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تصاميم الاقمشة النسائية وعلاقتها بالمتغير البيئي == Women'S Cloth Designs And Their Relationship With The Environmental Variable
Author name:
ايناس صالح عباس
Supervisor name:
سامي ابراهيم حقي
General topic:
Fine Arts
Specific topic:
Industrial Design
Degree:
Master
University:
University of Baghdad - College Of Fine Arts - Design Department
Language:
Arabic
University location:
Baghdad
First pages:
18T1202 - p.pdf
Abstract:
شهدت حياة المراة المعاصرة تطورا في تصاميم الاقمشة النسائية وجاء هذا مصاحبا تنوع الحاجات الوظيفية مما ساعد على تداخل وامتزاج اشكال وعناصر تصميمية مختلفة لا تعبر عن البيئة العراقية. مما استبعد ذوق المراة عن المنتج المحلي الذي يعد خاليا من اي سمة وظيفية تع | Contemporary woman's life witnessed a development in women's cloth designs accompanied with the variety of functional needs which helped in the intervention and mixture of different designing forms and elements that did not belong to the Iraqi environment. As a result, the woman's taste was eliminated from the local product which was void of any functional merit expressing the society (women's) sense of taste and its non - association with the cultural heritage originality of Mesopotamia arts and that what made the cloth designer in Iraq pose his designing ideas eliminating and subjecting the Iraqi environment components according to the functional and aesthetic purpose. From this point the idea of studying the research topic (Women's Cloth Designs and Their Relationship with the Environmental Variable) stemmed. The problem was defined as what was the relation between women's cloth designs and the environmental variable in contemporary Iraq? The research contributed through its significance in the following : - 1 - Identifying and studying the effect of the environmental variable on women's cloth designs. 2 - Developing the functional and aesthetic performance among the designers of texture factories. The research aims included the following : - a. Revealing women's cloth designs through their relationship with the Iraqi environment (items of natural, social, cultural and heritage environment) in conformity with the utilizing function. b. Defining the constructive designing relations suitable in women's cloth designs. The research limits were specified by addressing women's clothes produced locally in texture factories that belonged to the country within the period (1980 - 2000). The second chapter dealt with the theoretical frame including four sections. The first section was (The Variables of the Iraqi Environment through History and Their Impacts on Women's Cloth Designs), the second one (Cloth Designs through Historical Ages in Iraq), the third (The Cultural Heritage and Folklore in Iraq) and the fourth (Constructive Relations in the Designing Unit). Then came the indicators of the theoretical frame and previous studies. The research procedures were defined within chapter three by following the descriptive analytical method of research population which mounted (60) models of the productions of Iraqi factories and establishments for women's cloth designs. While the sample test was purposive mounting (20) models. As to analysis tool, it was represented by the analysis form according to the scientific method and then the analysis of sample models and their discussion. Afterwards, the research results were arrived at, the most important of which were : 1. It was shown that the designer had taken design items from the natural environment rather than from the items of social environment and the mixture between both environments in one design was clear. 2. The absence of the cultural factor and the cultural awareness in women's cloth designs, especially at North region. 3. The facial formal non - adjustment was shown with the functional performance. 4. The weakness in activating the role of constructive designing relations (elements, bases and relations) in a way contributing in attracting the learner (the woman). Whereas the recommendations were : 1. Taking care of continual developments in cloth designs basing on the cultural heritage and reformulating it in a contemporary style characterized with novelty and originality
