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النحت الكلاسيكي الجديد بين التقليد والابداع : دراسة تحليلية مقارنة == THE NEOCLASSIC SCULPTURE BETWEEN THE IMITATION AND INNOIATION A COMPARATIVE AND ANALYTIC

اسم المؤلف: اديبة محمد شلال حبيب
اسم المشرف: مرتضى عبود حداد
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الموت في مسرحيات البير كامو == The death in Alpear Comu’s Plays

اسم المؤلف: عامر محمد حسين سلمان
اسم المشرف: ضياء شمسي حسون
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

المعالجات البنائية لفن البوب ارت == The Structural Treatments of Pop Art

اسم المؤلف: زهراء هادي كاظم العزاوي
اسم المشرف: عارف وحيد ابراهيم الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

المضامين الفكرية والتربوية في مسرحيات شكسبير الكوميدية == Intellectual and educational content in the plays Ckspiral comedy

اسم المؤلف: اسيل عبد الخالق محمد الطائي
اسم المشرف: هدى هاشم محمد الربيعي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الدلالات المعرفية والجمالية للايماءة في التمثيل الصامت : المسرح العراقي انموذجا == The Cognitive and Aesthetical Connotation of the Gesture in Mime

اسم المؤلف: احمد محمد عبد الامير
اسم المشرف: عباس محمد ابراهيم التاجر
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الابعاد الاسلوبية والتقنية في رسوم التعبيرية التجريدية == The Stylistic and Technical Dimensions in the Paintings of Abstract Expressionism

اسم المؤلف: مهدي عبد الامير اسماعيل الطفيلي
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الابعاد الفكرية والجمالية في الرسم السوبريالي == The Intellectual and Aesthetical dimensions in the Superrealism Painting

اسم المؤلف: انوار صباح عبد الغفار الماشطة
اسم المشرف: عارف وحيد ابراهيم الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الرسم
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

المرجعيات المؤسسة للتنظيم الشكلي في النحت العراقي المعاصر

اسم المؤلف: محمد عبد الرزاق حمودي
اسم المشرف: جبار محمود حسين العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الوحدة والتنوع في النحت الخزفي المعاصر في العراق == Unity and variation in engraving Contemporary ceramic In Iraq

اسم المؤلف: ثامر يوسف حمادي الناصري
اسم المشرف: بلاسم محمد جسام | فوزي القيسي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

سمات الشكل في الخزف العراقي المعاصر : الخزافات العراقيات انموذجا == Figure Attributes of The Ceramics In The Contemporary Iraqi (Iraqi Potters) Pattern

اسم المؤلف: هديل سلمان سعيد الموسوي
اسم المشرف: انغام سعدون طه العذاري
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يعد فن الخزف من الفنون التي تعكس المهارة والابداع وتعد بمثابة سجلا تسجل فيه ابداعات الخزاف طوال مسيرته الفنية، ويبحث عن الذاتية والتفرد في العمل الخزفي ومايميز الشخصية الفنية من تقنية واسلوب كظاهرتين اساسيتين متميزتين للشخصية الفنية، وكان للخزافات العراقي | Is a ceramic artist and art that reflect the skill and creativity and serves as keep a record of the potter's creations throughout his career, looking for self - uniqueness in the work characteristic of ceramic and artistic character of the technique and style phenomenon two basic distinct personality of art.The Iraqi presence of potters and a key role player in the field of ceramic art and the posts it as a great space and reflect their ability to reveal the ideas and philosophical and aesthetic vision that has characterized the specificity of each Potter distinctive. This study is in five chapters, which included the first chapter of the research problem and then the importance of research, objectives, and limitations, has been determined by research into three Borders, which included the substantive attributes of the product in the contemporary the potters during the period between (1960 to 2003). The second chapter, the annexation of the theoretical framework and previous studies in which structure the three detectives, namely : The first topic : which was divided into two parts, I talked about 1 - Introduction to the concept of shape and definition and what it is, levels, shape and form an independent phenomenon and the meanings of the shape. 2 - Construction of the form formative and any which is consisting of himself, which dealt with (a) structural relations of the form, features and specifications. (B) elements and form the basis of composition, which included a number of elements intertwined and overlapping elements make up and nature. (C) The intermediary material (raw materials) and its impact in the shape of the characteristics of investment through to arrange the elements of form material. 3 - Effect of metaphor in characterizing the shape and types of these metaphors and their applications in the art form. The second part was a 1 - systems installation in the shape of a ceramic system and the law of any structure in the shape of a ceramic. 2 - modulation methods and techniques in ceramics, which included work on the modalities for the implementation of the clay and ceramic body. The second topic : the address of the historical foundation of the system form, which included 1 - Characteristics of the art form in ancient times human knowledge at the start and at the age of the caves. 2 - The characteristics of the art form in the old Iraq has covered developments in the study of form in the historical stages in the old Iraq stages. 3 - The characteristics of the art form in the Islamic era, and how different form in the Middle Ages and made his own mark, Art Islamic era, and then 4 - styles and trends affecting the restructuring has been accompanied by contemporary ceramic art pottery modren Iraq artistic schools and trends that have crystallized within the global art movement.The study singled out the third part, references influential in the formation of ceramic output in Iraq and monitor the most important these references, and then shifts the cultural and social co - founder of attributes to form when potters in Iraq, and previous studies that showed the two studies was the points of convergence and divergence, and the indicators gleaned from the context theory. The third chapter represents the proceedings of research and analysis and monitoring of the research community, which consists of a set of ceramic works accomplished by the Iraqi potters for the duration of (1960 - 2003) The number of potters research community (33) Potter, and produced a sample according to the willful manner a number of controls that were produced by depend upon personal and professional has been selected (9) potters research sample, has been chosen for each of five forms of ceramic Potter then analyzed within the framework of criteria and indicators of the theoretical approach to the method of survey and descriptive analysis of the ceramics curriculum description and extrapolation of research and reliance on scientific studies and research dealing with analysis of content of porcelain in Iraq, has been divided into two generations of potters , the first generation represented by the period of time (the sixties, seventies, eighties) and second - generation (eighties, nineties, two thousand). The fourth chapter singled out the findings and conclusions, the results have been divided according to potters attributes of the inventory at each Potter.The conclusions were : 1. The topics of life that represent human forms, especially the man or woman and animal shapes like birds, fish and horses, the main topics selected by the potters and worked within them.2. Social relations have emerged, particularly the relationship of men and women in much of the potters. 3. Any forms characterized by the double is often the representation of the relationship of men and women a diagnosis or by implication, mother and son relationship in the frequency and therefore a clear and readable. 4. Characterized by geometric shapes circle formations - the box - the cube - the rectangle - the ball - the cylinder in the starting line - or internal design. 5. potters adopted the first generation of breeding color and showiness in it, while the second generation relied potters Unification color or the number of colors, sometimes dark, harmonious and blurry at times. 6. Spraying techniques followed potters combriser or sometimes a brush, one of the traditional techniques.7. potters also expanded on the themes and wall sculpture, pottery and construction manual and a little bit to work wheel electric or platelets.8. potters affected by references, heritage and historical art references old Iraqi or Islamic art. 9. The metaphors of a single environmental roses and twigs and metaphors of color Islamic heritage and metaphors such as lines, shapes and decorative designs. 10. Multiplied potters the tendency to realistic representation and abstraction and the abstract expressionist style, sometimes cubical in the representation of shapes. And we ended the search bibliographic sources in Arabic, English and supplements.

