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برنامج تدريبي لبناء التكوين في رسوم طلبة المرحلة المتوسطة لمدينة بغداد A Training Program of Composition Structure In Secondary Stage Students Drawing In Baghdad City

اسم المؤلف: هند عماد حميد البياتي
الجامعة: جامعة بغداد
اسم المشرف: هاني محي الدين محمد النعيمي رعد عزيز عبد الله
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: تعد التربية الفنية من الدروس المهمة في حياة الطالب وخاصة في مرحلة المراهقة, المهمة في حياته , حيث تسعى الى صقل وتنمية قدراته فكريا واجتماعيا وفنيا, اذ تتيح له التعبير عن افكاره ومشاعره وانفعالاته حيث يصور العالم الخارجي بنظرته الذاتية او الذاتية الواقع | The art education regarded as one of the important lessons in learners life particularly in adolescence period. Because it a tempts to refine and enrich his abilities mentally , socially and artistically.In this way gives him the opportunity to express his thoughts , feeling and emotions through shaping the outside world with his own or realistic vision. The art of drawing considered one of the most important arts that have been used in the artistically expression which is the visual borrowing from environment. This is done by organizing the lines shapes and colors in specific palter of expression in order to be perfect by the Composition structure of the paint.From the observation, we notice that the learner flounders in his subjects and failure to produce his paint with it perfect shape and context. the reason lies, according to the researcher point of view , through her experience in the artistically supervision , the learners lacking the knowledge of the minor elements and founds of the artistically structure which is considered the basic pillar in any artistically perfect work.Depending on what is said above , the researcher has put the following aims : - 1 - Designing truing programmed for Composition the artistic structure in students drawings according to Gagne& Briggs (1988) theory. 2 - Measuring the effectiveness of the training programmed for the artistically structure elements and founds within the (cognitive - skill) dimensions. By applying it on a sample of secondary stage students. to achieve the second aim , four null hypothesis have determined to measure the cognitive and skill performance achievement level. The stay population is limited to second year boys student of the general sector of education in Baghdad city for the academic year (2011 - 2012), the total number is (27824) male student distributed on (50) school. The study sample is (40) male students which have been chosen randomly. Actually (2) classes from total (7) classes in AL - Garbia secondary school. The experimental group have been exposed to the requirements of training program designed according to Gagne& Briggs (1988) Theory which included (3) educational units.While the control group have taught by using the traditional methods. To option data , two tools are designed : - 1 - Cognitive - achievement test : to measure what in formation the students elements before and after applying the training programmed. 2 - Skill - achievement test : - To measure what drawings skill students have before and after applying the training programmed. Anevalution of skill performance list have been used. The presenter have used the suitable statistical tools such as : (mann_whitney) test to equalize the students in age, the cognitive achievement test (pre _ post)and skill performance (pre _ post). the discrimination power and difficulty of items. (Alpha_Cranach) formula to obtain reliability of the test , (Pearson _correlation) and (spearman brown).The most important results that the research have reached at is that the experimental group. exceeds in their performance of the cognitive - achievement test for article structure Composition and skill performance on the control group which shows the effectiveness of using the training programmed according to Gagne& Briggs (1988) Theory. The important recommendations are : - 1 - Adopting the designed training programmed in teaching elements and founds of artistically structure in secondary school because it is one of the important lessons.2 - Enabling teachers of art who are not specialized in art department to be supported by the content of the training programmed in teaching this lesson.The researcher has suggested the following : - 1 - Conducting a fellow up study for this study sample which have been exposed to this programmed anther studying stages to determine the effectiveness of this programmed in future.2 - Conducting a study for training programmed of Composition artistically structure in talented students drawings at Baghdad university.3 - Conducting a similar study on female students in the same stage and make a comparison between male and female students according to the results of the present study.
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السمات النحتية في العمارة التفكيكية Sculptural Features In Deconstructionist Architecture

اسم المؤلف: عقيل حسين جاسم حمزة
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: Affected by the nature of the fine arts in general, structures its neighboring affected seem like the product of logical, through contact with these arts influences thought compressor socially and religiously and scientifically and psychologically, and this is what makes sure functionally according to the relationship art evolution year which occurs in the human communities throughout history. I have contacted art, including sculpture composition data of the intellectual and aesthetic transformation that has occurred in the structure of the art in a different historical era from arts of ancient civilizations in Iraq, Egypt and Greece, through the art of the Middle Ages and the Renaissance, and ending, including the outcome of the modern arts and beyond.It was the emergence of currents modernist impact evident in the development of coordinated Achtgala a clear distinction between art painting, sculpture, and took the products of contemporary architecture, influenced by and influence, with the result of the achievements of artistic creativity, and it was for the development of the great in the field of technology have a positive impact of the relationship of sculpture, architecture, in terms of employment and similar and metaphor and embedding, and but relativism rise and fall, the vision of the architect or sculptor alike.Hence, the evolution of architecture in the period of modernism connects the idea of switching from level realistic to the level of abstract or symbolic, and it was for this, a role in showing the properties of architectural most relevant features art talk, specifically sculpture, and this similarity or overlap strengthened through the system aesthetics of modern art all related references poignant and mutant methods.The researcher found important to know the most important of these characteristics. So Me Find studying (sculptural attributes in deconstructionist architecture).This research included four chapters : Chapter One : ensure that the research problem and its importance and the need for objective research and its boundaries, and define the
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خطاب ميشيل فوكو وتمثلاته في العرض المسرحي العراقي Michel Foucault Discourse And Its Representation In The Iraqi Dramatic Show

اسم المؤلف: عمر محمد جنداري
اسم المشرف: عبود حسن عبود المهنا
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بابل
المستخلص: تمحورت الرسالة حول خطاب ميشيل فوكو وطروحاته الفكرية واهم المراحل التي مر بها هذا الفيلسوف في حياته, وابرز الشخصيات التي اثرت في فكره ومن ثم على نتاجاته التي تضمنت مفهوم الخطاب في مختلف المجالات, وما يتخلله ذلك الخطاب من طروحات ذات حقائق معرفية وسلطوية ماد | The current study dealt with Michel Foucault's discourse, his materialistic psychological propounds, the most important periods of his life and the most prominent characters which affected his thought and consequently affected his products including the concept of discourse and all its fields, and what that discourse contains as propounds characterized with epistemological authoritarian fact whether they were materialistic or psychological, then Finding approaches of Foucault's discourse in some works of a group of international directors reaching to the impact of this thought on a group of Iraqi dramatic shows and experiments. Therefore; the researcher divided the study into four chapters The first dealt with the methodological frame and the problem of the study embodied by the following question : How is the discourse of Michel Foucault represented in the Iraqi dramatic show ?The importance of the research is embedded in studying Foucault's philosophical discourse, as one of 20th century philosophers, and identify his thought and his product concerning discourse, the extent of the benefits that the Iraqi dramatic shows got from those theorizations. As for the need for the study; it is implied in providing advantages to students of Fine Arts colleges and Fine Arts institutions in devising the philosophical thoughts that are embedded in the dramatic show. The purpose of the study is represented in Identifying Michel Foucault discourse and its representations in the Iraqi dramatic shows.The Second chapter (the theoretical frame) included three sections; the first is concerned with the cultural philosophical conformation of Foucault's and his main writings, stages and transferences which he experienced during the period of his discourses theorizations, the most important philosophers, men of thoughts, men of literature, artists and the poets who affected his thought then his philosophical product and his own concept of discourse, then perusing the most important terms he worked on in his writings such as epistemology, Genealogy , archeology, panoptisme in addition to Marxism , structuralism reaching to College De France. In the Second section; the researcher shed light on Foucault's materialistic and psychological thoughts which are represented in various types of discourses to which he relates his propounds such as (the discourse of power, self - discourse, body - discourse, history discourse, epistemology discourse and madness discourse. These discourses took a critical way to show the relation between the total discourses on the one hand and power and epistemology on the other in order to find out the facts whether the matter is concerned with the materialistic visible image or with the invisible mental images. As for the third section; the researcher dealt with Foucault's discourse approaches in the dramatic show referring to some directors, such as(Arto , Erwin Pescator , Cantor , Jozef szajna , Peter Brook , Ariane Mnouchkine , Grotowski , Ojino Barba and Robert Wilson) as models whose products resulted in approaches on the theoretical and applying levels within the Foucault's discourse. Then the researcher talked about the indicators that are resulted from the theoretical frame to conform the tool by which the samples of the research were analyzed. Then the researcher ended the section with reviewing the previous studies. The Third chapter (the procedures of the study) which included the community of the study, that consists of sixty three plays. The researcher relied on the academic dramatic shows which were presented in the colleges of fine arts in Baghdad University, Babylon University and Mosul University from 2005 to 2010, from which the samples of the study were chosen. The samples of the study were analyzed by means of the tool of analysis, its validity, its stability and the approach of the research, choosing the intentional sample; then analyzing the sample that are represented in the following dramatic shows : 1. The Play "Mice and Presses"2. The Play "Either…Or"3. The Play "Ice"The Fourth chapter dealt with the findings which the researcher reached at : 1. The authoritarian discourse dominated the three shows; represented as a moral and materialistic authority as in "Ice", or the authority of power as in "Either…Or" and "Mice and Presses" in which the authorities varied between materialistic and psychological in the characters. 2. The three shows shed a light on the role of the marginalized person in the society and the loss of values which he suffered because of coercion and social injustice considering him, the neglected, as a (non - thought of) category.3. The shows of the two plays "Ice" and "Either… Or" presented the mechanisms of power sexuality and madness through disassembling their themes and relate them to epistemology. While "Mice and Presses" is built on the authoritarian conquer and presenting paste and senseless words to the minds of characters which misguided them in finding the truth.The chapter also included the conclusions and a group of recommendations and suggestions, followed by references and photos. The researcher ended the study with the English abstract.
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سمات الحداثة في فن الكرافيك الاوربي The Features of Modernity In European Art Graphic

