.The third chapter included (research procedures) which included the used methodology and the research community and the chosen samples and justifications for choosing them, as well as the mechanism of research and unit of analysis, this chapter also included analysis of the selected samples. The fourth chapter includes conclusions that focused on two television series that were intentionally chosen to meet the requirements of the research. There are fundamental findings that both series have resorted to motion levels in producing the meaning in different manners, starting from the buildup of motion to vision and the editing, camera and sound. The researcher confirmed on a number of conclusions that have resulted in the light of discussing the samples of the research which confirmed that television series should deal with almost all levels of motion and its meanings in the production of the television scene, with a significant difference in the levels of motion in building of the scene. The results and the recommendations have maintained the goal that the researcher has made in mind in his scientific plan, as mentioned above. This chapter also includes the recommendations, proposals and sources, in addition to summary of the research in English.

البعد الوظيفي للعناصر البنائية في التصميم الطباعي == Functional Dimension of The Structural Elements In Graphic Design

اسم المؤلف: نور احمد حاجم الربيعي
اسم المشرف: حكمت رشيد فخري العزاوي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The completed design layout space mixed the structural elements and react according to the ranges of operation and functional, establish by regulation and interrelationships that are formed according to the bonds of the structural discourse visual design career in Graphic Design in general and the cover of the magazine , in particular, for its fun mentality and culture of the recipient affect the everyday needs him in various directions. The focus of current research in almost all its attention on knowledge of functional dimension of the elements of building in Graphic Design in order to understand the mechanism of action and the realization of ideas and assisted by the intended delivery to the recipient, where enrolled Search classes several , came the first chapter required for the research problem which manifested itself by asking the following : ( What's the role of the functional dimension of the structural elements in layout design ? ) And demonstrated the importance of research in : The possibility to form a view of knowledge contributes to the Iraqi supplement the library a new type of research in the field of Graphic Design , as well as its contribution to the open window scientific knowledge for those working in the field of Graphic Design. As set a target search : (learn functional dimension of the structural elements in the layout design , and make proposals for practical purposes according to the results). Interested in the theoretical framework of three Detectives , touched first section of ( the concept of origination and development function , function in philosophical thought , a job in the art, design and function ). The second topic addressed ( in art and architecture design, structural elements for the cover of the magazine , and directorial styles for the cover of the magazine and its relationship to job performance ). While eating Section III variables design and its relationship dimension career as follows : (function and Attractions visual function through unity and diversity, function and significance , function and cognition, function and connectivity, functionality and digital technology , function and beauty). Then came the theoretical framework of inter indicators are the epitome of what resulted in the theoretical framework , including 1 - Position not be realized arbitrarily by the designer , but must have a level of awareness of the specialist, and a level of awareness Palmgeorat ofknowledge and phenomena exist. 2 - the aesthetic value of harmony with functional value and interpretation of functional value in a utilitarian manner and performance make it to the cover of the magazine outlook such us beauty and the value of a direct relationship between each other. Followed by the research procedures contained in the third quarter , marked by the adoption of the descriptive method (method of content analysis ) in order to reach results that achieve the target search. Also represented his research tool the analysis identifying axes form the basis of the theoretical framework , and resulted in the indicators and analysis axes were as follows : • functional dimension of the element Alkraveka • functional dimension of the element Altibograve • functional dimension - semantic structural elements • perception relationship the functional performance of the structural elements • processors relationship technical digital functional performance of the structural elements • 's function in terms of content • relationship methods design the functional performance of the structural elements • functional dimension _ aesthetic elements Altibogravekah According to the contents of each model on the unit where it was described and analyzed (16) sample research , based to the paragraphs of analysis, Chapter IV, has included a presentation of the findings of the researcher , the total number (18 ) as a result , for the first target of the search , and it was them : 1 - achieved a system architecture formal moot differentiation by employing forms Allamolovh and redesigned and adapted consistent and subtraction objective idea of the cover of the magazine, donor 's energy performance functional aesthetic through innovation and uniqueness in the way of subtraction, and this stems from a number of elements and the values of design that not only required The distinction is to make it unfit for understanding and vision , and but instigate our sense and intuition effective visual design field and in accordance with the requirements of utilitarian image. 2 - over - employing key Anwanat number and subsidiary in the cover of the magazine , had a negative impact in the process of receiving it , they distract the receiver because of the large number and its color variations and thusweaken functionality. 3 - Check the iconic structural element - written , which led to the production of functional structure - Tagged , designer prduses system Alamatah expressive semantics , through formal positioning of symbols and visual signs with signifier written. 4 - According to the designer of processors digital technology specialized processing digital photo in particular in the job enrichment - semantic image through the use of technology (filters ), as reported techniques pieces , deletions and additions, Alfotomonteg , and contributed to processors of digital technology is the basis in shaping the idea of working to break the stereotype of shapes and out of the conventional method of frames through Semiotics produced approach visually and functionally speech by digital technology. Then the researcher concluded a number of conclusions , including : 1 - Enter key to the language of mock job was through the adoption of the principle of sovereignty in the volumetric space of the cover of the magazine. 2 - rapid transfer visual and mental unit moving in the process of receiving the elements was due to the adoption of structural variations and sharp color value Altdadat her. The researcher organized recommendations A_i_vtha by in the light of its findings , including : 1 - choice of images with deep meanings and connotations that are consistent with two goals design idea. 2 - Pay activate visual discourse through the organization structures Altibogravekah the importance of being frees broadcast communicative the and functionally - Tagged - aesthetically pleasing. 3 - Activating Digital Alkraveka Design in all its specificity as a tool supportive performance done layout , and make it accessible to the hands of students in educational institutions and Fine Arts and the establishment of sections designed to teach and in line with global trends. The researcher also presented two proposals could form the focus of subsequent studies complement the current research , namely : 1 - the communicative function of Amolov formal layout design. 2 - Semantic job enrichment component Altibograve using digital processors. With regard to the second goal of the researcher presented a search applications proposed designs for the covers of magazines , according to the results. And then seal Find a list of sources and supplements