تصاميم الاقمشة النسائية وعلاقتها بالمتغير البيئي == Women'S Cloth Designs And Their Relationship With The Environmental Variable

اسم المؤلف: ايناس صالح عباس
اسم المشرف: سامي ابراهيم حقي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شهدت حياة المراة المعاصرة تطورا في تصاميم الاقمشة النسائية وجاء هذا مصاحبا تنوع الحاجات الوظيفية مما ساعد على تداخل وامتزاج اشكال وعناصر تصميمية مختلفة لا تعبر عن البيئة العراقية. مما استبعد ذوق المراة عن المنتج المحلي الذي يعد خاليا من اي سمة وظيفية تع | Contemporary woman's life witnessed a development in women's cloth designs accompanied with the variety of functional needs which helped in the intervention and mixture of different designing forms and elements that did not belong to the Iraqi environment. As a result, the woman's taste was eliminated from the local product which was void of any functional merit expressing the society (women's) sense of taste and its non - association with the cultural heritage originality of Mesopotamia arts and that what made the cloth designer in Iraq pose his designing ideas eliminating and subjecting the Iraqi environment components according to the functional and aesthetic purpose. From this point the idea of studying the research topic (Women's Cloth Designs and Their Relationship with the Environmental Variable) stemmed. The problem was defined as what was the relation between women's cloth designs and the environmental variable in contemporary Iraq? The research contributed through its significance in the following : - 1 - Identifying and studying the effect of the environmental variable on women's cloth designs. 2 - Developing the functional and aesthetic performance among the designers of texture factories. The research aims included the following : - a. Revealing women's cloth designs through their relationship with the Iraqi environment (items of natural, social, cultural and heritage environment) in conformity with the utilizing function. b. Defining the constructive designing relations suitable in women's cloth designs. The research limits were specified by addressing women's clothes produced locally in texture factories that belonged to the country within the period (1980 - 2000). The second chapter dealt with the theoretical frame including four sections. The first section was (The Variables of the Iraqi Environment through History and Their Impacts on Women's Cloth Designs), the second one (Cloth Designs through Historical Ages in Iraq), the third (The Cultural Heritage and Folklore in Iraq) and the fourth (Constructive Relations in the Designing Unit). Then came the indicators of the theoretical frame and previous studies. The research procedures were defined within chapter three by following the descriptive analytical method of research population which mounted (60) models of the productions of Iraqi factories and establishments for women's cloth designs. While the sample test was purposive mounting (20) models. As to analysis tool, it was represented by the analysis form according to the scientific method and then the analysis of sample models and their discussion. Afterwards, the research results were arrived at, the most important of which were : 1. It was shown that the designer had taken design items from the natural environment rather than from the items of social environment and the mixture between both environments in one design was clear. 2. The absence of the cultural factor and the cultural awareness in women's cloth designs, especially at North region. 3. The facial formal non - adjustment was shown with the functional performance. 4. The weakness in activating the role of constructive designing relations (elements, bases and relations) in a way contributing in attracting the learner (the woman). Whereas the recommendations were : 1. Taking care of continual developments in cloth designs basing on the cultural heritage and reformulating it in a contemporary style characterized with novelty and originality

تاثير استخدام الاكاسيد رباعية التكافؤ في تعتيم انواع الزجاج == Opacifing Effect of Using Tetravalent Oxides On A Few Ceramic Glazes

اسم المؤلف: قاسم نايف جواد العامري
اسم المشرف: احمد هاشم عبد الكريم الهنداوي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الخزف
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتناول هذا البحث وضع قاعدة بيانات ومواصفات للزجاج المعتم وباستخدام ثلاثة انواع من الزجاج ( Lead , Borax , Alkaline ) وبدرجة نضج حراري واحدة هي (960 م)، وتم تحديد نوعين من خلطات الاجسام الفخارية (طين كاؤولين دويخلة الابيض، وطين خان بني سعد). وتم استخد | This research deals with the database and specification of opaque glaze by using three types of glaze (Lead, Borax, Alkaline) and the degree of thermal maturity of one (960c), have been identified two types of mixtures of clay bodies (white clay Kaolin Doeakhla and Khan Bani Saad clay).The use of three types of parity opicity Quartet (ZrO2, TiO2, SnO2) was added in different proportions, starting from 4% and up before damage or distort the glaze.The results have been evaluated and the selection of a sample search through all the models to the system,, the beginning point of opacity and the highest point of opacity before glaze cooled down and stiffened.Was conducted several tests on samples of the glass sample analysis, the most important color and intensity of emulsion and the glaze factory and break it and assess the degree of transparency and shiny and hardness, scratch test, resistance to abrasion and chemical materials.Tests showed that the opaque material used in this research have an impact in giving the mixed color glaze, The whiteness color or close to white and the cubic equivalent opaque (ZrO2, TiO2, SnO2) its ability to opaque the ceramic body make deferent obesities such as shiny opacity, semi opacity, matt smooth, hard matt., and that the causes of darkness resulting from the zircon and tin oxide (ZrO2, SnO2) in the temperature (960 c) remain stuck in the glass of liquid (not melted) and the interaction between them and the vehicle increases as the glaze and add more value attributed to the saturation point of darkness, while the oxide titanium (TiO2) have melted and interacted with the glass of vehicles contributed to a new crystal glaze in the opacity.The microscopic imaging of the samples that there is a direct correlation between the amount of bubbles in the glass and the opaque and the size and opaque, as it turned out that there was a relationship between surface roughness and matt ness waviness and reflected light and its scattering.The laboratory tests conducted were as follows : - - test the hardness Tin gave the highest resistance to the glass harder, while the hardness of the titanium oxides and zircon. - test of scratches The tin and titanium was equal or less to resist scratches, it either zirconium scored higher than the resistance of transparent glaze. - test of acid Tests showed that the glass had not been affected by chemical and acid due to an increase in the proportion of acid in mixtures of glaze and opaque