اسم المؤلف: بشير احمد جعفر
اسم المشرف: كامل عبد الحسين خضير النداوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بابل
المستخلص: The art is considered one of episodes that produce fresh perspective , Opening a new fields to wards.renew in all life scopes so The modernity does not be the result of a certain moment , but it refers to the many historical stages that are contributed and formed it.The modernity is a new intellectual movement in art in general and in European graphic art in particular. It mainly depends on trying to replace the intellectual reference that govern the human behaviour in life.And according to this fact , the modernity is an active partnership in the intellectual transformation grand witnessed by the humanity.The modernity does not call only for the evaluation of thought and renewal the literature but also to develop the art and out of old to the new style , language and thought without losing its cultural roots, and also its original features which are stemming from human civilization. As ( Audinos ) mentioned that every modern does not mention about a new view of life , man and science through art aesthetic and not be valuable.It is worth mention that Europe has been witnessed modernity in its large meaning which rapidly spread and impact on arts all over the world, among an important things that European modernism confirmed on especially in art : is great tendency toward abstraction or alienation depending on the currents brought by modernity , which made the shape rejects any static image through diversity in technology and style , so this figure appeared clearly in the art , particularly in the graphic artThese changes have led to revision the nature of the vision to art in general and graphic in particular. On art level , these changes represent by new European movements , the researcher has found the importance of knowing the modernism features in European graphic art. The research has focused on ( The features of modernity in European graphic art ). The research has contained four chapters , the first chapter is to show the researches problem which summarized in (What are the features of modernity in European graphic are) and its importance its needs and its aim which sets in (Definition of modernity attributes in the European graphic Art) during (1895 - 1978)and spatial in (Europe) , As objectivity identified by graphic works according to its techniques , and determine the terms contained therein. Chapter two has contained three studies ; the first one concentrated on the concept of modernity in art , the second one contained the grew up of the graphic art and its development through ages while the last one is about paths and directions of European modern graphic. Chapter three has devoted for the research procedures which contained identify the research community and choose the sample which is nearly (18) aprinted work , then the search tool and to analysis the sample.The Chapter four has contained the results , conclusions , proposals andrecommendations. Among the most important results finding by the researcherare : 1. Modernity led the movement changes in the nature of visibility to art ingeneral and graphic art in particular.2. modernity has combined between passion and scientific analysis in shape , colour and movement , and this method has formed the basis for many movements (Graphic art) in Europe.3. Modernity for the impressionists considers as a renewed movement which contributed in great change which accompanied the artist , of this school by their using the technology of ( wood engraving in colour , Lithograph in colour) as in examples (1 , 2 ,4).4. The modernity feature has confirmed for the impressionists by using symbols taken from lived environment which implemented in a style with simple lines as in example (1).5. For the expressionist artists , the modernity has confirmed that they have two levels within two ways : the first , is to determine the shapes by his strict limits of linear up to the point summary which makes the real foundation of forms away from realize , while the second is to look for about the details of the shape within geographical (modeling) strict for colour by using mechanism experimentation chromatography as in examples (3 , 18).6. Modernity for the expressionist artists , shown in colour by using the main colours ( black , red , green , yellow , and violet) with some changes in , with modern technologies (drypoint with aquatint in colour , woodcut in colour) as in examples (3, 18).7. Modernity for the brutality school , affirmed on unusual colour and vision as in examples (11).8. The brutal artist collected a total of technologies in their modern works , and within it ,modernist form has been activated and in modern view unlike the previous forms. And among these important technologies are (sugar lift Aquatint) as in example (11).9. Modernity to the Cubism school is characterized by analysis and forming shape. by returning shapes to the mind concept and meditation for cubists as in examples (9 , 14).10. Modernity to the cubists characterized by using of new technology ( linocut printed in five colours , etching) by these techniques , the features experimentation showed to the cubists as in examples (9 , 14).11. Modernity to the futurists arts is considered as renewed movement which contributed in great change which accompanied the artist of this school by introducing the concept of dynamic cosmic and used it in graphic art fieldas in example (5 ,10).12. Technologies for the futurists arts formed a modern touches through the expression and formal method of treatment manipulates light and shadow within the printed work. It was obvious in techniques of ( Etching ), (Linocut in colour) as in example (5,10).13. Modernity has appeared at abstractionists artists within the geometric abstraction which is the most reductionist level structure of formal and modern colour as in example (8 , 12).14. Abstractionists artists has taken a new formulation of the printed form by using modern technologies different from the previous techniques groups ,which enhanced the shape with modernism , and among the most important of these techniques are ( lithograph in colour , woodcut , Lithograph ) as in examples (6, 8,12).15. Modernity found at aldadanyeen and the surrealists , which comes from the illogic (neglect logic) and we can see through that they set out the visibility in their thoughts and emancipation outside the limits of laws to create forms (abstract forms which have mysterious nature) which consists of the absurd within abstraction as in examples (13 ,17).16. The Modernity has embodiment for alddadanyeen and the surrealists by defining the concepts of dream and realism in a new frame from the reality within dream which means expression of activities over realism in disordered forms or incoherence , one of the most important technologies that have emerged features of modernity they have are : (etching , lithograph , etching with Aquatint ,Aquatint with etching in colour ) as in examples (13, 15 , 16,17).The conclusions reached by the researcher Among the most prominent. : 1. Human dimension appeared in most of the fields of European art especially in graphic art.2. The new printed work considers as text which shows aesthetic relationships through the ordering of structural elements of the graphic art.3. The European artist graphic enabled to find spaces to show the expressive dimension in their works.4. The European artists graphic interested in experimentation which led to show a new technologies in his works.5. The printed work appeared diverse in forms features through diversity in arts fields for the European graphics.The search is over by recommendations and proposals with a list of references and sources and with abstract with English language.
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الاطر الفكرية وانعكاساتها في تصميم المطبوعات الدينية

اسم المؤلف: صادق هاشم حسن الموسوي
اسم المشرف: نصيف جاسم محمد عباس
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الطباعي
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: Prevail in the world of intellectual and scientific variables... And overlap the treatises of this party, come research addresses the deliberative ideas as an important and necessary in the cultural communication and information update.. Hence it was dialogue of civilizations.. And individuals in the dialogue between them and the means of activating the intellectual and conceptual frameworks after he entered the concepts of globalization in all their in requirements attempt to impose a particular ideological line style.. But the cultures and traditions of theses communities attend to confirm the role that should not deviate or marginalizes its spiritual and physical level... Where is the means of communication, including print and one of the dozens of ways in which nations and peoples trying its institutions all through the dissemination of cultures, traditions and ideas and concepts..Being at hand and easy circulation and can be employed for the purposes of tourism, religious, economic and otherwise, generally, those nations and institutions are trying in various ways, the announcement of the frameworks related intellectual inheritance of civilization have, including religious shrines that frequented many parts of the world, which requires dissemination and promotion in support of after spiritual and material both whether, in Iraq this ancient country that stretches at home shrines are many varied and different religions and sects, the presence of printed religious for that shrines is an act communicative however, and worked the institutions of the thresholds of the holy given printed religious significance, as it is one of the media and promotion, , Because it appeals to the general public who attend religious shrines of different cultures and referents, and from this perspective the current research to examine and explore the link between spammersintellectual which is designed on the basis of publications issued by those shrines and between the artistic process and its implications, where his grandfather researcher subject should go into it, and distributed find classes as follows : The first chapter methodological framework of the research in terms of the research problem represented by asking the following : Are intellectual frameworks reflected on religious publications design? As the importance of research came in : ? The possibility of benefit from working in the field of Graphic Design in general and employed in the design of religious publications in particular.? The possibility of a briefing media organizations and advertising of the sacred thresholds, set a target Search in : ? The intellectual reflection spammers statement in the design of religious publications.? Provide practical proposals based on the outcome of the theoretical framework and indicators, and the search results, and then refer to the limits of research and determine the terms, as the second quarter included a theoretical framework, where it came from his interlocutor as follows : Also included the first section two addresses (such as conceptual frameworks, philosophy and thought, frame aesthetic, in the framework of art and design, intellectual framework - aesthetic when some civilizations, data intellectual thought and Islamic philosophy, frame artistic and intellectual philosophical Islamic "private"), as discussed topic the second to the (structure design, structure elements, elements Typography, foundations and structural systems), and interested third section in a statement (digital technologies and electronic publishing,producing and designing programs elements Typography, the communicative properties of print), , While the fourth section referred to the (design patterns prints, design publication, Graphic Design and Printing, the most important digital programs used in the design Jerafah), then followed by the indicators theoretical framework, and included the third quarter research methodology and procedures supported the descriptive method (method of content analysis)in order to reach results, and the research community, and the method of selection of models, and search tool which was to design a form identifying axes analysis based on what emerged from the axes and indicators theoretical framework, and opinions of a group of experts respondents who expressed an opinion scientifically built in, to other procedures reported in detail in separate proceedings, then the search in the analysis of the models chosen, came fourth chapter involving the results, discussed and that came from : Conceptual frameworks : 1. based methods of construction design which conceptual frameworks variety of dimensions, philosophical, and intellectual with theses global Islamic, and local variable rates and indicates this fact to the vulnerability results conceptual presented by the scientists and thinkers of the Islamic nation, and non - Islamic, and that proved the most of the ideas presented in the religious publications, namely the ideas of human dimensions related events experienced by the characters in question, as well as being connected to the religious and social situation associated with the ideological environment.2. Adoption of the style of presentation symbolic of the events promise to approach the representation formal, as in models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17,18, 19, 20). And (95%). Thereligious symbols is one of the most important means showing historical events through the employ of being known and unknown when a lot of the audience, and generally the employment of religious symbols or environment - related religious forms is important in the embodiment of the structure of the idea, as well as the fact that the symbols represent a tool easy to bring ideas unhindered and difficulties.Elements Typography : 1. Recruitment effects digital available in computer software in order to achieve dimensions of aesthetic certain, as in the models (1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 17 , 18, 19, 20). And (95%). Commonly used these effects after he added an important set of filters and digital effects, and should be used by designer without distorting what makes writings without clarity and readability2. the emergence of clarity and readability in biblical patterns that have adopted away from digital processors that can come to the contrary where she appeared in all models. It is well known the importance of clarity and readability in hiring patterns written being talkie reader, and that the lack of interest by means cause problems in reading the text, which is not something he wishes designer and he has to pay attention to him.Structural foundations : 1. The adoption of symmetrical balance in the design of the versions with the absence of other balances, and appeared in all samples models. The adoption of symmetrical balance in this type of publications designer was caused by the use of a limited number of pictures of the shrines and domes and minarets of the design spacemakes space for syndication unbearable condensation or search for other balances.Regulations, and the relationship : 1. Recruitment open spaces will be the basis of which a picture has organized other formal elements as in the models (1, 2, 4, 5, 6, 7, 8, 10, 11, 13, 14, 15, 16). And (65%). A systems designer works on the printed employed in religious, and open spaces come to express fallow visual and openness structural system which is often linked to spiritual orientations for visitors.Communication characteristics : 2. Adoption of Direct to provide ideas. Appeared in all models. The use of the direct method in the presentation of the idea, makes it a high gloss deal with all recipients, and equally, and it needs this kind of stylistic designs of this direct relationship with a wide range and variety of people. Then ensued and the conclusions that came from : 3. The intellectual frameworks between the path in front of religious publications and designer working directory based on him in many of the propositions.4. Worked spammers and the arguments of religious thinkers and practitioners in religious affairs by direct reflex on the design structure of the print.5. The weakness that was apparent in the formal organization of the religious publication comes from the few know the designers of modern systems in Graphic Design, including the study of form and space relationships and employ photographs to the other.And continue with the outcome of the results and conclusions of the research researcher recommends including the following : 1. given conceptual frameworks that relate to Islamic history more attention and break the cycle of restriction, and to serve the - oriented ideological intermediary.2. the adoption of new methods in design and art direction and in accordance with up - to - date modern techniques.3. revolving develop specialized media and printing experts and designers led them informed and widely thought any ideological work will organize Publications printing and publications.4. Work on biological directorial sizes of prints and stay away from sizes that may occupy the continental and familiar.The researcher also suggested do following two studies : 1. employ images architectural design Islamic religious publications.2. dimensional aesthetic in the design of religious publications.He then read some of the works carried out by the Applied Researcher in which he singled out the second goal and a list of names of experts who showed Raya scientifically and technically, and he finished researcher finally conclude with a list of sources and supplements, Abstract and Title in English.
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تصميم تعليمي تعلمي باستخدام نظريات الاتصال الاقناعي لتنمية مهارات طلبة كلية الفنون التطبيقية في مادة ن الاعلان