الانظمة التصميمة لخيم المناسبات وامكانية تطويرها == Systems Design For Tents And The Possibitity Developing Rituala

اسم المؤلف: عبد الحسين عبد الكريم سلمان
اسم المشرف: نوال محسن علي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تبحث الدراسة الموسومة (الانظمة التصميمية لخيم المناسبات وامكانية تطويرها) في مشكلة عدم وجود مرتكزات واضحة تعبر عن خصوصية المجتمع العراقي البيئية التاريخية والفيزيائية وضعف الاستفادة من التطورات التقنية العالمية في مجال صناعة الخيم المخصصة للمناسبات العامة | The study examines tagged ( design systems for severe events and the possibility of development ) in the problem of the lack of clear foundations reflect the privacy of Iraqi society, environmental , physical and historical weakness to take advantage of technological developments in the field of global industry tents allocated to public and private occasions The research aims to detect and analyze the design and create foundations for tents occasions The importance of this study being the first to address this area which now use common events and tents dramatically in Iraqi society and is considered an indispensable product in most occasions Search limits included design systems used in textile architecture allocated for public and private events in the city of Baghdad, manufactured locally in 2013 The research will be four chapters included the first chapter of the research problem and its significance and its purpose and its borders and determine the terms The second chapter has included theoretical framework and previous studies and the theoretical framework included three Detectives first came under the heading of what histological architecture of the time, which included the second part placed climatic effects and their relationship in tents occasions while offering third section for Altamaha systems for tents occasions The third chapter has included search procedures, methodology and researcher adopted the descriptive approach in the process of describing and analyzing the samples, which represented I 00% in addition to the description and analysis of samples The most important findings of the researcher in the fourth : quarter are1. The form of the use of horizontal lines In all samples In response to functional purposes2.Methods of linkage formed a burden because of the number of syllables rail many constituents ofSupporterstructure of the three models : One of the most important conclusions reached by the study is 1. The absence of a balance between the functional and aesthetic aspects of the matter which led to the exit of a product is almost incoherent with a clear domination of the functionality at the expense of other aspects2.Adoption of a system design te?ts explicit geometric shapes (square or rectangle) mainly weakens the aesthetic features of the tents and lose diversity3.Not to take advantage of technical developments in the field of physical resistance to environmental conditions on the ~esign, though he crucial element in the success of the design of the tent and reflected in a positive environmental performanceAlso included aboard the fourth quarter on the cornerstones of design which concluded such study, which was the most important benefit from the outputs of the technical development in the areas of design, production and utilization in the design ofsevere events in time, which included the fourth quarter of carries also a set of recommendations and proposals as well as the proposed design
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