الواقعية الايطالية الجديدة وانعكاساتها على السينما المصرية == The New Italic Realism And Its Reflections On The Egyptian Cinema

اسم المؤلف: محمد حسن عبد الامير محمد صالح
اسم المشرف: عبد الجليل ابراهيم ادهم
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون السمعية والمرئية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لواقعية مدرسة من مدارس الادب والفن جاءت بعد الرومانسية في منتصف الخمسينيات من القرن التاسع عشر 0 وبتطور الفكر الفلسفي لهذه المدرسة في الفن برزت عدة مفاهيم للواقعية , وبتعدد الاساليب الواقعية في الفن السينمائي تنوعت الاتجاهات الواقعية , كالواقعية الملحمية | Realism is one of the art and literature schools, it came after romanticism in the middle of fiftieth of the nineteenth century. As the philosophical belief develops for this school in art many realistic concepts appeared. And the pluralism of the realistic styles in the cinematic art led to a vary in realism like epic, communal and romantic realism in addition to the new wave and realistic cinema in Briton. The last one appeared in Italy after the second world war, it was known as new italic realism, it has got new styles and here are some important styles belong to the new italic realism like : using the unprofessional actor, televising out of the studio and using the sneaking camera etc… The new italic styles spread quickly in the cinema in the most of the countries in the world. One of these countries is Egypt which has a very long history in the cinema. In the fiftieths of the last century, a generation of realism appeared in the Egyptian cinema like, Salah abo Safe.Tawfeek Salih, Yusif Shaheen, Henry Barakat and Kamal Al - Sheikh. In the eightieth and ninetieth of the last century, many young directors appeared and they went out of the traditions of the Egyptian cinema which is familiar, and they presented realistic topics. These topics were known by the critics as a new realism or new cinema, like : Mohammed Khan, Dawood Abd - ul Said, Shareef Arafa, Raafet Al - Mihi and Atif Al Taib. So, our study talks about the reflection of the new italic realism on the Egyptian cinema. The research has contained the following chapters : chapter one has contained the research problem which leads us to the following questions : what is the reflection of the new Italic realism on the production of the Egyptian cinematic films? Its importance is shown to the researchers and scholars like producers, scenario writers, critics in the cinematic art and those who are interested in the cinematic art. The goal of the research is to recognize the artistic style of the new realism in Egypt. The lines of the research are specified by the realistic novelistic Egyptian film from 1990 to 1999. Also, the first chapter contains terms specifying. While the second chapter contains the theoretical frame and section one contains realism, the concept, the beginning, the developing and realism in cinema with its varies. The second section contains the artistic styles of the new italic realism. The third section contains realism in Egyptian cinema. The third chapter contains research procedures. The researcher has specified the curriculum of the research depending on the analytic descriptive curriculum which suits the nature of the research and its aims, then the research tool that has been discovered as a sign from the theoretical frame and it has been presented and approved to a council of experts and specialists in the department of the audio and visual. And the fourth chapter contains analyzing three realistic Egyptian directors as a sample and they are : Dawood Abd - ul said and his movie the kit Kat, Shereef Arafa and his movie Irhab we Kebab and Atif Al taib and his movie Laila Sakhina.The fifth chapter contains the results like : 1 - The Director ( Dawood Abd - ul said)used The stylistic sings of the new Italic realism except using the unprofessional actor in his movie (Kit Kat). 2 - The Director (Atif Al - Tabe) used The stylistic sings of the new italic realism in his film (Layla Sakhina). And the conclusions are as the following : 1 - The realistic directors of the fiftieth generation have influenced by the new italic realism and some the eightieth generation has influenced the fiftieth generation and the others have influenced the pioneers of the italic realism. 2 - Most of the realistic directors who belong to the generation of the eightieth have worked director’s assistant with the generation of the fiftieth, this made them get experience Al so chapter five contains the suggestions, the advices , a list of the resources , appendixes and Abstract with the title

عمل الممثل على نفسه لتنمية طاقته الادائية == The Work of The Representative of The Same Capacity For The Development of Performance

اسم المؤلف: فرح طه درويش
اسم المشرف: هيثم عبد الرزاق علي
الموضوع العام: الفنون الجميلة
السنة: 2009
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ينقسم البحث الموسوم (عمل الممثل على نفسه لتنمية طاقته الادائية) الى اربعة فصول، تضمن الفصل الاول الاطار المنهجي للبحث من خلال مشكلة البحث والحاجة اليه واهميته، وهدفه، وحدوده، وختم تحديد المصطلحات ثم تلا ذلك الاطار النظري للبحث وقد تضمن ثلاثة مباحث : تناول | Its research is marked by the work of the Representative of the same capacity for the development of performance in to four chapters Containing the first systematic research of the problem through research and the need for it... And its importance Purpose of the character.... In conclusion, the identification of terms, and was followed by the theoretical framework of research has included three Investigation : addressing the topic Albailogi to attend the first dimension of the representation during the pre - approach Achtgalih clear disclosure of scientific and technical representative in accordance with the terms of reference Albailoger. Issued while the second topic, which came under the title the relationship between the numbers of self - monitoring and the role that changes in the subjective and objective representative, particularly in the behavioral and cultural dimensions in the organization had its mechanisms (mental psychosomatic) While the third topic in relation to levels of training Almcahdi structure to demarcate the border, the basic components that worked by the representative, particularly in the components (movement, body, rhythm, lighting, sound, music and sound allergen, dress, makeup, theatrical space), Thus Khalsp researcher to the theoretical framework of indicators, then came the third chapter of the research measures during the research community within the limited period of time from 1998 to 2008, and samples tested in search of my three representatives who are, respectively, (Aziz added, Naeem Iqbal, a leading Optimizer ), but a search researcher has used the descriptive approach in the analysis of samples and based on personal interview and tablets as tools for research Alsidiat , Baz came fourth quarter included the results of research and then discuss the proposals and then Altusilt Supplement : No. (1), which contained a list of entrants in the Duration of representatives 1998 - 2008 and Supplement No. (2), which included representatives of the illustrations in their presentations and then read out the play list of sources and references, abstract and then in English.