اسم المؤلف: احلام محمد جرجيس
الجامعة: جامعة بغداد
اسم المشرف: عبد الكريم لعيبي الربيعي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
الصفحات الاولى:

انعكاس ثقافة المجتمع على اداء الممثل العراقي A Reflection of The Culture of The Community On The Performance of Iraqi Acter

اسم المؤلف: سعد فاخر شبوط
الجامعة: جامعة بغداد
اسم المشرف: راسل كاظم عودة
الموضوع العام: الفنون الجميلة
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: As the diversity of the phenomenon of cosmic manifests itself in the world of nature , and because of this diversity of manifestations of creation major , so culture is a necessity in the renaissance of peoples so that you see human life at every level , including social, economic, political , and religious and cultural heritage , it must be multiple in both life and concepts , systems and traditions , and people's habits , and actor as one of the pillars of cultural , this research answers the following question : how the reflection of the culture of the community on the performance of the Iraqi theater actor , has included research on four chapters : Chapter I : methodological framework , which consists of : ( a search problem , its importance, and its goal, and the limits of the search, and determine the terms ). The second chapter has dealt with the theoretical framework , the research has been divided into three sections are : The first section : the concept of culture : in which he addressed to the concept of researcher Culture and Taalgah with society and the environment The second section : ( the art of acting and performance references ) : in which the researcher tracking the art of acting wath references the culture Section III : ( cultural component and the actor 's performance in theatrical trends ) : In this section the researcher reflections on culture trends plays , on the performance of the actor. The third chapter : dealt with the search procedures , has been divided into five sections : ( search procedures , and society, and the research sample , method , and the search tool ). The research sample was represented by five Iraqi theater has offered since 2003 to 2013 The fourth chapter : was the search results and the conclusions and recommendations and proposals. The research concluded with a list of sources and references , and a ABSTRACT in English
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تناسق التقنية والوعي الجمالي في اظهارات الشكل الخزفي Systematic Between Technique And Aesthetic Awareness In Ceramics Art Works Presentations

اسم المؤلف: فاروق عبد الكاظم غانم
اسم المشرف: سلام جبار جياد السوداني احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخزف
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
الصفحات الاولى:

اشكالية القبح وتمثلاته في الدراما التلفزيونية

اسم المؤلف: مصطفى عبيد دفاك التميمي
الجامعة: جامعة بغداد
اسم المشرف: علاء الدين عبد المجيد جاسم
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: بقي مفهوم القبح في الفن غير ظاهر في مباحث الفلاسفة الجماليين بوضوح تام على الرغم من حضوره بوجهتيه الابداعية والنقدية، فالفنان يتناول القبح بوصفه مادة ابداعية مرتبطة بالتجربة الجمالية التي تثري المخيلة من خلال التواصل بين النتاج الفني الذي يعمل على تمثيله
الصفحات الاولى:

اشتغالات المنظر في العرض المسرحي العراقي (عباس علي جعفر) انموذجا Astgalat Scene In The Iraqi Theater (Abbas Ali Jaafar) Model

اسم المؤلف: مزاحم خضير حسين الجبوري
الجامعة: جامعة بغداد
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: ان اشتغالات المنظر في العرض المسرحي قد اكتسبت دلالات مختلفة مرت بها الية تصميم المنظر المسرحي على الخشبة، اذ انطلقت فيها الممارسات التصميمية للمصمم عباس علي جعفر بين مساحات الخيال والابتكار وبين مساحات الواقع لخلق توافقية تنسجم مع المضامين الفكرية والجمال | The Achtgalat scene in the play have gained different connotations passed out mechanism design theorist theatrical on stage, as it was launched by the practices of design for the designer Abbas Ali Jaafar between the spaces of imagination and innovation, between spaces reality to create a consensus consistent with the implications of intellectual and aesthetic display of theatrical, as the researcher of mechanism functioning of the scene when the designer Abbas Ali Jaafar as artistic interpretation and aesthetic and technique for the delivery of the subject in an integrated manner to the recipient, as a researcher wanted to reach through the problem discussed stand on the experience of the designer Abbas Ali Jaafar and the resulting interaction is based on mixing and homogenization techniques theater The research includes four chapters : - Chapter I : - methodological framework for the search, which includes the research problem and the need for and importance of research and research objectives and its borders and determine the terms, since emerged the importance of research and focused on one of the means of expression in the theater, a recognition Achtgalat scene in the play, but needed it to identify experience designer Abbas Ali Jaafar in the Iraqi theater, and that this study will benefit all students and workers in the fields of art in general and theater in particular, and can be generalized to the modern curriculum in the future The researcher identified the limits of his research, a temporal boundaries of the presentations since 1980 and even in 2010 theaters Baghdad The objective is the border with Iraq plays Elachtgalat scenic developed and owns Mkhil high design, and conclude chapter defines the terminology (of operation, parallax) The second chapter : - has included the theoretical framework and previous studies, which included five sections and are as follows : - The first topic : the foundations of design theorist theater, which make up the landscape theater, which is employed by the designer in order to give a theatrical work recipe beauty during harmonies and contrast in the organization of the desired shape, with me the second part, which consisted of two axes, the first axis : - parallax between the designer and the director , as it was the opening salvo in an approach to the understanding of the landscape between the vision and directorial vision that convey design ideas and connotations contained in theater The third topic : - handled the theatrical landscape and trends and how to adopt each director and designer in shaping the play according to the direction that meets the aspirations of art The fourth topic : - Astgalat scene in the play, as it ensures designers to eat this or that direction through the incarnation and the manner in theater to achieve the desired effect in the theatrical landscape Section V : - Abbas Ali Jaafar and dealing with the elements of the play, which dealt with the researcher stand on the biography of the artist Abbas Ali Jaafar by Maaktsabh of expertise in the study phase and the phases that followed and stand on artistic experience through the implementation and design of the landscape in the Iraqi theater and evolution in the theater and the subsequent general evolution of the view in a private theater and experiences gained by Iraqi artists through their studies outside Iraq It also included this chapter on the most important indicators that resulted from the theoretical framework and previous studies Chapter III : - contained research procedures, containing : 1 - the research community, which consists of theatrical performances presented on the stages of Baghdad, for the period from 1980 to 2010, and the research sample, containing the three samples have been selected in a deliberate namely : - King Lear, b - Goat Island, c - Macbeth 3 - the search tool relied on as indicators resulting from the theoretical framework, and Manscher in media 0.4 - Research Methodology : adopted as a researcher on the descriptive approach (analytical) in the review samples Chapter IV : - consisted of the results and discussion, as the researcher to some results of the analysis of samples, including : - 1 - The recruitment and Achtgalat landscape designer with Abbas Ali Jaafar shows through diversity places with theatrical presentation of an exhibition hall to the traditional circular theater to theater in the open air, and so by employing various spaces in order to conform with the requirements of theatrical text 2 - The Iraqi experiences with designers and directors Iraqis was able to form the new features of the generated forms and bodies reflect the aesthetic philosophy to produce movement visible through the scenic formations and deal with them Representative to paint a visual image to express instead of dialogue 3 - The Achtgalat scene in the play came through visions compatibility between the director and the designer, which gave room for a multiplicity of visions and multiple interpretations which indicates good experience in the capture, interpretation and analysis of successive images in the play in shaping the image of the future theater
الصفحات الاولى:

تطور النظم التعبيرية في اعمال الفنان محمد علي شاكر The Development of At The Expressionism Systems In The Works of Artist Mohammed Ali Shaker'S