التوليف التقني في النحت العراقي المعاصر == Technical Matching In Contemporary Iraqi Sculpture

اسم المؤلف: حسين علي محسن
اسم المشرف: علي حسين علوان جمعة الاسدي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: النحت
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تواصلا مع الفن العالمي كان الفن العراقي ومنذ خمسينات القرن العشرين ينحو باتجاه الفكر التجريبي باستخدام المادة والتقنية والخروج بتوليفات مادية وتقنية تؤكد الجانب الابداعي في الفن العراقي المعاصر، ولذلك فقد جاءت هذه الدراسة لتسلط الضوء على التوليف التقني ف | Since the late years of 19th century, development has turned to be but an integral part of man's life. All fields of life have been developing and this progress has affected the view of life on the part of the human being in general and the artist in particular. As a result of this machine revolution and the rapid industrial progress, the artists could not help making their art cope with the new era. In response to the twentieth century technology, certain changes took pace in the new world of art especially in the artist's performance. On the whole, art turned to be a world of experimentation including both the raw material and technicality through matching to the extent that new concepts came into being : the artist departed the restrictions of specialization and moved into the free multiple and comprehensive plastic art. Since the early 1950's, the Iraqi artists have been creatively. aware of the world - wide tendency of experimentation. This study is an attempt to shed some light on the technical matching in contemporary Iraqi sculpture. It is concerned with the expressive and aesthetic values that stem from the technical matching. It also attempts at showing the stylistic features of contemporary Iraqi sculpture works under investigation. This thesis falls into five chapters as follows : Chapter One is entitled as 'preliminaries'. It divides into the following sections. 1.1 The Problem of the study. 1.2 Significance of the study 1.3 Aims of the study 1.4 imits of the study and 1.5 Definition of terms. Chapter Two is on the theoretical background and review of literature. It falls into three sections : 2.1 The artistic application of technical matching 2.2 Styles of technical matching in contemporary sculpture and. 2.3 Aesthetic philosophy (approach) of technical matching. Chapter Three is on the procedures. It can be outlined as follows : 3.1 The population of the study ( 250 sculpture works by 36 artists along the years 1980 - 2008) 3.2 The sample.3.3 The method ( a descriptive approach to content analysis) and. 3.4 Tools of data collection (observation, interview, and survey). Chapter Four includes the analysis of the samples and display of results. The following are of the results : 1. Matching has been proved through of the application of more than one technique in each piece of work. 2. Matching has enabled the artist to go beyond the limit of the material. 3. Matching has paved the way for the artist to make all possible use of the sense and structure plastic and expressive potentials to achieve a variety of relative values such as the plastic, expressive, and aesthetic ones. 4. Matching has taken place among a number of resources : a. Works of contemporary world. b. Works of (the heritage of) Mesopotamia. c. Popular culture and d. Realities of contemporary Iraq. Chapter Five is concerned with the Conclusions, Recommendations and Suggestions. The following are five conclusions. a. A large number of contemporary Iraqi artists have applied technical matching to their sculpture masterpieces. b. Sculpture has developed a lot through using newly factory products and rubbish. c. Sculpture has turned to be given new dimensions and concepts by contemporary Iraqi artists within the realm of postmodern plastic arts. d. It has been found out that there are new aesthetic dimensions of sculpture work arrived at by the plastic artist through matching. These novel dimensions are in connection with attracting the receiver and stimulating his thinking and. e. The motives of going beyond the limits of the raw material through matching are inherited and deeply rooted in ancient ages. Still these motives are going on nowadays.

الخصائص الشكلية في تصميم الفضاءات الداخلية وعلاقتها بالبيئة المحيطة : دراسة تحليلية للبيوت التراثية البغدادية

اسم المؤلف: زينب فهد عبد السادة
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: التصميم الداخلي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان ما يكسب العراق وتراثه اهمية متزايدة، كونه واحدا من اقدم المراكز الحضارية في تاريخ الانسان، فقد شهدت ارضه اقدم التجارب والمحاولات الانسانية في شتى صنوف المعارف والعلوم والافكار والاداب، وحقق العراقيون منجزات رائعة في حقل البناء والعمارة والفنون والص | As Iraq is one of the oldest civilized centres of the human history, this gives it an important among other countries. Its land witnessed the oldest human experienas and attempts in different fields of science and art. Iraqis recorded a significant achievement in the fields of building arts, industry and architecture, among these, building was distinguished in Iraq over the ages. Although these building vary in its forms and a functions, houses revealed to be distinguished in its antiquity and variety, also the basis of its planning and architecture and material was the basics of construction other building like temples towers needed for endowment.One of the most essential and formal aspects in Iraqi old or traditional houses is revealed by the high capability of the Iraqi architecture to understand the lard and the environment which represented together by weather and social life, in addition to the functional needs of the house according to the available building materials to achieve a best useful houses for one or group families in cities.The following study is an attempt to reveal the relationship between the formal aspects in design the internal spaces of Baghdad traditional houses and the surrounded environment according to the aesthetical performance to a contemporary internal design in its originality and cultural contents.The research depends on theoretical and analytical studies for the spaces of some Baghdad traditional houses. The study includes four chapters.The first chapter studied the problem important, aims and elefintion of basic term used in this study.The second chapter studied the previous studies and the theoretical background which falls in four sections : The first section studied the notion of from in internal design and the factors which affected it. The second section studies the internal spaces and its formal elements. The third section studied the effect of the environment on the internal design of the Baghdad traditional hoses.In section four there is an explanation of the formal aspects of the internal design in Baghdad : traditional houses.Chapter three is specified to the descriptive method was used to a analysis the sample of the study and represented by two samples of Baghdadi traditional houses in addition to an observational list and analyses core list according to the inductions of the theoretical background because trust of which are used as a variable in anglicizing chapter four includes the results of samples analysis according to which, the conclusions where stated which explain the relationship of the formal traditional aspects with the surrounded environments. Finally the researcher stated a number of suggestions and recommendation for further studies