اسم المؤلف: ماجد جاسم مولى
اسم المشرف: عياض عبد الرحمن امين محمود الدوري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: The study represents tagged evolution systems Expressionism (Expressive systems development in the works of artist Mohammed Ali Shaker) scientific effort to detect systems expressive and evolution in the work of the artist, as well as how they epitomized the systems expressive in his works, which follows that the researcher collect scientific materials to serve the research topic four chapters, and include : - Chapter One : included a research problem and its importance and its objectives and its borders and determine the most important terms contained therein.Chapter II : The included five sections included the theoretical framework of the current study : - The first topic dealt with the concept of evolution in the optical surface, where the researcher highlighted to clarify the terms of evolution, and change some of the differences between them and whether the artist role in bringing about one of them, or not?As well as the relationship intellectual development and scientific and human impact on the development of the arts, especially in the field of art, and the dialectical relationship between all those influences in the formation moot technical and developments, as well as the conditions and terms of reference through which the artist and their relationship to the development of his production technical,As well as review some of the views of philosophers and critics in the development of art in general and its relationship to the evolution of society, as well as the views of philosophers in the scientific laws that govern the evolution.The second section has included the concept of the system in the surface visual, giving this concept (the system) some important and special process Fine, classified him to systems (point, line, color, shape, and texture) presenting the views of philosophers and critics art, and thinkers in the field of art , and artists as the installation of such systems must be process uniformity, it must take place right, Vlnakth presence and importance of its presence in the regulatory framework entirely, and the point in itself is not the basis, the foundation is the form in which organized through the points, and the line filled card and forces.In the third section, entitled the general features of the graphical where he began researcher defines the graphical Kttiar technician broad and roots and its extensions historical, as well as expressive as a school where launched and grew up and time that I knew him, as well as those who are pioneers, and exposure to the three most important artists of the artists expressive and their careers technical and negathm and their effects on , and also touched on topic to brutality and artists, genres and the difference between them and the brutality, also displays search tactics that characterized the expressive and brutality in general, and tactics for the individual artist expressions, in particular, and the branches of expressionism, which included two groups ((bridge "Qantara", and rider blue)) everything related to their founders and their tactics and affected, and their effects on the art, at the close of The researcher reviewed the topic and details of abstract expressionism in terms of the emergence and spread of most important Venaninha and performing their tactics, and most important work.The fourth section guarantees the expressive features in contemporary Iraqi drawing, where the researcher reviewed some important Iraqi artists who produced work or graphical expressive work carrying attribute, in terms of style and technical reference and local and global impacts on them, and topics Gesduha in their business.While Section V contains biography and art of the artist Mohammed Ali Shaker, where he was born, and growing up, and his studies, and his artistic career, he reviewed the researcher views of some critics and artists who wrote it, as well as interviews taped, and some information from some students, , Where the artist influenced by the nature of Western art while studying at the time, while he was influenced by other Bosatzth at the Institute of Fine Arts and their impact in his art.Has been singled out by the third quarter, research methodology and procedures, and reviewed the researcher here the research community and his samples, and then adopted the style, and the tool by which it has been collecting and analyzing information, and a detailed analysis of the selected sample models.The fourth chapter included the results of research and the conclusions that have been reached through researcher analysis, recommendations also included researcher and his proposals.
الصفحات الاولى:

الخامات غير التقليدية في تركيب الشكل النحتي المعاصر : دراسة تحليلية Traditional Materials At Structure of Contemporary Sculpture : Analysis Study

اسم المؤلف: ALA'A MUHSIN KUBAYSH AL - BEKRI
اسم المشرف: مرتضى عبود شهاب حداد
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: النحت
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: In the beginning of twentieth century the sculpture have leaved the 'classic instruments that was joined with its structure and contents. The period between second war occurred notice change at' the form structure, and with technique of show and performance , and this can not keep up the usual notions. This artistic change was pave by replace of items and derivation many recent raw as a result of the technology and industrial advance that synchronized with this period , and the artist entered the test operation that leaded him to know the new non - classic items m and study its descriptions and referendum from it , and investment it at the plastic arts, and for what submitted the chance for performance methods have over to the scrutiny and the discovery by his supervision this items. The using of iron, aluminum, plastic, and another various items have leaded to contrary showing at structure of the contemporary sculpture.. Therefore this study (Traditionalism materials at structure of contemporary sculpture ) aimed to knowledge of the effects of the non - classic ore upon the structure of sculpture form, as well as to knowledge of new materials that was used for the contemporary sculpture. This study included four chapter : first chapter was specialized for methodical frame.such as problem of research.that it was abstracted by question about the reason that lead the sculptor to search from new raw to carry out his sculpture works. Are the classic sculpture materials do not respond for technical problem, and new notions? As well as the important ofresearch and its limits was that define between year 1950 up to 2000 , and its aims, then limit the idioms. The second chapter included the theoretical field and previous studies, that formed from three researches, such as the fist about the materials, as it was considered master element at the sculpture formal.the it included study about the widespread classic materials in the sculpture , such as ( clay , bronze, stones, and wood) and showing its effect and its formal and expression ability. The second research included the affects of non - classic raw at the formal system in the historical studies that included stylistic change during the twentieth century , and the third research included the study of the structural relations systems at the sculpture formation.The third chapter included the procedures of the research that its contents the research society such as European and American contemporary sculpture, and sample of research that was formed from (20) samples. It was choose according to the aim of this research. As well as performance of research based upon the analysis form, and this chapter included the following method at sample study as the analytic descriptive method in order to reach to the results, and conclusion that fixed in forth chapter, as below : 1 - The contemporary sculpture have became an achievement direct to the faraway imagination from the classic by using the non - classic item's. Sometime the sculpture structure to be same the building construction, or industrial tools, or scrap heaps.2 - Freedom that was granted by the raw to the sculptor to make him Carry out the sculpture's structure by improvisatory and Spontaneously that indentical with his disposition and his creation.3 - The using of the non - classic materials have produced big structures, specially works of art of ground, that fit with the environment, and it go out this work from gallery.4 - The using of the electronic devices as senser of movement, Transistors, an another in the sculpture ,has changed the classic Structure sculpture exactly, and created a new style of reactive relation between the artistic work with the watcher.
الصفحات الاولى:

اثر العلولمة على تمظهر الشكل الانساني في رسوم المشرق العربي المعاصر : دراسة تحليلية

اسم المؤلف: نذير مسلم لفتة
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
الصفحات الاولى:

اسس بناء تصاميم الزخارف النباتية الجدارية في العتبة الكاظمية المقدسة The Foundation of Building And Designing Wall Plant Ornaments In The Holy Shrine of Imam Kadhum

اسم المؤلف: سؤدد مشعان حواس
اسم المشرف: عبد المنعم خيري حسين العاني
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الخط والزخرفة
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: تمثلت مشكلة البحث بتساؤل اساس ماهي : اسس بناء تصاميم الزخارف النباتية الجدارية في العتبة الكاظمية المقدسة ؟ وتجسدت اهمية البحث بالاسس البنائية للزخارف النباتية الجدارية بوصفها ممثلة لتنوع من الفنون العربية الاسلامية وعلاقتها بالمرجعيات الفكرية والفلسفية، | The problem of study is summed up in the following question : The Foundation of Building and Designing Wall Plant ornaments in the Holy Shrine of Imam Kadhum?The importance of the study lies in the bases of building and designing wall Plant ornaments as representing the variety of the Arabic Islamic arts and its relationship to ideological and philosophical references. The present study aims at answering the questions. It also was confined to the external and internal facades carried out on the glazed and marbled slabs in the Shrine for the present status 2012/1433 ah. Chapter Two included the following themes, a short historical review of the emergence of the ornaments in the holy shrine of imam, the most important elements constructing it and the contents of the wall plant ornaments. In addition to the most important vessel, flora and bough existing in the designs of the shrine. Some of these designs include vessels, heart shaped frames and pillars, animals and realistic shapes as well as natural scenes to obtain one basic needs of the shrine as well as the technical shape.The researcher followed in the procedures the descriptive approach in order to arrive at achieving the results of her research. She chose purposely her samples. The sample attained 10 samples out of 191 design. The analysis form was based on the indicators of the theoretical frame and were shown before the experts to verify their validity. According to the analysis form, the samples chosen were analyzed. The following were found : 1 - the weak interest in the organization and adjustment which was conducted on some designs by demolishing some of the slabs and using instead designs that do not suit the old slabs. In addition to the lack of a cadre specialized in calligraphy.2 - the appearance of more than one bough movement inside the one design like (spiral, wavy, circler) which were conditioned according to the requirements of the area and were divided into (dual, quadruple, radial, reticulate) in addition to the free designs. 3 - more than the shape of the form, this spatial occupation of the plant ornaments (vessels, floral) were more,. There are other plant unties like (vessel, heart shape) ornaments. 4 - the designer was inspired in carrying out his color treatment according to the closely allied relations and the chromatic graduation among the colors and the other formations, in order to show the dominance of the appearance on the other formations. 5 - the ornate designer tried to activate the structural bases through his expertise and taste in carrying out the ornament product to achieve unity and repeating them in the artistic ornament work. According to the results reached to by the researcher the following was concluded : 1 - the use of more than one type of ornament in one design (plant, linear, animal. Heart shape, vessel and architectural) in order to accomplish the appearance enrichment as well as to achieve variety. 2 - The use of the technique of carrying out the glazed and veined slab raw to reflect the richness and brilliant color. 3 - The design bases contribute to the process of founding the for structure of the plant ornaments, especially those with identical formations according to the (balance, dominance, repetition, homogeny, variance, unity and variation) to achieve the functional and embellishing objective.According to what the researcher has reached out, and in completing to the benefit and knowledge, the researcher recommends the following : 1 - making benefit of the findings of this research and inserting them in the curricula of the Artistic Ornament studied like the institutes and college of fine arts (Dept. of Archaeology) as well as the offices and institutions concerned with this holy shrines in Iraq. 2 - employing new technique suiting with the moral value of the status of the Holy Shrine of Imam Kadhum in the execution of (outstanding and cavernous ornament) technique with a consideration of the rules and principles of ornaments to vary the executive techniques.In completion to the requirements and to achieve scientific benefit, the researcher suggests making these subsequent studies : 1 - studying the artistic and technical ornaments in the Arabic Islamic art.2 - studying the balance of concepts for the aesthetic concepts to employ Islamic ornaments between the modern and postmodern arts.3 - studying the artistic characteristics of the plant ornaments and designs in the ideological and philosophical values.4 - studying the building of a program to analyze the formation of ornament by the use of computers
الصفحات الاولى:

مفهوم اللعب في اداء الممثل المسرحي العراقي

اسم المؤلف: يحيى ابراهيم فليح
الجامعة: جامعة بغداد
اسم المشرف: هيثم عبد الرزاق علي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
الصفحات الاولى:

التحولات الدلالية لجيل ما بعد الواقعية الجديدة في السينما الروائية الايطالية The Significant Transformation For What Is Beyond Realism In Italian Cinema Fiction