الاتجاهات الفنية في الدراما التلفزيونية == Artistic Trends In TV Drama

اسم المؤلف: علي زيد منهل
اسم المشرف: صباح مهدي الموسوي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون التلفزيونية
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان الرؤية الفنية التي يستند اليها مخرج العمل الفني خلال معالجته للنص الدرامي ووضع الحلول الاخراجية للمشاهد المرئية بغية تكوين واقع جديد مفترض. ومقدرة ذلك الواقع الفني الذهني المفترض والمجسد من قبل مخرج العمل الفني وبما يمتلكه من وسائل تقنية وفنية في توظيف | The artistic prospect upon which the director of artistic work bases his work through the treatment of dramatic text and putting direction solutions for the spectator in order to have a new virtual reality. The director of artistic work, with the technical and artistic means he employs in the dramatic elements, express artistic trends in TV drama and the mechanism of employment. These artistic trends reflect the development in the field of entering the analysis and construction of artistic works in a way that reflect reality with all the contradictions make the TV drama search for artistic procedures and attitudes to express that reality according to the idea, the objective and the method of carrying out that distinguished some from other in the mechanism of working of this or that procedure or attitude expressing the nature of artistic work and breaking the freeze and entering into imaginary and strange worlds that through them establish the ability and design which are formed according to the essence of the text and the manner by which the director of artistic work forms his work. According to the procedures that he finds suitable for posing the idea and criticizing the society and keeping pace with civilization development through the understanding and interpretation of TV artistic works which are based in their mechanism of putting forward on the suitable artistic trends. These trends are usually seen by the director of the artistic work as suitable for the nature of his theme and treating the dramatic components. Therefore, the study falls into many chapters that studied the artistic trends and the mechanism of involvement of the visual works as follows : The first chapter tackles the procedural framework of the study suchlike : The problem… which were formed in the following questions : What are the manners in which artistic trends are employed? What are the visual means and techniques that manifest the artistic trends in TV drama?The objectives of the study were as follows : 1. the manner in which artistic trends are employed in TV drama, and 2. The visual and technical means that manifest the trends in TV drama. The first chapter also tackles the importance of the study and the need for it, the limits represented in studying the dramatic trend in TV drama for the period 1998 - 2000. we have also determined in this the most important terms used in the dissertations (trends, drama, etc.)The second chapter : Included the theoretical framework and the pervious studies including the following inquiries : 1. The first inquiry includes the procedures and dramatic trends. It also includes the most important procedures and dramatic trends starting from the realistic trend and impressive trend. Within these two procedures lies most of the other subsidiary trends which effected the cinematic and TV drama alike. It includes the following trends {Neo - realism, Neo - wave, free - realism, social - realism, direct realism, poetic - realism, symbolic - realism, epical - realism, expressionism - surrealism, Dadaism and avant - garde} 2. the second inquiry : the image according to artistic procedures including {image in philosophy, the concept of artistic image, the senses of image, imaginary image, referential of artistic image, realistic image, impressionist image, symbolic image, expressionist image and surreal image}The inquiry also includes the understanding, analysis, and construction of artistic image and the mechanism of work according to the prospect of the artistic works’ director to manifest the artistic trend. 3. The third inquiry deals with the visual means according to the artistic procedure. This inquiry includes the style of artistic work’s directors in using the technical means through the direction prospect of this artistic work by employing the following {camera and lenses, décor, makeup, fashion, montage, lighting, setting, color, etc.} for the manifestation of artistic trends in TV drama. 4. The fourth inquiry dealt with the dramatic according to the artistic procedures. The inquiry included the employment of the dramatic elements according to the prospect of director. This includes drama and dramatic construction {plot, dramatic personae, language, idea, and image narration. At the end of the second chapter, the researcher tackled the pervious studies that are relevant to the theme of this thesis. There were two main studies that he found close in some chapters to the study herein : The M.A. thesis, 1988 {The Effect of Techniques and Visuals of Global Cinema on the Prospect of Iraqi Cinematic Directors} by Rasad Abdul Jabbar Thamir. The second thesis, 2003 {The Question of Aesthetic in the Trend of Modern Cinema} by Aladdin Abdul - Majeed Jassim. In the end of this chapter, the researcher comes up with the most important indicators that were driven form the theoretical framework making the analysis instruments of the research sample such as items of the questionnaire forms.The third chapter includes the procedures of the study : 1. The research procedures in which the researcher employed the descriptive approach. 2. The instrument of the study : the research employs the content of theoretical framework as theoretical framework after obtaining the approvals of the Board of Experts and Arbitrators on the indicators. 3. the unit of analysis, the researcher depended on the scene and snapshot as the main unit for analysis in his study of artistic work. 4. the sample for the study represented the series which were chosen as a nonrandom sample in compliance with the nature of the thesis. The series are : Bab - ul - Hara {Port of the Lane} - Part I Poetical - realism - series ‘Noor’Symbolic - realism - series ‘Carnival’ Epical - realism - series ‘Rome’ Impressionism - ‘Taken’ Expressionism - ‘Supernatural’ Surreal - ‘Sad Dream’5. The validity of the instrument : the esteemed experts showed a total agreement on the items in percentage (%97.28) The chapter also included analysis for the series that were chosen in as sample of the study. The fourth chapter included the The most important results : 1. the manner in which these visual elements were employed within the relations of adjoining , interrelation , adherence were in the outcome a final image that affirmed the nature of mental image which the director of work draw through the relation of these elements and images with each other justifying the state of employing the curricula and artistic trends, and expressing the dramatic events within the virtual reality of each artistic trend. 2. the director of artistic work produces artistic images that are compound and unrealistic, and cannot be similar to an image or compound in reality to give structure to the content of artistic work. For deepening the strangeness state and the innovation within the procedures and the artistic trend which he sees as appropriate for forming the visual image of the artistic work in TV drama.The most important conclusions are : 1. The impressive method is a living one and has the ability to activate the dramatic event through the self - view that the director produces, in addition to the employment of modern technology in convenience with the TV dramatic work. 2. It turns out that the Dadaism impressive trends have been confined to TV drama as a result of the unreasonable image composition and the hard symbols that cannot be analyzed. Therefore, we see the lack of tackling of these TV dramas. In addition, it included the conclusion that the researcher comes up with in the light of the outcomes. Then, the recommendations such as : Studying the branches of TV art as academic specialty {production, direction, montage, camera, scenario, the visual effects}.Finally, the suggestions that serve the course of scientific researches in the field. The fifth chapter includes the following : The references in Arabic and translatedThe references of films and TV series The references in English

الاتجاهات الحديثة في تصميم المنظر المسرحي العراقي == A New Directions In Design The Theatrical View

اسم المؤلف: دريد هاشم شكور البياتي
اسم المشرف: عباس علي جعفر العبيدي
الموضوع العام: الفنون الجميلة
السنة: 2009
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان التطور السريع الذي احاط العالم في هذين القرنين كان لابد اليه ان يؤثر في الفن المسرحي وعلى معطيات الثورة التكنولوجية والتقنية في المسرح ليولد اتجاهات مسرحية حديثة اتسعت في فضاءاتها وتنوعت في اساليبها في اعطاء الرؤية لانجاز جماعي والتي وفرت البيئة للمصمم | The fast development which care or happened in the world in the last years was to vhange or effects in the theater views and its born a new theater directions which effects the all hostery of theater.The imagination that should be composed with The nature of the reading the experience in the modern transfering the idea and the role practiced by the designing operation.This thesis eutitues four chapters.first chapter : In includes the methodical searching, the problem of the thesis and the most important of tee research by eulightening on employing the calio in the theatric view and the visual shape. second chapter : This chapter concluded the cadre visual and the pervious studies and the section of the fram visual to the four topics : the first topic (the stages of developing designing of atheatrical view), where is the function show.The seconfd topic contained two section : first the newlist and what after the new list in designer in the theater view. Seond the change of the designer in the theater view.The third topic (the new technological in the theater.Third chapter : In containcel the section of research as well as from the all search.presenting to the views which presents from the Ass.profs.Drs. in the Arts theatre section in the vollege pf Fine Arts university of Baghdad and I choose the some of these from 1980 - 2003 and the watching of a views, pectures and the personly metting which comtaind five view (the last sendebad dewiery, magbith, herostart and the night of barry im actor). Then comes the forth chapter which containd the result of reserch and the inclusion and the abstract of the thesis in english language

المعالجات الدرامية لشخصية الحسين في النص المسرحي العربي == Drama Treatment of Al - Hussien Personality In The Reading Arab Theat

اسم المؤلف: حميد لطيف مريوش الشريفي
اسم المشرف: عبد المرسل فليح الزيدي
الموضوع العام: الفنون الجميلة
السنة: 2009
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان شخصية تاريخية مثل شخصية (الحسين بن علي) (ع) برفعة منزلتها ونهايتها الماساوية لابد ان ينعكس تاثيرها النفسي والاجتماعي والديني على الانسان والمسرح حيث مثلت الهاما للمؤمنين والاحرار في جميع ميادين الحياة وعلى مختلف مستوياتها وكان تاثير هذه الشخصية واضحا ج | The historical character like (Al - Hussein Bin Ali) with high dignity and tragic end, hispsychologic, social religious impact reflected on human and theater. He is a symbol of inspiration for faithful and independents people inall aspects of life. He is affected on literature specially theatrical literature.The Arab dramatis deal with this character in a dramatic ways from Karbala events taking from Islamic History.The chapter of Ali - Hussein share in the built of human though. The dramatist dranscript events and chapter in a technical form.This is show us the important of this chapter in the past and its impact in contect poraray human that makes us seek for this chapter and treated in the theater in a technical form.So we look for this character to acknowledge the dramatic feature of this character and the tenses that the Arab dramatist follow it.Therefore the research is divided in to foure parts : 1 - first part : methodical setting included problem and the important of research and the need of the research , the aims of the research, the borders of research.2 - The second part : theoretical setting included three researches : A - First research : the built of tragic character refers to the character in its general shape and its development and the tragic of researcher and different methods.B - second part : historical character : the researcher dealing with the understanding of the historical character in general way and the forms of these character and its important impact on our contemporary human and the utilizing from this character to creat moral worthy and social.c - Third research : dramatic treatment for historical character, the dramatist deals with the treatment of historical character in different tenses, it refers to the treatment of historical character by words and Arabs dramatists.The research tries to collect the different opinions for dramatists and researchers who deal with this subject to stand of the most important opinions about this research.3 - Third part : this part include the steps of research. The researcher counted the dramatic tenses that writing from the character of AL - HUSSAIN since 19131 - 2009 he chooses some sample from research and its three theatrical tenses : 1 - Abdul Rahman Al - Shaeqawi(AL - HUSSIAN MARTYR).2 - Mohammed Ali Al - khafaji(Al - Hussian return again).3 - Abdul Razaq Abid Al - Razaq(Al - Huee AL - Reyahi).4 - Fourth part : this includes the result of the research and discussion, conculion, recommendation and collateral in English language.

جماليات السينـوغرافـيا فــي العرض المسـرحي : نماذج من المسرح العراقي == The Aesthetics of Scenography For The Theatrical Performances

اسم المؤلف: جبار جودي جبار العبودي
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: في ظل انفتاح العالم على مختلف انواع العلوم والتكنلوجيا والمنجزات التقنية التي شكلت العصب الاساسي في الحياة المعاصرة بدات التجارب المسرحية بوصفها فنا يعكس انماطا شديدة الخصوصية، وعلى تماس مباشر باحاسيس ومشاعر المتفرجين، بدات هذه التجارب محاولات اللحاق | This research deals with the problem concerning the authority of the aesthetic elements in the scenogrphy for any play production and the ability to cause their effects in the final form of the stage pictures. The goal of the thesis is to define the aesthetics of scenography considering the dominating authority for the Iraqi theatrical productions and the role of the main factors in showing the images of the directors and the designers. In chapter two , the researcher reviews the resources dealing with the subjects. Section one of this chapter reveals and discusses the opinions of some scholars about the conception of scenography and the development of its implications through out the history of the theater. The researcher chooses the opinions of the three well - known play directors and designers - Adolf Apia , Robert Wilson , and Taduez Cantor. In section two of the chapter , the researcher discusses the aesthetics of scenography elements - the actor, the make - up, the costumes, the scenery , the accessories , and the theater building architecture. In chapter three , the researcher anal sizes the aesthetics of scenography of, three Iraqi play productions : The first is ( picnic ) adapted and directed by (Ahmed Hassan Mussa) , and ( Jabbar Juddi ) is the scenogerahper. The second is ( Cerfew ) written , directed , and scenogerahpy by ( Muhannad Hadi ). The third is ( The Blood Horse ) adapted ,directed and scenogerahpy by ( Jabbar Juddi ) , The text of this play was adapted from ( Macbeth ) of Shakespeare. In the fourth chapter the researcher discusses the results of his analysis and reaches the following conclusions : 1/ The theatrical performance depends a lot on the visual theater nowadays more than the others.2/ It is important to achieve the harmony between the visual , the auditory, the kinetic element and the dramatic element according to the vision of the director.3/ The aesthetics of scenography could be achieved only in well equipted stage.4/ The authority of scenography dominates the contemporary theatrical performances.5/ In order to achieve the aesthetics of scenography successfully it is necessary to manipulate the plastic elements.