اسم المؤلف: فراس عبد الجليل الشاروط
الجامعة: جامعة بغداد
اسم المشرف: علي حسين صفوك الركابي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون السينمائية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: في البدء بدى امر انتقال المصطلحات من الحقول المجاورة الى السينما غير مشروع قبل ان يصبح الامر مرحبا به لاحقا حيث يجير المصطلح بمحتواه الى السينما بعد تهجينه.التحول اذن، والدلالة، مصطلحان ينحدران من البلاغة، جير المفهومان الى الفنون عامة ومنه الى السينما | With early twentieth century Italy was living under realistic, natural, and position the French, even came factual , to remember the Italian north, including the hardship the people of the South, by social bitter, from the economic situation is bad and misery myself, south struggle achieved unity Italian who was born as an idea and grew and Gracenote their victory under the leadership of Garbalde, also appeared in this period of several books that talk about the local reality and nostalgia for tradition, and provided factual demands that creativity alert of reality as a condition to read self then comes the need for creativity.The years have seen also the first translation of the works of Karl Marx, also appeared theorizing of anarchism, and issued Benedetto Krochi magazine (critic) enshrined against positivism and Marxism, and return to German philosophy, to perfect Hegel, to become one of the most important men of Italian culture throughout the first quarter of the twentieth century, To be theorist first intellectual current literary based on rejection draft democracy and advocate idealism being interested requirements truth of life and distance away from entering into theories is feasible for Modernism, in this period began generation jump concern, public weary of the failure of imperialism to Italy in Libya and Ethiopia recognizes itself in the writings Pirandello and Giovanni Papin, for being more than reveal what in store for that stage of the illusions, and historical importance, and a lot of disappointments, as was seen GabrielliDanotzio of fascism, and Thomas Marineta the future and calling him the need to pay attention to what the current of vital energy, and published poets poems that sing disappointed hope of politics and history.Antonio Gramsci name most worried and fame among the names and one of the founders of the Italian Communist Party, enters the legislative elections to become a deputy in the parliament, and each occupy what is written the hearts and minds of young people, arrested and jailed to die when in (1937), there are in prison compose the most important books ( Messages prison) and then (books prison), which will be for publishing a significant impact on the intellectual life of the post - World War not only within Italy but even outside, and as he was Krochi away from fascist party Italian was Pirandello enters the party from his door wide, and perform Mussolini treaty with Vatican, for dominates dictatorship platform judgment, in light of censorship, writing, running several authors underground resistance after that they took from the south bastion of activity secret, to rise votes demanding the return of the system and theorizing against future, and claim editing literature and uphold the word and openness to European culture and the schools surrealism The Impressionist, such as writings Oginyumntala anti - fascist and a member of the resistance movement, while revolution Pirandello contemporary theater in his writings about the game (theater within theater) to establish this subject dramatic than fiction theater, such as plays (six figures search of an author, night play tonight representing, each Sheikh him way), to have this theater theater loss of identity, loss of self, is moving later in European culture.In (1945) appeared neorealist critique of ethics Italian and position intellectuals days of the fascist and characterized by refusing to scattering of art, to be crowned classics of literary works such as people and others for (ElioVittorana) and the world prisoner's (for GollymoPetrona) and Christ stopped in Epoly's (Carlo Levy), all of which converge in a single theme is resistance to fascism.Before that date three years called critic Amberto barbo term (neo - realism) with film Rosllina (Rome Open City), to be the art form most importantly in Italy, from boiling postwar years until the mid seventies of the last century, where he was subjected to currents and storms changed much in concepts espoused by and addressed and achieved a cinema audience from time to time, where invaded waves films cowboy American movies myths and movies, thrillers, to become film Italian group contradictions between form U.S. and the sense of European, while remained American cinema in spite of currents revolutionary new where to maintain their shape and forms the film industry Despite the different circumstances, commercial Italian cinema is illegal fledgling American cinema, American producers have benefited from the nature of Italy and low wages, melted the original features of the new realism that was during the fifties back to real forties Cinema, popular, authentic.All of these reasons, plus the entry of Spain as a party product for enjoyment existence desert similar to the desert and Mexican villages, cities and population, where there are film events western spaghetti, made the movie Italian audience of world cinema to open in front of him the commercial market, but this did not prevent great artists to submit works confirm authenticity and the date and thought cinema Italian, presenting their films according to their mood and private convictions and perceptions of life, so these films contributed greatly to confirm that ancient heritage of arts and literature of Italy under Mataoua despite took this heritage of forms and methods of strange.Such shifts in the life Italian was pointing to different connotations in political and economic realities and technical, these indications and transformations will be the other factor evolutionarily within the structure of neo - realism itself, and it carries the traditions and schools and many ways, although the confluence of its members was not about aesthetic common among them as desire sense of responsibility towards society, and the role of human society, the war was the factor that near the activities creative, and their commitment to ethical to tell the truth is that putting them, and no doubt that the convergence on the topics and tools of expression has helped to give a new concept of freedom, and even when it ended the war and the time for construction, she stayed presents a picture of human suffering like his spokesman as Scriptwriter Zafatyna was the unofficial spokesman for realistic despite his Marxist leanings.We have imposed a new realism itself as a new phenomenon we discover through Italy through the same, and give a role for that segment of the population that were absent throughout the life of cinema debut on the screen, came down cinema to the streets, fields and farms and factories, fell for the worker and the farmer and the scanner shoes, to be these people anonymous heroes of events , and topics that come into contact with for the first time and tragedy state of society, has been the primary obligation for these filmmakers moral obligation before be technically commitment.Was Cesare Zafatyna is the first to develop the foundations of neo - realism film, was his films with Vittorio De Sica premises first of those cinema across theory (poetic monitoring and tracking), any monitoring of personal actions, and lines functioning, without giving solutions to their problems, while longer film (Rome City open) by Roberto Rusolliny model initiated movement and style together, stating after the screening that (things are like this) and to become the phrase slogan movement, while authorizing a scene as great as Siegfried Krakaor that (neo - realism was believed the goal of cinema is celebrated diary of events).I was born neo - realism and realities other, and a large part of the strength and greatness of Italian cinema that it derives from the fact that it could not continue in the tradition of neo - realism, and certainly it will not do so even if it could, it can move from (Rome Open City) to (Gamora) or (best of youth) of direct social protest of the new realism to the film, which cut a slice of experience, leaving us the task of interpreting and decide what is going on on the screen, to summarize a large part of the history of cinema that country during more than half a century.The directors worked in new realism from the data, while working directors after neo - realism through the language of the questions, and repeated questions failed history to provide answers on the status of fact, they do so objectively assume recipients response to unusually, but realistic objective is still a founding , despite the different trends and styles beyond neo - realism, and despite the different connotations producer.Contemporary Italian cinema does not let us forget that they are going to the same old legacy that began with tales of social conscience, which submitted and will offer over time.The researcher clarity research plan has been divided into five chapters, began the Terminator display framework research and problem of the question: What is the semantic shifts and features when generation after neo - realism in Italian cinema? The importance that carries it, and the goals it seeks to achieve with the capacity limits that moves?.The second chapter included the theoretical framework and previous studies, and came in three sections first is for: the nature of significant film and components, divided section into three joints first one: the significance of language and cinema, and the second: for cinema of significance to filmology and the third one: the component semantic and how employed in the cinema.The second section is for Italy culture and cinema configuration. The third section, including the semantic shifts of the new realism and beyond.The researcher recorded at the end of the chapter, among other indicators:The post - realism generation characterized like aesthetic of reality and the moral conflict as characterized by the novelty and intellectual conflicts and retracement towards the self.The third chapter included research procedures required research methodology and identify his tool - appointed depending on the unit of analysis scene and shot, researcher has chosen (four) analytical samples, each sample represents the direction of trends in Italian cinema.The fourth chapter ensure each sample analysis of the samples according to the theoretical framework indicators. The fifth chapter includes inter results that came out of the researcher, as guaranteed by the conclusions, and the researcher in the end a campaign of guidance and suggestions to draw attention on the importance of trends beyond neo - realism in Italian cinema.
الصفحات الاولى:

التنوع التقني في اعمال النحات صادق ربيع Technical Diversity In The Work of Sculptor Sadik Rabe

اسم المؤلف: ساره محمد مناف
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: The value of any work of art lies in the magnitude of the thought ,and given the importance of aesthetic studies between the cognitive continues between the.Artwork and the receiver,it has become necessary to know the techiques and materials in the work of the sculptor Sadik Rabie through statement.Analysis and implications as well as documented.The importance of study of sculptural works by the artist Sadik Rabe rabe including inherited from the accumulation of cultural and matalmh in his study in different environments impact on the headrng technical coupled movementof modern sculpture in Iraq ,and produced from unfinished techninian confirming the importance of art tributary streams of human life,the goal of current research to reveal : ldentify the techniques adoption of his works and the methods and materials used.And identifies research studied sculptural works of sculptor Sadik Rabie ,perfomed during the period (1962 - 2006)And the researcher has designed a form for business analysis ,has been under analysis Business ,which contained the form on the About : business name,ago a chievement ,measurements,materidea of working ,and other information has researcher collects information on private business artist through personal in terviews in the player artist in Baghdad and his own house,and analyzed business and extract the findings and conclusions,with the benefit of indicators resulting from the theoretical framework, have reached aresearcher to a number of re sults including : 1 - the artist Sadik Rabie of the uniqueness in ntegath sculpture and especially the stylistic and method of implementation ,most of his work is characterized by the diversity of materials at work one depending on what is required of the purpose of the subject,2 - confirmed sculptor space sculptured almtmazj with raw material and their relation hipaesthetic formalism a chieved by this intention.3 - Use the sculptor texture to express aesthetic values.4 - work on thesimplification and reduction of the shapes associated with the elements of nature and sought to strip the forms and configured for investigating forms new creative.5 - Obseved divsity in the nature of the raw material and the different composition so as to contribute significantly to diversify the nature of the shapes sculptural.6 - invented artist systems formality new sculptyre of Iraq ,far awaysystems shape or configuration prevailing and traditional.7 - A variation appeared in tonal has to do with expression and the weighted value of the form.8 - artist a dopted the principle of the part that compensates for the total or carrying capacity may out weigh the overall graphical work sculptural.9 - granted its in sculpture prospects interpetion multi expressive capabitities.10 - characterized most sculptural Ntegath the Basma interials,wood etc…11 - came someof this sculptures a ccordance with vision,self for sculptor.12 - that technical Alttnoa in his works confirm specificity and uniqueness of sculptured accomplished sculptor has ratified the spring.Reached a researeher to conclusions including : 1 - that most of the products of the artist approached and interviewed the concept of shape without thread direct.2 - the role of the artist importance and the basis of the product of sculptural form through experience and technical knowledge,aesthetic and technical.3 - that freedom of sculptor and non - adherence to the application of building codesthe configuration in sculpturalform ,following the self - interest side and stylistic freedom configuration get seulptlistic freedom configuration get seulptued done.4 - the display space through work and ,in turn ,in the embodiment dimension Alalaqati among done sculptured and outer space,then the interest of space ,then the interest of space interiorto create dimension aesthetically and technically.The researcher recommends to : 1 - where the researcher recommends interesting as poct of the media and the opportunity for more articles Altkadih for sculptors lraqi.2 - attention side of the archival and documentary honest sculptor spring and sculptors Iraq.3 - recommends a researcher studying the achievements of sculptors Iraqis and get to know their march technical and ntegathm creative.4 - researcher recommends relevant departments uch as ministry of culture est a blishing galleries pevmanently to the achievements of techniccqlSuggests researcher : 1 - further res earch and studies that address the experiences of sculptors.2 - conduct a study on the technical diversity of the products of Iraqi scuhptors.3 - conduct a study on the diversity of style with Allen.
الصفحات الاولى:

انساق التلقي في الخطاب المسرحي : دراسة سوسيولوجية Receipt Order In Dramatic Speech (Sociological Study)

اسم المؤلف: محمود سعودن رسن
الجامعة: جامعة بغداد
اسم المشرف: سافرة ناجي جاسم
الموضوع العام: الفنون الجميلة
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: The theory of aesthetic reading and receiving is looking for critic conceptions which make a change in the world of criticism concerning the reading of literature achievement this element make the - person - reciver remarkable factor to release the meaning of the achieved speech. on the ground of the controversial relation between the three elements of creation (the writer - achiever - receiver ) this theory provide us with its conceptions by several terms and principles that have great role to make big aesthetical knowledge based at (the horizon line of expectations - underlying reader - range of aesthetic - movable point of view - filling the gaps )As we said that the theatrical dialogue has formed strong and effective relation with the receiver, this we lead to the result of indispensable dual dialogue , so we ask How can the reader will interact with theatrical dialogue and How can interact with whole dialogue or some of it’s elements?For the sociological method importance in shaping human’s awareness, and what awareness consists of references which made from the effect of the fact, it hold sociological influences, that forming knowledge and aesthetic changes in order to answer all questions, we made the thesis into divisions : - ? Chapter one / systematic field (problem of thesis, importance of thesis, thesis goals, thesis limitations, terms restricted) - ? Chapter two / theoretical field consists of (first subject : theory of receiving concepts and procedures (method), second subject : sociological changes in theatrical dialogue. Third subject : method of receiving theatrical show, forth subject : previous studies, theatrical field aims)After the work of the writer he make the conclusions that thesis procedures in chapter three : ( society of study and it’s limits, study samples, study tool, study systematical tools) intentionally, we confine samples in order to apply it to thestudy, (theater / Hussain now / director and composer : Akeel Mahdi, theater/ summer rain/ composer : Ali Abdul - Nabi / director Kazem Al Nasar, theatre / brutal wedding / composer : Falah Shaker, director : Ahmed Hasan Mousa).After the writer’s finishing his sample analyzed the results appeared and discussed in chapter four based on standards shows in the clauses (9,11,12,13). In chapter two within subject four.In the study, we had discovered hypothesis conclusions that we made cognitively hoping to complete the scientific use, we are whishing God to send us his blessing in our study, and to be good luck
الصفحات الاولى:

الانعكاس الجمالي للتفاعل البيئي في اثراء تصاميم الفضاءات الداخلية Aesthetic Reflection of The Interaction of Environmental Enrich Designs Interior Spaces

اسم المؤلف: صلاح الدين قادر احمد الجاف
اسم المشرف: جبار محمود حسين العبيدي لطف الله جنين عبد اللطيف
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الداخلي
الدرجة: دكتوراه
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: If any civilization has the estethic and its environment beautiful you'll feel design next to Ihorha and translated language unique and special Amzjha people are aesthetic in a very magnificence, where is the interior design of the systems aesthetic cognitive vehicle to fit on a Masasat interactive producer and overlapping and associated knowledge contiguous may be real or phenomenon which makes this specialization added to the cognitive level specialties who needs an outstanding level of expertise and performance or outstanding level of analysis and synthesis, and that as well, it must check to see intentional provide the data for such interaction and the inevitable overlap. That the situation of intellectual trying Almmazjh between thee formations fact objective and our understanding of it as a tool or utility and a means to achieve the goals of utilitarian and functional in order to maintain the composition necessitates the existence of this interaction. And that this interaction is live that raises a conflict within the Concept itself and system design seeks to interact and continuity and renewal, That's where the form of the environment and estethic result from the interaction of three basic components through the needs and requirements and types environment which components dynamic configuration, and then fixed factors which are determinants in the composition of the interior, such as patterns and interaction of these Alaoml that determines how that form the body of the Interior. This means the integration of factors, continuity and the inability to be separated in the environment design which is always a mirror that reflected ones, which lead to enrich spaces of the Interior, through the meanings and multiple interpretations andconnotations and abundance of the elements interacting to achieve a system design simple or complex In light of this.. The study objective reflection of the aesthetic of the interaction of environmental enrichment and its importance within the internal space of houses residential, is important in interior design, where lies the study, said in a statement that the awareness of the environment has become a necessity designed by the nature of this age and that what struck the environment from imbalance and disorder of thehuman environment This has become imbalance is growing rapidly unusual, that the goal of clarify Alatarmufahimi the interaction of environmental and aesthetic reflection to be a Bmanihama texture integrated and comprehensive and their impact on interior designs, whether existing urban areas or the environment for new components of the interior design elements Where that take advantage of the philosophical concepts of the environment and its components and enriched and its aesthetically pleasing design reflected on housing designs and commensurate with the culture and habits of everyone to keep pace with the progress and evolution. As unveils what carries Avcarelvelsfah and theories that you need to identify them and highlighted and an understanding of the attempt to take advantage of them. The study also trying to shed light on the philosophical concepts of beauty and the design and estethic idea and innovative sense of aesthetic idea. It is by recognizing the aesthetic organization and keep it within the phenotypic traits. Which aims to refine and refine and enrich the development, in order to realize the rights and the aesthetic appearance in nature and the technical and business aspects of behavior It can illustrate the importance of studying the interaction of environmental andaesthetic reflection of the following points The interaction of environmental and aesthetic reflection of the environment help to personal growth because it gives new possibilities for the behavior and recognize that the interaction of environmental and aesthetic reflection at teak and place a sense of intimacy and thus love with the place and belonging and Esida the spirit of cooperation As the study of this research was to enrich the library and try to fill the void is clear in this matter and as a result of the lack of technical studies and the process by which this subject is specialized to demonstrate the concept of interaction artistic Darcyan and researchers in the fields of interior design of the interior spaces and promote relevant theoretical knowledge, including the promise of opinions and explanations - based philosophical related to the environment and estethic with expression guaranteed in the aspects of the intellectual environment of the Interior, and also contribute to enhancing the possibilities of the use of semantic systemsdesign in spaces Interior and enrich the interaction of the internal environment and the extent of their relationship in the processors aesthetic design with the organization of the elements of the inner space environment within a philosophical frameworkAnd through informed researcher on many spaces interior modern residential, it was found necessary to identify the implications of the aesthetic of the interactions of environmental, where the use of philosophical concepts of the environment and itscomponents and enriched and its design reflected aesthetically pleasing designs housing and commensurate with the culture and habits of everyone to keep up with the progress and development and consistent with the area and the size of the internaldeterminants that it was necessary to exit the position illustrates the aesthetic reflection of the interaction of environmental enrichment designs interior spaces and consistent with the privacy of research topic, consisting of four chapters.. Making it afertile field for study in theoretical research and analytical For this researcher found that includes the (first quarter) formulation of the research problem which can be summarized by asking the following : What are the elements of environmental interaction of reflection to enrich the aesthetic designs interior spaces?.. In light of this objective researcher research focused in determining the tributaries of the interaction of environmental and aesthetic level reflected in enriching designs interior spaces, and through study and exploratory.. The researcher found that the study did not address it one of the researchers.. This is found justified logically and scientifically focused on clarifying the goal of research... As for the limits of research has identified in terms of the substantive study of the reflection of the aesthetic of the interaction of environmental to enrich spaces of the Interior, as included limits the spatial and temporal study spaces, interior designs for residential global contemporary countries continents (Asia, Europe , and South America), especially for the period from 2000 m - 2012 m.. As the researcher also define many of the terms relevant to the subject search In order to reach the objective of this research was to draw the second quarter your theoretical Blotar.. To study includes three sections in this chapter It first section dealt with the concept of beauty based on clarifying the concept of aesthetic philosophical thought.. With reference also to the study of the concept of reflection and stages Ncaha and theories, have adopted all of these threads to review many of the aesthetics of environmental and spatial and the most important characteristics of vision aesthetic andbehavior, experience and preference and judgment aesthetic to illustrate the importance of beauty to be the starting point and the base of the current study While focused second part, on a study to identify the concept of interaction and theories and objectives as well as the concept of environment, history and forms and elements and the mechanism of interaction of environmental through identity, and the types of Alostnvaa also discussed topic on the concept of place philosophically and their interaction with the place and organize space and characteristics of interactive spaces interior design The third section has included review of the concept of enrichment in interior design, levels and conditions and the role of beauty in enriching thought inventive and attractions visual rechaer in design and factors affecting it, also addressed the topic enrich the meaning innovation through artistic taste with reference to the role reversal aesthetic perception and mental In interior design enrich the image of the place through interaction chromatography It must be pointed to the adoption of a researcher in this chapter on the tables, charts, illustrations for the subject of study.. As well as from the picture Alfotgraveh for some modern residential spaces as well as the adoption of the researcher to some photographs of the interior designs that have been obtained from the references and sources, and adopting as examples and basic underlying base build a theoretical framework.. The researcher also to draw the most basic indicators that resulted from the three theoretical framework Investigation The third chapter specialization in determining the subject of research procedures, since it relied on the descriptive analytical approach has included research community schedule includes (6) states.. from within (7) continents, which showed a whole diverse and varied for the constituent elements of the space residential houses... Since that study is looking for the tributaries of environmental interaction, has been relying on intentional selective method of sample of the original research community.. Which has been on the track select models sample research elected that serve the purpose of the study and the closest to achieve, and the (6) states of the total (3) continents at a rate (45%) of the research community, and because it has been designed thoughtfully for the interior design and architectural , has also been selected based on the views of experts in the field of scientific and professional competence In order to achieve the goal of the research, based on the approach, it has adopted a researcher at the collection of information relating to research on the scoping study and landing sites marked by form numbers as a tool to gather information. And then the numbers include identifying Form axes analysis, consisting of primary and secondary passages have been organized according to the scientific method to search.. This is in addition to the experience of the researcher in theadoption of illustrative photos Models Search designs. For the purpose of confirmation of the validity and comprehensiveness of the analysis tool, has been presentation form Conversation analysis on a group of competent experts to demonstrate the comprehensiveness and validity to achieve the goal of the research..For the purpose of the correct application of the tool on the research sample, then resorting to extract stability analysis The fourth chapter has included discussion of a number of results within (three) main axes achieve the goal of the research and the findings of the research study to analyze the models elected, based on the means statistical.. In the light of the results and discuss the researcher to a range of results within this chapter, which was including1 - that the possibility of enriching the aesthetic employment was achieved in all samples2 - The design environment created by and interacted within the range of symbols and they owned the meaning or set of meanings that crossed from fiction was a cause for change and interaction3 - The traditional strategy of shape and material used and the nature of the user as well as light colors was one of the fundamentals of enriching the interior spaces Finally annexation Search List of Arab and foreign sources and a summary of the study in English.. Researcher and so could that complements the research process with the help of God Almighty
الصفحات الاولى:

اليات تحول الشكل في تصاميم الفضاءات الداخلية The Mechanisms of Transformation Form In The Designs of Interior Spaces

اسم المؤلف: اراء عبد الكريم حسين
اسم المشرف: فاتن عباس لفتة الاسدي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: As the flower shops are a part of the model that signifies the civilized appearance of Iraq , they became an important requirement on which depended the necessity of transforming the form in its design dimensions that keep with the style of the present age and its remarkable imprint as described as a directed message including an aesthetic and cultural vision to have flowers and that doesn’t mean necessarily that they embody living or real implications in themselves, but in their aesthetic symbolism and expressions according to aims carrying a meaning in their different taste dimensions , Consequently , a behavior will be produced which conforms with this direction in taste , This arrive us to the title named research "The mechanisms of transforming the form in the design of interior spaces ".The research consists of four chapters as follows : - 1 - The first chapter deals with the research problem " Which clarified by the following questions : - Q/ What are the mechanisms of transforming the form in the designs of interior spaces? May these mechanisms impact on activating the functional meanings "performance, aesthetic and expression" for the flower shop to contribute in attracting the others in their cultural levels and aesthetic tastes towards humane evolution for this activity ?The purpose of this research is to reveal transforming the form and its mechanism in design of interior spaces of flower shops and then to lay designs pillars for form transforming according to mechanisms that suit the age, and The importance of this research lies in presenting a study required by the necessity of evoluting the level of the interior space designs for the flower shops, the importance of research Lies the mechanisms of transforming the form in the designs of interior spaces objectively. One of these mechanisms is the flowers shops in Baghdad , Al - Rusafa side in the period 1975 - 2013 spatially and temporally. in addition , the chapter explains the terms mentioned in the title of the research linguistically and terminologically to get practical definitions.2 - The second chapter contains the previous studies and theoretical frame. This chapter consists of four part as follows : ? The first part : enlightens transforming the form and searches in the concepts of transformation and form.? The second part : deals with the design dimensions for transforming the form that include " idea , material , style, function".? The third part : is searching for the source of generating the design form and the forces affecting its transformation.? The fourth part : adopts the design consideration of interior design as the objective fundamental to transform the form.3 - The third chapter : contains the research procedures and methodology. It depended on the descriptive methodology in analysis, Only six models were chosen by the purposeful selection to study the samples of the original research population, the instrument of the research adopted across several axes on which the form of analysis was built, indicating the degree of realizing those axes in addition to describing the research models and their analysis.The fourth chapter : includes findings and conclusion reached by the research as follows : - 1. The deep understanding for the concept of mechanisms of transforming the form, as described the general topic contained in the phenomenon of interior space of flower shops, and its effectiveness of its role when it is applied on the part, its influence reflect in different partial transformations and with functional values (performance and aesthetic), it may reflect on all with high proportion, to realize the full transformation on the level of interior design.2. The interior design “separated from the building“ characterized with spatial characters satisfying the considerations of design to transform the form as compared with middle and corner spaces, The interior design also presents a wide and flexible space for active possibilities through which the interior designer may create formal transformation which their mechanisms adopt aesthetic things satisfying the receiver’s taste.3. The façade is regarded as the most active space visually in transforming the form in its functional dimensions of flower shop especially the aesthetics of innovated design and the nature the exhibited things express by their significant value about the identity of professional space design.The fourth chapter also contains the theoritical design and practical pillars, recommendations general suggestions, beneficiaries and design proposal, in addition to horizontal diagrams, tables, illustrative means and a list including references and appendices.
الصفحات الاولى:

تشاكل اجناس التشكيل المعاصر : دراسة في ضوء المنهج التداولي The Amalgmation of Contemporary Genres of Plastic Art

اسم المؤلف: شيماء وهيب خضير
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: نحن نعيش عصر تغلب عليه العواصف الاجتماعية والهزات والتناقضات على المستوى الثقافي عامة والفن بنحو خاص.لقد اصبح الفن المعاصر الذي تنوعت طرائقه ومواده وتعذر توفع تعبيراته يتحدى كل مبدا منطقي لما كان يعرفه الفن على المستوى التاريخي وصولا الى الثورة الكبرى عل | We live in an age dominated by social storms and earthquakes and contradictions at the cultural level in general and special about art.It has become contemporary art which varied methods and materials and could not Tof expressions defies every principle logical because he knew the art at the historic down to the great revolution on the principle of form and rules and kind, and that any analysis or reading and interpretation of the forms of creativity current will stop at the borders conflict with each rational aesthetic. So the reality turned into forms and then split shape or correlation and clashed with another is not of the same sex or kind and dominated the culture of diversity and multiplicity and heterogeneity and Altsnat loss or loss of significance meaning.This research on the administration of fossils in technical Alchakl and read these deviations historical form of art in everyday life and the project life turned into a work of art, and vice versa.. The assumptions of the system concerned deliberative Palmassatah major global border dropped while I worked on the assumption that art can be found in the place in anything and reproduction formats will be rootless..In light of this research is divided on : Chapter One : included research problem, and its importance, and his goals and boundaries and define some terms in the board.Chapter II : Conceptual Framework : The three topics : 1 - First research : Alchakl - concept and outputs - 2 - The second topic : the concept deliberative and تشاكل races technical and deliberative correspond Arts3 - The third topic : contemporary aesthetic discourseConcept and analysis toolsChapter III : ApplicationAnd community - based research, and the sample placed lesson and tools used.Chapter IV : And includes the findings and conclusions that came out of research.
الصفحات الاولى:

خطاب التصميم الداخلي وانعكاسه السلوكي في فضاءات السلطة : قاعات البرلمانات انموذجا Discourse of Interior Design And Its Behavioral Reflection On Spaces of Authority : Parliaments Chambers A Sampling

اسم المؤلف: علاء الدين كاظم منصور الامام
اسم المشرف: سعد علي يوسف البصري
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التصميم الداخلي
الدرجة: دكتوراه
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
الصفحات الاولى:

المرجع المحلي واليات التغريب في العرض المسرحي العراقي The Local Reference And The Mechanisms of Alienating In The Iraqi Theatrical Performance

اسم المؤلف: سهى طه سالم
الجامعة: جامعة بغداد
اسم المشرف: عقيل مهدي يوسف
الموضوع العام: الفنون الجميلة
الدرجة: دكتوراه
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: At the begging the subject of analysis should be determined and the intended thing should be marked when talking about the reference and its multiple discourse mechanisms. The connection between determinants and frames, though it the real elements in life and sup positive elements in the art of theatre may be caught, is a connection may be clarified by the theatrical sender that, in its allegorical root, consists of tales, stories, myths, and heritage through the most complicated theatrical senders as plot and theatricalizaing. The juxtaposition to understand theatre should be based on multiple uses “word and image", indeed one of its juxtapositions is the complication of word and image as to simulation and trace. As soon as we determine the subject of analysis from its multiple paths, we may study implications of reference in all that related multitude, then we may study the primary reserves that required by the research and the expectations appeared by it, and the context of their appearance and disappearance. So, the different functions of analysis for such a complex and interrelated system should be considered. Studding a theatrical phenomenon in certain place and time "as Iraqi theater" is not free acquainting all its details at the level of historical achievement or its joining with other world experiments by texuality adaptation and misrepresentation. Consequently, the research took multiple trends and re - reading the silent things "that means things which never dealt with " when some methodologies where confined to description and presentation. Such methodologies were external searching artistical and advertising careers for the people of theatre, but not for society of theatre. The analysis of Iraqi theatre and its reference roots may make researchers and the people concerned with theatre able to deal with the most important centers and focuses from which theatre starts, when they are chasedand their forms will be known. Any review for he history of Iraqi theatre will guide us to some probes for its creation formation. Based on this trend, the present research is determined on the preference priorities for local an inherited tales, stories and strange stories born from the momb of Iraqi life after series of wars and structural shocks that had hit its social joints and what followed after them as events and strange things. So, theatre should alienate itself from the traditional methodology that formed its image, way and trends across years. Such an action took a wide area of the research. In addition to focusing on some related topics that most specialized like textuality and intertextuality in Iraqi play - writing. It is worthwhile that studying theatre requires awareness of this phenomenon and to get rid of the crowd of reading subjective experience and to deal with methodologies that awaken by some contemporary reading. The research consists of four chapters as follow : The first chapter : included the problem of the research and its importance, aims, determinants and determine the most important terms. The second chapter : based on the theoretical frame including four parts as follow : The first part : The dilemma of reference between realty and imagined. The allegorical delusion in the theatre. The pictorial imagination in the theatre. : The reference sources for the theatre : The second part A : Myth. B : The trends of Myth. C : The Myths of natural phenomena. The source of popular theatre “folklore” The kinds of power tales. : The third part „1? Alienating 2 - Formalism and alienating The mechanisms of alienating in Iraqi theatrical performance A. The elements of alienating in the theatrical performance. B. Alienating and receiving in theatre. C. Towards juxtapositioning of dilemma in theatrical reception. D. The role of audience in theatrical alienating. E. The epic theatre : change instead of catharsis. F. Theatre of cruelty : the spectator?s body is pivot of reception. G. The poor theatre : the spectator is base of theatricalizing. : visible and invisible in the The fourth partmanifestations of Iraqi theatre; a. The local reference in Iraqi theatre. b. Tale and mythical reference. c. The path of foundation. d. The references of modern Iraqi theatre. e. The political reference in Iraqi theatre. f. Calling the popular reality and observing it. g. The experiments of modernism in Iraqi theatre. h. The theatre of eighties, the real and experimental theatre. i. The militarilisation of theatre The Iraqi theatre between the shaking of historcal structure and the factors of change. : is a procedural and applied The third chapterattempt dealing with five samples “plays” as follow : 1 - The Shadows 2 - The dew of rain3 - Face Book 4 - The rival of roses 5 - Al - Hussein now : included the findings and The fourth chapterconclusions reached by the researcher through her analysis relating to the aim of the research, in addition, the chapter included a list of references and sources, and abstract in English.
الصفحات الاولى:

المرجعيات الاعلاماتية في الرسم المعاصر : دراسة في تحولات النسق The Influence of Media On Contemporary Painting A Study In Transformation of The Style

اسم المؤلف: ندى عايد يوسف
اسم المشرف: بلاسم محمد جسام
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: الحمد لله العليم الذي لا ينسى من ذكره ولا ينقص من شكره، ولا يخيب من دعاه ولا يقطع رجاء من رجاه. بعد ان تم انجاز هذا البحث يقتضي واجب الاعتراف بالجميل ان اتوجه بالشكر والتقدير الى الدكتور بلاسم محمد المشرف على هذه الاطروحة لما قدمه من عطاء ثر وتوجيهات وار | The media system as a power that controls the masses' tastes and kinds of education needed, can identify the concepts and strategies concerned with the media information. This sort of information is considered the legend that is used by the economic institutions aiming at controlling the public knowledge and the masses' opinions to promote the implied stated objectives. This research discusses the dimensions of the relation between Contemporary art and the infomedia system and the reciprocal influence between the two sides. However, the educational discourse is imposed by the institutions governing the media information. This imposed discourse has altered the art concepts and values, and as a consequence these new concepts and values define the future of the art's theory and practice. The question does not deal with the drawing as an art based on established criteria; but rather detects areas of the renewal and the sequential difference in its systems and drawing the attention to a particular phenomenon transferring it from the Local orientation towards making it global. In order to achieve this aim, the techniques of communication should be activated; otherwise, the project's existence is not recognized. It is necessary to cover the informational data and references that are related to art making. This necessity is drawn from the prominent problems in building an informational vision for the future art moderations and compositions compared to the aesthetic values, communicative abilities, range of media control, means, and the appropriate techniques. leading a search in the references of art and modeling it according to the desired goal show results after the completion of the work.This study " The Influence of media On Contemporary Painting - A Study in Transformation of The Style. This research include an introduction and five chapters. The research's introduction included procedures of research problem identified in the disclosure of the impact of Information and media presence in contemporary art, with a view to finding a holistic interpretation within the cultural context depending on a range of fields and building artistic awareness that is configured to draw informational references according to the justifications of communication. The importance of this research is focused on some global art variables in order to discover the importance of the system's configuration. As well as shed light on the communicative relationship between artwork and audience.The objectives of the research can be summarized as follows : 1. Revealing The Influence of media system On Contemporary Painting.2. Detecting the informedia references in the contemporary art. While confined to the limits of search plastic arts that extended from the year (2003) until the year (2012). The first chapter deals with the problem of format and technical monitoring shifts by two sections. The first section reveals the possibilities of developing forms that can be traded outside the spatial boundaries. This system's importance comes from producing communicative forms that link between the artwork and the public recipients. And dealing with the other search after receipt by displaying the views of some theorists who contributed to the confirmation of the role of receiving while reading the features of art work; that led to his ascendancy to the throne of power and the exclusion of the role of the artist; consequently, that led to certain effects contributed to form shifts in artistic taste.The second chapter consists of three sections. The first is about communication theory and research in multimedia that play a role in making art a communicative mean that led to a change in the system of technical patterns in offsets and retreat of the museum's role , artistic identity, information, and commerciality. As a consequence, art has been deriving its presence from the subjects displayed on television, the internet revolution, watching, the deliberative convention, and the historical shift. While second section focused on the output of contemporary art, the photographical violation and trading arts. While The third section deals with the influence of the impact of the network on art and it displays a range of art movements emanating from the effects of the computer.The third chapter includes three sections. The first section focuses on the media information and the body use, while the second section sheds light on art and globalization. The third section is entitled Art and Architecture.painting on the theoretical frame work classes with a total investment reached the appropriate levels that Chapter four includes. In this chapter, an analysis of a group of samples is made. These samples are selected to be sort of systems that accept the use of multiple techniques and technologies adopted in artistic styles.The fifth chapter deals with the research's results, recommendations and proposals. Finally, this research has led to certain points as results for what has been included throughout this paper : 1. The digital revolution and the spread of the computer's effects has made certain changes in the art of painting and opened new horizons for the artists to take advantage of this medium, as well as from the virtual world's space to make it real. It is through the interaction between technical standards and digital programs became possible to create works that achieves aesthetic purposes with the help of computer and software that requires openness and lack of commitment to previous theories of beauty.2. Despite successive systematic shifts, the change made by media information has not affected the essence of painting, but the difference in the techniques and mechanisms and means of output and modes of delivery. the substance can be expressed with oil and light, assembly, the screen, and the Internet. The difference is between the ages and cultures intellectual concepts that urged a change. And that would contribute to the creation of shifts in the vision way, taste and achieve the dazzling and surprising component.3. The media information focuses on techniques' investment and new media to ensure communication. Offering technical art at the expense of artistic experiments that reflect the individual self. It is made by the integration of modern technology with traditional techniques to create art carries aesthetic value.4. The media information is eligible to study communicative systems that can turn the illusion into reality and contribute to the consolidation of belief through forced intrusion on all levels of society through art. In order to achieve technical communication requires the formation of attendance different from the other.5. this reference produces many services and countless connotations that are implicit in the work of art that cannot be reduced and intensity and unifying media information references; Every action has its terms of reference that have nothing to do with the other works.6. Art history since its inception to today based on a range of different references. But with the media information, it is not intended to be the iconographic, symbolic reference, or indicative, or any other divisions. It is the reference that follows from the relations that generate at the moment watch the action. To detect speech disguised behind the artwork. Which may be political, or social, or existential, or utilitarian, or advertisements, or media.
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خصائص التعبير الفني وعلاقتها بانماط التفكير المرتبطة بنصفي الدماغ لدى طلبة المرحلة المتوسطة في محافظة بغداد Characteristics of Artistic Expression And Its Relationship With The Thinking Patterns Associated With The Two Sides of The Brain Among Middle Stage Students In Baghdad Province

اسم المؤلف: زهراء صائب العاني
الجامعة: جامعة بغداد
اسم المشرف: صالح احمد الفهداوي
الموضوع العام: الفنون الجميلة
الموضوع الدقيق: التربية الفنية
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: يعد فن الرسم احد الطرق الفعالة التي تجعل من التفكير شيئا محسوسا، فربما ? يستطيع الطالب التعبير عن تفكيره شفويا، فيكون مـن ا?سهل ان يعبرعنه بوساطة الرسم، وان الظن بان بعض الطلبة غير اكفاء في التعبير الفني ليس بسبب نقص في قدراتهم العقلية ولكن بسبب ان انم | The painting is one of effective ways that make thinking something felt, the student may not be able to orally express his thinking, it would be easy to express it by drawing, It is believed that some students do not have the necessary Competency in artistic expression is not because of lack of mental abilities, but because of their thinking patterns do not match with the patterns of thinking of doing the assessment and evaluation process and particularly in the teaching of drawing. We need to keep in mind the students' thinking patterns of, if we want to reach them and communicate with them, so the current research problem identified the following questions : A - Are there specific characteristics of middle school students fees according to the thinking patterns associated with two sides of the brain?B - Is there a relationship between the characteristics of artistic expression and thought patterns linked with the two sides of the brain?C - Is it possible to use the function of artistic expression drawing on the thinking patterns associated with the two sides of the brain? The goal of research is to (detected the relationship between the characteristics of artistic expression and thinking patterns associated with my side of the brain among middle school students in the province of Baghdad), and to achieve the goal of the research, the researcher derivation of several hypotheses zero.Current research community included average the second grade students who are continuing to study in the middle day school of the Directorate of Education in the first Karkh and Rusafa second, In the center of the province of Baghdad for the academic year (2012 - 2013), was selected (300) students at (150) male and 150 female students by (6) Schools of which (3) Schools for Boys and (3) schools for girls were selected randomly. The researcher adopted the (descriptive method) in the current research that required tools. First : diagnostic measure of thinking patterns associated with the two side of brain and prepared by (al - Dulaimi, 2005) after the confirmation of his sincerity and firmness. The second tool : Form analysis Graphics : built tool consisted of (9) areas and (17) key feature, and (39) property secondary was checking the veracity of the tool through a presentation to a group of gentlemen experts and specialists, while consistency has been the use of analysts, the researcher has identified two topics for the first draw special in school and the second theme is free what the experts agreed.In order to achieve results has been the use of the following statistical means) Kai - square, Pearson correlation coefficient, coefficient link Point By serial, equation of Cooper, Scott equation of, coefficient of compatibility).After unloading the data research found the following results : 1 - The existence of (15) a statistically significant property in fee students, those with dominant pattern (right).2 - The presence of (11) a statistically significant property in fee students, those with dominant pattern (left).3 - The presence of (10) a statistically significant property in fee students, those with dominant pattern (integrated).After viewing the results and discussed, the researcher had got a number of recommendations, including : - 1 - Give more opportunity for students to free artistic expression, making their artistic output will be in tune with the prevailing pattern of thinking.2 - - Make the article or subject thinking patterns associated with two side of the brain according to the psychological approach within subjects for primary school students, in addition to the establishment of courses for teachers of art education and lectures that include the subject of thinking patterns associated with two side of the brain in order to be of help to them in how to deal with their students.A complement to research a researcher has proposed the following studies : 1 - Characteristics of artistic expression and its relationship with the thinking patterns associated with the two sides of the brain among the students of the Faculty of Fine Arts2 - Characteristics of artistic expression and its relationship with the thinking patterns associated with the two sides of the brain in primary school pupils.3 - Technical features of the contemporary Iraqi painter and relationship patterns of thinking linked with the two sides to the brain.
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