تطوير الاداء الوظيفي في تصميم اجهزة اللياقة البدنية == Development of Functional Fulfilling In The Design of Fitness Corporal Apparatuses

اسم المؤلف: هشام زامل حمدان اللامي
اسم المشرف: لبنى اسعد عبد الرزاق
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: البحث الموسوم (تطوير الاداء الوظيفي في تصميم اجهزة اللياقة البدنية ) سلط الضوء على كثير من المفاهيم والافكار المعروضة في مضمار التصميم , التي فسحت المجال لتعدد الاساليب والاتجاهات التصميمية التي يمكن اعتمادها كتقنيات تنفيذية, اظهرت تحقيقا واضحا لتطوير | Research is marked by (Development of functional fulfilling in the design of fitness corporal apparatuses) highlighted many of the concepts and ideas presented in the field of design, which provided for the multiplicity of techniques and design trends, which could be adopted in operational techniques, an investigation showed a clear development of the industrial productThe study, which included five technical chapters of condensation approach applied to the development of functionality in the design of fitness equipment. It was the first chapter, including the research problem and its importance, objectives and boundaries as well as to determine the terms and illustrated the problem of the following research question : How to contribute to the development of functionality through the intensification of the devices increase the effectiveness of physical fitness?And it was the aim is to reach through the intensification of technical design appropriate to the platform for the development of effective functioning of the organs of physical fitness.It originated during the study as the importance of this work to build a foundation of knowledge and a theory of the concept of intensification and the development of functionality to address the design of physical fitness. And the limits of the study included the design of mechanical fitness, and traded in local markets of the city of Baghdad and manufactured during the period between the years 2007 - 2008.The second chapter, such as the conceptual framework of the topic and included a three - Investigation came under the title of the first (development and design), while the second was on my b (fitness equipment), while the third topic dealt with the subject (Anthropometry and industrial design).And in accordance with the above indicators were adopted by the outcome of reference sources and Arab and foreign briefed by the researcher as well as on field visits to the fitness rooms and shops selling sports equipment and interviews with the owners with the expertise and jurisdiction.The third chapter has included the actions of research and methodology, as the approach adopted in the process of historical description and analysis of samples, which represented the percentage (33.3%) of the research community. While Chapter IV describes the analysis of samples taken.While Chapter V contains the results, the most important : 1. Technological development has the possibility of adding different regimes within the same organ in the light ofwhat's effective and functional as well as to stimulate thedesire of the user. 2. Technical developments have had a significant impact in promoting the intensification of the career possibilities in the composition of the raw materials available and the different methods of linking.This chapter included the conclusions reached by the study is perhaps the most important are : 1. Industrial designer was able to express their potential in creativity and development through investment and technological development work on the technical and exploitation in all levels of design and production, which form a crucial element in the success of any design. 2. 2. Systems such as different types within the organ, which results in a difference in the performance an actor in the design patterns to add excitement to achieve the vision and motivation through the design resulting from the performance difference and diversity in some designs.A researcher and then a set of design was the most important pillars : 1. That the adoption of a technical career condensation on the basis of scientific theories and results in performance and functional diversity through the effective capacity and potential performance, which recorded the highest level of interest and benefit to the user. 2. Intensification of the use of technology to achieve the goal of functional industrial design to reduce the high cost byhighlighting the potential of each part of the device to perform two or more, resulting in shortening of the space,which can be filled and then storage and ease of use. 3. Antherubomtrip Arcnomkip and the adoption of the human body in the design of fitness equipment gives a betterperformance as well as the safety and security to the user. 4. Should be designed to keep pace with technological developments and technology in the production of new materials and composition, and the possibility of deploying them in the design to achieve the performance and the best aesthetic and functional. Researcher has spared no effort in the recruitment of these cornerstones design of the study body of a design proposal for the physical fitness.

المغايـرة في تجارب المخرجين المسرحيين الشباب في العراق 1990 - 2009 == Variant Directors, Playwrights In The Experiences of Young People In Iraq 1990 - 2009

اسم المؤلف: جبار محيبس مجيد
اسم المشرف: صلاح مهدي القصب
الموضوع العام: الفنون الجميلة
السنة: 2009
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: يتكون البحث المعنون ( المغايرة في تجارب المخرجين المسرحيين الشباب في العراق من 1990 - 2009 )من اربعة فصول، قسم الباحث هذه الفصول الى مباحث فرعية يتضمن الفصل الاول الاطار المنهجي ومشكلة البحث والحاجة اليه ثم تناول الباحث اهمية البحث وحدود البحث الموضوعية

اليات التكامل بين دلالات الزي في العرض المسرحي العراقي (1990 - 2000)

اسم المؤلف: سرى جاسم خيون الساعدي
اسم المشرف: مصطفى تركي السالم
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The developments of societies throughout various periods have yielded many philosophies and ideas in dramatic arts for the historical extension. It is a language that surpasses all the local idioms to address the whole world. The development that the societies have witnessed in all stages has been reflected in the contents of drama in general to appear various trends and methods. That has been expanded with the expansion of the social, intellectual and aesthetic needs of society to be richer practices that were crystallize in the form of dramatic shows as groups and systems. Undoubtedly, the lingual and acoustic messages do not abolish the importance of visual aspects in transforming the dramatic message. All that exists on the stage are signs that have come to express an intentional delivery to form visual images such as (costume, décor, action, etc.). The ceniograph works as completely as signs that make these references whose temporary becoming on stage leaves for imaginative factors. Thus, the dramatic work becomes a net governed by the system of showing that achieves the integrated harmony between what is acoustic and what is visual, in which costume plays as one of the signal systems that communicate with other signs in different designed methods and styles within the accumulated organic sequences that communicate that completes the general effect of the show throughout the consequential doctrines. The production of costumes to connate more rich meanings, through the harmonious interrelated elements that form signal systems smaller in the general costumes (color, shape, lining, and crude) which have taken the effectiveness pf costume as one of the semantic signs along with other signs of show on the intellectual, artistic and aesthetic levels and within various courses. This mechanism has led to researcher to trace the semantic of costume throughout various periods, and how to relate them into the signs of show and determine the aesthetic function of costumes in order to achieve this integral mechanism. The study falls into five chapters : The first chapter (Methodological Framework) which included the problem, the needs for the study, objectives and its limits as, as well as determining the definition of terms adjectively. The second chapter tackled the theoretical framework of the study in five inquiries. The first inquiry dealt with the semantic information of costumes in two pivots : the first is about the composing elements of costumes as a mark of drama, while the second tackled the integration that indicates the structural relationship between costumes and dramatic show. The third inquiry was devoted to the semantic transformations of costumes in the light of the trends and visions in the dramatic shows. The fourth inquiry tackled the pervious studies the most important indications that resulted from the theorticval framework. The researcher devoted her third chapter for the procedures, methods, instrument and of the study, the analysis of three samples : the plays (Media), (Othello in Kitchen) and Macbeth. These samples are considered as distinguished oeuvres of drama. The chapter was concluded with a summary of the results that the researcher has come to. While the fourth chapter was devoted to the discussion of the results of the study according to the derivatives of the theoretical framework to deduct conclusions for the integral answers of the objectives of the study. In the light of the conclusions, the researcher formed the recommendations that enhances through the investment of the results and outcome sof the study, which is achieved in the middle of the field. Finally, the researcher presents what she finds suitable for suggestion in order to complete this study and giving its due interest. Then, it ended with a list of references and resources which she used, followed by the document and an abstract.I hope I was successful in my endeavors, God is the destination for all…

الوظيفة النفسية للتشكيل الدرامي للاضاءة في افلام الرعب

اسم المؤلف: بسام نوري محمد
اسم المشرف: عبد الجليل ابراهيم ادهم
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: الفنون السينمائية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان جملة الرسم بالضوء هي افضل مايمكن وصفه عن طبيعة عمل الاضاءة في الفن السينمائي, اذا ما تجاوزنا عن قصد مسالة التعريض وكمية الاضاءة اللازمة لتحقيق التعريض، فالضوء هو عنصر نوعي يعمل على ايجاد مستويات تعبيرية مهمة داخل حدود اللقطة السينمائية، من خلال انتاج ا | The light working nature in movies art could be best define by painting with light if we intentionally skip exposure issue and light quantity we need to serve the purpose of exposure, light is crucial element in terms of identify new levels of expressionism that are important within the cinematic shot area., whether it’s dramatic or psychological because it is give the lighting body the ability to transport photographical particular information without need for dialogue or other direct narrative way’s. Light have the ability to produce imagist build with information contain also with obvious beauty, as we know filmic image is the unit in light structural building which serve the drama in film by light and color interest that appears in light layers which add value to their grown that are related to the complete dramatically work grown.What’ve been mentioned above , is what all cinema’s current work is about, specially those depends on light as important material in cinema expression like expressionism cinema and avant - garde cinema and others current which find in light there important missing way in transport information dramatically, psychological and by beauty and from all of these reference the researcher limit he’s object in ( psychological factor for lighting dramatic formation in horror movie ) he divided he’s study to four chapters : Chapter One : This chapter consider as the procedure form.This chapter addresses the research troubles and we can form this question as below : What is the means that can use lighting dramatic formation in horror movie to reach for psychological action?But the value of this chapter is about addressing in thorough the importantly of one of the important language elements in cinema, and that procedure and explore the work of the term (lighting) in horror movies form That kind of films depend on light job specially to view on psychological and dramatic level The aim of research is study lighting dramatically formation in horror movie and its border reach climax study horror movie produced after 2000 ac Chapter Two : This chapter considers as the theoretical form for research and it is subdivide into five subchapters : 1. horror movie2. lighting drama formation in horror movie 3. deals with dramatic and psychological impression for (light ,shadow , color ) 4. lighting drama formation 5. discuss the relation between lighting formation elements and cinema language Chapter Three : The third one study the research method particularly, scans its method and analyses it and also study search community and samples which its five movies First (shutter), second (Halloween), third (exorcism of emly rose), fourth (wrong turn), fifth (blade) The search tools depend on the theoretical frame in analyzing after its review on group of researchers to give there approval The fourth chapter deals with results and discussions, details of samples which are shown and analyzed and results are taken from this analysis but the general conclusion which is taken out for that, the researcher give us group of suggestion and advises as it comes in list of references of research, appendixes and abstract of research.

الدلالات التعبيرية في تصاميم اقمشة الاطفال في العراق من عمر 6 الى 12 سنة == The Expressional Significes In Designing Children Fabric In Iraq Within 6 - 12 Year

اسم المؤلف: مروان توفيق عبد حميد
اسم المشرف: خليل ابراهيم حسن الواسطي
الموضوع العام: الفنون الجميلة
السنة: 2009
الموضوع الدقيق: التصميم الصناعي
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: تتناول هذه الدراسة الدلالات التعبيرية لتصاميم اقمشة الاطفال في العراق من عمر6 - 12 سنة، والتي اكدت الدراسات الحديثة على اهمية دورالدلالة في تحديد الاتصال المرئي والحسي مابين المرسل والمتلقي (الطفل)، لما تتضمنه من معان تعبيرية وخصوصية وظيفية ليس من الناح | The present study deals with the expressional significance in designing children fabric in Iraq within 6 - 12 year. However, recent studies in this field asserted the importance of the significance role in identifying the nature of communication between the sender and the receiver (the child). It includes an expressional functional meaning shot only in the performance role but, also in the ascetical and artistically role if it has been designed according to scientific studies.Modern designs have been emphasizes on the child and this abilities , interest and tendencies (mentally psychologically and emotionally in the process of design and perform it on printed fabric, in away that makes the child have essential care this process and how to employ the expressional meaning, which has the ability to send the child to the target and the ability to recognize and understanding those meaning i.e. to perform its functional and aesthetical purposes. In conclusion it can achieve the aim of designing idea especially when this idea express the child's environment social , civilization in additional to the Iraq identity and folklore.Accordingly , this study comes reveal the nature of expressional significances in designing the child's fabric, within 6 - 12 year because this age is very important to construct the child's character and his body brain.The first chapter of this study includes the problem which appear the expressional significances in designing child's fabric and the suggested designing which employ these significances. the material understudy were chosen from Iraqi markets during the year 2005 - 2008.Chapter two consists of four sections the first one study the child's fabric as well as the colors and forms section two studied the expression and its meaning according to colors forms and expressional significance and function section three studies the aspects and the stages of recognition development and the basis used in designing and child's fabric. Then the section identify the most important indications of the theoretical back ground and precious studies.Chapter these includes the procedures of the research and the analytical methods being used in the study. The population here represented by 62 designed sample 25% , of the whole population were chosen debility as a sample of the research which concluded by 15 designed samples. These samples were analyzed according to analytical list constructed by the researcher as a tool of the research after it has been validated and granted it readability by the experts and cooper formula.In chapter four the 15the designed samples were analyzed and the conclusion were stated in chapter five which were as follow : 1 - cloth plays a big role the features of the used fabric because the texture adds an aesthetical and functional to the designed fabric.2 - Colors has an essential role to appear the aesthetic of designed forms and achieve symbolic and aesthetical dimensions.3 - Most of the items being used in designing is either from animal nature or a words written in foreign langue’s which in conclusion lack the environment, civilization and folklore of Iraqi child.4 - Most of the significances being concluded from the usage of the designed item were either symbolical or iconic , while most of the designing lack the symptom.5 - The styles of executive , designing , engineering and abstraction were mostly used in the most while factual style were less used in relative with the other style.In chapter five, the second aim were achieved by setting suggested designing followed by the suggestions , recommendation stated by the research and finally the references and appendices used in the research.